Art of the American West — August 31, 2021 | John Moran Auctioneers by johnmoranauctioneers

Tuesday, August 31, 2021

Tuesday, August 31, 2021—10am

Sale 197 145 East Walnut Avenue, Monrovia CA 91016 Public Previews: Friday, August 27th - Saturday, August 28th 12-4 pm Or by appointment

Meet the Team Maranda Moran Head of Sale maranda@johnmoran.com Anne Spink Fine Art Cataloguer anne@johnmoran.com

Shannon Dailey Decorative Arts Cataloguer shannon@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

An Apache figural basket

First-half 20th Century With repeating figural motif border and alternating triangle and cross designs 4.75” H x 19.125” Dia. $1,500-2,500

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

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An Apache figural basket

First-quarter 20th Century The woven basketry bowl with groups of horses divided by chevrons atop a checkered band and a central star motif 4.25” H x 14.5” Dia. $800-1,200

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

A Yokuts polychrome basketry bowl

First-quarter 20th Century The woven basket with polychrome stepped and diamond motifs 3.25” H x 7.5” Dia. $700-900

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An Apache basket

First-quarter 20th Century The wide-shouldered vessel with raised neck designed with vertical columns of conjoined diamonds 5” H x 7.25” W x 6.5” D $300-500

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

A Chemehuevi basket

First-half 20th Century The woven basketry bowl stylized M-shaped motifs 2.375” H x 9.125” Dia. $300-500

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A polychrome California Mission basket

First-quarter 20th Century The basketry bowl woven with all-over diamond motif 4.5” H x 8” Dia. $500-700

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A Papago figural basket

First-half 20th Century The cylindrical-form basket woven with all-over figural and trapezoidal motif 11.5” H x 11.5” Dia. $400-600

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Three Papago baskets

First-half 20th Century Comprising a low bowl woven with star and geometric motifs (2.75” H x 11.75” Dia.), an oval basket with handles and woven with stepped geometric motif (3.25” H x 11.25” W x 8” D), and a bowl with two bands of triangular motifs (3.75” H x 7.25” Dia.), 3 pieces $400-600

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

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A Hupa basketry tray

First-half 20th Century Woven with polychrome serrated geometric motifs 3” H x 14” Dia. $500-700

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Two Navajo/Diné wedding baskets First-half 20th Century Woven with polychrome star motif Each: 2.5” H x 9.25” Dia. approximately $500-700

Lot 11 has been withdrawn.

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The Colon American I

Colonel Robert C. Walla during his travels in the S University. The collection Vice President. Moran’s h Wallace’s heirs, a collecti as several additional imp

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Pictured Left: Colonel Robert C. Wallace while he was

nel Robert C. Wallace Indian Textile Collection

ace (1890- 1964) of Southern California acquired several important blankets Southwest in 1904, just prior to the start of his education at Princeton n decorated the dorm room he shared with the son of the United States has the privilege of offering these textiles for auction on behalf of ion that includes a child’s wearing blanket, an early Manta blanket, as well portant early 19th century pieces.

s a banker in Chicago.

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

A Navajo/Diné Germantown blanket

1904 With twelve sampler panels sewn to create one large textile, comprising two whirling logs, two cross motif panels, and a red and green whirling log on a black field dated 1904 75” L x 59” W $4,000-6,000 Provenance: Property of Colonel Robert C. Wallace, Southern California, through decent in the family. Notes: The individual samplers were selected by the purchaser to create a bed spread in his Princeton dorm room in 1905. Apparently, Navajo textiles were the fashion of the day for Princeton Alumn. In the late 19th century, traders offered Navajo weavers colorful, factory-made yarns originating in Germantown, Pennsylvania, hence the blanket style’s name. This patchwork of designs includes a woven date of 1904. In total, twelve distinct pieces have been sewn together to create one large textile with decorative elements such as whirling logs and cross motif panels. The iconographical elements refer to an ancient symbol of well-being, good luck and protection, though unfortunately, the whirling log form was reappropriated as the Nazi swastika in the mid 20th-century. Despite its peaceful origins, the Navajo renounced the symbol in 1940 in response to Hitler’s regime.

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A Moki Revival Navajo/Diné rug

First-quarter 20th Century Cloth label: Robt. C. Wallace Woven in red, cream, grey, dark brown, and blue wool with five stepped diamonds on a striped field 82” L x 53” W $2,000-3,000 Provenance: Property of Colonel Robert C. Wallace, Southern California, through decent in the family.

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Pictured Left: Colonel Robert C. Wallace at Princeton, 1913.

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A Navajo/Diné child’s wearing blanket

Late 19th/early 20th Century Woven in red, orange, cream, and dark brown in a serrated X-motif to center with orange and dark brown zigzag elements to the top and bottom 64” L x 64” W $1,000-1,500 Provenance: Property of Colonel Robert C. Wallace, Southern California, through decent in the family.

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

A Navajo/Diné Manta-style blanket

Late 19th/early 20th Century Cloth label: Robt. C. Wallace Woven in red, yellow, and grey wool in a banded motif 54” L x 39” W $2,000-3,000 Provenance: Property of Colonel Robert C. Wallace, Southern California, through decent in the family.

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A Navajo/Diné double saddle blanke

First-quarter 20th Century Cloth label: Robt. C. Wallace Woven in red, orange, cream, grey, and da wool in a banded motif with grey and oran serrated zigzag motif to ends and center 58” L x 33” W $700-900

Provenance: Property of Colonel Robert C Southern California, through decent in the

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A Germantown saddle blanket

First-quarter 20th Century Woven in red, black, cream, orange, and green with serrated diamond and zigzag motifs 29” L x 34” W $800-1,200

ark brown nge

C. Wallace, e family

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A pictorial Navajo/Diné regional runner

Second-quarter 20th Century Woven in red, cream, grey, and dark brown wool with all-over geometric and feather motifs 80” L x 36” W $400-600

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

A Navajo/Diné regional rug

First-quarter 20th Century Cloth label: Robt. C. Wallace In a runner shape, woven in red, cream, grey, and dark brown wool in three sections of conjoined serrated diamonds 91” L x 33” W $800-1,200 Provenance: Property of Colonel Robert C. Wallace, Southern California, through decent in the family.

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A Navajo/Diné reg

Second-quarter 20th Woven in red, cream, brown wool in a step 62” L x 44” W $600-800

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A Navajo/Diné regional rug

Second-quarter 20th Century Woven with two sets of “EE” initials and “R. BAK” surrounded by serrated diamond motifs 46” L x 35” W $500-700

gional rug

Century , tan, ochre, and dark pped diamond motif

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A Navajo/Diné double-sided saddle blanket

Fourth-quarter 20th Century Woven in cream and dark brown with geometric border 51.5” L x 31” W $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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A Navajo/Diné Teec Nos Pos rug

Mid-20th Century Woven in cream, tan, light brown, grey, and black wool with crosses and all-over geometric motifs 76” L x 61” W $800-1,200

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A Navajo/Diné reginal rug

Mid-20th Century Woven in cream, tan, grey, brown, and red with central stepped diamond motif and geometric border 68” L x 53” W $600-800

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A Navajo/Diné regional rug

Fourth-quarter 20th Century Woven in pale green, yellow, grey, tan, and cream in a waterbug motif 47” L x 28’’ W $300-500

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A large Navajo/Diné Klagetoh rug

Circa 1930 Hand woven in cream, dark brown, ochre, grey, and red wool with a large central stepped diamond and elaborate border 114” L x 64” W $2,000-3,000 Provenance: Private Collection, Northern California, through decent in the family

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A Navajo/Diné regional rug

Mid-20th Century Woven in black, grey, cream, tan, and red in a stepped X-motif and double border 62” L x 36” W $500-700

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Fourth-quarter 20th Century Woven in red, cream, grey, and black in a serrated X-motif 71.5” L x 40” W

Fourth-quarter 20th Century Woven in cochineal red, light wool with an all-over geometr 64” L x 37” W

A Navajo/Diné regional rug by H. Yazzie

$400-600

A Navajo/Diné Teec Nos P

$500-700

Provenance: Purchased from S

Notes: This lot is accompanied

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Pos Navajo rug by Gloria Bia

and dark grey, cream and indigo blue/green churro ric motif and elaborate border

Steve Gitzwiller Gallery, Benson, AZ

d by a retail label from Steve Gitzwiller Gallery.

A Navajo/Diné rug by Helen Kirk

1996 Signed and dated: HK / HTP / 96 Woven in red, cream, grey, and black wool in an elaborate stepped diamond motif 59” L x 35.5” W $500-700 Exhibitions: Gallup, NW, “Intertribal Indian Ceremonial,” 1996 Notes: This lot is accompanied by an Honorable Mention ribbon from the Intertribal Indian Ceremonial dated 1996.

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Fourth-quarter 20th Century Woven in red, cream, dark grey, and black in a large storm pattern 82” L x 57” W $700-900

1996 Signed and dated: E.C. / HTP / Woven in tan, cream, black, bro stepped diamond motif 60” L x 35.25” W

Provenance: Purchased from Steve Getzwillar Gallery, Benson, AZ

$600-800

Notes: This lot is accompanied by a retail tag from Steve Getzwillar Gallery.

Exhibitions: Gallup, NW, “Intert

A Judy Marianito Navajo/Diné storm rug

A Navajo/Diné rug by Evely

Notes: This lot is accompanied Indian Ceremonial dated 1996.

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yn Curley

96 own, grey, and white in an elaborate central

A Navajo/Diné Two Grey Hills textile mat by Lucy Begay

Fourth-quarter 20th Century Woven in black, dark grey, light grey, cream, dark brown, and light brown with four corner elements and central diamond 50” L x 35” W $500-700

tribal Indian Ceremonial,” 1996 by a First Place ribbon from the Intertribal

Provenance: Purchased from Cameron Trading Post, Cameron, AZ Notes: This lot is accompanied by a retail label from Cameron Trading Post.

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A Navajo/Diné storm rug by Rose Maloney

Fourth-quarter 20th Century Woven in red, light and mid grey, black, dark brown, and maroon wool in a storm pattern 62” L x 40” W $600-900 Provenance: Purchased from Hubbell Trading Post, Ganado, AZ Notes: This lot is accompanied by a retail label from Hubbell Trading Post and a photograph of the weaver.

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

A Navajo/Diné pictorial storm rug

Fourth-quarter 20th Century Woven in red, cream, grey, and black in a complex storm pattern 82” L x 74” W $500-700

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A Navajo/Diné J.B. Moore Revival weaving by Barbara Tso Fourth-quarter 20th Century Woven in red, light grey, and black wool with geometric motifs 49” L x 30” W $500-700 Provenance: Purchased from Hubbell Trading Post, Ganado, AZ Notes: This lot is accompanied by a retail label from Hubbell Trading Post.

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A Navajo/Diné Ganado sampler by Darlene Yazzie

Fourth-quarter 20th Century With four sampler square panels woven in red, cream, tan, light brown, and black with various geometric motifs 41” L x 30” W $300-500

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A Navajo/Diné chief’s-style wearing blanket by Julia Upshaw

Fourth-quarter 20th Century Woven in chochaneal red, indigo blue, cream, and dark brown churro wool in a chief’s-style wearing blanket motif 43” L x 57” W $800-1,200 Provenance: Purchased from Steve Getzwiller Gallery, Benson, AZ Notes: This lot is accompanied by a retail label from Steve Getzwiller Gallery $800-1,200

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A Nina Yazzie Navajo/Diné Third Phase Revival chief’s-style rug Fourth-quarter 20th Century With a Third Phase design woven in red, blue, black, and light grey 58” L x 58” W $800-1,200 Provenance: Purchased from Hubbell Trading Post, Ganado, AZ, #30436 Exhibitions: Casa Grande, AZ, “O’Odaham Tash,” February 15, 1996 Notes: This lot is accompanied by a Second Place ribbon from O’Odham Tash dated February 15, 1996, a retail label from Hubbell Trading Post, and a photograph of the weaver.

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A Navajo/Diné Third Phase Revival chief’s-style blanket by Joann Shorty Fourth-quarter 20th Century An Old Style Ganado weaving in red, blue, cream, black, and light grey wool with cross motif on a banded ground 48” L x 48” W $700-900 Provenance: Purchased from Hubbell Trading Post, Ganado, AZ Notes: This lot is accompanied by a retail label from Hubbell Trading Post and a photograph of the weaver.

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Fourth-quarter 20th Century Woven in red, blue, grey, and black with twelve crosses on a blue and grey banded field 46.25” L x 34.25” W

Late 20th/early 21st Century With Moki stripes woven in red, b stepped diamonds with interior c 54” H x 30” W

A Navajo/Diné weaving by Grace Henderson Nez

A Navajo/Diné Hubbell Revi

$700-900

$500-700

Provenance: Purchased from Hubbell Trading Post, Ganado, AZ

Provenance: Purchased from Hub

Notes: This lot is accompanied by a retail label from Hubbell Trading Post and a photograph of the weaver.

Exhibitions: Casa Grande, AZ, “O

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Notes: This lot is accompanied b Post, a photograph of the weave Crafts from O’Odham Tash, Casa

ival-style weaving by Nina Beno

blue, cream, and black in four conjoined cross motifs

bbell Trading Post, Ganado, AZ

O’Odaham Tash,” 1988

A Navajo/Diné weaving by Sarah Norcross

Fourth-quarter 20th Century Woven in red, grey, and black wool with manta-style motifs 47” L x 60” W $400-600 Provenance: Purchased from Hubbell Trading Post, Gandado, AZ Notes: This lot is accompanied by a retail label from Hubbell Trading Post.

by a retail label from Hubbell Trading er, and a Second Place ribbon in Arts & a Grande, AZ dated 1988. w w w. j o h n m o r a n . c o m

A Navajo/Diné Chinle Eye Dazzler rug by Rita Teller

Fourth-quarter 20th Century Woven in dark red, grey, black, cream, and light grey in an all-over serrated diamond Eye Dazzler motif 36.5” L x 29” W $500-700 Provenance: Purchased at Hubbell Trading Post, Ganado, AZ Notes: This lot is accompanied by a retail label from Hubbell Trading Post and a photograph of the weaver.

A Navajo/Diné weaving by Joan Jones

Fourth-quarter 20th Century Woven in red, black, cream, and grey wool in 71” L x 47” W $500-700

Provenance: Purchased from Hubbell Trading

Notes: This lot is accompanied by a retail lab and a photograph of the weaver.

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n banded serrated diamonds

g Post, Ganado, AZ

bel from Hubbell Trading Post

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A large Navajo/Diné W

Mid-20th Century Woven with vegetable dye bands and stripes 96.5” L x 73” W $600-800

Provenance: The Estate of

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A Navajo/Diné Two Faced Teec Nos Pos weaving by Lucy Wilson Fourth-quarter 20th Century Woven in a Two Faced style with a twill weave in muted tans and browns 43.5” L x 26” W $500-700 Provenance: Purchased from Hubbell Trading Post, Ganado, AZ Notes: This lot is accompanied by a retail label from Hubbell Trading Post and a photograph of the weaver.

Wide Ruins-style area rug

ed wool in neutral tones with meandering stepped

f Loren Ingraham, Montecito, CA

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Three Navajo/Diné Wide Ruins weavings Three works

A Wide Ruins rug by Ellen Smith Fourth-quarter 20th Century Woven in tan, light blue, red, and cream wool in alternating bands with conjoined diamonds 37” L x 22.5” W

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A Wide Ruins rug Fourth-quarter 20th Century Woven in light blue, tan, dark brown 35” L x 23” W

n, purple, and cream wool with alternating bands

A Wide Ruins rug by Ellen Smith Fourth-quarter 20th Century Woven in light purple, tan, light blue, green, and cream wool with alternating bands 38.5” L x 25.5” W $1,200-1,800

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A Navajo/Diné pictorial weaving by Lillian Bahe

Second-half 20th Century Signed: Lillian Bahe The polychrome wool textile depicting figures, hogans, and animals 65.5” L x 36” W $800-1,200

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An American folk art carved wood canoe whirligig

Late 19th/early 20th Century The carved and polychromed wood sculpture in the form of a seated Native American figure in a canoe with metal paddle-style arms 24” H x 35.25” W x 7” D $400-600

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A metal wall-hanging kachina figure

Signed, dated, and numbered: [initialed illegibly] / ‘94 / 3-75 The metal kachina figure holding a spear and deer shield and wearing a wolf-style pelt with applied metal antlers, mounted for hanging 44” H x 22.5” W x 14” D $800-1,200

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Two Hopi wall-mounted kachina figures

Fourth-quarter 20th Century Comprising a Corn Maiden kachina mounted to a painted wood board with a mountain and eagle (18.375” H x 7” W x 3” D) and another kachina figure mounted to a painted wood board with figural motifs (27” H x 5.25” W x 4” D), 2 pieces $200-300

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A group of Hopi carved wood kachina figures Five works

Kevin Sekakuku (b. 1977, Hopi) “Shalako Taka” kachina Carved and polychromed cottonwood Signed and titled: Kevin Sekakuku [with artist’s cipher] / Hopi 13.5” H x 6” W x 4.5” D

Lee Grover Jr. (20th/21st Century, Hopi) Owl dancer kachina, 2004 Carved and polychromed cottonwood Signed and dated: L. Grover Jr. [with artist’s cipher] / 04 13.5” H x 3.75” W x 4” D

Eugene Dallas (b. 1958, Hopi) Owl dancer kachina, 2001 Carved and polychromed cottonwood Signed and dated: Eugene Dallas [crossed arrows cipher] / 01 13.5” H x 4.5” W x 4” D

Ambrose Teasyatwho (20th/21st Century, Hopi/Dine) Crow mother kachina Carved and polychromed cottonwood Signed: A. Teasyatwho [partially worn] 7.5” H x 3” W x 3” D Henry Marvin Talayumptewa (1943-2009, Hopi) “Kweo-Wolf Katsina,” 1999 Carved and polychromed cottonwood Signed, dated, and titled: Marvin Talayumptewa / 99 7” H x 4.5” W x 4.25” D $400-600

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A group of Hopi kachina figures Five works

Roxie Pela (20th century, Hopi) A Masau kachina figure Carved polychrome cottonwood and feathers Signed and titled: Roxie Pela / Hopi / Masau 12” H x 2.75” W x 2.5” D

Tayron Polequaptewa (b.1969, Hopi) A Bear kachina figure Carved polychrome cottonwood, feathers, and shells Signed: Tayron Polequaptewa [with star cipher] 10.5” H x 4” W x 4.5” D

A large-eyed kachina figure, possibly an Ogre Late 20th/early 21st Century Carved polychrome cottonwood, feathers, hair, hide, and canvas 16” H x 16” W x 5.5” D

Tayron Polequaptewa (b.1969, Hopi) A Morning Singer kachina figure Carved polychrome cottonwood and feathers Signed: Tayron Polequaptewa [with star cipher] 10.5” H x 5.5” W x 4” D

Tayron Polequaptewa (b.1969, Hopi) A large-eyed kachina figure, possibly an Ogre Carved polychrome cottonwood, feathers, and shells Signed: Tayron Polequaptewa [with star cipher] 13.25” H x 10” W x 5.5” D

$400-600

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A pair of framed Navajo/Diné fabric dolls

Circa 1930 Acquired from Fred Harvey’s Hopi House, comprising a female and a male character, each presented in a contemporary shadowbox frame, 2 pieces Larger: 8.25” H x 13.75” W; Smaller: 18.25” H x 13.125” W $400-600 Provenance: Purchased from Fred Harvey’s Hopi House, Grand Canyon National Park, AZ, July 25, 1930 Notes: This lot is accompanied by a receipt of sale from Fred Harvey’s Hopi House, Grand Canyon National Park, AZ dated July 25, 1930 and a photograph of the maker.

