The Traditional Collector — Tuesday, September 21, 2021 | John Moran Auctioneers by johnmoranauctioneers

The Traditional Collector Tuesday, September 28, 2021

The Traditional Collector Tuesday, September 28, 2021—12pm

Sale 199 145 East Walnut Avenue, Monrovia CA 91016 Private Previews Available By Appointment

Meet the Team Roland Rynkiewicz Head of Sale, Vice President roland@johnmoran.com

Jeff Moran President jeff@johnmoran.com

Shannon Dailey Decorative Arts Cataloguer shannon@johnmoran.com

Anne Spink Fine Art Cataloguer anne@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

1001

A FabergÉ-style guillochÉ snuffbox

Circa 1908-1917 Bears Faberge-style hallmark; Further marked with right-facing kokoshnik mark with Greek alpha for St. Petersburg and “AH” The silver footed snuffbox with lavender-colored guilloche enamel set with diamonds and centering a gold double-headed eagle with crown, orb, and scepter over a white guilloche enamel plaque, flanked by the monogram “MD” 1” H x 2.25” Dia. 83 grams $2,500-3,500 Provenance: Sale: Tatiana’s, Sherman Oaks, CA, November 30, 1985 Notes: This lot is accompanied by a receipt of sale from Tatiana’s, Sherman Oaks, CA, dated November 30, 1985.

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1002

A German silver singing bird automaton music box

Fourth-quarter 19th Century Marked to base with unidentified bird mark The rectangular-form bird-box with silver case chased with avian motifs and scrolling acanthus, the top centering an oval hinged lid with repousse putto revealing a reticulated grill with singing feathered automaton bird, with bird-form activation switch 1.875” H x 3.875” W x 2.875” D $1,500-2,500

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1003

A Reuge singing bird automaton music box

20th Century, Switzerland Marked: Reuge Music / Sainte-Croix / Made in Switzerland The rectangular-form bird-box with blue and white enamel panels on brass case decorated with figural roundels of courting scenes and floral sprays, the top centering an oval hinged lid revealing a reticulated grill with singing feathered automaton bird 1.875” H x 4.675” W x 2.75” D $1,000-1,500

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1004

A Thomae Company sterling silver and blue guilloché enamel vanity set

Circa 1920s Most pieces marked for Thomae Company, sterling, and further numbered Each with light blue guilloche enamel centering pink floral bouquets with ribbons, comprising a hand mirror, three brushes, three powder jars, a nail buffer, a nail file, a cuticle pusher, scissors, a button hook, a clock, and the original handle for a comb, 14 pieces Largest: 13.25” L x 5.625” W; Smallest: 3.625” L x 2.125” W $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1005

A French Second Empire gilt-bronze and porcelain casket

Third-quarter 19th Century Marked: Mson. A. Giroux [Maison Alphonse Giroux]; Signed to putti: B. Bragg The gilt-bronze casket with stepped lid surmounted by two putti over a rectangular body with inset hand-painted porcelain plaques and velvet lined interior raised on four toupee feet 8” H x 13.5” W x 8.75” D $800-1,200

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1007

An Austrian sterling silver and guillochÉ vanity box

First-quarter 20th Century Marked: Made in Austria / 3 / Sterling Silver The sterling silver rectangular vanity box with a hinged lid decorated with a painted enamel pastoral courting scene over light blue guilloche enamel sides and raised on four feet 1.75” H x 5.375” W x 4.125” D $2,000-3,000

1006

A Sévres-style lidded box

Late 19th/early 20th Century Bears Sevres-style double “L” blue underglaze mark with “E” The lozenge-shaped box with gilt enamel highlights on a cobalt blue ground, the lid centering a courting scene over reserves of lakeside landscapes 4.5” H x 12” W x 7” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1008

A French gilt-bronze and champlevÉ enamel tazza

Fourth-quarter 19th Century Signed illegibly to porcelain The circular tazza centering a painted porcelain plaque of courtiers in a landscape enclosed by a gilt-bronze border with polychrome champleve enamel flanked by two rocaille handles and raised on four feet 1.25” H x 13” W x 9.5” D $800-1,200

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1009

A Ludwig Politzer Viennese enamel and silver miniature tea service

Late 19th/early 20th Century; Vienna, Austria Four marked to silver: LP [Ludwig Politzer]/ A [control mark for Vienna] The enamel and silver miniature tea service with hand-painted pastoral courting scenes and fete champetre scenes finished with C-scroll handles, comprising a heart-shaped tray (.25” H x 6” W x 6” D), a teacup and saucer (1.25” H x 2.75” Dia.), a covered bowl (2.25” H x 3” W x 2.125” D), and a teapot (3” H x 3.75” W x 1.75” D), 5 pieces $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1010

An Italian Vatican Studio framed micro mosaic 20th Century With label verso By Lucietto, depicting the Madonna and Child Sight: 16.75” H x 12.875” W $4,000-6,000

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1011

A framed KPM porcelain portrait plaque

Mid-19th Century Marked: KPM [scepter] / W / 407 / 263; Signed: Wagner After Gustav Richter’s (1823-1884, German) portrait of Louise of Mecklenburg-Strelitz, Queen of Prussia Sight: 15.5” H x 9.75” W $5,000-7,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

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1012

A framed KPM portrait plaque

19th Century Marked: KPM / A The rectangular portrait plaque depicting an aristocratic woman in profile posed with a chair and fan enclosed in a giltwood passe-partout frame with a purple velvet molding Sight: 9” H x 6.25” W $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1013

A Russian icon of the Virgin and Child with brass oklad

Late 19th/early 20th Century With underpainting depicting the Virgin and Child under a repousse and embossed brass oklad, or riza, presented in original wood frame with velvet and cord trim Sight: 6.375” H x 5.25” W $600-800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1014

A pair of Russian icon panels

18th/19th Century or later Likely from a polyptych, the polychrome painted wood icons panels with gilt details, 2 pieces Each: 57.25” H x 19.5” W x 1.5” D $20,000-30,000 Provenance: The Blake Byrne Collection

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1015

1016

Late 19th/early 20th Century With underpainting depicting the Virgin and Child under a repousse and embossed brass oklad, or riza, with applied high-relief halo 13.5” H x 10.75” W x 2.5” D

Late 19th/early 20th Centu Elijah Taken to Heaven; Saint Each: Tempera on wood; the Each: Unsigned; the first with titled on a paper label affixed

A Russian icon of the Virgin and Child with brass oklad

$800-1,200

Two Russian icons

The first: 12” H x 10.5” W x 1 $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

ury ts Sabbatios and Zosimus e first also with incised lines, embossed patterns and gilding h a Russian title, presumably, lower center; the second with indistinct, painted names above each saint and also d verso.

1” D; The second: 12.25” H x 10.25” W x .75” D

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1017

A Spanish Colonial Santos figure

18th/19th Century The polychromed carved wood crucifix sculpture wit glass eyes and gilt border 40.25” H x 24” W x 5.25” D $1,000-1,500

Provenance: The Estate of Charles Strong, Taos, NM

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1018

A French Limoges-style framed enamel portrait of Francis I

19th Century With label verso: R. Lerondelle / Emballage / d’Objets d’Art / 76 Rue Blanche, Paris The convex-shaped polychrome enamel portrait depicting Francis I in a hat Sight: 13” H x 15.5” W $1,000-2,000

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1019

A large Capodimonte urn

First-half 19th Century With blue underglaze crowned “N” mark The polychrome painted porcelain urn with a domed lid surmounted by a putti over a tall, cylindrical body decorated with figural masks, scrolling foliage, and drapery festoons centering a processional frieze of high-relief dancing putto 30” H x 10.5” Dia. $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1020

A pair of Sévres-style porcelain urns

Late 19th/early 20th Century Each bear Sevres-style double “L” blue underglaze mark Each baluster-form urn centering a painted reserve of a familial scene surmounted by a portrait roundel, one commemorating the Princesse de Lamballe and one the Madame Elisabeth, enclosed in gilt highlights on a celeste blue ground flanked by gilt-bronze scrolling foliate handles with lion head masks, raised on a gilt-bronze base, 2 pieces Each: 30” H x 14” W x 10.5” D $2,000-3,000

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1021

A Sévres-style gilt-bronze and porcelain chandelier

Fourth-quarter 20th Century The eighteen-light celeste blue porcelain chandelier dropping from a baluster urnform column with all-over gilt highlights and gilt-bronze mounts, centering painted reserves of courting scenes, electrified 41” H x 36” Dia. approximately $1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1022

A pair of Sévres-style porcelain vases

Late 19th/early 20th Century One marked with “MA” or “VW” [blue underglaze] and “VJ” [incised] Each baluster-form centering pastoral themed painted reserves of pheasants, a bagpipe, straw hat, wheat, and scythe and decorated with enamel gilt highlights on a celeste blue ground, with opposed gilt-bronze handles and raised on a gilt-bronze footed support, 2 pieces Each: 11.5” H x 7.25” W x 6.75” D $1,000-1,500

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1023

A pair of gilt-bronze candelabra

Late 19th/early 20th Century Each four-light gilt-bronze candelabrum with figural column in the form of a seated putto holding aloft a floral spray issuing four arms terminating in floral-style capitals and raised on a footed base with floral motifs, acanthus leaves, and fluted patterning, 2 pieces Each: 17.5” H x 9” W x 7” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1024

A pair of Meissen-style figural sweet meat porcelain dishes

Late 19th/eary 20th Century Each bears Meissen-style blue underglaze crossed swords mark Each polychrome glazed ovoid dish surmounted by a seated figure, joined on a rocaille motif base, 2 pieces Each: 8.75” H x 13” W x 7” D approximately $1,000-2,000

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1025

A pair of gilt-bronze girandoles

First-quarter 20th Century Each flat-backed girandole suspending clear glass pendalogue drops and issuing five scrolled arms with faux-candle sleeves raised on a gilt-bronze tripod base, electrified, 2 pieces Each: 35” H x 16.5” W x 10” D $1,000-1,500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1026

A Sévres-style porcelain urn

Late 19th/early 20th Century Marked: Ovington New York / [crossed arrows mark, possibly Porcelaine de Paris] / A L; Signed: A. Guerin The rounded vessel with painted reserves of a courting scene and a garden scene with bird catchers, decorated with enamel gilt highlights on a cobalt blue ground and opposed lion’s head handles, raised on a bronze footed support 18” H x 10.5” Dia. $1,500-2,500

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1027

A Sévres-style porcelain wick lamp

19th Century With blue underglaze double “L” mark containing “BB” and “S” The baluster-form urn centering a painted portrait roundel of a woman in fancy dress atop a landscape frieze of playing putti, decorated with enamel gilt highlights on a cobalt blue ground, flanked by opposed acanthus handles with figural masks, raised on a bronze square foot, surmounted by an oil burning wick lamp with clear glass hurricane 37.5” H x 11” W x 8” D $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

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1028

A pair of Louis XV-style gilt-bronze candelabra

Late 19th/early 20th Century Each with scrolling foliage and floral motifs to base and column, each issuing eight scrolling foliate candle arms terminating in representational flower bud capitals with foliate bobeches, 2 pieces Each: 29” H x 14” Dia. $1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1029

A pair of Sévres-style porcelain busts of Marie Antoinette and Louis XVI Fourth-quarter 19th Century Each with imitation blue underglaze Sevres mark with dot [possibly Coalport] Each bust in all-over celeste blue glaze with gilt highlights on a columnar plinth centering the royal monograms, 2 pieces Larger: 14.5” H x 7” W x 6” D; Smaller: 13” H x 7” W x 5” D $800-1,200

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1032

A Sévres porcelain bust of Marie Antoinette

19th Century or earlier Bust with incised Sevres mark, further numbered: 13; Base bears blue underg double “L” mark containing “AA” The Sevres white glazed and bisque porcelain bust of Marie Antoinette raised a later-added glazed porcelain pedestal base with polychrome floral sprays o ivory and cobalt blue ground 30” H x 16” W x 9” D $2,000-3,000

1031

A pair of Sévres-stlye por

Late 19th/early 20th Century Marked: Made in France / [cro Signed illegibly Each baluster-form centering with enamel gilt highlights on handles, raised on a bronze fo Each: 23” H x 10.5” W x 7” D $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

glaze

d on on an

rcelain urns

ossed arrows mark, possibly Porcelaine de Paris];

a painted reserve of a courting scene and decorated n a cobalt blue ground, with opposed laurel bough ooted support D

1030

A gilt-bronze and porcelain mantel clock and candelabra set

19th Century Dial marked: Richond / Boult. / Montmartre 21 Paris; Movement marked: Roblin / A Paris / 12686 The clock with an enameled metal dial, blue Roman numeral hour markers, black Arabic minute markers, outer minute track, and two train movement enclosed in a beaded bezel and set in a rocaille motif gilt-bronze case surmounted by Classical figures of a putti and a woman with sickle and wheat sheaves, flanked by inset celeste blue painted porcelain plaques depicting putto, accompanied by two conformingly decorated eight-arm candelabra, 3 pieces Clock: 21.75” H x 30” W x 10.5” D; Each candelabrum: 27” H x 15” Dia. approximately $5,000-7,000

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1033

A large Ernst Bohne “Napoleon and Josephine” porcelain dinner service

Late 19th/early 20th Century Each with blue underglaze crowned “N” mark for Ernst Bohne; Some further marked: Napoleon a Josephine / [bee cipher] Each German white glazed porcelain with bas-relief figural motifs, gilt rim, and centering a coat of arms, comprising 12 large dinner plates (10.75” Dia.), 12 small dinner plates (10” Dia.), 10 salad plates (9” Dia.), 12 dessert plates (7.75” Dia.), 11 bread plates (7.125”Dia.), 11 lidded bowls (6.25” Dia.), 12 cups (3” Dia.), 12 saucers (4.5” Dia.), 1 large circular handled serving platter (13.25” W), 1 tureen with lid (11” W), 1 large cake stand (4.75” H x 10.25” Dia.), and two small cake stands (5” H x 8.75” Dia.), 97 pieces $3,000-5,000

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1034

A set of French hot-air balloon porcelain plates

Fourth-quarter 19th Century Each signed: J. Siquier; Each with maker’s mark of a crown over crossed batons with dots Each plate depicting a polychrome painted scene with hot-air balloon surmounted by a commemorative banderole and gilt wreath, 8 pieces Each: 10.25” Dia. $600-800

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1035

A set of French Napoleonic porcelain dinner plates

First-half 20th Century Each with blue crossed arrows mark with “E” [possibly Porcelaine de Paris] Each dinner plate with green trellis patterned band under gilt enamel highlight in various motifs, comprising musical instruments, cornucopias, and torches, centering a Napoleonic monogram, 12 pieces Each: 11” Dia. $1,000-1,500

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1036

1037

Late 19th/early 20th Century The oval compote with polychrome floral sprays to the interior and centering a figural reserve enclosed in gilt highlights on a celeste blue ground to the exterior, surmounted by an openwork guilloche patterned gilt-bronze border flanked by opposed lion’s mask handles, raised on a gilt-bronze pedestal foot with floral swags 12.5” H x 18” W x 10” D

(1829-19 A pair of Cold-pai Each sign Each: 33

A Sévres-style porcelain compote

$1,000-1,500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

Louis H

$2,500-3

Hottot

905, French) f Orientalist wall plaques inted and gilt bronze ned: L. Hottot 3” H x 16.5” W x 5” D approximately

3,500

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1038

A Ferdinand Barbedienne gilt-bronze jardiniËre

Fourth-quarter 19th Century Signed: F. Barbedienne The ovoid, gilt-bronze jardiniere with coin molding trim over botanical festoons centering figural masks and music instruments flanked by two scrolled handles with frosted glass insert and raised on six scrolled feet 7” H x 22.5” W x 10.5” D $3,000-5,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1039

A pair of Louis XVI-style gilt-bronze and marble candlestick urns

Late 19th/early 20th Century Each urn topped with a pinecone and acanthus finial to the lid over an egg-shaped carved white marble body with three ram’s head masks joined by floral swags, raised on a tripod base with hoof feet atop a tri-form support with beaded trim and inset foliate panels, each lid reversible to convert urn into a candlestick, 2 pieces Each: 15.5” H x 5” Dia. $1,500-2,500

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1040

A French gilt-bronze and porcelain mantel clock

19th Century The clock with celeste blue painted porcelain plaques set in a gilt-bronze case, centering a dial painted on the front plaque with black Roman numeral hour markers, outer minute track, and two train movement over a polychrome Classical figural scene, flanked by conformingly decorated plaques with floral sprays and surmounted by an urn finial 19.25” H x 8.5” W x 6.5” D $1,500-2,500

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

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1041

A gilt-bronze and porcelain mantel clock and garniture set

Circa 1897 Dial signed: Maison Marnyhac; Movement signed: Marnyhac / 1897 / AH / Japy Freres et Cie. Med. d’Honneur The Japy Freres clock with a celeste blue painted porcelain dial with black Roman numeral hour markers, gilt outer minute track, two train movement, and gilt-metal arrow hands, enclosed by glazed bezel and set in a gilt-bronze architectural case surmounted by an urn final with Bacchus masks and further adorned with laurel festoons, ram’s head masks, and inset painted porcelain plaques centering a courting scene, accompanied by two conformingly decorated four-arm candelabra, 3 pieces Clock: 20.25” H x 9.625” W x 6” D; Each candelabrum: 20” H x 6.25” W x 5.25” D $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1042

A set of English hand-painted porcelain dessert plates

18th Century Each signed with artist’s cipher Each hand-painted plate with polychrome floral sprays to the border centering a heraldic device for the surname “Forward” and finished with gilt rims Each: 9.25” Dia. $800-1,000

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1043

An English S. Smith and Son longcase clock

First-quarter 20th Century Dial marked: Made by / S. Smith and Son / 9 Strand London The grandfather clock with a matte silvered metal dial with applied gilt Arabic numeral hour markers, subseconds dial, hand-painted moon phase aperture, reticulated floral decoration, subdial for chime and silent selector, and subdial for Westminster chimes and Whitting chimes; with a brass three train movement, anchor escapement, nine Harrington Coventry chrome/nickel-plated tube chimes, and mercury regulated pendulum; chimes on the hour and every quarter; enclosed in a glazed and carved mahogany case with rocaille motifs and raised on bracket feet Overall: 113” H x 24” W x 16.5” D; Dial: 12.25” Dia. $4,000-6,000

