California Living | John Moran Auctioneers

California Living Tuesday, April 21, 2020—12pm Sale 166 Bids will be accepted by absentee, Moran Mobile, or online at www.johnmoran.com.

Meet the Team Maranda Moran Head of Sale marandam@johnmoran.com Morgana Blackwelder Senior Vice President morgana@johnmoran.com Jardine Gates Junior Specialist, Senior Cataloguer jardine@johnmoran.com Alexis Sutcliffe Furniture and Decorative Arts Cataloguer alexis@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com Ella Fountain Client Services ella@johnmoran.com

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Pg. 83 Lot 1131 Cameron Booth Abstract hillside neighborhood

1001

Five William Spratling sterling silver sugar spoons

1951, 1956-1962, and 1965-1967; Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: 925; All but one stamped: Eagle 30 or 63 Each wire-wrapped handle terminating in a stylized pretzel with ball finial, 5 pieces Each approximately: 4.5� H 5.765 oz. troy approximately $500-700

California Living Online | Tuesday, April 21, 2020

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1002

A group of William Spratling silver table articles

1931-1946 and1949-1951; First and Second Design Periods; Taxco, Mexico Each stamped for William Spratling / Sterling; Two stamped for First Design Period; One stamped: Eagle 13; One stamped for Spratling/Conquistador designs; One stamped with the Conquistador shield Comprising a candlestick with a spiral wire base (3.25” H x 4.375” Dia.), two wire-based master salt dishes (1.75” H x 3.375” Dia.), and two rectangular mint dishes (.75” H x 2.875” W x 2”), 5 pieces total 13.760 oz. troy approximately $500-700

1003◊

1004

1956-1962, 1964-1965, and 1964-1967; Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 925 Comprising a footed dish, a rosewood urn/cigarette holder on a squared base with silver dots (personalized to waist: NCB), a silver and rosewood butter dish, and a knife with dot and arrow detail, 4 pieces Butter dish: .625” H x 9.625” W x 2.75” D

Second-quarter 20th century; Mexico City, Mexico Each stamped for Fred Davis; Further stamped: 925 or 900 Each rectangular hinged box with a carved obsidian face set into the lid, 3 pieces Largest: 1.75” H x 3.625” W x 2.5” D 12.285 oz. troy approximately

Four William Spratling rosewood and silver table items

$600-800

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Three Fred Davis silver and obsidian boxes

$300-500

1005

A group of Mexican sterling silver table items

1930s-1960s; Taxco and Mexico City, Mexico Each stamped for maker; Further stamped: Sterling or 925 Comprising a Los Castillo gravy dish, a William Spratling monogrammed tray, a Conquistador bonbon dish, a P. Lopez goblet, an Antonio Pineda salt shaker and a Plata Artistica round tray, 6 pieces Largest: .375” H x 11.125” Dia. Weighable sterling: 44.035 oz. troy approximately $400-600

1006

A group of Los Castillo mixed-metal table articles

Second-quarter 20th century; Taxco, Mexico Each stamped: Los Castillo Taxco / Handwrought; Various additional stamps including: Sterling / Mexico, Metales Castillo, Eagle 15 Comprising: an ant-motif tray, a cream jug, a sugar bowl and oval tray with copper highlights, 4 pieces Larger tray: .625” H x 12.375” W x 12.375” D $300-500

1007

A Hector Aguilar silver pie server 1940-1945; Taxco, Mexico Stamped: Taxco / HA / 940 10.375” H x 3.25” W 4.350 oz. troy approximately $200-300

California Living Online | Tuesday, April 21, 2020

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1008

A chip-carved tramp art frame

First-quarter 20th century The rectangular picture frame with interlocking chip-work enclosed in a later-added shadowbox Shadowbox: 25.25” H x 26.325” W x 6.5” D $800-1,200

1009

A chip-carved tramp art picture frame First-quarter 20th century 30.25” H x 22.75” W x 2.5” D $300-500

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1010

Four chip-carved tramp art boxes

Late 19th/early 20th century, American Each box featuring various elaborately carved surfaces and a unique interior, 4 pieces Largest: 5” H x 11” W x 6.5” D $1,000-1,500

1011

A group of chip-carved tramp art items

Late 19th/early 20th century Comprising four boxes, one wall shelf, and one picture frame, 6 pieces Tallest: 9.5” H x 8.5” W x 5.5” D $600-800

California Living Online | Tuesday, April 21, 2020

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1012

A Catalina backgammon table

Circa 1932 The black tile border enclosing a turquoise, yellow and black backgammon board, raised on wrought iron legs and an X-form stretcher 28” H x 27.5” W x 22.5” D $3,000-4,000

California Living Online | Tuesday, April 21, 2020

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1013

A Tiffany Studios bronze smoker stand

Late 19th/early 20th century Stamped to underside of base: Tiffany Studios / New York / 1649 The openwork bowl atop a round tray supported on a tall stem and circular bronze base 27.5� H x 9� Dia. $600-800

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California Living Online | Tuesday, April 21, 2020

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1014

Arthur Sheppard

(1875-1954 English) “Dempsey” Oil on canvas Signed lower right: Arthur Sheppard 30.25” H x 38.75” W $800-1,200 Notes: With a typed inscription on a label affixed to the stretcher. Jack Dempsey winning heavy-weight title from Jess Willard, July 4, 1919 in Toledo, Ohio. Battered Willard into submission in three rounds. Willard weighed 245 lbs to Dempsey’s 187 1/2 lbs.

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1015

Arthur Sheppard

(1875-1954 English) “Sullivan vs Kilrain” Oil on canvas Signed lower right: Arthur Sheppard, titled along the top tacking edge, and with the copyright symbol lower left 30” H x 39” W $700-900 Notes: With a typed inscription on a label affixed to the stretcher. Sullivan beats Kilrain at Richburg, Miss. July 8, 1889. A bare knuckle fight under London prize rules. They fought 2 and a quarter hours. Kilrain took a terrible beating, at the end of the 75th round, Kilrain was unable to continue. William Muldoon trained Sullivan, Charles Mitchell trained Kilrain.

California Living Online | Tuesday, April 21, 2020

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1016

A Gustav Stickley server, No. 802

First-quarter 20th century Stamped inside drawer for Gustav Stickley The rectangular top over two drawers and a curved apron set on post legs with a rectangular undershelf 39.25” H x 42” W x 18” D $1,000-1,500

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1017

A Stickley Brothers drink table with copper top, No. 2617 First-quarter 20th century Apparently unsigned The round copper top over a widening squared base 27.75” H x 18” Dia. $1,000-1,500

1018

A Gustav Stickley pedestal dining table, No. 656

First-quarter 20th century Stamped 44; Remnants of a paper label The table can extend to 96”, currently fitted with two latter-added leaves Closed: 29” H x 48” Dia.; Extended: 29” H x 70” W x 48” D $800-1,200

California Living Online | Tuesday, April 21, 2020

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1019

An L. & J.G. Stickley set of five ladder-back side chairs

First-quarter 20th century Each stamped for L & JG Stickley [Wood Clamp] Each ladder-back chair with three back cross rails over a leather seat atop four square legs, 5 pieces Each approximately: 34” H x 16.75” W x 16” D $2,000-3,000

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1020

Robert Earle Wood

(1926-1999 Redlands, CA) Church in a landscape with figure Watercolor on paper under glass Signed lower right: Robert E. Wood ANA/AWS Sight: 20.5” H x 28.5” W $600-800

California Living Online | Tuesday, April 21, 2020

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1021

Carl Oscar Borg

(1879-1947 Santa Barbara, CA) Mission San Luis Rey Watercolor on paper under glass Signed and inscribed indistinctly lower right: Carl Oscar Borg Sight: 19.5” H x 15.5” W; Sheet: 19.75” H x 15.75” W $2,000-3,000

1022

Donna Schuster

(1883-1953 Los Angeles, CA) “House in Griffith Park” Watercolor on paper under glass Signed lower right: Donna Schuster, titled on a gallery label affixed to the backing paper Sight: 15” H x 15” W $2,000-3,000 Provenance: The Red Fern Gallery, Laguna Beach, CA

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1023

Percy Gray

(1869-1952 San Francisco, CA) “Near Asilomar Pines,” 1947 Pencil on paper under glass Signed lower right: Percy Gray, titled and dated verso Sight: 3.75” H x 5.25” W $700-900

1024

Edgar Alwin Payne

(1883-1947 Hollywood, CA) “Boats in Harbor,” circa 1930 Pencil on paper under glass Signed lower right: Edgar Payne, titled and dated on a gallery label affixed to the backing paper Sight: 7.5” H x 9.75” W; Sheet: 8.5” H x 11” W $1,000-1,500 Provenance: Adamson-Duvannes Galleries; Los Angeles, CA

1025

Paul De Longpre

(1855-1911 Hollywood, CA) “Pink Roses” Watercolor on paper under Plexiglas Signed lower center: P. de L., titled on a gum label affixed to the backing paper Sight: 8.75” H x 6” W; Sheet: 10” H x 7.5” W $2,000-3,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA

1026

Harrison Fisher

(1875-1934 New York/San Francisco) Couple aboard a ship, 1904 Watercolor on paper under glass Signed and dated lower center: Harrison Fischer Sight: 13” H x 9” W $600-900

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1027

Donna Schuster

(1883-1953 Los Angeles, CA) Portrait of a woman in bed Oil on canvas laid to canvas backed by a protective coating Signed lower right: Donna Schuster, signed again and indistinctly inscribed verso 26.25� H x 20.25� W $2,000-3,000

California Living Online | Tuesday, April 21, 2020

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1028

Constance Curtis

(1869-1959 New York, NY) “White Roses” Oil on canvas Signed upper left: C. Curtis, titled on an exhibition label affixed to the stretcher 18” H x 14” W $2,000-4,000 Exhibitions: Stockbridge, MA, Stockbridge Art Exhibition, n.d.

