Art of the American West | Sunday, March 15, 2020

Art of the American West Sunday, March 15, 2020—12pm

Art of the American West Featuring property from: The Collection of Cindy Tietze-Hodosh & Stuart Hodosh Sale 158 Sunday, March 15, 2020—12pm 145 East Walnut Avenue, Monrovia CA 91016 Previews: March 12–March 14: 12pm-4pm March 15: Doors open 10am

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Pg. 41 1085 A Navajo Second Phase variant chief’s blanket

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Western & American Indian Department Maranda Moran Head of Sale, Specialist marandam@johnmoran.com Jeff Moran President, Specialist jeff@johnmoran.com Morgana Blackwelder Senior Vice President, Fine Art Director morgana@johnmoran.com Jardine Gates, GIA G.G. Jewelry & Decorative Arts Cataloguer jardine@johnmoran.com Mike Hook Fine Art Cataloguer mike@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com Ella Fountain Client Services ella@johnmoran.com

Pg. 84 1165 An Apache pictorial basket

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1001

1002

1003 1004

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A Frank Patania cuff bracelet

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Centering an oval turquoise cabochon set into a triangular patterned frame 6.5” C x 2” H with a 1.5” wrist opening 190.0 grams $700-900 1004

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1002

A Frank Patania sterling silver and turquoise belt buckle Stamped for Frank Patania; Further stamped: Sterling [Eagle] Set with three turquoise cabochons set with silver triangles 2.5” H x 3.5” W 144.0 grams

1004

$600-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1004

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Set with oval turquoise cabochons 8.5” C x 1.5” H with a 1.5” wrist opening 131.5 grams

Each stamped for Frank Patania; Further stamped: Sterling Comprising a silver belt buckle with triangular design, a belt buckle set with oval turquoise cabochons personalized: LL, and a pair of monogrammed cufflinks personalized: APB and LMK Largest: 1.75” H x 2.75” W 130.5 grams 4 pieces

A Frank Patania sterling silver watch bracelet

$400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Frank Patania jewelry items

$600-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

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1005

Larry Pirnie

(b. 1940 Montana) “Up ‘N’ Over,” 1994 Acrylic on canvas laid to foamcore Signed lower right: pirnie, signed again, titled, dated and numbered verso: ACC 94-98 36.25” H x 32.5” W $2,000-3,000

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1006

Larry Pirnie

(b. 1940 Montana) “A Lotta Bull,” 1996 Acrylic on canvas Signed lower left: pirnie, signed again, titled, dated and numbered verso: ACC 96-92 Sight: 27.5” H x 21.5” W; Canvas: 28” H x 22” W $2,000-3,000

Sunday, March 15, 2020­ | Art of the American West

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1007

1008

1007

A group of Frank Patania jewelry items

Each stamped for Frank Patania; Further stamped: Sterling [Eagle] Comprising a pendant brooch and a pair of post-back ear pendants Brooch: 2.125” Dia.; Each earring: 1.325” H 45.5 grams 3 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1008

A set of Frank Patania jewelry items

Each with stamped for Frank Patania; Further stamped: Sterling [Eagle] Comprising a brooch with a pair of ear clips en suite Brooch: 2” Dia.; Each ear clip: 1” Dia. 42.0 grams 3 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1009

A Frank Patania sterling silver watch bracelet 1009

Stamped for Frank Patania; Further stamped: Sterling Set with eight rectangular stones centering a Timex watch 7” C x 1.5” H with a 1.125” wrist opening 119.5 grams gross $700-900

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1010

1011

1010

A Frank Patania wide silver and turquoise cuff

Stamped for the Thunderbird Shop (Frank Patania) Designed with an arrangement of variously-shaped turquoise cabochons 8” C x 2.325” H with a 1.5” wrist opening 112.5 grams $1,000-1,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1011

A Frank Patania coral bracelet and ring

Each stamped for Frank Patania; Further stamped: Sterling [Eagle] Comprising a cuff and a ring each set with coral cabochons 7” C x 15” H with a 1.5” wrist opening; Ring size: 9.5 104.0 grams 2 pieces $1,200-1,800

1012

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1012

A Frank Patania Jr. sterling silver cuff bracelet Stamped for Frank Patania Jr.; Further stamped: Sterling Set with seven nugget-form stones 7” C x .875” H with a 1” wrist opening 66.0 grams $600-800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

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1014

20th century Signed: Mida Tafoya Santa Clara Pueblo With carved design 11” H x 7.25” W x 7.25” D

20th century Signed: Belen Tapia / Santa Clara Pueblo Designed with ceremonial figures in a two-tone blackware vessel 10” H x 11” Dia.

A Santa Clara Pueblo Mida Tafoya wedding vessel

$800-1,000

A Santa Clara Pueblo pottery vessel

$600-800

1015

Maria & Popovi Martinez

(1887-1989 and 1923-1971 Santa Clara Pueblo) Plate with floral center motif Blackware Marked to underside: Maria / Popovi .75” H x 6” Dia. $200-400

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1016

Maria & Santana Martinez

(1887-1989 and 1902-2002 Santa Clara Pueblo) Charger with the Tewa Awanyu motif Blackware Signed to underside: Maria / Popovi 1.5” H x 12.25” Dia. $1,500-2,000

Sunday, March 15, 2020­ | Art of the American West

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1017 Veloy Vigil

(1931-1997 Taos, NM) “Prarie Blaossom [sic]” Acrylic on canvas Signed lower center: V. Vigil, titled and numbered on the stretcher: #512 48” H x 60” W $12,000-15,000

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1018

An Anthony Lovato tufa-cast modernist bracelet Stamped: AL / SDP / 91 The abstract design set with spondylus shell and turquoise 6.5” C x 1.5” H with a 1.5” wrist opening 71.0 grams $1,000-1,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1019

A Navajo tufa-cast silver bracelet

Stamped for F. Ferreira The textured and ribbed setting with five turquoise cabochons 6.5” C x 2” H with a 1.25” wrist opening 260.5 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1020

A Navajo silver cuff bracelet

Stamped: JMB for Johnie Mike Begay Centering a turquoise cabochon set into a deep-channeled cuff 6” C x .5” H with a 1.125” wrist opening 49.5 grams $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

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Two Northwest Coast cuff bracelets

The larger signed: Tsungani; The smaller unmarked Comprising two silver cuffs with incised designs, one with open sides Larger: 6.5” C x 1.5” H with a 1” wrist opening 40.0 grams 2 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1021

1022

Three Northwest Coast baskets

Late 19th/early 20th century Each a spruce root, imbricated, polychrome basket, First: A cylindrical basket with three geometric bands; Second: A basket with tapering sides and three geometric bands; Third: A rattle-top basket with geometric bands to body and lid, 3 pieces $800-1,200

1022

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1023

Three Northwest Coast/Salish baskets

First quarter 20th century First: An imbricated bowl with geometric design and looped rim, 5.5” H x 9.25” Dia.; Second: An imbricated basket with seven geometric bands and a slightly scalloped rim, 7” H x 10” W; Third: A conical basket with geometric banding and open work rim, 8” H x 7.75” Dia., 3 pieces $500-700

1024

Three Northwest Coast baskets

First quarter 20th century First: A large polychrome lidded basket with red star to lid and avian motif to body; Second: A polychrome lidded basket with avian motif; Third: A small openwork bowl, 3 pieces Largest: 5.5” H x 8.5” Dia; Smallest: 2” H x 3.25” Dia

1024

$600-800

1025

Two Klamath River baskets

First quarter 20th century Each designed with geometric motifs First: 3.5” H x 6.5” W; Second: 3.5” H x 7” W $400-600

1025

Sunday, March 15, 2020­ | Art of the American West

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A Navajo banded transitional blanket

Late 19th/early 20th century Designed with six striped bands woven in red, orange, indigo blue, cream, and natural light brown 48.5� H x 67� W $4,000-6,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1027 Veloy Vigil

(1931-1997 Taos, NM ) “Yello Prairy [sic]” Acrylic on canvas Signed lower right: V. Vigil, titled and numbered on the stretcher: #444 48” H x 73” W $10,000-12,000

Sunday, March 15, 2020­ | Art of the American West

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1031

First quarter 20th century Each ingot cuff bracelet centering a turquoise cabochon, comprising one with a stamped and chiseled rope design and one with a stamped design Larger: 7.75” C x .75” with a 1.125” wrist opening 141.0 grams 2 pieces

Second quarter 20th century Comprising a twisted wire cuff centering turquoise cabochons and applied silver cones together with a pair of twisted wire cuffs Largest: 7.5” C x .5” H with a 1.5” wrist opening 146.5 grams 3 pieces

Two Navajo cuff bracelets

Three Navajo twisted-wire bracelets

$800-1,200

$800-1,200

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1032

Early 20th century Comprising a bracelet set with turquoise cabochons on a rope base together with a turquoise-set bracelet with silver half spheres 7.5” C x 1” H with a 1.5” wrist opening 111.5 grams 2 pieces

Second quarter 20th century Each designed with a thunderbird, comprising a sheet silver cuff with machinestamped design and oval stone overlay, a Fred Harvey-style stamped cuff bracelet with applied thunderbirds, and a stamped sheet silver bracelet with thunderbird overlay Largest: 6.75” C x 1.5” H with a 1.5” wrist opening 127.0 grams 3 pieces

Two silver and turquoise bracelets

$800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1030

Three Navajo silver bracelets

Early 20th century Comprising a bracelet with banded base with twisted wire, a twisted wire bracelet with three rectangular stones, and a silver and turquoise twisted-wire cuff Largest: 6.75” C x 1.25” H with a 1.25” wrist opening 123.0 grams 3 pieces $700-1,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Three Southwest sheet silver cuff bracelets

$500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1033

Three turquoise and silver cuff bracelets

Two stamped for Federico Jimenez; One stamped for Frank Patania Comprising two matching cuffs with rectangular stones together with a narrow stone-set cuff Largest: 7” C x .325” H with a 1” wrist opening 91.0 grams 3 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Sunday, March 15, 2020­ | Art of the American West

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Eric Waters Gibberd

(1897-1972 Taos, NM) “Mountain Fantasy,” circa 1955 Oil on masonite Signed lower center: Gibberd, titled on gallery labels affixed verso 16.5” H x 23.75” W $1,000-1,500 Provenance:David Cook Galleries, Denver, CO Gallery A, Taos, NM

1035

A Navajo child’s blanket

Third quarter 19th century Nine repeating bands in cochineal red, indigo blue, and cream with light blue selvage 28” H x 50.5” W $3,000-5,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating cochineal dye accompanies the lot

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A Navajo banded blanket

First quarter 20th century Woven in seven bands of serrated red, orange, salmon, cream, natural dark brown, and gray 51” H x 75” W $3,000-5,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

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A large Navajo Third Phase silver and turquoise concho belt First quarter 20th century Seven oval conchos and one rectangular buckle on newer black leather backing 41.75” L; Each concho: .3.625” H x 4.5” W

1038

A large Navajo silver concho belt

First quarter 20th century The turquoise-inlaid buckle with six conchos and seven butterflies on a thick leather belt 49.5”L; Each concho: 3.5” H x 4.125” W $2,000-3,000

$3,000-5,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1969

2019

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1040

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1040

First quarter 20th century The silver and turquoise conchos set on an leather belt 39.5” L; Each concho: 3” H x 3.625” W

First quarter 20th century Alternating seven oval conchos and six butterflies with rectangular buckle set onto a leather strap 47.125” L; Each concho: 2.875” H x 3.25” W

A Navajo Third Phase concho belt

$800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A Navajo silver concho belt

$1,000-1,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1042

Stamped for Frank Patania; Bracelet further stamped: Sterling [Eagle] Comprising a silver and turquoise cuff and matching clip-back earrings designed with articulated silver beads and turquoise Cuff: 7.25” C x 2.625” H with a 1.25” wrist opening; Each earring: 1.25” Dia. 156.5 grams 3 pieces

Stamped for Frank Patania; Further stamped: Sterling [eagle] Set with turquoise on a stylized leaf setting 6.875” C x 1.625” W with a 1” wrist opening 87.5 grams