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A deer antler chandelier

Circa 1930 The hanging ceiling fixture composed of deer antlers with twelve electrical light sockets with faux candle sleeves, electrified 34” H x 50” Dia. $1,000-2,000

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A set of brass and wood Longhorn fireplace tools

Fourth-quarter 20th Century Each marked: B The iron tools with wood handles topped by brass longhorn heads, comprising a broom, a poker, a fork, and a shovel on a stand, 5 pieces Overall: 36.25” H x 10.25” W x 7” D $400-600

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A Gustav Stickley desk, No. 711

Circa 1901-1916; Eastwood, NY Stickley shop mark [joiner’s compass] The fumed oak desk with rectangular top over a central lockable drawer with flanked by two writing slides above a series of drawers with hammered copper pulls, raised on eight straight legs 60” W x 32” D x 29.75” H $2,500-3,500

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An assembled group of American Western-style restaurant dinnerware

Mid-20th Century Nineteen marked: Tepco / USA; Some further marked: Western Traveler; Four marked: Wallace China / Westward Ho Rodeo Pattern / Made in California / USA Each with various Western motifs in brown on buff porcelain, comprising a partial Tepco “Western Traveler” service with 2 large grill plates (13”), 4 large dinner plates (11.25”), 3 salad plates (9”), 6 bread plates (7.25”), 1 ramekin (4.75”), 1 tea cup (3.5”), and 2 creamers (3”-2.75”) and a partial Wallace “Westward Ho Rodeo” service with 3 oversized cups (3.625”) and 1 saucer (6.75”), 23 pieces $300-500

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A Stickley-style oak lamp table

First-quarter 20th Century Appears unmarked The Arts and Crafts period quarter sawn oak table with a tongue-and-groove joined rectangular top over a corbeled apron with peg joints raised on four straight legs 29.25” H x 36” W x 24.25” D $400-600

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A Gustav Stickley oak rocking chair, No. 317

Circa 1901-1916; Eastwood, NY Stickley shop mark [joiner’s compass] The fumed oak slat back chair with five slats and corbeled arms over a tan leather drop-in seat atop four square legs joined by a box stretcher 38” H x 27” W x 29” D $500-700

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An L. & J.G. Stickley Onondaga dresser

First-quarter 20th Century Appears unmarked The Arts and Crafts period oak dresser with raised back rail and rectangular top over paneled sides and six drawers with hammered brass pulls raised on four straight feet with arched side aprons 49.5” H x 40” W x 20.75” D $800-1,200

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Johnnie Winona Ross

(b. 1949, American) Untitled, 2007 Oil and wax on linen Signed along the upper right edge: Johnnie Winona Ross; signed again and dated on the stretcher bar verso 11.5” H x 10.75” W $4,000-6,000

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Paul Dyck

(1917-2006, Oak Creek, AZ) “Eternal Hope” Color lithograph on paper under glass Signed in pencil lower right margin: Paul Dyck, titled and inscribed in pencil lower left margin “artist’s proof” Image: 22.25” H x 25.75” W; Sight: 22.5” H x 33.5” W $800-1,200

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

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Matt Aston

(20th/21st Century, Los Angeles, CA) “Big Buck,” 2007 Oil on canvas Signed lower right: Matt Aston, titled and dated by repute 72” H x 53.5” W $1,000-1,500 Provenance: The Collection of Dr. Denis Bettencourt

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

Robert Farrington Elwell

(1874-1962, Wickenberg, AZ) Davy Crockett Oil on board Signed lower right: R. Farrington Elwell 19.5” H x 15.75” W $2,000-3,000

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

Bill Anton

(b. 1957, Arizona) “Range Management,” 2011 Oil on canvas board Signed lower right; signed again and with the copyright symbol, titled and dated verso 16” H x 20” W $5,000-7,000 Provenance: Ponderosa Art Gallery, Hamilton, MT

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Jim Connelly

(b. 1958, Jenison, MI) “First Snow,” 2011 Oil on board Signed lower right: Jim Connelly; titled and dated on the artist’s copyright label affixed verso: 2/16/2011 16” H x 20” W $600-800

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

James Jiang

(b. 1962, Arizona) “Morning Rodeo,” 2011 Oil on canvas Signed and dated lower right; signed again verso, titled on a string tag attached verso 20” H x 16” W $700-900 Provenance: Trailside Galleries, Scottsdale, AZ Acquired from the above by the present owner, 2012

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Teal Blake

(b. 20th Century, Fort Worth, TX) “Baptism by Fire” Watercolor on paper under glass Signed lower left: Teal Blake, titled by repute Sight: 10.25” H x 14.25” W $600-800

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

Jason Rich

(b. 1970/71, Logan, UT) “Working Sun to Sun,” 2011 Oil on board Signed lower left: J. Rich; signed again, titled and dated verso 25.25” H x 30.5” W $5,000-7,000

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(b. 1970/71, Logan, UT) “Closing In,” 2014 Oil on board Signed lower right: J. Rich; signed again, titled and dated verso 12” H x 10” W

(1927-2020, Austin, TX) “Scouting the Route” Oil on canvas Signed lower left: Oleg St 21.75 H x 27.5” W

Jason Rich

$1,000-1,500 Exhibitions: Los Angeles, Autry Museum of the American West, “Masters of the American West Fine Art Exhibition and Sale,” February 1 - March 16, 2014

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Oleg Stavrowsky

$2,000-3,000

tavrowsky; signed again and with the copyright symbol and titled verso

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(1939-2019, Bozeman, MT) “War Ponies Crossing the Bighorn,” 1913 Oil on board Signed lower left: Richard D. Thomas; signed again and with the copyright symbol, titled and dated verso 30” H x 20” W

“The Tombstone Trail” Oil on Masonite Signed indistinctly with initials lower left: RES; 27” H x 17” W

Richard D. Thomas

$5,000-7,000 Provenance: Trailside Galleries, Scottsdale, AZ Acquired from the above by the present owner, 2013

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20th Century American

$700-900

Marjorie Jane Reed titled verso

(1915-1996, Vallecito, CA) “Fast Time” Oil on canvas board Signed lower right: Marjorie Reed; signed again and titled on a label affixed verso 9” H x 12” W $1,500-2,000 Provenance: Sold: John Moran Auctioneers, Monrovia, CA, “California and American Paintings,” October 21, 2008, Lot 116

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Robert “Shoofly” Shufelt

(b. 1935, Wickenburg, AZ) “Up and at ‘Em...,” 2011 Graphite on paper under glass Signed, titled and dated lower left Sight: 11.75” H x 15.5” $1,000-2,000

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Robert Farrington Elwell

(1874-1962, Phoenix, AZ) Cowboy being bucked off a horse Ink and touches of white gouache on sturdy Strathmore paper Signed in ink lower right: R Farrington Elwell; inscribed in pencil along the lower sheet edge: “He had a fleeting sensation of desperate uncontrolled flight (P 86 manuscript) Chap XVII;” signed again and inscribed in pencil verso: R. Farrington Elwell / Arivaca, Arizona Image: 27.75” H x 19.25” W; Sheet: 29” H x 23” W $300-500

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Robert Farrington Elwell

(1874-1962, Phoenix, AZ) Three works Bronco buster; Bronco rear quarter view; Bronco in a landscape Each: Ink on paper Each: Signed (the first two lower right; the third lower left): R. Farrington Elwell; the second signed again in pencil verso Sheet of the largest: 23” H x 17” W; Sheet of the smallest: 12” H x 10” W $500-700

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Beatien (Little No Shirt) Yazz

(1928-2012, Arizona) Two works Galloping horses; and Faun in a snowy landscape Each: Etching and drypoint on paper under glass Each: Edition size unknown, signed in pencil, possibly in another hand, in the lower right margin: Beatia[sic]n Yazz; and Beatien Yazz, respectively Plate of the first: 6.75” H x 10.50” W; Plate of the second: 7.5” H x 5.75” W $400-600

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Ray Vinella

(1933-2019, Taos, NM) “A New Mexico Ruin” Oil on canvas Signed and inscribed lower left: R. Vinella / Taos; signed again and titled by the artist on the frame’s cardboard backing 12” H x 24” W $800-1,200

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John William Hilton

(1904-1983, Twentynine Palms, CA) Plowman Oil on canvas Signed lower right: John W Hilton 30” H x 25” W $1,000-1,500 Notes: This lot is accompanied by a framed original cover of the Chicago Sunday Tribune’s “Magazine of Books,” issued April 6, 1947, illustrating Hilton’s “Sonora Sketch Book.”

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(1904-1983, Twentynine Palms, CA) Arizona landscape with buildings, 1946 Oil on canvas Signed and dated lower right: John W Hilton 30” H x 25” W

(1904-1983, Twentynine Palms, “Desert Hideaway,” 1961 Oil on board Signed lower right: John W Hilt 35.5” H x 47.5” W

John William Hilton

$2,500-3,500

John William Hilton

$2,000-3,000

Provenance: Desert Southwest Acquired from the above by a p Stewart Galleries, Palm Springs Acquired from the above by a p Thence by descent to the prese

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

, CA)

ton, dated from one of the gallery invoices that accompany this work

Art Gallery, Palm Desert, CA private collector, 1961 s, CA private collector, 2003 ent owner

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John William Hilton

(1904-1983, Twentynine Palms, CA) Palms with red rock canyon Oil on board Signed lower right: John W. Hilton and with an indistinct inscription below 23.5” H x 35.5” W $1,500-2,500

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Clarence Hinkle

(1880-1960, Santa Barbara, CA) “Ranch at Base of Mountain” Watercolor and graphite on Grumbacher paper under glass Signed lower right: Hinkle, titled on a gum label affixed to the backing paper, blindstamp for Grumbacher paper upper right Sight: 21.75” H x 29.75” W $400-600 Provenance: The Estate of Mabel B. Hinkle Westmont College, Santa Barbara, CA Notes: A scene in Wheeler Canyon near Santa Paula, CA on the ranch of Juliette Gray. Mr. Gray used to paint with Mr. Hinkle.

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Stanley Quentin Johnson

(1939-2017, American) “Eagle Boy,” 1981 Patinated bronze on green marble base Edition 17/37; signed and dated: Stan Johnson / 1981 46.75” H x 34” W x 24” D $1,500-2,000

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Stanley Quentin Johnson

(1939-2017, American) “Taos Navajo Hoop Dancer,” 1975 Patinated bronze on green marble base Signed and date: Stan Johnson / 1975 26.75” H x 21” W x 20” D $2,000-3,000

Stanley Quentin Johnson

(1939-2017, American) “Hopi Buffalo Dancer,” 1979 Patinated bronze on green marble base Edition 8/35; signed and dated: Stan Johnson / 1979 29.75” H x 17” W x 19” D $3,000-5,000

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Stanley Quentin Johnson

(1939-2017, American) “Minitari War Dancer,” 1981 Patinated bronze on green marble base Edition 17/37; signed and dated: Stan Johnson / 1981; titled to base: “Minitari Dancer” / after painting by Carl Bodmer [sic] 33.75” H x 18” W x 28” D $3,000-5,000

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James P. Regimbal

(b. 1949, California) “Peace Maker,” 1997 Cold painted bronze on rotating wood base Edition 59/100 [partially illegible]; signed and dated: Jim Regimbal [copyright symbol] / 1997; titled to sculpture, titled again to plaque 34” H x 20” W x 20” D $2,000-3,000

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David Lemon

(b. 1945, Montana/California) “The Mountain Warrior” Cold painted bronze on rotating wood base Edition 24/35; signed: Lemon [copyright symbol]; titled to plaque 32.5” H x 19” W x 6” D $800-1,200

Harold T. Holden

(b. 1940, Oklahoma) “Chiricahua,” 1990 Patinated bronze on wood base Edition 18/20; signed and dated: HT Holden [copyright symbol] / 1990; titled to plaque 12.25” H x 7.25” W x 7” D $1,000-1,500

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James P. Regimbal

(b. 1949, California) “Equestrian War Chief,” 1988 Cold painted bronze on wood base Edition 45/50; signed and dated: Jim Regimbal [copyright symbol] / 1988; titled to sculpture, titled again to plaque 9” H x 8.5” W x 4” D $400-600

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James P. Regimbal

(b. 1949, California) “The Roper,” 19778 Cold painted bronze on wood base Signed and dated: Jim Regimbal [copyright symbol] / 1978; titled to sculpture, titled again to plaque 16.5” H x 14.5” W x 9” D $800-1,200

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After Carl Kauba

(1865-1922, Austrian) Each signed: C. Kauba Six patinated bronze Native American figures Largest: 7.375” H x 2.625” W x 2.625” D; Smallest: 1.5” H x 5.5” W x3” D $1,500-2,000

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Edgar Samuel Paxson

(1852-1919, Missoula, MT) Profile of a Native American Chief, 1904 Watercolor on paper under glass Signed and dated lower right: E. S. Paxson Sheet: 12.25” H x 10” W $8,000-12,000

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Olaf Wieghorst

(1899-1988, El Cajon, CA) Portrait of a Native American man with red scarf Ink and watercolor on apricot-colored paper under glass Signed with initials and the artist’s device lower center: O-W / 2C Sight: 9.25”H X 8” W $600-800

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Hubert Wackermann

(b. 1945, Rio Rancho, NM) Two works: “Assiniboin - Nakota Women,” 2021 “Uncompahgre Ute - Mother & Child,” 2021 Each: Oil on canvas Each: Signed and with the copyright symbol (lower right on the first, lower left on the second): H F Wackermann; signed and with the copyright symbol again, titled and dated on the canvas verso The first: 9” H x 12” W; The second: 11” H x 14” W $600-800

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100

William Whitaker Jr.

(1943-2018, Provo, UT) “Reflection of a Race,” 1974 Pastel on paper under glass Signed, dated and with the artist’s copyright symbol lower center: William Whitaker; titled on the backing board Sight: 39.5” H x 29.5” W $300-500

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101

Hubert Wackermann

(b. 1945, Rio Rancho, NM) “Ute Campfire,” 2021 Oil on canvas Signed and with the copyright symbol lower left: H F Wackermann; signed and with the copyright symbol again, titled and dated verso 16” H x 20” W $500-700

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102

Eileen Monaghan Whitaker

(1911-2005, La Jolla, CA) “Shopping for Pots” Watercolor on paper under glass Signed lower center: Eileen Monaghan Whitaker, a.w.a.[sic]; titled on a piece of masking tape affixed to the backboard verso Sight: 21.5” H x 13.5” W $700-900 Notes: The “a.w.a.” portion of her signature is most likely a reference to Whitaker’s membership in the American Watercolor Society (AWS).

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103

Sherry L Gribben

(20th Century, California) Native American on horseback in a stream, 1982 Gouache on paper under glass Signed, dated and with the copyright symbol lower right: Sherry L Gribben Sight: 14.25” H x 21.25” W $500-700

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104

Sherri L. Gribben

(20th Century, California) Native American on horseback crossing a stream,1981 Gouache on paper under glass Signed, dated and with the copyright symbol lower left: Sherry L Gribben Sight: 23.25” H x 29.25” W $700-900

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105

106

(b. 1953, California) “Hunkpapa Scout,” 2013 Oil on canvas board Signed lower right: Z. S. Liang, titled on the frame plaque and again on a gallery label affixed to the frame verso 12” H x 9” W

(1927-2020, Austin, TX) “Chief Quanah Parker” Oil on canvas Signed lower left: Oleg Stavrowsky; signed ag symbol and titled verso 24” H x 16” W

Z. S. Liang

$4,000-6,000 Provenance: Trailside Galleries, Jackson, WY Acquired from the above by the present owner, 2013

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Oleg Stavrowsky

$2,000-3,000

gain and with the copyright

107

Richard D. Thomas

(1939-2019, Bozeman, MT) “Shoshone Warrior,” 2013 Oil on board Signed lower right: Richard D. Thomas; signed again, titled and dated verso 12” H x 9” W $700-900

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108

109

(b. 1950, Utah) “The Power of One,” 2009 Oil on board Signed and dated lower right: Solano; signed again, titled and dated verso 12” H x 9” W

(b. 1953, California) “The Scout,” 2012 Oil on canvas board Signed lower right: Z. S. Liang, titled on the frame and again on a gallery label affixed to the frame v 12” H x 9” W

Nathan Solano

Z. S. Liang

$700-900

$4,000-6,000

Exhibitions: “2010 Stampede Western Invitational,” June 24-July 4, 2010, no. 259

Provenance: Trailside Galleries, Jackson, WY Acquired from the above by the present owner, 2

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e plaque verso

110

Joseph Adam Imhof

(1871-1955 Taos, NM) Native American seated on a red textile Watercolor on paper laid to board under glass Signed lower left: J. A. Imhof Sight: 25.25” H x 21.25” W $1,000-2,000

2012

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111

Theodore (Ku-pe-ru) Suina

(b. 1918, New Mexico) “Mountain Sheep Dancers” Oil on canvas board Signed lower right: Ku-pe-ru; signed again and titled verso 9” H x 11.75” W $1,000-1,500

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112

Harrison (Haskay Yahne Yah) Begay

(1914-2012, Gilbert, AZ) Two works Diné youth on a horse; Diné youth on a donkey Each: Gouache on blue-gray paperboard under glass Each: Signed lower left and right: Haskay Yahne Yah / Harrison Begay Each: 14.25” H x 10.75” W $800-1,200

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113

114

(1914/17-2012, Arizona) “Two Young Chanters (Learning to Sing Medicine Songs)” Gouache on paper under glass Signed lower right: Harrison Begay; titled on a paper label affixed to the backboard Sight: 10.25” H x 7.25” W

(1938-1972, Zocho, AZ) Two Diné boys beside a campfire Gouache on black paper under glass Signed lower right: Rober[sic] Chee Sheet: 14.25” H x 19.50” W

Harrison (Haskay Yahne Yah) Begay

$600-800

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Robert Chee

$600-800

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115

Beatien (Little No Shirt) Yazz

(1928-2012, Arizona) Diné ceremonial dance Gouache on black paper under glass Signed lower right: B. Yazz Sight: 9” H x 9” W $300-500

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116

Beatien (Little No Shirt) Yazz (1928-2012, Arizona) Diné ceremonial dance Gouache on board under glass signed lower right: B. Yazz Sight: 16” H x 14.75” W $600-800

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117

Beatien (Little No Shirt) Yazz

(1928-2012, Arizona) Two horses Gouache on paper under glass Signed lower right: Beatia[sic]n Yazz Sight: 9” H x 11.5” W $400-600

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118

Beatien (Little No Shirt) Yazz

(1928-2012, Arizona) Two horses galloping with swallows above Gouache on brown paper under glass Signed lower right: B. Yazz Sheet: 18.5” H x 24” W $1,000-1,500

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119

20th Century Native American

Two works: Two depictions of Diné riders and their horses camping in the wilderness, 1963 Each: Gouache on cardstock under glass Each: Signed, dated and inscribed with the artist’s device lower right: Jadi / 63 Each: 12” H x 11” W $500-700

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120

A Sioux beaded hide ceremonial dress

First half 20th century The hide dress with a polychrome beaded yoke in red, white, green, and yellow with porcupine quill embellished fringe and trade bead tassels 39” L x 36” W $1,000-1,500

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121

A Southern Plains woman’s hide saddle

First-half 20th Century With polychrome painted designs and fringe to pommels 32” H x 17.5” W x 23” D approximately $1,500-2,500

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122

A Northern Plains bison hide parfleche

Second-quarter 20th Century The rawhide container with polychrome painted geometric motifs in orange, blue, yellow, and green 1.5” H x 26” W x 13” D $1,000-2,000

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123

Bob Boomer

(b. 1944, California) Hopi standing figure, 1983 Carved wood and inlaid turquoise on wood base Signed and dated: BB [copyright symbol] / 83 18.375” H x 6” W x 5.25” D $400-600

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124

A Native American trade bead necklace

Fourth-quarter 19th Century Likely Central California Coast origin, with dentalium shells, striped glass trade beads, and English Georgian coins, presented in a contemporary frame 25” L approximately $100-200

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125

A Navajo/Diné silver horse headstall

Fourth-quarter 19th Century With stamped brow band suspending a naja pendant, with various embossed and sandcast elements on a leather strap 27” L x 16” W 900.1 grams gross $1,500-2,000 Provenance: The Estate of Loren Ingraham, Montecito, CA

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126

A Lekeeya carved stone fetish necklace

Second-quarter 20th Century Comprised of twenty-one carved stone fetish animals, carved from mother-of-pear, turquoise, abalone, and onyx with tubular coral bead spacers, with metal clasp 14” L 57 grams $2,000-3,000 Provenance: The McCormick Collection of American Indian Art Sale: the public auction of the McCormick Collection, Phoenix, AZ, March 15-17, 1974, Lot 723, with color illustration in auction catalogue The Estate of Loren Ingraham, Montecito, CA Exhibitions: Gallup, NW, “Intertribal Indian Ceremonial,” 1956 Notes: This lot is accompanied by a Second Place ribbon from the Intertribal Indian Ceremonial dated 1956.

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127

A Leekya style Zuni carved turquoise necklace

Second quarter 20th century Graduated carved turquoise beads, double strung with silver cone tips, coral accents, and a large carved leaf pendant 30” L x 3.25” H $3,000-5,000 Provenance: From a private collection in Las Vegas, NV

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128

129

Mid-20th Century Designed with five graduated turquoise strands connecting to trapezoidal tab links 19” L x 7.50” H

Fourth-quarter 20th Century Appears unmarked Designed as a single strand of wire-strung between polished and sandcast with equin inlaid with turquoise, lapis, spiney oyster, a Overall: 25” L; Bead: 1.5” Dia. 243.5 grams

A Santo Domingo heishi turquoise necklace

$800-1,200

A Southwest silver sandcast beaded

$800-1,200

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necklace

graduated silver beads, alternating ne themes, centering a large bead and opal

130

A Howard Nelson Navajo/Diné pendant necklace

(20th/21st Century, Navajo/Dine) Stamped: Howard [Howard Nelson] / Sterling An oval silver pendant with overlay motif, set with an oval turquoise stone, strung from elaborate silver stamped neck chain, cone and a hook and eye clasp 25” L x 2.75” H 155.5 grams $700-900

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132

A Tommy Jackson Navajo/Diné s necklace

(20th/21st Century, Navajo/Dine) Stamped: Jackson [in fish] / 18K / Ster A silver and yellow gold pendant set w later added chain 21” L x 2.5” W 36.6 grams gross $500-700

131

An Ernest Benally Navajo/Diné sterling silver inlaid necklace (b. 1958, Navajo/Dine) Stamped: E. Benally / [hogan pictograph] / Sterling A graduated sterling beaded necklace with inlaid joiner and circular pendant inlaid with lapis, turquoise, coral, and mother-of-pearl suspending three silver feather drops 22” L x 2.85” H 139 grams $300-500

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silver and 18k gold pendant

rling with an oval turquoise cabochon on a

133

Two Southwest silver pendant necklaces Two pieces

A large and heavy cast spear point pendant Late 20th/early 21st century Marked: BR With feather, floral, and applied turquoise nugget suspended from a feathered chain 21” L x 4” H A large double headed eagle pendant Late 20th/early 21st century Set with turquoise and a silver feather drop 5.5” L 286.9 grams gross $600-800

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134

A Zuni-style reversible pendant

Fourth-quarter 20th Century Stamped: CS [unidentified maker] The single strand of beads supporting a large detachable and reversible pendant with branch coral on one side and standing figure to other side inlaid with mother-of-pearl, coral, onyx, and turquoise (18” L x 3.25” H), 2 pieces 111 grams $300-500

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135

A Jason Livingstone turquoise and sterling silver cross necklace

Stamped: J / Sterling Designed as a four-strand tumbled turquoise bead necklace with detachable silver stamped cross topped with a cabochon turquoise Necklace adjusts: 15-18” L; Cross: 3” H x 2” W Cross: 17.5 grams 2 pieces $300-500

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136

A group of Zuni petit point silver and turquoise jewelry

20th Century Each with petit point designs, comprising a squash blossom necklace (16” L x 1.75” H), a necklace suspending a fringe of drops (14” L x 1.5” H), a necklace set with small round turquoise (14” L x .25” H), a six-split wire cuff bracelet topped with a turquoise ball and dash stones (6.5” C x 1.25” W, wrist opening: 1.25”), a pair of earring drops (1.25” L x .75” W), and one ring (ring size: 8) 138 grams gross 7 pieces $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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137

An early Navajo/Diné squash blossom necklace

First-quarter 20th Century Forty-two single strung Mexican coin beads supporting ten blossoms finished with a sandcast and stamped silver naja Overall: 24.5” L; Naja: 3.5” H x 2.625” W 405.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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The Lore America

As a passionate ste necklaces, concho not only ahead of h four female engine she was also a pion collection to marke American Indian je

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en Ingraham an Indian Jewelry Collection

eward of many remarkable objects, Loren Ingraham amassed early squash blossom belts and a wide variety of Zuni, Navajo and Hopi cuff bracelets. Ingraham was her time in collecting Native American jewelry and accessories, but as one of just eers at General Electric’s jet engine program dubbed “The Slide Rule Sisters,” neer in her professional life. Moran’s is pleased to bring her thoughtfully curated et, at once celebrating Ingraham’s legacy and the intricacy and elegance of ewelry.