1044

A tabletop Swiss cylinder music box

Fourth-quarter 19th Century The music box with a marquetry inlaid wood case enclosing one 21.5” cylinder playing ten airs with drums, bells, stylized bee hammers, a hand crank, and a repeat/change switch 11.25” H x 33.5” W x 13.5” D $3,000-4,000

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1045

Franklin C. Courter

(1854-1947, American) Portrait of Abraham Lincoln Oil on Masonite Signed lower left: F. C. Courter 21” H x 17” W $3,000-5,000 Provenance: Hank Flynn from his Aunt Corrine, 1986, according to handwritten label verso

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1046

Richard Marsden Brown

(1919-1964, American) Female nude, circa 1950 Pencil on translucent vellum paper Unsigned; artist attribution and date by repute 12.75” H (irregular) x 7.25” W $700-900 Provenance: The Blake Byrne Collection

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1047

Conrad Wise Chapman

(1842-1910, American) “Brandenburgh House,” 1874 Oil on board Signed, titled, dated, and dedicated verso: C. W. Chapman / for Mrs. Henry F. Winslow 9.75” H x 13.75” W $2,000-3,000

1048

George Armfield

(1808-1893, British) “Sly Terriers” Oil on canvas Signed lower left: G. Armfield, titled from a string tag verso 16” H x 12” W $1,000-2,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1049

Jean Pierre Haag

(1842-1921, French) Young children playing on the ice Oil on canvas Signed lower left: Haag 17.5” H x 24.25” W $1,500-2,500

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1050

Anton Nelson

(1880-1910, American) Bust of a woman, retailed by Tiffany & Co. Patinated bronze Singed: Ant Nelson [with cipher]; further stamped with partial Tiffany & Co. mark 28” H x 16” W x 11” D $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1051

An English Sheffield sterling silver epergne centerpiece

1902 Marked for Joseph Rodgers & Sons The sterling silver epergne centerpiece with a knopped column enclosed by scrolling foliage surmounted by a central dish and further issuing three branched arms terminating in a dish, raised overall on a repousse and chased tripod footed base 19.75” H x 17” Dia. approximately 141.9 oz. troy approximately $1,000-1,500

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1052

An English sterling silver tea and coffee service by Charles Thomas Fox

Circa 1834-1838 With marks for London / George IV / Charles Fox [CF] Each with repousse and embossed foliate decoration with floral knobs and raised on pedestal feet, comprising a coffee pot (7.875” H x 9.75” W x 7” D), a teapot (5.875” H x 11” W x 7” D), a creamer (4.625” H x 7” W x 4.75” D), and a sugar bowl (3.25” H x 9.5” W x 6” D), personalized, 4 pieces 83.29 oz. troy approximately $5,000-7,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

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1053

A Danish Art Nouveau silver and crystal centerpiece dish

1903 Marked for S & M Benzen with Danish Hallmarks for 1903 and warden mark for S. Groth; Further marked: 830 S The .830 silver footed centerpiece dish in the form of Art Nouveau-style sinuous organic lines flanked by two scrolled handles with gingko leaves and with a cut crystal glass liner 9” H x 17.75” W x 11” D Weighable sterling: 38.315 oz. troy approximately $1,000-1,500

105

A Pe

1054

A Tiffany & Co. sterling silver trumpet vase

Circa 1947-1956, directorship of Louis deBebian Moore Marked: Tiffany & Co / Makers / Sterling Silver / 20869 / M The large sterling silver trumpet vase with a banded waist raised on a pedestal foot, personalized 17” H x 7.625” Dia. 55.785 oz. troy approximately $700-900 64

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

Secon Each marke Each (18.5” cream assoc perso Weig

$3,00

eruvian sterling silver tea and coffee service by Camusso

nd-quarter 20th Century marked: Industria / Peruana / Plata / Esterlina / 925 / Camusso; Tea strainer ed: Made in Italy with a rocaille motif border, comprising a hot water tipping kettle with burner ” H), a coffee pot (10.5” H), a teapot (8.5” H), a covered sugar bowl (6” H), a mer (5” H), and a serving tray (2” H x 30.5” W x 17.25” D), accompanied by an ciated unmarked silver and glass dish (5” Dia.) and silver tea strainer (6.125” L), onalized, 8 pieces ghable sterling: 240.91 oz. troy approximately

00-5,000

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1056

A large Chinese silver and cloisonnÉ ename

Late Qing Period/early Republic Period; Shanghai Three stamped hallmarks to underside, one identif other possibly an artist’s name The tall baluster vase with branch-form double-han design of flowering prunus branches, peonies, a so against a dimpled ground to the shoulder line, the prunus branches and flying songbirds, on a carved 25” H x 11” Dia. 139.47 oz. troy approximately $10,000-15,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

el vase, Wang Hing

or Canton fying “Wang Hing” and the

ndles and relief cloisonne ong bird, and a peacock e neck decorated in relief d wood stand

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1057

Four Chinese carved wood armchairs

First-quarter 20th Century Each with shaped crest rail atop and openwork carved wood back splat with avian motifs flanked by scrolled arms over a rectangular seat and carved skirt with swirl designs raised on four straight legs joined by a box stretcher, 4 pieces Each: 38.75” H x 24.5” W x 18.75” D $1,000-2,000

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1058

A Chinese carved wood and stone sculpture

20th Century or earlier Signed with Chinese characters The sculpture surmounted by a carved wood figure surrounded by scrolling clouds over a unfinished stone base with carved cartouche 26” H x 15” W x 9” D $2,000-4,000

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1060

A Chinese carved hardwood side ta

Late Qing Period (1644-1912) The rectangular table with inset pink mar a leaf motif openwork carved apron atop apron, raised on four curved legs with dr 30” H x 32.5” W x 16” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1059

A pair of Chinese carved hardwood stands

20th Century Each with round top over an intricately carved apron with bat and cloud motifs and “four blessings” symbols raised on five curved legs with scrolled feet atop a conformingly decorated round base, 2 pieces Each: 39.25” H x 15” Dia. $800-1,200

able

rble top and carved beaded border over p an undertray with floral motif openwork ragon masks and claw feet

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1061

A Chinese carved nephrite brush pot Late Qing Period (1636ñ1912) Signed in Chinese to underside With carved low relief dragon motif 4.6255” H x 4.875” Dia. $600-800 Notes: Possibly signed in Chinese with a pseudo Qianlong mark.

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1063

Three Chinese table objects

20th Century Comprising a patinated bronze censer with a square body decorated with low relief motifs and two fixed loop handles raised on four shaped feet, a carved hardstone Hotei figure with a basket of food, and a diminutive carved wood cup with figural scenes, 3 pieces Largest: 7” H x 6” W x 5.5” D; Smallest: 1.5” H x 2.125” Dia. $700-900

1062

Three Chinese carved hardwood occasional tables

Late Qing Period (1644-1912) Each circular table with various carved floral and decorative motifs, inset pink marble top, and openwork apron raised on four legs, one with a radiating square stretcher, 3 pieces Larger: 15.25” H x 18” Dia.; Smaller: 12.5” H x 14” Dia. $800-1,200

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1065

A Japanese carved hardwood cab

20th Century The black and red lacquered, carved h various concealed compartments and p motifs, three-dimensional dragon colum figural plaques, atop a conformingly de Overall: 88” H x 46” W x 20” D $1,200-1,800

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1064

Two bronze and mixed-metal Japanese chargers

Late Edo Period (1603-1867) One signed in Japanese to verso Each depicting low-relief figural landscape scenes with gilt highlights, 2 pieces Each: 1” H x 12” Dia. approximately $600-800

1066

A Japanese carved wood table

Meiji period (1868-1912) Signed in Japanese within a cherry blossom cartouche Ebonized wood, the circular top over an apron carved in high relief with blooming irises over six conformingly carved cabriole legs raised on casters 34.75” H x 70.25” Dia. $2,000-3,000

binet on stand

hardwood cabinet with scrolled cornice over pigeonholes with all-over elaborate floral mns, and inset and applied carved bone ecorated stand, 2 pieces

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1067

A large Japanese cloisonné bowl

First-quarter 20th Century The large, wide-shouldered vase decorated with polychrome enameled wisteria and songbirds on a black ground 21” H x 24” Dia. $2,500-3,500

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1068

A pair of SevrËs-style urns

Late 19th/early 20th Century Each lid and body indistinctly inscribed Each gilt bronze-mounted urn with a domed lid over a traditional form body centering a reserve of figures in an interior enclosed by foliate gilt highlights with enamel details on a celeste blue ground flanked by two ram’s head mask handles and raised on a square pedestal base, 2 pieces Each: 11.5” H x 6” W x 4.5” D $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1069

A pair of Chinoserie lidded porcelain vases/ginger jars

Fourth-quarter 19th Century Each impressed to base: MD Each vase with gilt-bronze mounts and polychrome glazed floral and avian motifs to an ivory ground, raised on a tripod base with dolphin feet, 2 pieces 13.5” H x 7” Dia. $3,000-5,000

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1070

A Chinese export French-style automaton clock

First-quarter 20th Century Signed to mechanism: Cheon S’Nag Comton Painted and enameled face with Roman numeral hour markers set in a decorative case with pineapple finial, mechanized leaves, tiered rotating figural merchant and animal scenes on four elaborate scrolled feet Clock: 34” H x 12.75” W x 8.5” D $30,000-50,000 Provenance: Private Collection, Los Angeles, CA

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1071

A French gilt-bronze and marble mantel clock retailed by Tiffany & Co.

Fourth-quarter 19th Century Dial signed: Tiffany & Co. / New York; Movement signed: A. Brocot / Delettrez / Paris / 8625-92 The mantel clock with an enameled metal dial with blue Roman numeral hour markers, black outer minute track with Arabic numeral second markers, two train movement, and gilt-metal hands enclosed by a glazed bezel set in a gilt-bronze and white marble case surmounted by a flaming urn flanked by two putto, and centering a bas-relief panel of four putto, adorned with all-over floral festoons and laurel garlands 26.5” H x 26.5” W x 7.5” D $6,000-8,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1072

A French Louis XVI-style cartel wall clock retailed by Tiffany & Co.

Late 19th/early 20th Century Dial signed: Tiffany & Co. / New York; Bronze signed: EM; Pastille to movement: AD Mougin Deux Medailles; Further marked: 492 / 5 / 2 The scrolling foliate and floral gilt-bronze case with fabric-lined Moroccan trellis openwork panels enclosing a painted porcelain dial with floral ring, black Roman numeral hour markers, black Arabic numeral outer minute track, openwork gilt hands, and two train movement 20” H x 10.5” W x 4.75” D $1,500-2,500

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1073

A French silvered and gilt-bronze clock

19th Century Unsigned French movement With brass damascene dial with black Roman numeral hour markers and minute track, two train movement, with a gilt-bronze ivy bezel, in a rectangular silvered and gilt-bronze neo-classical case depicting a figure tied to a galloping horse 24.75” H x 19.625” W x 7.5” D; Dial: 3.75” Dia. $2,000-3,000

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1074

A French gilt-bronze and marble mantel clock

Late 19th/early 20th Century Dial signed: A. Beurdeley [Alfred Beurdeley] / Paris; Movement marked: 1983 24 8 / [star cipher] The clock with an enameled metal dial with black Roman numeral hour markers, Arabic numeral minute markers and outer minute track, gilt hands, and two train movement enclosed in a glazed bezel and set in a gilt-bronze and marble case surrmounted by an urn final with ram’s head masks over an architectural body flanked by volutes with floral swags and raised on a breakfront-form stepped base with four feet 25” H x 21” W x 8.25” D $6,000-8,000

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1075

A French carved alabaster mantel clock

Mid-19th Century Movement marked: 155 D The clock with a gilt-brass dial with black Roman numeral hour markers, outer minute track, and an 8-day two train key wind movement with silk suspension set in a carved alabaster case in the form of a Gothic cathedral with half rose window, column-lined triforium, openwork carved pointed arches with tracery, and quatrefoils, raised overall on a black lacquered wood stand with glass dome 21.75” H x 8.75” W x 4.5” D $2,000-3,000 Notes: This lot is accompanied by an apprasial receipt from Ron Palladino, Solvang Antique Center and Horology services, dated December 23, 1998.

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1076

A large French boulle mantle clock

Fourth-quarter 19th Century Dial marked: Flesage / 70 rue Amelot Paris The large mantel clock with a chased gilt-metal dial, enameled metal plaques with black Roman numeral hour markers, black Arabic numeral minute markers, and two train movement set in a glazed case with metal boulle inlay, gilt-bronze figural masks and dragon mounts, surmounted by a putti riding a hippocampus 46” H x 22” W x10” D $2,000-3,000

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1077

1078

Late 19th/early 20th Century Movement marked: 255 The clock with an enameled metal dial with black Roman numeral hour markers, outer minute track, and two train movement enclosed in a beaded bezel and set in a gilt-bronze and white marble case surmounted by a recumbent female figure, a laurel wreath with garland, and goblet, raised on a fluted tapered base with four feet 11.75” H x 17.75” W x 5.75” D

Fourth-quarter 19th Cent Movement signed: C. Ce The gilt-bronze mantel cl a shield and supporting a markers and two train mo foliate mask, accompanie Clock: 31” H x 22.5” W x

A French gilt-bronze and marble mantel clock

$600-800

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

A French gilt-bronze

$20,000-30,000

mantel clock and candelabra set

tury ellier a Paris lock with all-over medieval heraldic theme, in the form of two rampant lions centering a spherical dial with applied, enameled metal plaques with blue Roman numeral hour ovement, surmounted by a helm and raised on a footed base with quatrefoil motifs and ed by two conformingly decorated nine-light candelabra, 3 pieces x 8.25” D; Each candelabrum: 31.5” H x 16” Dia.

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1079

A Kazak Karabagh area rug

First-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 98” L x 57” W $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1080

A Caucasian flatweave area rug

Fourth-quarter 19th Century Wool on wool foundation, with polychrome geometric and rosette border on a cream and red field 98” L x 59” W approximately $1,500-2,500

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1081

A Kazak Caucasian area rug

First-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 87” L x 64” W approximately $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1082

A Karabagh Caucasian runner rug

First-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 113” L x 49” W approximately $800-1,200

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1083

A Kuba Soumak area rug

Circa 1900 Wool on wool foundation, with polychrome geometric motifs 124” L x 56” W $600-800

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1084

A Kazak Caucasian area rug

First-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 85” L x 53” approximately $600-800

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1086

A Yumud Asmalak pentagonal textile

First-quarter 20th Century Wool on wool foundation, with polychrome geometric m 26” L x 47.5” W $800-1,200

1085

A Kazak Caucasian area rug

First-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 101” L x 50” W $800-1,200

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

motifs

1087

A Yamud Turkmenistan area rug Second-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 140” L x 83” W $1,000-1,500

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1088

A Fran(Erté)ois Linke parquetry vitrine, index number 905

1900, Paris Signed: F. Linke The serpentine, glazed vitrine cabinet with kingwood parquetry veneer over an oak carcass with gilt-bronze mounts designed by Léon Messagé enclosing three adjustable glass shelves and mirrored back, surmounted by a spreading cornice and a fleur de pÍcher marble top 78.5” H x 51” W x 17” D $50,000-70,000

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1089

A Fran(Erté)ois Linke parquetry vitrine, index number 905

Circa 1920s Signed: F. Linke The serpentine, glazed vitrine cabinet with kingwood parquetry veneer over an oak carcass with gilt-bronze mounts designed by Léon Messagé enclosing three adjustable glass shelves and mirrored back, surmounted by a spreading cornice and a fleur de pÍcher marble top 74.5” H x 48” W x 23” D $60,000-80,000

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1091

A Maison Forest Louis VX-style marquetry cabinet with clock

Fourth-quarter 19th Century; Paris, France Marked: Forest / 31 rue Cambaceres / Paris The cabinet with seven gold-stamped leather covered drawers atop a lower compartment with two drawers and a two-door cabinet, all-over parquetry and marquetry veneer in various fine woods, and gilt-bronze mounts surmounted by a clock with a white porcelain dial, black Arabic numeral hour markers and outer minute track, and two train movement 69” H x 38” W x 16.5” D; Dial: 6.25” Dia. $8,000-12,000

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1090

A French Napoleon II

Second-half 19th Century The gilt-bronze mounted breakfront-form top over raised on four tapered le 29” H x 52” W x 32” D $2,500-3,500

1092

A Rococo-style gilt-bronze floor lamp

First-quarter 20th Century Bears a F. Linke signature in script The two-light gilt-bronze lamp with foliate form column raised on rocaille-style tripod base surmounted by a hexagonal shade with pink silk panels and frosted molded glass plaques topped by gilt-bronze ribbon bows and laurel leaf festoons, electrified Overall: 71” H x 29” Dia.; Shade: 13.5” H x 29” Dia. $3,000-5,000

II marquetry library table

y d library table with musical and avian motif marquetry to r a conformingly shaped apron with one frieze drawer egs joined by an X-stretcher centering an urn finial

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1093

A French Napolean III cabinet

Third-quarter 19th Century The ebonized wood cabinet with rectangular marble top over a si compartment with one shelf, designed with inlaid brass boulle, gi masks, and foliate mounts centering a floral bouquet of various ap stones atop a shaped apron and raised on bracket feet 48.5” H x 38.125” W x 18.5” D $2,500-3,500

1094

A Fran(Erté)ois Linke ladies bureau plat

First-quarter 20th Century Signed to each lockplate: Ct Linke [Clement Linke] / Serrurerie / Paris The parquetry veneered bureau plat with inset gilt foil stamped leather writing surface over a gilt-bronze mounted apron with two frieze drawers raised on four cabriole legs with sabots to the feet 30.25” H x 36” W x 20.25” D $5,000-7,000

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inlge-door ilt-bronze figural pplied carved

