ReDesigned—July 19, 2020 | John Moran Auctioneers

ReDesigned Sunday, July 19, 2020

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J o h n Mo r a n Auc tion e e rs l Re De sig n e d l S u n d ay, July 19, 2020

ReDesigned Sunday, July 19, 2020­— 12pm Sale 169 145 East Walnut Avenue, Monrovia CA 91016 Private Previews Available By Appointment

Meet the Team Roland Rynkiewicz Head of Sale, Vice President Director Furniture & Decorative Arts roland@johnmoran.com

Morgana Blackwelder Senior Vice President Director Fine Art morgana@johnmoran.com

Alexis Sutcliffe Furniture & Decorative Arts Cataloguer alexis@johnmoran.com

Mike Hook Fine Art Cataloguer mike@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

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A Gorham “Chantilly” sterling silver flatware service

First-half 20th Century Each stamped for Gorham [Lion] / [Anchor] / [G]; Further stamped: PAT 1895 / Sterling Comprising 8 hollow-handled dinner knives (8.75”), 8 dinner forks (7”), 7 salad forks (6.5”), 16 teaspoons (5.75”), 8 iced-tea spoons (7.625”), 2 table/serving spoons (8.5”), and 1 two-piece carving set (9.625”), 51 pieces $800-1,200

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A partial set of Black Shoulder Tiffany Private Stock Le Tallec Limoges

1984-1985 Each piece with hand-painted mark to underside for Tiffany Private Stock Limoges with the artist’s signature and date code Each with tropical birds, trees, fruits, and rabbits on black with gilt rim; Each plate inscribed: Tiffany T Co / Private Stock / Handpainted / Made in France; Each cup inscribed: Made in France; Comprising 9 dinner plates, 9 flat cups, 9 saucers, 8 bread plates, 7 dessert/salad plates, 1 salad/dessert plate, 43 pieces $3,000-4,000

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A Lalique “Champs-Élysées” art glass centerpiece bowl 20th/21st Century Signed: Lalique France The frosted and clear glass in molded oak leaf design 7.5” H x 18” W x 10” D $800-1,200

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A Lalique “Zeila Panther” frosted glass sculpture Second-half 20th Century Etched to base: Lalique; Further etched indistinctly The panther designed by Marie-Claude Lalique in a stalking/crouching position with one outstretched paw 4.5” H x 15” W x 3” D $400-600

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A Lalique art glass sculpture of a falcon

20th/21st Century Signed to base: Lalique (R) France The perched falcon in clear and frosted glass, model no. 11643 9.25” H x 5.5” W x 7” D $200-300

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Fourth-quarter 20th Century Signed to base: Lalique (R) France The narrow-necked purple frosted and clear glass with a swept lavender pattern around the body 11.5” H x 8” Dia.

Fourth-quarter 20th Century Signed to base: Lalique (R) France The narrow-necked blue frosted and clear glass with a swept lavender pattern around the body 11.5” H x 8” Dia.

A frosted purple Lalique “Lavande” vase

$800-1,200

A frosted blue Lalique “Lavande” vase

$800-1,200

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Alphonse Mucha

(1860-1939, Czechoslovakian) “Eveil du Matin,” 1899 Lithograph in colors on paper laid to linen under Plexiglas Signed in plate lower right: Mucha / 99 44.5” H x 15.25” W $5,000-7,000

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(b. 1873, American) Still life with pink and white roses Oil on canvas Signed lower left: Juliet Burdoin 30” H x 30” W

(b. 1873, American) Floral still life with roses Oil on canvas Signed lower left: Juliet Burdoin 34” H x 24” W

Juliet Burdoin

$300-500

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Juliet Burdoin

$500-700

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Juliet Burdoin

(b. 1873, American) “Wild Flowers” Watercolor on board under glass Signed lower right: Juliet Burdoin, signed again and titled verso Sight: 23” H x 29” W $300-500

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(1893-1976, New York, NY) Two ballet dancers backstage Gouache and graphite on board Signed lower left: Fried Pal 40” H x 30” W

(1918-2006, Ocala, FL) Standing nude Oil on canvas Signed lower right: Ballantyne, es 27” H x 16” W

Pal Fried

$600-900

Joyce Ballantyne

$1,000-1,500

Notes: Estate stamp verso reads: Sold 10, 2007 - Signed by Cheri I

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state stamped verso

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Sarah Bender DeWolfe

(1852-1935, San Francisco, CA) Still life with roses, 1896 Oil on canvas Signed and dated lower right: Sarah E. Bender 11.5� H x 20� W $800-1,200

Joyce Ballantyne Estate Irwin, Daughter

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First-quarter 20th Century Mirror with metal tag: Marshall Laird Los Angeles The triangular square hinged top over a gate-leg corner table together with a carved mirror Table: 31.25” H x 36.25” W x 18” D

19th Century The mahogany shell-carved blo molded overhanging rectangul opening top cabinet over three claw feet and back bracket feet 52” H x 34.5” W x 21” D

A Marshall Laird oak table and wall mirror

$300-500

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J o h n Mo r a n Auc tion e e rs l Re De sig n e d l S u n d ay, July 19, 2020

A Chippendale-style Amer

$600-800

rican carved shell chest

ock-front chest of drawers with lar top, shell-carved frieze fronte drawers, raised on two front ballt with brass fixtures

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A carved walnut armchair

Early-20th Century The beige seat with decorative brass nail detail to all edges, carved arms depicting bearded faces and lions heads, over a scroll carved apron, and double lion paw feet 45.75” H x 29” W x 35” D $400-600

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Late-19th/early-20th Century Each signed indistinctly to base: Dropsy; Pendulum stamped: 25887 / ABN The antique black marble-veneered clock and tazze with inlaid marble decoration and brass columns topped by flame-shaped finials, the clock with black Arabic numeral hourmarkers, gilded brass details, and white enamel face, putti-themed brass friezes to the body and glass-front pendulum case, 3 pieces Clock: 18.5” H x 14.75” W x 7.5” D; Each tazza: 11” H x 7.5” Dia.

Mid-20th Century The three-paned mirror with sc 57” H x 44.5” W x 1.75” D

A black marble three-piece clock garniture

$500-700

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A carved wood, gesso, and

$600-800

d gilt wall mirror

crolling gilt-foliate design

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A pair of brass candelabra

Late-19th/early-20th Century Each nineteen-light candelabrum with scrolled arms issued from a twisted standard raised on a tripodal base, 2 pieces 65” H x 24.5” W x 26.5” D $300-500

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An Italian Renaissance Revival metal floor lamp

Late-19th/early-20th Century The later-added linen shade over a two-light lamp set into a converted pricket stick set with repousse metal and red velvet on a wood base, electrified Lamp: 63.5” H x 15” W x 15” D; With shade: 66.5” H $300-500

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An Italian Renaissance Revival table lamp

19th Century or earlier The single-light lamp over a metal standard converted from a pricket stick raised on a velvet base, electrified 33.25” H x 9.75” W x 9.75” D $300-500

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A table with draw sides

19th Century Apparently unmarked The extending draw sides pop up flush with central red velvet top, with flower and acanthus leaf carvings to the sides and cabriole legs on scroll and peg feet Closed: 29” H x 39.375” W x 24” D; Extended: 29” H x 67.5” W x 24” D $800-1,200

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A Vernis Martin-style vitrine

Early-20th Century Apparently unmarked The rounded-front cabinet with floral brass mounts, beige floral fabric interior, and two glass shelves over painted pastoral scenes and cabriole legs 68” H x 27” W x 14” D $600-900

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A George III painted console

19th Century The carved and painted table with a pastoral scene and surrounding painted decoration to the top, the tapered legs carved with acanthus leaves, flowers, and scrolls 32.375” H x 39.375” W x 17” D $400-600

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A pair of painted Italian Rococo-style consoles

First-quarter 20th Century Each console with an articulated front and flat back, the top made of two-panels with floral painted design to the top and sides, cabriole legs, and scroll-carved ball feet, 2 pieces Each: 36” H x 45” W x 28” D $1,000-1,500

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A large carved giltwood mirror

20th Century The rectangular mirror set in a trellis-shaped wood frame with carved fruit and leaf decoration 88.75” H x 51.25” W x 3.5” D $800-1,200

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Arthur Sheppard

(1875-1954, British/American) Boxing scene Oil on canvas Signed lower right: Arthur Sheppard 30” H x 39” W $1,000-1,500

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Arthur Sheppard

(1875-1954, British/American) “Bob Fitzsimmons vs ‘Gentleman Jim’ Corbett” Oil on canvas Signed lower right: Arthur Sheppard, and with the copyright symbol lower left, titled on a gum label affixed to the stetcher 30” H x 39” W $1,000-1,500 Notes: Fought March 17, 1897, in the state of Nevada.

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Arthur Sheppard

(1875-1954, British/American) “Tom Cribb vs Tom Molineaux (rematch)” Oil on canvas Signed lower right: Arthur Sheppard, titled on a gum label affixed to the stretcher 30” H x 39” W $1,000-1,500 Notes: This match took place on December 18, 1811, with Tom Cribb emerging victorious in the 11th round.

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A brass Le Coultre “Atmos” Clock, model 519

Late 1940s-early 1950s Stamped: Atmos / Le Coultre / Switzerland / Fifteen Jewels; Futher stamped with serial number: 33493 One of Jaeger-LeCoultreís sturdiest models with round dial, Arabic hour markers, a floating intermediate wheel unique to this caliber, and heavier and thicker plates and movement than newer models housed in a glass and brass case 9.25” H x 8.25” W x 6.5” D $600-900

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Stark Davis

(1885-1950, Chicago, IL) Parrot on a branch Oil on canvas Signed lower right: Stark Davis 28” H x 30” W $800-1,200

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Stark Davis

(1885-1950, Chicago, IL) Siamese Cat in tree Oil on canvas laid to canvas Signed lower right: Stark Davis 28” H x 30” W $800-1,200

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William Seltzer Rice

(1873-1963, Oakland, CA) “Little Red Breast” Color woodblock on paper under glass Signed and titled in pencil lower margin: W S Rice Sight: 7.75” H x 6.25” W $300-500

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Luigi Rocca

(b. 1952, Itali “Grove Stree Acrylic on can Signed lower 51” H x 35.5”

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Luigi Rocco

(b. 1952, Italian) “City Rooftops,” 1999 Acrylic on canvas Signed lower left: L Rocca, signed again and dated verso, titled by repute 35.5” H x 51” W $2,000-3,000

a

ian) et,” 1999 nvas r right: L Rocca, signed again, titled and dated verso ”W

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Arthur Sheppard

(1875-1954, British/American) “Fives Court” Oil on canvas Signed lower right: Arthur Sheppard, and with the copyright symbol lower left, titled on a label affixed to the stretcher 36” H x 48” W $1,000-1,500 Notes: Tom Belcher exhibition in 1814 in London. This arena was the Madison Square Garden of it’s time.

