Art of the American West—September 29, 2020 | John Moran Auctioneers by johnmoranauctioneers

Art America West of the

Tuesday, September 29, 2020

Art American West

Tuesday, September 29, 2020

of the

Sale 171 145 East Walnut Avenue, Monrovia CA 91016 Private Previews Available By Appointment

Meet the Team Maranda Moran Head of Sale Specialist marandam@johnmoran.com

Jeff Moran President Specialist jeff@johnmoran.com

Morgana Blackwelder Senior Vice President Director Fine Art morgana@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

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A set of Frank Patania Sr. sterling silver jewelry

Circa 1950s Stamped verso for Frank Patania Sr., further stamped: Sterling Comprising a necklace set with oval turquoise cabochons (17” L x 2” H) together with a pair of screw-back earrings (1 3/8” H x 5/8” W), 2 pieces 129.0 grams $2,000-3,000

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A set

Each st Each se and de (24” L (1.325” 160.0 g 3 piece

$500-7

A squash blossom necklace

Apparently unsigned Centering a naja set with green turquoise in a molded leaf frame flanked by complementary blossoms 26” L x 3.25” H x 3.25” W 268.5 grams $400-600

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of Navajo turquoise and silver jewelry

tamped: H. Morgan / Sterling et with Tibetan “China Mountain” turquoise esigned by Harry Morgan, comprising a necklace x 3.125” H x 2” W) with ear clips en suite ” H x 1.325” W) grams es

700

Two diminutive sterling silver squash blossom necklaces

Larger stamped: JJP / Sterling; Smaller stamped: D. Cadman / Sterling Comprising a petit point necklace with multicolored natural and synthetic stones (19” L x 2” H x 1.875” W) and a stamped synthetic turquoise-set necklace marked for Darrell Cadman (Navajo) (20.5” L x 1.25” H x 1.25” W) 97.0 grams 2 pieces $400-600

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W. Clarence McGrath

(1938-2007, Southern California/Mexico) “Muchacho con un Burro negro” Oil on board Signed lower left: McGrath, titled verso 24” H x 30” W $1,000-2,000

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Howard Rogers

(b.1932, Cave Creek, AZ) Portrait of a Donkey, 1983 Oil on canvas Signed and dated lower right: H. Rogers, and with the copyright symbol 12” H x 9” W $600-800 w w w. j o h n m o r a n . c o m

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Joe Abbrescia

(1936-2005, Kalispell, MT) ìLa Roja Borla” Oil on board Signed lower left: Abbrescia, and with the copyright symbol, titled on a tag hanging from the wire 10” H x 12” W $600-800

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Sam Hyde Harris

(1889-1977, Alhambra, CA) “Desert Survivor” Oil on canvasboard Estate signed lower right: Sam Hyde Harris, titled, numbered and estate stamped and numbered verso: #1120 / 000112 16” H x 20” W $1,000-2,000 Notes: With an authentication stamp signed by Maureen St. Gaudens verso.

Sam Hyde Harris

(1889-1977, Alhambra, CA) Tree in a landscape Oil on canvas laid to board Signed with the estate stamp lower left: Sam Hyde Harris, estate stamped and numbered verso: 000177 16” H x 20” W $1,000-2,000 Notes: With an authentication stamp signed by Maureen St. Gaudens verso.

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Arch Shaw

(b. 1933, Utah) “Golden Harvest,” 1994 Oil on canvas Signed lower left: A D Shaw, signed again, dated, titled and numbered verso: Dec 1994 / 94093 24” H x 36” W $2,000-3,000

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A Navajo Floyd Becenti Jr. “Custer’s Last Stand” silver concho belt Third quarter 20th century, Navajo; Initialed to buckle Designed with eight octagonal conchos and a buckle all depicting confrontations between Custer’s US Army soldiers and American Indians, inscribed to buckle: Custer last stand July 14 51” L x 3” H; Each concho: 3” H x 3.75” W 1080.0 grams gross $800-1,200

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, S e p te mb e r 2 9 , 2 0 2 0

A Navajo Benjamin Becenti concho belt

Stamped: BB The buckle and conchos designed with scenes of daily life inlaid with stones 45.25” L x 2.125” H; Buckle: 2.125” H x 3” W $600-900