1095

A Louis XV-style wall shelf

19th Century or later The two-tiered wall shelf with parquetry veneer and rocaille motif gilt-bronze mounts 20.5” H x 27.25” W x 7” D $2,000-3,000

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1097

A Fran(Erté)ois Linke parquetry table

Fourth-quarter 19th Century Signed: F. Linke The gilt bronze-mounted table with trellis patterned parquetry top and apron with one frieze drawer raised on four cabriole legs with sabots to the feet 29” H x 29.5” W x 17.75” D $5,000-7,000

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1098

A French Louis XV-style marquetry commode

First-quarter 20th Century The breakfront-form marble top over a long drawer with gilt-bronze frieze atop two larger drawers centering a marquetry panel depicting pitchers and fruit flanked by two concave side cabinets with all-over trellis-and-rosette designed marquetry, with laurel leaf drop handles and rosette pateras, raised on scrolled gilt-bronze legs 37” H x 59” W x 20.5” D $2,000-3,000

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1099

A French Empire-style lapis lazuli lamp table

20th Century The gilt-bronze table with square lapis lazuli veneered top with anthemion border over a black apron with lozenge motif mounts, raised overall on four winged figural monopodia legs with ball-and-claw feet joined by an X-stretcher of arrows centering a figural mask in a laurel wreath 28” H x 30.5” W x 30.5” D $2,000-3,000

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1100

A Continental brass and pietra dura vanity stand

Fourth-quarter 19th Century Possibly French, the brass stand with rectangular vanity mirror with beaded trim and cloisonne enamel corners centering a ribbon bow supported by two reeded columns, each issuing a scrolled foliate candle arm, over a flip-top compartment with pietra dura marble inlay of various flowers, atop two mirrored undershelves raised overall on four legs with castors 52.5” H x 15.75” W x 11.25” D $3,000-5,000

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1101

1102

Pre-Columbian or later; Guerrero, Mexico The Mesoamerican carved greenstone head presented on a metal base 3.5” H x 2.75” W x 1.875” D

(1678-1757, Germ

A Mezcala greenstone head

$1,000-2,000 Provenance: The Blake Byrne Collection

1 1 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

Matthaus Seutte

“Diversi Globi TerrEngraving with han A later printing, aft upper right: Matth. Image: 17.75” H x $800-1,200

man)

-Aquei Statione Variante...” nd-coloring in watercolor on paper under glass ter the original edition of circa 1730, with the engraved signature . Seutteri, S. C. M. Geogr. 20.5” W

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1103

A Spanish Colonial-style wrought iron planter

First-quarter 20th Century The rectangular wrought iron planter with copper insert, all-over rosettes, C-scrolls and ogee scrolls, and twisted columnar supports with H-stretcher 31” H x 44.75” W x 17.75” D $1,200-1,800

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1104

A Tiffany Studios “Grape Vine” filigree table lamp

Circa 1902-1919; New York, NY Shade signed: Tiffany Studios / New York; Base signed: Tiffany Studios / New York / 436 The shade with verdigris patinated bronze grape vine motif overlay set against polychrome slag glass panels on a single-light patinated bronze base with ring holder, square foot, and plain column, electrified Overall: 21.5” H x 14” Dia. $5,000-7,000 Provenance: The Alan Schneider Collection

1105

A Tiffany Studios bronze and Favrile glass candlestick

Late 1902/early 1903; New York, NY Signed: Tiffany Studios / New York / [T.G.D.Co. monogram] / B 26522 The gold iridescent Favrile glass capital with trailing lily pad motif raised on a patinated bronze puddle-style “Plain” base with slender stem 18” H x 5.5” Dia. $3,000-5,000 Provenance: The Alan Schneider Collection

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1106

A Tiffany Studios patinated bronze and Favrile glass inkwell

Circa 1900-1902; New York, NY Signed: Tiffany Studios / New York / [T.G.D.Co. monogram] / 27358 The patinated bronze inkwell with reticulated sides, blown green Favrile glass panels, craquelure design to lid, and clear glass insert 3.75” H x 4.25” Dia. $3,000-4,000

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1107

A Tiffany Studios “Grape Vine” letter rack

Circa 1902-1919; New York, NY Signed: Tiffany Studios / New York / 1007 The patinated bronze letter rack with verdigris patination, green mottled glass, and “Grape Vine” motif overlay fitted with three compartments 8.75” H x 12.75” W x 3.5” D $800-1,200 Provenance: The Alan Schneider Collection

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1108

A Tiffany Studios “Grape Vine” desk set

Circa 1902-1919; New York, NY Each signed: Tiffany Studios / New York; Further marked: 903 / 981 / 997 Each patinated bronze with green mottled glass and “Grape Vine” motif overlay with areas of verdigris patination, comprising a memoranda pad with wood back, a pen tray, a pen wiper, and four blotter corners, 7 pieces Largest: 7.75” H x 4.75” W x .75” D; Smallest: 1.5” H x 1.25” Dia. $800-1,200 Provenance: The Alan Schneider Collection

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1109

Two Tiffany Studios “Grape Vine” desk accessories

Circa 1902-1919; New York, NY Each signed: Tiffany Studios / New York; One further marked: 823 Each mottled green glass with patinated bronze “Grape Vine” motif overlay and beaded border, comprising one humidor cigar box with cedar-lined lid and lockplate and one utility box raised on ball feet, 2 pieces Larger: 3” H x 9.5” W x 6.5” D; Smaller: 1.5” H x 4.375” W x 3” D $1,200-1,800 Provenance: The Alan Schneider Collection

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1110

A L.C. Tiffany Favrile glass leaf and vine vase

1908; New York, NY Signed: L.C. Tiffany / Favrile / 8768 C The baluster-form gold iridescent Favrile glass vase shaded to blue with green leaf and vine motif 10.5” H x 4.75” Dia. $1,000-1,500 Provenance: The Alan Schneider Collection

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1111

A L.C. Tiffany Favrile glass leaf and vine vase

1908; New York, NY Signed: L.C. Tiffany / Favrile / 4405 C The urn-form marbled gold iridescent Favrile glass vase with green iridescent leaf and vine motif 7” H x 5” Dia. $1,000-1,500 Provenance: The Alan Schneider Collection

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1112

A L.C. Tiffany Favrile glass leaf and vine vase

1912; New York, NY Signed: L.C. Tiffany / Favrile / 2795 G The wide-shouldered gold iridescent Favrile glass vase with green iridescent leaf and vine motif 6.5” H x 6” Dia. $800-1,200 Provenance: The Alan Schneider Collection

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1113

A Tiffany Studios counter-balance desk lamp

Circa 1902-1919; New York, NY Shade signed: L.C.T.; Base signed: Tiffany Studios / New York / 416 The green damascene Favrile glass shade with tones of blue and green with gold iridescence on a patinated bronze counter-balance “Chaflin” base with curved stem and adjustable head, electrified Base: 14.75” H x 7” W x 10.5”D; Shade: 7” Dia. $4,000-6,000

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1114

A blue L.C. Tiffany Favrile glass floriform vase

1918; New York, NY Signed: L.C. Tiffany, Inc. / Favrile / 1526 - 4805 M / [L.C.T. monogram paper label] The blue iridescent Favrile glass floriform vase with ribbed exterior, scalloped and flared rim, and knopped stem raised on a slightly domed foot 12.5” H x 4.25” Dia. $1,000-2,000 Provenance: The Alan Schneider Collection Literature: Moise S. Steeg, “Tiffany Favrile Art Glass,” 1997, p. 154.

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1115

A L.C. Tiffany Favrile pink pastille glass compote

Circa 1902-1919; New York, NY Signed: L.C. Tiffany / Favrile / 1293 / [L.C.T. monogram paper The opalescent pastille glass compote with a flared cranberryedge fading to light pink, raised on a clear stem and opaque w opaque white leaf motif throughout 8.75” H x 9” Dia. $400-600 Provenance: The Alan Schneider Collection

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1116

A L.C. Tiffany Favrile glass free-form vase

1902; New York, NY Signed: L.C.T. / R 5519 The gold iridescent Favrile glass vase shaded to blue with tapered free-form body and low relief rippled exterior 9.5” H x 3.5” Dia. $500-700 Provenance: The Alan Schneider Collection

label] -colored onion skin white foot, with

1117

Two L.C. Tiffany Favrile glass floriform cabinet vases

1909 and 1918; New York, NY First signed: L.C. Tiffany / Favrile / 5366 D; Second signed: L.C. Tiffany / Favrile / 1529-1261 M Each bulbous floriform vase with wide ruffled edge, gold iridescent onion skin interior, and white glass exterior with green pulled feathers atop blue iridescent bases, 2 pieces Larger: 5” H x 5.75” Dia. $800-1,200 Provenance: The Alan Schneider Collection Literature: Moise S. Steeg, “Tiffany Favrile Art Glass,” 1997, p. 84.

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1118

A blue L.C. Tiffany Favrile glass bud vase

Circa 1892-1893; New York, NY Signed: L.C. Tiffany / Favrile / X 169 The blue iridescent Favrile glass bud vase with tapered body and flared rim raised on a slightly domed foot 12” H x 3.5” Dia. $700-900 Provenance: The Alan Schneider Collection Literature: Moise S. Steeg, “Tiffany Favrile Art Glass,” 1997, p. 154. Notes: Tiffany Favrile blown glass registry numbers preceded by “X” denote experimental pieces.

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1119

Five L.C. Tiffany Favrile glass items

Circa 1904-1921; New York, NY Large vase signed: L.C. Tiffany Inc. / Favrile / 1025-4190 M; Small vase signed: L.C. Tiffany / Favrile / 3734 P; Toothpick holders signed: L.C.T.; One further signed: V 2984; One further signed: V 2951; One further signed: V 2992 Each gold iridescent Favrile glass, comprising a baluster-form vase with blue-shaded interior, an urn-form vase with sawtooth edge, and three blue-shaded toothpick holders with pinched sides, 5 pieces Largest: 6.5” H x 3.5” Dia.; Smallest: 1.75” H x 1.5” Dia. $400-600 Provenance: The Alan Schneider Collection

1120

A L.C. Tiffany Favrile glass bowl

Circa 1892-1893; New York, NY Signed: L.C. Tiffany / Favrile / 1561 The Favrile glass footed bowl in pink to clear gradation with onion skin rim, white underside, and optical base 3.25” H x 12.25” Dia. $800-1,200 Provenance: The Alan Schneider Collection

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1121

A Georg Jensen “Acorn” sterling silver flatware service

Circa 1930s Each marked: GJ [Georg Jensen cipher] / Sterling / Denmark Designed 1915 by Georg Jensen, comprising 8 hollow-handled place knives (9.125”), 8 flat butter spreaders (5.875”), 8 place forks (7.5”), 8 salad forks (6.625”), 8 teaspoons (5.625”), 8 demitasse spoons (4.375”), 1 lemon fork (4.25”), 1 sugar tongs (3.625”), 1 hollow-handled cheese slicer (8.25”), 51 pieces Weighable sterling: 47.53 oz. troy approximately $1,500-2,000 Notes: This lot is accompanied by a Georg Jensen catalogue dated 1937 and various other ownership and sales ephemera.

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1122

A Wallace “Grand Baroque” sterling silver flatware service

Mid-20th Century Each marked for Wallace and sterling Designed 1941 by William S. Warren, comprising 6 hollow-handled Modern dinner knives (9.75”), 8 hollowhandled Modern place knives (8.875”), 14 hollow-handled butter spreaders (6.25”), 1 hollow-handled master butter spreader (6.625”), 6 dinner forks (8”), 8 place forks (7.5”), 13 salad forks (6.625”), 15 teaspoons (6.125”), 1 sugar spoon (6.25”), 1 serving/tablespoon (8.75”), and 1 cold meat serving fork (8.125”), 74 pieces Weighable sterling: 76.35 oz. troy approximately $1,500-2,000

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1123

A Stieff “Royal Dynasty” sterling silver flatware service

Circa 1966-1991 Each marked for Stieff and sterling Designed 1966 by Jose Barata y Barrera, comprising 14 hollow-handled Modern place knives (9.125”), 12 hollow-handled butter spreaders (6.375”), 14 place forks (7.5”), 14 salad forks (6.625”), 14 oval soup/dessert spoons (6.5”), 13 teaspoons (6.125”), 1 tablespoon (8.625”), 1 pierced tablespoon (8.625”), 1 serving fork (8.625”), and 1 hollow-handled cake server (10.5”), 85 pieces Weighable sterling: 106.43 oz. troy approximately $1,200-1,800

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1124

A Karabagh Caucasian runner rug

First-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 114” L x 47” W $800-1,200

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1125

An Islamic embroidered textile

Late 19th/early 20th Century Silk and metal thread on green velvet, with all-over arabesques and floral designs 90.5” H x 55.5” W $4,000-6,000 Provenance: By repute, from the Danny Thomas Estate, Beverly Hills, CA to present owner

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1126

A Turkish pictorial prayer rug

Late 19th/early 20th Century Wool on cotton foundation, with polychrome figural scene and arabesque motifs on a cream and red field enclosed by cartouches with Quranic inscriptions 65.5” L x 50” W approximately $800-1,200

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1127

A Yumud bag face textile

Second-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs on a burgundy field 32” L x 50” W $600-800

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1128

A Kashan area rug

Mid-20th Century Wool on cotton foundation, with polychrome central medallion and floral motifs 135” L x 102” W $1,000-1,500

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1129

A Russian Kilim flat weave rug

Second-quarter 20th Century Wool on wool foundation, with polychrome geometric motif on alternating bands of cream and red 121” L x 54” W $1,000-1,500

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1130

A Tekke area rug

First-quarter 20th Century Wool on cotton foundation, with polychrome geometric motifs 118.5” L x 90” W $1,200-1,800

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1131

A Tekke Yomud hatch area rug

First-quarter 20th Century Wool on wool foundation, with polychrome ge 51.5” L x 47.5” W $600-800

First Silk poly 86”

$600

1132

A Tekke Bokhara area rug

First-quarter 20th Century Wool on wool foundation, with polychrome geometric motifs 46” L x 41.5” W $800-1,200

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eometric motifs

133

Chinese silk and metal thread area rug

t-quarter 20th Century on silk foundation with metal thread with ychrome geometric and floral motifs L x 50” W

0-800

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1134

Romain (Erté) De Tirtoff

(1892-1990, Russian) “Rue de la Paix,” 1987 Cold-painted and gilt bronze Singed: Erte; further marked: 415-500 / [copyright s LTD / London / DS 14.25” H x 7” W x 3” D $1,500-2,500

Provenance: Sale: Dyansen Gallery, New Orleans, N The Estate of Ronald J. McGowan

Notes: This lot is accompanied by a certificate of au from Dyansen Gallery, New Orleans, dated Novemb

1135

Romain (Erté) De Tirtoff

(1892-1990, Russian) “Fedora,” 1989 Cold-painted and gilt bronze Singed: Erte; further marked: 242-500 / [copyright symbol] / 1989 / Seven Arts / LTD / London / DS 18.75” H x 11” W x 8” D $1,500-2,500 Provenance: Sale: Dyansen Gallery, New Orleans, August 18, 1989 The Estate of Ronald J. McGowan Notes: This lot is accompanied by a certificate of authenticity and receipt of sale from Dyansen Gallery, New Orleans, dated August 18, 1989.

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symbol] / 1987 / Seven Arts /

November 11, 1999

uthenticity and receipt of sale ber 11, 1999.

1136

Romain (Erté) De Tirtoff

(1892-1990, Russian) “Arabian Nights,” 1990 Cold-painted and gilt bronze Singed: Erte; further marked: [copyright symbol] / 1990 / Chalk & Vermilion / and Seven Arts / 351-375 / [cipher] 22.625” H x 10” W x 6” D $1,500-2,500 Provenance: Sale: Dyansen Gallery, New Orleans, November 11, 1999 The Estate of Ronald J. McGowan Notes: This lot is accompanied by a certificate of authenticity and receipt of sale from Dyansen Gallery, New Orleans, dated November 11, 1999.

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1137

Romain (Erté) De Tirtoff

(1892-1990, Russian) “Dream Birds,” 1988 Cold-painted and gilt bronze Singed: Erte; further marked: 219-500 / [copyright symbol] / 1988 / Seven Arts / LTD / London / DS 18” H x 15” W x 7.5” D $2,000-3,000 Provenance: Sale: Dyansen Gallery, New Orleans, October 20, 1988 The Estate of Ronald J. McGowan Notes: This lot is accompanied by a certificate of authenticity, dated December 8, 1988, and receipt of sale from Dyansen Gallery, New Orleans, dated October 20, 1988.

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1138

Romain (Erté) De Tirtoff

(1892-1990, Russian) “Hera” and “Zeus,” 1989 Cold-painted and gilt bronze Singed: Erte; further marked: 347-500 / [copyright symbol] / 1989 / Seven Arts / LTD / London / DS Hera: 15.25” H x 10.5” W x 8” D; Zeus: 18.75” H x 14.5” W x 12” D $3,000-5,000 Provenance: Sale: Dyansen Gallery, New Orleans, October 30, 1997 The Estate of Ronald J. McGowan Notes: This lot is accompanied by a certificate of authenticity and receipt of sale from Dyansen Gallery, New Orleans, dated October 30, 1997.

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1139

After Titian

(1488/90-1576, Italian) “Sacred and Profane Love” Oil on canvas laid to canvas Appears unsigned 45.5” H x 74.25” W $4,000-6,000 Notes: The original model for this lot, Titian’s circa 1514 “Amore Sacro e Amor Profano,” is part of the Borghese Gallery Collection in Rome.

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1140

Attributed to Maria Verelst

(1680-1744, Dutch) “The Pet Spaniel” (young girl with Squirrel Spaniel) Oil on canvas laid to canvas Appears unsigned, titled on a gallery receipt 30” H x 25” W $2,000-4,000 Provenance: Marie Whitney Antiques, Tolland, MA, June 10, 1988 Notes: An original receipt from Marie Whitney Antiques accompanies this lot.