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Arthur Sheppard

(1875-1954, British/American) “Comic Wrestling” Oil on canvas Signed lower right: Arthur Sheppard, and with the copyright symbol lower left, titled on the upper tacking edge 30” H x 39” W $1,000-1,500

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J o h n Mo r a n Auc tion e e rs l Re De sig n e d l S u n d ay, July 19, 2020

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Arthur Sheppard

(1875-1954, British/American) “Dogs in Hall” Oil on canvas Signed lower right: Arthur Sheppard, and with the copyright symbol lower left, titled on the upper tacking edge 30” H x 39” W $1,000-1,500

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(1828-1883, Russian Federation) “Siberian Grizzly” Bronze Signed in Cyrillic to base 22” H x 13” W x 17” D

Third-quarter 20th Centur Apparently unsigned The Brutalist-style standin museum case on a black b Overall: 17.25” H x 8.25”

Nicolai Lieberich

$1,500-2,500

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A Brutalist-style mixed

$400-600

d-metal sculpture

ry

ng figure set inside a clear Lucite base ” W x 6.25” D

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A brutalist-style verdigris bronze sculpture

20th Century Apparently unsigned, possibly John Scott The brutalist abstract modernist sculpture depicting two standing figures on a square verdigris conforming base 23.75” H x 6” W x 5.5” D $400-600

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(1922-2016, California) “Go” Polychrome bronze Signed: M. Kouzel 19.25” H x 12” W x 9.5” D

(b.1949, Minnesota) “Brilliance,” 2000 Bonded bronze relief sculpture Signed, dated, numbered, and inscri with my sincere best wishes, Bill Mac Overall: 53” H x 35.625” W x 5” D

Mildred Kouzel

$400-600

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Bill Mack

$1,000-1,500

ibed verso: To Scott ck, 2000 / 76/95

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Nguyen Tuan

(b. 1963, Vietnamese) “Romantic Harmony,” 1999 Bronze Signed, dated, and numbered: N. Tuan / ‘99 / 33/100 Overall: 39” H x 12” Dia. $2,000-3,000

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20th Century American School

“Masqerade,” 1962 Oil on canvas Signed and dated upper left: Schnabel 50” H x 60” W $1,000-1,500

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Theresa Wolf

(20th Century, American) Bridge in a cityscape Mixed media on paper under glass Signed lower right: Th. Wolf Sight: 19.5” H x 24” W $300-500

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Leon D’Usseau Jr.

(1918-1991, Sherman Oaks, CA) “La Nina de Martes” Oil on masonite Signed lower right: Dusso, titled right center 30” H x 24” W $500-700

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Paul Mays

(1887-1961, Carmel, CA) Untitled still life (Music, Food & Drink), circa 1927 Oil on masonite Signed upper left: Paul Mays 22” H x 32.75” W $800-1,200 Provenance: Carmel Art Association Gallery, Carmel, CA Trotter Galleries, Carmel, CA Exhibitions: Pacific Grove Art Center, Pacific Grove, CA, “Arrangements - The Art Of The Still Life,” June 30 - August 5, 1995.

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Bela Kadar

(1877-1956, Hungarian) Abstact figural group Mixed media on paper under glass Signed lower right: Kadar Bela Sight: 22.5� H x 33� W $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Marcel Janco

(1895-1984, Israeli) Abstract still life with apple Oil on canvas Signed lower left: Janco 21.5� H x 28.75� W $2,000-4,000 Provenance: Rosenfeld Gallery, Tel Aviv By descent in the family to current owner

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Rico LeBrun

(1900-1964, Italian) Abstract figure (turtle king), 1948 Mixed media on Strathmore paper under glass Signed and dated lower right: Lebrun 29.5� H x 37.75� W $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Marc Chagall

(1887-1985, French) “Le Mort et le Malheureux,” 1952 from (Fables De La Fontaine) Etching on paper under Plexiglas Edition H.C., signed in pencil lower right: Marc Chagall, editioned in pencil lower left Sight: 13.75” H x 11.25” W $300-500

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Salvador Dali

(1904-1989, Spanish) “Europa and the Bull,” 1972 Dry-point engraving on paper under Plexiglas Edition 768/1000 (plus 50 Artist’s Proofs), signed in pencil lower right: Dali, numbered in pencil lower left Sight: 14.25” H x 16.5” W $200-400 Notes: Bruce Hockman O.S. has verified the authenticity of this piece.

In addition there is a certificate of authenticity affixed to the backing board.

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(1886-1975, Pasadena, CA) Mission scene Pencil on paper under glass Signed lower right: A.G. Rider 8” H x 7” W

(1886-1975, Pasadena, CA) Figures and boats in a Spanish village, 1923 Pencil on paper under glass Signed with the estate stamp on the backing paper: stamped and inscribed on the backing paper: “This sketch done by Arthur G. Rider - done in Spain c. 19 stepson of Arthur G. Rider Sight: 7.5” H x 10” W

Arthur Grover Rider

$800-1,200

Arthur Grover Rider

$800-1,200

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J o h n Mo r a n Auc tion e e rs l Re De sig n e d l S u n d ay, July 19, 2020

: A.G. Rider, estate is an original pencil 923. Robert M. Bethea,

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Rico LeBrun

(1900-1964, Italian) “Three Penny Novel,” 1961 Ink on Strathmore paper under glass Signed and dated lower right: Lebrun, titled upper left, inscribed upper right: The soldier dreams of finding the drowned Mary Sauer 29” H x 23” W $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Mai Anh

(b. 1961, Vietnamese) “Couple of Friends,” 2002 Oil on canvas Signed and dated lower left: M Anh, tilted on a collection tag affixed to the wire 60” H x 51” W $1,000-2,000 Notes: A copy of the book “Mai Anh” published by Fine Arts Publishing House, 2002, accompanies this lot.

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American Tug Boat Model “ADELA”

First-quarter 20th Century The hand-made wooden model with original paint, detailed fittings, decking, rigging, and electrified running lights 43” H x 48” W x 14” D $1,000-1,500

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“Vini D’Itali

20th Century Poster on pap Appears unsi 79” H x 28” W $300-500

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Dow’s Port Advertising Poster 20th Century, Portuguese Poster on paper under Plexiglas Signed upper right: Cesar Chibott Sight: 26.5” H x 18.75” W $200-300 60

J o h n Mo r a n Auc tion e e rs l Re De sig n e d l S u n d ay, July 19, 2020

ia� Advertising Poster

y, Italian per laid to paper under Plexiglas igned W

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“The Godfather” movie poster 1972 Poster on paper under Plexiglas Directed by Francis Ford Coppola Sight: 78.5” H x 39.5” W $300-500

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“Il Buono Il Brutto Il Cattivo (The Good The Bad and the Ugly)” movie poster, Italian release 1966 Poster on paper under Plexiglas Directed by Sergio Leone Sight: 54.5” H x 38.25” W $500-700

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Marilyn Monroe “A Qualcuno Piace Caldo (Some Like It Hot)” movie poster, Italian release 1959 Poster/fourfoglio on paper under Plexiglas Directed by Billy Wilder Sight: 76” H x 53” W $400-600

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Charlie Chaplin “Luci Della Citta (City Lights)” movie poster, Italian release 1931 Poster/fourfoglio on paper under Plexiglas Directed by and starring Charlie Chaplin Sight: 73.5” H x 51” W $300-500

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Ringling Bros and Barnum & Bailey Polar Bear Poster 1921 Poster on paper under Plexiglas Appears unsigned Sight: 22.25” H x 32.5” W $200-300

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James Montgomery Flagg

(1877-1960, American) “I Want You for U.S. Army,” 1917 Poster on paper under Plexiglas, Leslie-Judge Co., New York, pub.

Signed right center: James Montgomery Flagg 40” H x 29.75” W $3,000-4,000

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Leroy Neiman

(1921-2012, New York, NY) “American Eagle” Serigraph in colors on wove paper under Plexiglas Edition A.P. 5/18, signed in pencil lower right: LeRoy Neiman, numbered in pencil lower left, titled by repute, and with the “X” blindstamp lower right 24” H x 16” W $400-600

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Leroy Neiman

(1921-2012, New York, NY) “Lady Liberty,” 1986 Serigraph in colors on wove paper under Plexiglas Edition AP (aside from the edition of 600), signed in pencil lower right: LeRoy Neiman, editioned in pencil lower left Sight: 41” H x 33.75” W $800-1,000

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Ev Thomas

(b. 1949, American) “I am the Boat, the Bait, and the Water” Oil on canvas Unsigned, titled by repute 86.5” H x 118” W $500-700 Provenance: Nevada Museum of Art, Reno, NV Notes: Sale to support the collections of the Nevada Museum of Art.

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Sam Hyde Harris

(1889-1977, Alhambra, CA) “Rocky Coastline” Oil on canvas Signed with the estate stamp lower left: Sam Hyde Harris, titled, numbered and estate stamped and numbered: #2024 / 000076 16” H x 20” W $1,000-2,000 Notes: With an authentication stamp signed by Maureen St. Gaudens verso.

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Vernon Kerr

(1938-1982, Laguna Beach, CA) “Moonlit Shore” Oil on canvas Signed lower right: Vernon Kerr, signed again and titled verso 24” H x 36” W $500-700 Provenance: Vernon Kerr Gallery, Laguna Beach, CA

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Theresa Wolf

(20th Century, American) “Hawaii” Serigraph on BFK Rives paper Edition 3/10, signed lower right: Theresa Wolf, titled lower left Image: 23.25” H x 18” W; Sheet: 30” H x 22.25” W $200-400

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John W. Hilton

(1904-1983, Twentynine Palms, CA) “Reflection,” 1967 Oil on board Signed lower right: John W. Hilton, titled, dated and inscribed verso: 67/1/5 16” H x 20” W $800-1,200 Notes: Inscription verso reads, “In cutting this photographicaly[sic] to match the proportion of your card, please tae[sic] 1/2 in from top & 1 1/4 in from bottom, leaving a small strip of land at bottom. Do not make a water cut off! It would place the star in the wrong section of the design.” There is also a palette recipe verso.

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Ray Swanson

(1937-2004, Carefree, AZ) Autumn landscape Oil on canvas Signed lower right: Ray Swanson 24” H x 48” W $2,000-3,000 Notes: In 1979, Ray Swanson was named Arizona Artist of the Year.