A Navajo Benjamin Becenti storyteller silver concho belt

Third quarter 20th century, Navajo Designed with ten inlaid conchos featuring scenes of everyday life 39” L x 2.125” H; Each concho: 2.125” H x 3.125” W 407.0 grams gross $600-900

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Eight Native American pottery vessels

20th century First signed: Mida Tafoy; Second signed: Angelo / Salazar / Santa / Clara; Third signed: Pauline; Fourth signed: Gwen Tafoya / S.C.P.; Fifth signed: J Baca Jun 99 Santa Clara Pueblo [tree]; Sixth signed: Dusty; Seventh signed: M. Tenorio / Santa Ana, N.M. / Kokopelli / The “Flute Player”; Eigth signed: Alvina Yepa / Jemez NM Comprising a carved Santa Clara blackware handled vessel, a carved Santa Clara blackware seed pot, a Santa Clara blackware vessel with feather rim, a Santa Clara etched pottery vessel with animal motifs to body, a Santa Clara pottery article, a Santa Clara etched redware pottery vessel with handprint motif, a Santa Ana carved Kokopelli pottery vessel with feather rim, and a Jemez redware swirling melon pot, 8 pieces Largest 5.25” H x 5.75” W $300-500

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Two Acoma greenware pottery vessels

20th century First signed: G. Louis Acoma NM; Second signed: Acoma / NM / MC / Antonio Comprising a painted greenware pottery vessel with fineline eye dazzler motif, and a painted greenware seed pot with fineline Kokopelli motif, 2 pieces Larger: 10.75â&#x20AC;? H x 10â&#x20AC;? Dia. $300-500

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Harrison (Haskay Yahne Yah) Begay

(1914-2012, American/Navajo) “Indian dancer with rattles” and “Indians galloping on horseback,” (two works) Each: Gouache on paper Each: Signed lower right: Harrison Begay, signed in Navajo lower left: Haskay Yahne Yah Sight of the largest: 19” H x 13” W; Sheet of the largest: 22” H x 15” W $500-700

Olaf Wieghorst

(1899-1988, El Cajon, CA) Indian and horse Oil on burlap laid to artist masonite Signed lower left: O. Wieghorst, and with the artist’s 2C device 12.5” H x 10.5” W 20

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$7,000-9,000

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William Steve Seltzer

(b. 1955, American) “Indian Camp” Oil on board Signed lower left: W. S. Seltzer, titled on a gum label affixed to the backing board 10” H x 12” W $2,000-3,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, S e p te mb e r 2 9 , 2 0 2 0

William Steve Seltzer

(b. 1955, American) Indians at sunset Gouache on Strathmore Artist’s board under Plexiglas Signed lower right: W. S. Seltzer 16” H x 18” W $3,000-5,000 Provenance: Sold: Bonhams California, “California and Western Paintings & Sculpture,” August 17-18, 2010, Lot 186 Estate of Dewitt McCall III, Los Alamitos, CA

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Stan Davis

(b. 1942, Los Angeles, CA) “Another Time, Another Place,” 1989 Oil on canvas Signed and dated lower right: Davis / 89, and with the copyright symbol, titled on a gallery label affixed to the frame verso 24” H x 36î W $3,000-5,000 Provenance: The Jones Gallery, La Jolla, CA

Larry Riley

(b. 1947, American) “Buckskin Dress Oil on canvas Signed lower right: Larry Riley, and with the copyright symbol, titled on a tag affixed to the wire 10” H x 8” W $500-700

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Don Doxey

(b. 1928, Ogden, UT) “Beads and Bracelets” Oil on canvas Signed lower left: Doxey, titled on the stretcher 8” H x 10” W $500-700 w w w. j o h n m o r a n . c o m

A Zuni bolo tie and brooch

Bolo stamped: EAB / Zuni for Eddy Beyuka Centering an inlaid simulated turquoise, coral, and shell feather dancer with drum points together with a complementary feather brooch Bolo: 4.75” H x 2.875” W x 39” L; Brooch: 1.625” Dia. 2 pieces $400-600