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1141

Wilhelm Ritter

(1850-1926, German) Two works Cavaliers playing dice o Cavaliers playing cards Each: Oil on canvas Each: Signed lower righ Each: 15” H x 18” W $800-1,200

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1142

C. L. Romoli

(19th Century, Italian) Apollo dancing with the nine muses, after Baldassare Peruzzi Oil on a gilt-lacquer panel in a gilt and painted frame Signed on the frame’s name plate; each muse identified in Greek on the painted scroll near the lower edge Panel: 13.75” H x 31.5” W $2,000-4,000 Notes: This work appears to be a copy after the original painting by Baldassarre Peruzzi (1481-1536) in the Pitti Palace, Florence.

outside a tavern; inside a tavern

ht: Wilhelm Ritter

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1143

Louis Haghe

(1806-1885, Belgian) “The Duke Andre Dandolo Departing for the Crusade from St. Mark’s Cathedral, Venice,” 1863 Watercolor and gouache, faintly squared in pencil for transfer, on paper under glass Appears unsigned; titled and dated from labels affixed to the back board Sight: 50.75” H x 42.75” W $3,000-5,000 Notes: George Redford’s two volume publication, “Art Sales 1626-1887: A History of Sales of Pictures and other Works of Art,” published in London in 1888, includes what appears to be this large watercolor. It is described on page 156 as “Dandolo Leaving St. Mark / 51 x 43” within a section devoted to the auction results for roughly 80 different watercolors by Haghe. “T. Blackburn” is listed as the consignor. Apparently the piece did not sell during the auction in 1865 (i.e. “Bt. in.” printed in the buyer column is probably short for “bought in”), however, the 477 pounds and 15 shillings figure recorded at that time was the second highest amount for any of Haghe’s watercolors auctioned between 1860 and 1884. In present day terms, that amount equates to nearly $60,000. 1 5 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1144

Leon Augustin Lhermitte

(1844-1925, French) Les Fosses de rue Chailly Pastel on paper over board under glass Signed lower left: L. Lhermitte 14.5” H x 12.75” W $2,000-4,000 Provenance: Sold: Hotel Drouot, Paris, France, November 27, 1990 Galerie Jonas, Paris, France Galerie Michael, Beverly Hills, CA Acquired from above by Dr. Denis Bettencourt Literature: Fonteny, Monique le Pelley. “Leon Augustin Lhermitte: Catalogue Raisonne” Paris, Editions Cercle d’Art, 1991, p. 257, no 560. w w w. j o h n m o r a n . c o m 1 5 5

1145

Alphonse-Marie-Adolphe de Neuville

(1835-1885, French) Military figures saluting, 1884 Oil on canvas Signed and dated lower right: A de Neuville 25”H x 17”W $1,500-2,500

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1146

Rembrandt Harmensz van Rijn

(1606-1669, Dutch) “Bust of an Old Man with a Fur Cap and Flowing Beard, Nearly Full Face,” circa 1631 Etching on laid paper under Plexiglas Second (final) state. A good, even impression of this delicately etched, rare print. The sheet with 2-3 mm margins on all sides Plate: 2.5” H x 2.125” W (63 mm H x 54 mm W); Sheet: 2.75” H x 2.25” W (68 mm H x 58 mm W) $3,000-5,000 Provenance: Galerie Michael, Beverly Hills, CA Private Collection, acquired from the above Literature: Hind 49; Bartsch 312; New Hollstein 82

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1147

A French Louis XV-style wall mirror

Mid-20th Century The parquetry veneered, escutcheon-shaped frame with scrolling foliate gilt-bronze mounts centering a rocaille crest enclosing a conformingly shaped mirror 58” H x 42.75” W x 2” D $1,000-1,500

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1148

An Italian carved wood wall mirror

Late 19th/early 20th Century The carved wood wall mirror with rocaille-style crest atop a mirrored upper segment over a rectangular fame with scrolling elements and applied pateras enclosing a rectangular beveled mirror 64” H x 39” W x 1.75” D $1,000-1,500

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1151

A pair of French Empire-style chande

Circa 1940s Each chandelier with a flared, green painte body with foliate brass mounts and issuing arms with faux-candle sleeves and centerin light with frosted clear glass torch shade, s a conformingly decorated canopy and chai electrified, 2 pieces Each: 33” H x 23” Dia. approximately $1,200-1,800

1149

A pair of Henry Dasson gilt-bronze sconces

1881 One signed and dated: Henry Dasson / 1881 Each figural gilt-bronze sconce with a trumpeting cherub and foliate designs issuing two scrolled arms, 2 pieces Each approximately: 17.25” H x 9.625” W x 5.125” D $2,500-3,500

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eliers

ed brass, disc-shaped g six swan-form ng a single pendant suspended from in link harness,

1150

A French Henry Dasson lamp table with drawer

1892 Signed and dated: Henry Dasson 1892 The gilt bronze-mounted table with rectangular top and baluster-form gallery rail over a scrolling floral motif apron with frieze drawer atop an undertray, raised on four tapered legs with pole feet 30” H x 22” W x 14” D $5,000-7,000

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1152

A pair of French figural chenets

Late 19th/early 20th Century Each gilt-bronze chenet in the form of scrolling rocaille with flowers and surmounted by a music-making putto, one with bagpipes and one with tambourine, 2 pieces Each: 14.5” H x 14” W x 8” D approximately $1,000-1,500

1154

A Louis XV-style table

First-quarter 20th Century Marked to underside: Made in Belgium The round table with inset pink and grey marble top over a shaped apron with rocaille motif gilt-bronze mounts, raised on four cabriole legs with sabots to the feet 29.75” H x 38” Dia. $1,500-2,000

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1153

A pair of gilt-bronze girandoles

First-quarter 20th Century Each flat-backed girandole suspending clear glass pendalogue drops, translucent purple glass fruit-shaped drops, and chains, issuing five arms with faux-candle sleeves raised on a gilt-bronze pedestal base, electrified, 2 pieces Each: 36” H x 18” W x 13” D $2,000-3,000

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1155

A pair of gilt-bronze and cloisonné sconces

First-quarter 20th Century Each gilt-bronze wall sconce with all-over figural masks, floral festoons, and oak boughs issuing five scrolled acanthus arm, finished with polychrome cloisonne enamel body and capitals, 2 pieces Each: 42” H x 25” W x 11.5” D $1,000-2,000

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1156

A French gilt-bronze chandelier

Fourth-quarter 19th Century The gilt-bronze chandelier in the form of scrolling acanthus foliage issuing six drooping arms, each with floral sockets and frosted clear glass shades, centering a single pendant light, electrified 40 H x 33” Dia. approximately $1,000-2,000

1157

A pair of gilt-bronze girandoles

First-quarter 20th Century Each flat-backed girandole suspending clear and translucent purple glass pendalogue drops and issuing three scrolled arms with faux-candle sleeves raised on a gilt-bronze tripod base, electrified, 2 pieces Each: 27” Hx 14” W x 10” D $800-1,200

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1158

A German Baroque-style marquetry chest

Late 18th/early 19th Century The Baroque-style chest with bow-front top over three conforming drawers with lined interiors and gilt-metal drop handles and lock plates raised on four tapered legs, with all-over bookmatch parquetry veneer and geometric marquetry bandwork 31” H x 29.5” W x 222” D $1,200-1,800

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1159

A Renaissance Revival carved walnut library table

Fourth-quarter 19th Century Interior stamped: Antiquarian Traders The carved walnut library table with dark green marble top over a fluted border and basketweave motif apron with ram’s head corners atop carved slat sides decorated with heraldic devices on scrolled escutcheons and terminated by zoomorphic lion’s mask feet on castors and joined by a carved stretcher with acanthus leaves and a rosette 32.75” H x 63” W x 30” D $700-900 Notes: The table was previously retailed by Antiquarian Traders of Los Angeles.

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1160

A Continental woven tapestry

18th Century The wool tapestry woven with polychrome birds and a castle in a lakeside landscape 87” L x 94” W $1,500-2,500

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1161

A Belgian woven tapestry

18th Century The wool tapestry woven with polychrome figures in a landscape 86” L x 98” W $1,500-2,500

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1162

A large Aubusson area rug

Late 19th/early 20th Century The wool rug with overall floral sprays and scrolled acanthus leave on a cream ground 199” L x 187” W $3,000-5,000

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1163

A cast iron sculpture of Liberty

19th Century Marked: Salin France Depicting a draped figure of Liberty with raised torc 62.25” H x 12” W x 17” D approximately $3,000-5,000 1 7 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

1164

William Reid Dick

(1879-1961, Scottish) “The Catapult,” circa 1911 Patinated bronze on marble base Signed: W. Reid Dick 12.5” H x 8.25” W x 5” D $1,500-2,500

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1165

A Neoclassical-style bronze urn

Late 19th/early 20th Century The krater-from urn with laurel bough border over a Bacchanal processional frieze atop a pedestal foot with grapevine motif and flanked by opposed half-figure handles, raised on a stepped marble base 12.5” H x 11” W x 8.75” D $600-800

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1166

Albert-Ernest Carrier-Belleuse

(1824-1887, French) Dancing Bacchantes with putto, after Claude Michel (Clodion) Patinated bronze on marble base Signed: A. Carrier 33” H x 15.25” W x 6.5” D $4,000-6,000

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1167

An English sterling silver tea and coffee service

Circa 1860-1868 Each with London hallmarks and various maker’s marks “RH” and “DH CH” Each with ornate repousse floral motifs and strapwork raised on acanthus feet, comprising a coffee pot (10.75” H), a teapot (8.25” H), a sugar bowl (5.75” H), and a creamer (6.25”H H), 4 pieces 85.76 oz. troy approximately $3,000-5,000

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1168

A Towle “Old Master” sterling silver flatware service

Mid-20th Century Each marked for Towle and sterling Designed 1942 by Harold E. Nock, comprising 12 hollow-handled Modern place knives (8.75”), 8 hollow-handled New French place knives (8.75”), 1 hollow-handled master butter knife (6.75”), 1 hollow-handled cheese knife (7.125”), 1 hollow-handled butter spreader (5.75”), 16 flat butter spreaders (5.75”), 16 place forks (7.25”), 17 salad forks (6.375”), 1 lemon fork (5.25”), 1 pickle/olive fork (5.875”), 14 ice cream forks (5.625”), 17 teaspoons (6”), 16 round bowl cream soup spoons (6.25”), 12 iced tea spoons (7.75”), 1 sugar spoon (5.75”), 1 pierced bon bon spoon (5.5”), 1 jelly server (6.5”), 1 cream ladle (5.5”), 1 gravy ladle (6.75”), 1 tomato server (7.25”), 1 casserole spoon (8”), 1 pierced serving/tablespoon (8.5”), 3 tablespoons (8.5”), 1 cold meat serving fork (8.25”), 1 hollow-handled cake server (10.5”), 1 hollow-handled cake knife (12”), 147 pieces Weighable sterling: 141.99 oz. troy approximately $3,000-3,500

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1169

A Gorham “Versailles” sterling silver flatware service

Late 19th/early 20th Century Each marked for Gorham and sterling Designed 1888 by F. Antoine Heller, comprising 4 hollow-handled New French dinner knives (9.625”), 16 hollow-handled place knives (8.75”), 10 flat butter spreaders (5.75”), 21 place forks (6.75”), 8 pastry forks (6”), 14 oval soup/dessert spoons (7.125”), 6 round bowl soup/gumbo spoons (6.75”), 12 round bowl cream soup spoons (6.25”), 16 round bowl bouillon soup spoons (5”), 7 teaspoons (5.875”), 1 five o’clock teaspoon (5.125”), 12 iced tea spoons (7.25”), 3 tablespoons (8.5”), 1 vegetable serving spoon (8.75”), and 1 serving fork (8.75”), some personalized, 132 pieces Weighable sterling: 157.655 oz. troy approximately $3,000-5,000

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1170

A WMF Art Nouveau Gothic-style silver plate centerpiece set

First-quarter 20th Century Each marked for WMF silver plate With oxidized medieval-style figural and knotted interlacing, comprising two garniture urns (12.75” H x 6” Dia.) and one raised centerpiece with a glass basin and affixed mounted knights (12.75” H x 24.25” W x 9.5” D), 3 pieces $3,000-5,000 Notes: Each garniture urn stamped with importer marks for Anezin Hermanos and Company, Argentina and the centerpiece stamped with importer marks for Aragone Hermanos.

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1171

Charles Brunin

(1841-1887, Belgian) Study of a seated Neapolitan fisherman with bird Patinated bronze Signed: C. Brunin / Roma 23.75” H x 10” W x 11.5” D $800-1,200

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1172

An Art Nouveau bronze sculptural basin

Fourth-quarter 19th Century Signed faintly [illegible] The patinate bronze sculpture depicting a woman with a pitcher at a water’s edge over a basin with bas-relief fish 19.5” H x 19” W x 13.5” D $1,200-1,800

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1173

A pair of marble and malachite obelisks

20th Century Each with inset malachite veneer on a beige marble tiered pedestal bas Each: 20” H x 3.75” W x 3.75” D $1,200-1,800

1174

A pair of gilt-bronze glazed bedside tables

First-quarter 20th Century Each with a rocaille motif openwork back panel atop a rectangular inset glass top over a drawer and single-door glazed cabinet with mirrored interior raised on four rocaille feet, 2 pieces Each: 27.5” H x 21” W x 13.5” D $3,000-5,000

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se, 2 pieces

1175

E. Battiglia

(19th/20th Century, Italian) Standing figure with scythe and wheat Carrara marble Signed: E. Battiglia / Firenze 49” H x 18” W x 12” D $3,000-5,000

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1178

A pair of French Bou

First-half 20th Century Each Bouillotte-style lam atop a gilt-bronze base sockets and surmounte Each overall: 26.5” H x $800-1,200

1176

A pair of Continental Bouillotte table lamps

Fourth-quarter 19th Century Each Bouillotte lamp with a gilt-bronze base with four flared scrolled legs atop an X-form foundation issuing two arms with urn-form capitals and one central standard with an adjustable black lacquered metal tole shade surmounted by a pinecone finial, 2 pieces Each: 20.5” H x 10” W x 6.5” D $800-1,200

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uillotte-style table lamps

mp with a black lacquered metal tole shade e with rocaille motifs fitted with two light ed by a torch finial, electrified, 2 pieces 15.125” Dia.

1177

A French Louis XV-style parquetry commode

Late 18th/early 19th Century Signed: F. Bayer The breakfront-form grey marble top over two conformingly shaped drawers with gilt-bronze laurel leaf motif drop handles and all-over parquetry veneer 32.75” H x 31.5” W x 16” D $3,000-5,000

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1179

A pair of SevrËs-style urns

Late 19th/early 20th Century Each lid marked: France Each gilt bronze-mounted urn with a domed lid over a tapered ovoid body centering a reserve of putto enclosed by foliate gilt highlights on a celeste blue ground flanked by two figural mask handles and raised on a square base, 2 pieces Each: 14” H x 6” W x 3.75” D $600-800

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1180

A pair of Dresden relief-decorated porcelain urns

Late 19th/early 20th Century Each with blue mark for Richard Klemm, Dresden Each domed lid surmounted by a hand-painted bird modeled in the round, over a baluster-form body all-over decorated in high relief with polychrome-glazed flowers, birds and fruiting branches, over a similarly-decorated plinth raised on scroll feet, 2 pieces Each: 21.5” H x 10.25” W x 11” D $1,200-1,800 Provenance: Purchased from John Moran Auctioneers, Lot 185 Sale 135

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1181

A pair of gilt-bronze

Late 19th/early 20th Ce Each chandelier with a terminals and all-over s Each: 26” H x 30” Dia. $2,000-3,000

1183

A pair of Italian carved wood armchairs

Second-quarter 20th Century Each green painted and parcel-gilt carved wood, with scrolled openwork crest rail and slat back centering a quatrefoil design over an upholstered back cushion and seat atop an openwork carved seat rail, flanked by padded arms terminating in figural sphinx masks, raised on scrolled feet, 2 pieces Each: 38.75” H x 34” W x 35” D $1,200-1,800

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19 Th gla af dra wit 88

e chandeliers

entury reeded column issuing five arms with putto scrolled motifs, electrified, 2 pieces approximately

1182

n Italian Rococo-style carved giltwood vitrine cabinet

9th Century he carved giltwood cabinet with all-over rocaille motifs, the azed two-door upper cabinet with mirror back and centering foliate mask over a bombe-form lower portion with a single awer and centering an avian motif scene, raised on four legs th acanthus feet joined by an X-stretcher 8” H x 50” W x 18” D

6,000-8,000

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1184

An Italian carved giltwood console table

19th Century The shaped, peach-colored inset marble top with lobed corners over an openwork carved rocaille motif apron raised overall on four cabriole legs on scrolled feet joined by an X-stretcher centering a foliate finial 40” H x 62.25” W x 20” $1,500-2,500

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1185

A French Louis XVI-style commode

19th Century The gilt-bronze mounted mahogany commode with rectangular marble top over three frieze drawers with laurel wreath pulls atop two long drawers with ribbon escutcheons, flanked by column-style corners surmounted by banded gilt panels, raised on four fluted tapering legs 35” H x 48” W x 21” D $2,500-3,500

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1186

A French Louis XV-style vernis Martin vitrine cabinet

Late 19th/early 20th Century Two scenes signed illegibly The parquetry and gilt bronze-mounted vitrine centering a rocaille and putti crest over a sinlge-door glazed cabinet with red velvet interior, atop three vernis Martin-style pastoral figural scenes raised on four splayed feet with sabots 75.5” H x 32.5” W x 16” D $1,500-2,500

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1187

A French Louis XV-style commode

Second-half 18th Century Signed: L.M. Lefevre / JME [ciphers] The serpentine-form commode with grey and red marble top over a kingwood, amaranth, and tulip wood veneered carcass with two short drawers and two long drawers finished with gilt-bronze rocaille mounts and foliate handles 32.75” H x 51.5” W x 24.25” D $4,000-6,000

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1188

A large Meissen figural group of Artemis

Late 19th/early 20th Century With blue underglaze crossed swords mark The polychrome glazed porcelain figural group depicting Artemis / Diana with followers and putti 28” H x 20” W x 18” D approximately $8,000-12,000