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(1907-1964, San Diego, CA) “Mountain Hillside, Alpine, CA” Oil on board Signed lower left: G. Spangenberg, signed again and titled on the backing paper 12” H x 14” W

(20th Century, American) “Mill Creek” Oil on canvas Signed lower left: Gooda 20” H x 24” W

George Spangenberg

$700-900

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Dawn Goodall

$800-1,200

Provenance: Trailside Am

all, titled on the stretcher

mericana, Jackson, WY

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Dawn Goodall

(20th Century, American) “Aroma of Summer” Oil on canvas Signed lower left: Goodall, titled on the stretcher 20” H x 24” W $800-1,200

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Jeanette Maxfield Lewis

(1894-1982, Monterey, CA) “San Germaine” Oil on canvas laid to board Signed lower left: J.M. Lewis, titled verso 10” H x 12” W $800-1,200

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81

1970-1985 Stamped to base: Lladro / Hand Made in Spain; Further marked #4668 Designed by Juan Huerta, the bust depicts a young woman with flowers in her hair 12.25” H x 8.25” W x 5” D

Fourth-quarter 20th century Each marked to base: Lladro / Hand Made in Spain; Each further stamped with a model number; Some dated to base The six female figures by artists including: Juan Huerta and Vincente Martinez depicting a young woman with balloons, a mermaid, two young women in kimonos, a girl with a cat, and a seated girl with a dog, 6 pieces Tallest: 10.375” H x 4” W x 5.5” D

A Lladro bust of “Maja”

$200-400

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A group of six Lladro figures

$300-500

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A group of Lladro animal figures

Second-half 20th Century Each marked to base; Six stamped: Lladro / Hand made in Spain / (c) Daisa; One marked: 320 / Denmark Comprising three individual polar bear figurines and one family group together with a rabbit and a duck, 6 items Largest: 3.5” H x 6.5” W x 5” D; Smallest: 3.5” H x 4” W x 3” D $300-500

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A Daum pate de verre horse

Second-half 20th Century Apparently unmarked The clear and orange glass horse on a gilt-bronze pedestal Overall: 7.75” H x 10.5” W x 2.75” D $800-1,200

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A Daum pate de verre art glass eagle

2003 Signed, editioned, and dated to base: Daum France / 271 / 1000 / 2003 The green and blue eagle shown perched on a rock 8.5” H x 4” W x 4.25” D $400-600

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A Daum pate de verre panda

Fourth-quarter 20th Century Etched to base: Daum France 228 The glass sculpture of a mother and bab bamboo leaves in blue and orange 6.5” H x 4.25” W x 5” D $300-500

by panda with

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A Daum art glass horse

Fourth-quarter 20th Century Apparently unmarked The glass horse in brown and orange 9.5” H x 10” W x 3.25” D $500-700

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A Lalique “Masque De Femme” frosted art glass mask with stand

20th Century Signed in script lower left: Lalique (R) France Designed in 1935 by Rene Lalique as a fountain adornment it depicts a female face surrounded by fish on a chrome stand With stand: 11.75” H x 12.625” W x 8.5” D $2,000-3,000

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A Lalique “Mistral” art glass sculpture of a horse 20th/21st Century Lalique Paris sticker The running horse in frosted and clear glass 8.25” H x 11.25” W x 4” D $500-700

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A pair of Baccarat “Marillon” decanters

1946-1961 Each: marked to base: Baccarat France Each etched decanter with large stopper and ornate foliate scroll pattern throughout, 2 pieces Each: 10” H x 5” Dia. $400-600

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90

A Val Saint Lambert “Berncastel” cutcrystal drink set

1956-1963 Each marked to base: Val St Lambert The cranberry cut to clear crystal set comprising a tall decanter with stopper and 6 hock wine glasses, 7 pieces Decanter: 15.5” H x 4” Dia. $500-700

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A group of Waterford tableware items

Second-half 20th Century Six marked for Waterford Comprising two lidded biscuit barrels, one tall waisted vase, one round rose base, two shorter lidded vessels, and one oval centerbowl in various patterns including Glandore and Emily Scalloped, 7 pieces Tallest: 8.5” H x 4.75” Dia.; Shortest: 3.5” H x 11” W x 7.375” D $400-600

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Joseph Morris Raphael

(1869-1950, San Francisco, CA) “Mon Petite Dany” Oil on canvas Signed lower right: Joe Raphael, signed again and titled on blue tape affixed to the stretcher 20” H x 18” W $7,000-10,000

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93

Braulio Salazar

(1917-2007, Venezuelan/Spanish) Woman with flowers, 1982 Oil and pencil on canvas Signed and dated lower right: B Salazar 24� H x 20� W $5,000-7,500

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Dawn Goodall

(20th Century, American) “South Park Harvest” Oil on canvas Signed lower left: Goodall, titled on the stretcher 18” H x 22” W $800-1,200

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95

Dawn Goodall

(20th Century, American) Country Garden Oil on canvas Signed lower right: Goodall 20” H x 24” W $800-1,200 Provenance: Trailside Galleries, Scottsdale, AZ

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Nuri Yakubov

(b. 1963, Ukrainian) Still life with Tulips, 1993 Oil on canvas Signed lower right, signed again, dated, titled and numbered verso: #4 39� H x 39� W $800-1,200

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97

Aldo Luongo

(b. 1941, Argentinian) “Winter in the Village, N.Y.C.” Oil on canvas Signed upper right: Aldo Luongo, signed again and titled verso 16” H x 22” W $400-600 Provenance: Lahaina Galleries, Lahaina, Maui, Hawaii

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Luigi Rocca

(b. 1952, Italian) “New York from the Air,” 2005 Acrylic on canvas Signed lower right: L Rocca, signed again, dated, titled and numbered: CC1558 35.5” H x 51.5” W $3,000-4,000

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99

Luigi Rocco

(b. 1952, Italian) “New York NY,” 2001 Acrylic on canvas Signed lower right: L Rocca, signed again, titled and dated verso 35.5” H x 51” W $3,000-4,000

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100

Tomoe Yokoi

(b. 1943, Japanese) “Turnips” Color mezzotint etching on paper under Plexiglas Edition 19/100, signed T. Yokoi lower right and titled lower center Image: 10.75” H x 13” W; Sight: 12.25” H x 14.25” W $400-600

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102

Fourth-quarter 20th Century Unsigned The lamp in the shape of a female torso with surface pattern and tall gold shade with silver interior attached to a black metal base Overall: 44” H x 15” Dia.

20th Century Both signed to New York One low bowl w with gold and b pieces Larger: 2.75” H

A modern brass figural lamp and shade

$300-500

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Two Wayland

$400-600

de Gregory ceramic pieces base: Waylande Gregory; one further marked (c)

with black and gold concentric circles and one black pear design on blue-green background, 2

H x 12� Dia.

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103

A black and multi-color Lucite sculpture

Second-half 20th Century Apparently unsigned The ovoid black Lucite sculpture with central window depicting multi-color rings and circles in a floating format set on a black lucite pillar Overall: 43” H x 14” W x 10.5” D; Sculpture: 15” H x 13.25” W x 6” D $600-900

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104

A group of industrial glass pieces

Circa 1970s The coke-bottle green free-form glass chunks in varying sizes together with one stand, 10 pieces Largest: 8.625” H x 11.75” W x 12” D $400-600

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105

Three whimsical glass wind chime sculptures Circa 1970s Apparently unmarked; Custom designed by John Scott Comprising three hanging wooden cross structures with dangling clear glass free-form rings and drops suspended at different levels, 3 pieces Each approximately: 42� H x 18� Dia. $600-900

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106

A pair of Charles Hollis Jones bookends

Fourth-quarter 20th Century Apparently unmarked Part of the “Ball” line originally designed in the 1970s, each bookend is comprised of a chromeplated ball enclosed in an open-ended acrylic cube, 2 pieces Each: 5.25” H x 5.75” W x 4.25” D $600-800

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108

(1934-2002, French) Untitled geometric design Serigraph in colors on paper under glass, blindstamped for Denise Rene Editeur Edition 131/200, signed in pencil lower right: Yvaral, numbered in pencil lower left 29.5” H x 29.5” W

(20th Century, American) “Space Model” Serigraph on BFK Rives paper Edition 6/18, signed lower right: Theresa Sheet: 22.5” H x 30” W

Jean-Pierre Yvaral

$200-400

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Theresa Wolf

$200-400

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Theresa Wolf

Wolf, titled lower left

(20th Century, American) “Space Model” Serigraph on BFK Rives paper Edition 4/18, signed lower right: Theresa Wolf, titled lower left Image: 18” H x 15.25” W; Sheet: 22” H x 30” W $200-400

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Carol Hepper

(b. 1953, American) Untitled, 1990 Copper 8.75” H x 17” W x 17” D $300-500 Provenance: Nevada Museum of Art, Reno, NV Notes: Sale to support the collections of the Nevada Museum of Art. 114

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Francisco Farreras

(b. 1927, Spanish) “Altamira,” 1968 Mixed media on paper laid to artist board Signed, dated, titled, numbered and inscribed verso: F. Farreras / 352 / Madrid 39” H x 31.25” W $600-800 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh

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Francis Bacon

(1909-1992, British) “The Human Body (Study for the Metropolitan Museum of Art”, 1975 Lithograph in colors on wove paper under Plexiglas, Metropolitan Museum of Art, New York, pub., Alexis Manaranche Lithography, Paris, prntr.

Edition 179/200, signed in felt tip pen lower left: Francis Bacon, numbered in pencil lower right, and with the blindstamp for the Metropolitan Museum of Art, New York lower left Sheet: 62.75” H x 43.5” W, with full margins $4,000-8,000

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Jerry Foyster

(b. 1932, New York) “House” Plastic animation sculpture Unsigned Overall: 12” H x 17.25” W x 12.375” D $500-700 Provenance: Bianchini Gallery, New York, NY Exhibitions: New York, NY, Museum of Modern Art, “The Responsive Eye”, February 23-April 25, 1965 w w w. j o h n m o r a n . c o m

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Circa 1970 The square glass over four individual L-shaped Lucite legs Overall: 14.25” H x 48” W x 48” D

1980-1989 Apparently unmark This “VL Vera” con designer’s “Art Nu demilune glass top Lucite base Overall: 29.75” H

A Lucite and glass cocktail table

$400-600

A Jeffrey Bigelo

$400-600

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ow glass and Lucite console table

ked nsole table created as part of the uevo” collection with a grey/green p over the three-sided and fluted x 36” W x 14.5” D

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A pair of Leon Frost for Lion In Frost Lucite bar stools

1970s Each signed to lower back leg: Lion in Frost The set of two bar stools with purple suede-cloth cushions on Lucite swivel seats and tripod bases with chromed steel footrests and hardware, 2 pieces 40” H x 19” W x 20” D $600-900

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120

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Michael Wilkinson

(b. 1954, American) Nude Couple Lucite sculpture Signed, dated, and numbered to the back: Wilkinson / (c) 1999 / MNW / 99/200 32.5” H x 12” W x 8” D $1,000-1,500

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Frederick Hart

(1943-1999, Washington D.C.) “Exaltation” Lucite sculpture on Lucite pedestal Signed, dated, and numbered lower left: (c) 1998 / F. Hart / 108/350; Further signed lower left; Hart Overall: 38.875” H x 16” Dia. $2,000-3,000

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119

Michael Wilkinson

(b. 1954, American) Untitled Nude Lucite sculpture Signed, dated, and numbered to the back: Wilkinson / 85/150 / (c) MNW / 1998 34” H x 14” W x 8” D $1,500-2,000

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Michael Wilkinson

(b. 1954, American) Untitled nude Lucite sculpture Signed, dated, and numbered to the back: Wilkinson / (c) 2001 / MNW / 106/250 33.75” H x 9” W x 7” D $1,500-2,000

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Second-half 20th Century Signed to underside with unknown maker’s mark The smooth ovoid-form center bowl with fluctuating rim 9.75” H x 19.5” W x 12.75” D

Fourth-quart Apparently u Originally de lamp uses th electricity, m Adjustable: 2

A carved maple free-form bowl

$400-600

A Richard S

$300-500

Notes: A mo Compasso d

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Sapper “Tizio” table lamp for Artemide

ter 20th Century unmarked esigned in 1972 the white cantilevered he parallel arms instead of wires to conduct max. 55 watts 24” H x 33” W x 3.75” D

odel of this lamp was selected for the d’Oro industrial design award in 1979.