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1029

A Los Castillo silver and azurmalachite diving trophy

Mid-20th century; Taxco, Mexico Stamped to underside: Los Castillo Taxco The trophy featuring a swiveling diving figure set on a rosewood base, uninscribed 13” H x 8.5” W x 6.75” D $300-500

California Living Online | Tuesday, April 21, 2020

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1030

A Hector Aguilar copper and brass drink set

Third-quarter 20th century Stamped for Hector Aguilar; Further stamped: Taxco / 994 Comprising a pitcher and six handled cups, 7 pieces Pitcher: 13” H x 6.325” W x 5.75” D; Cups: 5.125” H x 5.625” W x 3.75” D $300-500

1031

Four Hector Aguilar mixed-metal items

Mid-20th century; Taxco, Mexico Each stamped for Hector Aguilar; Some further stamped: 994 / Taxco Comprising a pitcher (7” H x 6.25” W x 5.375” D), a shallow serving bowl (2.125” H x 11.625” Dia.), a copper candlestick (3.375” H x 3.625” Dia.), and an iron handled pot (6.5” H x 8.75” W x 7” D), 4 pieces $600-800

1032

Two mixed-metal boxes

Third-quarter 20th century One stamped for Bernice Goodspeed: Taxco / Mexico; One stamped: Hecho en Mexico / Frank Each box featuring a mixed-stone and metal decorated lid depicting fish, 2 pieces Larger: 1.25” H x 13.125” W x 4.375” D $200-400

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1033

Emil J. Kosa Jr. NA

(1903-1968 Los Angeles, CA) Trees in a foothill landscape Oil on canvas Signed lower left: Emil J Kosa Jr 20” H x 24” W $3,000-5,000

California Living Online | Tuesday, April 21, 2020

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1034

Emile Albert Gruppe

(1896-1978 Gloucester, MA) “Autumn View” Oil on canvasboard Signed lower right: Emile A. Gruppe, titled by repute 16” H x 20” W $2,000-3,000 Provenance: Sold: Skinner Inc., Marlborough, MA, American & European Works of Art, September 15, 2006, Lot 517

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1035

Vernon Jay Morse

(1898-1965 Sierra Madre, CA) Creek in a mountain landscape, 1928 Oil on canvas Signed and dated lower right: Vernon Jay Morse 25.5” H x 30” W $2,000-3,000

California Living Online | Tuesday, April 21, 2020

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1036

Marion Kavanagh Wachtel

(1870-1954 Pasadena, CA) River landscape Watercolor on paper under glass Signed lower right: Marion Kavanagh Wachtel and with the artist’s device Sight: 10.75” H x 14.75” W $1,500-2,500 Provenance: Sold, John Moran Auctioneers, February 12, 2002, Lot 83B

1037

William Henry Price

(1864-1940 Pasadena, CA) San Gabriel mountain landscape Oil on canvas Signed lower right: Price W 28” H x 36” W $500-700

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1038

A Tiffany Studios “Zodiac” turtleback desk lamp

First-quarter 20th century Stamped: Tiffany Studios / New York / 541 The turtleback jewels in green, blue, pink, and gold tones set in a “Zodiac” pattern swiveling brass fixture with a trident shaped stem featuring six zodiac symbols around the shade and six on the base Overall: 14.5” H x 9.75” W x 6.375” D $5,000-7,000 Literature: This design illustrated: R. Koch, “Louis C. Tiffany: The Collected Works of Robert Koch,” Schiffer Publishing Ltd.: Pennsylvania, 2001, p. 268, fig. 41.

California Living Online | Tuesday, April 21, 2020

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1039

A Tiffany Studios three-light “Lily” piano lamp

First-quarter 20th century Stamped to underside: 28602 / Tiffany Studios / New York / 8; Further stamped with Tiffany monogram The gold iridescent glass shades suspended above a patinated bronze decorated "Artichoke" base Overall: 9.75” H x 12.5” W x 8” D $1,500-2,000

1040

A Gustav Stickley bookcase

1912-1916 Branded mark The single fifteen-light door enclosing adjustable shelves 56” H x 35.25” W x 13” D $3,000-5,000

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1041

A Macey Co. barrister’s bookcase

Late 19th/early 20th century Each row signed: Macey Each glazed row opening to an oak-lined bookcase in sizes: 11-8.75, 11-8, 11-10, and 11-12 57” H x 48” W x 12.75” D $1,000-1,500

California Living Online | Tuesday, April 21, 2020

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1042

A Gustav Stickley oak serving table, No. 808

1907-1912 Craftsman paper label verso; Further stamped with the red Craftsman Worksman mark The Craftsman fumed oak table with rectangular top over an arrangement of three short drawers and one long drawer each with hand-wrought pulls over a rectangular undershelf 40” H x 48” W x 18” D $4,000-6,000

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1043

A Gustav Stickley sideboard, No. 814

1902-1904 Stamped twice with United Crafts Mark Craftsman-fumed oak with ooze leather-lined top drawer over three short drawers and one long drawer set with two single-door cabinets 49.25” H x 56” W x 22” D $2,000-3,000

California Living Online | Tuesday, April 21, 2020

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1044

An Ernest Batchelder jardinière

First-quarter 20th century Stamped: Batchelder, Los Angeles, #265 The squared planter with chamfered corners designed with a rosette border over four panels of peacocks nesting in grapevines 16” H x 19.75” W x 19.75” D $2,000-3,000

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1045

A Hampshire Pottery jardinière on stand

First-quarter 20th century Apparently unsigned Each with stylized calla lily design, with green matte glaze, 2 pieces Overall: 40” H x 14.5” W x 14.5” D $600-800

California Living Online | Tuesday, April 21, 2020

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1046

Gene Kloss NA

(1903-1996 Taos, NM) “Winter Pasture” Etching, drypoint and aquatint on paper Edition 50/1941, signed lower right: Gene Kloss, titled lower left Sheet: 12.5” H x 16.25” W; Plate: 11” H x 14” W $700-900

1047

Gene Kloss NA

(1903-1996 Taos, NM) “Penitentes by Moonlight” Etching on paper under glass Edition 22/50, signed lower right: Gene Kloss, titled and numbered lower left Sight: 12.25” H x 15.25” W; Plate: 11” H x 14” W $800-1,200

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1048

Harold L. Doolittle

(1883-1974 California) “From the Canyons Rim” Etching on paper under glass Signed lower right: Harold L. Doolittle, titled lower left Sight: 9.5” H x13.5” W; Plate: 8.75” H x 11.75” W $300-500

California Living Online | Tuesday, April 21, 2020

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1049

A Life-Time/Grand Rapids Bookcase Co. settle

First-quarter 20th century Paper label verso: Grand Rapids Bookcase & Chair co.

No. 697 æ, the paneled oak back and side rests enclosing a natural leather seat pad with multiple leather pillows 36.625” H x 80” W x 32.875” D $2,000-3,000

1050

An L. & J.G. Stickley occasional table, No. 580

First-quarter 20th century Paper label: The Work of L. & J.G. Stickley The chamfered square top raised on squared legs joined by an X-form stretcher topped by a square under-shelf 29” H x 35.75” W x 35.5” D $700-900

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1052

A Handel bronze harp floor lamp with Mosserine shade First-quarter 20th century Shade stamped to interior: Handel Mosserine; Further numbered 6068 The lamp with harp-shaped cage and an acorn finial, cylindrical standard and weighted circular base, fitted with original green glass shade Overall: 56.75” H x 13.5” W x 9.75” D $1,000-1,500

1051

An L. & J.G. Stickley table, No. 538

First-quarter 20th century Marked for L. & J.G. Stickley [red wood clamp] The circular top over post legs with an X-form stretcher 27.125” H x 29.5” Dia. $1,000-1,500

California Living Online | Tuesday, April 21, 2020

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1053

Antonio Nicolo Gasparo Jacobsen

(1850-1921 Hoboken, NJ) The American Bark, “Manga Reva” (formerly “Pyrenees”), 1909 Oil on board under Plexiglas Signed, dated and inscribed lower right: Antonio Jacobsen / 31 Palisade Av West Hoboken NJ 18” H x 30” W $8,000-12,000 Provenance: Property from the Kelton Collection "Launched in 1891 as Pyrenees; this vessel acquired a solid reputation as a profitable carrier over the first nine years of her career. In November 1900; while on a passage from Tacoma; Washington to Leith; Scotland; her cargo of wheat caught fire due to spontaneous combustion. Her commander; Captain Robert Bryce; made for Pitcairn Island. Upon finding no suitable place to beach the vessel at Pitcairn; Bryce took on local pilot James 'Big Hunty' McCoy; great-grandson of Bounty Mutineer William McCoy; and sailed another 300 miles to Manga Reva in the Tuamotu Islands. There Pyrenees was beached and abandoned on December 2. This incident was the subject of Jack London's popular short story 'The Seed of McCoy'.