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138

A Navajo/Diné squash blossom necklace

First-quarter 20th Century Designed with a double strand of silver beads supporting thirty turquoise-set blossoms finished with a hand wrought turquoise-set naja 24” L x 2” H 177 grams $1,000-1,500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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139

A Navajo/Diné silver and turquoise squash blossom necklace

Second-quarter 20th Century Designed as a double strand with thirty blossoms topped with round turquoise and suspending a turquoise-set naja, stamped box bow design 14.5” L 166 grams $1,000-1,500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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140

A Zuni petit point squash blossom necklace

Mid-20th Century The double strand of silver beads supporting twelve squash blossoms finished with a three part naja, all set with fine needle point turquoise 16” L x 2.5” H 156 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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141

A Navajo/Diné silver and turquoise squash blossom necklace

First-half 20th Century Designed with a single wire strand of silver beads supporting thirty-six blossoms finished with a hand wrought turquoise-set naja 27” L x 2.5” H 144 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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142

A Navajo/Diné silver squash blossom necklace

Mid-20th Century Designed with a double wire strand of silver beads supporting twelve Bisbee turquoise-set blossoms with coiled wire and stamped fly mounts finished with a hand wrought turquoise-set naja 26” L x 4” H 343 grams $1,000-1,500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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143

A Navajo/Diné silver and turquoise squash blossom necklace

First-quarter 20th Century Designed with double strand of silver beads supporting sixteen stamped squash blossoms, each topped with a single tumbled turquoise stone and finished with an eight stone turquoise-set naja 28” L x 2.5” H 305.8 grams $800-1,200 Provenance: The Estate of Loren Ingraham, Montecito, CA

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144

A Navajo/Diné silver and turquoise squash blossom necklace

Mid-20th Century Designed with a double strand of silver beads supporting twelve turquoise set blossoms finished with a turquoise-set naja 24” L x 3” H 171 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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145

146

Necklace stamped: D / Sterling Comprising a two-strand bead squash blossom necklace set with green turquoise suspending a naja (25” L x 3” H), a matching cuff bracelet (6” C x 2” H, wrist opening: .8”), and a matching ring (ring size: 6.25; 1.25” H) 229 grams gross 3 pieces

Mid-20th Century Designed as a double strand o twelve blossoms each topped turquoise with heavy matrix fin naja 26” L x 3” H 381.5 grams

A Delvin John Navajo/Diné squash blossom set

$500-700

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A large squash blossom ne

$600-800

ecklace

of silver beads supporting d with a large tumbled nished with a large stone set

147

A Southwest coral and silver squash blossom necklace

Mid-20th Century Designed as a double-strand of silver beads supporting fourteen squash blossoms, each set with coral and finished with a coral-set naja 27” L x 3” H 274.5 grams $500-700

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148

149

Mid-20th Century Designed with a double strand of silver beads supporting twelve mother-of pearl and coral-set blossoms finished with a mother-of-pearl and coral-set naja 27” L x 3.5” H 246 grams

Mid-20th Century or earlier Designed with a double strand of s turquoise-set blossoms finished wit 24” L x 2.25” H 165 grams

A Navajo/Diné mother-of-pearl and coral squash blossom necklace

A Navajo/Diné silver and turq

$500-700

$600-800

Provenance: The Estate of Loren Ingraham, Montecito, CA

Provenance: The Estate of Loren In

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quoise squash blossom necklace

silver beads supporting twelve th a turquoise-set naja

ngraham, Montecito, CA

150

A Navajo/Diné silver and turquoise squash blossom necklace

Mid-20th Century Designed with double strung silver beads with twelve graduated blossoms set with tumbled turquoise and finished with a turquoise-set naja 26” L x 3” H 279 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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151

152

Mid-20th Century Designed as a double strand of silver beads supporting twelve blossoms topped with feather motif and large turquoise stones within twisted wire bezels, finished with a stone set naja 28” L x 3.5” H 381.6 grams

Mid-20th Century Designed as a triple strand of silv turquoise stones within twisted w 25” L x 4.5” H 466.7 grams

A Navajo/Diné silver and turquoise squash blossom necklace

$500-700

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A large silver and turquoise

$500-700

squash blossom necklace

ver beads supporting ten blossoms set with wire frames, finished with a large stone set naja

153

A Southwestern silver and turquoise squash blossom necklace Mid-20th Century Strung on two rows of silver beads supporting twelve turquoise-set square blossoms and finished a stone-set naja 24” L x 3” H 222 grams $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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154

A Southwest-style sandcast squash blossom necklace

Mid-20th Century or earlier Designed with a single wire strand of fourteen blossoms, finished with a silver nana, all sandcast 24” L x 2” H 95.5 grams $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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155

A Navajo/Diné silver and turquoise squash blossom necklace Second quarter 20th century Naja marked: Sterling

Designed with single strand of silver beads supporting twelve silver blossoms finished with a turquoise set naja 26” L x 2.5” H 200 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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156

A Navajo/Diné squash blossom necklace

Mid-20th Century Designed as a double strand of silver beads supporting ten blossoms each topped with a single tumbled turquoise stone, finished with a stone set naja 25” L x 2.25” H 252 grams $500-700

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157

A dyed green turquoise and sterling silver squash blossom necklace

Marked: RP / Sterling Designed as a double-strand of silver beads supporting ten squash blossoms set with dyed green turquoise and finished with a matching stone-set naja 25” L x 3.5” H 249 grams $400-600

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158

Three Southwest silver necklaces

First-half 20th Century Comprising a single strand silver bead necklace with four sandcast birds and sixty-four beads (13” L x 1.5” H), a necklace with cast bird pendant (16” Lx 2.5” H), and a necklace with paperclip chain and simple silver naja (26” L x 3.25” H) 249 grams gross 3 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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159

Three Southwest necklaces

Mid-20th Century or earlier Comprising a graduated single strand necklace with heishi and turquoise beads with silver points (20” L), a squash blossom necklace with a double strand of beads supporting blossoms and finished with silver sandcast naja (23” L), and a Zuni-style fetish necklace with twenty-five carved frogs and a central turquoise drop (24” L) Silver necklace: 94 grams 3 pieces $400-600

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160

Lee Epperson

(b. 1935, Cherokee) A coral, turquoise, and lapis-mounted sterling silver miniature lidded pot on a black marble stand Signed, dated, and numbered: LEE / Sterling / 93 / 1-25 4.75” H x 3.5” Dia. 598.2 grams $600-800

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161

A Hopi silver presentation dagger/letter opener

Fourth-quarter 20th Century Marked illegibly to verso, not marked for metal content The silver toned metal dagger with figurative Hopi handle, inlaid stone face with turquoise, lapis lazuli, and coral, and feathered arrowhead-style blade atop a custom turquoise-set wood stand, 2 pieces Dagger: 8.125” H x 1.875” W x .875” D; With stand: 9” H x 4.5” Dia. 378.8 grams gross $300-500

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162

A Harry Sakyesva Hopi silver box

(1922-1969, Hopi) Marked: Sakyesva [with artist’s ciphers] Centering a Hopi face emblem and applied corners with a hinged lid 2.75” L x 3.75” W x 1” H 150 grams $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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163

A Frank Patania sterling silver presentation box

Mid-20th Century Marked: [Frank Patania’s thunderbird cipher] / Sterling; Monogrammed: H.V.L. / September 29th, 1917-1942 The rectangular sterling silver presentation box with the top and sides signed with husband and wife signatures, including: Evalyn N. Woods, Lois E. Woods, John H. Russell, Mabel H. Russell, Clyde H. Hartsel, Dottie Hartsel, Donald Curtis, Francis Curtis, Gilder D. Jackson Jr., Vesto Elioh Jackson, Ida Walker, J. T. Walker, among other husband and wife combos 1.625” H x 6.75” W x 3.25” D 12.415 oz. troy approximately $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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165

An assembled group of Navajo/Diné silver items Three groupings

A pair of weighted sterling silver vessels/candle holders Fourth-quarter 20th Century Marked: Don Platero / Sterling Each with decoratively stamped rims, one with applied Kokopelli figure, 2 pieces Each: 1” H x 3” Dia. A group of diminutive silver items Fourth-quarter 20th Century Unmarked Comprising two miniature silver canteens, an embossed silver pill box, and a silver and turquoise-set silver thimble, 4 pieces Largest: 3” H x 2” W x 1.75” D; Smallest: .125” H x1.125” W x 1” D A sterling silver miniature tea set with water pitcher and seed pot Fourth-quarter 20th Century Tea set and pitcher marked: E.M.W. [Elizabeth Whitman]; Vase marked illegibly Comprising a turquoise-set teapot, creamer, and sugar bowl on an oblong tray, two cups and saucers with spoons, a handled pitcher, and a low seed pot, 12 pieces Pitcher: 1.5” H x 1” Dia.; Spoons: .5” L approximately 18 pieces total 81.7 grams gross approximately $600-800

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164

Four Navajo/Diné silver table utensils

20th Century One marked: Sterling; One inscribed: Meua Set With various geometric patterns, two set with turquoise, comprising three spoons and a serving fork, 4 pieces Largest: 8.375”; Smallest: 7” 5.46 oz. troy approximately $300-500

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166

A group of contemporary carved wood vases Five works

Nathan Hart (Late 20th/early 21st Century, Cheyenne) A carved hackberry vase with square opening, 2007 Signed: Nathan Hart / Masur Birtch / Feb 2007 5.5” H x 5.5” Dia. Nathan Hart (Late 20th/early 21st Century, Cheyenne) A carved masur birch vase, 2004 Signed: Nathan Hart / Masur Birtch / Feb 2004 4” H x 5” Dia. John Dickinson (Late 20th/early 21st Century, American) A madrone burl vase with myrtle foot and ebony rim, 2002 Signed and dated: John Dickinson / 2002 5” H x 6.5” Dia. John Dodge Mayer (Late 20th/early 21st Century, American) An Ash-leaved maple vase with wide shoulder Signed: John Dodge Meyer/ Ash-leaved maple / 91235 4” H x 8.25” Dia. John Dodge Mayer (Late 20th/early 21st Century, American) “Tornado Logic #22” Carved spalted sugarberry wood Signed: John Dodge Meyer / spalted sugarberry / 91496; further titled 7” H x 7” Dia. $700-900

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167

Bud Boller

(1928-2012, American) “Brother,” 1973 Cast sterling silver Edition 4/50; signed and dated: Bud Boller [copyright symbol] / 1973; titled to sculpture; further marked: STER 7” H x 7” W x 5” D 66.13 oz. troy approximately $2,000-3,000

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168

Donald Polland

(1932-2003, California) “When Enemies Meet,” 1959 Cast sterling silver Edition of 30 [illegible edition number]; signed and dated: Polland [copyright symbol] / 59; titled to base; further marked: STER SLR / Sterling/ Weston / W [with crown] 3.25” H x 5” W x 3.25” D 20.64 oz. troy approximately $400-600

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169

Donald Polland

(1932-2003, California) “The Lost Dispatch,” 1969 Cast sterling silver Edition 5/50; signed and dated: Polland [copyright symbol] / 69; titled to base; further marked: STER / Sterling / Weston / W [with crown] 4.5” H x 5.25” W x 3.375” D 29.615 oz. troy approximately $400-600

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170

171

(1932-2003, California) “Blowin’ Cold,” 1969 Cast sterling silver Edition 17/30; signed and dated: Polland [copyright symbol] / 69; titled to base; further marked: STER / STER / Sterling; engraved to underside: Weston 3.5” H x 3.5” W x 3.375” D 14.865 oz. troy approximately

(1932-20 “Prongho Cast sterl Edition 6/ Sterling / 33.905 oz

Donald Polland

$250-350

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Donald

$500-700

Polland

003, California) orns,” 1970 ling silver /50; signed and dated: Polland [copyright symbol] / -70 / 8; titled to base; further marked: STER / STER / / Weston; further marked to underside: Weston / 11-3-72 / 677.1 2.75” H x 6.125” W x 4.25” D z. troy approximately

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172

Donald Polland

(1932-2003, California) “Busted,” 1969 Cast sterling silver Edition 6/50; signed and dated: Polland [copyright symbol] / 69; titled to base; further marked: STER / Sterling/ Weston / W [with crown] 3.875” H x 6.5” W x 3.5” D 27.4 oz. troy approximately $400-600

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173

Donald Polland

(1932-2003, California) “Wanted,” 1970 Cast sterling silver Edition 3/4; signed and dated: Polland [copyright symbol] / -70; titled on sculpture; further marked: STER / STER / Sterling / Weston / W [crown symbol] 4.5” H x 3.75” W x 3.25” D 19.05 oz. troy approximately $300-500

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174

Donald Polland

(1932-2003, California) Three works “Coffee Time,” 1970 Cast silver, possibly sterling (unmarked) Edition of 50; signed and dated: Polland [copyright symbol] / -70 / 8; titled to base 3.25” H x 4.875” W x 4.125” D 20.175 oz. troy approximately “Start Prayin,” 1969 Cast silver, possibly sterling (unmarked) Edition of 50; signed and dated: Polland [copyright symbol] / 69; titled to base 4” H x 6.25” W x 4.5” D 31.795 oz. troy approximately “Indian Beef,” 1969 Cast silver, possibly sterling (unmarked) Edition of 30; signed and dated: Polland [copyright symbol] / 69; titled to base 3.125” H x 4” W x 2.125” D 14.64 oz. troy approximately $800-1,200

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175

Donald Polland

(1932-2003, California) “Trail Hazard,” 1969 Cast sterling silver on wood base Edition 8/30; signed and dated: Polland [copyright symbol] / 1969; titled to base; further marked: STER / STER 3.25” H x 5” W x 4” D 54.645 gross oz. troy approximately $300-500

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176

Donald Polland

(1932-2003, California) Fighting deer, 1971 Cast sterling silver Edition 6/10; signed and dated: Polland [copyright symbol] / 71; further marked: STER / STER / Sterling / Weston / W [with crown] 2.25” H x 6.25” W x 3” D 17.285 oz. troy approximately $200-400

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177

Donald Polland

(1932-2003, California) “King-O-The Hill,” 1970 Cast sterling silver Edition of 50; signed and dated: Polland [copyright symbol] / 70 / 8; titled to base; further marked: Sterling / Weston / W [crown symbol] 2.5” H x 3.5” W x 2.625” D 13.12 oz. troy approximately $300-500

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178

Donald Polland

(1932-2003, California) “He Aint No Keg O’Nails,” 1969 Patinated bronze on wood base Foundry proof in edition of 50; signed and dated: Polland [copyright symbol] / 69; titled to base; inscribed to underside: Casting by Butch & Skip in Santa Monica 5.25” H x 13.5” W x 6.5” D $400-600

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180

Earl Eder

(b.1944, Montana) “Evening Catch,” 1982 Marble Signed and dated: E. Eder / SF N artist’s cipher; titled to plaque 6.5” H x 4.5” W x 8.5” D

179

Oreland C Joe

(b. 1958, Diné) Diné Warrior, 2012 Carved Utah alabaster on marble base Signed: O.C. Joe / CA [Cowboy Artists of America] / [copyright symbol] / ‘12 14.75” H x 10.5” W x 6.5” D

$300-500

$2,000-3,000

Notes: This lot is accompanied b Cristof’s, Santa Fe, NM, dated M

Notes: The Cowboy Artists of America is an exclusive organization of artists that was founded in 1965 by four prominent western artists, Joe Beeler, Charlie Dye, John Hampton and George Phippen.

Provenance: Sale: Cristof’s, Sant Acquired from the above by the

182

Robert Dale Tsosie

(b. 1960, Navajo/Dine) Buffalo Patinated and polished bronze on wood base Signed: R.D. Tsosie 5.5” H x 9” W x 2.875” D $500-700 Provenance: Acquired by the present owner from the Heard Indian Market, Phoenix, AZ

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N.M. / 1982; further signed with

ta Fe, NM, May 27, 1983 e present owner

181

Fran Jenkins

(b. 1933, Canadian) Bear Carved stone Signed: Fran Jenkins / G 92 16” H x 11.5” W x 18” D $600-800 Notes: This sculpture weighs approximately 150 lbs.

by a copy of the receipt of sale from May 27, 1983.

183

Tim Shinabarger

(b. 1966, Montana) “Cracker Jack,” 2010 Patinated bronze Edition 32/35; signed and dated: Shinabarger [copyright symbol] / ‘10; titled to plaque on underside, further marked to plaque: Foundry Art Casting of Montana / 2013 14.125” H x 11.25” W x 7” W $2,000-3,000

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184

Eli Harvey

(1860-1957, American) Standing bear on ball, 1898 Patinated bronze on marble base Signed and dated: Eli Harvey [copyright symbol] / ‘98 12” H x 3” W x 4.25” D $800-1,200

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185

John Scott

(b.1919, South Dakota) “Old Glue Foot,” 1974 Patinated bronze on wood base Edition 17/50; signed and dated: John Scott [copyright symbol and artist’s cipher] / 74 13.5” H x 6” W x 5” D $400-600

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186

John Scott

(b.1919, South Dakota) “Disputed Moose Wallow,” 1975 Patinated bronze on wood base Edition 25/50; signed and dated: John Scott [copyright symbol and artist’s cipher] / 75 8.125” H x 15.5” W x 9” D $400-600

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187

Alexander Phimister Proctor

(1860-1950, American) Buffalo, 1890 Patinated bronze Edition 4/36; signed and dated: A. Phimister Proctor / 1890; further marked: [copyright symbol] Nona Proctor Church 1973 11.5” H x 15.5” W x 8.5” D $2,500-3,500

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188

A group of Zuni carved fetish figures

Fourth-quarter 20th Century One signed: J. Shetima / Zuni / 91; One signed: C.P. / 8-18-95; One signed: EDL [Ed Lementino] / 95 Comprising thirteen fetish figures in a variety of forms and sizes, carved from turquoise, antler, bone, and other stones with inlaid coral, turquoise, and malachite, 13 pieces Largest: 4.25” H x 2” W x 1.875” D; Smallest: 1.375” H x .375” Dia. $200-300

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189

A group of Zuni carved stone and pottery fetish figures

Late 20th/early 21st Century Variously signed Comprising fifteen fetish figures in carved stone, carved fossil, and pottery, consisting of turtles, bears, foxes, wolves, a bison, and a cat, artists include: Ron Laahty, Lorinda Sheche, Lena Boone, Andrew and Laura Quam, Roselle Shack, Weahkee, Terry Tapia, and Little Bear, 15 pieces Largest: 1.5” H x 3.75” L; Smallest: 1” H x 1.5” L $400-600 Notes: This lot is accompanied by a certificate of authenticity for the Ron Laahty and Lorinda Sheche and a recipt of sale for the Lena Boone, dated March 1, 2003.

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190

A group of Zuni carved stone fetish figures

Late 20th/early 21st century Variously signed Comprising fourteen carved stone fetish figures in labradorite, lapis lazuli, onyx and other stones, two with feather accents, consisting of bears, foxes, and wolves, artists include: Lena Boone, Aaron and Thelma Sheche, RL, and JQ, 14 pieces Largest: 1.5” H x 4.375” W x .625” D; Smallest: 1” H x 2” W x .375” D $400-600 Notes: This lot is accompanied by a certificate of authenticity for the Aaron and Thelma Sheche and two Lena Boone’s.

192

A group of Zuni carved stone fetish bears

Second-half 20th Century Variously signed Comprising eighteen fetish bears carved in a variety of stones consisting of malachite, onyx, turquoise, and other stones with inlaid stone, applied stone, and feather accents, artists include: Stewart Quandelacy, Ervin Toledo, Melissa Quam, Alex Tsethlikai, Juana Homer, Jimmy Yewikie, and Delvin Leekya, 18 pieces Largest: 3” H x 4.25” W x 1.75” D; Smallest: 1.375” H x 2.25” W x .625’ D $200-300

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191

A group of Zuni carved stone fetish figures

Second-half 20th Century Five variously signed Comprising nineteen fetish figures in a variety of animal forms, consisting of foxes, bears, eagles, frogs, and otters carved from turquoise, onyx, jet, and other stones, artists include: Boone, HH, J. Natewa, RH, 19 pieces Largest: 1.625” H x 6” W x 1” D; Smallest: .5” H x 1.5” W x .75” D $200-300

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193

Anita Fields

(b. 1971, Osage/Muscogee) Stele, 2005 Clay Signed and dated to underside: Anita Fields / 05 13.5” H x 8” W x 4” D $300-500 Provenance: Purchased at the Santa Fe Indian Market, 2004 Notes: Anita Fields is a 2021 National Endowment for the Arts Fellowship winner. “Much of the work I create reflects the early Osage notions of duality, such as earth and sky, male and female. We live in a time where there is a disconnect from the natural world with little regard to the importance of our environment. By articulating the concepts of balance and the symbiotic relationships found throughout life and nature, I hope to deepen our understanding of the intersection of all living things. “ -Anita Fields

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194

A Donna Tafoya-Gutierrez Santa Clara Pueblo blackware wedding vessel

20th/21st Century, Santa Clara Pueblo) Signed: Donna Tafoya-Gutierrez / Santa Clara Pueblo The double-spouted blackware vessel with carved Avanyu serpent motif and twisted handle 10.5” H x 8.5” W x 6.25” D $300-500

195

A group of Santa Clara and San Ildefonso blackware pottery

Three works Anita Louise Suazo (b. 1937, Santa Clara Pueblo) Carved blackware pottery vase in melon form and matt band to waist Signed: Anita L Suazo / Santa Clara Pueblo 3.75” H x 5” Dia. Glenda Naranjo (b. 1953, Santa Clara Pueblo) Carved blackware pottery vase with feathered rim and anavyu serpent to waist Signed: Glenda Naranjo/ Santa Clara Pueblo 4.5” H x 5.5” Dia. Carmelita Dunlap (1925-1999, San Ildefonso Pueblo) Carved black on black pottery vase Signed: Carmelita Dunlap/ San Ildefonso Pueblo / [with original Heard Museum retail label] 4.5” H x 5” Dia. $500-700

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196

A Dextra Quotskuyva Nampeyo Hopi-Tewa pottery vase

(b. 1928, Hopi-Tewa) Signed: Dextra [with artist’s corn cipher] The small vase with pinched neck and flared rim decorated with polychrome hummingbird motif on a buff burnished slip glaze 3.5” H x 4.25” Dia. $500-700

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197

A Priscilla Namingha Nampeyo Hopi-Tewa pottery vase

(1924-2008, Hopi-Tewa) Signed: Priscilla Namingha Nampeyo The wide shouldered vase with polychrome geometric and avian motifs on burnished slip glaze 6.5” H x 10.5” Dia. $400-600

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198

A Dolly Joy Navasie Hopi pottery wedding vessel

(b. 1964, Hopi) Signed: White Swann [with artist’s swan cipher] / L. CHZ. The large double-spouted wedding vase with polychrome avian motifs on a buff burnished slip glaze 18” H x 11” Dia. $400-600 Exhibitions: Inter-Tribal Indian Ceremonial, Gallup, NM, 1986, Second prize ribbon attached

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199

A large Karen Kahe Charley Hopi kachina canteen

(20th/21st Century, Hopi) Signed: KC [with artist’s butterfly cipher] The large, handled canteen with polychrome Palhik Mana and geometric motifs on a buff burnished slip glaze 14.5” H x 15” W x 8” D $300-500

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200

A Loren Ami Hopi polychrome pottery seed pot

(1968-2020, Hopi) Signed: Loren Ami [with artist’s spider cipher] The wide shouldered seed pot with polychrome avian motif on buff burnished slip glaze 4.25” H x 7.5” Dia. $300-500

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201

A Steve Lucas Hopi-Tewa pottery seed pot

(b. 1955, Hopi-Tewa) Signed: S. Lucas [with two artist’s cyphers] The low seed pot with polychrome geometric motifs on a buff burnished slip glaze 3.5” H x 8” Dia. $600-800

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202

Two Nona Naha Hopi pottery seed pots

(20th/21st Century, Hopi) Each signed: Nona Naha [with artist’s corn cipher] Each with polychrome designs on a burnished buff slip glaze, comprising a flat-toped seed jar with star and avian motif (3.25” H x 7.25” Dia.) and a bulbous vase with alternating Hopi Palhik Mana headdress and corn motifs (3.25” H x 4.5” Dia.). 2 pieces $200-300

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203

A Diannah Tahbo Hopi-Tewa pottery seed pot

(1941-2011, Hopi-Tewa) Signed: Dianna Tahbo / Tewa / Hopi / ‘92 With monochromatic avian motif on a buff burnished slip glaze 3.75” H x 6.75” Dia. $200-400

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204

Two Karen Abeita polychrome jars

(20th/21st Century, Hopi-Tewa/Isleta Pueblo) Each signed: Karen Abeita Each with polychrome designs on a buff burnished slip glaze, one with an avian motif (2.5” H x 4.875” Dia.) and one with an all over geometric motif (3” H x 5” Dia.), 2 pieces $400-600

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205

A Fannie Nampeyo Hopi polychrome pottery bowl

(1900-1987, Hopi) Signed: Fannie Nampeyo Circa second-quarter 20th century, the low bowl with polychrome geometric motifs on a buff burnished slip glaze 2.5” H x 5.25” Dia. $300-500

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206

207

(b. 1961, Hopi) Signed: Rayvin Nampeyo [with artist’s corn cipher] The wide shouldered jar with polychrome geometric motifs on a buff burnished slip glaze 4.5” H x 7.5” Dia.