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A Richard Sapper “Tizio” floorlamp for Artemide Fourth-quarter 20th Century Marked to one cantilevered arm Originally designed in 1972 the polished aluminum and white base counter-weighted adjustable floorlamp uses the parallel arms instead of wires to conduct electricity, max. 50 watts Adjustable: 63” H x 36” W x 7” D $300-500 Notes: A model of this lamp was selected for the Compasso d’Oro industrial design award in 1979.

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A Dans

Circa 19 Each m Origina teak ha 6 fruit k salad fo serving spoons

$300-50

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4

sk “Classic Fjord” flatware set

960s marked for Dansk Designs, Germany ally designed in 1954 by Jens Quistgaard, the 18/10 stainless steel with andled design comprising 14 dinner knives (8.375”), 6 steak knives (8.25”), knives (7.25”), 11 butter spreaders (6.5”), 12 dinner forks (6.875”), 10 orks (6.5”), 14 dinner spoons (7.125”), 12 teaspoons (6.25”), 1 large salad set (10.75”), 1 salad serving set (9”), 1 carving fork (7.875”), 2 serving (9”), 1 iced-tea spoon (9.625”), 93 pieces

00

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A walnut console cabinet

Circa 1970 Apparently unmarked The double-sliding panel doors with tab handles, two shallow drawers and one adjustable shelf fitted interior 22” H x 70.5” W x 16.25” D $600-900

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An Eames for Herman Miller shell-style arm chair Circa 1960 With molded manufacturer’s mark for Herman Miller The black fiberglass and vinyl swivel mounted chair on a black aluminum mobile base 32” H x 25” W x 22” D $300-500

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127

A pair of Eames for Herman Miller draughting stools

Circa 1970 Each with molded manufacturer’s mark for Herman Miller; One with production material tag: October 11, 1969 Each black fiberglass and vinyl swivel draughting stool with round metal base and all four original glides, 2 pieces 39.5” H x 18.25” W x 21” D $600-800

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A large modern-style sofa

1970s The cream-colored woven wool sofa with walnut slab sides and footrails 29.5” H x 98” W x 34” D $1,000-1,500

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129

A Philippe Starck “Neoz” table

Contemporary Label to base: Driade Aleph / Neoz by Starck / Made in Italy Designed by Philippe Starck (b. 1949, French) for Driade Aleph, the Carrera white marble top on tapering mahogany wood legs terminating in gray casters 40” H x 50” Dia. $1,500-2,500

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A Sigurd Resell for Vatne Mobler “Falcon” chair

Circa 1970, Norway The chair in brown leather with sculptural bent wood frame 39” H x 30” W x 34” D $400-600

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A pair of Baker Italian-style side tables

20th Century Each with oval metal tag for Baker Furniture; Further numbered 3960 Each approximately: 18” H x 26.5” W x 18.5” D $500-700

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A unique round games table

Mid-20th Century Apparently unmarked The round flip-top table with inlaid marquetry design around central griffin motif to one side and games table surface to the other comprising a teal felt hinged central surface covering games partitions, surrounded by seven open-topped compartments, and a slotted chip/coin box, all over cabriole legs carved with scrolls and shells on stylized paw feet, joined by X-shaped stretcher bars 30� H x 44� Dia. $600-800

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A pair of Maitland Smith caned chairs

Fourth-quarter 20th Century Apparently unmarked Each caned back flanked by metal eagle heads with attached beige button-tufted seat and metal scroll feet, 2 pieces Each: 31.625” H x 28” W x 32” D $1,500-2,000 138

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An abstract irridescent blue glass sculpture Fourth-quarter 20th Century Apparently unmarked The sculpture resembling flowing water 15.25” H x 9.5” W x 5.75” D $800-1,200

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A blue and green abstract glass and wire sculpture Fourth-quarter 20th Century Apparently unmarked The folded glass sculpture with wire rims at the top 8.5” H x 12.5” W x 5.25” D $400-600

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136

137

Second-half 20th Century, Sweden Signed and identified to base: Kosta Boda / G Warff / 1040057; With sticker to base: Kosta Boda since 1742 The vase in cobalt and pink with a heavy glass bottom 11” H x 6.25” Dia.

Fourth-quarter 20th Century Signed indistinctly to base Comprising four multicolored graduated white, and clear glass vase Largest: 5.25” H x 10.875” Dia.; Smalle

A Goran Warff for Kosta Boda glass vase

$300-500

Five multicolored glass items

$200-300

Provenance: The Collection of Cindy Tie Hodosh

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d bowls and one small black,

est: 4.75” H x 3.75” Dia.

etze-Hodosh and Stuart

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138

Three multicolor glass vases on pedestals

Fourth-quarter 20th Century Apparently unmarked Comprising two purple and multicolor glass vases on tripod bases together with a sideways-leaning green and multicolor vase on two spiraled supports, 3 pieces Tallest: 17.25” H x 9” Dia. $400-600

139

A Daum “Cheval” art glass horse

20th/21st Century Signed and editioned to base: Daum France / 267 / 488 The orange, green and blue horse attached to a glass pedestal with etched details from an edition of 488 (no. 03476) 6.5” H x 6.25” W x 2.375” D $400-600

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140

Four opalene glass works by Rick Hunter

1989 Each signed and dated to base: Rick Hunter / 1989 Comprising three square-bodied vases with geometric handles topped with abstract circular forms and applied details and one blue perfume bottle shape with large stopper, 4 pieces Largest: 13” H x 7” W x 4.75” D $300-500

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141

A D. New Small glass vase

1988 Signed, numbered, and dated to base: VTJ 264 / D New Small / 1988 The glass vase in pink, red, and blue with vacillating rim 10.625” H x 11.375” W x 6.75” D $200-300

146

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A studio pottery earthenware jardiniere

20th Century Apparently unmarked The terracotta pot with black abstract matte glazed design around the body 11� H x 12� Dia. $200-300

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143

144

20th/21st Century Each signed indistinctly to base Comprising a low grey and brown pitcher together with two small covered pots with twist-handle lids, 3 pieces Largest: 6.25” H x 8.5” W x 6” D

Fourth-quarter 20t Both signed indisc Denmark The large bowl in b wider bowl with a Larger: 3.25” H x 5

A group of three studio stoneware pots

$300-500

148

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Two small potte

$300-500

ery bowls

th Century ctinctly to base; Smaller stamped to base:

brown and natural tones, the lower and patterened blue glazed interior, 2 pieces 5.125� Dia.

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A group of three tall pottery garden pots

Circa 1970s Apparently unmarked Comprising one large vessel in dark blue and grey, one medium sized piece in ochre color, and one with stamped geometric flower pattern, 3 pieces Largest: 10.375� H x 8� Dia. $400-600

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A J. Segura wall sculpture

Circa 1960s Signed lower right: Segura; Further marked lower left; (c) HG The white-painted cast resin wall sculpture depicting Roman soldiers on horseback by Miami company J. Segura 21” H x 60.75” W x 6” D $400-600

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147

Robert L. Refvem

(b. 1933, American) “Great Blue Herons” Bronze Signed, dated, and numbered to back: R.L. Refvem / (c) 1986 / 2/25 23” H x 14” W x 10” H $400-600 Notes: Accompanied by a copy of the original sales receipt from the artist, March 12, 1987.

152

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148

Robert L. Refvem

(b. 1933, American) “Happiness / Trumpeter Swans” ed. 7/20 Bronze Signed and titled to plaques: Refvem / Happiness / Trumpeter Swans 31” H x 32” W x 24” D $400-600 Notes: Accompanied by a copy of the original sales receipt from the artist, October 13, 1986.

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153

154

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149

Hovsep Pushman

(1877-1966, New York, NY) Two Asian-themed lithographs (two works) Each: Lithograph on paper under glass, the second with the copyright symbol lower left and marked in the plate F&R for Frost & Reed Ltd. London, pub.