Captain J.E. Thayer of San Francisco purchased the hulk and; after making temporary repairs at Tahiti; coaxed Pyrenees into San Francisco where she underwent a complete refit. Relaunched in 1903; she was re-named Manga Reva and registered as an American Flag vessel. Under American ownership; her second career also proved a great success. She sailed primarily in the Pacific sugar trade carrying Hawaiian sugar around Cape Horn to East Coast ports and returning with coal to stock Pacific coaling stations. Home ported in San Francisco she regularly turned in fast passages; her best being in 1909; the year this painting was made; when she ran from San Francisco to Philadelphia in 102 days.

Also in 1909; she was chartered by the Alaska Packers Association to deliver a record cargo of 105;107 cases of salmon from Bristol Bay Alaska to San Francisco. Manga Reva continued to carry general cargo between San Francisco and the East Coast until 1914 when she was laid up in Sausalito. In 1915; at the outbreak of World War I; she was returned to service carrying wartime cargoes of grain and case oil to ports in Europe and Africa. On November 19; 1916; on a voyage from London to Hampton Roads; Virginia; Manga Reva reported by wireless that she was sinking at position 47 degrees North; 14 degrees West. Although never confirmed; the official report indicates she was sunk by a German submarine."

- The Blue World Web Museum

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1054

Nicolas M. Condy

(1818-1851 English) “Pirate Chasse-Maree Running from an English Brig” Oil on canvas laid to canvas under Plexiglas Appears unsigned, titled by repute 12” H x 16” W $3,000-5,000 Provenance: Property from the Kelton Collection

California Living Online | Tuesday, April 21, 2020

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1055

1056

Second-quarter 20th century With a four-cross stepped column and halves design, woven in red, cream, gray, and natural dark brown 68” H x 39.5” W

Second-quarter 20th century With a radiating serrated diamond motif, woven in red, cream, dark brown, and gray 70.5” H x 41.5” W

A Navajo regional rug

$400-600

40

A Navajo regional rug

$400-600

1058

1057

A Navajo regional rug

A Navajo regional

Second-quarter 20th century The rug with a two-stepped diamond central column with a four-direction motif, woven in red, beige, light gray, cream, and brown 60.25” H x 37” W $200-400

runner Second-quarter 20th century With a central serrated diamond column with cream, red, gray, and light gray 76.5” H x 36.5” W $200-400

California Living Online | Tuesday, April 21, 2020

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1059

A Navajo regional rug

Second-quarter 20th century The rug with all-over geometric pattern in red, light grey, grey, and cream 55.5� H x 30.25� W $200-300

42

1060

Two Navajo Yei rugs

Second-quarter 20th century First: Seven yei figures on a mustard field; Second: Four yei figures on a brown field, 2 pieces Larger: 35” H x 63” W; Smaller: 32.5” H x 42.25” W $500-700

California Living Online | Tuesday, April 21, 2020

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1061

Cheryl Ekstrom

(b. 1944 Laguna Beach, CA) Park Blue Journeyman Cast bronze Apparently unsigned 15.75” H x 5” W x 5” D $700-900 Provenance: Artist studio

44

1062

A pair of blue Bauer Pottery vases Second-quarter 20th century Apparently unsigned Each bright blue vase with thick rim Each approximately: 15” H x 10.25” Dia. $600-800

1063

An Ed Diers for Rookwood vase

1902 Conjoined Rookwood flame monogram to base with date mark: 1902 [II]; Further marked for Ed Diers and stamped 880 The standard glaze vase decorated with white and green hydrangeas 16.625” H x 9” Dia. $1,500-2,000

California Living Online | Tuesday, April 21, 2020

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1064

A Fulper Pottery four-handled vase

1916-1922 Stamped to underside: Fulper The large bulbous vase in crystaline blue together with a book on American Art Pottery featuring a smiliar vase on the cover, 2 pieces 13� H x 11.625� Dia. $1,000-2,000

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1065

A Fulper Pottery vase

1916-1922 Marked to base: Fulper The baluster-shaped vase glazed in cat’s-eye flambe and mirror black 13.125” H x 6.5” Dia. $1,000-1,500

California Living Online | Tuesday, April 21, 2020

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1066

Frank Paul Sauerwein

(1871-1910 American) Road through a desert landscape Oil on canvas Signed lower right: F.P. Sauerwein 20” H 36” W $3,000-5,000

48

1067

Kurt Seyde

(20th Century German) Oil on canvas Signed indistinctly and dated lower left “Zug Zur Festwiese, Madrid,” 1915 [On the way to the festival] Oil on canvas Signed and dated lower left: K. Seyde 17” H x 25.25” W $700-900

California Living Online | Tuesday, April 21, 2020

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1068 J.T. Braun

(b. 1951 Uruguayan/American) “Mountain Range” Oil on canvas Signed lower left: Braun, and with the copyright symbol, titled on a gallery label affixed to the backing paper 24” H x 20” W $500-700 Provenance: Minotaur Galleries, Las Vegas, NV

1069

Winckworth Allan Gay

(1821-1910 West Hingham, MA.) View of a bay, 1872 Oil on board Signed and dated lower left: W. Allen Gay 18” H x 24” W $1,000-2,000 Notes: With a partial gallery label from the Doll and Richards Art Gallery, Boston, MA. affixed to the frame verso.

50

1070

Julian Onderdonk

(1882-1922 San Antonio, TX) “View on a Meadow” Oil on canvas laid to board Signed lower right: Julian Onderdonk, titled on a gallery label affixed to the frame verso 12” H x 14” W $4,000-6,000

1071

Manuel Valencia

(1856-1935 Sacramento, CA) Nocturnal town scene Oil on canvas Signed lower left: M. Valencia 16” H x 24” W $2,500-3,500

California Living Online | Tuesday, April 21, 2020

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1072

A manzanita burl wood dinette set

Mid-20th century Comprising a table, two chairs, and two stools, 5 pieces Table: 31.75” H x 36” W x 36.25” D; Each chair: 31.75” H x 19” W x 25” D; Each stool: 18.25” H x 13” W x 13.25” D $800-1,200

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1073

Anthony “Tony” Duquette (1914-1999 Los Angeles, CA) “Madonna,” 1940s Mixed media on a mirrored base Apparently unsigned Figure: 11.75” H x 6.25” W x 6” D $800-1,200 Provenance: Sold: Bonham’s California, 20th Century Decorative Arts, October 5, 2010, Lot 4272 Notes: This one-of-a-kind work was purchased at the Bonham’s sale featuring items from the Anthony “Tony” Duquette estate.

California Living Online | Tuesday, April 21, 2020

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1074

A Mexican clay pitcher and Casas Grande clay pot

Mid-20th century Pitcher inscribed to underside: Dona Rosa / SN Bartolo / Coyotepec / Oaxaca / Mexico; Pot signed to underside: Gloria Adez Comprising a black clay pitcher with a rounded rim atop a squared body with loop handle and a Quezada Casas Grande pot with black painted design and seated on a ring-shaped stand, 2 pieces Pitcher: 5.5” H x 4.75” W x 3.75” D; Pot: 6.25” H x 6” Dia. $200-400

1075

A Gustav Stickley oak buffet, No. 955

1903 Red “Als Ik Kan / Stickley” mark verso The plate rack over a pair of drawers with wood faceted knobs over an undershelf with a long drawer with chamfered sides and through-tenon sides 45” H x 60” W x 24” D $4,000-6,000 Provenance: Sold: John Moran Auctioneers, Pasadena, CA, March 25, 2008, lot 1061

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1076

A Stickley Brothers desk, No. 171

First-quarter 20th century Apparently unsigned The ‘writing bed’ or ‘postcard’ designed with two sets of pigeon holes and two short drawers raised on squared legs with slatted interspaces, joined by an I-form stretcher 36” H x 36” W x 22.75” D $1,000-1,500 Literature: Stephen Gray, “Quaint Furniture in Arts and Crafts,” Grand Rapids Michigan: Stickley Brothers Company, 1988, p. 61.