A Frank Patania silver bracelet

A set of Frank Patania turquoise and silver jewelry

$1,000-1,500

$1,200-1,800

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1044

A Frank Patania silver cuff bracelet

A Frank Patania turquoise and sterling silver vanity box

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Set with oval turquoise cabochons in a dual-finish cuff bracelet 6.75” C x 1.325” H with a 1.125” wrist opening 69.5 grams

1992 Stamped for Frank Patania; Further stamped: Sterling [Eagle] Centering an oval turquoise tablet set onto a stamped hinged lid, personalized to interior lid 1.125” H x 4.125” W x 3.25” D 223.0 grams

$800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

$500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1969

2019

1045 Lew Davis

(1910-1979 Pinnacle Peak, AZ) “Elevation 2800 Feet,” 1978 Oil on masonite Signed lower right: Lew Davis, signed again and titled verso 16” H x 22” W $3,000-4,000

Tuesday, November 19, 2019 - Prints & Multiples

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1046

A Hopi Ralph Tawangyaouma silver and turquoise bracelet

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A Hopi silver cuff

Stamped: H and a pictorial hallmark for Ralph Tawangyaouma Designed with drilled, tumbled, and polished turquoise cabochons 6.5” C x 2” H with a 1.125” wrist opening 115.5 grams

Third quarter 20th century Centering an applied Sun Kachina figure set onto a stamped bracelet with turquoise cabochons 7.25” C x 2” H with a 1.25” wrist opening 117.5 grams

$800-1,200

$600-800

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1048

Two Navajo Willie Yazzie Sr. cuff bracelets

Each with a pictorial maker’s mark for Willie Yazzie Sr. Each with silver overlay design, comprising a Tewa-motif cuff and a thunderbird-motif cuff Larger: 6.5” C x 1.325” H with a 1.325” wrist opening 100.5 grams 2 pieces

1049

A Hopi silver overlay concho belt Mid-20th century; Apparently unsigned Designed with twelve rectangular conchos 35” L; Each concho: 1.125” H x 2.75” W $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

$500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1050

David Lemon

(b. 1945 Montana/California) “Silent Arrow” Polychrome bronze on wood base Edition: 5/35; Signed: Lemon and with the copyright symbol 22” H x 19” W x 10” D $800-1,200

Sunday, March 15, 2020­ | Art of the American West

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A California Mission Basket

Late 19th/early 20th century With a central star motif with straight sides and flat bottom 2.5” H x 9.25” Dia $600-800

1052

A polychrome California Mission basket First quarter 20th century With six radiating lightning arms in alternating colors 3” H x 14” Dia $800-1,200

1053

A polychrome California Mission basket

First quarter 20th Century With a central star medallion to flat bottom and geometric motif to straight sides 2.5” H x 11.5” Dia $600-800

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1969

2019

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1055

1054

1055

(1899-1990 Santa Barbara, CA) “The Last Roundup” Oil on board Signed lower right: Douglass Parshall, titled by repute 18.75” H x 30.75” W

(1892-1981 Laguna Beach, CA) Church, Rancho de Taos, New Mexico Oil on board Signed lower left: Gage 16” H x 20” W

Douglass Ewell Parshall

$1,000-1,500

Merrell Gage

$700-900 Notes: There is an unfinished work verso.

1056 Veloy Vigil

(1931-1997 Taos, NM) Abstract landscape Mixed media on board under glass Signed lower right: Vigil Sight: 14.75” H x 13.75” W; Board: 15.75” H x 14.75” W $1,000-1,500

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1058

1057

1058

(1931-1997 Taos, NM) Abstract figures Mixed media on board under glass Signed lower center: Vigil Sight: 9.25” H x 11.75” W; Board: 9.75” H x 12.25” W

(1931-1997 Taos, NM) Abstract figure Mixed media on board under glass Signed lower center: Vigil Sight: 8.25” H x 10.25” W; Board: 11.25” H x 13” W

Veloy Vigil

$1,000-1,500

Veloy Vigil

$1,000-1,500

Sunday, March 15, 2020­ | Art of the American West

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1059

A Navajo Second Phase woman’s chief’s blanket Fourth quarter 19th century In cochineal red, grey, indigo blue, and yellow selvage 44.5” H x 55.5” W $15,000-20,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating cochineal dye accompanies the lot

Sunday, March 15, 2020­ | Art of the American West

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A Navajo banded bracelet

Late 19th century Designed with repousse buttons and stamped leaves 6.75” C x .75” H with a .875” wrist opening 29.5 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1061

Two early Navajo silver cuff bracelets

First quarter 20th century Comprising an ingot cuff with chiseled designed together with a cuff with stamped design 7.25” C x 1.25” with a 1.25” wrist opening 203.5 grams 2 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1063

Fourth quarter 19th century Hand-pulled wire with chiseled pattern 7.75” C x .125” H with a 1.325” wrist opening 28.0 grams

First half 20th century With a stamped and repousse design 7.25” C x 1.375” H with a 1.5” wrist opening 43.5 grams

A thin Navajo silver cuff

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A Navajo silver ingot bracelet

$800-1,200

$500-700

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1064 Ed Mell

(b. 1942 Phoenix, AZ) “Sidestepper,” 2014 Patinated bronze mounted to green marble plinth Edition: 5/18; Incised to base: Ed Mell 24” H x 20” W x 18” D $7,000-9,000

Sunday, March 15, 2020­ | Art of the American West

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Rusti Warner

(b. 1974 Montana) “Bundle Carrier,” 2007 Oil on linen laid to board Signed lower right: R. Warner, signed again, titled and dated verso 8.5” H x 6” W $300-400

1066

A Southern Plains woman’s belt

First quarter 20th century The German silver disks set into a leather belt with bag Belt: 45.5” L 2 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1067

A Plains Indian hairpipe women’s breastplate

Fourth quarter 19th century With bone, saddle leather, green and white glass beads, buckskin, cotton string, brass tacks, and brass beads with a plexiglass mounting plate 25” H x 4” W $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1065

1066

1067

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1068

A Plains pictorial beaded hide dress

First half 20th century The front depicting four figures on horseback, the back with six figures on horseback most wearing full feathered headdresses 49” L; Waist: 26”; Cuff to cuff: 48” $1,000-1,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1069

A Plains Indian beaded teepee liner

First quarter 20th century Canvas with geometric beadwork rondels and linear beaded elements 84” H x 122” W $2,000-3,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

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1070

1071

1070

Two Southwest rings

One stamped: Sterling / H. Fred Skagg / Handmade Comprising a cross ring set with a turquoise tablet and a ring set with a polygon-shaped turquoise Ring sizes: 9.75 and 4.75 26.0 grams 2 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1071

Two pairs of sterling silver and inlaid gemstone ear clips Each stamped: Sterling; One stamped: Lynol Yellowhorse; One stamped for Tracey Knifewing Each pair of earring with geometric stone inlay Larger: 1.125” H x .875” W 31.0 grams 4 pieces $300-500

1072

A Santo Domingo Pueblo mosaic beaded necklace

Second half 20th century The heishi shell beaded necklace with mosaic drops backed by an Edison record 25.24” L $200-400 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1072

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A turquoise necklace

Second half 20th century The squaw wrapped neck issuing a double-strand necklace with teardrop-shaped turquoise beads 14.5” L $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1074

Luke Frazier

(b. 1970 American) “Ice General,” 2010 Oil on masonite Signed upper right: L. Frazier, dated upper left, titled on the frame plaque, signed and titled again on an artist’s label affixed verso 20” H x 30” W $4,000-6,000 Provenance:Commissioned from the artist by the present owner

1073

1074

Sunday, March 15, 2020­ | Art of the American West

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1075

A Zuni silver and turquoise cluster cuff Second quarter 20th century The cluster bracelet set with turquoise on a wire base 6.875” C x 2” H with a 1.325” wrist opening 49.0 grams $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1076

A Zuni sand-cast silver bracelet

Apparently unsigned With turquoise-blue gems set in the style of Juan De Dios 6.5” C x 1” H with a 1.25” wrist opening 65.0 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1077

An early Zuni cluster-style bracelet

First quarter 20th century Designed with three turquoise-set medallions soldered to three twisted wires 6.5” C x 1.25” H with a 1.25” wrist opening 67.5 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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1078

A Zuni two-strand knifewing necklace

Apparently unsigned, possibly the work of Frank Vacit The two-strand bead necklace issuing twelve stone-inlaid birds centering a large knifewing 25.5” L; Pendant: 3.325” H x 3.75” W 196.5 grams $1,500-2,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

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1079

A Zuni knifewing cuff bracelet Mid-20th century The split-shank with inlaid figure 7” C x 2.5” H with a 1.5” wrist opening 58.5 grams $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1080

A group of Zuni knifewing gem-set jewelry Each apparently unsigned Comprising a pin, two graduated bolos, and a small pin Longest: 18” 91.5 grams 4 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1079

1080

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1081 Veloy Vigil

(1931-1997 Taos, NM ) “Cyote [sic]” Acrylic on canvas Signed lower center: V. Vigil, titled and numbered on the stretcher verso: # 510 48” H x 36” W $6,000-8,000 Provenance:Susan Brown Gallery, Scottsdale, AZ

Sunday, March 15, 2020­ | Art of the American West

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1082

Two Acoma pots

First quarter 20th century Each with white body adorned with black geometric designs, 2 pieces Larger: 7.5” H x 10.5” Dia.; Smaller: 6” H x 9.5” Dia. $400-600

1083

Three American Indian pots

20th century Stamped for various makers, including: Elva Nampeyo Comprising one with applied frogs and two with geometric designs, 3 pieces Largest: 4.5” H x 11” Dia. $300-400

1084

A Hopi Leah Nampeyo pottery bowl Third quarter 20th century Signed: Leah Nampeyo [Cornstalk] Designed with geometric and avian motifs 4” H x 7.5” Dia. $300-400

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1085

A Navajo Second Phase variant chief’s blanket Fourth quarter 19th century In cochineal red, indigo blue, cream, and natural dark brown 54.5” H x 67” W $10,000-15,000 Provenance:With Michael D. Higgins, purchased September 29, 1986 The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating cochineal dye accompanies the lot

Sunday, March 15, 2020­ | Art of the American West

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1086

1087

Late 19th/early 20th century Line-stitched beadwork in white, pink, blue, and green with cone tassels and beaded thongs Overall: 16” H x 3” W

Fourth quarter 19th century Line-stitched white field with polychrome teepee and star motif 22” H x 20” W

A Sioux beaded hide knife sheath

$600-800

A Sioux beaded hide vest

$2,000-3,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1088

Two pairs of Plains moccasins

First quarter 20th century First: Line-stitched beadwork in orange, light and dark blue, white, red and metallic brown, 4.25” W x 10.5” L; Second: Line-stitched beadwork in green, white, red, and dark blue, 33.5” W x 11.5” L, 4 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

42

1089

1090

Late 19th/early 20th century Line stitched in white, green, yellow, red, light and dark blue and pink with attached bells, the lower section with a band of pink and white quillwork Without fringe: 22.5” H x 6.5” W

Late 19th/early 20th century Line-stitched with white, red, green, black and purple glass beads Without fringe: 23” H x 6” W

A Cheyenne quill and beaded hide tobacco bag

$1,200-1,800

A Cheyenne beaded hide tobacco bag

$1,000-1,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

43

1091

1092

1091

Two Navajo bead necklaces

First quarter 20th century Comprising a Navajo Mercury dime necklace with cone tips to clasp together with an early Navajo silver bead necklace Longer: 23” L 326.0 grams 2 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1092

Four Pueblo turquoise necklaces

Each designed with tumbled turquoise, three set with heishi shells Longest: 29” 4 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1093

A Navajo silver and turquoise necklace

First half 20th century Centering a turquoise-set naja suspended from a silver and raw turquoise necklace on later-added string, sinew string separate 15.5” L; Naja: 1.75” H x 1.875” W 65.5 grams $300-500 1093 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

44

1094

An early Navajo squash blossom necklace

Late 19th/early 20th century Centering a turquoise-set wrought naja suspended from a sixty-eight bead necklace with twelve squash blossoms 31” L; Naja: 2.5” H x 2.325” W 288.5 grams $2,500-3,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