Each: Signed in the plate along the lower edge: Pushman, the first; signed again in graphite in the lower left margin and with the blind stamp for the Fine Art Trade Guild Sight of largest: 23� H x 22� W $400-600

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155

151

Two hardsto

Second-half 2 Each blade wi handle set on Larger: 12.5” $600-800

150

A Chinese carved wood armchair

Second-half 20th Century The intricate carved wood back splat with animal and foliate motif over a wide rectangular seat, carved arms, and square pillar legs 38.5” H x 25.5” W x 18.5” D $500-700 156

J o h n Mo r a n Auc tion e e rs l Re De sig n e d l S u n d ay, July 19, 2020

one Chinese ceremonial knives

20th Century ith carved dragon and animal motif to the sides and a matching stand, 2 pieces H x 30” W x1.5” D; Smaller: 9.5” H x 23” W x 1.5” D

152

A Chinese silver and carved stone hand mirror

Mid-20th Century The oval mirror set in a decorative silver frame with dragonmotif carved back and handle set on a custom Lucite stand 9.75” H x 3.625” W x 1.5” D $300-500

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157

153

A pair of Chinese lidded ginger jars on wood stands

Mid-20th Century Each marked to base The octagonal formed jars and lids in dark blue, turquoise, and pink with floral design on a fitted black-painted wood stand, 2 pieces Each overall: 10.5� H x 6.75� Dia. $500-700

158

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155

A Shanghai China Expo 2010 souvenir stamp block

2010 Titled to base: Better City, Better Life; Stamp: Expo 2010 Shanghai China The metal stamp on a wood plinth mounted to a jade base under a glass box, with paperwork certificate Overall: 9.375” H x 7.75” W x 7.75” D $300-500

154

A Chinese Jian

Second-half 20th Century The replica Warring States Period double-edged sword with wood scabbard and decorated metal mounts and hilt 36” H x 3.5” W x 1.25” D $300-500

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159

156

A group of three contemporary studio pots

20th/21st Century Each signed/inscribed to base Comprising a large low bowl with grey interior and painted design signed Jargen Frank to base, a tall dark brown earthenware pot with applied white glaze patterns around the body, and a rounded 8-sided yellow vase with crystalline floral design and maker’s mark to base, 3 pieces Largest: 4.625” H x 10.375” Dia. $400-600

160

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157

A three-piece group of studio pottery

Fourth-quarter 20th Century One with indistinct signature to base Comprising a large green and brown glazed low bowl with two natural glazed covered vessels, one with handles and sky blue interior spout, 3 pieces Largest: 7” H x 13” W x 11” D $400-600

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161

159

Two studio pottery items

20th/21st Century Apparently unmarked Comprising a glazed platter w yellow/orange design togethe shaped vase with five holes to tripod feet, 2 pieces Platter: 2� H x 10.5� Dia. $300-500

162

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158

Two earthenware studio pots

20th/21st Century Larger signed to base: Moss Comprising a three-handled pot with monochrome glazed vertical stripes and a tall pot with earthtone abstract glazed design, 2 pieces Larger: 12” H x 17” Dia.; Smaller: 13” H x 9.25” Dia. $300-500

s

with green and er with a ballo the top on

160

A large low yellow-green studio pottery bowl

Second-half 20th Century Signed indistinctly to base The low bowl with wide rim and three rows of applied knobs to the exterior 4” H x 14” Dia. $300-500

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163

161

Elizabeth Norton

(1887-1985, American) “Robin” Color woodcut on paper under glass Edition 26/100, signed, illegibly inscribed and titled in pencil lower margin, and with the artist’s device Sight: 6.25” H x 4.5” W $300-500 164

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162

Kaoru Kawano

(1916-1965, Japanese) Figure with closed eyes Woodblock print on paper under glass Signed lower right: Kaoru Kawano, and with the artist’s chop mark Sight: 21.75” H x 14.75” W $200-300

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165

166

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163

Mathias Kauage

(1944-2003, Papuan) “Masks,” 1968 Lithograph on Sovereign Bond paper under glass in a custom frame Edition 28/50, signed, dated and numbered in pencil lower right: Mathias / Sep. 15, 68 21” H x 33” W $400-600

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167

164

Mose Ernest Tolliver

(1920/25-2006, American) Figure with hat Oil on board Signed lower left: Mose T 27.25” H x 14.75” W $300-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 168

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165

Mose Ernest Tolliver

(1920/25-2006, American) Acrobat woman Oil on board Signed lower right: Mose T 24.5” H x 22.25” W $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m

169

166

Salvador Teran

(1920-1974, Mexican) “Tecaztlipoca,” 1963 Tile and brass mosaic mounted to wood Signed and dated l.r.: Salvador ‘63; Further titled l.l.; Tecaztlipoca Overall: 43.5” H x 31.5” W $2,000-4,000 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh

170

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167

Mose Ernest Tolliver

(1920/1925-2006, American) Grotesque portrait Oil on board Signed lower right: Mose T 30.5” H x 14.25” W $300-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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171

168

Mose Ernest Tolliver

(1920/1925-2006, American) Scooter girl Mixed media on panel Signed lower right: Mose T 22.5� H x 21� W $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

172

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169

Jimmie Lee Sudduth

(1910-2007, American) Woman in a polka dot dress Oil and mud on panel Signed upper right: Jim Sudduth 24” H x 16” W $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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173

170

Mose Ernest Tolliver

(1920/25-2006, American) Watermelons (four works) Oil on board Signed lower left: Mose T 8� H x 16� W $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

174

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171

Mose Ernest Tolliver

(1920/25-2006, American) “Texan Watermelon” Oil on board Signed bottom: Mose T, titled verso 12.75” H x 18.5” W $200-400 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh

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175

172

Ernest Tino Trova

(1927-2009, American) Untitled abstract figure Mixed media on board under Plexiglas Signed lower right: Trova 37.25” H x 28” W $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

176

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173

Ernest Tino Trova

(1927-2009, American) Abstract figure with pink and black Mixed media on paper under glass Appears unsigned Sight: 43� H x 27� W $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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177

174

Ernest Tino Trova

(1927-2009, American) Pink abstract with black background Mixed media on board under glass Appears unsigned Sight: 37” H x 27.5” W $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 178

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175

Ernest Tino Trova

(1927-2009, American) Abstract figure with blue background Mixed media on paper under glass Appears unsigned 43.5” H x 27.5” W $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m

179

176

William T

(1951-2000 Man workin Mixed med Signed and Tolliver Image: 26�

$2,000-4,0

Provenance Collectible

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Tolliver

0, American) ng in field with hoe, 1986 dia on paper d dated lower left: William

” H x 18.5” W

000

177

Eleanor Merriam Lukits

(1909-1948, Los Angeles, CA) Man in western attire with wine bottle, 1942 Pastel on paper under glass Signed lower left: E. Merriam, dated lower left Sight: 19.5” H x 15.5” W $200-300

e: Gallery Plus Fine Arts and es, Los Angeles, CA

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181

182

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178

Eleanor Merriam Lukits

(1909-1948, Los Angeles, CA) Male guitar players in Spanish attire (two works) Each: pastel on paper under glass The first: Signed lower right: E. Merriam; the second: Unsigned Sight of each: 23.5� H x 17.5� W $300-600

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183

184

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179

Paul Julian

(1914-1995, California) “I Hate Birds,” 1943 Oil on canvas Signed and dated lower right: Paul Julian, titled verso 60.25” H x 23.75” W $2,000-3,000 Provenance: Sold: Bonhams California, August 8, 2005, Lot 235

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185

180

Michael Bedard

(b. 1949, Canadian) “Which came First?”

Lithograph in colors on wove paper under Plexiglas Edition: Artist Proof 1/50, signed, titled and numbered in pencil along the lower margin: Bedard, and with the copyright symbol and the artist’s device Sight: 17.5” H x 22.75” W $200-400

186

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181

Michael Bedard

(b. 1949, Canadian) “Muth and Ideal” Watercolor and pencil on paper under Plexiglas Signed lower right: Bedard, titled in the lower margin Image: 9” H x 10” W ; Sight: 10” H x 11.25” W $500-700

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187

182

Keith Haring

(1958-1990, New York, NY) “’Dr. Winkie’ wedding invitation,” 1988 Serigraph in colors on canvas Signed in the print lower right: K. Haring, dated in the print upper left: 88 Image: 6.25” H x 6.5” W; Overall: 8” H x 7.5” W $800-1,200 Notes: Invitation verso reads, “Mr. and Mrs. Fu Yum Kong request the honour of your presence at the marriage of their daughter Estefania to Lawrence “Dr. Winkie” Lin son of Mr. Fobert Y. Lin and Mrs. Betty Y. Lin on Sunday, the twenty-first of February nineteen hundred and eightyeight at half past four o’clock. Clvb Dvs 540 Howard Street San Francisco, California. Reception immediately following. Creative black tie.”

188

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183

Ludwig Bemelmans

(1898-1962, New York, NY) “Sketch for ‘Madeline in London’” Watercolor on paper under glass Signed lower center: Bemelmans, and with the artist’s stamp, inscribed along the lower edge: “2 NEG - 2”, Sketch for “Madeline in London” Sight: 8” H x 10.75” W; Sheet: 8.5” H x 11” W $3,000-5,000 Notes: Madeline in London is a children’s picture book by Ludwig Bemelmans.

It features popular children’s character Madeline. It was published in the August, 1961 issue of Holiday Magazine, complete with Bemelmans’s drawings. It was first published in book form by Viking Press in 1961.

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189

190

184

Theodor (Dr. Seuss) Geisel

(1904-1991, La Jolla, CA) “Cat In The Hat #32” Crayon on paper under Plexiglas Signed in crayon lower right: Dr. Seuss, titled and with a statement of authenticity attached to the backing board Sight: 10.75” H x 8” W $2,000-3,000 Notes: Statement of authenticity verso reads, This piece of art, “Cat on The Hat #32”, created by Dr. Seuss (Theodor Geisel), has been authenticated by two Dr. Seuss experts. The first expert is Walter Reed from Illustration House in New York City.

The second expert is Richard Marschell from Philadelphia, Pennsylvania. Both are highly respected appraisers of Theodor Geisel (Dr. Seuss).

Based on these authenticities, Every Picture Tells A Story... represents this work as a true and authentic work by Dr. Seuss.

Signed by Lois Sarkisian, Owner - Every Picture Tells A Story...

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191

185

Theodor (Dr. Seuss) Geisel

(1904-1991, La Jolla, CA) “Oh I’d love to go to the party but I’m absolutely dead.”

Lithograph in colors on paper under Plexiglas Edition 113/295, signed in the plate lower left: Dr. Seuss, numbered in graphite lower right, titled in the plate lower center Image: 13” H x 16” W; Sight: 15” H x 18” W $500-700

192

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186

Raymond Pettibon

(b. 1957, American) “Untitled (You’re Showing, I’m Telling),” n.d.

Screenprint on white wove paper Edition of unknown but presumably small size, signed lower right: Raymond Pettibon Image/Sheet: 24” H x 18” W $3,000-5,000 Provenance: Brooke Alexander Gallery, New York, NY

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193

187

Lawrence “Naturel” Atoigue

(b. 1983, Landover, MD) “Life’s A Beach” Serigraph on wove paper under glass Edition PP, signed and editioned in graphite lower right: Naturel, titled by repute Image: 21.5” H x 16” W; Sight: 23.5” H x 17.5” W $300-500

194

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188

Michael Bedard

(b.1949, Canadian) “Mondo Sumo, from Sitting Duck,” 1993 Acrylic on canvas Signed lower right: Bedard, signed again, dated, inscibed and with the artist’s duck head device verso: To Scott 3.23.00, titled by repute 24” H x 24” W $400-600

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195

189

Michael Bedard

(b. 1949, Canadian) “The Mustard Jar” Mixed media on board Signed lower right: Bedard, titled by repute Sight: 7.75” H x 9.75” W $600-800

196

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190

Michael Bedard

(b.1949, Canadian) “Great White Hype” Acrylic on board Signed lower right: Bedard, titled by repute 40” H x 48” W $600-800 Notes: With an unfinished work verso.