California Living Online | Tuesday, April 21, 2020

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1077

A Gustav Stickley table

First-quarter 20th century Apparently unsigned The round top over post legs joined by an X-form stretcher 28” H x 24” Dia. $600-800

1078

A Tiffany Studios patinated bronze table lamp

First-quarter 20th century Stamped to underside of base: [Monogram] / Tiffany Studios / New York / D805 The Tiffany base with associated contemporary leaded glass shade, each in a peacock motif Overall: 22.25” H x 16” Dia. $6,000-9,000

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California Living Online | Tuesday, April 21, 2020

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1079

A Tiffany Studios leaded glass and bronze table lamp First-quarter 20th century Stamped to underside of base: Tiffany Studios / New York / 9925 The dichroic Tiffany leaded glass shade in “Jewel Feather” and “Peacock” motifs with inset glass chunks raised on a patinated bronze base Overall: 22.25” H x 12.5” Dia $12,000-18,000 Provenance: Lamp accompanied by a letter of authentication and the bill of sale.

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1080

Hanson Duvall Puthuff

(1875-1972 Corona Del Mar, CA) Coastal cypress Oil on canvas laid to board Signed lower right: H. Puthuff, indistinctly dated verso 12� H x 16� W $3,000-4,000

California Living Online | Tuesday, April 21, 2020

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1081

Roi Clarkson Colman

(1884-1945 Lakeside, CA) Shoreline with trees Oil on canvas Signed lower left: R. Clarkson Colman 14.5” H x 18.5” W $2,000-3,000

60

1082

Virginia Woolley

(1884-1971 Laguna Beach, CA) Trees and houses in a coastal landscape Oil on masonite Signed lower left: Virginia Woolley 18” H x 15” W $2,000-3,000

California Living Online | Tuesday, April 21, 2020

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1083

William Dorsey

(1942-2019 Ojai, CA) Winding road through trees Oil on canvas Signed lower left: Wm Dorsey 18” H x 24” W $600-800

1084

William Dorsey

(1942-2019 Ojai, CA) Landscape with wildflowers and stream Oil on canvas Signed lower left: Dorsey 20” H x 24” W $700-900

1085

Arthur Burnside Dodge

(1863-1952 Los Angeles, CA) “Spring Time in Santa Clara Valley,” 1937 Oil on canvas laid to canvas Signed and dated lower right: A.B. Dodge, titled on a partial label affixed verso 24” H x 30” W $2,000-3,000

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1086

A Porter Blanchard “Fiddle” sterling silver flatware service

First-quarter 20th century Each stamped for Porter Blanchard; Further stamped: Handmade / Sterling Comprising 8 dinner knives (9.375”), 8 luncheon knives (8.375”), 8 butter spreaders (5.5”), 8 dinner forks (7.625”), 8 luncheon forks (7.125”), 8 salad forks (6.75”), 16 teaspoons (6”), 8 soup spoons (6.5”), 8 coffee spoons (5.375”), 8 iced tea spoons (7.75”), 8 salt spoons (5.625”), 2 sugar spoons (6”), 1 two-piece baby fork and spoon set (each 4”), 1 two-piece salad fork (9.125”) and spoon set (8.75”), 1 lemonade spoon (11.625”), 1 vegetable serving spoon (8.75”), 1 cheese fork (7.125”), 1 jelly knife (7”), 1 pie server (9”), 1 serrated tart knife/server (10.375”), 1 sugar tong (4”), 1 cream ladle (4.875”), and 1 lemon/pickle fork (5.125”), 111 pieces Weighable sterling: 105.405 oz. troy approximately $4,000-6,000

1087

Three Sanborns silver items

1930s; Mexico City, Mexico Stamped: Sanborns Mexico Sterling with owl Comprising a carafe, a small cup, and a lidded box Largest: 10.25” H x 5.5” Dia. 36.665 oz. troy approximately $500-700

1088

A Sanborns sterling silver teapot and sugar bowl Circa 1930s; Mexico City, Mexico Each stamped: Sanborns / Mexico / Sterling [Owl] 2 pieces Teapot: 6.625” H x 9.75” W x 6.375” D 42.025 oz. troy approximately $500-700

California Living Online | Tuesday, April 21, 2020

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1089

A Liberty & Co. sterling silver vanity set

1905 Hallmarked and dated: Birmingham [Anchor] / Sterling [Lion] / 1905; Further stamped: L & Co. / Cymric Each with enamelled Celtic knot and turquoise decoration, comprising 1 mirror (10.625”H x 6.25” W), 2 hairbrushes (Each 9.5” H x 3.625” W x 1.75” D), 1 lint brush (7.125” H x 1.625” W x 1.625” D), 1 handled-nail buffer (2” H x 4” W x 1.625” D), 1 nail file (5.125” H x .5” W), and 1 button hook (8.75” H x .875” W), 7 pieces $500-700

1090

Three graduated tortoise glass bottles First-quarter 20th century Each bottle with a fitted metal lid Largest: 7.125” H x3” Dia. $200-400

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1091

Joe Duncan Gleason

(1881-1959 Glendale, CA) “Mountain Waters Rock Creek, Sierras” Oil canvas laid to board Unsigned, titled on an artist’s label affixed verso 18” H x 20” W $2,000-3,000

California Living Online | Tuesday, April 21, 2020

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1092

Eugene Franquinet

(1875-1940 La Crescenta, CA) “Lower Columbine Lake” Oil on canvas Signed lower right: Eugene Franquinet, signed again and inscribed verso, signed again, titled and inscribed on the stretcher bar, signed again, titled and inscribed on two artist’s labels affixed to the stretcher bar: High Sierras Calif / La Crescenta California 24” H x 30” W $1,000-2,000

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1093

Paul Grimm

(1891-1974 Palm Springs, CA) “Scenic Allure,” 1939 Oil on canvasboard Signed lower right: Paul Grimm, signed again, titled and dated verso 16” H x 20” W $1,500-2,500

1094

Paul Grimm

(1892-1974 Palm Springs, CA) “Colorful Desert” Oil on canvas Signed lower right: Paul Grimm, signed again and titled verso 28” H x 36” W $1,500-2,000

California Living Online | Tuesday, April 21, 2020

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1096

Sam Hyde Harris

(1889-1977 Alhambra, CA) “Arrowhead” Oil on canvasboard Signed lower left: Sam Hyde Harris, signed again, titled and estate numbered verso: #000601 20” H x 24” W $3,000-5,000 Notes: With an authentication stamp signed by Maureen St. Gaudens verso

1095

Sam Hyde Harris

(1889-1977 Alhambra, CA) “Kern Memory” Oil on canvas Signed lower right: Sam Hyde Harris, signed again, titled, numbered and estate numbered on the stretcher: 870 / 000502 24” H x 30” W $4,000-6,000 Notes: With the estate stamp signed by Maureen St. Gaudens verso.

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1097

Sam Hyde Harris

(1889-1977 Alhambra, CA) House by a lagoon Oil on canvas Signed lower left: Sam Hyde Harris, signed again and estate numbered on the stretcher: 000638 18� H x 24� W $2,500-3,500 Notes: With the estate stamp signed by Maureen St. Gaudens verso.

California Living Online | Tuesday, April 21, 2020

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1098

A Navajo regional rug

The rug with red background with yellow, orange, black, and cream stripes 62.75� H x 31.75� W $400-600

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1099

A Navajo regional rug

Second-quarter 20th century The rug with serrated diamonds woven in red, black, cream, and light gray 56� H x 34� W $200-300

California Living Online | Tuesday, April 21, 2020

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1100

1101

Second-quarter 20th century With rows of serrated red, light gray, and dark gray diamonds on a cream ground 86.75” H x 49.25” W

Second-quarter 20th century The rug with geometric gray, cream, red, and brown design 56.75” H x 37” W

A Navajo regional rug

$400-600

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A Navajo regional rug

$200-300

1102

A Plains bone pipe breastplate

First-quarter 20th century With three columns of bone pipe with brass and glass beads 16” H x 10.25” W $300-500

1103

A group of American Indian beaded articles

First half 20th century Wallet stamped: Amity Comprising a pair of Cree polychrome foliate beaded moccasins, a fully beaded pair of Sioux child’s moccasins, a beaded eagle-motif leather wallet, a beaded frame, and a Plateau beaded strap Adult moccasins: 7.5” H x 10.5” W x 4” D $200-300

California Living Online | Tuesday, April 21, 2020

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1104

Avalon, Santa Catalina Island, Cal. Circa 1885 Color lithograph on paper under glass Published by Kurz & Allison, Chicago, IL Sight: 21” H x 26.5” W $1,000-1,500

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1105

Arthur Sheppard

(1875-1954 English) First: Boxing match between Tom Molineaux and Tom Cribb Second: Boxing match between Tom Molineaux and William Rimmer (two works) Each: Oil on canvas Each: Signed lower right: Arthur Sheppard, second with copyright symbol lower left Each: 30” H x 39” W $1,000-1,500

California Living Online | Tuesday, April 21, 2020

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1106

Arthur Sheppard

(1875-1954 English) First: Tom Molineaux First Exhibition Second: “Stable Bout” (two works) Each: Oil on canvas Each: Signed lower right: Arthur Sheppard Each: 30” H x 39” W $800-1,200

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1107

A framed Chinese porcelain plaque

20th century Titled: Seven Sages of the Bamboo Grove The plaque depicting the third-century tale of the seven poets, artisans, and scholars who fled the stifling atmosphere and intrigue of court for the spontaneity and simplicity of life in nature Overall: 19.5” H x 14.5” W x 1” D $300-500

California Living Online | Tuesday, April 21, 2020

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1108

A Chinese porcelain bowl

1109

Harry B. Lachman

First-half 20th century Inscribed to underside: Happy Forever The red-painted bowl with gold dragon decoration throughout the outside and to inside of rim 4.5” H x 10.625” Dia.