45

1095

A squash blossom necklace

Fourth quarter 20th century; Stamped: N Sheet silver, centering a turquoise-set naja from a beaded necklace adorned with heavy turquoise-set blossoms with leaf border 30” L; Naja: 5” H x 4.75” W 398.0 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1096

A Navajo Wallace Yazzie turquoise and coral squash blossom necklace

Signed: Wallace Yazzie The leaf-form settings centering “sleeping beauty” turquoise and coral cabochons with a pair of screw-back earrings en suite Necklace: 24” L; Naja: 3” H x 3.5” W; Each earring: 2” H 253.5 grams 3 pieces $700-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

46

1097

Stan Natchez

(b. 1954 American) Native American baskets still life Oil on canvas Signed lower left: Natchez 48” H x 53.75” W $500-700

Sunday, March 15, 2020­ | Art of the American West

47

1098

A Navajo First Phase concho belt

First quarter 20th century; Period fabric lable to buckle Designed with seven oval conchos and a smaller oval buckle on a leather backing under a newer leather belt 45.5” L; Each concho: 3.325” H x 4.125” W $4,000-6,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1099

A Navajo First Phase silver concho belt

Late 19th/early 20th century Designed with sheet silver, comprising a harness buckle with eight conchos on a leather belt 43.5” L; Each concho: 2.875” H x 3.875” W $4,000-6,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1100

A Navajo oval concho belt

Late First Phase style Comprising eight conchos and a buckle set on to a new leather belt 37” L; Each concho 3” H x 3.875” W $1,500-2,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

48

1101

Lon Megargee

(1883-1960 Cottonwood, AZ) Native American seated with a drum, 1917 Mixed media on board Signed, dated and with artist’s device lower right: L. Megargee 20” H x 16” W $3,000-5,000

Sunday, March 15, 2020­ | Art of the American West

49

1102

1103

1102

A silver leaf-shaped pendant

Stamped: J. Begay Set with six turquoise cabochons in a paisley-style design 4.25” H x 2.5” W 78.5 grams $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1103

A Navajo David Zachary sterling silver and turquoise bolo tie Stamped: David Zachary / Sterling Set with four turquoise stones in an elaborate pendant 21.25” H; Pendant: 4.325” H x 2.625” W 230.0 grams $600-800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1104

A turquoise squash blossom necklace

Second half 20th century The naja designed with a hanging drop suspended from a beaded and turquoise-set necklace 27.25” L; Naja: 3” H x 3” W 176.0 grams $300-500

1104

50

1105

A Navajo Classic Period manta

Fourth quarter 19th century Finely woven with diagonal twill, in cochineal-dyed red, indigo, brown and light green 43.5” H x 59” W $8,000-12,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating the upper band with 70% cochineal dye and 30% lac dye, and the lower band with cochineal dye accompanies the lot

Sunday, March 15, 2020­ | Art of the American West

51

1106

A complete Navajo Classic Phase woman’s dress

Fourth quarter 19th century Two panels finely woven of cochineal red, indigo blue, and natural dark brown with stepped cross-motif to upper and lower panels Each half: 48” H x 33” W $10,000-15,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating cochineal dye accompanies the lot

52

Sunday, March 15, 2020­ | Art of the American West

53

1107

A Navajo Classic Period half dress

Fourth quarter 19th century Finel woven with lac-cochineal bayeta red, indigo blue, and natural dark brown with serrated diamonds motif to ends 39.5� H x 28� W $4,000-6,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating the red band is 50% lac, 50% cochineal accompanies the lot

54

1108

1109

1108

Three silver and turquoise cuff bracelets

Comprising a thin row bracelet set with ten stones, a curio-row bracelet with turquoise stones and applied raindrops to edges, and a bracelet with four twisted wires supporting a central turquoiseinlaid plaque Largest: 6.5” C x 2.25” H with a .875” wrist opening 107.95 grams 3 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1109

Five Southwest silver bracelets

One stamped: GH; One stamped: Michael Rogers Paiute; One stamped: H; One stamped: Drennan Comprising a wide cuff with a roped and chiseled edge, a cuff with three bands, a domed silver cuff, a cuff with chiseled and repousse design, and one stamped cuff with banded openwork Largest: 7” C x 2” H 1.5” wrist opening 235.5 grams 5 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1110

Three silver and stone set bracelets

One stamped: Wallace Jr. / Sterling; One stamped: Fisch / Sterling Comprising a turquoise-set cuff, a floriform simulated turquoise cuff, and a chrysoprase cuff Largest: 7” C x 1.25” H with a 1.25” wrist opening 230.5 grams 3 pieces 1110

$600-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

55

1111

David Lemon

(b. 1945 Montana/California) Cheyenne War Party Leader Polychrome bronze on wood base Edition: F/C; Signed: Lemon and with the copyright symbol 33” H x 23.25” W x 17.25” D $1,000-1,500

1112

A Plains beaded hide possible bag

First quarter 20th century Geometric beading to red felt foundation, trade cloth interior and hide flap and back, further decorated with tin cones 11.5” H x 16.5” W $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1113

A Plains Indian beaded amulet bag

First half 20th century Designed with a stylized star and geometric motif Without fringe: 11.75” H x 9” W; Fringe: 7” H $300-400

1111

1112

56

1113

1114

A Northern Plains hide dress

Fourth quarter 20th century Designed in buckskin with a polychrome beaded yoke adorned with geometric motifs issuing tin cone fringed edges Without fringe: 51.5” H X 61” W $4,000-6,000

Sunday, March 15, 2020­ | Art of the American West

57

1115

A group of Pre-Columbian bead jewelry

Pre-historic or later Comprising one necklace on later-added wire and five necklaces on string Longest: 26” C $600-800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1116

A Jalisco redware figure of a seated woman

Pre-historic, Mexican The female figure with earrings, pauldrons, and studded headdress 9.75” H x 7.75” W x 5.5” D $1,000-1,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

58

1117

A Pre-Columbian tumbaga and bead necklace

Pre-historic or later The five-strand beaded necklace suspending a tumbaga disk with stamped design, restrung with a later-added clasp 24� L $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

59

1118

1119

2002 Woven by Edith Yazzie Finely woven with two conjoined diamonds and an elaborate serrated border woven in eight natural colors from cream to dark brown 61” H x 36” W

Fourth quarter 20th century Woven by Betty Wilson With a center diamond and elaborate all-over geometric designs all within a black border, woven in natural cream, tan, light and dark gray, and black 51” H x 32.25” W

A Navajo Two Grey Hills rug/weaving

$1,000-1,500

$800-1,200

Provenance:Historic Toadlena Trading Post and Museum, Newcomb, NM

Provenance:Historic Toadlena Trading Post and Museum, Newcomb, NM

Literature: Mark Winter, The Master Weavers: Celebrating One hundred years of Navajo Textile Artists from Toadlena/Two Grey Hills Weaving Region, 2011, Illustrated plate 195, page 458

60

A Navajo Two Grey Hills rug/weaving

1120

A Navajo Two Grey Hills rug/weaving

Fourth quarter 20th century Finely woven with a central radiating diamond motif with an elaborate terraced border design woven in natural cream, light gray, dark gray, tan, and dark brown 60” H x 43.25” W $3,000-4,000

Sunday, March 15, 2020­ | Art of the American West

61

1121

1122

1121

Four silver cuff bracelets

One stamped: Bell Trading Post Comprising a cuff with twisted-wire rope, a silver ingot chiseled cuff, a Navajo cuff with stamped and chiseled design, and a Navajo cuff with twisted wire Largest: 6.25” C x 1.75” H with a 1.25” wrist opening 264.0 grams 4 pieces $700-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1122

Three silver cuff bracelets

Early 20th century Comprising a flattened wire overlay on sheet base, a sheet silver flattened wire cuff bracelet, and a Navajo cuff bracelet with ropework, chiseled and stamped design Largest: 7.75” C x 175” H with a 1.75” wrist opening 313.5 grams 3 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1123

Two silver and turquoise cuff bracelets 1123

First half 20th century Comprising one on a carinated and round wire base set with turquoise cabochons together with a stamped and repousse cuff bracelet centering a turquoise cabochon Larger: 7” C x 1.125” H with a 1.5” wrist opening 122.0 grams 2 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

62

1124

A Navajo wide cuff bracelet

Apparently unsigned Centering a turquoise stone set into a bracelet with stamped decoration, heavy sheet 7” C x 2.5” H with a 2” wrist opening 261.5 grams $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1125

Four Navajo cuff bracelets

One stamped: DR; One stamped with the Navajo Guild Mark Comprising a cuff with stamped leaf design, a cuff with repousse buttons, a cuff with raised central bisecting band, and a wide-chiseled and stamped design, a sheet silver cuff 8” C x 1.25” H with a 1.125” wrist opening 219.0 grams 4 pieces 1124

$800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1126

Four Southwest silver cuff bracelets

One stamped: GJ [Hogan] Comprising two cuffs with a filed and stamped design, a cuff with an incised and stamped design, and a channeled domed cuff Largest: 6.5” C x 1” H with a 1” wrist opening 223.0 grams 4 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1125

1126

Sunday, March 15, 2020­ | Art of the American West

63

1127

Robert McCall

(1919-2010 Scottsdale, AZ) “Spirit of Arizona,” 1984 Oil on canvas Signed and dated lower right: McCall and with the copyright symbol 36” H x 80” W $7,500-10,000

64

1128

1129

1128

1129

(b. 1941 Sedona, AZ) “Zoroaster Temple - Mather Point,” 1987 Oil on canvas Signed lower right: M.L. Coleman, signed again, titled, dated and numbered on the backing board: #87-45 40” H x 48” W

(1889-1977 Alhambra, CA) “The Tea Kettle” Oil on canvas laid to board Estate signed lower left: Sam Hyde Harris, titled verso 18” H x 24” W

Michael L. Coleman

$3,000-5,000

Sam Hyde Harris

$2,500-3,500 Notes: With the estate stamp signed by Maureen St. Gaudens verso.

1130

1131

(b. 1945 Montana/California) “Elk Woman” Polychrome bronze on swivel wood base Edition: FC1/40: Signed Lemon with copyright symbol; Titled to plaque affixed to base 27.5” H x 11.25” W x 8.5” D

(b. 1945 Montana/California) “Iron Horn” Polychrome bronze on swivel wood base Edition: FC; Signed to leg: Lemon ACA with the copyright symbol; titled to plaque affixed to the base 26” H x 16” W x 11” D

David Lemon

$600-900

66

David Lemon

$600-900

1132

A Mono Lake Paiute basket First quarter 20th century With three geometric bands 10” H x 19.5” W $2,000-3,000

Sunday, March 15, 2020­ | Art of the American West

67

1133

A Hupa Indian basketry hat

First quarter 20th century Finely woven with a geometric polychrome motif 3.5” H x 6.75” Dia $500-700

1134

A Pima Indian basket First quarter 20th century With five serrated columns 5” H x 17” Dia. $400-600

68

1135

1136

First quarter 20th century The buckskin pouch with side opening and fringe to bottom Without fringe: 5.25” H x 5” D

First quarter 20th century The buckskin-fringed bag with flap closure, adorned with a beaded horse on front and an elk on back Without fringe: 8.25” H x 7” W

A Plains Indian beaded amulet bag

$300-500

A Cheyenne beaded pictorial bag

$700-900

1137

A diminutive Cheyenne cradleboard

First quarter 20th century Fully beaded deer hyde with original cotton interior, designed with blue hourglass on white beads with occasional beaded and wool fringes Beaded work measures: 11” H x 3.75” W x 3.25” D; Wood: 19.5” H x 6” W $800-1,200

1137

Sunday, March 15, 2020­ | Art of the American West

69

1138

1139

1138

Three silver cuff bracelets

One stamped with a meteor hallmark; One etched: 1935 COLO; One stamped with a Maltese cross mark Comprising a Navajo sheet silver-stamped cuff, a Navajo stamped cuff with three stones, and a Southwest silver cuff with repousse domes and stamped designs 7” C x 1” H with a 1.625” wrist opening 115.0 grams 3 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1139