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197

191

192

(1921-2012, New York, NY) “The 21 Club,” 1990 Serigraph on paper under Plexiglas Edition 387/500, signed lower right: LeRoy Neiman Sight: 28.5” H x 38.5” W

(1921-2012, New York, NY “The Big Five,” 2001 Serigraph on paper unde Edition 16/585, signed lo Sight: 23” H x 43.5” W

LeRoy Neiman

$800-1,200

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LeRoy Neiman

$800-1,200

Y)

er Plexiglas ower right: LeRoy Neiman

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199

193

Leroy Neiman

(1921-2012, New York, NY) “Vegas Blackjack,” 1982 Serigraph in colors on wove paper under Plexiglas Edition 173/300, signed in pencil lower right: LeRoy Neiman, numbered in pencil lower left, titled by repute Sight: 26” H x 35.5” W $500-700

200

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201

194

Leonardo Nierman

(b. 1932, Mexican) “Solar System” Oil on masonite Signed lower left: Nierman, titled verso 15.75” H x 11.75” W $400-600

202

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195

LeRoy Neiman

(1921-2012, New York, NY) “Toreador,” 1967 Lithograph in colors on paper under Plexiglas Signed and dated in graphite lower right: Leroy Neiman / ‘67 Image: 21.5” H x 16.25” W; Sight: 23” H x 17.75” W $800-1,200

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203

204

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Condition Reports

1 Each in overall good condition with tarnishing and light scratches commensurate with age.

13 Visual: Generally good condition. Light stretcher bar creases along the four edges. Fine craquelure and crazing scattered throughout. Tiny flecks of paint loss scattered throughout. Surface dirt and grime.

2 Each in overall good condition with rubbed wear and light scratches commensurate with age.

9 Dinner plates: 10” Dia. 1 Salad/dessert plate: 9” Dia. 7 Salad/dessert plates: 7.75” Dia. 8 Bread plates: 6.5” Dia. 9 Saucers: 5.75” Dia. 9 Flat cups: 2.25” H x 3.25” Dia.

Blacklight: No evidence of restoration under blacklight.

3 Overall good condition with minor shelf wear commensurate with age.

Blacklight: Spots of touch-up scattered throughout, the largest, dime-sized lower left.

4 Overall good condition with minor shelf wear commensurate with age. Pads attached to the base of each paw.

5 Overall good condition with minor shelf wear commensurate with age.

6 Overall good condition with minor shelf wear commensurate with age.

7 Overall good condition with minor shelf wear commensurate with age.

8 Generally good condition. Toning to the paper. The paper is rippled. Mat burn to the four edges. A .5” tear to the lower right edge. Tiny spots of yellow staining scattered throughout, mostly visible in the margins. The paper is glued to the linen backing.

Frame: 51.75” H x 24.25” W x 1.5” D 9 Visual: Generally good condition. Craquelure scattered throughout the background. Stretcher bar creases along the four edges. A 4.75” scratch with minor paint loss lower left. Small flecks of paint loss scattered along the lower edge.

Blacklight: No evidence of restoration under blacklight.

Frame: 37” H x 37” W x 1.5” D 10 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases along the four edges. Small spots of paint loss upper left. A small spot of gold paint upper left.

Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 39.5” H x 29.5” W x 2” D

206

11 Generally good condition. Minor toning to the board. Mounted to the recto mat with brown paper tape along the four edges.

Board: 24” H x 29.5” W; Frame: 32” H x 38” W x 1.25” D 12 Generally good condition. With a .75” crack to the board in the upper left corner. A pinhole in the center of the painting. Spots of surface grime scattered throughout.

Frame: 48” H x 38” W x 1.5” D

Frame: 34.5” H x 22.25” W x 3” D 14 Visual: Generally good condition. Dime-sized repair lower left with corresponding patch verso. Tiny flecks of paint loss scattered throughout in addition to visible restorations to aforementioned paint loss. Minor surface dirt and grime.

Frame: 16” H x 24.5” W x 1.75” D 15 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Artifical aging.

Oxidation to the mirror back.

Top open: 30.5” H x 36” W x 36” D Mirror: 17.75” H x 27” W 16 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separations at joints commensurate with age. Scattered scratches to one side. Lacking key.

17 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor soiling to the seat commensurate with age and use.

18 Each in overall good condition with scattered scuffs, scratches, nicks, oxidation to the bronze, and chips to the marble commensurate with age. Each tazza with scattered chips; one with a large chip to the rim (approximately 1.75” W x .675” H) and a large chip to one corner. Working condition unknown. Moran’s does not guarantee working condition of clocks and watches.

19 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

20 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each leans slightly to one side. Scattered arms slightly bent. Electrified. Wiring should be checked by a qualified electrician prior to use.

21 Overall good condition with oxidation, wear to velvet, dents, and scratches commensurate with age. Electrified. Wiring should be checked by a qualified electrician prior to use.

22 Overall good condition with oxidation, scuffs, scratches, separations, and minor dents commensurate with age. Wiring should be checked by a qualified electrician prior to use.

23 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Even sun-fading to the main/central red velvet surface, extendable sides stick, one does not pop up fully (approximately .5” lower).

24 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered losses, cracks, and separation to the wood veneers.

34 Generally good condition. Toning to the paper. An area of scuffing upper left corner, not affecting the image. Small dots of yellow staining, mostly visible in the lower half of the margin. Not examined out of the frame.

Frame: 15” H x 13” W x 1” D

25 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Heavily refinished and laquered with bubbling to top surface. Scattered woodworm to legs and front.

35 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

26 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Some paint loss and cracking. Areas of repaint. Each refinished underneath.

Frame: 57.75” H x 42.25” W x 2” D

27 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered losses to the gilding.

Blacklight: No evidence of restoration under blacklight.

28 Visual: Generally good condition. Minor surface dirt and grime.

Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

36 Visual: Generally good condition.

Frame: 42” H x 57.75” W x 2” D 37 Visual: Generally good condition. Frame abrasion along the upper edge.

Craquelure with paint loss upper right corner. Isolated areas of fine craquelure scattered throughout. A 1” scratch with paint loss upper right. A small circular chip lower center. Surface dirt and grime concentrated mostly in the upper right quadrant.

Frame: 33.75” H x 42.75” W x 1.75” D

Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.

29 Visual: Generally good condition. Minor surface dirt and grime.

Frame: 43” H x 55” W x 3” D

Blacklight: No evidence of restoration under blacklight.

38 Visual: Generally good condition. Stretcher bar creases along the four edges. A small indentation to the canvas upper left. A small lump in the canvas upper right edge due to debris between the canvas and the stretcher. Small chip of paint loss lower left edge. Minor surface dirt and grime.

Frame: 33.25” H x 42.25” W x 2” D 30 Visual: Generally good condition. Minor surface dirt and grime Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Unframed

Frame: 33.75” H x 42.5” W x 1.5” D 39 Visual: The canvas is loose. Stretcher bar creases along the four edges.

Minor frame abrasion along the four edges. A 2.5” x 3” area of scattered deep scratches upper center. A 1.5” line of craquelure right center. A dimesized indentation to the canvas left edge center. A pea-sized indentation to the canvas right edge center. Minor surface dirt and grime.

32 Visual: Stretcher bar crease along the right edge. A pea-sized loss to the impasto lower left edge. Areas of flaking with paint loss and exposed canvas along the right edge center and throughout the blue pigments of the bird. Surface dirt and grime.

Blacklight: Touch-up scattered throughout, concentrated mostly along the upper and lower edges.

Blacklight: Dark lines described as grime fluoresce under blacklight.

Frame: 32.75” H x 34.75” W x 1.5” D

40 Overall good condition with minor scuffs and darkening to bronze commensurate with age.

33 Visual: Craquelure throughout with associated paint loss. A 3” and 1” scratch with paint loss lower center. Visible spots of restoration throughout.

Surface dirt and grime.

41 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

Sculpture: 15.75” H x 8.25” W x 6.25” D

Blacklight: Spots of touch-up and crackfill scattered throughout the cat and branch. Difficult to read under heavy, uneven varnish.

Frame: 32.5” H x 34.25” W x 1.5” D

Unframed

42 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

43 Overall good condition with minor rubbed wear and scuffs commensurate with age.

Condition Reports

31 Overall good condition with minor scuffs, light scratches, and oxidation commensurate with age. Oxidation to the front seam under the case.

Moran’s does not guarantee the working condition of clocks and watches.

207

44 Overall good condition with minor scuffs and scratches commensurate with age.

Relief: 43” H x 24.5” W x 4” D

55 Toning to the paper. Small spots of yellow staining upper right. Tiny dots of black scattered throughout. Folds, creases and crinkles to the paper throughout. Framed floating and hinged to the back mat. Not examined out of the frame.

45 Overall good condition with minor scuffs and darkening to bronze commensurate with age.

Sculpture: 34” H x 12” W x 12” D

Frame: 20.25” H x 17.25” W x .75” D

46 Visual: Generally good condition. Dent to the canvas with small chip of paint loss in the center.

Blacklight: No evidence of restoration under blacklight.

Frame: 51.75” H x 61.75” W x 2” D

56 Visual: Generally good condition. Minor toning to the paper. The paper is slightly rippled and puckered along the lower and left edges. Small light spots of yellow staining scattered throughout, mostly visible in the upper right corner. Not examined out of the frame.

Frame: 14.5” H x 17” W x 1” D

47 Generally good condition. Not examined out of the frame.

57 Generally good condition. Minor toning to the paper. Artist’s pinholes in the four corners. A small spot of staining in the upper left corner. Minor, unobtrusive handling creases scattered throughout. Not examined out of the frame.

Frame: 26” H x 30.5” W x 1.5” D

Frame: 36.75” H x 30.75” W x 1.5” D

48 Visual: Generally good condition.

58 Visual: Generally good condition. A 5” line of scattered fine craquelure upper center. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 38” H x 32” W x 1.5” D

Blacklight: No evidence of restoration under blacklight.

Frame: 62.5” H x 53.5” W x 2” D

49 Visual: Generally good condition. Fine craquelure scattered throughout.

Blacklight: Touch-up scattered throughout.

Frame: 28.25” H x 38.75” W x 2” D 50 The paper is rippled. Creases and folds throughout with cracking to the paper down the right side. A small chip of paint loss upper left. Not examined out of the frame.

Frame: 31.75” H x 41.5” W x .75” D 51 Visual: Generally good condition. Craquelure throughout.

Blacklight: No evidence of restoration under blacklight.

Frame: 25.75” H x 33” W x 1.5” D 52 Generally good condition. Minor toning to the paper. Small spots of staining lightly scattered throughout, the largest a pea-sized stain upper left edge.

Not examined out of the frame.