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1189

A pair of KPM lidded urns

19th Century or earlier Each with blue underglaze scepter mark Each urn with domed lid surmounted by an eagle over an egg-shaped reeded body designed with a gilt meander border, polychrome floral sprays, and gilt laurel wreaths enclosing figural medallions with courting scenes, 2 pieces Each: 14.25” H x 8.5” Dia. $800-1,200

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1190

A plaster cast of a Classical-style portrait bust 20th Century Depicting the bust of a Classical-style male figure 13” H x 15” W x 11” D $1,000-1,500 Provenance: The M. H. de Young Memorial Museum Sale: Bonhams, San Francisco, CA, de Young Museum Sale, June 25, 2001, Lot 1062 Purchased by the present owner from the above

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1191

A pair of Meissen-style relief-decorated porcelain candelabra

19th Century Each with blue underglaze “X” mark Each high-relief decorated, polychrome glazed porcelain candelabrum with a tree trunk-form column issuing six scrolled radial arms terminating in foliate motif bobeches and capitals, surmounted by a domed floral bouquet finial, centering the figure of a woman with a putti, and raised on a circular base with wreaths and four scrolled feet Each: 32” H x 17” Dia. $2,000-4,000

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1192

A French Louis XV-style bureau plat

Fourth-quarter 19th Century The parquetry veneered desk with inset gilt-foil stamped leather writing surface over a gilt-bronze mounted apron with rocaille motifs to three frieze drawers raised on four cabriole legs with sabots to the feet 31” H x 65.5” W x 33.75” D $2,000-3,000

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1193

A pair of French Louis XVI-style corner cabinets

Mid-20th Century Each gilt bronze-mounted cabinet with marble top over a parquetry veneered, two-door cabinet concealing a single shelf, raised on four tapered feet, 2 pieces Each: 37” H x 36.5” W x 26” D $3,000-5,000

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1194

1195

Late 19th/early 20th Century The oval marble top inset with a guilloche motif trimmed skirt raised on four tapered and fluted legs with laurel leaf and foral motifs, joined by a beaded and curved X-stretcher 31” H x 28” W x 20” D

Late 19th/early 20t The parquetry vene over a gilt-bronze m frieze drawers and 30.75” H x 68” W x

A French Louis XV-style carved giltwood lamp table

$800-1,200

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A French Louis X

$2,000-3,000

XV-style bureau plat

th Century eered desk with inset gilt-foil stamped leather writing surface mounted apron with rocaille motifs and figural masks, with three raised on four cabriole legs with sabots to the feet x 34.5” D

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1196

An Italian flip-top vanity

First-quarter 19th Century The veneered kidney-form vanity with flip-top mirror compartment over a shaped apron with two swing-out, pivoting side drawers with brass pulls raised overall on four cabriole legs with ball-and-claw feet 28.5” H x 41.5” W x 22.5” $600-800

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1197

A pair of French Empire-style gilt-bronze and marble pedestals

Late 19th/early 20th Century Each with a square white marble top over a gilt-bronze column with figural sphinx masks and rosette motifs raised on a stepped white marble base with gilt-bonze feet corners, 2 pieces Each: 42.75” H x 13.125” W x 13.125” D $3,000-5,000

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1198

An English marquetry buffet

Late 19th/early 20th Century Drawer marked: Hobbs & Co. / London The breakfront-form marble top over one long drawer, a cabinet with a concave half-circle door, and two concaved side drawers and side cabinets, with all-over cornhusk festoon and scrolled motif marquetry in various fruitwoods and hardwoods, the side doors centering portrait roundels of Athena and Artemis in bone and mother-of-pearl inlay 37.5” H x 64.5” W x 26” D $2,000-3,000

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1199

An English Queen Anne-style lowboy

Mid-18th Century The lowboy with walnut burl veneer and oak construction, the rectangular top over three drawers with brass pulls atop a shaped apron raised on four cabriole bracket legs 26.75” H x 26.125” W x 18.125” D $2,000-3,000

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1200

A French Provencial cupboard

18th Century The cupboard with a three-shelved top section with turned drop finials and shaped apron atop two long drawers and a two-door cabinet with scrolling metal mounts over a conformingly shaped apron and raised on four scrolled feet, 2 pieces 87.5” H x 50.25” W x 25” D $1,200-1,800

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1201

A French Louis XV-style folding paravent screen

19th Century The three-panel carved giltwood folding screen with inset glass panes atop pleated ivory silk panels, all surrounded by rocaille motifs 66.25” H x 67” W x1.5” D $1,000-1,500

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1202

A French onyx and champlevÉ enamel pedestal

Fourth-quarter 19th Century The onyx and red marble stand with square top over an octagonal column and raised on a tapering square base, finished with gilt-bronze and champleve enameled mounts 38.75” H x 13.25” W x 13.25” D $3,500-4,500

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1203

A French Empire-style cabinet

Circa 1900 With rectangular beveled mirror flanked by two bow front glazed cabinets with mirrored backs atop an inset green marble top over two short drawers and a threedoor cabinet with single shelf, finished with all-over gilt-bronze mounts and swan motifs, raised on paw feet 76” H x 66.5” W x 20.5” D $1,200-1,800

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1204

A pair of French Louis XVI-style wood stands

20th Century Each octagonal form with gilt-bronze mounts and rosette pateras, 2 pieces Each: 31.5” H x 16” W x 16” D $800-1,200

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1205

A pair of French Louis XVI-style fauteuils

First-quarter 20th Century Each with carved giltwood carcass and pink and blue striped silk upholstery, issuing a rounded upholstered back surmounted by a floral wreath crest flanked two scrolled acanthus arms with elbow pads and down swept supports over an upholstered stuffed seat raised on four fluted tapering legs, 2 pieces 37.25” H x 27.25” W x 25” D $1,000-1,500

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1206

A vernis Martin-style hand-painted giltwood vitrine

First-quarter 20th Century The gilt bronze-mounted, quatrefoil-form glazed cabinet with bowed glass and hand-painted polychrome floral sprays enclosing a satin-lined interior, raised on four cabriole legs with sabots to the feet 37.5” H x 22” Dia. $600-800

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1207

A carved marble and bronze sculpture

Late 19th/early 20th Century Signed: Gino WP Carved marble bust of a young girl wearing a patinated bronze garment on an octagonal marble base 11.5” H x 8” W x 6” D $800-1,200

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1208

An ebonized wood and bone marquetry writing desk

Third-quarter 19th Century The slant-top writing desk surmounted by an upper compartment with three drawers atop a fitted interior with three pigeonholes over a long drawer, raised overall on four tapered legs joined by an H-stretcher, with all-over inlaid bone marquetry centering a figural plaque 43.75” H x 28.5” W x 19.25” D $1,000-2,000 Provenance: Sale: K. Spiegelman Antiques, Inc., West Hollywood, CA to present owner

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1209

A pair of brass and onyx plant stands

Late 19th/early 20th Century Each stand with a square onyx top over an openwork apron with putto and grape motifs over an under shelf with rocaille border, raised on four reeded legs with scrolled feet, 2 pieces Each: 32” H x 13” W x 13” D $800-1,200

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1210

1211

(1850-1917, French) LibertÉ Patinated bronze Signed: Auguste Paris 30.875” H x 15” W x 10” D

Fourth-qua Each armc depicting a stuffed s feet joined Each: 46.1

Auguste Paris

$1,200-1,800

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A pair of

$700-900

f needlepoint hall chairs

arter 19th Century chair with a polychrome needlepoint and petit point upholstered back two figures with leather verso over two scrolled carved wood arms and seat atop an openwork carved apron raised on four turned legs with paw d by an H-stretcher, finished with nail head trim, 2 pieces 125” H x 23.125” W x 29” D

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1212

After Arthur Waagen

(1833-1898, German) Two works Fisherman Cold-painted patinated bronze Signed: Waagen 30” H x 19” W x 13” D Huntsman Cold-painted patinated bronze Signed: Waagen 30” H x 17” W x 12” D $1,000-1,500

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1213

A pair of Queen Anne carved giltwood armchairs

19th Century Each carved giltwood chair with fiddle back flanked by two curved arms over a yellow and gold silk upholstered seat raised on four cabriole legs joined by a turned H-stretcher on pad feet, 2 pieces Each: 41” H x 23” W x 14” D $600-800

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1214

A carved giltwood pedestal stand

Late 19th/early 20th Century The carved giltwood tripodal stand with all-over scrolling foliate and floral motifs raised on three scrolled feet with acanthus leaves 68” H x 20” Dia. $1,500-2,500

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1215

A bronze sculpture of Narcissus

Late 19th/early 20th Century Marked to plaque: Narcisse de Pompei / Musee de Naples The patinated bronze sculpture depicting the standing figure of Narcissus of Pompeii on a round base 25” H x 9” Dia. $600-800

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1216

A French Louis XV-style bureau plat

Late 19th/early 20th century The parquetry veneered desk with inset marble top over a gilt-bronze mounted apron with inset Sevres-style porcelain plaques and two frieze drawers raised on four cabriole legs with figural masks and sabots to the feet 31.5” H x 56.5” W x 31” D $2,000-3,000

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1217

Johanna Engel

(20th Century, German) Standing half-nude female in an interior Oil on canvas Signed lower left: Johanna Engel 72” H x 48” W $800-1,200

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1218

A French Louis XV-style vernis Martin c

First-quarter 20th Century Mounts impressed in cast: PEG N.Y. The shaped onyx top with lobed corners over enclosing two shelves, with gilt-bronze figural three vernis Martin-style panels comprising tw Bacchus and a Bacchante surrounded by putt sabots 45” H x 50.5” H x 18.5” D $2,000-3,000

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1220

A French Neoclassical-style gueridon table

19th Century The tripod gueridon with circular black granite top enclosed in a bronze frame with ring pulls atop three out-swept legs joined by a circular stretcher raised overall on brass hoof-form feet 28.25” H x 31.75” Dia. $1,000-1,500

cabinet

r a bombe single-door cabinet l masks and rocaille mounts around wo landscapes flanking a scene of ti, raised on four splayed feet with

1219

A French Louis VX-style carved giltwood settee set

Late 19th/early 20th Century Each with carved giltwood carcass, polychrome floral silk upholstery, and rocaille motifs, comprising a settee (37.75” H x 48” W x 22” D), two armchairs (37.125” H x 24” W x 22” D), and two side chairs (36” H x 18.5” W x 16” D), 5 pieces $1,500-2,500

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1222

A pair of Louis XVI-style carved giltwood and tapestry fauteuils

Late 19th/early 20th Century Each armchair with a carved giltwood carcass and polychrome silk tapestry upholstery with figural pastoral scenes, issuing an oval upholstered backrest with carved oak leaf trim surmounted by a crest flanked by two channeled scrolled arms with elbow pads and a stuffed seat atop a carved ribbon seat rail, finished with nail head trim, raised on four fluted tapering legs, 2 pieces Each: 41” H x 25” W x 23” D $800-1,200

1221

A monumental Meissen-style relief-decorated porcelain table clock

19th Century Each with blue underglaze “X” mark with dot The clock with an enameled metal dial with black Roman numeral hour markers, outer minute track, and two train movement enclosed in a gilt-metal bezel and set in a lidded, urn-form, polychrome glazed porcelain case with all-over high relief floral decoration and putto centering various heraldic devices 45.5” H x 18” W x 12” D $2,000-4,000

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1223

A French carved white marble reclining sleeping baby

19th Century Depicting a draped baby with curly hair sleeping on a cushion and holding a lily 12.5” H x 22” W x 9” D $1,500-2,000

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1224

A French marquetry dressing table

Mid-19th Century The dressing table with all-over bookmatch parquetry and tessellated marquetry, with locking flip-top cabinet fitted with a mirror flanked by two flip-top compartments, each with fabric lined interior, raised on four tapered legs with sabots to the feet and finished with gilt-metal handles and lock plate 28.25” H x 27.75” W x 20.5” D $500-700

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1225

Georges Bareau

(1866-1931, French) Nike Patinated bronze on marble base Signed: G. Bareau 22.25” H x 12.25” W x 11.75” D $600-800

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1226

A pair of Meissen-style relief-decorated porcelain urns

19th Century Each with blue underglaze “X” mark with dot and “C” Each domed lid decorated with high-relief polychrome flowers over a baluster-form body with fluted neck flanked by two putto and floral swags atop a conformingly decorated floral waist and plinth, 2 pieces Each: 17.75” H x 6” Dia. $800-1,200

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1227

1228

First-quarter 20th Century The parquetry veneered table vitrine with hinged inset glass panel top and gilt-bronze rope border over a cabinet with tufted silk interior, raised on four cabriole legs with gilt-bronze mounts and sabots 29.5” H x 26” W x 14.25” D

20th Century Each with a carved and painted giltwood and rocaille motifs issuing a rectangular u seat raised on four cabriole legs with scro padded arms with down swept supports, Each: 44.75” H x 20” W x 16” D

A French Louis XVI-style parquetry table vitrine

$800-1,200

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A set of Louis XV-style dining chairs

$1,000-2,000

carcass, green damask silk upholstery, upholstered backrest over an upholstered olled feet joined by an X-stretcher, two with 8 pieces

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1229

An Italian carved walnut cassone

18th Century The carved walnut chest with rectangular hinged lid over a carved body fronted with two foliate motif panels with a shaped apron and a damask lined interior 21.5” H x 64.25” W x $1,000-2,000

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1230

An Italian apothecary chest

18th/19th Century The rectangular apothecary chest with three small drawers over a flip-down cabinet with a carved apron on four bracket feet 34” H x 29.25” W x 12.5” D $1,000-2,000

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1231

A French Louis XVI-style carved giltwood demi lune console table

First-half 19th Century The demi lune table with a fitted pink and white marble top over a carved giltwood structure with guilloche motif apron, bead and spindle trim, and floral festoons centering a ribbon bow raised on two fluted tapered legs with ogee stretcher and urn-form finial 33.25” H x 36” W x 17” D $800-1,200

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1232

An Italian Baroque-style side cabinet

19th Century The carved walnut cabinet with a rectangular marble top over two short drawers atop two cupboards partitioned by bas-relief Corinthian-style columns surmounted by foliate masks, raised on a stepped base with imbricated motif 45” H x 63” W x 24.5” D $1,500-2,500

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1233

An Italian carved giltwood console table

Late 19th/early 20th Century The rectangular peach-colored marble top with squared corners over a Vitruvian scroll frieze with two frieze drawers and an openwork carved scrolling foliate apron with festoons centering a shell, raised overall on four legs with coin molding on scrolled feet 31.5” H x 67” W x 25.5” D $2,500-3,500

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1234

An Art Nouveau carved wood dining set

Circa 1900 Likely French, each with carved floral motifs, comprising a mirrored buffet with brass hardware (107” H x 56” W x 21” D), an extendable dining table with two leaves (29” H x 56” W x 41” D; extended: 92” W), and six matching side chairs with original tooled black leather backs and seats (each: 38” H x 17.5” W x 19” D), 8 pieces $3,000-5,000

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1235

A pair of Italian Rococo-style carved giltwood armchairs

20th Century Each with carved giltwood carcass and floral silk damask upholstery, with a wide back surmounted by a rocaille crest and issuing two channeled arms over an upholstered squab cushion and conformingly carved seat rail raised on four scrolled feet, 2 pieces Each: 33” H x 35.5” W x 34” D $2,000-3,000

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1236

A Continental Baroque-style secretary

18th Century The slant-top oak desk with carved inset lozenge motif front concealing a fitter interior with tiered drawers and center cabinet over three serpentine-style long drawers with swan neck handles, raised on four bracket feet 40” H x 44.5” W x 24.5” D $1,500-2,500

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1237

A Continental carved wood hall bench

18th Century The carved wood hall bench with fluted crest rail atop two in panels depicting Archangels Michael and Gabriel enclosed i surround with lozenge border and putti masks over two strai upholstered seat, raised overall on four straight legs joined b 43.5” H x 32.5” W x 25” D $700-900

1239

A large Continental Baroque-style carved oak side table

19th Century or later The long rectangular side table with high-relief carved floral motifs and figural masks to apron raised on two front bracketed legs with scrolled feet and two straight back legs 35” H x 84.4” W x 30.5” D $1,000-1,500

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1238

A pair of Italian giltwood pricket candlesticks

19th Century Each carved giltwood candlestick with knopped column and flared base centering applied giltwood foliate medallions, terminating in a foliate metal bobeche with pricket, and raised on three scrolled feet, 2 pieces Taller: 29” H x 8” Dia. $800-1,200

nset figural back in an arched ight arms and floral by a box stretcher

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1242

A set of French Louis XVI chair

Late 18th/early 19th Century Each chair with green floral silk upho polychromed wood carcass, issuing over an upholstered seat raised on f by rosette pateras, 4 pieces Each: 34” H x 18” W x 19.75” D $400-600

1240

A pair of large Italian giltwood alter candle lamps

Late 19th/early 20th Century Each carved giltwood candle lamp with knopped column atop a tri-form base raised on three scrolled feet with foliate motifs and black painted trim throughout topped with associated tan linen drum shades, electrified, 2 pieces Each overall: 47” H x 16.25” Dia. $1,000-1,500

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olstery with nailhead trim and carved a square-form upholstered backrest four fluted tapering pole legs topped

1241

A French Empire-style buffet

Second-quarter 19th Century The rectangular top over apron with gilt-bronze anthemions, scrolled foliate motifs, and rosette pateras atop a single-shelf cabinet enclosed by a mirrored door flanked by four columns 37.5” H x 57.25” W x 22” D $1,000-2,000

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1243

19th Century Continental School

Pastiche of several Watteau-like groupings in a landscape Oil on canvas laid to waxed canvas Appears unsigned 45” H x 37” W $1,200-1,800

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1244

Antonio Gargiullo

(Fourth-quarter 19th Century, Italian) Orientalist interior with a man and woman Watercolor on paper laid to paper Signed lower left: A Gargiullo Sight: 21” H x 14” W $800-1,200