Three silver cuff bracelets

First half 20th century Comprising a Zuni bracelet set with twenty-five round stones on a three-wire foundation, a Navajo sheet silver bracelet set with eleven stones, and a silver ingot cuff with a floral stamped design Largest: 6.5” C x 1.125” H with a 1” wrist opening 208.0 grams 3 pieces $700-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1140

Three Navajo turquoise and silver jewelry items

1140

Comprising a half-round wire bracelet centering a turquoise tablet, a three-stone turquoise bracelet, and a belt buckle centering a large turquoise tablet Largest: 6.5” C x 2.125” H with a 1” wrist opening 249.0 grams 3 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

70

Sunday, March 15, 2020­ | Art of the American West

71

1141

1142

1141

1142

(1889-1968 Glendale, CA) “Leo & Roy,” (Leo Carrillo & Roy Rogers) Oil on canvas Signed lower right: Ernest Tonk, signed again and inscribed verso: This is the property of Ernest Tonk, titled by repute 29.25” H x 35.5” W

(1915-1996 Vallecito, CA) “Jacob Hamblin Arriving Home at Santa Clara” Oil on canvasboard Signed lower left: Marjorie Reed, signed again and titled on a gum label affixed verso, inscribed and numbered verso: Sketch for Large Painting / #368 12” H x 16” W

Ernest A. Tonk

$2,000-3,000

72

Marjorie Reed

$1,200-1,800

1143

Two Frank Patania twisted wire cuff bracelets

Each stamped for Frank Patania; Further stamped: Sterling [Eagle] Comprising a wide cuff with three rows of twisted wire together with a cuff bracelet with a single twisted wire panel Larger: 7” C x 1.5” H with a 1.5” wrist opening 162.5 grams 2 pieces $700-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1144

A Frank Patania silver concho belt

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Designed with fourteen rectangular plaques and buckle set onto a leather belt 28.75” L; Each concho: .75” H x 1.5” W $600-800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1145

A Frank Patania silver concho belt

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Each repousse concho designed with a roped border set onto a leather belt 38.5” L; Each concho: 1.75” H x 2.5” W $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

73

1146

1146

Three Frank Patania silver necklaces

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Each designed as a bib necklace, comprising a roped design, a ribbed design, and a smooth design Largest: 18.25” L x 1.75” H 225.5 grams 3 pieces $1,000-1,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1147

A group of Frank Patania jewelry

Each stamped for Frank Patania; Further stamped: Sterling [Eagle] Comprising a carved leaf-form turquoise and silver pendant/brooch, a tumbled turquoise-set pendant/brooch on chain, and a pair of shadowbox stylized bearclaw ear clips Largest: 1.75” H x 1.25” W 53.5 grams 4 pieces $600-800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1147

74

1148

1149

First quarter 20th century Centering a diamond flanked with smaller diamonds at the corners woven in red, brown, taupe, and cream 70” H x 47” W

Mid-20th century With an all-over diamond pattern woven in cream, gray, tan, red, dark brown, green, purple, and pink 58.75” H x 35” W

A Navajo regional rug

A Navajo Western Reservation rug

$300-500

$300-500

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

75

1150

A Navajo banded regional rug

Mid-20th century With a banded stepped cross and terrace motif, woven in cream, tan, natural dark brown, red and orange 60� H x 34� W $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

76

1151

A Navajo regional rug

Mid-20th century Woven in red, cream, gray, and natural dark brown 59” H x 44.75” W $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

77

1152

1153

1152

1153

(1931-1997 Taos, NM ) Abstract figures walking through a landscape, 1972 Watercolor and colored pencil on board under glass Signed lower right: Vigil, signed again and dated twice verso: 10/30/72 Sight: 12” H x 17” W; Board: 14.5” H x 20.75” W

(1931-1997 Taos, NM) A group of abstract figures, 1994 Mixed media on board under glass Signed and dated lower right: Veloy V / 94 Sight: 7.75” H x 7.5” W; Board: 8.5” H x 8” W

Veloy Vigil

$1,000-1,500

78

Veloy Vigil

$1,000-1,500

1154

A Southwest coral and turquoise bracelet

Stamped: RC, possibly Ronnie Calabaza Set with coral and turquoise in a bear claw and snake design 6.75” C x 1.75” H with a 1.125” wrist opening 164.0 grams $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1155

Two Southwest inlaid cuff bracelets

One signed for Alvin Yellowhorse / Navajo / Sterling Comprising a stone mosaic cuff together with a stone inlaid cuff with stamped interior design Larger: 7” C x .625” H with a 1.25” wrist opening 91.0 grams 2 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1156

Two silver cuff bracelets

Second quarter 20th century; One stamped: [Two crossed arrows] Comprising one with a chiseled design and one with a two-tone design, each centering a turquoise cabochon Larger: 7” C x 1.5” H with a 1.5” wrist opening 179.0 grams 2 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

79

1157

A bear claf-motif squash blossom necklace and pin

Apparently unsigned Comprising a squash blossom necklace with turquoise cabochons together with a pin 23” L; Naja: 3.5” H x 3.75”; Pin: 2.5” H x .875” W 258.0 grams 2 pieces $600-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1158

Two contemporary Navajo-style cuff bracelets

One stamped: PM Comprising a three-stone sheet silver and carinated wire bracelet together with a bracelet with a single turquoise stone Larger: 7” C x 2” H with a 1.125” wrist opening 163.5 grams 2 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

80

1159

Seven Navajo silver boxes

Second quarter 20th century Each with hand stamped designs and four set with turquoise cabochons, 7 pieces Largest: 1.5” H x 4.25” W x 3” D 451.5 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1160

Six Fred Harvey-style sheet silver bracelets

Two stamped: Sterling Comprising a machine stamped bracelet with oval turquoise stone, a bracelet with overlay arrowheads on each side of oval turquoise, a bracelet with a single stone and machine stamped design, a single round stone bracelet, and a bracelet with three turquoise stones Largest: 6” C x 1.5” H with a .75” wrist opening 114.5 grams 6 pieces $700-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

81

1161

Three Navajo silver boxes

Mid-20th century One signed and marked: JB / Sterling One further inscribed: Navajo, 1939 tribal fair, Santa Fe handmade with stamped designs and two stones set on lids, 3 pieces Largest: 2” H x 3.75” W x 2.5” L 362.5 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

82

1162

David Lemon

(b. 1945 Montana/California) “Rendevous Foofarraw” Patinated bronze on wood base Edition: FP/35; Signed to base: Lemon and with the copyright symbol 33” H x 32” W x 14” D $800-1,200

1163

George Peter

(1859-1950 Milwaukee, WI) Yosemite Valley from Glacier Point, 1930 Oil on canvasboard Signed and dated lower center: Geo. Peter 17” H x 47” W $2,000-3,000

Sunday, March 15, 2020­ | Art of the American West

83

1164

A large Apache basket

First quarter 20th century Depicting five conjoined diamonds with stars and whirling logs 18” H x 20” Dia. $1,500-2,500

1165

An Apache pictorial basket

First quarter 20th century With central star motif and animal figures to rim with alternating geometric elements 3.5” H x 18.5” Dia $1,200-1,800

84

1166

John “Jack” Dare Howland (1843-1914 Denver, CO) Bison with Prairie Dog Oil on canvas Signed lower right: JD Howland 17” H x 22” W $2,000-3,000

Sunday, March 15, 2020­ | Art of the American West

85

1167

86

1168

1167

A Navajo Classic Period half dress

Fourth quarter 19th century In lac-cochineal red, indigo blue, and natural dark brown with zig-zag bands to upper and lower ends 50.5” H x 36” W $5,000-7,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating 80% cochineal, 20% lac accompanies the lot

1168

A complete Navajo Classic Period woman’s dress

Fourth quarter 19th century Lac-cochineal red, indigo blue, and natural dark brown with zig-zag motif to ends 53” H x 32” W $10,000-15,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: A report dated February 10, 2020 from Dr. David Wegner of Thomas Jefferson University, Philadelphia, PA, stating 70% cochineal and 30% lac accompanies the lot

Sunday, March 15, 2020­ | Art of the American West

87

1169

An early Navajo squash blossom necklace

Late 19th/early 20th century Designed with a turquoise tablet set into a sandcast naja suspended from a beaded chain 26” L; Naja: 2.75” H x 2.5” W 371.5 grams $3,000-5,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1170

An early Navajo squash blossom necklace

Late 19th/early 20th century Centering a sandcast naja suspended from a coin bead chain 26.5” L; 3.5” H x 2.325” W 433.5 grams $1,200-1,800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

88

1171

An early Navajo squash blossom necklace

Late 19th/early 20th century Designed with a wrought naja suspended from a beaded chain 30” L; Naja: 2.75” H x 2.75” W 214.0 grams $1,200-1,800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1172

An early Navajo silver and turquoise necklace Late 19th/20th century Designed with round and turquoise-set drops 23” L 225.0 grams $1,500-2,500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

89

1173

1173

Peter Hurd

(1904-1984 Roswell, NM) “Valley Fruit Stand” Watercolor on paper under glass Signed lower right: Peter Hurd, titled verso, titled again on the backing board Sight: 9” H x 12.25” W; Sheet: 9.25” H x 12.5” W $3,000-4,000

1174

A large polychrome Zia storage pot

20th century Adorned with rooster and bird-motif and geometric designs 11” H x 18” Dia. $500-700

1174

90

1175

1176

1175

1176

20th century Larger signed: Eusebia Shije / Zia; Smaller: apparently unsigned Each designed with a roadrunner or avian motif, comprising one Zia and one Acoma, 2 pieces Larger: 9.25” H x 8” Dia.; Smaller: 7” H x 7” Dia.

20th century Signed: Lois Medina / Zia Designed with a roadrunner and geometric motif 12” H x 13” Dia.

Two Southwest pots

A Zia shouldered pot

$600-800

$400-600

Sunday, March 15, 2020­ | Art of the American West

91

1177

1178

First quarter 20th century Centering a naja set with turquoise tablets suspended on a squaw-wrapped beaded chain 33.5” L; Naja: 3.325” H x 2.75” W 367.0 grams

First quarter 20th century Centering a wrought naja suspended from a squaw-wrapped beaded chain 22.5” L; Naja: 3” H x 2.325” W 178.0 grams

A squash blossom necklace

$1,200-1,800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

92

A Navajo squash blossom necklace

$1,200-1,800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1179

An early Navajo squash blossom necklace

First quarter 20th century The sandcast Naja strung to the necklace set with Mexican coin and sing beads 24.5” L; Naja: 3.5” H x 2.625” W 405.5 grams $2,000-3,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1180

A Navajo squash blossom necklace

Second quarter 20th century Centering a turquoise-set wrought naja suspended from a forty-four round-beaded chain 33.5” L; Naja: 2.875” H x 2.325” W 194.5 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

93

1181

Michael Coleman

(b. 1946 Provo UT) “Passing Time on the Yellowstone,” 1980 Oil on masonite Signed, dated and inscribed lower right: Michael Coleman III, titled on the frame plaque, titled and dated again on an artist label affixed verso 30” H x 20” W $5,000-7,500 Provenance:Acquired Kennedy Galleries, New York City, NY, 1978

1182

Sir Daniel Wilson

(1816-1892 Scottish/Canadian) “Nipigon Canoe and Children - Lake Namaigos [sic],” 1866 Watercolor on paper laid to paper under glass Signed, dated and titled along the lower portion of the mat: Sir Daniel Wilson Sight: 6.25” H x 10” W $500-700 Notes: In 1888 Wilson was knighted by Queen Victoria for his services to education in Canada, and in 1891 given the Freedom of the City of Edinburgh.