(1886-1975 Beverly Hills, CA) “Norte Dame et Les Quais,” 1912 Oil on canvas Signed and dated lower right: Harry B. Lachman, titled on an artist’s label affixed to the stretcher 15” H x 18” W

$200-400

$2,000-3,000 Provenance: Sold: Bonhams California, December 8, 1998, Lot 1885

1110

A Korean blanket chest

First-half 20th century The rectangular hinged-front chest with wrought-iron metalwork throughout, the hinged-lid opening to reveal two later added particleboard shelves on later added supports 25.5” H x 36” W x 17.5” D $1,000-1,500

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1111

Kiyoshi Saito

(1907-1997 Japanese) “Maiko,” 1961 Woodcut print in colors on paper under Plexiglas Edition 6/85, signed in the image lower center: Kiyoshi Saito, titled and dated in the lower margin Image: 20.5” H x 15.25” W $1,200-1,800

California Living Online | Tuesday, April 21, 2020

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1112

Paul Jacoulet

(1902-1960 French) Woman standing by a palm tree Woodblock on paper under glass Signed and dated lower right: Paul Jacoulet with artist ship chop Sight: 19” H x 14” W $600-800

1113

Terrance Millington

(b. 1943 American) Place Series, including: “Peas,” “Toast,” “Beans,” and “Tomatoes,” 1976 Each: Lithograph on J. Green paper under Plexiglas Edition 20/50 Each: Signed and dated in pencil lower right: Terrance Millington, each: numbered in pencil lower left and titled in pencil lower center Each: Image: 20.5” H x 27.5” W; Sheet: 26.75” H x 33.25” W $400-600

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1114

1115

Third-quarter 20th century Apparently unsigned The cylindrical standing humidor with fitted lid 7.5” H x 5.25” Dia.

Fourth-quarter 20th century The oval-shaped vase with a wide mouth, U-formed rim 10” H x 10.875” W x 4” D

A crystalline green earthenware humidor

A Scandinavian lavender glass vase

$200-400

$300-500

1116

1117

Mid-20th century Signed to underside: Oscar Bucher The modern-style studio pot in pink, green and bluegrey tones 13.5” H x 9” Dia.

Fourth-quarter 20th century Signed and dated to underside: Orrefors pu 3967/1 4.25” H x 8.5” Dia.

An Oscar Bucher vase

An Orrefors blue art glass bowl

$300-500

$200-400

California Living Online | Tuesday, April 21, 2020

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1118

Kay Omata

(20th Century Chinese) “Passage #4,” 1989 Mixed media on paper Signed lower right: Omata, titled and dated on partial label affixed verso 29.5” H x 41.5” W $200-400

1119

Luciano Spazzali

(1911-1997 Italian) “Grappolo D’Uva” Mixed media on canvas laid to board Signed lower right: Spazzali, titled and inscribed verso: Original work by living artsit, painter Spazzali Luciano, Italy 27.75” H x 15.75” W $600-900

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1120

A pair of modern figural paintings (two works) Mid-20th Century Watercolor on Strathmore Artist’s paper under glass Each: apparently unsigned Sight of eacht: 24.25” H x 18.25” W $600-900

California Living Online | Tuesday, April 21, 2020

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1121

Two Eames for Herman Miller DKR “wire mesh” chairs Circa 1950 Each chair with an Eiffel Tower base, 2 pieces Each approximately: 32.125” H x 18.5” W x 19.5” D $400-600

1122

Two Eames chairs

Circa 1950 Armchair: stamped: 51002302; Further indistinctly stamped Comprising one black wire mesh chair and one cream fiberglass shell armchair on a platform base Black metal chair: 32.125” H x 19” W x 20.5” D; Armchair: 32” H x 24.75” W x 22” D $300-500

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1123

A Brown and Jordan patio furniture set

Third-quarter 20th century Comprising four armchairs with lattice backs, two ottomans, and a round table, 7 pieces Each chair approximately: 28.5” H x 24.75” W x 22.5” D; Each ottoman approximately: 15.75” H x 21” W x 21” D; Table: 26.5” H x 31.5”Dia. $1,000-1,500

California Living Online | Tuesday, April 21, 2020

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1124

A pair of steel and suede armchairs

Fourth-quarter 20th century Each with metal sticker: Made in Holland Each crescent back and armrest over a half-round seat set into a chrome frame, 2 pieces Each approximately: 24.5” H x 32” W x 22.5” D $800-1,200

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1125

Attributed to Sue Felton

(20th Century American) 1940s Los Angeles suburb Acrylic on paper under Plexiglas Unsigned Image: 28.75” H x 42” W; Sheet: 30.25” H x 44” W $200-400

California Living Online | Tuesday, April 21, 2020

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1126

Stan Wiederspan

(20th Century Cedar Rapids, IA) Cardboard box #5, 2004 Acrylic on canvas Signed and dated lower left: Wiederspan, signed and dated again and numbered verso: 5 24” H x 24” W $200-400

1127

Glenn Ness

(b. 1959 American) “Waiting for the Epiphany” Oil on canvas Signed and titled verso: Glenn Ness 16” H x 12” W $1,500-2,000 Provenance: Sue Greenwood Fine Art, Laguna Beach, CA

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1128

Mark Lipscomb

(20th Century, American) Untitled D86-42, D86-44, 1986 (Cityscape Diptych) Each: Acrylic on paper under Plexiglas Each: Signed and dated lower rigth: Mark Lipscomb Each: 30” H x 22” W $200-400 Provenance: Hunsaker/Schlesinger Associates, Los Angeles, CA

California Living Online | Tuesday, April 21, 2020

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1129

A Baccarat “Arlequin” crystal vase

Fourth-quarter 20th century Marked to the bottom: Baccarat / France; Box further labeled: Vase 160 6.5” H x 5.25” Dia. $200-300

1130

A lucite and brass game table

Four-quarter 20th century The square top with rounded corners on an X-form brass and lucite base 28.125” H x 30” W x 30” D $600-900

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1131

Cameron Booth

(1892-1980 Minneapolis, MN) Abstract hillside neighborhood Oil on canvas Signed verso: Booth 48” H x 36” W $2,000-3,000

California Living Online | Tuesday, April 21, 2020

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1132

Geer Morton

(b. 1935 American) “Three Floral S.L #3,” 1993 Oil on canvas Signed lower right: G. Morton, signed again, titled, dated, numbered and inscribed verso: 873 / San Diego 36” H x 28” W $700-900

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1133

Geer Morton

(b. 1935 American) “Dresser S.L. #1,” 1994 (still life) Oil on canvas Signed lower right: G. Morton, signed again, titled, dated, inscribed and numbered verso: 936, Aug. ‘94, W. Bath 28.25” H x 28” W $700-900

California Living Online | Tuesday, April 21, 2020

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1134

Lundy Siegriest

(1925-1985 Oakland, CA) “House Boat,” circa 1950s Mixed media on paper Signed lower right: Lundy Siegriest, titled and dated on a biography affixed to the frame verso Sight: 21” H x 27” W $600-800

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1135

A near pair of contemporary chrome table lamps with white shades

Fourth-quarter 20th century One stamped to bottom: Nessen Studio LLC / NYC Each short-shaded two light lamp raised on a metal base, one brushed and one polished chrome With shade each approximately: 18.5” H x 13.75” Dia. $300-500

1136

A pair of Lane Furniture low chests on stands Fourth-quarter 20th century Signed Lane Each marquetry-veneered top with brass pulls on a brass base, 2 pieces Each approximately: 19.25” H x 26” W x 18.25” D $600-900

California Living Online | Tuesday, April 21, 2020

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1137

A George Nelson for Herman Miller eight-drawer cabinet

Third-quarter 20th century Tagged: Herman Miller Zeeland, Michigan The taupe chest of drawers fitted with eight short drawers and serpentine metal handles 29.75” H x 57.25” W x 19.625” D $800-1,200

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1138 Mendij

(20th Century Los Angeles, CA) Strong male face portrait, 1967 Oil on canvas Signed and dated lower right: Mendij, signed and dated again and inscribed verso: Los Angeles, California 18� H x 14� W $1,000-2,000

California Living Online | Tuesday, April 21, 2020

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1139

Leon ‘Dusso’ D’Usseau

(1918-1991 Los Angeles, CA) “Rooster” Oil on board shadow box Partial signature lower right: Dusso 17” H x 16.5” W x 3” D $400-600 Provenance: Lane Galleries, Los Angeles, CA

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Condition Reports

1001 Each in overall good condition with tarnishing and light scratches commensurate with age.

1017 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Condensation rings to the top.