Condition Reports

Frame: 33.5” H x 43.5” W x 1.5” D

208

53 Generally good condition. Not examined out of the frame.

Frame: 29” H x 25.5” W x 2” D 54 Generally good condition. Isolated pin dots of staining scattered throughout. Not examined out of the frame.

59 Overall good condition with minor scuffs and scratches commensurate with age. Some retained losses to the rigging. Scattered repaired surface cracking and paint loss. Working condition of running lights unknown.

Wiring should be checked by a qualified electrician prior to use.

60 Visible restorations scattered throughout. Small repaired tears to the perimeter scattered throughout, the largest a 2.5” U-shaped tear left edge center. Creases to the paper scattered throughout. Pinholes in the four corners. The paper is glued down to the back mat. Not examined out of the frame.

Frame: 41.5” H x 33” W x 1.75” D 61 Generally good condition. The overall poster is two sheets combined. The poster was previously folded. The fold creases are still visible. A ridge in the paper runs across the entire width of the upper edge. Not examined out of the frame.

Frame: 96.75” H x 45.75” W x 2” D 62 Generally good condition. The poster was previously folded. The fold creases are still visible. Not examined out of the frame.

Frame: 94.75” H x 55” W x 2” D 63 Toning to the paper. The poster was previously folded. The fold creases are still slightly visible. Isolated repaired nicks, dents, tears and scratches scattered throughout, concentrated in the upper left and lower right corners. Not examined out of the frame.

Frame: 20” H x 30” W x 2” D

Frame: 21” H x 23” W x 1” D 64 Generally good condition. The overall poster is two sheets combined. The poster was previously folded. The fold creases are still faintly visible. Not examined out of the frame.

Frame: 91.75” H x 68.5” W x 2” D

Frame: 90.5” H x 67.25” W x 2” D 66 Generally good condition. A series of small scuffs in the paper with pigment loss near the “G” upper center. Not examined out of the frame.

Frame: 41” H x 51” W x 1.75” D 67 The paper has fold lines with visible restoration throughout. Scattered restored tears, scuffs and minor losses commensurate with age, concentrated mostly to the perimeter. Minor fading. Not examined out of the frame.

Frame: 55.5” H x 44.75” W x 2” D 68 Generally good condition. The paper with deckled edges. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 35.75” H x 27.75” W x 1.25” D 69 Generally good condition. Minor toning to the paper. Isolated area of fine craquelure upper left. A series of small surface nicks right center. Minor surface dirt and grime. Not examined out of the frame.

75 Visual: Generally good condition. Isolated areas of fine paint shrinkage concentrated mostly in the upper right corner. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 31” H x 55” W x 2.75” D 76 Visual: Generally good condition. A .25” deep scratch to the board upper center. A .25” dent to the board in the center. A series of light scuffs running from upper right into the center.

Blacklight: No evidence of restoration under blacklight.

Frame: 17.25” H x 19” W x 1.5” D 77 Visual: Generally good condition. A series of tiny flecks of paint loss in the sky upper right. A small fleck of paint loss above the signature lower left. A series of tiny flecks of paint loss along the lower edge.

Blacklight: No evidence of restoration under blacklight.

Frame: 27.5” H x 31.5” W x 2.5” D 78 Visual: Generally good condition. Small chip of paint loss lower center.

Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 50.75” H x 43.5” W x 1.25” D

Frame: 28.5” H x 32.5” W x 3” D

70 Visual: Generally good condition. Craquelure and paint shrinkage scattered throughout.

79 Visual: Generally good condition. A .5” scuff with tiny flecks of paint loss upper left. The “L” in the signature has been scratched in. Minor surface dirt.

Blacklight: No evidence of restoration under blacklight.

Blacklight: No evidence of restoration under blacklight.

Unframed

Frame: 14.75” H x 16.75” W x 1.75” D

71 Visual: Generally good condition. A .25” scratch left center. Flattening to the impasto throughout.

80 Overall good condition with rubbed wear and light scratches commensurate with age.

Blacklight: No evidence of restoration under blacklight.

Frame: 23” H x 27” W x 2.25” D 72 Visual: Generally good condition. Minor frame abrasion along the four edges. A 4” line of restoration upper and lower center . Minor frame abrasion along the four edges.

Blacklight: Touch-up scattered throughout the upper center, upper right and lower center.

Frame: 32.5” H x 44.5” W x 2.25” D 73 Generally good condition. Very minor toning to the paper. Small spots of light staining to the paper scattered along the margins. A minor crease in the upper right corner. The left, upper and lower edges are deckled.

Unframed

81 Each in overall good condition with rubbed wear and light scratches commensurate with age.

82 Each in overall good condition with rubbed wear and light scratches commensurate with age.

83 Overall good condition with minor shelf wear commensurate with age.

Horse: 6.75” H x 10.5” W x 2.75” D 84 Overall good condition with minor shelf wear commensurate with age.

85 Overall good condition with minor shelf wear commensurate with age.

74 Visual: Generally good condition. Tiny scratch with tiny fleck of paint loss upper right. A 2” light smudge of gold paint transfer upper left.

86 Overall good condition with minor shelf wear commensurate with age.

Blacklight: No evidence of restoration under blacklight.

87 Overall good condition with minor shelf wear commensurate with age.

Glass panel: 12.5” H x 12.625” W x 2.5” D

Frame: 22.5” H x 26.5” W x 1.5” D

Condition Reports

65 Generally good condition. The overall poster is two sheets combined. The poster was previously folded. The fold creases are still faintly visible. Not examined out of the frame.

209

88 Overall good condition with minor shelf wear commensurate with age.

89 Each in overall good condition with minor shelf wear commensurate with age. One with area of surface scratches to base, approximately: .25”.

90 Each in overall good condition with minor shelf wear commensurate with age.

Each glass: 7.25” H x 3.5” Dia. 91 Each in overall good condition with minor shelf wear and surface scratches to the base commensurate with age.

92 Visual: Stretcher bar creases along the four edges. A tiny hole in each of the upper corners. The lower edge of the canvas has paint loss, flaking and rubbed wear. Minor surface dirt and grime.

Blacklight: Isolated spots of touch-up scattered throughout, the largest, a 4” line atop the child’s head.

Frame: 25.75” H x 23.5” W x 2” D 93 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 29.5” H x 25.5” W x 2.5” D 94 Visual: Generally good condition. A few areas of isolated very fine craquelure scattered throughout. A tiny chip of paint loss right center. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight. Spots of grime fluoresce under blacklight.

Frame: 26” H x 30” W x 3” D 95 Visual: Generally good condition. The canvas is slightly cupped in the upper right corner. A 2” x .5” area of scattered fine craquelure upper center. Spots of surface grime lower center.

Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 27.5” H x 31.5” W x 2” D

210

99 Visual: Generally good condition. Minor surface dirt and grime Blacklight: No evidence of restoration under blacklight.

Frame: 43.75” H x 59.25” W x 2.5” D 100 Generally good condition. The paper is slightly rippled. Not examined out of the frame.

Frame: 22.25” H x 27.25” W x 1.25” D 101 Overall good condition with scatttered scuffs and light scratches. The shade with some staining to outside gold fabric. Wiring should be checked by a qualified electrician prior to use.

Shade: 19” H x 15” Dia. 102 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Smaller: 3.25” H x 9.5” Dia. 103 Overall good condition with minor scuffs and scratches commensurate with age.

104 Each in overall good condition with minor shelf wear and scratches commensurate with age. Some with scattered nicks, breaks and concrete residue.

Smallest: 4” H x 6.5” W x 7” D 105 Each in overall good condition with minor scuffs and scratches commensurate with age. Two glass pieces detached but retained.

106 Each in overall good condition with minor shelf wear commensurate with age.

107 Generally good condition. Minor toning to the paper. Small dots of foxing scattered throughout, the largest is a pea-sized spot in the lower left margin. Foxing throughout verso. Mounted to the recto mat with artist’s tape in the four corners.

Frame: 20” H x 30” W x 2” D

96 Visual: Generally good condition.

108 Generally good condition. Very minor toning to the paper. The paper with deckled edges.

Blacklight: No evidence of restoration under blacklight.

Unframed

Frame: 50” H x 50” W x 4” D 97 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 26.5” H x 32.5” W x 3.5” D 98 Visual: Generally good condition. The canvas is slightly loose.

Blacklight: No evidence of restoration under blacklight.

Frame: 42” H x 57.75” W x 2.5” D

109 Generally good condition. Very minor toning to the paper. The paper with deckled edges.

Unframed 110 Overall good condition with minor oxidation and scuffs commensurate with age and display. Scattered screws missing.

111 Visual: Generally good condition. A .5” indentation to the paper upper left.

Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 40” H x 32” W x 2.5” D

Frame: 63” H x 44” W x 1.5” D 113 Overall good condition with minor scuffs and scratches commensurate with age.

114 Overall good condition with minor scuffs and scratches commensurate with age.

Each leg: 13.5” H x 9.5” W x 9.5” D 115 Overall good condition with minor scuffs and scratches commensurate with age.

Glass top: .5” H x 36” W x 14.5” D Base: 29.25” H x 18.25” W x 13.5” D 116 Overall good condition with scattered scuffs, scratches, nicks, and wear to upholstery commensurate with age.

117 Overall good condition with minor scuffs and scratches commensurate with age.

118 Overall good condition with minor scuffs and scratches commensurate with age.

Sculpture: 23” H x 14” W x 14.5” D 119 Overall good condition with minor scuffs and scratches commensurate with age.

120 Overall good condition with minor scuffs and scratches commensurate with age.

121 Overall good condition with scuffs, scratches, nicks, natural wood flaws and shrinkage cracks commensurate with age. Several larger shrinkage cracks to the interior and exterior of the bowl likely dating from time of manufacture; largest: 5.75”.

122 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Some wear to the white paint on one counterweight. Wiring should be checked by a qualified electrician prior to use.

123 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use.

124 Each in overall good condition with scattered scuffs, light scratches, and wear commensurate with age and use. Separation between the wooden handle and the steel to the large salad serving fork.

125 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered dents to the top of one front sliding panel. Scattered condensation rings and drops of housepaint to the top surface.

126 Overall good condition with minor scuffs and scratches commensurate with age. Black painted finish on each wheel leg in rough condition. All four working castors and original vinyl.

127 Each in overall good condition with minor scuffs, oxidation, and scratches commensurate with age. One stool with a break through the round ring footrest. Original vinyl.

128 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered soiling to fabric. Several surface scratches to one side panel: each approximately 3” long.

129 Overall good condition with minor scuffs and scratches.

130 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Drying, cracking, creasing, and wear to leather commensurate with age and use.

131 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Deeper scratches to the top. Minor sun-fading to the tops. Each totters slightly.