1181

1182

94

1183

Two Nez Perce twined cornhusk bags

First quarter 20th century Each with a two-sided imbricated polychrome geometric design Smaller: 17” H x 14.5” W; Larger: 22.5” H x 17.75” W $1,500-2,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1184

Four Nez Perce twined corn husk bags

First quarter 20th century Each with imbricated polychrome geometric motifs, one with wool design, 4 pieces Largest: 16” H x 12” W; Smallest: 6” H x 5.5” W $1,000-1,500

Sunday, March 15, 2020­ | Art of the American West

95

1185

A silver concho belt

Mid-20th century; Stamped: Handmade / Sterling Designed of sheet silver, set with nine conchos and a buckle 32.875” L; Each concho: 2.25” H x 2.625” W $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1186

Two concho belts

20th century; Each apparently unsigned Comprising eight loose conchos with chipped stone inlay together with a repousse floral belt with coral-set drop Longer: 36” L 378.0 grams 9 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1187

Three Southwest concho belts

20th century Each hand-stamped, comprising a belt with sixteen conchos, one buckle and sixteen spacers; A belt set with snake-eye turquoise, twelve conchos, thirteen spacers, and one buckle; And a belt with twelve conchos, eleven spacers, and one rectangular buckle Longest: 36.5” L 261.5 grams 3 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

96

1188

1188

Two silver concho belts

20th century Each hand-stamped belt designed with turquoise cabochons, comprising a belt with sixteen conchos, fifteen spacers, one rectangular buckle, all hand stamped; And a belt with twelve conchos, thirteen spacers, and one rectangular buckle Longer: 33.5” 166.5 grams 2 pieces $200-400 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1189

Gary Robert Swanson

(1941-2010 Prescott, AZ) Leopard in a tree Oil on canvas Signed lower right: Gary R. Swanson and with the copyright symbol 36” H x 40” W $3,000-4,000

1189

Sunday, March 15, 2020­ | Art of the American West

97

1190

Thomas Moran N.A.

(1837-1926 Santa Barbara, CA) “Grand Canyon of Arizona from Hermit Rim Road,” 1913 Chromolithograph on paper under glass Signature and date of the original painting in the plate lower left: TMoran 1912, published by G.H. Buck & Co., New York, for the Atchison Topeka and Santa Fe Railway System, printed by the American Lithographic Co., New York Sight: 26” H x 34.75” W $1,500-2,000

98

1191

1192

Early 20th century With coiled rattlesnake motif 4.75” H x 7.75” W

First quarter 20th century With two avian elements separated by geometric columns 5.25” H x 9.5” Dia

A California Mission rattlesnake basket

$700-900

A polychrome California Mission basket

$600-800

1193

A polychrome California Mission basket First quarter 20th century With radiating star pattern 4” H x 14.5” Dia $1,000-1,500

Sunday, March 15, 2020­ | Art of the American West

99

1194

Two polychrome California Mission baskets

First quarter 20th century First: A dish with seven shields and star center, 2” H x 7” Dia.; Second: A small bowl with three polychrome ducks, 2” H x 3” Dia., 2 pieces $500-700

1195

A large California Mission oval tray First quarter 20th century Polychrome with seven swirling arms 2.5” H x 21” W x 18” D $800-1,200

1196

A Northern California Indian basket

First quarter 20th century Woven with three radiating arms in two-tone geometric design 4.75” H x 12.25” Dia. $250-350

100

1197

John N. Marchand

(1875-1921 Westport, CT) American Indian and frontiersman seated by a fire Oil en grisaille on canvas Signed lower right: J.N. Marchand 19” H x 31” W $3,000-5,000

Sunday, March 15, 2020­ | Art of the American West

101

1198

A Navajo Germantown weaving

First quarter 20th century A double cross-centered storm motif to center surrounded by additional stepped cross elements woven in red, pale green, lavender, cream and natural dark brown 82.5� H x 50.5� W $2,500-3,500

102

1199

1200

1199

Five Southwest silver cuff bracelets

Apparently unsigned One with a repousse design, two with a repousse and stamp design, one with twisted rope design, and one with stamped design 7” C x 1.25” H with a 1.5” wrist opening 58.0 grams 5 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1200

A Navajo wide silver cuff

Apparently unsigned The sheet silver cuff with a stamped and chiseled design 7.25” C x 2.5” H with a 1.125” wrist opening 131.0 grams $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1201

Two Navajo wide cuff bracelets

Apparently unsigned Comprising a stamped cuff together with a channeled sheet silver cuff Larger: 7.75” C x 3.125” H with a 1.625” wrist opening 301.5 grams 2 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1201

Sunday, March 15, 2020­ | Art of the American West

103

1202

Two sandcast bracelets

Apparently unsigned Comprising a Navajo bracelet with a single Royston, Nevada turquoise stone with applied raindrop and corn designs together with an openwork single-stone bracelet Larger: 6.5” C x 1.5” H with a 1.325” wrist opening 163.5 grams 2 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1203

Three Southwest silver concho belts

20th century; Each apparently unsigned Comprising one sandcast belt set with a single turquoise stone to each concho, one starburst-motif belt, and one belt with round stamped conchos Longest: 44” L 3 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1204

A Navajo sandcast concho belt

First quarter 20th century Designed with five butterflies, six conchos, and a buckle on an a leather belt 41.5” L; Each concho: 3” H x 3.625” W $1,200-1,800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

104

1205

A woman’s Navajo Second Phase-style blanket First half 20th century Woven in cream, dark brown, purple, and red 41.25” x 50” W $2,000-4,000

Sunday, March 15, 2020­ | Art of the American West

105

1206

1207

Second quarter 20th century With conjoined diamonds, feathers and waterbugs woven in red, cream, tan, and natural dark brown 83” H x 43” W

Late 19th/early 20th century With columns of conjoined diamonds woven in raveled American flannel red, indigo blue, cream, and light green 49” H x 30.5” W

A Navajo pictorial rug

106

A Navajo child’s blanket

$700-900

$2,000-2,500

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1208

A Navajo pictorial rug

Second half 20th century Depicting an American Indian encampment and an Army encampment in mountain terrain, with ensuing battle engagement 44.5” H x 37” W $500-700

1209

Rusti Warner

(b. 1974 Montana) American Indian under moonlight Oil on canvas laid to masonite Signed lower right: R. Warner 32” H x 59” W $1,500-2,500

1208

1209

Sunday, March 15, 2020­ | Art of the American West

107

1210

A Frank Patania silver box

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Centering an arrowhead-shaped turquoise cabochon over a hinged silver box 1” H x 4.25” W x 3.125” D 155.5 grams $600-900 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1211

Two Frank Patania cuff bracelets

Each stamped for Frank Patania; Further stamped: Sterling [Eagle] Comprising a turquoise mosaic-topped cuff and a hollow silver cuff Larger: 6.5” C x .75” H with a 1.125” wrist opening 97.0 grams 2 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

108

1212

Three Frank Patania jewelry items

Each stamped for Frank Patania; Further stamped: Sterling [Eagle] Comprising two pendant/brooches set with turquoise cabochons and a turquoise-set ring Ring size: 10; Larger brooch: 1.5” Dia. 45.0 grams 3 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1213

A Frank Patania buckle

Stamped for Frank Patania; Further stamped: Sterling [Eagle] With three stones set into a two-toned silver mount 1.125” H x 3” W 43.5 grams $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1214

A Frank Patania iced tea spoon

Stamped for Frank Patania; Further stamped: Sterling [Eagle] Set with a turquoise cabochon 11” H 51.0 grams $200-300 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

109

1215

A Navajo Classic Period manta

Fourth quarter 19th century Red field with indigo edges and two bands of alternating indigo blue cross motifs 43� H x 56� W $2,000-3,000 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

110

1216

1217

Third quarter 20th century Centering three turquoise stones set into a silver plaque with stamped design on a leather cuff 3.625” H x 9.325” W 115.0 grams gross

First quarter 20th century The leather bow guard adorned with thirty-two silver buttons 6” C x 2.5” H 79.0 grams

A Navajo ketoh

$300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A Navajo silver and leather bow guard

$500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1218

Two Navajo or Zuni ketohs

Comprising a ketoh set with five turquoise and two coral cabochons and a ketoh set with five small turquoise cabochons each on a leather strap (one later-added) Larger:4” H x 2.625” W 231.5 grams gross 2 pieces $600-800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

111

1219

1220

1219

1220

(1913-1984 New York/California) “Return of the Trapper” Oil on panel Signed lower left: Chas. Sultan, titled on the frame plaque 16” H x 20” W

(1913-1984 New York/California) “Desert Prowlers” Oil on board Signed lower left: Chas Sultan, titled verso 14” H x 18” W

Charles Sultan

$1,000-1,500

112

Charles Sultan

$500-700

1221

Earle Erik Heikka

(1910-1941 Montana) Cowboy tying down the load on his packhorse, 1931 Polychrome painted plaster, canvas and twine Inscribed signature and date: E. E. Heika 9.25” H x 16” L x 6” W $1,500-2,000

1222

A Navajo Two Gray Hills rug

20th century Conjoined stepped terrace diamonds woven in cream, gray, and dark brown 69.5” H x 43.25” W $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

113

1223

A small Navajo Two Grey Hills rug

Second half 20th century Woven by Baaizhoon Bennolley With a central diamond motif and meandering border woven in natural cream, tan, gray, and dark brown 30” H x 25” W $400-600 Provenance:Historic Toadlena Trading Post and Museum, Newcomb, NM

1224

A Two Grey Hills rug

Mid-20th century Woven by: Cora Curley, Water Flows Together Clan With a central geometric column and complex floating border woven in natural cream, brown and dark brown 53” H x 32.5” W $800-1,200 Provenance:Historic Toadlena Trading Post and Museum, Newcomb, NM

114

1225

John “Jack” Dare Howland (1843-1914 Denver, CO) Dear with fawn Oil on board Signed lower right: JD Howland 14” H x 18” W $1,500-2,000

Sunday, March 15, 2020­ | Art of the American West

115

1226

Two Hopi coiled baskets

Fourth quarter 20th century Each with face motif, 2 pieces First: 9” H x 11” Dia.; Second: 8” H x 10.25” Dia. $400-600

1227

Two Zuni bolo ties

One signed: Amy for Amy Quandalacey; One signed: JVR Sterling Comprising an inlaid turquoise bolo and an onyx cabochon bolo Larger: 18.75” L 74.0 grams gross 2 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1228

Three bolo ties

20th century; One stamped: MH Comprising a cast thunderbird design with three turquoise stones, a metal disk with silver dotted design, and a sterling rectangular plate with freeform stones and silvertips Largest bolo: 3.325” Dia. 216.0 grams gross 3 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

116

1229

Three Navajo kachina jewelry items

One stamped for Helen Long Comprising a bolo and two rings each set with turquoise cabochons Bolo: 3.25” H x 1.25” W; Ring sizes: 7 and 9.75 66.0 grams 3 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1230

Three Hopi/Navajo bolo ties

Fourth quarter 20th century; One stamped: H for Helen Long; One stamped: WB Comprising two Kachina designs (one dated 1978 verso) and a shield design Largest bolo: 3.5” H x 2” W 183.0 grams 3 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

117

1231

1231 Joe Baker

(b. 1946 Phoenix, AZ) “Wintering in Arizona,” 1982 Oil on canvas Signed and titled along the upper edge: Joe Baker, signed and titled again and dated verso 66” H x 78” W $1,000-1,500 Exhibitions: Arizona, The Elaine Horwitch Galleries, B4375

1232

A Federico Jimenez silver and turquoise necklace Stamped for Federico Jimenez The shaped turquoise disks set into a silver chain 19” L x 1.5” H 164.5 grams $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1232

118

1233

A Federico Jimenez sterling silver and turquoise necklace Stamped for Federico Jimenez; Further stamped: Sterling The heart-shaped turquoise pendant suspended from a turquoise-set link chain 24.25” L x 3.75” H 192.5 grams $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

119

1234

1235

1234

Two Federico Jimenez silver and turquoise necklaces Each stamped for Federico Jimenez; Further stamped: Sterling Each set with turquoise tablets suspended from a neck chain Larger: 4.875” H x 3.25” W; Longest neck chain: 25” 131.5 grams 4 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1235

A set of Federico Jimenez coral and silver jewelry

Stamped for Federico Jimenez Comprising a silver and coral cross and pair of earrings centering mother-of-pearl disks Necklace: 24” L; Pendant: 4” H x 2.5” W; Each earring: 1.125” Dia. 68.5 grams 3 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1236

Three silver cross pendants

Two stamped for Federico Jimenez; Further stamped: Sterling or 925 Comprising two set with turquoise cabochons and one issuing silver charms, each with a neck chain Largest: 4.25” H x 3.125” W; Each chain approximately: 24” L 163.5 grams 6 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1236