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1245

A gilt-bronze and onyx pedestal

Late 19th/early 20th Century The onyx stand with tiered square top over a tapered column and raised on a stepped square base, finished with gilt-bronze garlands 35” H x 16.25” W x 16.25” D $600-800

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1246

Egbert Van Heemskerck the Younger

(c.1676-1744, Dutch) “Two Monks” Oil on canvas laid to canvas Indistinctly initialed lower left: EH; titled in another hand on a label affixed verso and with an alternate title in another hand on the stretcher: “A Monk at Confession” 10.25” H x 9.25” W $1,000-1,500

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1247

After Bartolome Murillo

(1617-1682, Spanish) “The Infant Christ and Saint John the Baptist with a Shell” Oil on canvas laid to board Appears unsigned; with a name plate (detached) identifying the original artist 24” H x 26.5” W $800-1,200

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1248

Floral still life with bird

18th Century Dutch/Flemish School Oil on paper laid to canvas Indistinctly signed lower right 43.5” H x 31.5” W $800-1,200

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1249

A Continental carved giltwood demi-lune table with marble top

Late 19th/early 20th Century The demi-lune table with a fitted taupe marble top over a carved giltwood structure with openwork apron, foliate roundels, and centering a figural mask issuing grapevine festoons and raised on six fluted tapering legs wrapped with floral garlands 36.25” H x 55.5” W x 18.5” D $1,000-1,500

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1251

18th Century Continental School

St. Jude, after receiving the Holy Spirit at Pentecost, blessing an infant Oil on canvas laid to canvas Appears unsigned 45” H x 35” W (oval) $800-1,200

1250

A Continental painted wood table box

Circa 1884 Likely German, the rectangular wood box painted black with scrolling foliate gilt highlights and centering four polychrome figural panels of variously styled putti, one with German inscription commemorating an anniversary and dated October 21, 1884, with brass hardware and pink velvet lined interior 15” H x 15” W x 10” D $800-1,200

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1252

A Schumann-Bavaria “Empress Dresden Flowers” porcelain dinner service

Circa 1945-1981 Each variously marked: Schumann / Bavaria / Germany / US Zone / Dresden; Further variously numbered Each glazed white porcelain with polychrome floral sprays and gilt rims, comprising eight dinner plates (10.125” Dia.), eight salad plates (7.75” Dia.), eight bread plates (6.25” Dia.), eight fruit/ dessert bowls (5.25” Dia.), eight footed cream soup bowls (5” Dia.), a large oval serving platter (16” W), a relish dish (10” W), a gravy boat with attached undertray (8.5” W), eight flat cups (2.125” H), and eight saucers (5.75 Dia.), 59 pieces $800-1,000

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1253

A Schumann-Bavaria “Empress Dresden Flowers” porcelain dinner service

Circa 1945-1981 Each variously marked: Schumann / Bavaria / Germany / Arzberg / [English ER mark] / Empress Dresdener Flowers; Further variously numbered Each glazed white porcelain with polychrome floral sprays and gilt rims, comprising four dinner plates (10.125” Dia.), four salad plates (7.75” Dia.), five bread plates (6.25” Dia.), two oval vegetable bowls (9.75” W), four flat cups (2.125” H), and four saucers (5.75 Dia.), 23 pieces $500-700

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1254

A Schumann-Bavaria “Empress Dresden Flowers” porcelain dessert service

Circa 1945-1981 Each variously marked: Schumann / Bavaria / Arzberg / Germany / US Zone / Royal Dresdener Art / Dresden Flowers / [English ER mark]; Further variously numbered Each glazed white porcelain with polychrome floral sprays and gilt rims, comprising a coffee pot (10” H), teapot (6.5” H), a covered sugar bowl (5” H), a creamer (3.625” H), ten square luncheon plates (8.5” W), a large pedestal cake stand (12.5” Dia.), a round compote (6” Dia.), 16 pieces $500-700

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1255

A Schumann-Bavaria “Empress Dresden Flowers” porcelain coffee service

Circa 1945-1981 Each variously marked: Schumann / Bavaria / Germany / Royal Bavarian / Made in Bavaria / US Zone / Arzberg / Dresdener Art; Further variously numbered The diminuative coffee service of glazed white porcelain with polychrome floral sprays and gilt rims, comprising a coffee pot (7” H), a small creamer (3.25” H), a small covered sugar bowl (3.25” H), four demitasse cups (1.75” H), and five demitasse saucers (4.25” Dia.), 12 pieces $400-600

1256

Three Schumann-Bavaria “Chateau Dresden” porcelain items

Circa 1945-1963 Each variously marked: Schumann / Bavaria / Germany / US Zone / Dresden / Chateau; Further variously numbered Each glazed white porcelain with polychrome floral sprays pierced rims, and gilt highlights, comprising a charger (11.25” Dia.), a plate (10.5” Dia.), and an oval bowl (6.75” W), 3 pieces $300-500

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1257

A bronze bust of a man

19th Century Signed: F. Barbedienne. Fondeur. [Ferdinand Barbedienne] / Reduction Mecanique A Collas Brevete The patinated bronze bust of a young man with long hair and a mustache on a marble base 21” H x 16.5” W x 9” D $1,000-1,500

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1258

A carved giltwood wall-mounted console table

20th Century The wall-mounted console table with a demi-circle green marble top over a scrolling rocaille carved giltwood base 37” H x 33” W x 9.75” D $1,000-1,500

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1259

A marble pedestal with bronze mounts

20th Century The square top over a column with Corinthian-style bronze mounts raised on a stepped base 45” H x 10.75” W x 10.75” D $600-800

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1260

A carved giltwood pedestal stand

Late 19th/early 20th Century The carved giltwood tripodal stand with all-over scrolling foliate motifs and floral swags raised on three scrolled feet with acanthus leaves 57” H x 18” Dia. $1,200-1,800

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1261

1262

19th Century Each carved and gessoed wood with gilt and polychrome painted details, 2 pieces Larger: 15” H x 10.5” W x 13” D

19th/20th Century Each polychromed tail and one paw ra Each: 18.5” H x 19”

A pair of Burmese carved wood seated monks

$3,000-5,000 Provenance: The Blake Byrne Collection

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A pair of South A

$1,000-1,500

Asian carved wood Yali temple guards

carved wood figure in the form and a lion-type Yali with scrolled aised, 2 pieces ” W x 7.5” D

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1263

An East Asian carved wood figure

Late 19th/early 20th Century The carved wood figure of a man wearing an open-chested robe, one leg raised on the opposite knee, and holding a strand of beads, with a lacquered finished and gilt and painted designs 26.5” H x 15.5” W x 10” D $800-1,200

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1264

A Chinese Imperial Chi’fu robe

Late Qing Period (1644-1912) The robe in indigo blue open weave fabric with polychrome patterns in blues, whites, and greys consisting of clouds, birds, and bats with silver and gold thread embroidered dragons over a sea, finished with narrow sleeves with angled cuffs and an asymmetrical side with metal buttons, presented in an acrylic frame Frame: 59.25” H x 50.25” W x 2” D $2,000-3,000

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1265

A Chinese embroidered silk robe

Second-quarter 20th Century The pink damask silk wrap-front robe with knotted closures and three-quarter sleeves, trimmed with silk floss embroidered panels in black silk with multicolored woven floral motifs and banded cream silk trim to sleeves Collar to hem: 58.25” L approximately $600-800

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1266

A Chinese embroidered silk jacket

Second-quarter 20th Century The yellow silk jacket with lapels embellished with embroidered floral motifs in blue and white and with all-over multicolored floral motifs Collar to hem: 28.5” L $300-500

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1267

Five framed Chinese silk textile elements

20th Century Each of various shapes and sizes with floral and animal motifs in various colors with embroidery, metal thread, silk floss, sequins, and woven patterns, some padded, comprising two tear-drop elements in blue silk (3.75” L x 2.5” W approximately), floral-form petals (9.625” Dia.), a floral roundel with sequins (10.625” Dia. approximately), an oval shaped element with five parts joined by beads (10” H x 8.5” W approximately), and a figural roundel with a face (8.5” H x 9.75” W), 5 pieces Largest frame: 16” H x 14” W; Smallest frame: 10.875” H x 13.875” W $500-700

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Consign Today

California & American Fine Art November 16, 2021

Granville Redmond (1871-1935 Los Angeles, CA) “October” (Study) $10,000-15,000

Consignment and Auction Inquiries: fineart@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 2 8 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, S e p te mb e r 2 8 , 2 0 2 1

Consign Today

Fine Jewelry & Timepieces | December 2021 Featured in our upcoming September 21, 2021 Fine Jewelry Auction: A pair of yellow and near colorless diamond flower earrings $4,000-6,000 A jadeite and diamond ring $8,000-12,000 A Van Cleef & Arels “Alhambra” necklace $15,000-20,000 Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 w w w. j o h n m o r a n . c o m 2 8 1

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Condition Reports

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1001 Overall good condition with tarnishing and minor scratches/scuffs commensurate with age. “D” element slightly loose. Some stones fluoresce under blacklight. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 1002 Overall good condition with tarnishing and light scratches commensurate with age. Bird with wear and darkening to feathers. Includes winding key. 1003 Overall good condition with shelf wear, scuffs, and scratches commensurate with age. 1004 Each overall good condition with tarnishing and light scratches commensurate with age. The comb lacking bristles, only the original handle is present. The nail buffer with a .25” chipped loss to surface guilloche at one end. Working condition of clock unknown. Moran’s does not guarantee the working condition of clocks and watches. 1005 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Hinge nonoperational and lid not securely attached. Updates to hardware. Three feet with inward bending. Light loosening to mounts. Lacking key.

Condition Reports

1006 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

284

1007 Overall good condition with tarnishing, light scratches, and scuffs commensurate with age. One minor area of cracking to guilloche at upper right side band. 1008 Overall good condition with shelf wear, minor scuffs, inherent firing flaws, and darkening/oxidation to bronze commensurate with age.

1009 Each overall good condition with tarnishing, light scratches, and rubbed wear to designs commensurate with age. 1010 Overall good condition with dust accumulation, scuffs, and scratches and typical signs of wear commensurate with age. Scattered areas of superficial cracking in grout between tesserae. Frame with scattered minor chips to gilt, cracks, and a repair to center left. Frame: 24” H x 20” W 1011 Overall good condition with scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Frame with nicks, scratches, and cracks to sight-edge molding. Frame: 21.625” H x 16.25” W x 1.75” D 1012 Overall good condition with wear and light scratches commensurate with age. Giltwood frame with scattered scuffs, scratches, nicks, and cracks throughout and with wear to the velvet molding. Plaque not examined out of frame. Frame: 19.25” H x 16.5” W 1013 Overall good condition with minor scuffs, scratches, tarnishing, and darkening to underpainting commensurate with age. Frame with scattered nicks, cracks, scratches, loss to gilt finish, and loss/wear to velvet and cord. Frame: 11.125” H x 9.75” W x 2.5” D 1014 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With rust to prexisting iron hinges/hardware, with lateradded mounts for wall hanging. Each with French paper export label to verso, one with wax stamp, possibly dated 1788.

1016 Each Visual: Generally good condition. Surface dirt and grime recto and verso. Varnish discoloration. Scattered small chips, scuffs, paint losses and staining along the outermost edges. The first with scattered lines and areas of surface in-filling and re-painting throughout. Rectangular cutouts and a wooden inset, verso, suggesting previous use as part of a folding altar. The second with delicate craquelure and slight surface rubbing throughout, perhaps mostly in the varnish layer. A 2” x .5” vertical area of irregular paint loss and grime lower center. A small hanging device and several old mounting holes near the upper edge verso. Each Blacklight: No evidence of additional restoration or newer touch-ups visible beyond those described above. The second somewhat difficult to read under blacklight due to varnish. Each Unframed 1017 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Losses to left arm joint and toes. Hanging mount to back. 1018 Overall good condition with dust accumulation, scuffs, and scratches commensurate with age. Frame with scattered chips, nicks, and wear. Frame: 20.5” H x 23” W x 2.5” D 1019 Overall good condition with shelf wear, scuffs, scratches, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: rubbed wear to surface decoration; one putto with break to arm; scattered repairs to putti throughout, primarily to hands and arms.

1020 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Minor oxidation and darkening to bronze mounts. Rubbed wear to gilt highlights and painted scenes. One loose on base, one with a loose handle. No evidence of repairs or restorations under blacklight. 1021 Overall good condition with minor scuffs, scratches, inherent firing flaws, and darkening/oxidation to bronze commensurate with age. Measurement is from the base to the top of the canopy. No evidence of repairs or restorations under blacklight. Wiring should be checked by a qualified electrician prior to use. 1022 Each overall good condition with tarnishing, shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with minor surface chips in glaze. One with spots of heavier chips to relief elements above painted reserve. One with repair to handle and reaffixing to footed support visible under blacklight, and lacking base plate. 1023 Overall good condition with minor scuffs and oxidation and darkening to bronze commensurate with age. With wax residue commensurate with use. One candelabrum with one missing sconce to capital. One candelabrum with loosening of attached floral spray and one missing applied flower. 1024 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: female figure with chip to tip of one toe. No evidence of repairs or restorations under blacklight. One further inscribed in black ink to underside and with adhesive felt pads. 1025 Each overall good condition with minor scuffs, dust accumulation, shelf wear, and darkening/oxidation to bronze commensurate with age. Glass drops with scattered abrasions, flea bites, and minor chips. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

1015 Overall good condition with minor scuffs, scratches, tarnishing, and darkening to underpainting commensurate with age. Applied halo with scattered areas of bending. Painting with craquelure, darkening, and minor chips in paint. Lifting to edges of brass from wood.

285

1026 Overall good condition with shelf wear, dust accumulation, scattered minor scuffs, scratches, and oxidation to bronze commensurate with age.

1034 Overall good condition with shelf wear, scattered minor scuffs, rubbed wear, and inherent firing flaws commensurate with age.

1027 Overall good condition with shelf wear, scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a 2” area of chipping to bottom edge of wick lamp oil well, not visible when inserted; areas of repainting/touch-up to gilt highlights; rubbed wear to decorations; urn is wobbly; and one handle is loose.

1035 Each overall good condition with shelf wear, scattered minor scuffs, rubbed wear, and inherent firing flaws commensurate with age. Some plates with areas of touch-up to gilt decoration.

1028 Overall good condition with light scratches, darkening to gilt bronze, and evidence of wear commensurate with age. Slight loosening of applied elements and of select capitals. 1029 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Both busts loose on their plinths. No evidence of repairs or restorations under blacklight. 1030 Overall good condition with minor scuffs, darkening/ oxidation to bronze, inherent firing flaws, and rubbed wear commensurate with age. Lacking rear panel cover. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1031 Each overall good condition with shelf wear, dust accumulation, scattered minor scuffs, scratches, and oxidation to bronze commensurate with age.

286

1032 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a minor chip to rim of pedestal and 1” area of minor chips to verso edge of bust. No evidence of repairs or restorations under blacklight.

1033 Each overall good condition with shelf wear, scattered minor scuffs, rubbed wear, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

1036 Overall good condition with shelf wear, scattered minor scuffs, rubbed wear, and inherent firing flaws commensurate with age. Bronze with darkening/ oxidation. No evidence of repairs or restorations under blacklight. 1037 Each overall good condition with minor rubbed wear, scuffs, and scratches commensurate with age. Drilled holes to the bronze surround. Scattered minor hairline cracks to the bronze. Each frame: 34.75” H x 18” W

1038 Overall good condition with minor scuffs scratches commensurate with age. Possibly regilt. Glass insert with a 1” x 1” chip to the rim with a subsequent 7” hair line running vertically into bottom. 1039 Each overall good condition with scuffs, scratches, and oxidation/darkening to bronze commensurate with age. Marble with scattered chipped abrasions to edges and corners. Some mounts loose. One urn with adhesive residue to side. 1040 Overall good condition with minor scuffs, scratches, darkening/oxidation to bronze, inherent firing flaws, and rubbed wear commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1041 Each overall good condition with scuffs, scratches, darkening/oxidation to bronze, and inherent firing flaws commensurate with age. Minor rubbed wear to porcelain decoration. Wax residue to candelabra commensurate with use. Various mounts loose, candle arms loose. One candelabrum with repaired chip in fluted porcelain base. Clock’s porcelain finial with repaired break near handle. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1046 Fair condition in keeping with what appears to be the sheet’s use as a working drawing. Time staining and surface soiling throughout. The sheet with two fulllength, vertical creases and another across the lower left sheet corner. The upper and lower edges irregular and with attendant small tears.

1042 Overall good condition with shelf wear, scattered minor scuffs, rubbed wear, and inherent firing flaws commensurate with age. Issues include, but are not limited to: approximately two plates with minor chips to rim.

1047 Visual: Generally good condition. Surface dirt and grime. Varnish discoloration and delicate craquelure throughout. A pea-sized paint loss in the sky upper right, plus other smaller, scattered, pinhead-size losses.

1044 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Heavier shrinkage cracks to lid. Lacking key.

1045 Visual: Generally good condition. Minor surface dirt and grime. A very small area of delicate craquelure and flaking in the white shirt lower right. A horizontal line of abrasion, presumably from previous framing, approximately .5” from lower edge and slightly affecting the lowest points of the signature. Blacklight: No evidence of restoration under blacklight. Frame: 26” H x 22” W x 1.5” D

Unframed

Blacklight: No evidence of restoration under blacklight. Frame: 18.25” H x 22.5” W x 3” D 1048 Visual: Surface dirt, grime, and craquelure throughout. Scattered delicate scratches with attendant paint loss at right. Unobtrusive stretcher bar creases on all four sides. The canvas is slightly loose. Blacklight: Small older restorations with corresponding patches verso: the largest 2” x 1.5” Frame: 22.5” H x 18.5” W x 1.5” D 1049 Visual: Generally good condition. Varnish discoloration. An unobtrusive, pinhead-sized paint loss lower left. Slight stretcher bar creases on all four sides and down the center. Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish. Frame: 21” H x 28” W x 1.5” D 1050 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. 1051 Overall good condition with tarnishing, indentations, and light scratches commensurate with age. Central column wobbly.