(b. 1961, Hopi) One signed: Dawn Navasie; O Each with polychrome design shoulder (5” H x 8” Dia.) and

A Rayvin Nampeyo Hopi polychrome pottery jar

$300-500

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Two Dawn Navasie Hopi p

$300-500

pottery jars

One signed: Dawn ns on a buff burnished slip glaze, comprising a flared rim jar with avian motif to smaller jar with pictorial motif to wide shoulder (3.125” H x 5.75” Dia.), 2 pieces

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208

209

Second-quarter 20th Century or later With trading post sticker affixed to underside: Painted Desert / Holbrook, Ariz. The polychrome figural portrait vase with geometric designs 5” H x 6” W

Three works

A Hopi pottery effigy vase

$300-500

A group of Jemez and Hopi polychrome pottery

Karen Kahe Charley, Hopi (20th/21st Century, Hopi) A flat-shouldered seed pot with polychrome geometric m Signed: KC [with artist’s butterfly cipher] 3.5” H x 6.5” Dia.

Gloria Kahe (b. 1951, Hopi) A seed pot with polychrome geometric motifs to burnish Signed: G. Kahe 4.5” H x 7” Dia. Roberta Shendo (20th/21st Century, Jemez) A wide-mouthed vase with polychrome geometric band Signed: Roberta Shendo / Jemez, NM 5” H x 6.25” Dia. $400-600

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motifs to burnished slip glaze

hed slip glaze

to waist on burnished slip glaze

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210

A Joy Navasie, Second Frog Woman, Hopi-Tewa pottery wedding pot

(1919-2012, Hopi-Tewa) Signed with artist’s frog cipher The double-spouted white ware pottery wedding pot with polychrome geometric motifs on white burnished slip glaze 7.5” H x 4.5” W x 4” D $500-700

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211

A Joy Navasie, Second Frog Woman, Hopi-Tewa pottery jar (1919-2012, Hopi-Tewa) Signed with artist’s frog cipher The tapered, bell-form white ware pottery vase with two bands of polychrome geometric motifs on white burnished slip glaze 7” H x 7.5” Dia. $600-900

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212

A Joy Navasie, Second Frog Woman, Hopi-Tewa pottery vase

(1919-2012, Hopi-Tewa) Signed with artist’s frog cipher The slightly tapered, cylindrical white ware pottery vase with a large band of polychrome avian motifs on white burnished slip glaze 4.5” H x 3.75” Dia. $200-300

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213

A Joy Navasie, Second Frog Woman, Hopi-Tewa pottery vessel (1919-2012, Hopi-Tewa) Signed with artist’s frog cipher The white ware pottery bowl with a large band of polychrome geometric motifs on white burnished slip glaze 3.75” H x 5.875” Dia. $400-600

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214

Five Irma David Hopi polychrome pottery vessels

(20th Century, Hopi) Each signed: I. David Circa mid-20th century, each in a bulbous form with polychrome geometric motifs on a white burnished slip glaze, one further detailed with a split and decorated rim, 5 pieces Largest: 5.25” H x 6.5” Dia.; Smallest: 4” H x 5” Dia. $400-600

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215

A group of Pueblo pottery owls

Mid-20th Century Four signed for Nellie Bica Comprising Acoma and Zuni zoomorphic pottery owls with polychrome decorations, 10 pieces Largest: 9” H x 7.25” W x 6.5” D; Smallest: 2.5” H x 3.5” W x 2.25” D $500-700

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216

A group of Southwest Native American pottery vases Three works

Berleen Estevan (b. 1975, Acoma) An Acoma polychrome vase with all-over Southwest animal motif Signed: B. Estevan / Acoma New Mexico 3” H x 4.5” Dia. Bernadette Poleahla (20th/21st Century, Hopi) A small seed pot with polychrome geometric motifs to shoulder Signed: B. Poleahla / [artist’s cypher] 3.5” H x 4.75” Dia. Darin Victorino (20th/21st Century, Acoma) A small polychrome vase with avian motifs Signed: D. Victorino / [artist’s pueblo cypher] / Acoma 3.75” H x 4.75” Dia. $300-500

218

Three Sylvia Naha miniature Hopi-Tewa pottery jars (1951-1999, Hopi-Tewa) Each signed with artist’s feather cipher and “S” Each with polychrome designs on a white burnished slip glaze, two with lizard motifs and one with a complex all-over geometric motif, 3 pieces Largest: 2.75” H x 2.5” Dia.; Smallest:1” H x 2.125” Dia. $500-700

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217

A group of miniature Pueblo pottery vessels

Fourth-quarter 20th Century Variously signed Comprising six seed pots and two vases of varying forms, with polychrome and monochrome geometric and figurative motifs on buff and white burnished slip glaze, makers include: J. Lewis, Acoma; Becky Pasquale, Acoma; Bernadine J. Garcia, Acoma; D. Garcia, Acoma; D. (Diane) Lewis, Acoma; C.R. (Cynthia) Sequi, Komalestewa; and Melda Nampeyo, Hopi, 8 pieces Largest: 2” H x 5.5” Dia.; Smallest: 1.5” H x 2.25” Dia. $400-600 w w w. j o h n m o r a n . c o m 2 3 7

219

A group of miniature Pueblo sgraffito pottery vessels

Late 20th/early 21st Century Variously signed Each variously designed with geometric and organic motifs, comprising three Glendora Fragua (b.1958, Jemez) polychrome vessels with inset turquoise and coral, a Melvin Moquino (Santa Clara Pueblo) blackware seed pot with inlaid turquoise, a Bernice Moquino (Santa Clara Pueblo) blackware seed pot with inlaid turquoise, an Adrian and Madeline Garcia (Santa Clara Pueblo) seed pot with inlaid coral and turquoise, and two egg-shaped seed pots (one signed “Debra” and one signed “SCP” with mountain), 8 pieces Largest: 2.5” H x 2.75” Dia.; Smallest: 1.625” H x 1.625” Dia. $400-600

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220

Six Lawrence Namoki Hopi pottery seed jars

(b. 1949, Hopi) Each signed: Lawrence Namoki / Hopi; Each further titled Each polychrome egg-shaped seed pot with elaborate carved figurative motifs, 6 pieces Largest: 3” H x 3” Dia.; Smallest: 2” H x 2.25” Dia. $400-600

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221

A group of miniature Southwest pottery vessels

Mid-20th Century Variously signed Eighteen miniature vessels from Acoma, San Ildefonso, comprising four low bowls, a wedding vessel, three seed pots, a storyteller figure, and other vases by various artists, including: Norma Holez; Dorothy Torivio, Acoma; D. Lewis, Acoma; N. Garcia, Acoma; M. Garcia; D. Reano, Acoma; C. Garcia, Acoma; Alberta Analla, Acoma; and others, 18 pieces Largest: 2” H x 1.75” Dia.; Smallest: .75” H x .75” Dia. $300-500

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222

A group of miniature Acoma pottery vessels

20th Century Variously signed Comprising variously shaped vessels with polychrome and monochrome geometric motifs on white slip glaze, makers include: J. Lucario, Dorothy Sanchez, L. Concho, and C. Chino, 16 pieces Largest: 5.5” H x 4.25” W x 3.125” D; Smallest: 1.25” H x 1.625” Dia. $500-700

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223

A Maricopa/Pima pottery canteen

Mid-20th Century The circular form canteen with black and red spiral and lizard motifs wrapped with a natural fiber cord 7” H x 5.75” W x 1.5” D $300-500

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224

A Navajo/Diné ketoh bow guard

Fourth-quarter 19th Century Topped with a silver repousse plaque with stamped designs and set with a Cerrillos turquoise stone on original brown leather strap Plaque: 3.4” H x 2.75” W 114 grams $1,000-1,500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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225

A Dan A. Jackson Navajo/Diné ketoh bow guard

(20th/21st Century, Navajo/Dine) Stamped: D. A. Jackson Centering a silver plaque with high relief inlaid geometric pattern set with a large #8 turquoise stone, mounted on a soft leather band with leather ties 4” H x 2.5” W 209 grams $500-700

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226

A Zuni silver and petit point turquoise ketoh arm guard

Mid-20th Century A central panel set with tear drop turquoise petit point turquoise in six rows with flanking side panels and stamped edges all mounted to a newer dark brown leather strap Central plaque: 3” H x 2.75” W 110.7 grams $400-600

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227

A silver and turquoise ketoh bow guard

Second-half 20th Century The central plaque with sandcast and stamped blanket motif and an oval turquoise stone flanked by silver overlay and stamped side panels set to a wide dark brown leather band Central plaque: 3” H x 2” W 146.6 grams $400-600

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228

A Navajo/Diné silver and turquoise ketoh arm guard

Second-half 20th Century Stamped: HR. B / Sterling A sandcast silver plaque set with a rectangular turquoise central stone, further stamped with stylized figures, all mounted to a black leather strap with leather ties Plaque: 3.1” H x 2.25” W 97.6 grams $300-500

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229

A Navajo/Diné silver and turquoise ketoh arm guard

Mid-20th Century A large panel with chiseled and stamped motifs set with a large central turquoise stone all mounted to a soft black leather strap Plaque: 4” H x 3” W 119 grams $400-600 Notes: Central plaque not removed from leather backing to identify if it is marked for the maker or silver purity.

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230

A silver and turquoise ketoh arm guard

Mid-20th Century or later Appears unmarked Centering a rectangular repousse stamped plaque topped with a single tumbled turquoise attached to a newer leather wrist band with straps 3” H x 2.25” W 147. 6 grams $300-500

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231

A Navajo/Diné silver and turquoise ketoh bow guard

Mid-20th Century A large stamped plaque centrally set with an oval turquoise stone mounted to a dark brown strap with leather ties Plaque: 3.85” H x 2.5” W 93 grams $400-600 Notes: Central plaque not removed from leather backing to identify if it is marked for the maker or silver purity.

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232

A Navajo/Diné sandcast silver and turquoise ketoh arm guard

Mid-20th Century An X-form casting set with a larger central turquoise stone and eight smaller stones, all mounted to a black leather strap with leather ties Plaque: 3” H x 2.25” W 116 grams $300-500 Notes: Central plaque not removed from leather backing to identify if it is marked for the maker or silver purity.

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234

A Navajo/Diné silver and turqu

Mid-20th Century Marked illegibly to underside; Furth A large sandcast plaque set with an further stamped rope motif and fou to each side, all mounted to a black Plaque: 3.5” H x 2” W 150.4 grams $400-600

233

A Navajo/Diné silver ketoh bow guard

Mid-20th Century A large X-form silver plaque with flanking panels of US Mercury dimes all tightly attached to a black leather strap with leather ties Plaque: 4.25” H x 3” W Plaque: 4.25” H x 3” W 190 grams $400-600 Notes: Central plaque not removed from leather backing to identify if it is marked for the maker or silver purity.

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uoise ketoh arm guard

her marked: Sterling n elongated oval turquoise stone, ur flanking small concho-style buttons k leather strap with leather ties

235

A Navajo/Diné silver and turquoise ketoh bow guard

Mid-20th Century A large silver plaque with an X-form motif set with five turquoise stones and stamping all flanked by side panels of five small concho-style buttons Plaque: 4.25” H x 3” W 177.4 grams $400-600 Notes: Central plaque not removed from leather backing to identify if it is marked for the maker or silver purity. Attached tag reads: Griswold/ #273340

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236

A Navajo/Diné silver and turquoise ketoh arm guard

Second-quarter 20th Century A central panel set with a larger central turquoise stone and surrounded by sixteen smaller turquoise stones all surrounded by stamp work flanked by smaller, non-matching silver-toned buttons to sides all mounted to a soft black leather strap and leather ties Plaque: 3.5” H x 2.25” W 109 grams $300-500 Notes: Central plaque not removed from leather backing to identify if it is marked for the maker or silver purity. An attached tag reads: Griswold #318184

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237

A Navajo/Diné silver and turquoise ketoh bow guard

Mid-20th Century A large central plaque with deep stamping and a large oval turquoise stone, all flanked by feathered silver elements to each side, all mounted to a thick brown leather strap with leather ties Central plaque: 3.5” H x 2.25” W 199.7 grams $400-600 Notes: Central plaque not removed from leather backing to identify if it is marked for the maker or silver purity.

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238

A Don Dewa Zuni inlaid spinner cuff

Fourth-quarter 20th Century Stamped: Don C. Dewa / Zuni, NM / Sterling Designed as a gemstone inlaid silver cuff set with spiney oyster, turquoise, onyx, mother-of-pearl, and malachite centering a spinning element an inlaid Zuni mask and a cabochon turquoise 7” C x 1.25” W, wrist opening: 1.35” 90 grams $500-700

240

A Zuni-style channel inlaid cuff bracelet

Late 20th/early 21st Century Stamped: CB [with copyright symbol] / Sterling Sandcast cuff with positive and negative stepped motif to sides and a turquoise, coral, and spiny oyster channel inlay, interior of cuff has an elaborate stamped motif 7” C x .75” H, wrist opening: .75” 75.3 grams $300-500

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239

A Zuni-style inlaid silver cuff bracelet

Late 20th/early 21st Century Stamped: JF / Sterling Designed with an inlaid channel centering on a raised abstract foliate element set with lapis, turquoise, onyx, and coral, further embellished with interior stamping 6.5” C x 1” W x .75” H, wrist opening: 1” 88.7 grams $400-600

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241

A Calvin Martinez Navajo/Diné silver and coral cuff bracelet Mid-20th Century Stamped: C. MTZ [within an arrow head] A finely detailed silver cuff set with a shadowbox oval cabochon coral 6.5” C x 1.85” W, wrist opening: 1.5” 102 grams $300-500

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242

A Thomas Singer Navajo/Diné silver and turquoise cuff bracelet

(1940-2014, Navajo/Dine) Worn stamps for Thomas Singer with partial sterling mark A tuffa cast cuff with a stepped and banded motif set with a large turquoise stone 6” C x 1.5” W, wrist opening: 1.1” 95 grams $300-500

243

A Dan A. Jackson Navajo/Diné silver sandcast cuff bracelet Fourth-quarter 20th Century Stamped: D.A. Jackson [with artist’s hogan cipher] With a large central band with textile motif 7” C X 1.25” W, wrist opening: 1.25” 110 grams $300-500

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244

A Ronnie Willie

Stamped: Ronnie Topped with a car with polished cros 7” C x 1.5” W, wr 90.52 grams $600-800

246

A Zuni turquoise and silver cuff bracelet

Second-quarter 20th Century Designed with three stamped rows topped with rectangular turquoise 6.5” C x 1.5” W, wrist opening: 1” 68 grams $400-600

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e ruby and turquoise cross cuff bracelet

Willie / Sterling rved ruby cross and oval cabochon turquoise, embellished ss a dot motif on oxidized background rist opening: 1.25”

245

A Zuni silver and turquoise cuff bracelet

Marked: DC / Sterling [possibly for Derrick Cadman or Delbert Chatter] Three wire cuff topped with three floral cluster motifs with bezel-set turquoise 7.5” C x 1.5” W, wrist opening: 1.25” 93.9 grams $400-600

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247

A Zuni silver and dot turquoise cuff

Mid-20th Century or earlier Designed with six rows of round cabochon turquoise and stamped designs to outer rows 6.5” C x 2” W, wrist opening: 1.25” 96.7 grams $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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248

A Zuni silver and turquoise cuff bracelet

20th Century Designed with double row of eighteen rectangular tablet-cut turquoise with handmade bezels and spherical spacers 6.25” C x 1” W, wrist opening: 1.125” 49 grams $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

249

Two Zuni silver and turquoise jewelry items

20th Century Comprising a cuff bracelet centering a cluster of cabochon turquoise (6.75” C x 1.9” W, wrist opening: 1.5”) and a ring topped with a plaque of cabochon turquoise (ring size: 11.5) 86.2 grams gross 2 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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250

A pair of Zuni needle point cuff bracelets

Mid-20th Century or earlier Designed with double row set needle point turquoise extended to stamped terminals Each: 6.5” C x .6” W, wrist opening: 1.25” 56.5 grams gross 2 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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251

Two Zuni silver and turquoise jewelry items

20th Century Comprising a large cuff bracelet centering a disc of clustered turquoise with three wire backing (6.25” H x 2.25” W, wrist opening 1.1”) and a turquoise cluster brooch (2.5” L x 2.75” W) 115.5 grams gross 2 pieces $600-800 Provenance: The Estate of Loren Ingraham, Montecito, CA

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252

Two Zuni turquoise cluster jewelry items

Mid-20th Century or earlier Comprising a triple wire cuff topped with a starburst cluster of bezel-set turquoise (6.5” C x 2” W, wrist opening: 1.25”) and a ring topped with an oval plaque set with petit point turquoise (ring size: 12; 1.75” L x 1.5” W) 91.5 grams 2 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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253

A Fred and Lolita Natachu Zuni Rainbow Man cuff bracelet

Mid-20th Century Stamped: F.L. Natachu Designed with inlaid turquoise, onyx, mother-of-pearl, and coral Rainbow Man kachina motif 6.5” C x 1.5” W, wrist opening: 1” 80 grams $200-300

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254

A Mark Chee ingot silver and turquoise cuff bracelet

(1914-1981, Navajo/Dine) Marked: Chee [with artist’s bird cipher] Topped with seven tumbled turquoise stones set in high bezels alternating with silver spheres and stamped terminals 5.5” C x .6” W, wrist opening: 1” 112 grams $800-1,200 Provenance: The Estate of Loren Ingraham, Montecito, CA

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255

A Navajo/Diné silver and turquoise cuff

Mid-20th Century Centering a large tumbled turquoise with stamped double chevron motif 7” C x 1.45” W, wrist opening: 1” 120.8 grams $600-800 Provenance: The Estate of Loren Ingraham, Montecito, CA

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256

A Navajo/Diné silver and turquoise cuff

Mid-20th Century or earlier Topped with five elongated cabochon turquoises to a sheet of silver with twisted rod dividers and stamped designs 6.25” C x 1.35” W, wrist opening: 1” 96 grams $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

257

A Navajo/Diné silver and turquoise cuff bracelet

Mid-20th Century Designed with eight ribs and centering a single turquoise tablet 5.75” C x 1.25” W, wrist opening: 1.25 90.85 grams $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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258

259

Mid-20th Century Designed with stamped designs and wire filigree and topped by a cluster of vari-shaped turquoise 7” C x 2” W, wrist opening: 1.1” 67.5 grams

First-quarter 20th Comprising a cuf sides (6.5” C x .6 cabochon turquo wrist opening: 1” 74.2 grams 2 pieces

A Southwest silver and turquoise cuff bracelet

$300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

Two Navajo/Di

$500-700

Provenance: The

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iné silver and turquoise cuff bracelets

h Century ff with a single round turquoise and hand stamped motifs to 6” W, wrist opening: .9”) and a cuff topped with three oval oise flanked with applied cast elements (6.5” C x .35” W, ”)

e Estate of Loren Ingraham, Montecito, CA

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262

Two Navajo/Diné silver turquoise cuff bracelets

First-quarter 20th Century One with unknown maker’s mark Each topped with five tumbled turquoise stones, flanked by stamped sides, 2 pieces Each: 6.5” C x .5” W 92.2 grams gross $600-800 Provenance: The Estate of Loren Ingraham, Montecito, CA

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260

Two Southwest silver sandcast and turquoise cuff bracelets

Mid-20th Century or earlier Comprising a tapered openwork cuff set with two turquoise slabs (6” C x .75” W) and a thin cuff set with three tablet-cut turquoise (6” C x .25” W, wrist opening: .75”) 76 grams gross 2 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