120

1237

Roy Kerswill

(1925-2002 Polson, MT) “Peaceful Solitude” Oil on canvas Signed lower left: Kerswill, titled on the frame verso 24” H x 36” W $600-800

Sunday, March 15, 2020­ | Art of the American West

121

1238

A squash blossom necklace

Centering a turquoise-set naja from a beaded necklace set with ten turquoise stones 24.5” L; Naja: 5” H x 2.5” W 207.0 grams $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1239

A Southwest carved turquoise snake belt buckle

Apparently unsigned The carved Zuni coiled snake, possibly carved by Leekya, set into a Navajo-made silver buckle in the Zuni fetish style 2.75” H x 4” W 129.0 grams $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

122

1240

Two Pueblo turquoise and heishi shell necklaces

Each designed with tumbled turquoise and heishi shell, one with jacklas and one squaw-wrapped Longer: 28” L 2 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1241

Two Pueblo turquoise bead necklaces

Each designed with tumbled turquoise, comprising one triple-strand necklace with heishi shell spacers and one necklace with turquoise spacers Longer: 32” L 2 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

123

1242

Two Southwest silver fetish necklaces

Each apparently unsigned Each designed with liquid silver beads, one suspending bird fetishes and the other suspending birds, turtles, foxes, and frogs Longer: 28.5�

174.0 grams 2 pieces $200-400 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1243

Three trade bead necklaces

Comprising one with spiny oyster beads, one with branch coral beads, and one in yellow coral/shell Longest: 27�

3 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

124

1244

1245

Comprising three tumbled turquoise necklaces and one disk necklace Longest: 19.25” 4 pieces

Strung with blue glass beads suspending Maria Theresa Thaler coins dated 1780 24.5” L 260.0 grams gross

Four turquoise beaded necklaces

$400-600

A Southwest trade necklace

$200-400

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

125

1246

1247

1246

1247

Second quarter 20th century Beaded with foliate motif to the front and back, in a polychrome pallet with a variety of beaded tassels Without fringe: 12” H x 34” W

First half 20th century Line stitched in red, white and blue, each blue medallion with 13 stars surrounding a larger white star 6” H x 57” L

A Plateau beaded cloth dress yoke

126

A Plateau beaded blanket strip

$500-700

$500-700

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1248

A Zuni silver necklace

Stamped: A.R.B The hollow dual-sided stone-inlaid pendant on a swivel suspended from a stamped cage suspended from a bar neck chain 3” Dia.; Neck chain: 26” 97.0 grams $200-400 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1249

A group of stone inlaid jewelry

The cuff signed: Sausna Comprising a necklace (17.25” L), a cuff bracelet (7.25” C x 1.5” H with a 1.25” wrist opening), a belt buckle (1.625” H x 2.75” W), and a ring (size: 6) 317.5 grams 4 pieces $800-1,200 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

127

1250

Two Zuni cuff bracelets

One signed: Snow Horse Each with stone inlay central panels, one set into a chiseled bracelet 7” C x 2” with a 1.5” wrist opening 190.5 grams 2 pieces $600-800 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1251

A turquoise bead necklace

Second half 20th century The graduated turquoise disk necklace with center drop 27” L $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

128

1252

A set of Zuni Effie Calavaza snake jewelry

Signed for Effie Calavaza Comprising a bolo tie (17.75” H), a belt buckle (2.125” H x 3.25” W), two rings (size: 11), and a pair of cuff links (.75” W x 1” H) 226.5 grams 6 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1253

A large turquoise nugget pendant Third quarter 20th century Suspended from a silver cage 5.75” H x 1.75” W 152.5 grams $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

129

1254

Five silver Yei jewelry items

The ring stamped: S / TC Comprising a belt buckle (2.25” H x 3.25” W), two spacers (.875” H x 1.125” W), a pendant (2.25” H x 2.5” W), and a ring (size: 9), each designed with a Yei figure 110.5 grams 5 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1255

Three Southwest jewelry items

Second half 20th century; One stamped: Sterling Comprising a silver bib necklace and two stone-inlaid cuff bracelets Necklace: 16” L x 2” H; Larger cuff: 6.75” C with a 1.5” wrist opening 168.0 grams 3 pieces $400-600 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

130

1256

1257

1256

Two Navajo watch cuff bracelets

One stamped: WB Comprising a cuff set with tumbled turquoise centering a Timex watch together with a coral and turquoise-set bracelet with a setting to hold a watch Larger: 7” C x 2.325” H with a 1.25” wrist opening 310.0 grams gross 2 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1257

Seven Southwest rings

Scattered rings stamped: H; S / TC; M / C; [conjoined L over S]; TT All but one set with turquoise Ring sizes: 6-11.75 64.5 grams 7 pieces $300-500 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

1258

Seven Southwest gem-set rings

Each apparently unsigned Comprising Navajo and Zuni designs, variously set with turquoise, malachite, and mother-of-pearl Ring sizes: 7.25-9.75 87.5 grams 7 pieces

1258

$500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Sunday, March 15, 2020­ | Art of the American West

131

1259

Two Kenneth Begay sterling silver jewelry items Each stamped: KB, with White Hogan; Further stamped: Sterling Comprising a letter opener and a belt buckle Longest: 6.625� L x .75� W 94.5 grams 2 pieces $500-700 Provenance:The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

132

Condition Reports

1001 Overall good condition with tarnishing and light scratches commensurate with age.

1002 Overall good condition with tarnishing and light scratches commensurate with age.

1003 Overall good condition with tarnishing and light scratches commensurate with age. Lacking watch.

1004 Each in overall good condition with tarnishing and light scratches commensurate with age.

1005 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 38.75” H x 35.25” W x 2” D 1006 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 35” H x 29” W x 2.5” D 1007 Each in overall good condition with tarnishing and light scratches commensurate with age.

1008 Each in overall good condition with tarnishing and light scratches commensurate with age.

1009 Overall good condition with tarnishing and light scratches commensurate with age. Moranís does not guarantee the working condition of clocks and watches.

1010 Overall good condition with tarnishing and light scratches commensurate with age.

1011 Each in overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

1012 Overall good condition with tarnishing and light scratches commensurate with age.

134

1013 Overall good condition with minor scuffs and light scratches commensurate with age.

1014 Overall good condition with scattered scuffs, light scratches, and minor discoloration commensurate with age. Minor nicks to top rim. Two 2.5”-long scratches to lower foot of base.

1015 Overall good condition with scuffs commensurate with age.

1016 Overall good condition with wear and scuffs commensurate with age and use. Head of figure with a shallow surface scratch.

1017 Visual: Generally good condition. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 64.75” H x 76.75” W x 1.5” D 1018 Overall good condition with tarnishing and light scratches commensurate with age.

1019 Overall good condition with tarnishing and light scratches commensurate with age.

1020 Overall good condition with tarnishing and light scratches commensurate with age.

1021 Each in overall good condition with tarnishing and light scratches commensurate with age.

1022 First: Overall good condition. Second: Overall good condition with three areas of stitch loss to rim, largest: 1.25’’. Third: Overall good condition with an “L” shaped split to lid rim. Each with dust accumulation and slight shelf wear commensurate with age and use.

1023 Each in overall good condition with minor losses, dust accumulation and wear commensurate with age and use. The second with several scattered areas of dark discoloration, the largest: 1.5” L. 1024 Each in overall good condition with dust accumulation and wear commensurate with age and use.

1025 Each in overall good condition with dust accumulation and wear commensurate with age and use.

1026 Overall good condition with scattered losses to selvage. Slight dye migration to one end. Several small holes scattered throughout, largest: 1.5” x 1”.

1027 Visual: Generally good condition. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 64.75” H x 89” W x 1.5” D 1028 Each in overall good condition with tarnishing and scratches commensurate with age. Cold shuts (cracks) scattered throughout dating to time of manufacture. One turquoise with a series of cracks and chips.

1029 Each in overall good condition with tarnishing and light scratches commensurate with age. One with repairs to underside.

1030 Each in overall good condition with tarnishing and light scratches commensurate with age.

1031 Each in overall good condition with tarnishing and light scratches commensurate with age.

1032 Each in overall good condition with tarnishing and light scratches commensurate with age. The turquoise loose in the setting.

1033 Each in overall good condition with tarnishing and light scratches commensurate with age.

1047 Overall good condition with tarnishing and light scratches commensurate with age. One stone with a crack through the center.

1034 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 22” H x 29.25” W x 1.75” D

1048 Each in overall good condition with tarnishing, minor dents, and light scratches commensurate with age. Silver content unknown.

1036 Overall good condition with even wear and occasional repairs to perimeter.

Wear commensurate with age and use.

1037 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, cracks, and surface-reaching fractures. Drying, cracking, creasing, and wear to leather commensurate with age.

1038 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, cracks, and surface-reaching fractures. Drying, cracking, creasing, and wear to leather commensurate with age.

1039 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, cracks, and surface-reaching fractures. Drying, cracking, creasing, and wear to leather commensurate with age.

1040 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, chips, losses, cracks, and surface-reaching fractures. Drying, cracking, creasing, and wear to leather commensurate with age.

1041 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered beads with abrasions, chips, and surface-reaching fractures. The turquoise on the earrings with visible glue residue.

1042 Overall good condition with tarnishing and light scratches commensurate with age. Scattered scuff and cracks to the stones.

1043 Overall good condition with tarnishing and light scratches commensurate with age. Stones with natural inclusions and surface-reaching fractures.

1044 Overall good condition with tarnishing and light scratches commensurate with age.

1045 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight, but these appear to be in the hand of the artist.

Frame: 26.25” H x 31.25” W x 2” D 1046 Overall good condition with tarnishing and light scratches commensurate with age.

1049 Overall good condition with tarnishing and light scratches commensurate with age. One concho loose from the belt, retained.

1050 Overall good condition with minor dust accumulation.

Plinth: 2” H x 17.5” W x 12” D 1051 Overall good condition with three stitch losses to rim, older collection tag #17182 sewn to rim and corresponding number affixed to underside.

Scattered stitch losses to base commensurate with age and use.

1052 Overall good condition with eight stitch losses to rim, older inventory number affixed to underside, dust accumulation commensurate with age.

1053 Overall good condition with dust accumulation commensurate with age. A .75” x .75” soiling spot to the interior. An old collection label sewn to rim, #17187 and corresponding tag affixed to underside.

1054 Visual: Generally good condition. Varnish discoloration scattered throughout including varnish drips along the upper section. Minor surface dirt and grime.

Blacklight: A quarter-sized spot of touch-up right center. A .5” x 2” area of touch up in the lower right corner.

Frame: 24.25” H x 36.25” W x 2” D 1055 Visual: Damage and loss to all four corners. Frame abrasions along the four edges. A pea-sized spot of paint loss in the lower right corner. A 1.25” x .75” area of scattered paint loss in the upper left corner. A pea-sized spot of paint loss to the left of the steeple. Tiny specks of paint loss scattered throughout. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Unframed 1056 Generally good condition. Mounted to the back mat with seven small pieces of linen tape.

Frame: 25” H x 24” W x 1.25” D 1057 Generally good condition. Mounted to the recto mat with packing tape along the four edges.

Frame: 17.75” H x 20.5” W x 1” D 1058 Generally good condition. Mounted to the recto mat with packing tape along the four edges.

Frame: 16” H x 18” W x 1” D 1059 Overall good condition with scattered soiling to side A. Side B: scattered .325” soiling with sewn on Velcro.

1060 Overall good condition with tarnishing and light scratches commensurate with age. Old repairs on underside, with stamp work and filing. Visible cracks face-up.

Condition Reports

1035 Blanket shows even wear throughout, possibly newer selvage. Older repairs, light staining, yellowing and discoloration throughout. A 1.5” x 2” repair to one corner and 1” x 1” repair to the other end.

135

1061 Each in overall good condition with tarnishing and light scratches commensurate with age.

1062 Overall good condition with tarnishing and light scratches commensurate with age.

1063 Overall good condition with tarnishing and light scratches commensurate with age.

1064 Overall good condition with minor wear and dust accumulation commensurate with age.

1065 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 15.5” H x 12.75” W x 2.25” D 1066 Overall good condition with tarnishing and light scratches commensurate with age. Drying, cracking, creasing, and wear to leather commensurate with age. Two disks detached, retained. Scattered lost stitches and losses to the leather.