132 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

133 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

134 Overall good condition with minor shelf wear commensurate with age.

135 Overall good condition with minor shelf wear commensurate with age.

136 Overall good condition with minor shelf wear commensurate with age.

Scattered surface scratches to the base.

137 Each in overall good condition with minor shelf wear commensurate with age.

138 Each in overall good condition with minor shelf wear commensurate with age.

Smaller tripod vase: 13.75” H x 7.5” Dia. Leaning vase: 12” H x 15” W x 7.5” D. 139 Overall good condition with minor shelf wear commensurate with age.

140 Each in overall good condition with minor shelf wear commensurate with age.

Large blue: 12.75” H x 7.25” W x 4.5” D Small clear: 12” H x 7.875” W x 4” D Small blue: 10.75” H x 5” W x 4.25” D

Condition Reports

112 Toning to the paper. The paper is slightly rippled. Light, unobtrusive handling creases scattered throughout. Water staining to the lower edge and left edge center. Spots of foxing throughout, concentrated mostly, but not limited to the margins. The image is also affected. A .25” dark line lower left near the blindstamp. The paper is loose, not mounted.

211

141 Overall good condition with minor shelf wear commensurate with age. One chip to bottom.

142 Overall good condition with minor scuffs and scratches commensurate with age.

143 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Each covered pot: 4.5” H x 6.5” Dia. 144 Each in overall good condition with minor scuffs and scratches commensurate with age.

Smaller: 2.375” H x 5.625” Dia. 145 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Medium pot: 10.5” H x 7.25” Dia. Smallest: 10” H x 5.875” Dia. 146 Overall good condition with minor scuffs and scratches commensurate with age.

147 Overall good condition with minor scuffs and darkening to bronze commensurate with age.

148 Overall good condition with minor scuffs, oxidation, and darkening to bronze commensurate with age. One wooden side of base missing.

Condition Reports

157 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Smaller covered pot: 7” H x 8.5” Dia. Bowl: 3.5” H x 10.5” Dia. 158 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

159 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Ball vase: 6.625” H x 7.375” Dia. 160 Overall good condition with scattered minor scuffs, inherent firing flaws, dust accumulation, and minor shelf wear commensurate with age.

161 Generally good condition. The paper is slightly rippled. Minor toning to the paper. Mat staining to the four edges. A tiny dot of staining left center. Not examined out of the frame.

Frame: 12.75” H x 9.75” W x .75” D 162 Visual: Generally good condition. Not examined out of the frame.

Frame: 29” H x 22” W x 1.5” D

149 Visual: Generally good condition. Not examined out of the frame.

163 Generally good condition. Toning to the paper. The paper is slightly rippled.

Frame of largest: 31.5” H x 29.5” W x 1” D

Frame: 24.75” H x 36.75” W x 4” D

150 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Both arms loose and minor areas of wood loss to recessed seat area.

164 Visual: Generally good condition. A 4.5” scratch in the upper right corner. A .75” scratch left center. A 2.5” and a 1” scratch right center.

151 Each in overall good condition with minor scuffs and scratches commensurate with age.

Unframed

152 Overall good condition with tarnishing and light scratches commensurate with age and use. The stone handle insert loose. Handle slightly bent backwards.

212

156 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Earthenware pot: 7.25” H x 5” Dia. Yellow vase: 5.25” H x 5.5” Dia.

153 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Each vase: 9.25” H x 6.75” Dia. 154 Overall good conditoin with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The top metal mount of scabbard is loose.

155 Overall good condition with minor scuffs and scratches commensurate with age.

Blacklight: No evidence of restoration under blacklight.

165 Visual: Generally good condition. Minor surface abrasions scattered throughout. Rubbed wear to both lower corners. A light 2” scratch lower center. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Unframed 166 Overall good condition with minor scuffs, scratches, and paint loss to board commensurate with age.

Mosaic: 36.5” H x 24.25” W 167 Visual: Generally good condition. Small flecks of paint loss upper right edge and upper center.

Blacklight: No evidence of restoration under blacklight.

Unframed

168 Visual: Generally good condition. A dime-sized chip of the panel is missing from the lower right corner. Both left corners have minor losses to the panel.

Minor surface dirt and grime.

177 Generally good condition. Artist’s pinholes in the upper corners. A 3” water stain across the bottom of the painting. Tape remnants from a previous mounting remain verso. The paper is loose, not mounted.

Blacklight: No evidence of restoration under blacklight.

Sheet: 20” H x 16” W; Frame: 23” H x 19” W x 1” D

Unframed 169 Visual: Generally good condition. Small chip of paint loss upper center.

178 Each: Generally good condition. Not examined out of the frame.

Frame of each: 30” H x 24” W x 1” D

Blacklight: No evidence of restoration under blacklight.

170 Visual: Various nicks, chips, dents and scratches commensurate with age. A residue of brown butcher paper is adhered to the surface from improper storage.

Blacklight: No evidence of restoration under blacklight.

Unframed

179 Visual: Generally good condition. Stretcher bar creases along the four edges. Repaired holes upper left and lower right with corresponding patches verso. Isolated areas of paint shrinkage exposing raw canvas scattered throughout. Isolated areas of fine craquelure scattered throughout.

Blacklight: Areas of touch-up scattered throughout the lower quarter.

Repaired areas upper left and lower right are evident under blacklight.

Frame: 62” H x 25.5” W x 1” D

171 Visual: Generally good condition. Various gouges to the board with paint loss scattered aroung the perimeter edge. A series of vertical scratches along the right third of the piece.

180 Generally good condition. A white substance on the paper in the upper portion of the right margin only visible in raking light. A tiny smudge in the margin lower right. Tiny piece of debris on the paper lower left. Not examined out of the frame.

Blacklight: No evidence of restoration under blacklight.

Frame: 24” H x 28.5” W x 1.25” D

Unframed 172 Generally good condition. Pinholes, dents, nicks and chips scattered around the perimeter, apparently from a previous mounting. Minor surface dirt and grime.

Frame: 41.75” H x 32.75” W x 1.5” D 173 Generally good condition. Small spots of yellow staining scattered throughout the lower portion. Minor surface dirt and grime. Not examined out of the frame.

Frame: 48.5” H x 32.5” W x 1” D 174 Generally good condition. Two tiny chips to the upper edge. A pea-sized stain in the upper right corner. Isolated areas of craquelure scattered throughout the figure. Not examined out of the frame.

Frame: 37.75” H x 28.25” W x 1.5” D 175 Generally good condition. Isolated areas of tiny flecks of paint loss scattered throughout the background. A .5” x .5” area of scattered scratches upper right. Isolated areas of fine craquelure scattered throughout the figure. Not examined out of the frame.

Frame: 44.25” H x 28.25” W x 1.5” D 176 Generally good condition. Minor toning to the paper. Artist’s pinholes in the upper corners. The paper is slightly rippled at the left and right edges. A pea-sized spot of grime in the lower left margin with the artist’s fingerprints scattered throughout the margins. The left and right edges are deckled.

Hinged to the back mat with artist’s tape at the upper corners.

Sheet: 30” H x 22.25” W; Unframed

181 Minor toning to the paper. The paper is rippled. Creases throughout. Not examined out of the frame.

Frame: 14.25” H x 15.5” W x 1” D 182 Visual: Generally good condition. Fraying to the canvas along the four edges. Small dots of yellow staining to the canvas margin, not affecting the painted area. Minor surface dirt and dust accumulation.

Blacklight: No evidence of restoration under blacklight.

Unframed 183 Generally good condition. Minor toning to the paper. Mat burn to the four edges. Mounted to the recto mat with linen tape in the four corners.

Frame: 14.25” H x 16.75” W x .75” D 184 Generally good condition. Light, unobtrusive handling creases scattered throughout. A small spot of skimming to the paper along the upper right edge. A 1.25” scattered line of light indentation upper left. A .25” faint black line in the center, most likely in the hand of the artist. Most condition issues only visible in raking light. The back mat and recto mat are glued together.

Frame: 18.25” H x 15.5” W x .75” D 185 Generally good condition. Minor toning to the paper. Not examined out of the frame.

Frame: 21.75” H x 24.75” W x 1.25” D

Condition Reports

Unframed

213

186 Generally good condition. Soft creasing in places near the top and bottom of the left sheet edge.

Unframed 187 Generally good condition. Not examined out of the frame.

Frame: 26” H x 20” W x 1.25” D 188 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 27.5” H x 27.5” W x 2” D 189 Visual: Generally good condition. A series of light marks/lines just above the bird’s head.

Blacklight: No evidence of restoration under blacklight.

Frame: 10.75” H x 12.75” W x 1.25” D 190 Generally good condition. Not examined out of the frame.

Frame: 41.5” H x 49.5” W x 2.5” D 191 Visual: Generally good condition. Not examined out of the frame.

Frame: 40.5” H x 50.5” W x 2” D 192 Visual: Generally good condition. Not examined out of the frame.

Frame: 36.5” H x 56.75” W x 1.75” D 193 Generally good condition. Minor toning to the paper. Not examined out of the frame.

Frame: 36.5” H x 46.25” W x 1.25” D 194 Visual: Generally good condition. Two small chips to the board with paint loss along the upper edge. Small loss to the lower left edge of the board.

Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 16.5” H x 12.5” W x .75” D

214

195 Generally good condition. Minor toning to the paper. Not examined out of the frame.

Frame: 29.25” H x 23.75” W x 1” D

Made In Mexico August 23, 2020

A Hector Aguilar sterling silver water pitcher $600-900

Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833

Consign Today Fine Jewelry & Timepieces September 15, 2020 An Art Deco star sapphire and diamond ring $10,000-15,000

Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833

Consign Today California & American Fine Art November 17, 2020 Birger Sandzen (1871-1954, Lindsborg, KS) Mountain Landscape $60,000-80,000

Consignment and Auction Inquiries: morgana@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS Head of Sale, Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz 20th Century Furniture and Decorative Arts Specialist John Simon Taylor Senior Vice President, Fine Art Director Morgana Blackwelder American Indian Specialist Maranda Moran Junior Specialist / Senior Cataloguer: Luxury, Furniture, Decorative Arts Jardine Gates, GIA G.G. Furniture & Decorative Arts Cataloguer Alexis Sutcliffe Post War & Contemporary Fine Art Bree Hughes Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook Jewelry Director Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager

Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

Jean Rapagna Property Manager

Emmett Clements Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

ADVERTISING, MARKETING, DIGITAL DESIGN

Advertising & Marketing Director, Art Design Nathan Martinez Photographer Madison Torres Graphic Designer Brian Olivas

TRUSTS & ESTATES

Department Manager Noelle Valentino

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee.

This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received

by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid.

New bidders will be asked to provide financial account information as a reference.

All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance.

BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

No

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights.

Signature:

Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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