261

Two Navajo/Diné silver and turquoise cuff bracelets

20th Century Comprising a cuff topped with five tumbled turquoise nuggets (6.25” C x .5” W, wrist opening: 1”) and a cuff topped with seven cabochon turquoise stones (6.5” C x .45” W, wrist opening: 1.25”) 68 grams gross 2 pieces $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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263

Two Southwest silver and turquoise belt buckles

Mid-20th Century Each unmarked Comprising a rectangular sandcast belt buckle with stamped motifs set with a turquoise (2” H x 3” W) and a sandcast buckle with fluted fan motifs set with a larger oval turquoise (2.5” H x 3” W), 2 pieces 169 grams $300-500

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264

Two silver and turquoise bracelets

Mid-20th Century Comprising a Southwest turquoise cuff bracelet designed with wire-style silver bands and five tabletcut turquoise with rope bezels (6.25” C x 1.25” W, wrist opening 1.25”) and a Navajo/Diné cuff bracelet set with three square turquoise stones and spaced with spheres topping a braided wire foundation and flanked with all-over stamped motif 186 grams gross 2 pieces $600-800 Provenance: The Estate of Loren Ingraham, Montecito, CA

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265

Two silver sand cast turquoise cuff bracelets

20th Century Each unmarked Comprising an openwork bracelet topped with three turquoise slabs (6.5” C x 1.5” W, wrist opening: 1.1”) and an openwork butterfly cuff topped with one cabochon turquoise within a ropework frame (6.5” C x 1.5” W, wrist opening: 1.5”), 2 pieces 138 grams gross $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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266

Two Southwest silver and turquoise cuff bracelets

Mid-20th Century Comprising a three wire cuff topped by three turquoise slabs within a twisted wire frame (6” C x 1.25” W, wrist opening: 1”) and a stamped two wire cuff topped with five tumbled turquoise within a jagged bezel (7” X 1.25” W, wrist opening: 1”) 118.7 grams gross 2 pieces $300-500

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267

A Hopi silver shadow box bracelet

20th Century Centering a turquoise with heavy matrix flanked by stamped motifs 6.5” C x 1.5” W, wrist opening: 1.125” 72 grams $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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268

Two Hopi overlay silver cuffs

Two pieces A wide Thomas Singer cuff Mid-20th Century Marked: Thomas Singer With high relief kite motif 7” C x 1.5” W, wrist opening: 1.25” A Leroy Kewanyama cuff Mid-20th Century Marked: Leroy Kewanyama With high relief abstract motifs 6.5” C x .65” W, wrist opening: 1.25” 96.4 grams gross $200-300

269

Two Hopi silver overlay cuff bracelets

Mid-20th Century Comprising a wide cuff with an abstract Avanyu motif (7.5” C x 2” W, wrist opening: 1.25”) and a cuff centering a stylized bird (6” C x 1” W, wrist opening: .85”) 140 grams gross 2 pieces $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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270

Two Northwest Coast silver cuff bracelets Two pieces

A large silver cuff bracelet Mid-20th Century Unmarked With etched totem motif 6.75” C x 2” W, wrist opening: 1”) A Patty Fawn silver cuff bracelet (20th Century, Kwakiutl) Marked: Patty Fawn 5.75” C x 1.1” W, wrist opening: .75” 102.5 grams gross A cuff bracelet Marked: Patty Fawn, (20th Cent. Kwakiutl) (5.75” C x 1.10” W; Wrist opening 0.75”) $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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271

Three Southwest silver bracelets

Mid-20th Century Comprising a cuff designed with three rows of coral (6.45” C x .5” W, wrist opening: 1”), a cuff bracelet topped with round turquoise flanked by stamped motif (7” C x .85” W, wrist opening: 1”), and a cuff bracelet topped by oval turquoise flanked by stamped motif (6.75” C x .6” W, wrist opening: 1”) 142.5 grams 3 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

272

Three Navajo/Diné silver and turquoise cuff bracelets

20th Century Comprising a cuff with five graduated tumbled turquoise stones topping a triple wire form (6” C x .85” W, wrist opening: 1”), a cuff with five tablet-cut turquoise topping a stamped wire flanking a twisted wire form (6.5” C x .85” W, wrist opening: 1”), and a cuff topped with seven oval cabochon turquoise topping a stamped cuff (6.75” C x .5” W, wrist opening: 1”) 124.6 grams gross 3 pieces $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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Thr

Mid Com five wire 180 3 pi

$500

Prov

275

Three Hopi and Navajo/Diné silver overlay cuff bracelets Three pieces

A Steven Sockyma Hopi cuff Fourth-quarter 20th Century Stamped: SS / 14K / Sterling With a Kokopelli and corn stalk motif 6.75” C x .75” W, wrist opening: 1” A cuff possibly by Reginald Dewakuku, Hopi Fourth-quarter 20th Century Stamped: RD / Sterling With floral motifs to sides and an oval stone set turquoise stone 7” C x 1” W, wrist opening: 1” An Able Arthur Navajo/Diné sandcast silver cuff bracelet Fourth-quarter 20th Century Stamped: Able Arthur Set with central turquoise stone 6.5” C x .85” W, wrist opening: 1” 140 grams gross $600-800 2 8 6 A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

ree Southwest silver cuff bracelets

d-20th Century or earlier mprising a five row stamped cuff (6.5” C x 1.25” W, wrist opening: 1”), a row ribbed cuff (6” C x 1” W, wrist opening: 1”), and a cuff with twisted e and stamps (6.5” C x .9” W, wrist opening: 1”) grams gross ieces

0-700

venance: The Estate of Loren Ingraham, Montecito, CA

274

Three Southwest silver sandcast bracelets

20th Century Each unmarked Comprising a silver and slab turquoise cuff bracelet (6.25” C x 1.75” W, wrist opening: .85”), an openwork honey-comb style cuff (6” C x 1.1” W, wrist opening: 1”), and an openwork cuff with alternating heart and triangle shapes (5.5” C x 1.4” H, wrist opening: .85”) 168.4 grams gross 3 pieces $600-800 Provenance: The Estate of Loren Ingraham, Montecito, CA

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276

A group of Native American silver and turquoise jewelry

20th Century Comprising a pair of wheat sheaf collar tips set with turquoise (4” L x 3” W), a petit point ring (ring size: 9.25; 2” L x 1.5” W), a cuff bracelet topped with turquoise (6.5” C x .4” W), and a two wire cuff bracelet topped with turquoise (6.5” C x .85” W) 145 grams gross 5 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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277

Four Southwest gemstone brooches

Mid-20th Century or later Comprising a large kite-shaped brooch set with tumbled turquoise (2.5” H x 3.25” W), a cushion-shaped jasper brooch topped with silver foliate motif (2” H x 2.25” W), a rectangular jasper brooch (1.5” H x 2.75” W), and an asymmetrical brooch set with tumbled turquoise (1.25” H x 2.25” W) 140 grams 4 pieces $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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278

A group lot of Native American accessory items

20th Century Comprising a turquoise-set bolo tie with eagle pendant tips and a corsage holder, a diminutive silver tipping bucket with stamped exterior motifs, four various turquoise-set brooches, a stamped silver cloak holder, two various turquoise pendants, and two silver bracelets Cup: 1.75” L x 3” W 227 grams gross 11 Pieces $400-600

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279

A group of Southwest silver and turquoise jewelry

20th Century Comprising a pair of earring drops lacking tops (1.25” L x .75” W), a cuff bracelet topped with turquoise within a rope frame (6” C x .85” W), a cuff bracelet set with turquoise alternating with domed elements (6.25” C x .85” W), and a large Zuni cluster ring (ring size: 9.25; 2.125” L x 1.5” W) 122.4 grams gross 5 pieces $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

280

Three Southwest-style stone-set cuff bracelets A cuff with both stamped and applied cast elements Mid-20th Century Indistinct mark: JH Centering a tumbled turquoise 7” C x 1.5” W, wrist opening: 1.25” A stamped four wire cuff Mid-20th Century Centering a brownish orange agate 6.5” C x 1.5” W, wrist opening: 1” A three wire stamped and dot cuff Mid-20th Century Centering a oval green turquoise 7” C x 1.1” W, wrist opening: 1.5” 79.9 grams gross $300-500

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281

Three Southwest silver cuff bracelets Three pieces

A Felix Joe wide ridged cuff bracelet Mid-20th Century Stamped: FJ / Sterling 6.75” C x 1” W, wrist opening: 1.125” A knife-edge cuff bracelet Mid-20th Century Stamped: [obscured maker’s mark] / Sterling Topped with oval coral against geometric openwork motif 6.25” C x .5” W, wrist opening: 1” A cuff bracelet with three shadowbox mounted round turquoise stones Mid-20th Century Alternating with stamped motif 5.25” C x .5” W, wrist opening: 1” 134.9 grams gross $500-700

282

Four Southwest-style cuff bracelets Four pieces

A deeply stamped figural cuff Mid-20th Century Marked: Michael Tahe 6.5” C x 1” W, wrist opening: 1.25” A stamped cuff Mid-20th Century Marked: KW Embellished by twisted wire 7” C x 1.10” W, wrist opening: 1.5” A cuff centering a deeply stamped stylized bird Mid-20th Century 6” C x 1.10” W, wrist opening: 1.5” A cuff centering an applied zigzag pattern Mid-20th Century 7” C x 0.75” W, wrist opening: 1.5” 294 grams gross $300-500

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283

A group of four Navajo/Diné cuff bracelets Four pieces

A Charlene Yazzie cuff bracelet (20th/21st Century, Navajo/Dine) Marked: C. Yazzie / Sterling Centering an oval turquoise flanked by an engraved fan motif 6.5” C x 1.5” W, wrist opening: .8 ” A cuff of alternating wire motifs 20th Century With twisted wire topped with a tumbled turquoise 6.75” C x .9” W, wrist opening: 1.25” A stamped cuff with applied elements 20th Century Centering a rectangular turquoise 6.75” C x .75” W, wrist opening: 1.5” A fluted cuff 20th Century Centering a polished dome flanked by two tumbled turquoise 6.5” C x 1” W, wrist opening: 1” 176.5 grams gross $500-700

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284

Mario F. Nardini

(20th Century, American) “Frederick Remington,” 1990 Patinated bronze Signed and dated: Mario F. Nardini [copyright symbol] / 1-30-90; titled to sculpture 35.5” H x 33” W x 14.5” D $1,000-2,000

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285

James P. Regimbal

(b. 1945, California) “Trailn’ Home,” 1984 Cold painted bronze Signed and dated: Jim Regimbal [copyright symbol] / 1984; titled to sculpture, titled again to plaque 12.25” H x 57” W x 5.5” D $4,000-6,000

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286

Harold T. Holden

(b. 1940, Oklahoma) “U.S. Deputy Marshall Bass Reeves,” 2008 Patinated bronze on wood base Edition 4/25; signed and dated: Harold T. Holden [copyright symbol] / 08 15” H x 16” W x 9” D $1,000-2,000

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287

James P. Regimbal

(b. 1949, California) “Rocky Trails” Patinated bronze on wood base Signed: Jim Regimbal; further marked: Age of Bronze Proof / Cottonwood; titled to sculpture, titled again to plaque 12.25” H x 15” W x 10.5” D $800-1,200

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288

James P. Regimbal

(b. 1949, California) “Hunting Party,” 1991 Patinated bronze on wood base Signed and dated: Jim Regimbal [copyright symbol] / 1991; titled to sculpture, titled again to plaque 11.25” H x 21.5” W x 9” D $800-1,200

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289

James P. Regimbal

(b. 1949, California) “The Hidden Trail,” 1988 Patinated bronze on wood base Signed and dated: Jim Regimbal [copyright symbol] / 1988; titled to sculpture, titled “Hidden Trails” to plaque 12” H x 18.5” W x 13” D $800-1,200

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290

Bud Boller

(1928-2012, American) “Jeremiah,” 1974 Patinated bronze on wood base Signed and dated: Bud Boller [copyright symbol] / 1978; further marked: Age of Bronze Proof 15” H x 8.5” W x 9.75” D $800-1,200

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291

James P. Regimbal

(b. 1949, California) “Libbie and the US 7th,” 1994 Cold painted bronze on rotating wood base Edition 28/75; signed and dated: Jim Regimbal [copyright symbol] / 1994; titled to sculpture, titled again to plaque 11” H x 11.5” W x 7.5” D $500-800

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292

Gregory M. Kelsey

(b. 1971, American) “Livin’ the Dream,” 2010 Patinated bronze on wood base Edition 11/ 25; signed and dated: Gregory M. Kelsey / 2010; titled to sculpture, titled again to plaque 16.75” H x 16.25” W x 5” D $2,000-3,000 Exhibitions: Greeley, CO, “The Stampede Western Invitational Art Exhibit and Sale,” June 24-July 4, 2011 Notes: The base bears a label from the 2011 Stampede Western Invitational.

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294

Keith Christie

(1935-2017, California/Minnesota) “Chinook Winds,” 1983 Patinated bronze on wood base Edition 2/24; signed and dated: Keith Christie [copyright symbol] / 1983; further marked with foundry mark [illegible] 12.5” H x 16” W x 11” D $600-800 Notes: This lot is accompanied by a copy of a personalized note from Wade Galleries.

293

S. Keleiam

(20th Century, American) Bronco rider Patinated bronze Signed: S. Keleiam 34” H x 27” W x 15” D $1,000-2,000

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295

Earle E. Heikka

(1910-1941, Montana) “Escape,” 1932 Cold painted bronze on wood base Edition: 18/36; signed: E.E. Heika [sic]; further marked: JHM Classic Bronze / Tom Bird [copyright symbol] / 1975; titled to plaque 13.5” H x 15” W x 5.25” D $1,500-2,500 Notes: Earl E. Heikka was born in Belt, Montana in 1910 to Finnish parents and subsequently lived and worked in Great Falls, Montana. Heikka is best known for his sculptures depicting Western themes, including animals, miners, Native Americans, and cowboys, that accurately and acutely capture the realism and emotion observed in nature. It was noted that, even as a small child, he had always demonstrated a skill and interest in illustrating wildlife. However, Heikka never received formal training in the fine arts nor attended art school. Nevertheless, Heikka’s various occupational experiences afforded him not only the opportunity to study nature, but also to replicate it. He worked as a taxidermist at the Great Falls Sporting Goods Company, was a ranch hand at the Skelton Brothers Ranch near the Highwood Mountains, was a park guide at Glacier National Park, and worked at actor Gary Cooper’s family ranch. His background in taxidermy allowed him to further develop his study of animals, which he utilized in his sculptures. Furthermore, Heikka shared Great Falls with prominent Western artist Charles M. Russell, whom he was greatly inspired by, and a number of Heikka’s sculptures currently remain in the permanent collection of the C.M. Russell Museum in Great Falls. During his tenure at the Cooper family ranch, Heikka was invited by Gary Cooper to set up a private studio on the property in 1929. The Hollywood actor would serve as a model for Heikka’s 1937 sculpture, “Gambler’s Luck.” It was through Cooper that Heikka was introduced to numerous future patrons of his art, including William Andrews Clark, III, the grandson of mining mogul William A. Clark as well as John D. Ryan, the organizer of the Montana Power Company. Heikka would go on to exhibit works at the Stendahl Galleries in Los Angeles’ Ambassador Hotel in 1931, at Chicago’s 1933 Century of Progress Exposition, and at the 1939 Golden Gate International Exposition in San Francisco. Heikka’s original sculptures were hand-painted clay executed in Marblex, a water-based air-drying clay, modeled over a wire armature that would have been further wrapped with fine wire around the exterior in order to lend the pieces better adhesion for the clay. Following a period of grief over the death of his brother and later estrangement from his wife, Heikka committed suicide in 1941 at the age of thirtyone. It was not until the 1960s, however, that collectors began producing editioned bronze casts of his clay sculptures, which became highly sought after and posthumously earned Heikka his reputation as a notable Western artist.

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296

Earle E. Heikka

(1910-1941, Montana) “Piegan Scout,” 1931 Patinated bronze on wood base Signed and dated: Heika [sic] / ‘31; further marked: Heikka Foundry [copyright symbol] / 09; titled to sculpture 17.75” H x 12” W x 5” D $1,500-2,000

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297

298

(b. 1942, American) “The Measure of Man,” 2012 Patinated bronze on rotating wood base Edition 17/30; signed and dated: Bill Nebeker [copyright symbol] / CA [Cowboy Artists of America] / 2012; titled to plaque 22.25” H x 12” W x 10” D

(1943-1995, Arizona) “Range Brandin’,” 1984 Patinated bronze on woo Edition 10/16; signed: Pa DYK; titled to plaque 10.25” H x 8.5” W x 5.5”

$1,000-2,000

$800-1,200

Notes: The Cowboy Artists of America is an exclusive organization of artists that was founded in 1965 by four prominent western artists, Joe Beeler, Charlie Dye, John Hampton and George Phippen

Notes: This lot is accomp business card from artist

Bill Nebeker

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Pat Haptonstall

od base at Haptonstall [copyright symbol]; further inscribed:

”D

299

David Lemon

(b. 1945, Montana/California) “Sassy” Cold painted bronze on rotating wood base Edition 10/80; signed: Lemon [copyright symbol] / A.I.C.A. [American Indian and Cowboy Artists]; titled to plaque 18” H x 10” W x 5.5” D $400-600

panied by a copy of a note about the artist and a Mike Capron, Fort Davis, TX,

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300

George Kosanovich

(20th Century, American) “A Master of his Craft,” 1972 Patinated bronze on wood base Signed and dated: George [copyright symbol] / 1972; further marked: Age of Proof Bronze; titled to sculpture 18” H x 9” W x 9.5” D $600-800

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301

Sid Burns

(1916-1979, Arizona) “Bronc Buster Busted,” 1979 Patinated bronze on wood base Edition 8/24; signed and dated: Sid Burns [copyright symbol with artist’s cipher] / 1979; further marked: JHM Classic Bronzes; titled to sculpture, titled again to plaque 16” H x 19” W x 10.5” D $800-1,200

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302

Vel Miller

(b.1936, California) Young cowboy roping a rooster, 1977 Patinated bronze on wood base Edition 12/30; signed and dated to sculpture: Vel Miller [copyright symbol] / 1977 Sculpture: 8.25” H x 17” W x 4.25” D $400-600

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303

Vel Miller

(b.1936, California) Two works: Young cowboy roping a calf, 1975 Patinated bronze on resin-sealed wood base Edition 17/30; signed and dated to sculpture: Vel Miller [copyright symbol] / 1975 Sculpture: 5.75” H x 13.5” W x 6.25” D; With Base: 7” H x 18.25” W x 11” D “The Cowboy,” 1974 Patinated bronze on wood base Edition 2/30; signed and dated to sculpture: Vel Miller [copyright symbol] / 1974 Sculpture: 5.5” H x 3.25” W x 3.5” D; With Base: 6.25” H x 4.875” W x 5.25” D $500-700

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304

A pair of Tres Outlaws beaded leather cowboy boots

20th Century In yellow leather and green suede with beaded lizard motifs Designed by Tres Outlaws, sold through Falconhead in Los Angeles US women’s size 9.5, 2 pieces 15” H $1,000-1,500 Literature: Illustrated: Tyler Beard and Jim Arndt, “Art of the Boot,” 1999, back cover and p. 143. Notes: For nearly thirty years, Tres Outlaws Boots have exemplified unmatched style and custom craftsmanship. While the El Paso, Texas-based company’s cowboy boots derive influence from early frontiersman, their designers’ distinct visions and active imaginations transform each pair into a modern work of art. Master bootmakers hand-stitch, inlay, and apply appliquÈs to the leather, some custom pairs taking as many as 700 hours to produce. As a testament to their artistry and cultural relevancy, a famed example of Tres Outlaws Boots known as “The Mexican” has been acquired by the Smithsonian Museum in Washington DC. In the publication Art of the Boot, Tres Outlaws are described as “sexy, evocative and captivating.” Celebrities from Jane Fonda and Lady Gaga to Judge Joe Brown have been known to don the boots. In the present example, these spirited women’s western-style boots are comprised of leather, suede, and intricate beadwork. Lizard motifs further enliven the sunny, unmistakable pair of Tres Outlaws.