1002 Each in overall good condition with tarnishing and light scratches commensurate with age. Very minor bending to some wires.

1018 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

1003 Each in overall good condition with tarnishing and light scratches commensurate with age. A thin separation crack to the side of the butter dish. A dent to the bowl of the butter dish. Shrinkage cracks to the urn. Personalized as mentioned.

1019 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With original leather and finish. Scattered cracks and stains to the leather seats. Scattered spots of house paint. Possible lateradded reinforcements to the seats.

1004 Each in overall good condition with tarnishing and light scratches commensurate with age. Each figure with minor abrasions. The largest with a minor nick.

1005 Each in overall good condition with tarnishing and light scratches commensurate with age. The Plata Artistica with a dent to the rim. The base of the goblet is covered, difficult to determine if it is weighted.

1006 Overall good condition with tarnishing, rubbed wear, and light scratches commensurate with age and use. Scattered dents to the body of the cream jug.

Sugar bowl: 2.5” H x 5.5” W x 3.75” D Cream jug: 3.125” H x 4.875” W x 3.25” D Smaller tray: 1.25” H x 10.25” W x 4.5” D 1007 Overall good condition with tarnishing and light scratches commensurate with age.

1008 Overall good condition. Possibly missing one section of the chip-work frame. The shadow-box with a 5” x 1” corner of the glass missing. A deep scratch to the glass of one side. A chip missing from the base. Wear and alligatoring to finish of the shadowbox frame.

1009 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One vertical side of the wood-carved liner and one 1.25” piece of the opposite liner missing.

1010 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One pincushion with fading and wear.

1011 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the applied paper elements.

Fading and lost stitches to the embroidered panel. Wear and losses to the interiors. One applied letter on one box missing.

1012 Overall good condition with scuffs, scratches, nicks, chips, cracks, and wear to grout commensurate with age. Oxidation to the wrought iron base. Approximately six black border tiles with cracks. Losses along some of the edges of the black border tiles.

Condition Reports

1013 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Lacking insert.

100

1014 Visual: Stretcher bar creases along the four edges. Frame abrasion along the four edges with scattered paint loss. The canvas is slightly rippled in the four corners. A tiny crescent-shaped indent to the canvas with paint loss in the upper left corner. Surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Unframed 1015 Visual: The canvas is loose and rippled. Stretcher bar creases along the four edges with associated craquelure. An 11” x 4” area of scattered pinholes in the upper center.

Scattered flecks of paint loss along the upper edge right. A 1” scratch and three small chips of paint loss along the left edge center.

Blacklight: No evidence of restoration under blacklight.

Unframed 1016 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One loss to finish on top surface: approximately .75”. An area of cracking and loss to veneer on the back: 4.5” x 4.5”.

Scattered spots of house paint throughout. Later added veneer applied to the inside that has since been snapped off. Refinished.

1020 Generally good condition. Not examined out of the frame.

Frame: 32.5” H x 40.5” W x 1.5” D 1021 Visual: Generally good condition. Slight rippling to the paper throughout. Mat burn along the extreme edges. Minor toning to the paper. Hinged to the recto mat with archival tape along the upper edge.

Frame: 30.75” H x 25.75” W x 1” D 1022 Generally good condition. Toning to the paper. Artist’s pinholes in the upper right and lower left corners. A 1” tear along the right center edge. A small hole in the paper along the upper left edge. Hinged to the back mat with linen tape in the upper corners.

Sheet: 15.75” H x 16” W; Frame: 23.5” H x 23.5” W x 1.25” D 1023 Visual: Generally good condition. Toning to the paper. A 1” light handling crease in the upper left corner. A 1.5” light handling crease in the center. Hinged to the recto mat with artist’s tape in two places along the upper edge.

Frame: 9.75” H x 13.5” W x 1.5” D 1024 Visual: Generally good condition. Small paper losses to the upper left, upper right and lower right corners as well as the lower right edge. A tiny tear lower left edge. Toning to the paper. A few minor spots of staining along the right side. Minor handling creases throughout. Hinged to the back mat with clear tape. Tape remnants from a previous mounting remain along all four edges.

Frame: 13.5” H x 17.5” W x .75” D 1025 Minor toning to the paper. Mat burn and staining along the four edges. Two artist’s pinholes along the upper edge. A 1” tear to the paper along the upper left edge. A .25” x 6” area of discoloration across the upper edge due to a previous mounting. The paper is glued to the back mat.

Frame: 18.75” H x 15.5” W x 1.25” D 1026 Generally good condition. Toning to the paper. Two tiny flecks of paper loss in the woman’s jacket and skirt in the center. Minor scratches to the paper upper right, upper left and left center.

Frame: 15” H x 11” W x .75” D 1027 Visual: Craquelure throughout. Minor surface dirt and grime. A 15” scratch from center to lower edge center and a 7” scratch from lower right to lower right corner each with minor paint loss.

Blacklight: Touch-up scattered throughout.

Frame: 32” H x 26” W x 4” D 1028 Visual: The canvas is slightly loose and rippling. Surface dirt and grime.

Blacklight: Restoration scattered throughout with five corresponding patches verso.

Frame: 21.5” H x 17.75” W x 1.75” D 1029 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. An area of nicks to one side and a series of small chips to the front rim of the base.

1030 Each in overall good condition with oxidation, scattered dents, scratches, and scuffs commensurate with age. Most cups out of round.

1031 Each in overall good condition with minor scuffs, darkening, and oxidation commensurate with age. Scattered dents to each item throughout.

1032 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. The larger with some separation between the rock and metal elements on the lid. The smaller with cracking throughout the abalone fish elements.

1034 Visual: Generally good condition. A 1.25” area of scattered small flecks of paint loss along the upper edge center. A few tiny flecks of paint loss scattered throughout the center left.

Blacklight: Small spots of grime fluoresce under blacklight down the center.

Frame: 22.5” H x 26.5” W x 2.25” D 1035 Visual: Generally good condition. Fine craquelure scattered throughout. A tiny loss to the impasto and a small chip of paint loss in the center.

Blacklight: No evidence of restoration under blacklight.

Frame: 29.5” H x 34.5” W x 2.25” D 1036 Generally good condition. Minor toning to the paper. Mounted to the recto mat with archival tape along the four edges.

Sheet: 11.5” H x 15.5” W; Frame: 18.25” H x 22.25” W x 1.5” D 1037 Visual: Generally good condition. Craquelure scattered throughout. Tiny fleck of paint loss lower left.

Blacklight: No evidence of restoration under blacklight.

Frame: 35” H x 43” W x 1.25” D 1038 Overall good condition with minor scuffs, darkening, and oxidation to bronze commensurate with age. Each turtleback jewel in good condition, no visible cracks or scratches. Each milk-glass backing to turtleback panel with a crack through the center, not visible from the outside. Wiring should be checked by a qualified electrician prior to use.

1039 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Shades unsigned; two consistent with Tiffany Studios. One shade possibly replaced.

Wiring should be checked by a qualified electrician prior to use.

Base: 9.75” H x 6.75” W x 6” D; Each shade approximately: 4.5” H x 2.75” Dia. 1040 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Condensation rings and wear to the finish of the top. A series of scuffs and chips to the edges of the side panels. An L-shaped area of overpaint to the interior of drawer. Door needs to be locked to be flush. Some losses to the bottom trim. Includes key.

1041 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One door does not close. Potential design element missing from the base.

1042 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished.

1043 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered condensation marks to the top surface. Some condensation rings and stains to interior of one cabinet. Possibly refinished. Includes key.

1048 Generally good condition. The paper is slightly rippled. Minor toning to the paper. Mat burn along the four edges. Not examined out of the frame.

Frame: 22.75” H x 18.75” W x .5” D 1049 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor fading to original finish.

1050 Overall good condition with scattered minor nicks, scratches, wear, and minor separation throughout commensurate with age. Wear to the finish on the top. Possibly refinished.

1051 Overall good condition with scattered minor nicks, scratches, wear, and minor separation throughout commensurate with age. Minor losses to the edges of one section of the stretcher. Splatters of finish to the lower quarter. Scattered drops of house paint to the top. Possibly refinished.

1052 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Scattered dents to the light socket. A deep scratch to the standard. Wiring should be checked by a qualified electrician prior to use.

1053 Visual: Generally good condition. Frame abrasion to the four edges. Minor surface dirt and grime. A .5” scratch with paint loss left center. A small spot of paint loss left center.

Tiny flecks of paint loss scattered throughout the darker pigments. Craquelure with associated paint loss scattered throughout the lighter pigments.

Blacklight: No evidence of restoration under blacklight.

Frame: 21.75” H x 33.75” W x 2.25” D 1054 Visual: Generally good condition. Craquelure throughout. Frame abrasion with paint loss along the right and lower edges.

Blacklight: No evidence of restoration under blacklight.