Two Felix Chama turquoise and sterling silver items Each stamped: FC Sterling Comprising a large slab turquoise bolo with stamped leaf and ball motif with serrated bezel and sterling points (37.5” L x 4.5” H x 3.325” W) together with a matching large slab turquoise belt buckle (3.625” H x 4.5” W) 398.0 grams gross 2 pieces $600-800

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Three Southwest bolo ties

First marked: T. Singer/ Sterling; Second marked: WW/ 925/ Sterling Comprising a Tommy Singer (Navajo) turquoise and silver overlay bolo tie with barrel points (41” L, 3.625” H x 3” W), a Wilbur Wauneka turquoise and silver bolo tie with tumbled turquoise and silver points (37” L, 3” H x 1.75” W), and an inlaid Hopi dancer pendant/bolo in a variety of stones/shells with inlaid faces to points (45” L, 3” H x 1.875” W) 316.0 grams gross 3 pieces $800-1,200

A Hopi Jerry Roan sterling silver kachina bolo tie

Stamped for Jerry Roan, further stamped: Sterling Centering a large silver Kachina figure set with coral and turquoise on a braided tie Kachina: 6.25” H x 6” W; 22.5” L 193.0 grams $300-500 w w w. j o h n m o r a n . c o m

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William C. Hook

(b. 1948, American) “Rio Chama Reflection” Acrylic on canvas Signed lower left: W.C. Hook, titled and numbered on an artist’s label affixed to the backing board: 2021 24” H x 30” W $3,000-5,000 Provenance: Trailside Galleries, Scottsdale, AZ / Jackson, WY Property from a Northern Californian Estate

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Fremont Ellis

(1897-1985, Santa Fe, NM) “Near Durango” Oil on canvas Signed lower right: Fremont Ellis, titled on the stretcher 20” H x 25” W $3,000-5,000 Provenance: Sold: John Moran Auctioneers, Monrovia, CA, “California & American Fine Art Auction,” October 23, 2018, Lot 24 Estate of Dewitt McCall III, Los Alamitos, CA

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Frederick William Becker

(1888-1974, Palm Springs, CA) “Casa Grande,” 1940 Oil on panel Signed and dated lower left: Frederick W. Becker, signed and dated again, titled and inscribed verso: “Big Bend National Park, Texas” 9” H x 12” W $600-800

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, S e p te mb e r 2 9 , 2 0 2 0

Robert Moore

(b. 1957, Idaho) “Snake River Sunset,” 1994 Oil on canvas Signed lower right: R. Moore, titled on the stretcher, signed again, dated and inscribed verso: 1/94 / Declo, Idaho, Snake River 36” H x 48” W $2,500-3,500 Provenance: Property from a Northern Californian Estate

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Two Santa Domingo Pueblo necklaces

Comprising a necklace with graduated turquoise disks and spondylus shell with a double strand lower half (24.625” L), together with a double strand of flaring simulated turquoise disks bound by bands of shell, simulated lapis lazuli, and bone with an inlaid shell drop (33.5” L x 3.625” H x 3.625” W) 2 pieces $500-700

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Four necklaces

Comprising two turquoise and simulated tortoise shell strand necklaces (longer: 34” L), one branch coral necklace (19” L), and one single strand turquoise and heishi shell necklace (17.75” L) 4 pieces $400-600

A large Pueblo turquoise necklace

Mid-20th century A double strand jacklas in turquoise and coral and spondylus shell suspended from a turquoise bead necklace with leather neck wrap 27.5” L x 4.5” H x 1.75” W $500-700

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A large Pima basket

First-half 20th Century The large basket with geometric design throughout and one turquoise bead to rim 8.25â&#x20AC;? H x 17â&#x20AC;? Dia. $400-600

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A Pima basket

First half 20th century The round basket with geometric design 4â&#x20AC;? H x 13â&#x20AC;? Dia. $300-500

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A Pima basket

First-half 20th Century The wide-rimmed basket with stepped geometric design 5.5” H x 13.375” Dia. $300-500

A Pima basket

First-quarter 20th century The basket with stepped geometric design 4” H x 15” Dia. $300-500

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Henry Herman Cross

(1837-1918, Buffalo in a river landscape Oil on canvas Signed lower left: H. H. Cross 30” H x 45” W $3,000-5,000 Provenance: Sold: John Moran Auctioneers, Altadena, CA, October 25, 2005, Lot 154