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305

Two Ortega’s Chimayo wool coats

Mid-20th Century Each with Ortega’s label Comprising a grey coat with black buttons and blue, black, red, and cream motifs to chest and back (size 42; coat: 36.5” L; shoulders: 18” W; sleeves: 27” L) and a cream coat with silvered metal buttons and blue, brown, orange, and ochre motifs to chest and back (size unmarked; coat: 36.5” L; shoulders: 18” W; sleeves: 24.5” L), 2 pieces $300-500

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306

A group of Chimayo handwoven wool purses

Mid-20th Century Various makers including: Ganscraft, La Azteca, El Grandee-Fred Harvey Each handwoven from New Mexico Chimayo wool with polychrome geometric designs, comprising five large clutch-style flap-top purses, one large zip-top purse, four small zip-top pouches, and one small flap-top clutch, some with figural silver-toned snaps, interior zippers, and interior buttons, 11 pieces Larger: 6.25” L x 9.75” W approximately; Smaller: 4.75” L x 6.5” W approximately $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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307

A Mexican Charro saddle

First-half 20th Century The tooled leather saddle with split cantle, woven cinch belt with strap, and Conquistador-style closed stirrups with adjustable rawhide straps, accompanied by a headstall and lasso, 3 pieces Overall: 44” H x 34” W x 32” D approximately; Horn to cantle: 19” L $300-500

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308

A pair of Mexican Chihuahua-style spurs

First-quarter 20th Century Appears unmarked The silvered metal spurs with large Chinaco rowels and pitiado embroidered leather straps, accompanied by a modern stand, 3 pieces Each: 3.25” H x 4.5” W x 9.5” D approximately $700-900

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309

A pair of Mexican Charro-style spurs

First-quarter 20th Century Appears unmarked The silvered metal spurs with large Chinaco rowels, horseshoe shanks, and pitiado embroidered leather straps, accompanied by a modern stand, 3 pieces Each: 3.5” H x 4” W x 10.25” D approximately $700-900

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310

311

First-quarter 20th Century Appears unmarked The silvered metal spurs with six-point rowels, short shanks, openwork heal bands, and pitiado embroidered leather straps, accompanied by a modern stand, 3 pieces Each: 2.5” H x 4.5” W x 8” D approximately

First-quarter 20th Appear unmarke Each steel with c Each: 3.5” H x 4. 788.4 grams gros

A pair of Mexican short shank spurs

$600-800

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A pair of Califo

$300-500

ornia-style silver spurs

h Century ed chased silver overlay to heelband and drop shank, 2 pieces .5” W x 8.75” D ss

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312

A large Alvin Vanderer Navajo/Diné sterling silver figurative bolo

(b. 1967, Navajo/Dine) Etched to tips: Alvin Vanderer / Sterling A large three-dimensional Navajo Eagle Dancer full figural kachina in regalia with elaborate claw footed barrel tips suspended on a black braided leather cord Bolo: 4” H x 5.5” W 283 grams gross $800-1,200

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313

A Jerry Roan Hopi sterling silver kachina bolo tie

(20th Century, Hopi) Stamped: [conjoined JR] / Sterling A large kachina figure bolo set with coral and turquoise with three sets of ferrules and tapered points all strung on a black braided leather cord Bolo: 7.5” H x 3.5” W 198.5 grams $500-700

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314

A Jerry Roan Hopi sterling silver kachina bolo tie

(20th/21st Century, Hopi) Stamped: [conjoined JR] / Sterling Centering a large silver kachina figure set with tumbled coral and turquoise on a black leather braided tie Kachina: 6.25” H x 6” W; Bolo: 22.5” L 183 grams $400-600

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315

A silver portrait bolo tie

20th Century Unmarked The high relief portrait bolo further embellished with elaborate tapered tips and feather drape, with a black leather braided strap Bolo: 3” H x 2” W; Tips: 5” L 155 grams $300-500

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316

A Bill Betoney Navajo/Diné silver necktie

(b. 1934, Navajo/Dine) Stamped: B. Betoney / Navajo / Sterling Designed with geometric silver overlay and set with petit point turquoise with top knot and two hinged pendants 7.5” H x 1.25” W 85.2 grams $800-1,200

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317

A Watson Honanie Hopi silver and 14k yellow gold bolo and buckle set

Circa 1985 or later Each marked: [artist’s bear paw cipher] / 14K / Sterling Comprising a rectangular silver overlay and 14K yellow gold bolo with central area depicting a ram kachina and lighting, with tapered silver tips suspended on a black braided leather cord (3” L x 2.5” W) and a similar oval belt buckle with silver overlay and 14k yellow gold central panel depicting ram kachina and lightning filled landscape flanked by Kokopelli figures (2.5” H x 3.5” W), 2 pieces 259 grams gross $1,000-1,500

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318

A Hugh and Agnus Bowekaty Zuni kachina bolo tie

Mid-20th Century Bolo stamped: H. & A. Bowekaty / Sterling / Zuni The bolo with petit point turquoise inlay in a Knifewing kachina form with tapered silver tips terminating in dangling smaller figures all on a black braided leather cord Bolo: 2.5” L x 2.5” W 56 grams gross $300-500

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319

A group of Watson Honanie Hopi silver and 14k yellow gold jewelry

Circa 1985 or later Each marked: [artist’s bear paw cipher] / 14K; One further marked: Sterling Comprising an oval silver and 14K gold overlay bolo with Tawa kachina and pueblo scene finished with tapered silver tips all suspended from a black braided leather cord (2” L x 1.25” W); a silver and 14K gold overlay buckle with multiple figures and plain silver surround (2” H x 3” W); a silver and 14K gold overlay buckle with dancing figures, buildings, and Tawa kachina rising and blackened keyed border (2” H x 2.5” W); and a smaller silver and 14K overlay buckle with dancing figures and village in the distance with a simple silver border (1.5” H x 2.25” W), 4 pieces 243 grams gross $1,000-1,500

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320

Two Calvin Dishta Zuni inlaid bolo and buckle set

(20th/21st Century, Zuni) Each stamped: C. Dishta / Zuni Comprising a trapezoidal bolo inlaid in coral, jet, turquoise, and mother-of-pearl, in an Eye Dazzler blanket pattern, finished with silver tips on a braided black leather cord (Bolo: 2” H x 1.5” W) and a matching rectangular belt buckle (2” H x 3” W) 92.5 grams gross 2 pieces $400-600

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321

An inlaid Tsos Allen Brown Navajo/Diné belt buckle

Second-half 20th Century Stamped: TSOS / Navajo / IHMSS Designed with an elaborate Eye Dazzler inlaid motif in onyx, turquoise, coral, and lapis all set on an oval buckle 3.125” H x 3.625” W 130 grams $400-600

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322

A Donald & Viola Eriacho Zuni bolo and buckle set

(20th/21st Century, Zuni) Each stamped: D-V Eriacho / Sterling A bolo tie with trapezoidal bolo of geometric inlay of mother-of-pearl, turquoise, onyx, and coral with tapering silver tips and suspended on a black braided leather cord (Bolo: 2.25” L x 2” W) with a matching buckle (2” H x 3” W), 2 pieces 102.8 grams gross $500-700

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323

A Zuni Pablita Quam inlaid owl bolo tie

Fourth-quarter 20th Century Etched: Pablita Quam / Zuni / NM / Great Horned Owl The large bolo of a great horned owl constructed of carved mother-of-pearl, onyx, and jasper with dangling owl tips all suspended on a black braided leather cord Bolo: 3.5” H x 2” W 82.2 grams $400-600

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324

A Harold Coonsis Zuni inlaid bolo tie

(20th/21st Century, Zuni) Stamped: H. R. Coonsis / Sterling / Zuni, NM, USA / Scarlet Macaw A large rectangular silver bolo with scarlet macaw and enameled landscape with inlaid stone border in coral, lapis, turquoise, and mother-of-pearl finished in tapered tips suspended on a black braided leather cord 3.25” L x 2.5” W 116 grams $400-600

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325

A Raymond Boyd Zuni inlaid bird necklace

Marked: “RB” / Sterling Designed with bird links including tanager, blue-jay, humming bird and cardinal inlaid with various stones, coral, mother-of pearl, abalone, turquoise, malachite, and onyx surrounded by stamp motif 26” L x 2” H 89.5 grams $300-500

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326

A Zuni inlaid and sandcast cuff bracelet

Mid-20th Century Designed with an inlaid central mother-of-pearl plaque with a gem-set bird on a branch with flanking coral cabochons, all set to a heavy sandcast cuff, appears unmarked 6” C x 2.25” W, wrist opening: 1.5” 95 grams $300-500

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327

A Harlan and Monica Coonsis Zuni silver bolo and buckle set

2002 Each stamped: H. M. Coonsis / Sterling; Buckle further marked: Achiya La-da-ba / Zuni N.M. USA / 2002 Comprising a bolo tie with inlaid turquoise, onyx, and coral in an Eagle dancer kachina motif, the bolo with tapered silver tips and a black braided leather cord (Bolo: 2.5” L x 1.65” W) and a matching buckle (1.75” H x 2.5” W), 2 pieces 130 grams gross $500-700

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328

An Ernest Benally Navajo/Diné sterling silver inlaid bolo and buckle set

(b. 1958, Navajo/Dine) Stamped: E. Benally / [hogan pictograph] / Sterling Comprising a trapezoidal bolo inlaid with turquoise, lapis, malachite, mother-of-pearl, and onyx, barrel shaped sleeves and dangling inlaid tips on a braided leather tie, and a matching belt buckle Bolo: 2.25” H x 1.75” W; Buckle: 2” H x 3.1” W 230 grams gross $700-900

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329

330

(20th/21st Century, Zuni) Stamped: H. R. Coonsis / Zuni / [sun symbol] A stepped diamond silver bolo inlaid with an abalone red tailed hawk with enameled evergreen landscape and inlaid with coral, tiger’s-eye, lapis, and turquoise, finished with elaborate inlaid tips suspended on a black braided leather cord Bolo: 3” H x 3” W 76.5 grams

(20th/21st Ce Each marked Comprising a finished with a bald eagle braided leath onyx, abalone trapezoidal si tapered silver 228 grams gr

A Harold Coonsis Zuni inlaid bolo tie

$400-600

Four Denni

$700-900

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is and Nancy Edaakie Zuni bolo ties

entury, Zuni) d: Dennis / Nancy / Edaakie a trapezoidal inlaid bolo with a roadrunner and cactus motif set with turquoise, onyx, mother-of-pearl, and coral tapered silver tips all suspended from a black braided leather cord (2.5”x 2.5” W), a trapezoidal inlaid bolo with motif set with turquoise, onyx, mother-of-pearl, and coral finished with tapered silver tips suspended from a black her cord (2.75” H x 2.5” W), a smaller trapezoidal silver bolo with an inlaid quail and leaf motif set with turquoise, e, and coral finished with tapered silver tips suspended from a black braided leather cord (2.25” H x 1.85” W), and ilver bolo with an inlaid owl and leaf motif set with turquoise, onyx, mother-of-pearl, abalone, and coral finished with r tips suspended from a black braided leather cord (2.25” H x 2” W), 4 pieces ross

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331

A set of Lawrence Soufkie Hopi jewelry items

(1935-2011, Hopi) Each marked: [artist’s bear cipher] / Sterling Comprising a silver overlay “Man in the Maze” bolo tie with tapered silver tips all suspended on a black braided leather cord (3” L x 2” W), a matching large oval silver overlay “Man in the Maze” buckle (3” H x 4” W), and a matching oval silver overlay “Man in the Maze” buckle (2” H x 3” W), 3 pieces 180 grams gross $600-800

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332

Two Hopi-style silver overlay story teller concho accessory items

Fourth-quarter 20th Century Stamped with unknown maker’s mark Comprising a belt with seven conchos (each: 2” H x 3” W) and a buckle depicting Hopi kachina dance scenes with landscape backdrops (leather belt: 45” L) and a silver Hopi kachina bolo tie with tapered silver tips strung on a braided black leather cord (bolo: 3” H x 2” W), 2 pieces 520 grams gross $500-700

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333

Three Hopi silver overlay jewelry items Three pieces

A Lawrence Saufkie silver overly bolo tie (20th/21st Century, Hopi) Stamped: [artist’s bear cipher] / Sterling With applied Rainbow Maiden kachina figure with tapered tips all suspended from a black braided leather cord Bolo: 2.75” W A Charleston Lewis silver overly bolo tie (20th/21st Century, Hopi) Stamped: [artist’s corn stalk cipher] Depicting a Pueblo village and Tawa kachina head with tapered silver tips all suspended from a black braided leather cord Bolo: 2.55” W A rectangular Michael Sockyma silver overlay belt buckle (20th/21st Century, Hopi) Stamped: MS / [artist’s corn stalk cipher] With Hopi Tawa kachina motif 2.5” H x 3.75” W 254.3 grams gross $700-900

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334

A Thomas Curtis Sr. Navajo/Diné silver bolo and buckle set

(20th Century, Navajo/Dine) Each stamped: T. Curtis / Sterling Comprising a heavy round bolo with double sets of ferrules and cylindrical tips suspended from a braided black leather cord with a matching buckle Bolo: 3” H x 3” W; Buckle: 3.25” H x 4.75” W 359 grams $800-1,200

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335

A Charlie John Navajo/Diné silver and turquoise bolo and buckle set

(b. 1954, Navajo/Dine) Each stamped: CJ [Charley John] / Sterling Comprising an oval silver bolo with stamping, set with a teardrop #8 turquoise cabochon, a figure eight wire fitting and cylindrical tips all mounted to a heavy braided black strap (Bolo: 2.75” L x 2.50” W), and a large and heavy matching oval silver buckle with oval #8 turquoise stone (2.50” H x 4” W) 232.5 grams gross 2 pieces $800-1,200

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336

Two Howard Nelson Navajo/Diné buckle and bolo set

(20th/21st Century, Navajo/Dine) Each stamped: Howard [Howard Nelson] / Sterling Comprising a trapezoidal silver bolo designed with figure eight wire fitting, finished with cylindrical silver tips and mounted on a braided leather cord (bolo: 2” H x 1.75” W) and a similar rectangular silver belt buckle (2” H x 2.5” W), 2 pieces 150 grams gross $500-700

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337

Two Howard Nelson Navajo/Diné jewelry items

(20th/21st Century, Navajo/Dine) Each stamped: Howard [Howard Nelson] / Sterling Comprising an oval silver bolo with overlay motif, set with an oval turquoise stone, figure eight wire fitting, finished with enhanced tapered tips all mounted on a braided black leather strap (Bolo: 2.5” L x 2” W) and a rectangular belt buckle with a stylized Tawa figure in silver overlay (2.25” H x 3” W), 2 pieces 176 grams gross $500-700

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338

A Charlie John Navajo/Diné silver and turquoise bolo tie

(b. 1945, Navajo/Dine) Stamped: CJ [Charlie John] / Sterling An oval silver bolo with heavy stamping set with an elongated oval #8 turquoise cabochon, a figure eight wire fitting and cylindrical tips all mounted to a heavy braided brown strap 2.75” H x 2.25” W 139 grams $500-700

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339

340

(20th Century, Navajo/Dine) Stamped: S. Kescoli / Navajo / Sterling Heavy silver with cut leaf motif, stamping and embossing, set with a teardrop turquoise stone, finished with elaborate cylindrical tips all strung on a black braided leather cord Bolo: 3” H x 2” W 139 grams

(20th/21st Century, Navajo/Dine) Stamped: Howard [Howard Nelso An oval silver bolo, set with an ov matrix, figure eight wire fitting, fi mounted on a braided black leat 2.75” X 2.25” W 123.5 grams

A Sammie Kescoli Begay Navajo/Diné silver bolo tie

$700-900

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A Howard Nelson Navajo/Di

$400-600

iné silver bolo tie

) on] / Sterling val turquoise stone with heavy finished with cylindrical tips all ther strap

341

A Michael Perry Navajo/Diné silver and turquoise bolo tie

(20th/21st Century, Navajo/Dine) Stamped: M.P / Sterling The sandcast bolo with inlaid coral and a large turquoise set to center with channel inlaid turquoise to tapering silver tips, all suspended from a black braided leather cord Bolo: 3” L x 2.25” W 150.5 grams $500-700

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342

343

Fourth-quarter 20th Century, Navajo/Dine Appears unmarked; Inscribed “Rudy Willie” to verso The large slab turquoise set with a double tooled silver frame with tapering silver tips and black braided leather cord Bolo: 3.45” L x 3” W 129.6 grams

Fourth-quarter 20th Centu Appears unmarked; With Two graduated bolos set w two sets of ferrules with d braided leather cord Larger bolo: 2.5” L x 2” W 137 grams

A large Navajo/Diné turquoise slab bolo tie

$200-300

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A Navajo/Diné silver a

$400-600

and turquoise double bolo tie

ury paper label for Lauren Thomas Begay/Running Bear with slab turquoise stones and silver settings with dangling stone set tips all suspended on a black

W; Tips: 3.75” L

344

An Ernest Roy Begay Navajo/Diné silver and turquoise bolo tie

(20th/21st Century, Navajo/Dine) Stamped: ERB / Sterling A large stormy mountain turquoise with stamped setting and large dangling turquoise tips all suspended from a black braided leather cord Bolo: 3.5” L x 3.25” W; Tips: 4” L 199.3 grams $500-800

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345

Two Navajo/Diné silver and turquoise belt buckles

Mid-20th Century Each stamped: R [unidentified maker] / Sterling Comprising a large oval silver buckle set with a large center turquoise surrounded by ten smaller turquoise (3.25” H x 3.85” W) and a large oval silver buckle set with half turquoise and half branch coral (3” H x 3.75” W), 2 pieces 231 grams $400-600

347

An exceptionally large Southwest silver and turquoise belt buckle Mid-20th Century Stamped: C.S. Coriz [possibly for Raymond Coriz, Kewa] Designed with a heavily stamped silver border and a large oval turquoise stone-set center 4.125” L x 5” W 205.4 grams $400-600

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346

Three Southwest silver and turquoise belt buckles

Three pieces An Anna Begay oval silver belt buckle Second-half 20th Century Stamped: AB / Sterling Set with nineteen vari-shaped turquoise 2.75” H x 3.5” W A rectangular silver belt buckle Second-half 20th Century Stamped: Sterling Set with fifteen vari-shaped turquoise set buckle 2” H x 3” W A Leonard H. silver buckle Second-half 20th Century Stamped: Leonard H / Sterling The heavily stamped oval belt buckle set with six vari-shaped coral surrounding a rectangular turquoise 3.5” H x 4” W 235 grams gross $500-700

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348

Three silver and stone-set belt buckles

Second-quarter 20th Century Comprising a rectangular sandcast buckle centering a kite-shaped turquoise (2.25” H x 3.5” W), a large oval silver buckle with feather motifs set with tumbled coral and turquoise (3.25” H x 4” W), and a large oval silver buckle with feather and flower motifs set with four large turquoise stones (3” H x 4” W) 288.6 grams gross 3 pieces $500-700

350

Three various horse themed belt buckles

Second-half 20th Century Two stamped: Sterling; One stamped: Solid Brass Comprising a silver oval buckle centering a brass horse hea a rectangular silver buckle centering brass horse (1.75” H x buckle (2.25” H x 3.25” W), 3 pieces Two sterling buckles: 111 grams gross $250-350

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349

Two Navajo/Diné silver belt buckles Two pieces An oval silver buckle Mid-20th Century Stamped for Thomas Singer [obscured] Set with nine turquoise 3” H x 3.5” W A silver buckle Stamped: M [Arnold Maloney] / Sterling 3.125” H x 3.5” W 169 grams gross $300-500

ad (2.5” H x 3.25” W), x 2.5” W), and a brass

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351

Two silver and turquoise belts

Two pieces A brown leather belt with an oval turquoise buckle Mid-20th Century Marked 925/PB Set with a large pear-shaped cabochon turquoise surrounded by smaller oval cabochon turquoise Buckle: 2.5” H x 3” W A brown leather belt with a stamped oval turquoise buckle Mid-20th Century Marked: D [with arrow for Darryl Becenti, Navajo/Dine] / Sterling Set with a large oval green turquoise surrounded by smaller pear-shaped green turquoise Buckle: 3” H x 3.5” W 453 grams gross $500-700

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352

A sterling silver horse buckle belt

20th Century Stamped: Colorado / Sterling The buckle designed as a horse head with genuine American alligator belt Leather: 34” L; Buckle: 2.25” H x 3.25” W $200-300

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353

A Benjamin Becenti Navajo/Diné concho belt

Fourth-quarter 20th Century Stamped: BB Sterling Nine conchos and the buckle designed with unique scenes from daily life inlaid with coral, mother-of-pearl, onyx, and turquoise 46.25” L x 2.25” H; Buckle: 2.25” H x 3” W; Leather length: 43” L 488 grams $600-900

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354

A First Phase-style silver concho belt

Second-quarter 20th Century or earlier Designed with eight silver conchos with deep stamping and one buckle on a brown leather belt Leather belt 35” L; Each concho: 2.65” H x 3.25” W; Buckle: 2.60” H x 3” W 539 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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355

A First Phase-style Navajo/Diné silver concho belt Second-quarter 20th Century or earlier Designed with seven oval deep stamped silver conchos Leather belt 40” L; Each concho: 3” H x 3.625” W 483.8 grams gross $600-800 Provenance: The Estate of Loren Ingraham, Montecito, CA

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356

A Navajo/Diné silver concho belt

Mid-20th Century Designed with six conchos (each: 3.” H x 3” W) alternating with six butterflies (each: 2” H x 1” W) and one buckle (2.75” H x 3.4” W), each set with a single turquoise attached to a black leather belt Leather belt: 40” L 318.8 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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357

A Navajo/Diné turquoise and silver concho belt

Mid-20th Century The brown leather belt designed with eight oval stamped and fluted conchos (each: 3” H x 3.50” W) topped with turquoise stones and one rectangular buckle (3.25” H x 4” W) Leather belt: 45” L 622.4 grams gross $600-800

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358

A Navajo/Diné silver concho belt

20th Century Stamped: HIX Designed with eight conchos (each: 2.75” H x 3” W) and one rectangular buckle (3” H x 3.75” W) attached to a brown leather belt Leather belt: 37.5” L 504 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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359

A Charles Mike Yazzie Navajo/Diné concho belt

(20th/21st Century, Navajo/Dine) Stamped: C. M. Yazzie A large buckle (4” H x 4.65” W) with nine conchos (each: 3.1” H x 4” W) all set with nine bright blue cabochon turquoise stones on a dark brown leather belt Leather belt: 40.5” L 867 grams $800-1,200

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360

A diminutive Tommy Singer Navajo/Diné concho belt

(20th/21st Century, Navajo/Dine) Stamped: T. Singer / Sterling One buckle and eight conchos (each: 1.5” H x 2” W) all heavily stamped and centering tumbled turquoise stones, strung to a black leather belt Leather belt: 48” L 276 grams $500-700

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361

A Marie Silver Navajo/Diné turquoise and coral concho belt

Second-half 20th Century Stamped: M. Silver Designed with nine round stamped conchos (each: 3” Dia.) set with tumbled coral and alternating turquoise and sunburst buckle ( 3” H x 3.5” W) strung on a brown leather belt Leather belt: 49” L 563.6 grams $500-700

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362

A large Calvin Martinez Navajo/Diné concho belt and buckle

(20th/21st Century, Navajo/Dine) Stamped: C. MTZ [within an arrow head] / Sterling Comprising a buckle and seven conchos (each: 3.75” H x 4.50” W) all heavy gauge silver with deep stamping strung on a think brown leather belt, and a second independent buckle of the same motif Leather belt: 51” L 1.685 grams gross $700-900

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363

A Calvin Martinez Navajo/Diné concho belt

(20th/21st Century, Navajo/Dine) Buckle stamped: C. MTZ [within an arrowhead] / Sterling / Navajo A larger buckle (3” H x 3.75” W) and nine smaller conchos (each: 3.25” H x 3.25” W) each with a serrated diamond with oval turquoise cabochons, each with copper backing and strung on a black leather belt Leather belt: 40” L 548 grams $600-800

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364

A Navajo/Diné silver concho belt

Mid-20th Century Designed with six oval stamped conchos (each: 1.5” H x 2” W), six butterflies (each: 1.75” H x 1” W), and a belt buckle (2” H x 2.5” W) Leather: 31.5” L 157.7 grams $700-900 Provenance: The Estate of Loren Ingraham, Montecito, CA

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365

A Southwest sandcast concho belt

Mid-20th Century Designed with fifteen sandcast geometric conchos (each: 1.25” H x 1.45” H) and one matching belt buckle (1.25” H x 1.75” W) attached to a black leather belt Leather belt: 33.5” L 218 grams $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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366

A Navajo/Diné silver and turquoise concho belt

Mid-20th Century or later Designed with twelve conchos (each: 3.125” H x 2” W) and a buckle (2.25” H x 2.5” W), each set with turquoise on a brown leather belt Leather belt: 31” L 256 grams $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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367