1067 One detached bead strand to top. Lacking one hairpipe to first segment.

Hanging cords as-is.

1068 Overall good condition with minor evidence of wear, scattered and uneven preparation to hide, minor bead losses.

1069 Overall good condition with soiling and staining scattered throughout commensurate with age and use.

1070 Overall good condition with tarnishing and light scratches commensurate with age. One turquoise stone with abrasions and minor chips to the edge.

1071 Each in overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

1072 Overall good condition with light scuffs, minor scratches, and abrasions to scattered stones commensurate with age.

136

1077 Overall good condition with tarnishing and light scratches commensurate with age.

1078 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with cracks and surface-reaching fractures.

1079 Overall good condition with tarnishing and light scratches commensurate with age. Scattered chips and cracks to some stones.

1080 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions and surfacereaching fractures.

1081 Visual: Generally good condition. A 1.25” and a .25” scattered line of light scuff marks upper right. Minor surface dirt and grime.

Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 58.5” H x 46.5” W x 1.5” D 1082 Larger: In fair condition with wear to base, crazing to pigment, areas of possible re-painting, and abrasions. Smaller: in good condition with scattered scuffs and light scratches.

1083 Each in overall good condition with minor scratches, scuffs, and rubbed wear commensurate with age.

1084 Overall good condition with scattered scuffs and minor scratches commensurate with age.

1085 Overall good condition commensurate with age. With scattered areas of reweaving, the largest: 2” x 1”. Scattered repairs with evident restorations to entire perimeter. A strip of white residue to reverse side in two segments, 12’’ L. Later-added velcro.

1086 Overall good condition with one detached thong, dust accumulation and wear commensurate with age and use.

1087 Overall good condition with a 2”-long section of replaced fringe to left front. Scattered bead loss and line-stitch losses to collar of reverse side.

Wear and soiling commensurate with age and use.

1073 Overall good condition with minor abrasions to stones. Turquoise with natural eye-visible inclusions and surface-reaching fractures.

1088 First: overall good condition with minor bead loss and wear. Second: well worn with scattered losses to beadwork throughout, tears to hide with older repairs, one bead flap point detached.

1074 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 30” H x 40” W x 2.25” D

1089 Overall good condition with scattered scuffs, bead loss and wear commensurate with age and use.

1075 Overall good condition with tarnishing and light scratches commensurate with age. Scattered abrasions and surface-reaching fractures to turquoise.

1090 Overall good condition commensurate with age and use. Scattered losses to beads, hide with imperfections and scattered fringe loss. An older handstitched repair to upper neck” 2”. A plastic mount is sewn into neck for hanging.

1076 Overall good condition with tarnishing and light scratches commensurate with age.

1091 Each in overall good condition with tarnishing and light scratches commensurate with age. The longer necklace with minor kinks to the chain.

1093 Overall good condition with tarnishing and light scratches commensurate with age.

1094 Overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions and nicks to the turquoise 1095 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and surface-reaching fractures.

1096 Each in overall good condition with tarnishing and light scratches commensurate with age.

1097 Visual: Generally good condition. A 4” scattered white scuff mark lower center. Tiny flecks of paint loss in the center and lower center.

Blacklight: No evidence of restoration under blacklight.

Frame: 49” H x 55” W x 1.75” D 1098 Overall good condition with tarnishing and light scratches commensurate with age. The copper belt hook with verdigris. A repair to one leather backing. Drying, cracking, creasing, and wear to leather commensurate with age.

1099 Overall good condition with tarnishing and light scratches commensurate with age. The leather with drying, cracking, creasing, and wear to leather commensurate with age.

1100 Overall good condition with tarnishing and light scratches commensurate with age. Drying to the leather. The leather tip of the belt has been broken off. Approximately three leather backs with cracks and lifting.

1101 Visual: Generally good condition. Frame abrasion along the four edges. A 1” x 1” area of craquelure in the upper left corner. Minor surface dirt and grime.

Blacklight: A quarter-sized area of touch-up left center, scattered touch-up throughout the torso and arm of the figure.

Frame: 24.75” H x 20.75” W x 1.75” D 1102 Overall good condition with tarnishing and light scratches commensurate with age.

1103 Overall good condition with tarnishing and light scratches commensurate with age.

1104 Overall good condition with tarnishing and light scratches commensurate with age.

1105 Overall good condition with evidence of repairs to right and left edges, largest: 6” x 2”. Scattered soiling to one side, largest silver dollar sized.

Faded on one side.

1106 Overall good condition with darkened discoloration to one panel, with scattered repairs to selvage edges, a .325” hole to center. The second with scattered restorations to selvage edges. Scattered weft lines exposed. A noticeable discoloration between the two panels.

1107 Extensive reweaving to perimeter, additional reweaving to brown center, largest: 8” W 1.5”. Light discoloration to red fields, both sides.

1108 Each in overall good condition with tarnishing and light scratches commensurate with age. One stone slightly loose. One turquoise cabochon with chips to the edge of the stone.

1109 Each in overall good condition with tarnishing, minor dents, and light scratches commensurate with age.

1110 Each in overall good condition with tarnishing, minor abrasions to stones, and light scratches commensurate with age. One stone missing.

1111 Overall good condition with minor rubbed wear commensurate with age.

Plinth: 1.75” H x 19.75” Dia. 1112 Overall good condition with wear commensurate with age and use.

1113 Overall good condition with soiling, bead losses, and losses to fringe commensurate with age. A fugitive red stain verso.

1114 Overall good condition with minor soiling. Uneven surface to the skin dating to time of manufacture. Scattered lost stitches and minor losses to fringe.

1115 Each in overall good condition with abrasions, chips, and losses to beads commensurate with age. Wear and breaks to some strings. One necklace detached from string.

1116 Overall good condition with weathering, losses to paint, scuffs, knicks and scratches commensurate with age. Losses to pauldrons. A series of cracks to the base, the longest approximately 4”. Possible further restorations difficult to determine.

1117 Overall good condition with abrasions to beads, minor dents, and rubbed wear commensurate with age.

1118 Overall good condition commensurate with age and use. New Velcro tack strip sewn to reverse edge.

1119 Overall good condition commensurate with age and use.

1120 Overall good condition commensurate with age and use.

1121 Each in overall good condition with tarnishing, minor dents, and light scratches commensurate with age.

Condition Reports

1092 Each in overall good condition. Scattered beads with abrasions, chips, and surface-reaching fractures. One necklace appears to be missing beads.

137

1122 Each in overall good condition with tarnishing and light scratches commensurate with age. One with cracks to the silver dating to time of manufacture.

1123 Each in overall good condition with tarnishing and light scratches commensurate with age.

1124 Overall good condition with tarnishing and light scratches commensurate with age. The turquoise with a spot of fill.

1125 Each in overall good condition with tarnishing, rubbed wear, and light scratches commensurate with age. One with old repairs on underside.

1126 Each in overall good condition with tarnishing and light scratches commensurate with age.

1127 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 41” H x 85” W x 2.5” D 1128 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 50” H x 58” W x 3” D 1129 Visual: Generally good condition. Frame abrasion along the four edges with paint loss along the lower edge. Minor damage to the canvas along the upper center edge.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Unframed 1130 Overall good condition with minor dust accumulation.

Plinth: 2” H x 11.75” Dia. 1131 Overall good condition with minor dust accumulation.

Plinth: 2” H x 12” Dia.

Condition Reports

1132 Overall good condition with one stitch loss to rim, three stitch losses to body, dust accumulation and wear commensurate with age and use.

138

1137 Overall good condition with oxidation, dust accumulation and stitch losses commensurate with age. Beads apparently intact.

1138 Each in overall good condition with tarnishing and light scratches commensurate with age.

1139 Each in overall good condition with tarnishing and light scratches commensurate with age. The stones with scattered abrasions, chips, and surface-reaching fractures. The cluster bracelet with scattered losses to some stones.

1140 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and surface-reaching fractures.

1141 Visual: Generally good condition. The canvas is slightly loose and rippling upper left and lower right. Small spots of paint loss lower center. Tiny flecks of paint loss along the lower right edge. An 8” x 4” area of craquelure along the left edge and a 3” x 3” area of craquelure in the horse on the left.

Blacklight: A 2” x 1” spot of touch-up upper center with a corresponding patch verso. Two dime-sized, a pea-sized and small spot of touch up in the horse’s legs lower right.

Frame: 34.5” H x 41” W x 1.75” D 1142 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 18.5” H x 22.5” W x 1.75” D 1143 Each in overall good condition with tarnishing and light scratches commensurate with age.

1144 Overall good condition with tarnishing and light scratches commensurate with age. The leather with drying, cracking, creasing, and wear to leather commensurate with age.

1145 Overall good condition with tarnishing and light scratches commensurate with age. Drying, cracking, creasing, and wear to leather commensurate with age.

1146 Each in overall good condition with tarnishing and light scratches commensurate with age.

1133 Overall good condition with dust accumulation and shelf wear commensurate with age. A 1” area of soiling to interior.

1147 Each in overall good condition with tarnishing and light scratches commensurate with age. The carved leaf pendant with a crack through the stone.

1134 Overall good condition with wear and losses scattered throughout. Dust accumulation and wear commensurate with age and use. Scattered losses to rim, largest section 1.5” L.

1148 Overall good condition with minor soiling and rubbed wear commensurate with age. Center diamond with wear down to foundation with a quartersized hole. One end re-woven. One side with localized areas of soiling.

1135 Overall good condition with dust accumulation and minor losses to stitchwork. One row of beads lost. Drying and cracking to the buckskin.

1149 Overall good condition commensurate with age and use with a small hole to one end.

1136 Overall good condition with minor losses to fringe and closure, approximately one area of beads missing; the buckskin is dry and brittle, needs to be handled with care.

1150 Overall good condition with an area of soiling to one end.

1151 Overall good condition commensurate with age and use.

1152 Generally good condition. Mounted to the recto mat with packing tape along the upper, upper right and lower center edges.

Frame: 23.25” H x 28.25” W x 1.75” D

1167 Overall good condition with exposed foundation to center of one edge measuring approximately: .5” x 1”. Scattered staining throughout one end, additional staining to same side, opposite end.

1153 Generally good condition. Mounted to the recto mat with linen tape in the four corners.

Frame: 17.5” H x 17” W x 1.25” D

1168 Generally good condition. Both panels sewn together to form a complete dress. Approximately a dozen repair holes, largest 1” x 1.5”. One half with discolored lower panel.

1154 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor abrasions and surface-reaching fractures to some stones commensurate with age.

1169 Overall good condition with tarnishing and light scratches commensurate with age. A crack through the turquoise tablet.

1156 Each in overall good condition with tarnishing and light scratches commensurate with age. Each stone with cracks.

1157 Each in overall good condition with tarnishing and light scratches commensurate with age.

1170 Overall good condition with tarnishing and light scratches commensurate with age. The wire slightly stretched from wear.

1171 Overall good condition with tarnishing and light scratches commensurate with age. The chain slightly stretched due to wear.

1172 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and surface-reaching fractures.

1158 Each in overall good condition with tarnishing and light scratches commensurate with age.

1173 Generally good condition. Minor toning to the paper. The paper is slightly rippled across the center. Hinged to the back mat with archival tape in the upper corners.

Frame: 17.25” H x 20” W x 1” D

1159 Each in overall good condition with tarnishing, light scratches and scattered dents commensurate with age.

1174 Overall good condition with scuffs and light scratches commensurate with age. Possible repair to the rim measuring approximately: 2.5” x .5”

1160 Each in overall good condition with tarnishing, rubbed wear, and light scratches commensurate with age. Scattered minor bends.

1175 Each in overall good condition with minor scuffs and light scratches commensurate with age. Smaller: With wear to the polychrome and scattered areas of wear to the body.

1161 Overall good condition with tarnishing, scattered dents, and scratches commensurate with age. The largest with separation at the corners and a repaired break to the bottom, probably during manufacture. The bezel-set stone with a hairline fracture and abrasion to one side.