Condition Reports

1043 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Linen liner is deteriorating with losses. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. Care should be taken when shipping items that contain mercury, please consult your preferred shipper for more information. Includes key.

The sheet is loose, not mounted.

287

1052 Each overall good condition with tarnishing, light scratches, and minor indentations commensurate with age. Knob on teapot loose. Three personalized: HCK.

1059 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Possible repairs/reinforcements to undersides.

1053 Overall good condition with tarnishing, indentations, and light scratches commensurate with age. Crystal liner with scratches and minor chips along edges. Weight does not include crystal liner.

1060 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Prominent repairs/reinforcements to underside. Table is wobbly due to loose joints. A crack running through the width of the marble top. Cracking and chips to undertray, tray breaking away from structure.

1054 Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed: MDR. 1055 Each overall good condition with tarnishing, indentations, and light scratches commensurate with age. Six monogrammed: M. Weight does not include unmarked tea strainer and dish, silver purity not guaranteed. 1056 Overall good condition with tarnishing and light scratches commensurate with age. Light foliage remnants to interior. Scattered minor indentations and a 1.5” indentation to shoulder. Minor pinholing/ recesses and chips to the enamel. Wood stand with scattered scuffs and indentations. Weight does not include wood stand.

Condition Reports

With base: 27.5” H x 11” Dia.

288

1057 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered minor repairs throughout. One with heavier splintering/shrinkage cracks to back splat. Two with modern reinforcements to seat blocks. One with more prominent repaired loss to back right leg. Likely refinished. 1058 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Scattered minor chips to carved elements and minor loss to figure’s hand. Stone with inherent surfacereaching fractures, inclusions, and abrasions.

1061 Overall good condition with minor scuffs and scratches commensurate with age. Scattered minor nicked abrasions to edges. No evidence of repairs or restorations under blacklight. 1062 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scuffs and abrasions to marble, one with a 1” chip to edge. One with more prominent repairs to carved border. One with spots of water damage scattered to top. 1063 Each overall good condition with wear, minor scuffs, and scratches commensurate with age. The censer with darkening and oxidation to bronze and loosening of two legs. The hardstone figure with inherent surface-reaching fractures and applied label with wax seal to verso. The cup with a small shrinkage crack to rim and loosening to metal foot. 1064 Each overall good condition with minor scuffs, oxidation to bronze, and darkening to gilt commensurate with age. One mounted for wall hanging. 1065 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipping and losses to carved/applied elements and repairs throughout. Two doors loose on hinges.

1066 Overall good condition with shrinkage cracks to carved elements, nicks, scratches, separation at joints, and chips commensurate with age. The largest chip to the end of one iris carving: .75” approximately. The top with a 5.75” long deep impression. The feet with scuffs and scratches. The wheels show oxidation.

1072 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Loosening of applied gilt-bronze floral elements. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1067 Overall good condition with shelf wear, scuffs, and light scratches commensurate with age. Scattered pin holing to the enamel inherent to the time of manufacture. With a 3.5” area of indentations to metal rim with associated cracks and chipping to enamel underneath, with further scattered chipped losses along underside rim. A 4.5” area of chipped losses to bottom rim and subsequent cover-up with black paint. Scattered minor chips to the enamel decoration throughout.

1073 Overall good condition with tarnishing and scratches commensurate with age. Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1069 Each overall good condition with shelf wear, scattered minor scuffs, inherent firing flaws, rubbed wear to decoration, and darkening/oxidation to bronze commensurate with age. Some mounts loose. No evidence of repairs or restorations under blacklight. 1070 Overall good condition with general scratches, scuffs and wear commensurate with age. Scattered shallow surface scratches to sides of clock case. Retains key. Moran’s does not guarantee working condition of clocks and watches. 1071 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions; a 1” chip to front right upper corner. Some mounts loose. Lacking rear cover liner. Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1075 Overall good condition with shelf wear and scuffs commensurate with age. Stone with inherent surfacereaching fractures, inclusions, and abrasions. Chipped abrasions to corners, more prominent chips to midlevel corners, and a minor chip to the front left leg. Prior repairs to each corner tower, central tower, and various columns visible under blacklight. Includes pendulum, lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. With base and dome: 24” H x 13.25” W x 9.25” D 1076 Overall fair condition with scuffs, scratches, dust accumulation, and oxidation commensurate with age. Considerable lifting and losses to boulle inlay and veneer. Rubbed wear and soiling to hour and minute markers, the ten minute plaque with repairs and lacking numeral. Includes pendulum and key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1068 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Bronze mounts with darkening/oxidation. One lid with .5” chip to flange. No evidence of repairs or restorations under blacklight.

1074 Overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Rubbed wear and minor chips to dial. Marble with inherent surface-reaching fractures, inclusions, and abrasions with scattered minor chipping along edges and corners. Lacking fastener to secure bell. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

289

1077 Overall good condition with scattered scuffs, light scratches, and oxidation/darkening to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Beaded border with bowing and misalignment. Various mounts loose. Lacking bell. Includes pendulum, lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1078 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One candelabrum lacking one capital insert. Wax residue commensurate with use. Reticulated rear panel cover with indentations. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1079 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: abrash, a 3” x 2” area of wear to foundation with repairs, rewoven areas to fringe edge, the largest a 6.75” x 1.25”, repairs to selvage edges.

Condition Reports

1080 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: areas of wear and fraying to the selvage edges, repairs and areas of reweaving throughout, and possible spots of moth damage.

290

1081 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: abrash, scattered repairs throughout, areas of patches and reweaving, fraying with losses to fringe edges and border, sections of reweaving at selvage cords, localized areas of dye migration, localized areas of low spots. 1082 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of low spots, abrash, dye migration, fading, and selvage cords rewoven and reinforced.

1083 Overall good condition with even wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: dye migration, localized low spots, wear to fringes and some wear selvage cord edges, evidence of soiling, and minor repairs. 1084 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of low spots and localized areas of repairs to selvage cords. 1085 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: some wear to fringe edge and selvage cords and a .5” x .75” hole to fringe edge. 1086 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized wear to selvage edges. 1087 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: abrash, a .25” puncture to border, and minor areas of low spots to foundation. 1088 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Areas of minor oxidation to bronze mounts. Includes key. 1089 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Areas of minor oxidation to bronze mounts. Includes key.

1091 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered areas of chipping to veneer and a touch-up to a scratch on one side. Leather with wear, scratching, and fading. Clock dial with scattered chips, rubbed wear, and areas of repainting. Includes drawer and winding keys. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1092 Overall good condition with minor scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age. Silk with scattered soiling/ dirt scuffs, fading, pulled stitches, and areas of glue/ adhesive residue. Shade with scattered areas of bending to wire frame. Two glass plaques with chips to verso. Inscribed script signature likely later-added. Wiring should be checked by a qualified electrician prior to use. 1093 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Mounts have been refinished or polished. Scattered areas of discoloration/varying finish to varnish, primarily visible to apron. Prominent shrinkage crack to verso. Scattered minor repairs and lifting to boulle. The stones with inherent surface-reaching fractures, inclusions, and abrasions. Includes key. 1094 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts, some with separation from wood. Writing surface with minor indentations and scuffs. Scattered areas of minor lifting, chipping, and surface abrasions to veneer. Includes keys.

1095 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of minor buckling and surface abrasions to veneer. 1097 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Scattered areas of buckling/lifting and surface abrasions to veneer. Likely has been refinished. 1098 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Two repaired cracks to the marble top. Scattered areas of buckling/lifting and cracks to marquetry veneer throughout. Lacking key. 1099 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Lapis veneer with areas of inherent surfacereaching fractures, inclusions, and abrasions. 1100 Overall good condition with minor scuffs and darkening/oxidation to brass commensurate with age. Inlay stones with inherent surface-reaching fractures, inclusions, and abrasions. One mirror column loose and with break in scrolled arm. One back leg bent inward. 1101 Overall good condition with wear, weathering, inherent surface-reaching fractures, inclusions, and abrasions commensurate with age. Head with prior made holes to top, possibly for hanging. Head and base with accession number labels. With base: 4.75” H x 2.75” W x 2.75” D 1102 Generally good condition. A central vertical fold, as issued, with attendant small splits and paper losses along the fold, the longest .25” at lower center. Not examined out of the frame. Frame: 27.5” H x 30” W x 1.5” D

Condition Reports

1090 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Scattered areas of rippling/lifting, chips, minor spots of touchup/restorations, and surface abrasions to veneer. Has been refinished. Includes key

291

1103 Overall good condition with scuffs, scratches, and darkening/oxidation to iron and copper commensurate with age. With light rusting to iron throughout. Copper insert with a drainage hole and later-added hole. 1104 Overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Crack to one glass panel. Wiring should be checked by a qualified electrician prior to use. 1105 Overall good condition with shelf wear, minor scuffs, and darkening to bronze commensurate with age. Crack to glass cap’s fitter rim. 1106 Overall good condition with shelf wear, minor scuffs, and oxidation/verdis gris to bronze commensurate with age. Glass insert with 1.75” hairline. 1107 Overall good condition with shelf wear, minor scuffs, and darkening to bronze commensurate with age. Scattered cracks to glass throughout.

Condition Reports

1108 Each overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Pen wiper without insert. Pen tray with crack to glass. Includes leather blotter. Adhesive felt pads to underside of blotter corners.

292

1109 Each overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Utility box with crack to interior lid glass. Does not include key. 1110 Overall good condition with minor shelf wear and light scuffs commensurate with age. Scattered bubbling to surface dating to the time of manufacture. 1111 Overall good condition with minor shelf wear and light scuffs commensurate with age. With a 1” area of nicks to rim.

1112 Overall good condition with minor shelf wear and light scuffs commensurate with age. Minor scratches to interior rim and one scratch to exterior side. 1113 Overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Bronze patination with heavy wear, patches of darkening, and scratches with moderate chipping. Depth measurement reflects lowest articulated position. Wiring should be checked by a qualified electrician prior to use. 1114 Overall good condition with minor shelf wear and light scuffs commensurate with age. 1115 Overall good condition with minor shelf wear and light scuffs commensurate with age. Minor chips to pontil mark. Minor imperfection to the interior dating to the time of manufacture. Adhesive felt pads to underside. 1116 Overall good condition with minor shelf wear and light scuffs commensurate with age. 1117 Each overall good condition with minor shelf wear and light scuffs commensurate with age. 1118 Overall good condition with minor shelf wear and light scuffs commensurate with age. 1119 Each overall good condition with minor shelf wear and light scuffs commensurate with age. One toothpick holder with minor chip to underside. 1120 Overall good condition with minor shelf wear and light scuffs commensurate with age. Minor scratch along rim. Light mounting putty residue and label residue to underside. 1121 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1123 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 1124 Overall fair condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of low spots, abrash, scattered patched repairs throughout, and selvage cords rewoven and reinforced. 1125 Overall good condition commensurate with age. Issues include, but not limited to: scattered pulled stitches, stitch loss, oxidation to metal threads, and even fading throughout. Fitted on modern backing. 1126 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: abrash, even fading throughout, minor loss of border at fringe. 1127 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Rug shape is tapered, measurements reflect longest and widest areas. Issues include, but not limited to: reweaving to selvage edges and scattered areas of low pile. 1128 Overall good condition with even pile-wear, light soiling, typical signs of wear commensurate with age and use. Issues include, but not limited to: areas of abrash and even sun fading throughout. 1129 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying with scattered losses to fringe and selvage edges; scattered holes, largest 1.5” x.5”; scattered repairs, and scattered repairs with reweaving throughout.

1130 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of pile-wear down to foundation, a repair toward center, dye migration, abrash, wear to selvage cords. 1131 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: light fading and localized wear to selvage cord edges and fringe edges. 1132 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1133 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to metal thread to foundation, and some wear to fringe edge and selvage cord edges. 1134 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. 1135 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. 1136 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. 1137 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Minor areas of chipping to painted surface at bottom of figure’s dresses. 1138 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age.

Condition Reports

1122 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Includes storage chest.

293

1139 Visual: Surface dirt, grime, craquelure and varnish discoloration throughout. A 37” unobtrusive, horizontal, hairline scratch center right. A small spot of paint loss lower right edge. Stretcher bar creases on all four edges, broken through along the lower edge. Frame abrasions along the four edges. Paint and canvas losses at the four corners. Other minor defects. Blacklight: Touch-ups scattered throughout. Unframed 1140 Visual: Generally good condition. Stable craquelure throughout. Minor frame abrasion along the four edges. Two tiny chips of touched up paint loss upper left. Tiny fleck of paint loss lower right. Blacklight: Small dots and lines of touch-up scattered throughout, concentrated mostly on the face, chest and arm of the subject. Frame: 38” H x 33” W x 2.5” D 1141 Each Visual: Surface dirt, grime and varnish discoloration. Frame abrasions along all four edges. The First: A pea-sized paint loss at the left edge and one tiny patch verso. The Second: Scattered craquelure throughout and with attendant paint losses at left, the largest 1.5” x .25.” Several horizontal scratches at right, the longest 2.25.” Two tiny and two larger patches verso. Each Blacklight: Apparently no restorations under blacklight. Difficult to read under varnish. Each Frame: 22.5” H x 25.5” W x 3.5” D

1142 Visual: Fair to good condition. The gilt surface showing slight wear, particularly at upper left. A series of vertical surface cracks extending down from the upper edge, the longest measuring1.5 inches. A 3.5 inch, horizontal, surface crack center left. A .75 inch line of loss in the gilt and lacquer layers attendant with one of the vertical surface cracks already mentioned. Delicate craquelure scattered throughout the painted areas. Frame abrasions along all four edges. Several unobtrusive cracks in the gilt and painted wood frame. One of the eagle-like motif in the upper portion of the frame retouched. Blacklight: No evidence of restoration under blacklight. Difficult to read with the gilt and lacquer layers. Frame: 24.25” H x 42” W x 2.5” D 1143 Generally good condition. Occassional very minor and unobtrusive flaking of the varnish. The paper of the lower right corner skillfully patched, presumably by the hand of the artist. Not examined out of the frame. Frame: 59” H x 51” W x 2” D 1144 Generally good condition. Frame: 33.5” H x 31.5” W x 3.5” D 1145 Visual: Generally good condition. Surface dirt, grime and varnish discoloration throughout. Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 29” H x 21.5” W x 2” D

294

1146 Generally good condition. One very soft, horizontal crease across the upper portion of the sheet, mostly visible in a raking light, and another across the tip of the lower right margin corner. The vertical platemark partially broken through at left. Two short, horizontal tears in the left margin, not affecting the platemark. The top right margin corner slightly skinned, verso, from previous hinging. Framed floating and hinged to the back mat Frame: 18.75” H x 18” W x 1.5” D

1148 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With replacement mirror.

1154 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Scattered areas of lifting, chipping, and surface abrasions to veneer. Marble with inherent surfacereaching fractures and inclusions. Table wobbles slightly.

1149 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1155 Each overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Cloisonne with scattered minor recesses to the glaze inherent to the time of manufacture and minor chips throughout.

1150 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of buckling/lifting, minor chips, and surface abrasions to veneer. Table wobbles slightly. Likely has been refinished.

1156 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Lacking one shade. Measurement is from the base to the top of the canopy, does not reflect variable hanging height from chain. Wiring should be checked by a qualified electrician prior to use.

1151 Each overall good condition with minor scuffs and darkening/oxidation to metal commensurate with age. Lacking one shade and one canopy. Measurement is from the base to the top of the canopy. Wiring should be checked by a qualified electrician prior to use.

1157 Each overall good condition with minor scuffs, dust accumulation, shelf wear, and darkening/oxidation to bronze commensurate with age. Glass drops with scattered abrasions, flea bites, and minor chips. Wiring should be checked by a qualified electrician prior to use.

1152 Overall good condition with minor scuffs and scratches commensurate with age. Refinished water gilt.

1158 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Fading and loosening to gilt-metal hardware. Scattered areas of buckling/lifting to the veneer. Each drawer with soiling, wear, and losses to interior lining. Evidence of wood worm throughout. Includes key.

1153 Each overall good condition with minor scuffs, dust accumulation, shelf wear, and darkening/oxidation to bronze commensurate with age. Glass drops with scattered abrasions, flea bites, and minor chips. One with breaks to chains and possible replacement fruit drops. Wiring should be checked by a qualified electrician prior to use.

1159 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. With extensive modern reinforcements and restorations. Marble top with minor chipped abrasions to edges and corners commensurate with use, natural surfacereaching fractures, and one pitted nick.

Condition Reports

1147 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and minor chipped abrasions commensurate with age.

295

1160 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive repairs and reweaving throughout, modern backing, and spots of soiling. 1161 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive repairs and reweaving throughout, modern border and backing, and spots of soiling. 1162 Overall fair to good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive staining/soiling and spots throughout, extensive fading, a .375” paint spot, needs cleaning. 1163 Overall good condition with scattered scuffs, scratches, oxidation/rusting, weathering, and dust accumulation commensurate with age and outdoor in-situ location. 1164 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and minor surface abrasions. Adhesive felts pad to underside.

Condition Reports

With base: 13.375” H x 8.25” W x 5.25” D

296

1165 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Heavier verdis gris oxidation to interior. Marble with scratches and abrasions, and minor chipping to edges and corners. With base: 14” H x 11” W x 9” D 1166 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. With base: 35” H x 17.25” W x 8.5” D

1167 Each overall good condition with tarnishing, indentations, and scratches commensurate with age. 1168 Overall good condition with tarnishing and light scratches commensurate with age. Scattered forks with minor maceration/bent tines. Weight does not include hollow-handled items. 1169 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. 1170 Overall good condition with tarnishing and light scratches commensurate with age. One mounted knight loose on base. 1171 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slight loosening of joined segments at the figure’s upper body. 1172 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. 1173 Each overall good condition with shelf wear, light scratches, and scuffs commensurate with age. Each with scattered chips along edges and corners, visible inherent surface-reaching fractures, and adhesive felt pads to the underside. One with two possible repairs to horizontal cracks running around the perimeter. 1174 Each overall good condition with minor scuffs, scratches, darkening/oxidation to bronze, and dust accumulation commensurate with age. One with loosening to one side glass panel. 1175 Overall good condition with scuffs, inherent surfacereaching fractures, inclusions, and abrasions to stone commensurate with age.