A Navajo/Diné silver and turquoise concho belt

Mid-20th Century Designed with six conchos (each: 2.5” H x 3” W) alternating with five butterflies (each: 2.125” H x 1.125” W) and one buckle (2.5” H x 3” W), each set with a single turquoise and attached to a brown leather belt Leather belt: 35” L 392 grams $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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368

A group of Navajo/Diné conchos and a buckle

20th Century Comprising seven oval conchos with soldered copper backs loops (3” L x 3.5” W) and a buckle (3” L x 4.5” W) 516 grams 8 pieces $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

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369

A large group of conchos

20th Century Comprising thirty silver-toned metal conchos in various sizes and motifs, five set with turquoise Largest concho: 3.125” H x 3.75” W 880 grams gross approximately 30 pieces $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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370

A Southwestern silver and turquoise belt

20th Century Marked: Made in USA / Black Bear Trading The buckle and elements set with turquoise inlay and chased foliate motif, attached to a genuine lizard belt Leather belt: 39” L; Buckle: 2.125” H x 2” W 198 grams $200-300

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371

Nine Navajo/Diné and Zuni silver and turquoise rings

Second-half 20th Century A Steve Arviso Royston turquoise set ring (Ring size: 8), a JP turquoise set ring with rope bezel (Ring size: 9.5), a Howard Nelson ring set with a square slab turquoise stone (Ring size: 12.5), an unmarked slab turquoise ring, marked Sterling (Ring size: 11.5), an etched signature: Kayou set with turquoise with heavy matrix (Ring size: 11), a Terry Martinez Stormy Mountain square turquoise set ring (Ring size: 12), a Peter Nelson oval turquoise set ring with sandcast silver setting Ring size: 12), an Effie Calavaza, Zuni turquoise set with snake motif mount (Ring size: 12), and a Don Gordon #8 turquoise set ring (Ring size: 11) One marked: Sterling; One with etched signature: Kayou Each variously designed, comprising a Steve Arviso Royston ring (ring size: 8), a JP ring with rope bezel (ring size: 9.5), a Howard Nelson ring with a square slab turquoise (ring size: 12.5), an unmarked slab turquoise ring (ring size: 11.5), a ring set with turquoise with heavy matrix (ring size: 11), a Terry Martinez Stormy Mountain square turquoise ring (ring size: 12), a Peter Nelson ring (ring size: 12), an Effie Calavaza ring with snake motif mount (ring size: 12), and a Don Gordon #8 turquoise-set ring (ring size: 11), 9 pieces 178.9 grams gross $800-1,200

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372

A Pueblo turquoise and heishi shell necklace

Mid-20th Century or earlier The double strand of tabbed turquoise spaced with heishi shells 30” L $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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373

A Pueblo turquoise and heishi necklace

Mid-20th Century or earlier Strung with graduating turquoise tabs spaced with heishi and a double jacla to finish 26” L x 5” H $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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374

Two Pueblo necklaces

Mid-20th Century or earlier Comprising a nine-strand heishi necklace with a long double turquoise and coral jacla drop (18” L x 5” H) and a six strand heishi necklace (adjustable length) 2 pieces $600-800 Provenance: The Estate of Loren Ingraham, Montecito, CA

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375

A Pueblo-style turquoise and shell jacla necklace

Mid-20th Century or earlier Necklace is made up of three sets of graduated turquoise and clam shell jaclas strung together to form a necklace, an additional set of jaclas are included with the lot and each are highlighted by shells and coral beads, suspending twin jaclas (25” L X 7” H), and two additional jaclas (5.50” H) 195 grams 6 pieces $500-700

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376

377

Mid-20th Century or earlier With a single strand of tumbled turquoise terminating with silver beads and heishi shells 34” L

Mid-20th Century Comprising a sing with heishi shell b turquoise beads a turquoise bead n 3 pieces

A Pueblo-style turquoise and heishi shell necklace

$400-600

Three Pueblo-s

$400-600

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style turquoise necklaces

y or earlier gle strand tumbled turquoise bead necklace terminating beads and metal clasp (22” L), a single strand tumbled alternating with heishi shell sections (27” L), and a tumbled necklace alternating with silver terminals (28”)

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378

Three Pueblo bead necklaces

Mid-20th Century Comprising a graduated turquoise nugget necklace with silver beads and tips (16” L), a fine five strand heishi necklace (26” L), and a double strand treated turquoise nugget necklace with heishi spacers (26”L) 3 pieces $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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379

Five Pueblo heishi shell necklaces

Mid-20th Century or earlier Comprising a single strand graduated tumbled turquoise bead and heishi shell necklace (30”), a triple strand cream colored heishi shell necklace (24” L), a triple strand cream and brown colored heishi shell necklace (20” L), a double strand brown colored heishi shell necklace (24” L), and a single strand light brown colored heishi shell necklace (30” L) 5 pieces $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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380

A Southwest Pueblo-style turquoise and silver necklace

Mid-20th Century Three graduated strands of turquoise with silver triangular mounts set with turquoise 22” L x 1.5” W $400-600

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381

A Southwest silver and turquoise pendant necklace

Marked: Bisbee Blue / 94 cts. Designed as a single strand of oblong and round silver pendant suspending a stamped plaque pendant set with four large turquoise stones 23” L x 3.5” H 97 grams $500-700

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382

A group of Southwest and Zuni silver jewelry Five groupings A pair of silver clip-back Zuni earrings Mid-20th Century Marked: BRK / Zuni Set with turquoise, 2 pieces Each: 1.5” L A wide silver cuff bracelet Mid-20th Century Marked: PA [Pricilla Apacheto] Set with two oval turquoises 6.75” C x 1.75” W, wrist opening 1.25” A wide silver cuff bracelet Mid-20th Century With stamped animal motif and braided wire 6.5” C x 1” W, wrist opening 1.1”

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A petit-point silver and turquoise cluster brooch Mid-20th Century Marked: MSL / Eriachotwo 2.75” L x 2.75” W Two stamped silver cuffs Mid-20th Century With geometric motif, 2 pieces Each: 6.5” C x .25” W 163 grams gross 7 pieces total $500-700

383

A group of Southwest jewelry items Five pieces

A turquoise and heishi bead choker necklace 14” L A large three wire cuff Stamped: Sterling / Navajo / R Topped with a feather motif and single large turquoise stone 7” C x 2” W, wrist opening: 1.25” A silver cuff Stamped: WL Topped with three large tumbled malachite within a rope frame 7.5” C x 1.5” W, wrist opening: 1”

A polished silver cuff Stamped: LM Topped with a single bezel set turquoise 6” C x 1.75” W, wrist opening: 1.25” Two watches set in silver with stones and flexible stainless steel bracelets Turquoise: 7.5” C (adjustable); Coral: 7.5” C (adjustable) Three cuffs: 281 grams gross $300-500

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384

A group of Native American jewelry A heavy inlaid turquoise eagle ring 20th Century Marked: White Eagle Ring size: 7.5 A split shank ring 20th Century Marked: GM [Gerald Mitchell] Topped with a large turquoise table Ring size: 6.25 A split shank ring 20th Century Topped with a large cushion-shaped turquoise in a scalloped frame Ring size: 9 A split shank ring 20th Century Topped with two green turquoise, base of shank wrapped in rope Approximate ring size: 5 A split shank ring 20th Century Topped with an oval plaque of clustered turquoise Ring size: 10.25 A concho style silver ring 20th Century Ring size: 7

A ring topped with six oval turquoise 20th Century Ring size: 7 A ring topped with five rectangular turquoise 20th Century Ring size: 7 A stamped ring 20th Century Set with an oval cabochon turquoise Ring size: 8.25 A ring set with an oval turquoise 20th Century Within a knife edge bezel Ring size: 6.5 A pair of ear wires 20th Century The tops with interchangeable pairs of turquoise ear pendants Largest: 1” L x .75” W 152 grams gross 16 pieces total $500-700 Provenance: The Estate of Loren Ingraham, Montecito, CA

A split shank ring 20th Century Set with an oval turquoise within a twisted rope frame Ring size: 5.25 A turquoise butterfly ring 20th Century Ring size: 7

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385

A large group of Southwest silver jewelry

20th Century Largest bird brooch marked: A [for Ambrose Lincoln] Comprising a large Ambrose Lincoln bird brooch with turquoise eyes, a pair of turquoise hair combs, thirteen variously designed brooches, and three cuff bracelets, 20 pieces Largest: 4.5” L x 3” W 237 grams gross $300-500 Provenance: The Estate of Loren Ingraham, Montecito, CA

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386

A group of various silver accessory items

20th Century Comprising a linked concho and butterfly belt (31.5” L x .75” W), a set of twelve conchos sized for a hat band (.85” H x 1” W), and thirty-four various buttons 150 grams gross 47 pieces $200-300 Provenance: The Estate of Loren Ingraham, Montecito, CA

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387

A group of Southwest-style jewelry items

20th Century Comprising a beaded cross pendant necklace, four pairs of earrings, a small pill box pendant, three snuff spoons, five pairs of pendants for earring drops, three pendants, and one brooch Necklace: 26” L; Cross pendant: 3.25” L x 1.65” W 154 grams gross 28 pieces $200-400 Provenance: The Estate of Loren Ingraham, Montecito, CA

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388

A group of Southwest jewelry

20th Century Belt marked: Sterling Comprising three strands of metal beads (Longest: 20” L), one concho-style belt (31” L), a silver and turquoise bracelet (missing clasp and links), and one chain with detachable figural pendant (24” L x 3” H), 5 pieces 255.6 grams gross $100-200 Provenance: The Estate of Loren Ingraham, Montecito, CA

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389

A group of Southwestern jewelry

20th Century Comprising three silver bead necklaces (18”-25” L); a bolo tie topped with coral and turquoise and terminating with polished silver tips (bolo: 1.75” L x 1.5” W); a pendant/brooch set with spiny oyster, lapis, and blue and green turquoise (1.5” H x 2” W); a stamped link bracelet (6.5” L x .65” W); and a silver-toned metal and black plastic bead necklace (25” L) Three silver bead necklaces: 164 grams 7 pieces $800-1,200

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390

A large group of various Southwestern items

20th Century Comprising a naja, carved stone animal figures, sandcast beads, gemstone beads, glass beads, unmounted turquoise stones, unmounted tumbled turquoise, and fragments, 55+ pieces $200-300 Provenance: The Estate of Loren Ingraham, Montecito, CA

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391

A group of various Southwest jewelry items

20th Century Comprising two carved stone fetishes, seven twisted wire cuff bracelets (largest cuff: 6.5” C x .125” W, wrist opening: 1”), three watch bands (one with stainless steel strap), and a sandcast buckle (2” H x 2.75” W) Not including stone fetishes: 223.5 grams gross 13 pieces $400-600 Provenance: The Estate of Loren Ingraham, Montecito, CA

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392

A group of Southwest-style silver-toned beaded necklaces

Fourth-quarter 20th Century Comprising seven necklaces in various lengths and bead diameter, the longest strand is approximately 100 beads Longest: .5” Dia. x 44” L 1,564 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Consign Today

California & American Fine Art | November 16, 2021 Granville Redmond (1871-1935 Los Angeles, CA) “October” (Study) $10,000-15,000

Consignment and Auction Inquiries: bobby@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 4 1 0 A r t o f t h e Am e r i c a n We s t l Tu e sd ay, A u g u st 3 1 , 2 0 2 1

Consign Today

Fine Jewelry & Timepieces | December 2021 Featured in our upcoming September 21, 2021 Fine Jewelry Auction: A pair of yellow and near colorless diamond flower earrings $4,000-6,000 A jadeite and diamond ring $8,000-12,000 A Van Cleef & Arels “Alhambra” necklace $15,000-20,000 Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 w w w. j o h n m o r a n . c o m 4 1 1

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Condition Reports

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1 Overall good condition with dust accumulation commensurate with age and use. Structurally good condition. Darkening to the exterior. Scattered areas of minor loss to stiches in interior.

9 Overall good condition with minor lost stitches to rim and scattered areas of wear/abrasion to surface interior. Slightly out of round. Scattered frayed stitches to underside. Structurally good condition.

2 Overall good condition with dust accumulation commensurate with age and use. Structurally good condition. With darkening to exterior. Approximately two lost stitches.

10 Each overall good condition with dust accumulation and fading commensurate with age and use. Structurally good condition. One with approximately ten lost stitches.

3 Overall good condition with dust accumulation commensurate with age and use. Structurally good condition. Darkening to rim. One lost stitch to underside.

11 Overall good condition with dust accumulation and spots of minor darkening commensurate with age and use. Structurally good condition. Does not sit level. Scattered fraying to weaving ends throughout, minor areas of separation at rim, minimal scattered lost stitches.

4 Overall good condition with dust accumulation commensurate with age and use. Structurally good condition. Approximately one lost stitch to side and two to rim. Minor areas of darkening and fading to diamond pattern on exterior. Small hole to bottom, likely from mounting. 5 Overall good condition with dust accumulation commensurate with age and use. Structurally good condition. Adhesive label residue and black ink inscription to underside.

Condition Reports

6 Overall good condition with dust accumulation commensurate with age and use. Structurally good condition. Approximately two lost stitches.

414

7 Overall fair to good condition with dust accumulation and darkening/staining commensurate with age and use. Scattered areas of lost stitches throughout, more prominent lost stitches to upper and low rims, as-is. Structurally good condition. 8 Each overall good condition with dust accumulation, darkening, and fading commensurate with age and use. Each structurally good condition. The low bowl with two lost stitches to exterior.

12 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: one corner tassel missing, few pulled stitches, and scattered areas of loose stitches/fraying to joined panels and at selvage edges. Side A: scattered minor soiling/staining throughout, light fading. Side B: Scattered minor soiling/staining. 13 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: pulled stitches; spots of selvage edge breaks and losses, the largest 6”; minor soiling/staining; dye migration; possible period repairs to border in black wool at three places; and scattered holes to both ends. 14 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: areas of minor dye migration, evidence of possible moth damage with small hole, scattered pulled stitches, and fraying to each edge, largest a 1.75” x 1.25” area of fraying. Side A: scattered soiling/staining throughout, light fading. Side B: scattered soiling/staining throughout, light fading.

Side A: scattered soiling/staining throughout, light fading. Side B: scattered soiling/staining throughout, light fading. 16 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: pulled stitches, spots of fraying to selvage edges, minor soiling/staining, dye migration, scattered holes and spots of unweaving to both ends with repairs. 17 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of dye migration visible to both sides, areas of inconsistent pigment due to different dye batches visible to both sides, and fringe edge with scattered losses to fringe. Side A: light fading. 18 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: pink dye migration to both sides, scattered soiling/staining to both sides, areas of breaks/losses to two selvedge areas and corners, a .25” hole to center, and pulled stitches. 19 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered pulled stitches, scattered holes and spots of unweaving to both ends with repairs, and spots of fraying to selvage edges, soiling/staining. 20 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading to both sides, minor pulled stitches to selvedge edge, minor soiling/staining to both sides, and a possible area of moth damage.

21 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: light dye migration to both sides, minor spots of soiling/ staining visible to both sides, and minor areas of fraying to selvage edge. 22 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered soiling/staining and dye variations due to different dye batches. 23 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor spots of fraying to selvedge edges, minor soiling/staining, and fitted with Velcro strip to one end for wall hanging. 24 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor scattered pulled stitches and repairs to each corner. Side A: scattered soiling/staining and light dye migration. Side B: scattered soiling/staining and light dye migration. 25 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Side A: light fading. 26 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered soiling/staining and residue to both sides, two 1.5” holes, scattered pulled stitches, scattered minor dye migration, variations in dye from different dye batches, and fraying and breaks to selvage edges, the largest 12”.

Condition Reports

15 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: lost stitches with a 1.25” area of fraying to one selvage edge.

415

27 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered pulled stitches to selvage edges.

35 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor scattered pulled stitches.

28 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered minor pulled stitches.

36 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

Side A: minor spots of soiling/staining

37 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

29 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor scattered pulled stitches. 30 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

Condition Reports

31 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a 4” x 3” area of fading to outer border visible to both sides, scattered areas of discoloration to grey field visible to both sides, and dye migration visible to both sides.

416

38 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 39 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: one localized area of frayed stitching to one selvage edge. 40 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

32 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

41 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

33 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor scattered pulled stitches to both sides.

42 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor scattered pulled stitches and creasing.

34 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

43 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor scattered pulled stitches

Side A: localized spot of yellowing/soiling. 45 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 46 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor pulled stitches, small spots of staining/discoloration, and dye migration. 47 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 48 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 49 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: light fraying to selvage edges and dust accumulation. 50 Overall good condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. Areas of wear/fading to painted surface. Metal arms with slight indentations and chips to paint. One side of canoe with heavier scratching due to metal arm rubbing. 51 Overall good condition with dust accumulation and oxidation to metal commensurate with age. 52 Each overall good condition with inherent cracks and imperfections to wood boards commensurate with age.

53 Each overall good condition with scattered scuffs and shelf wear commensurate with age. Each with areas of minor cracks inherent to the wood. “Shalako Taka” lacking one feather tip to headpiece. Dallas owl figure with prior glued repair to bundle in right hand. Grover owl figure with prior glued repair to shaft in left hand and lacking back portion of shaft in right hand. 54 Each overall good condition with shelf wear and light rubbed wear to painted surfaces commensurate with age. The Masau with loss to feathers. 55 Each overall good condition with typical signs of wear commensurate with age. Not examined out of frame. 56 Overall good condition with scuffs, scratches, chips, dust accumulation, and inherent abrasions/wear commensurate with age. Has been partially rewired. Scattered updates to hardware. Wiring should be checked by a qualified electrician prior to use. 57 Each overall good condition with scuffs, scratches, and oxidation commensurate with age and use. 58 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished with heavier varnishing to the verso. Heavier wear and abrasions to legs. Top with scattered chipped abrasions and depressed scratches commensurate with use, largest 8.5”. Lacking key. 59 Each overall good condition with wear, scuffs, scratches, and inherent firing flaws commensurate with age. One grill plate with area of blue discoloration to interior. Various plates with spots of surface abrasion to underside rims due to stacking. One bread plate with small chip to side of rim. One oversized cup with two chips to rim, one with subsequent hairline to rim. 60 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Condition Reports

44 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

417

61 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Contemporary leather seat, losses to original twine supports. Possibly has been refinished. Scattered minor nicks/chipped abrasions throughout, largest 1” at top rail. Heavier wear and abrasions to rocker feet. 62 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With modern reinforcements/modifications. Some drawers reconstructed with modern materials and reinforcements, two with filled lock holes. Lacking original vanity mirror, replaced with contemporary back rail. An approximate 1.5” reduction to legs, missing front apron. Has been refinished. 63 Visual: Generally good condition. Several very unobtrusive surface scuffs, visible mostly in a raking light. Very minor surface soiling. Blacklight: No evidence of restoration under blacklight.

67 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist. Frame: 22” H x 26” W x 2” D 68 Visual: Generally good condition. A very unobtrusive .25” surface scuff, visible only in a raking light, upper right Blacklight: No evidence of restoration under blacklight. Frame: 22.5” H x 26.5” W x 1” D 69 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. A pinhead-sized fleck of paint loss upper right, only visible under blacklight. Frame: 27” H x 23” W x 2.5” D

Unframed 64 Generally good condition. Not examined out of the frame.

70 Generally good condition. Not examined out of the frame. Frame: 21.5” H x 25.5” W x 1.75” D

Frame: 31.5” H x 41.5” W x 1.5” D

Condition Reports

65 Visual: Generally good condition. A canvas patch measuring 7” H x 15” W affixed verso, presumably by the hand of the artist.

418

71 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Blacklight: No evidence of restoration under blacklight.

Frame: 33.5” H x 39” W x 1.75” D

Unframed

72 Visual: Generally good condition.

66 Visual: Generally good condition. Surface dirt and grime.

Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Blacklight: No evidence of restoration under blacklight. Frame: 30.5” H x 26.5” W x 1.5” D

Frame: 18.5” H x 16.5” W x 2.25” D

Blacklight: No evidence of restoration under blacklight. A pinhead-sized speck of gold paint that fluoresces on the nose of the foreground horse. Frame abrasion lower right corner Frame: 28” H x 34” W x 1.25” D 74 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Uneven varnish application throughout. Frame: 38.5” H x 28.5” W x 3” D 75 Visual: Unobtrusive, pinhead-sized gouges or pressure marks scattered throughout, the largest in the shirt collar of the foreground figure. A series of random, hairline scratches with attendant pigment loss showing primarily lower left and lower center: the longest approximately 10.” Surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 36” H x 26” W x 2” D 76 Visual: Generally good condition. Uneven varnish discoloration showing mostly in the sky. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist. Frame: 16” H x 19” W x 2” D 77 Generally good condition. Frame: 20” H x 23.5” W x .75” D

78 Generally good condition. The full sheet with deckled edges. Unobtrusive surface soiling, occasional erasures, corrections in gouache and other minor features, such as random pinholes near the sheet edges, all indicative of a preparatory drawing for an illustrated publication. Surface soiling, pale stains and an occasional foxmark verso. Old, dry, masking tape residue along the sheet edges verso. Unframed 79 Each: Generally good condition. Slight surface soiling and some pale staining. Remains of old, dry, masking tape along the sheet edges verso. The second example with old cellophane tape in the upper sheet corners. The sheets toned, most noticeably in the third example. The third example mounted to a support sheet. Unframed 80 Each: Generally good condition. A rich impression with velvety burr and platetone throughout. Not examined out of the frame. Frame: Each: 11.25” H x 14.75” W x .75” D 81 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist. A pinhead-size spot of paint loss center left. Frame: 20.25” H x 32.25” W x 2” D 82 Visual: Generally good condition. Surface dirt and grime. Stretcher bar creases showing slightly along all but the lower edge Blacklight: No evidence of restoration under blacklight. Frame: 34.5” H x 29.5” W x 2” D

Condition Reports

73 Visual: Generally good condition.

419

83 Visual: Generally good condition. Uneven varnish discoloration throughout. A 1” long vertical pressure mark with varnish accumulation upper right. Stretcher bar creases along all four edges.

89 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. One hoop loose in hand.

Blacklight: No evidence of restoration under blacklight.

With base: 28” H x 21” W x 20” D

Frame: 35” H x 29.5” W x 2” D

90 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside.