1162 Overall good condition with minor dust accumulation.

Plinth: 2” H x 30” W x 16 D”

1163 Visual: Generally good condition. Small spot of scattered paint loss upper left above Half Dome.

Blacklight: Touch-up scattered throughout, mainly concentrated in the sky.

Frame: 24.5” H x 54.5” W x 1.25” D 1164 Overall good condition with scattered stitch losses throughout. The largest 3.5’’ to collar. Dust and shelf wear commensurate with use and age.

1165 Overall good condition with one stitch loss to rim, dust accumulation and wear commensurate with age and use.

1166 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 21.5” H x 26.5” W x 2” D

1176 Overall good condition with light scuffs and scratches commensurate with age. Scattered abrasions. Three small nicks to the body.

1177 Overall good condition with tarnishing and light scratches commensurate with age. Stretching to the string.

1178 Overall good condition with tarnishing and light scratches commensurate with age.

1179 Overall good condition with tarnishing and light scratches commensurate with age.

1180 Overall good condition with tarnishing and light scratches commensurate with age. Wire slightly stretched from wear. Turquoise with natural eyevisible inclusions and surface-reaching fractures.

1181 Visual: Generally good condition. A tiny spot of paint loss in the sky upper right. A few spots of surface grime in the sky upper center.

Blacklight: No evidence of restoration under blacklight.

Frame: 38.5” H x 28.5” W x 3” D

Condition Reports

1155 Each in overall good condition with tarnishing and light scratches commensurate with age. Approximately 1” missing from the inlay to one bracelet. One edge bent in.

139

1182 Generally good condition. Rippling to the paper throughout. Minor surface dirt and grime. The mat is rippled and stained as well. A dime-sized area if scattered paint loss lower left. The paper is laid down as stated.

Frame: 15.75” H x 18.75” W x .75” D 1183 Overall good condition with light soiling commensurate with age and use.

1184 Each in overall good condition with dust accumilation and wear commensurate with age and use.

1199 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered bracelets with bends and minor dents.

One with cracks to the silver dating to time of manufacture.

1186 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, cracks, and surface-reaching fractures, stabilized under a layer of varnish.

1200 Overall good condition with tarnishing and scratches commensurate with age.

1188 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, cracks, and surface-reaching fractures.

1189 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 46” H x 50” W x 2.25” D 1190 Generally good condition. Minor toning to the paper. Slight rippling to the paper across the center. Minor spots of staining scattered throughout the sky. Not examined out of the frame.

Frame: 30.75” H x 39.75” W x 1” D 1191 Overall good condition with one stitch loss and older inventory tag sewn to rim, #17195, dust and wear commensurate with age and use.

1192 Overall good condition with one stitch loss. Dust accumulation and wear commensurate with age.

Condition Reports

1198 Overall good condition commensurate with age and use. One end lacking fringe, scattered losses to selvage and scattered soiling throughout. One side slightly faded.

1185 Overall good condition with tarnishing and light scratches commensurate with age.

1187 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, chips, cracks, and surfacereaching fractures. One belt with approximately two broken turquoise cabochons. One belt with a section of concho/spacer/clasp not secured to the belt.

140

1197 Visual: Craquelure scattered throughout. Stretcher bar creases along the four edges. A scattered line of paint loss across the American Indian’s head.

With three small holes in the canvas along the upper edge and two small holes along the lower edge. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 23.5” H x 35.5” W x 1.5” D

1193 Overall good condition with one stitch loss to rim, old inked inventory and shelf wear to underside stitching.

1194 Both in overall good condition with dust accumulation and wear commensurate with age.

1195 Overall good condition with scattered stitch losses to rim with the largest being .75” L. Dust accumulation and shelf wear commensurate with age and use.

1196 Overall fair condition with dust accumulation and lost stitches. A rim break and scattered areas of repair to the body, the longest: 1.5”. Scattered stitches re-woven.

1201 Each in overall good condition with tarnishing and light scratches commensurate with age.

1202 Each in overall good condition with tarnishing and light scratches commensurate with age.

1203 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, cracks, and surface-reaching fractures. Drying, cracking, creasing, and wear to leather commensurate with age. The turquoise-set belt does not include a buckle. The conchos on the starburst-motif belt are loose.

1204 Overall good condition with tarnishing and light scratches commensurate with age. The leather with drying, cracking, creasing, and wear to leather commensurate with age.

1205 Overall good condition with light wear and soiling commensurate with age and use. Scattered breaks in the selvage.

1206 Overall good condition with new selvage edge to both ends. An area of repair to center: 4” L, more visible to one side. Scattered selvage breaks, soiling and wear commensurate with age and use.

1207 Older restorations throughout, including 4” of reweaving to one end.

Repairs running the length of the blanket on both sides.

1208 Overall good condition with new Velcro tacking strip sewn to reverse.

1209 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 41.5” H x 68.5” W x 2” D 1210 Overall good condition with tarnishing and light scratches commensurate with age. The turquoise with a drilled hole, likely reclaimed from an older piece.

1211 Each in overall good condition with tarnishing and light scratches commensurate with age.

1226 Each in overall good condition with minor dust accumulation commensurate with age.

1212 Each in overall good condition with tarnishing and light scratches commensurate with age.

1227 Each in overall good condition with tarnishing and light scratches commensurate with age.

1213 Overall good condition with tarnishing and light scratches commensurate with age. One stone loose.

1228 Each in overall good condition with tarnishing and light scratches commensurate with age. Red oxidation to the metal disk. One turquoise with a fracture through the stone.

1214 Overall good condition with tarnishing and light scratches commensurate with age. A chip with a corresponding crack through the stone. A fracture to the lower portion of the stone.

1229 Each in overall good condition with tarnishing and light scratches commensurate with age.

1215 Faded with extensive repairs throughout.

1230 Each in overall good condition with tarnishing and light scratches commensurate with age.

1217 Overall good condition with tarnishing and light scratches commensurate with age. Drying and wear to the leather. Scattered buttons slightly loose.

1218 Each in overall good condition with tarnishing and light scratches commensurate with age. One turquoise missing. Scattered stones with abrasions, chips, surface-reaching fractures, and losses. The leather with creasing, drying, and soiling. One leather strap detached.

1219 Visual: Generally good condition. Spots of staining upper center, upper left and lower right. Very minor frame abrasion along the four edges.

Blacklight: No evidence of restoration under blacklight.

Frame: 24” H x 28” W x 1.75” D

1231 Visual: Generally good condition. Three small tears in the canvas with paint loss along the upper edge. A small tear in the canvas in the lower left corner. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Unframed 1232 Overall good condition with tarnishing and light scratches commensurate with age.

1233 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with eye-visible inclusions and surface-reaching fractures.

1234 Each in overall good condition with tarnishing and light scratches commensurate with age. One necklace may be set with synthetic turquoise.

1220 Visual: Generally good condition. A small area of scuffing upper center.

Blacklight: No evidence of restoration under blacklight.

Frame: 17.5” H x 21.5” W x 2” D

1235 Overall good condition with tarnishing and light scratches commensurate with age. Earrings are post-back for pierced ears only. One post back bent to one side.

1221 Overall good condition with losses to twine lashings and bridle. Dust accumulation and wear commensurate with age and materials.

1236 Overall good condition with tarnishing and light scratches commensurate with age. Scattered turquoise with minor abrasions and surface-reaching fractures.

1222 Overall good condition with scattered losses to selvage throughout. Wear to the foundation at one end, the other with a 2” x 2” hole and other minor pulls and losses.

1223 Overall good condition commensurate with age and use.

1224 Overall good condition.

1225 Visual: Generally good condition. Paint shrinkage scattered throughout the lower portion. Light surface scratches in the center and right center. Minor frame abrasion along the four edges.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 19” H x 23” W x 1.25” D

1237 Visual: Generally good condition. A small spot of paint loss and instability upper right.

Blacklight: No evidence of restoration under blacklight.

Frame: 33” H x 45” W x 2.5” D 1238 Overall good condition with tarnishing and light scratches commensurate with age. Turquoise with natural eye-visible inclusions and surface-reaching fractures.

1239 Overall good condition with tarnishing and light scratches commensurate with age. A repaired crack through the turquoise.

1240 Each in overall good condition. Scattered beads with abrasions, chips, and surface-reaching fractures.

Condition Reports

1216 Overall good condition with tarnishing and light scratches commensurate with age. Minor wear and creasing to the leather.

141

1241 Each in overall good condition. Scattered beads with abrasions, chips, and surface-reaching fractures.

1257 Each in overall good condition with tarnishing and light scratches commensurate with age. The band with a repair to the shank.

1242 Each in overall good condition with tarnishing, minor rubbed wear, and light scratches commensurate with age. One necklace with minor kinks to the silver string.

1258 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, nicks, chips, surface-reaching fractures, cracks, and minor losses commensurate with wear. Two stones loose in setting.

1243 Each in overall good condition with scattered abrasions and light scratches commensurate with age. Wear to strings.

1244 Each in overall good condition with tarnishing, abrasions, and light scratches commensurate with age.

1245 Overall good condition with tarnishing, rubbed wear, and light scratches commensurate with age. Abrasions to scattered beads.

1246 Overall good condition with scattered bead loss, wear and missing fringe commensurate with age and use.

1247 Overall good condition with wear commensurate with age and use.

1248 Overall good condition with tarnishing, minor dents, and light scratches commensurate with age.

1249 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, chips, surfacereaching fractures, and cracks. Scattered wood panels with shrinkage cracks.

1250 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions. One turquoise with a crack through the stone.

1251 Overall good condition with tarnishing, light scratches, abrasions, and minor chips to the beads commensurate with age.

Condition Reports

1252 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions, cracks, and surface-reaching fractures. Wear, drying, and bending to the braided leather.

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1253 Overall good condition with tarnishing and light scratches commensurate with age. The turquoise with natural eye-visible inclusions and surfacereaching fractures. May have been assembled from two large pieces.

1254 Overall good condition with tarnishing and light scratches commensurate with age.

1255 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor abrasions to stones.

1256 Each in overall good condition with tarnishing and light scratches commensurate with age. Only one is set with a watch. MoranĂ­s does not guarantee the working condition of clocks and watches.

1259 Each in overall good condition with tarnishing and light scratches commensurate with age.

California & American Fine Art Sunday, April 15, 2020

Frank Tenney Johnson NA (1874-1939 Los Angeles, CA) Cowboy Race Oil on canvas 25" H x 30" W $60,000-80,000 Consignment and Auction Inquiries: morgana@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 143

The Traditional Collector Sunday, March 29, 2020—12pm

A Steinway and Sons Model M Grand Piano $5,000-7,000

Consignment and Auction Inquiries: roland@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 144

Consign Today

Fine Jewelry, Timepieces & Luxury—April 2020 An Art Deco Tiffany & Co. diamond and emerald bracelet $30,000-50,000

Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 145

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale Maranda Moran Senior Vice President, Fine Art Director Morgana Blackwelder Post War & Contemporary Fine Art Bree Hughes Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook Decorative Art Cataloguer Alexis Sutcliffe Vice President, Furniture & Decorative Arts Director 20th Century Furniture and Decorative Arts Specialist

Roland Rynkiewicz John Simon Taylor

Jewelry Director Mollie Burns Keith, G.J.G. Junior Specialist / Senior Cataloguer: Luxury, Furniture, Decorative Arts Jardine Gates, GIA G.G

CLIENT SERVICES

Office Manager

Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

Jean Rapagna Property Manager Mike Hook Operations Manager Johnny Castro Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

ADVERTISING, MARKETING, DIGITAL DESIGN

Advertising & Marketing Director, Art Design Nathan Martinez Photographer Mido Lee

TRUSTS & ESTATES

Department Manager Noelle Valentino

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

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This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

Download Moran Mobile today at the App Store and Google Play!

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf.

The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain

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possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid.

New bidders will be asked to provide financial account information as a reference.

All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance.

BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

No

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights.

Signature:

Date:

rev. 7/2018

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Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] F R

FFICE USE

Y

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

P E SE

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) bsentee only

F R

Y/N

FFICE USE

Y

Last Bid $

TE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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