1177 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Buckling/lifting, chips, and losses to veneer with scattered repairs throughout. Evidence of localized wood worm. Back left leg with a 3” chipped loss to foot. Marble with inherent surface-reaching fractures, inclusions, and abrasions, more prominent on back edge. 1178 Each overall good condition with shelf wear, minor scuffs, scratches, and oxidation to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1179 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Bronze mounts with darkening/oxidation. No evidence of repairs or restorations under blacklight. 1180 Each in overall good condition with minor scattered nicks, chips, and losses to applied decoration commensurate with age. Each with rubbed wear to the gilt paint. One applied flower broken off and the pieces retained. A chip to one bird’s tail. Further restorations are difficult to determine. 1181 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Lacking shades. Measurement is from the base to the top of the canopy. Wiring should be checked by a qualified electrician prior to use.

1182 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered minor chips/losses to carved decoration. Likely has been refinished/regilt. Prominent spit to interior bottom. Later-added interior lighting. Wiring should be checked by a qualified electrician prior to use. Includes key. 1183 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Have been reupholstered. Each with scattered chipping to painted surface throughout. 1184 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipping to gilt surface throughout. Has been refinished and regilt. Evidence of wood worm. Marble with inherent surface-reaching fractures, inclusions, and abrasions, and repairs to center and both corners. 1185 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Includes key. 1186 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. One vernis Martin panel with crack running across the width and two with craquelure, one of which has scattered spots of overpainting/restorations. Lacking key.

Condition Reports

1176 Each overall good condition with shelf wear, minor scuffs, scratches, and oxidation to bronze commensurate with age. Each with rusting to central standard, missing links to decorative chains on base, and loosening of each candle arm. One with indentation to metal shade. Each with adhesive felt pads to underside.

297

1187 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern hardware screws and some modern reinforcements. Mounts refinished/regilt. Scattered areas of buckling/lifting, chipping, surface abrasions, and restaining/repairs to veneer. Has been refinished. Marble with inherent surface-reaching fractures, inclusions, and abrasions with a crack running through the depth of the top. Marble does not sit flush atop the cabinet. Evidence of wood worm. Includes key. 1188 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered minor superficial chips. No evidence of repairs or restorations under blacklight. 1189 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: rubbed wear to gilt highlights and mounting putty to rims and bases. No evidence of repairs or restorations under blacklight. 1190 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Scattered minor nicked surface abrasions and chips throughout.

Condition Reports

1191 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With repairs, restorations, and chipped losses throughout. One is wobbly on base.

298

1192 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. With scattered areas of buckling/lifting, chips, localized areas of water damage, and surface abrasions to veneer. Leather surface with heavy wear, staining/ soiling, moisture rings, lifting, splits/peeling, and fading to gilt foil. Lacking key.

1193 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and scuffs. Includes key. 1194 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with loght abrasion/wear to edge. Scattered areas of chipping/lifting to gilt surface. Stretcher with two repaired cracks at center. 1195 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. With scattered areas of lifting, chips, and surface abrasions to veneer. Leather surface with heavy wear, staining/ soiling, moisture rings, lifting, splits/peeling, and fading to gilt foil. Lacking key. 1196 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of buckling/lifting, chipping, surface abrasions, and localized repairs to veneer. Likely has been refinished. Lacking to segments to molding/ trim, with further scattered repairs. Possible lateradded reinforcements to underside. Lacking key. 1197 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. 1198 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of separation/lifting, minor chipped losses, and surface abrasions to veneer, more prominently around key holes and legs. Edges of marble top with scattered chipped abrasions. Lacking key.

1200 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of wood worm to verso of shelving unit and cabinet. Prominent cracking/separation of back paneling visible. Has likely been restored in areas. Top of cabinet with bowing to boards. Lacking key. 1201 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished/regilt. Scattered chipping to the gilt surface throughout. The silk panels with scattered areas of minor staining and soiling toward top. 1202 The stone with inherent surface-reaching fractures, inclusions, abrasions, and scattered chips commensurate with age. The column’s mounting slab red marble base with chips, cracks, and repairs. Further repairs/reattachment to the mounts on the base. 1203 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Back legs lacking mounts. Scattered areas of buckling/ lifting and surface abrasions to veneer. Likely has been refinished. Marble with inherent surfacereaching fractures, inclusions, and abrasions. Lacking key. 1204 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Each possibly have been refinished. One with prior repairs throughout.

1205 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, separation at joints, and soiling commensurate with age. Have been refinished and previously reupholstered. Upholstery with scattered stains and soiling, primarily to seats. 1206 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts, some with lifting. Wear with darkening/grime to surface. Includes key. 1207 Overall good condition with minor scuffs, inherent surface-reaching fractures, inclusions, and abrasions commensurate with age. Bronze with minor oxidation and darkening. Adhesive felt pads to underside. With base: 12.5” H x 9.5” W x 6.25” D 1208 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of surface abrasions, chipping, and splitting to ebonized surface. Minor areas of losses to inlay. Scattered nicked abrasions and minor chipped losses to wood throughout. 1209 Each overall good condition with scuffs and darkening/oxidation to brass commensurate with age. Onyx with inherent surface-reaching fractures, inclusions, and abrasions. Five upper corners with chipped abrasions. 1210 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slight loosening of joined segments at the figure’s upper body. Missing cross to the Globus Cruciger in the right hand, tops of branches in the left hand, and screw to the base.

Condition Reports

1199 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to brass mounts. Scattered areas of minor lifting, cracks, and surface abrasions to veneer. Likely has been refinished. Evidence of wood worm. Center drawer with a 1” splintered loss to bottom front corner. Lacking key.

299

1211 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each with reupholstered seats and back verso. Needlepoint upholstery with sun fading and tears/lost weft at corners. Leather backing with scuffs, indents, and areas of wear.

1217 Visual: Generally good condition. Minor surface dirt and grime. A .5” puncture in the canvas left center. An unobtrusive, 14” diagonal hairline surface scratch lower center. A pea-sized scratch with minor paint loss left center.

1212 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Adhesive felt pad to undersides.

Frame: 77” H x 53” W x 2” D

1213 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each have been refinished and reupholstered. Scattered chipping to the gilt surface throughout. One seat with minor spots of soiling. 1214 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been previously refinished/regilt. Scattered wear/ chips to gilt surface. A small drill hole to one side of flared top.

Condition Reports

1215 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Figure slightly loose on base.

300

1216 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Scattered areas of buckling/lifting, chipping, and surface abrasions to veneer, with further areas of dark staining throughout and moisture rings to top. One porcelain plaque with repaired crack and yellowed varnish. Marble with inherent surface-reaching fractures, inclusions, and scuffs. Lacking key.

Blacklight: No evidence of restoration under blacklight.

1218 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Mounts likely regilt. A 1.5” loss to mount at right side and areas of lifting. All-over craquelure visible to body with darkening and yellowing to varnish and scattered areas of overpainting and restorations. Interior refinished. Onyx with inherent surface-reaching fractures, inclusions, and abrasions, with scattered chipping. Includes key. 1219 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Have been reupholstered and possibly refinished. Evidence of wood worm. Scattered areas of minor chips to carved decoration. 1220 Overall good condition with minor scuffs, scratches, abrasions, and oxidation to bronze commensurate with age. 1221 Overall fair to good condition with shelf wear, dust accumulation, and inherent firing flaws commensurate with age. With repairs, restorations, modern reinforcements, and losses throughout. With modern clock movement. With imitation Meissen-style mark. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. Lacking key. 1222 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and light soiling/staining commensurate with age and use. Each with scattered areas of loss to silk weft, fading, and dust accumulation. One with repair to front leg. Likely regilt.

1223 Overall good condition with wear to marble commensurate with age. Inherent crack in marble across center of the figure’s chest. On reverse, piece of tape adhered to posterior. With professional restorations to fingers and toes. No visible markings.

1230 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Drawers are lined with modern timber. Evidence of woodworm throughout.

1224 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Raised grain, buckling, and chipped losses to veneer throughout. More prominent 6.5” loss to veneer on front left leg. Scattered filled indentations to the top. Slight loosening of lock plate. Includes key.

1231 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Marble top with chipped losses, abrasions to edges and corners, and repair to right back corner. With replacement urn finial. Scattered repairs throughout. Chipped losses and wear to the gilt surface throughout. Evidence of woodworm to structure.

1225 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Adhesive felt pad to underside.

1232 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Likely refinished. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Includes key.

With base: 24.5” H x 12.25” W x 11.75” D

1227 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Lid hinges very loose. Scattered areas of buckling/ rippling and lifting to veneer. Includes key. 1228 Each good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age and use. Each refinished and reupholstered. 1229 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Moisture rings to top. Modern reinforcements to lower apron and legs, legs reconstructed. Evidence of wood worm. Lacking one apron corbel. Lacking key.

1233 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipping to gilt surface throughout. Areas of wear and a hole to underside of drawer. Marble with inherent surface-reaching fractures, inclusions, and abrasions, a 2” area of loss to underside of one corner. Lacking key. 1234 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been revarnished with scattered modern restorations where needed. Heavier wear to chairs; leather in original worn condition with drying, cracking, and lifting with scattered missing nail head tacks. Lacking key. 1235 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each have been refinished and reupholstered. Scattered chipping to gilt surface throughout and minor losses to carved decoration. Each seat and cushion with flattening of fill. One cushion with open seam to back.

Condition Reports

1226 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered chips, losses, and repairs to applied floral and relief elements; one putto with repair to hand and bow; rubbed wear to gilt highlights.

301

1236 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of wood worm. Modern reinforcements to body and feet. Scattered chipped losses, primarily to verso. Top with a 6” area of darkening/staining. 1237 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With restorations throughout with modern reinforcements. Seat reupholstered. Prominent shrinkage cracks running through the carved panels and bench seat. Nicked abrasions and splintered loses throughout, heavier wear to the feet and stretchers. Fading and rubbed wear to the arms. Evidence of wood worm. 1238 Each overall fair condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. Each with prominent fading of gilt surface and loss of painted surface throughout, heavier wear to the feet and bottom, rust and oxidation to metal bobeche, loosening and splintered losses to feet, and evidence of wood worm throughout. One with reinforcement added to one foot and one missing medallion. Each inscribed indistinctly along base.

Condition Reports

1239 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished. Evidence of wood worm. With extensive repairs, refurbishments, and modern reinforcements. Heavier wear, fading, and moisture rings to top. One drawer lack bottom.

302

1240 Each overall fair condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. One with prominent shrinkage crack to the bobeche. Each with chipped losses to the painted surface throughout, with heavier wear and losses to the bottom and feet. Each with repairs to the feet. Wiring should be checked by a qualified electrician prior to use.

1241 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Minor oxidation/darkening to bronze mounts. Scattered areas of buckling/lifting, chipping, and surface abrasions to veneer. Areas of minor chipped losses and nicks throughout, prominent cracking/separation to bottom of cabinet interior. Likely has been refinished, areas of craquelure to varnish. Various bronze mounts loose. Lacking key. 1242 Each overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age and use. Each with wear and chipped losses to painted surface, evidence of wood worm throughout, and soiling/ staining and worn corners to the upholstery. Three chairs with blown-out webbing. Two chairs with scattered missing nailheads. 1243 Visual: Surface dirt, grime and varnish discoloration. A 1” x 1” repaired split with attendant buldging upper left. Significant frame abrasions and losses along the lower edge. Blacklight: Touch-up attendant with the repaired split as previously mentioned upper left. A 4” x 2” area of touch-up lower left. Difficult to read under varnish. Frame: 51” H x 42” W x 1.5” D 1244 Generally good condition. Occasional minor surface abrasions with attendant, unobtrusive, pigment losses near the sheet edges. A delicate, .25” vertical surface abrasion to the right of the man’s shoulder. A 1.5” vertical backed tear at the left sheet edge. Frame (lacking glass): 32.25” H x 24.5” W x 1.5” D 1245 Stone with inherent surface-reaching fractures, inclusions, abrasions, and chips commensurate with age. Repairs with the column’s mounting slab and corner of base. Oxidation and darkening to bronze mounts.

Blacklight: Possible older scattered restorations. Difficult to read under varnish. Frame: 16.5” H x 15.5” W x 2.5” D 1247 Visual: Surface dirt, grime and varnish discoloration throughout. A fairly unobtrusive, old, vertical tear running the full length at center. The whole painting is bowed outwards. Frame abrasions along all four edges. Blacklight: Touch-ups throughout, most heavily concentrated upper right. Difficult to read under varnish. Frame: 34” H x 35.5” W x 3” D 1248 Visual: Stretcher bar creases along the four edges. Craquelure and paint shrinkage throughout. Frame abrasion with paper loss scattered along the four edges, most severely along the lower edge. Three repaired tears with corresponding patches verso upper center, in the center and lower left. Surface dirt throughout. Blacklight: Spots of touch-up and crackfill throughout. Unframed. 1249 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been regilt. Scattered repairs and losses to openwork festoons. Modern reinforcements. Replacement marble top with scattered scuffs, scratches, and abrasions. 1250 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Front panel with a 1.5” crack near center right. Light soiling to interior. Lacking key. Inscribed: Den lieben eltern zur / Gold’nen Hochzeit am / 21 Oktober / 1884.

1251 Visual: Surface dirt, grime and craquelure scattered throughout. Pea-sized losses lower left Blacklight: Touch-ups scattered throughout. Difficult to read under varnish. Unframed 1252 Each overall good condition with scattered minor scuffs, light rubbed wear, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 1253 Each overall good condition with scattered minor scuffs, light rubbed wear, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 1254 Each overall good condition with scattered minor scuffs, light rubbed wear, and inherent firing flaws commensurate with age. Compote stand possibly a later marriage with a 6” Dia. coup cereal bowl, with adhesive visible under blacklight. Larger cake stand able to be detached for use as a large flat platter, also with adhesive visible under blacklight. 1255 Each overall good condition with scattered minor scuffs, light rubbed wear, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 1256 Each overall good condition with scattered minor scuffs, light rubbed wear, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 1257 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. A 2” area of buffed and polished chipping to marble edge. With base: 22” H x 16.5” W x 9” D

Condition Reports

1246 Visual: Generally good condition. Craquelure and varnish discoloration throughout. Slight stretcher bar creases along all four edges.

303

1258 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chips to the gilt surface with areas of repainting/regilding. More prominent worn abrasions to the giltwood shelf corners. Marble with inherent surface-reaching fractures, inclusions, and abrasions. 1259 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Stone with inherent surface-reaching fractures, inclusions, and abrasions. A repaired chip to one corner on top. 1260 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered repairs and chips to gilt surface. 1261 Each overall good condition with scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Surface with weathering/ dirt accumulation, rubbed wear to painted decoration, and fading to gilt.

Condition Reports

1262 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear/ weathering and grime to painted surface.

304

1263 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Possible weathering with heavy wear/losses to gilt and painted surface. Evidence of wood worm. Scattered areas of regluing and repairs visible under blacklight. 1264 Overall good condition with scuffs, scratches, and signs of wear commensurate with age. Visible fraying to threads at lower portion of robe, scattered loose threads. Not examined out of frame. Collar to hem: 55” L approximately Shoulder width: 29.25” W approximately Sleeve length: 27.75” L approximately

1265 Overall good condition with signs of wear commensurate with age. Scattered areas of creasing and loose stitching to banding at hem, shoulders, and sleeve panels. Scattered minor spots of soiling throughout. Across back from underarm to underarm: 22” W approximately Sleeve length: 19” L Sleeve width: 9” W 1266 Overall good condition with signs of wear commensurate with age. Areas of creasing, wear, and soiling. Fading to yellow color. Loose stitching at underarm lining, left sleeve, and at various areas of black banding. Missing button at right front. Some fraying to embroidery throughout. Cuffs have likely been turned down and stitched for previous tailored fit. 1267 Each overall good condition commensurate with age. Each with minor areas of localized wear, losses to strands of embroidery, minimal spots of soiling/ staining, and dust accumulation. The pink floral roundel possibly paper-lined and with soiling around missing sequins elements, possibly from rusting of metal sequins. Figural roundel with small spot of soiling on the left and possible repair to stitching at top center. Not examined out of frames. Frames with scattered nicks, scuffs, and scratches.

Consign Today

Made In Mexico | February 1, 2022

Alfredo Ramos Martinez (1871-1946, Los Angeles, CA) “Madonna & Son” Pastel on paper under glass, 48.5” H x 38” W

Price Realized: $56,250 Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - a bsentee - telephone - live online

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 305

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder AAA Furniture & Decorative Arts Cataloguer Shannon Dailey Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Anne Spink Western, American Indian Specialist Maranda Moran 20th Century Furniture and Decorative Arts Specialist John Simon Taylor

Jewelry Director Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Jacob Baer

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Graphic Designer Brian Olivas

Photography

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino AAA Department Administrator Angela Bryant

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. 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Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: Antonio Nicolo Gasparo Jacobsen (1850-1921 West Hoboken, NJ) The tugboat "E Heipershausen" on open waters, 1891 Price Realized: $46,875

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the nal bid, plus uyer s Premium on the nal bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financ al accoun nforma on as a reference All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. UYER S PRE IU : P s calcula ed a on e firs $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

uyers outside of the United States must submit payment via wire transfer Credit cards are not an accepted form of payment for buyers outside of the United States

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and re uested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In e e en of a e b d e e s ra on Form rece ed firs ll be reco n ed as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

How did you hear about our services?

Sellers permit info: Contact of ce for veri cation State: I agree that I have read Signature:

Native American Objects Prints & Multiples

Telephone (secondary):

Permit #

Modern & Contemporary Art

Turn of the Century Design / Arts + Crafts Western Art a e a s ec fic y e of em you are n eres ed n let us know:

Exp: oran s Conditions of Sale and shall be bound by them This affects my legal rights Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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