84 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist. Frame: 42” H x 55” W x 2” D 85 Visual: Generally good condition. A few very unobtrusive foxmarks in the rock cliffs center left. Slight frame abrasions along the upper and left edges.

With base: 36” H x 20” W x 20” D 92 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. With base: 34.5” H x 19” W x 6” D

Frame: 30.5” H x 42” W x 2” D

93 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pad to underside.

Frame: 27.75” H x 36” W x 1.75” D

Condition Reports

91 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

Blacklight: No evidence of restoration under blacklight.

86 Generally good condition. The paper is rippled along the upper edge. Not examined out of the frame.

420

With base: 35” H x 18” W x 28” D

87 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 48” H x 34” W x 24” D 88 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 31” H x 17” W x 19” D

With base: 18.125” H x 8” W x 7” D 94 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 11” H x 10.5” W x 5.25” D 95 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 18.5” H x 14.5” W x 9” D 96 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. One with break and prior resoldering attempt to staff.

Frame: 16.5” H x 14.5” W x 1’ D 98 Generally good condition. Not examined out of the frame.

104 Generally good condition. Scattered areas of delicate craquelure, occasionally with associated pinheadsized paint losses. Pale foxmarks and tiny, unobtrusive spots of mold or mildew scattered throughout. Not examined out of the frame. Frame: 38” H x 43” W x 1.5” D 105 Visual: Generally good condition.

Frame: 21” H x 17” W x .75” D

Blacklight: No evidence of restoration under blacklight.

99 Each: Visual: Generally good condition

Frame: 18” H x 15” W x 1.5” D

Each: Blacklight: No evidence of restoration under blacklight

106 Visual: Generally good condition. A few pinheadsized paint losses upper right and lower left.

Frame of first: 11.75” H x 14.75” W x 1.75” D; Frame of second: 14.50” H x 17.50” W x 1” D 100 Generally good condition. Not examined out of the frame. Frame: 47” H x 37” W x 3” D 101 Visual: Generally good condition Blacklight: No evidence of restoration under blacklight Frame: 19.5” H x 23.5” W x 1.25” D 102 Generally good condition. Not examined out of the frame.

Blacklight: No evidence of restoration under blacklight. Frame: 32” H x 24” W x 2” D 107 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist. Frame: 18.5” H x 15.5” W x 3” D 108 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 27.5” H x 19.5” W x 1.5” D

Frame: 17.5” H x 14.5” W x 1.5” D

103 Visual: Generally good condition. Scattered fairly unobtrusive foxing (or pinpoint-sized flecks of surface grime) showing in the clouds. Not examined out of the frame.

109 Visual: Generally good condition. An unobtrusive speck of house paint lower right.

Blacklight: No evidence of restoration under blacklight. Frame: 27.5” H x 34.5” W x 1.75” D

Blacklight: No evidence of restoration under blacklight. Frame: 18” H x 15” W x 1.5” D

Condition Reports

97 Generally good condition. The sheet trimmed to an oval shape to fit the period frame. Overall toning recto and verso. Remains of very old glue around the sheet edges verso

421

110 Unobtrusive, tiny spots of overpaint, primarily in the beige wall at right. The figure’s left knee and part of the red blanket made-up, possibly by the hand of the artist. All but the lower edge of the paper trimmed to fit the board to which it is laid. A .25” diagonal crease across the tip of the top right sheet edge. Frame: 30” H x 26.25”W x 1.75” D 111 Generally good condition. Slight surface soiling. Framed: 13” H x 16” W x 1.75” D 112 Each: Generally good condition. Old masking tape along all four edges, with attendant surface skinning in the top left corner of the first example, verso. Frame of each: 20” H x 16.25” W x .75” D 113 Generally good condition. The paper slightly toned. Not examined out of the frame. Frame: 16.75” H x 12.75” W x .5” D 114 Generally good condition. Not examined out of the frame. Frame: 20.25” H x 25.5” W x .75” D 115 Generally good condition. Not examined out of the frame.

Condition Reports

Frame: 15” H x 15” W x 1.5” D

422

116 Generally good condition. Not examined out of the frame. Frame: 17.5” H x 16.25” W x .5” D 117 Generally good condition. The paper toned. Not examined out of the frame. Frame: 16” H x 19” W x .50” D

118 Generally good condition. The colors very slightly attenuated. The sheet affixed to the backmat. Frame: 26” H x 32” W x 1.5” D 119 Each: Generally good condition. Minor frame abrasions along the cardstock edges. Remains of old glue and attendant surface skinning from previous mounting verso. Frame of each: 13.5” H x 12.5” W x .5” D 120 Overall good condition with typical signs of wear commensurate with age. Hide with scattered minor scuffs and spots of soiling. A 2.25” patch to one side. Beaded yoke with scattered loose or pulled segments and light discoloration at shoulders. Porcupine embellishments with cracks and losses. 121 Overall good condition with signs of wear, soiling, dust accumulation, fading to painted designs, and drying to hide commensurate with age and use. 122 Overall good condition with drying and light cracking to leather, spots of soiling/staining, and rubbed wear to painted surface commensurate with age and use. Fitted with a metal wire for wall hanging. 123 Overall good condition with scattered scuffs and scratches commensurate with age. Stones with light abrasions and natural eye-visible inclusions. Adhesive felt pad to underside. With base: 20.25” H x 6.25” W x 5.25” D 124 Overall good condition with typical signs of wear commensurate with age. Not examined out of frame. 125 Overall good condition with tarnishing and scratches commensurate with age. Leather with heavier wear, drying, cracking, and darkening.

127 Overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions 128 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 129 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. Stringing is loose. 130 Overall good condition with scratches commensurate with age.

131 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. 132 Overall good condition with light tarnishing and scratches commensurate with age. 133 Each in overall good condition with light tarnishing and scratches commensurate with age.

134 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 135 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions

136 The first squash blossom necklace is missing approximately 3.5” of chain links. The bracelet and one earring drop are missing a stone and earrings lack posts. Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 137 Overall good condition with tarnishing and light scratches commensurate with age. 138 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

139 Overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions. 140 One strand has broken and beads retained for restringing as center two blossoms are no longer supported by both strands. With light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

141 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 142 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

143 Overall good condition with light tarnishing, scratches commensurate with age. Scattered stones with abrasions. 144 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

126 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

423

145 Each in overall good condition with light scratches commensurate with age. Scattered stones with minute abrasions. 146 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 147 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions 148 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

149 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

150 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

151 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

424

152 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 153 Overall good condition with light tarnishing and scratches commensurate with age. 154 Overall good condition with light tarnishing and scratches commensurate with age.

155 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

156 Overall good condition with tarnishing and scratches commensurate with age. Scattered stones with abrasions. 157 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions 158 The first necklace is possibly missing drop bird pendant, frayed string. Each shows signs of wear and use including denting, tarnishing, and scratches commensurate with age.

159 Each overall good condition commensurate with age and use. The squash blossom is tightly strung. 160 Overall good condition with tarnishing and light scratches commensurate with age. Adhesive felt pads to underside of base. Base with minor nicks and abrasions. Weight does not include stone base. With base: 6.5” H x 4” W x 3.875” D 161 Overall good condition with tarnishing and scratches commensurate with age. The stones with typical, natural eye-visible inclusions, surface-reaching fractures, and abrasions. Wood stand with scuffs, scratches, and adhesive felt pad to underside. 162 Overall fair condition with denting on reverse, light tarnishing, and scratches commensurate with age. Silver content unknown. 163 Overall good condition with tarnishing, scratches, and minor indentations commensurate with age. Tension of hinges is tight and lid rests slightly above being fully closed.

165 Each overall good condition with tarnishing, scratches, and indentations commensurate with age. Candle holders/vessels with wax residue to interior and later-added black ink inscriptions to underside. Pill box and pitcher with later-added black ink inscriptions to underside. Weight does not include weighted items. 166 Each overall good condition with shelf wear and scattered minor scuffs and scratches. 167 Overall good condition with tarnishing and light scratches commensurate with age. 168 Overall good condition with tarnishing and light scratches commensurate with age. Possible disconnection of one horse rein from bridle.

174 Each overall good condition with tarnishing and light scratches commensurate with age. 175 Overall good condition with tarnishing and light scratches commensurate with age. Adhesive felt pad to underside. With base: 4.125” H x 6” W x 5” D 176 Overall good condition with tarnishing and light scratches commensurate with age. 177 Overall good condition with tarnishing and light scratches commensurate with age. 178 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Sculpture not securely attached to base. 179 Overall good condition with scuffs, inherent surfacereaching fractures, inclusions, and minor abrasions commensurate with age.

169 Overall good condition with tarnishing and light scratches commensurate with age.

With base: 16.5” H x10.5” W x 6.5” D

170 Overall good condition with tarnishing and light scratches commensurate with age.

180 Overall good condition with minor scuffs and scratches commensurate with age. Bear with inherent surface-reaching fractures and light abrasions. Adhesive felt pads to underside.

171 Overall good condition with tarnishing and light scratches commensurate with age. 172 Overall good condition with tarnishing and light scratches commensurate with age. 173 Overall good condition with tarnishing and light scratches commensurate with age. Detachment of one horse’s rein.

181 Overall good condition with scuffs, inherent surfacereaching fractures, inclusions, and light abrasions commensurate with age. 182 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 6.5” H a 9” W x 3” D

Condition Reports

164 Each overall good condition with tarnishing and light scratches commensurate with age. The stones with typical, natural eye-visible inclusions, surfacereaching fractures, and abrasions.

425

183 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. 184 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pad to underside. With base: 13” H x 5.875” Dia. 185 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 14.25” H x 4.75” W x 6.25” D 186 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 8.875” H x 16” W x 9” D 187 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside.

Condition Reports

188 Each overall good condition with scuffs and scratches commensurate with age. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. The tallest lacking two feathers to back of head.

426

189 Each overall good condition with scuffs and scratches commensurate with age. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. Pottery with inherent firing flaws commensurate with age. 190 Each overall good condition with scuffs and scratches commensurate with age. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions.

191 Each overall good condition with scuffs and scratches commensurate with age. Some with scattered minor chips. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 192 Each overall good condition with scuffs and scratches commensurate with age. Some with scattered minor chips and abrasions. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. 193 Overall good condition inherent firing flaws commensurate with age. 194 Overall good condition with inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 195 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 196 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. 197 Overall good condition with minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered areas of touch-ups to designs. No evidence of repairs under blacklight. 198 Overall good condition with scuffs, scratches, areas of surface abrasions, and inherent firing flaws commensurate with age. A 1.5” chip to one rim. No evidence of repairs or restorations under blacklight. 199 Overall good condition with minor scuffs, scratches, and inherent firing flaws commensurate with age. Possible repair/repainting to one handle. 200 Overall good condition with inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

201 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

210 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

202 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age.

211 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

204 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. The first with a .375” chip to the rim and scuff to shoulder. 205 Overall good condition with rubbed wear, scattered minor scuffs, scratches, areas of surface abrasions, and inherent firing flaws commensurate with age. Scattered areas of touch-ups to decorations. No evidence of repairs under blacklight. 206 Overall good condition with rubbed wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Area of touch-up to designs on neck. No evidence of repairs under blacklight. 207 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. Light rubbed wear to surface designs. No evidence of repairs or restorations under blacklight.

212 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 213 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 214 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. The largest with a .25” abrasion to side. 215 Each overall good condition with minor scuffs, scratches, areas of surface abrasions, and inherent firing flaws commensurate with age. Some with adhesive label residue, two with mounting putty. One three-grouped owl with chip to tail. No evidence of repairs or restorations under blacklight. 216 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. The Estevan with small fleabite to rim. The Victorino with small black scuff to shoulder. No evidence of repairs or restorations under blacklight.

208 Overall good condition with losses to slip glaze around figure’s left ear.

217 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

209 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

218 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

Condition Reports

203 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. Scattered spots of oxidation to the glaze at shoulder/ neck. No evidence of repairs or restorations under blacklight.

427

219 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. No evidence of repairs or restorations under blacklight. 220 Each overall good condition with minor scuffs and inherent firing flaws commensurate with age. Each with adhesive label residue to underside. No evidence of repairs or restorations under blacklight. 221 Each overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. 222 Each overall good condition with rubbed wear, scattered minor scuffs, scratches, areas of surface abrasions, and inherent firing flaws commensurate with age. Three with adhesive label residue to underside. Some with scattered minor chips to rim and touch-ups to designs. No evidence of repairs under blacklight. 223 Overall good condition with rubbed wear, scattered minor scuffs, scratches, areas of surface abrasions, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

Condition Reports

224 Plaque in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. Leather worn and ripped with laces missing.

428

225 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. Leather worn. 226 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. 227 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. Leather very worn.

228 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. Leather very worn. 229 Lacking leather ties. Further with scratches commensurate with age. Scattered stones with abrasions. Leather very worn. 230 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 231 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. Leather very worn. 232 One of the reverse corner points is lacking a strap hook. Further with scratches commensurate with age. Scattered stones with abrasions. Leather very worn. 233 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. Leather worn. 234 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. Leather very worn. 235 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. Leather worn. 236 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. Leather very worn. 237 Overall good condition with scratches commensurate with age. Scattered stones with abrasions.

238 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

248 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

239 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

249 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

240 Overall good condition with scratches commensurate with age. Scattered stones with abrasions.

250 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

242 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stone abrasions. 243 Overall good condition with light tarnishing and scratches commensurate with age. 244 Overall good condition with light scratches commensurate with age. The ruby is opaque with typical, natural eye-visible inclusions and surfacereaching fractures. Scattered stones with abrasions. 245 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 246 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions 247 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

251 The pin back on the brooch is broken. Each show tarnishing and scratches commensurate with age. Scattered stones with abrasions.

252 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 253 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 254 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 255 Overall good condition with light tarnishing and scratches commensurate with age. Heavy matrix to stone. 256 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 257 Overall good condition with light tarnishing and scratches commensurate with age. Scattered abrasions. Natural fractures and chipping.

Condition Reports

241 Overall good condition with light tarnishing and scratches commensurate with age.

429

258 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

268 Each in overall good condition with light tarnishing and scratches commensurate with age.

259 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

269 Each in overall good condition with light tarnishing and scratches commensurate with age.

260 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

261 Each in overall good condition with tarnishing and scratches commensurate with age. Scattered stones with abrasions.

262 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 263 Each in overall good condition with light tarnishing and scratches commensurate with age.

Condition Reports

264 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

430

265 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 266 Each in overall good condition with light tarnishing and scratches commensurate with age. Stones with scattered abrasions.

267 Overall good condition with light tarnishing and scratches commensurate with age.

270 Each in overall good condition with light tarnishing and scratches commensurate with age.

271 Each in overall good condition with light tarnishing and scratches commensurate with age. 272 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

273 Each in overall good condition with light tarnishing and scratches commensurate with age.

274 Each in overall good condition with light tarnishing and scratches commensurate with age.

275 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 276 Each in overall good condition with light tarnishing and scratches commensurate with age. 277 Each in overall good condition with light tarnishing and scratches commensurate with age.

278 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

287 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 14” H x 15” W x 11” D

280 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

281 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 282 Each in overall good condition with light tarnishing and scratches commensurate with age.

288 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 13.25” H x 21.5” W x 9” D 289 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Splintering to edge of wood base at front. Adhesive felt pads to underside. With base: 13.75” H x 18.5” W x 13” D 290 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Break to barrel of gun, is accompanied by detached piece. Adhesive felt pads to underside.

283 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

With base: 15.75” H x 9.5” W x 10.75” D

284 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

With base: 13” H x 11.5” W x 8” D

285 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 14.25” H x 58.25” W x 5.5” D 286 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 16.75” H x 16” W x 9” D

291 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

292 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 18.75” H x 16.25” W x 5” D 293 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. 294 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 14.5” H x 18” W x 13” D

Condition Reports

279 Second bracelet missing a turquoise stone. Each in overall good condition with light tarnishing and scratches commensurate with age.

431

295 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside.

302 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. With adhesive felt pads to the underside.

With base: 15.5” H x 15” W x 5.25” D

With Base: 10.75” H x 23” W x 12” D

296 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pad to underside.

303 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Each with adhesive felt pads to the underside.

With base: 18.5” H x 12” W x 6.125” D 297 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 25” H x 13” W x 12” D 298 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pad to underside.

304 Overall good condition with light scuffs and scratched from handling commensurate with age. Unworn. 305 Each overall good condition with minimal signs of wear and scattered minor pulled stitches commensurate with age and use. No signs of excessive soiling to lining or shell. Cream coat with minor brown spots/staining above right pocket and at left hem. Grey coat with three small stains along lining hem.

With base: 12.25” H x 10” W x 5.5” D 299 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pad to underside. Rotating base does not sit level. With base: 20.125” H x 11” W x 9.5” D

Condition Reports

300 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside.

432

With base: 19” H x 10.5” W x 11.25” D 301 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

306 Each overall good condition with minor wear commensurate with age. Scattered clutches with minor moth damage, pulled threads, and soiling/ staining. Scattered linings with soiling. Seven retain original boxes. 307 Overall good condition with typical signs of wear commensurate with age. Dirt/grime accumulation. Scuffs and scratches to wood. Drying, cracking, and spots of soiling to leather. 308 Each overall good condition with typical signs of wear commensurate with age. Metal with tarnishing and rust. Leather with drying, cracking, darkening/ soiling, and spots of fraying to embroidery, heaviest around buckles. One strap with prominent loss to leather and stitching at buckle.

With base: 18.75” H x 22.25” W x 13.25” D 309 Each overall good condition with typical signs of wear commensurate with age. Metal with tarnishing and rust. Leather with drying, cracking, darkening/ soiling, and minor spots of fraying to embroidery.

320 Each in overall good condition with scratches commensurate with age. Scattered stones with abrasions.

311 Overall good condition with tarnishing, scratches, and signs of wear commensurate with age and use.

321 Scattered cracks to inlay with a loss to one of the onyx border areas. Smaller surface cracks scattered throughout.

312 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

322 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

313 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

323 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

314 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

324 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

315 Overall good condition with light tarnishing and scratches commensurate with age.

325 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

316 Pin stem at back is ben. Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 317 Each in overall good condition with light tarnishing and scratches commensurate with age.

318 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 319 Each in overall good condition with light tarnishing and scratches commensurate with age.

326 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 327 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 328 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 329 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

310 Each overall good condition with typical signs of wear commensurate with age. Metal with tarnishing and rust. Leather with drying, light cracking, darkening/ soiling, and minor spots of fraying to embroidery.

433

330 Each overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions

341 Overall good condition with light tarnishing and scratches commensurate with age.

331 Each in overall good condition with light tarnishing and scratches commensurate with age.

342 Overall good condition with light tarnishing and scratches commensurate with age.

332 Each overall good condition with light tarnishing and scratches commensurate with age.

343 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

333 Each in overall good condition with light tarnishing and scratches commensurate with age.

334 Overall good condition with light tarnishing and scratches commensurate with age.

Condition Reports

335 Each in overall good condition with light tarnishing, scratches commensurate with age.

434

344 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 345 Each in overall good condition with light tarnishing and scratches commensurate with age. 346 Each in overall good condition with light tarnishing and scratches commensurate with age.

336 Each in overall good condition with light tarnishing and scratches commensurate with age.

347 Overall good condition with light tarnishing and scratches commensurate with age.

337 Each in overall good condition with light tarnishing and scratches commensurate with age.

348 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

338 Overall good condition with scratches commensurate with age. Scattered stones with abrasions. 339 Overall good condition with scratches commensurate with age

340 Overall good condition with scratches commensurate with age.

349 Each in overall good condition with light tarnishing and scratches commensurate with age. 350 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. The first sterling buckle has brass metal buckle parts. 351 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. Leather on first belt very worn.

353 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions. 354 Overall good condition with tarnishing and scratches commensurate with age. 355 Overall good condition with light tarnishing and scratches commensurate with age. 356 Overall fair condition with bending, tarnishing, and scratches commensurate with age. Scattered stones with abrasions. Several stones are broken and fractured. Leather worn. 357 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

363 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 364 Overall good condition with light tarnishing and scratches commensurate with age. 365 Overall good condition with light tarnishing and scratches commensurate with age. Leather is very worn. 366 Tarnishing, bending, and denting commensurate with age. Leather very worn and discolored.

367 Overall good condition with tarnishing and scratches commensurate with age. Scattered stones with abrasions. Several edges show evident bending. Leather worn. 368 Overall good condition, no belt included.

358 Overall good condition with light tarnishing and scratches commensurate with age. Leather worn.

369 Each in overall good condition with light tarnishing and scratches commensurate with age.

359 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. Leather worn.

370 Overall good condition with light tarnishing and scratches commensurate with age.

360 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

371 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

361 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

372 Overall good condition commensurate with age. Stones with abrasions.

362 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

373 Overall good condition commensurate with age. Stones with abrasions.

Condition Reports

352 Each overall good condition with light tarnishing and scratches commensurate with age.

435

374 Each overall good condition commensurate with age. Stones with abrasions. 375 Each in overall good condition with scratches commensurate with age. Scattered stones with abrasions. 376 Overall good condition. 377 Overall good condition. 378 Each overall good condition commensurate with age. Stones with abrasions. 379 Several turquoise beads have been repaired with glue. Scattered stones with abrasions. 380 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 381 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

382 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

436

383 Each in overall good condition with light tarnishing and scratches commensurate with age. Necklace clasp is bent. Scattered stones with abrasions. John Moran does not guarantee the working order of any clocks or watches. 384 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. The twin stone ring has a broken green turquoise.

385 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 386 Each in overall good condition with light tarnishing and scratches commensurate with age. Silver contents unknown. 387 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. Several earring backs broken. 388 Each in overall fair to poor condition with denting, tarnishing, and scratches commensurate with age. 389 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 390 Mixed conditions, including fragments, untumbled rocks, and broken/fragmented items. 391 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 392 Each in fair to poor condition commensurate with age. Beads tested negative for silver content.

437

Condition Reports

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Western, American Indian Specialist Maranda Moran Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder AAA Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Cataloguer Anne Spink 20th Century Furniture and Decorative Arts Specialist

John Simon Taylor

Jewelry Director Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Jacob Baer

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Graphic Designer Brian Olivas

Photography

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino AAA Department Administrator Angela Bryant

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: Antonio Nicolo Gasparo Jacobsen (1850-1921 West Hoboken, NJ) The tugboat "E Heipershausen" on open waters, 1891 Price Realized: $46,875

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · trustsandestates@johnmoran.com · (626) 793-1833

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financial account information as a reference. All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

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European Art

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Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

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Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights. Signature:

Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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