Frame: 15.75” H x 19.75” W x 2.5” D 1055 Overall good condition with wear commensurate with age and use. Scattered breaks to selvage edge. Side B with considerable soiling throughout.

1056 Small areas of dye migration, soiling and wear throughout. A 2” repaired hole to one corner. A 10”-long area of selvage loss resulting in a frayed edge, opposite corner with similar fraying. Selvage loses and breaks scattered throughout edges.

1057 Overall good condition with soiling, areas of wear, losses and wear to the selvage edge.

A 2.25” x .2” area of lost stitches to the bottom edge. Side B with tape remnants and residue throughout.

1058 Overall good condition commensurate with age and use. Even fugitive red dye throughout. Minor soiling and losses to the stitches along the bottom corners. One selvage edge with scattered areas of stitch loss.

1059 Overall fair condition commensurate with age and use. Sun fading throughout, heavily on one side. Separation to some stitches and warping. Some losses to the selvage edge and tears to the corners. Two areas of potential repair to one band. Soiling.

1060 Overall good condition commensurate with age and use. Soiling and wear to the selvage edges. The smaller, with fugitive dye. The smaller may have been put through a washing machine with corresponding lifting to wool.

1044 Overall good condition with scattered chips, scuffs, nicks, scratches, and losses throughout. The largest loss approximately 3.5” x .75”. Losses to each foot.

1061 Overall good condition with minor dust accumulation commensurate with age.

1045 Overall good condition with minor inherent firing flaws. Two firing cracks to the bottom of the jardiniere.

1062 Overall good condition with minor inherent firing flaws, scuffs, and scratches commensurate with age.

1046 Generally good condition. Small spots of staining scattered throughout. Minor handling crease in the lower left corner. Minor toning to the paper. Mat burn to the four edges.

Tape residue and scuffing to the paper from a previous mounting. Mounted to the back mat with artist’s tape on the left and right edges.

Unframed

1063 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Glaze crazing throughout.

1047 Generally good condition. Minor toning to the paper. Tiny spots of staining to the paper outside the plate. Not examined out of the frame.

Frame: 18.75” H x 21.75” W x .75” D

1064 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Scattered minor scratches throughout. Minor scratches to the bottom.

Condition Reports

1033 Visual: Unstable craquelure with scattered areas of inpainted chips of paint loss throughout the dirt in the foreground. Minor frame abrasion along the left, right and upper edges. Frame abrasion with paint loss scattered along the lower and lower right edge.

Blacklight: Areas of restoration scattered throughout the lower quarter of the painting.

Difficult to read under heavy varnish.

Unframed

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1065 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Some glaze crazing particularly to lower register. A thin crack visible on the interior, possibly dating to time of manufacture.

1066 Visual: Craquelure scattered throughout. Surface dirt and grime. A pea-sized area of paint loss to the lower left corner. Scattered frame abrasion to the right edge.

Blacklight: Touch-up throughout.

Frame: 28” H x 44” W x 2.75” D 1067 Visual: Generally good condition. Fine craquelure scattered throughout. A .25” diameter indention with paint loss along the upper edge center. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 19” H x 27.5” W x 1” D 1068 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 31.75” H x 26.75” W x 1” D 1069 Visual: Generally good condition. A tiny fleck of paint loss along the left edge center.

Minor scattered frame abrasion along the lower and left edges.

Blacklight: Small spots of touch-up scattered throughout, concentrated mainly in the sky and along the left edge.

Frame: 29” H x 35” W x 3.75” D

1081 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases with associated craquelure along the upper and right edges. Frame abrasion along the four edges with minor paint loss in the lower right corner.

Blacklight: Small spots of touch up in the upper corners.

Unframed 1082 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 23” H x 20.25” W x 1.75” D 1083 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 23” H x 29.25” W x 2” D 1084 Visual: Generally good condition. A .5” x 1.5” scattered area of very light scuffs right center. Tiny flecks of paint loss left center, center and lower right.

Blacklight: No evidence of restoration under blacklight.

Frame: 25.25” H x 29.25” W x 2” D

1071 Visual: Generally good condition. Slight rippling to the canvas along the left and right edges. An area of light surface scratches in the upper left corner. Small spots of varnish layer separation upper right.

Blacklight: No evidence of restoration under blacklight.

Frame: 24” H x 32” W x 1.5” D

1085 Visual: Generally good condition. Fine craquelure scattered throughout. Tiny flecks of paint loss scattered throughout.

Blacklight: Touch-up scattered throughout, including a scattered 4” x 12” area upper center.

Frame: 30” H x 35.75” W x 2.75” D

1072 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished. Scattered protrusions broken. Scattered losses to some wood elements.

1086 Each in overall good condition with tarnishing and light scratches commensurate with age.

1074 Each in overall good condition with scuffs, light scratches, and minor shelf wear commensurate with age.

1075 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Glue residue to fixtures inside one drawer.

Refinished.

Condition Reports

1080 Visual: Generally good condition.

Blacklight: A small, scattered area of touch-up lower right.

Frame: 15.75” H x 19.5” W x 1.5” D

1070 Visual: Generally good condition. The board is slightly warped. Slight bubbling to canvas upper right and lower left. Frame abrasion to the four edges. Craquelure scattered throughout. Minor surface dirt and grime.

Blacklight: Touch-up scattered throughout. Difficult to read under varnish.

Frame: 18.75” H x 20.75” W x 2.5” D

1073 Overall good condition with minor dust accumulation. Very minor rubbed wear. Minor creasing to the crown. Scattered areas of minor loss to the applied paint throughout, primarily to scattered parts of the crown. Minor scratches and wear to the back of the mirrored base.

Base: 3.5”H x 5” W x 5” D

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1079 The shade is in very good condition, with a few panes cracked - none appear loose. The lamp base is sound, with a deep brown patina. Face with overall pitting and corrosion to surface. Inspected and authenticated by Paul Crist of Crist Studios. Wiring should be checked by a qualified electrician prior to use.

Base: 18” H x 14.5” Dia.; Shade: 8.5” H x 12.125” Dia

1087 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered minor dents to the lip and body of the carafe. One minor dent to the corner of the box.

1088 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered small dents to each body.

1089 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered dents throughout. Scattered minor areas of loss to the enamel, particularly to the hand mirror. The turquoise with typical eye-visible inclusions. The handle of the nail buffer bent to one side. A split to the handle of the nail file. Areas of repair and rubbed wear to the lint brush. Wear and losses to the wood backing of brushes.

1076 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Later added reinforcements to the back of each drawer support. Refinished. A 1.25” x 1” area of glued repair to the backside of the upper panel. Wear and losses to the veneer.

1090 Each in overall good condition with abrasions around the rim and shelf wear to the bottom. A chip to the inside rim of the medium bottle.

Smallest: 4.875” H x 2.125” Dia.; Medium: 6.25” H x 2.625” Dia.

1077 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Condensation rings and wear to the finish of the top. Scattered minor flecks of house paint to the top. Totters slightly.

1091 Visual: Generally good condition. A small fleck of paint loss lower right and lower left. A .75” fine scratch left center.

Blacklight: A small spot of touch-up upper right and lower right.

Frame: 27” H x 29” W x 2” D

1078 The shade in overall good condition, with scattered cracked panes - none appear loose.

The lamp base is sound with overall pitting and oxidation to surface. Rubbed wear and scratches to the finish of the arms. Wiring should be checked by a qualified electrician prior to use.

Base: 18.25” H x 15” Dia.; Shade: 8” H x 16.5” Dia

1092 Visual: Generally good condition. Craquelure scattered throughout.

Blacklight: Small spots of touch-up in the sky upper center and upper right.

Frame: 28.5” H x 34.5” W x 2” D 1093 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 20.5” H x 24.5” W x 1.5” D

1095 Visual: Generally good condition. A small area of very fine scattered craquelure in the upper left corner. A small scuff with minor paint loss lower left.

Blacklight: No evidence of restoration under blacklight.

Frame: 29.5” H x 35.5” W x 1.5” D 1096 Visual: Generally good condition. A dime-sized area of scattered paint loss with a pinhole in the canvasboard dead center. Small tear to the canvas to the upper right corner. Slight damage to the canvas in the lower corners.

Blacklight: No evidence of restoration under blacklight.

Unframed 1097 Visual: Generally good condition. Small fleck of paint loss right center.

Blacklight: No evidence of restoration under blacklight.

Frame: 24” H x 29.75” W x 2” D 1098 Overall good condition with very minor sun fading, soiling, and wear to stitchwork commensurate with age and use.

1099 Overall fair condition commensurate with age and use. Even fugitive dye throughout.

Soiling and even losses to the top and bottom edges.

1100 Overall fair condition with fugitive dye and soiling throughout. Breaks to the selvage edge with corresponding losses to the four corners. A 1.5” x 4” hole to the center field.

Scattered pulled stitches and minor losses to stitchwork. A residue to one side.

1101 Overall good condition with minor soiling and light sun fading commensurate with age and use. Scattered wear to the selvage edges. Losses to the stitchwork on all four corners.