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Ransome Gillet Holdredge

(1836-1899, San Francisco, CA) Indian camp with mountains in the distance Oil on canvas laid to waxed canvas Signed lower left: R.G. Holdredge 20” H x 36” W $3,000-5,000 Provenance: Collection of Abraham Jasper Johnson, San Francisco, CA, circa 1927 Thence by descent to the present owner Sold: Bonhams California, “California and Western Paintings & Sculpture,” August 17-18, 2010, Lot 192 Estate of Dewitt McCall III, Los Alamitos, CA

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Manuel Valencia

(1865-1935, Sacramento, CA) Indians on a wooded path Oil on canvas Signed lower left: M. Valencia 20” H x 30” W $2,000-3,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA

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Three silver and turquoise cuff bracelets

Comprising a thin row bracelet set with ten stones, a curio-row bracelet with turquoise stones and applied rain drops to edges, and a bracelet with four twisted wires supporting a central turquoise-inlaid plaque Largest: 6.5” C x 2.25” H, wrist opening: .875” 107.95 grams 3 pieces $500-700 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh

Two silver cuff bracelets

Second quarter 20th century; One stamped: [Two crossed arrows] Comprising one with a chiseled design and one with a two-tone design, each centering a turquoise cabochon Larger: 7” C x 1.5” H with a 1.5” wrist opening 179.0 grams 2 pieces $500-700 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh

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Three silver cuff bracelets

Early 20th century Comprising a flattened wire overlay on sheet base, a sheet silver flattened wire cuff bracelet, and a Navajo cuff bracelet with ropework, chiseled and stamped design Largest: 7.75” C x 175” H with a 1.75” wrist opening 313.5 grams 3 pieces $800-1,200 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh

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Three small Navajo Regional Rugs

20th century Comprising one rug woven by Eunice Lee (Dine), Burnt Water, 1992; A brown, cream and grey rug with hourglass center; And a cream, brown and grey rug with elaborate central diamond, 3 pieces. Largest 36â&#x20AC;? H x 24â&#x20AC;? W $600-900

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A Navajo Yei Rug

Circa 1930 The pictoral Yei rug with seven figures on red field, each figure with unique dress and holding bow with arrow/ceremonial rattle 38.5â&#x20AC;? H x 68.5â&#x20AC;? W $2,000-3,000 52

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, S e p te mb e r 2 9 , 2 0 2 0

A Late Classic Navajo child’s wearing blanket

Fourth-quarter 19th Century, Fort Wingate, New Mexico Territory Woven red field of American flannel, with four columns of yellow, green and red crosses, side elements in cream and indigo blue with other geometric cochineal red and yellow floating elements throughout 33.5” H x 50.5” W $15,000-20,000 Provenance: By repute, Fort Wingate, New Mexico Territory Exhibitions: Centennial Exposition 1876 Notes: Dye samples were sent to Dr. David Wenger, Ph.D., of Thomas Jefferson University for testing. Dr. Wenger found that the blue sample was dyed with indigo and trace amounts of indigo are found in the green samples. The red/ burgundy samples were dyed with cochineal dyes and lighter reds are synthetic. The dye test results dated 9/25/2019 will be included with the lot.

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A Miwak/Paiute basket

First-quarter 20th century Alternating star pattern with bracken fern root and redbud against a tan background 8.5” H x 12.5” Dia. $1,500-2,000

A Paiute lidded basket

Early 20th century A handled oval basket with columns of stacked triangles and inset lid 55.5’’ H x 10.5’’ W x 6’’ D $400-600

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A Paiute basketry water basket Early 2th century An elongated ovoid form with small mouth and double handled basket with twine carrying straps 7â&#x20AC;? H x 5.5â&#x20AC;? Dia. $300-400

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(b. 1946, Provo, UT) “Passing Time on the Yellowstone,” 1980 Oil on masonite Signed, dated and inscribed lower right: Michael Coleman III, titled on the frame plaque, titled and dated again on an artist label affixed verso 30” H x 20” W