1102 Overall good condition with signs of wear and use. Older repairs to hide rails. Several detached bone pipes, one section of brass beads lost to upper hangers.

1103 Overall good condition with general scratches, scuffs, wear, and scattered bead loss commensurate with age. Each moccasin with wear to the ankle. Strap with bead loss to the edges.

Children’s moccasins: 3” H x 5” W x 2.5” D; Plateau strap: 3.25” H x 12.25” W; Wallet: 1.375” H x 4.25” W x .75” D; Frame: 7.375” H x 5” W 1104 Generally good condition. Minor toning to the paper. A .25” scratch to the border in the upper right corner. Very minor handling creases to the right and left edges center. The recto mat and back mat are glued together.

Frame: 33” H x 38.25” W x 1.75” D 1105 Each: Generally good condition. First: Discolored varnish in the sky with surface dirt throughout. Second: 1” line of paintloss along the upper edge.

Blacklight: Each: No evidence of restoration under blacklight. First: Difficult to read under heavy varnish.

Each: Frame: 33.5” H x 42.25” W x 2” D 1106 Each: Visual: Generally good condition. Second: Stretcher bar crease along the upper edge.

Blacklight: First: No evidence of restoration under blacklight; Second: A small 1” x .5” area of touch-up in the upper left corner.

Frame of each: First: 33.5” H x 42.5” W x 1.5” D; Second: Unframed 1107 Overall good condition with rubbed wear and light scratches commensurate with age.

Scattered nicks to the frame edge. Scattered minor losses to the frame. Craquelure throughout porcelain plaque. Not examined out of frame.

Porcelain sight: 11.625” H x 8.625” W 1108 Overall good condition with rubbed wear, light scratches, and shelf wear commensurate with age. Rubbed wear to the applied gold paint, particularly to the interior.

1109 Visual: Generally good condition. Stable fine craquelure scattered throughout. A small spot of craquelure with instability lower right.

Blacklight: Small spots of touch-up in all four corners. The largest is dime-sized in the upper left corner.

Frame: 22” H x 24.5” W x 2.5” D 1110 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear and oxidation to the wrought-iron mounts. One hinge pin replaced. Missing closure to the door.

1111 Visual: Generally good condition. Rippling to the paper throughout, heaviest along the margins. Minor toning to the paper. Staining to the paper scattered throughout the margins and the woman’s kimono. A tiny pindot of foxing to the woman’s forehead. Not examined out of the frame.

Frame: 36” H x 28” W x 1.75” D 1112 Visual: Generally good condition. Toning througout with minor handling creases. Not examined out of frame.

Frame: 22.75” H x 18” W x .5” D 1113 Each: Generally good codition. Toning throughout. Framed floating with three deckled edges. Tape reminents in the upper right and left corners. Not examined out of the frame.

Frame: 31” H x 37.5” W x 1.5” D 1114 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. One hairline fracture to the side: approximately 2.25”. One chip to the bottom of the foot.

1115 Overall good condition with minor shelf wear commensurate with age. One small chip to rim.

1116 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. One small chip to rim.

1117 Overall good condition with minor shelf wear commensurate with age. Scattered scuffs and shallow scratches to interior.

1118 Visual: Generally good condition. Framed floating and hinged along the upper edge with archival tape. Not examined out of the frame.

Frame: 34.25” H x 46.5” W x 2” D 1119 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 35” H x 23” W x 2.25” D 1120 The first: The paper is rippled, stained and toned throughout. Water damage to the paper along the lower edge. A handling crease in the lower left corner. The second: The paper is rippled and toned throughout. Staining along the left edge and in the upper left corner.

Light handling creases scattered throughout.

Frame of each: 26.5” H x 20.5” W x 1.5” D 1121 Each in overall good condition with oxidation, wear, losses to paint, and loose screws.

One missing the nut to seat bottom. One with two replaced nuts and one replaced screw.

Missing seat pads.

1122 Each in overall good condition with oxidation, scratches, scuffs, and wear to finish commensurate with age. Black chair missing “Bikini” seat pad and two nuts to the bottom. Red oxidation to the screws.

1123 Each in overall good condition with scratches, scuffs, oxidation, and weathering commensurate with outdoor use. Rubber strapping apparently intact with some minor drying.

1124 Each in overall good condition with scuffs and scratches to the suede and oxidation to the chrome mounts.

Condition Reports

1094 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 34.5” H x 42.5” W x 1.5” D

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1125 Touch-up paint applied to the inside of the Plexiglas to mask areas of paint loss scattered throughout. Artist’s pinholes in the four corners. Paint shrinkage scattered throughout the darker pigments. Tape remnants from a previous mounting remain along the four edges.

The top and bottom edges are deckled. Framed floating and mounted to the back mat.

Frame: 33.25” H x 46.75” W x 1.75” D 1126 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 24.25” H x 24.25” W x 1” D 1127 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 18.25” H x 14.25” W x 2.25” D 1128 Visual: Each: Generally good condition. Artist pin-holes in all four corners. Warping to the paper. Pea-sized surface blemish lower center on the left work. Not examined out of the frame.

Blacklight: No evidence of restoration under blacklight.

Frame: 36.75” H x 51.5” W x 1.75” D 1129 Overall good condition with minor shelf wear commensurate with age.

1130 Overall good condition with scattered scuffs, nicks, and scratches to the top commensurate with age. Scuffs and scratches to the base. Oxidation to the brass commensurate with age.

1131 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Unframed 1132 Visual: Generally good condition. The canvas is rippled in the upper right corner. A 4” light scuff mark in the lower left corner. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 43” H x 35” W x 2.75” D 1133 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 32.75” H x 32.75” W x 1.75” D 1134 The paper is rippled. Small holes to the paper and a pea-sized chip of paint loss in the upper left corner. A small area of craquelure with instability upper left. A 1” scratch with paint loss upper center. A 1.5” line of rubbed wear with scattered paint loss upper right.

A 2” line of unstable craquelure with tiny flecks of paint loss lower center.

Frame: 30” H x 36” W x 1” D 1135 Each in overall good condition with minor scuffs, scratches, and wear to the finish of the metal commensurate with age. One with minor divets, creases, and general wear to the shade. One paper bottoming slightly detached. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

1136 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Oxidation to the brass fixtures throughout.

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1137 Overall good condition with scuffs, scratches, and wear to the paint commensurate with age. Minor losses to the veneers on the feet. Water damage to the veneers on the back.

1138 Visual: Generally good condition. Minor surface dirt and grime. Uneven varnish discoloration throughout.

Blacklight: No evidence of restoration under blacklight.

Frame: 24.25” H x 20.25” W x 1.5” D 1139 Visual: Cracking and paint loss throughout.

Blacklight: No evidence of restoration under blacklight.

Bid Now

The Traditional Collector Please visit www.johnmoran.com for auction details A 1935 Ford V8 Deluxe Phaeton $35,000-45,000 Consignment and Auction Inquiries: roland@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833

Bid Now

California & American Fine Art

Please visit www.johnmoran.com for auction details Albert E. Backus Everglades with birds, 1989 $15,000-25,000

Consignment and Auction Inquiries: morgana@johnmoran.com

bid in person - absentee - telephone - liv e online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833 106

Consign Today

20th Century Art + Design June 2020 Robert Motherwell Three Figures, 1989 $15,000-20,000

Consignment and Auction Inquiries: bree@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833 California Living Online | Tuesday, April 21, 2020

107

Consign Today

Fine Jewelry, Timepieces & Luxury September 2020 An Art Deco Tiffany & Co. diamond and emerald bracelet $30,000-50,000 Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - liv e online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833 108

Consign Today

California & American Fine Art November 2020 William Ritschel NA (1864-1949 Carmel, CA) From my Studio - Carmel by the Sea Cal., 1912 Oil on canvasboard 10" H x 8" W $7,000-9,000 Consignment and Auction Inquiries: morgana@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833 California Living Online | Tuesday, April 21, 2020

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John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Special Projects Maranda Moran Senior Vice President, Fine Art Director Morgana Blackwelder Post War & Contemporary Fine Art Bree Hughes Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz 20th Century Furniture and Decorative Arts Specialist John Simon Taylor Furniture and Decorative Arts Cataloguer Alexis Sutcliffe Jewelry Director Mollie Burns Keith, G.J.G. Junior Specialist / Senior Cataloguer: Luxury, Furniture, Decorative Arts Jardine Gates, GIA G.G.

CLIENT SERVICES

Office Manager

Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

Jean Rapagna Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

ADVERTISING, MARKETING, DIGITAL DESIGN

Advertising & Marketing Director, Art Design

Nathan Martinez

TRUSTS & ESTATES

Department Manager Noelle Valentino

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

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This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee.

This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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California Living Online | Tuesday, April 21, 2020

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received

by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

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purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid.

New bidders will be asked to provide financial account information as a reference.

All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance.

BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

No

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights.

Signature:

Date:

rev. 3/2020

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Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 3/2020

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