(b. 19 Tree Oil o Signe 24” H

Michael Coleman

$3,000-5,000 Provenance: Acquired Kennedy Galleries, New York City, NY, 1978 58

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Arch

$2,00

h Shaw

933, Utah) cutting in the winter on canvas laid to board ed lower right A D Shaw H x 36â&#x20AC;? W

00-3,000

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James Erwin Boren

(1921-1990, Clifton, TX) “Winter in Wyoming” Watercolor on paper under glass Signed and dated lower right: James Boren, and with the copyright symbol as well as the conjoined CA symbol for the Cowboy Artists of America, titled on the backing board Sight: 21.25” H x 29.25” W; Sheet: 23” H x 30.25” W $1,000-2,000 Provenance: Sale: The artist, July 23, 1987 Property from a Northern Californian Estate Exhibitions: Oklahoma City, OK, The Governor’s Office, “Artist-of-the-month” exhibit. 1975-1979.

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Michael Coleman

(b. 1946, Provo, UT) “Untitled: Indian by Campfire” Oil on canvas laid to foamboard Signed lower left: Michael Coleman, and with the copyright symbol, titled by repute, alternately titled on a gum label affixed verso: “ A Cold Winter” 12” H x 9” W $1,000-2,000 Provenance: Estate of Tommy “Snuff” Garrett (1938-2015) Sold: Old West Events, Mesa, AZ, January 21-22, 2017, Lot 206 Estate of Dewitt McCall III, Los Alamitos, CA

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Bradley W. Giles

(b. 1967, American) “Nocturne Vision Quest,” 2019 Oil on canvas Signed and dated lower right: Giles, signed and dated again, titled and inscribed on the stretcher: April 24, 2019 / Location - Palm Canyon, Palm Springs, California 10” H x 10” W $1,000-1,500

Hubert Wackermann

(b. 1945, Rio Rancho, NM) Indians in a winter landscape, 1989 Oil on board Signed and dated lower right: H. Wackermann, and with the copyright symbol 18” H x 14” W $1,000-2,000

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Robert L. Refvem

(b. 1933, American) “The Chiricahua,” 1983 Patinated bronze on wood base Signed, numbered, and dated: (c) Bob Refvem / 5/20 / 83 Overall: 27.75” H x 15” W x 10” D $800-1,200 Provenance: Property from a Northern Californian Estate Notes: Accompanied by a copy of the original sales receipt from the artist, October 13, 1986. w w w. j o h n m o r a n . c o m

David Lemon

(b. 1945 Montana/California) Cheyenne War Party Leader Polychrome bronze on wood base Edition: F/C; Signed: Lemon and with the copyright symbol 33” H x 23.25” W x 17.25” D $1,000-1,500

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Two American

First indistinctly stamped for ma Comprising a Zu bronco inlaid be W), and a Navaj (4” H x 6” W) 314.0 grams 2 pieces $400-600

David Schaefer

(1949 - 2012, American) Elk Bronze on marble base Signed and numbered: D. Schaefer / 6/30 Overall: 28” H x 19.5” W x 16.5” D $600-900

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A Navajo Floyd Becenti Jr. “A Time to Dance” concho belt

Stamped to one plaque: A time to Dance / Becenti F / Sterling / BCT / (c) / 2/97 Comprising five rectangular conchos, two large tapering conchos and a central belt buckle with clipped corners and rings for clasp 36.75” L x 3” H; Buckle panel: 3” H x 4” W $800-1,200

n Indian silver items

y signed verso; Second aker and Sterling uni Elliot Qualo bucking elt buckle (3” H x 3.875” jo Floyd Becenti plaque

An elk horn belt Signed: HB / 93 Centering a carved eagle head buckle and further set with carved elk horn conchos with inlaid turquoise 41” L x 3” H; Buckle: 2.325” H x 4.25” W $200-400

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Gene Kloss NA

(1903-1996, Taos, NM) “Young Navajo Mother,” 1962 Etching and drypoint on wove paper Artist Proof (from an edition of 35,) signed in pencil lower right: Gene Kloss, titled and editioned in pencil lower left Image: 14” H x 11” W; Sheet:17.75” H x 14.25”W $800-1,200 Literature: K, 494 Notes: Inscribed on the back mat, “ Among the crowd of visitors at a dance at Santo Domingo Pueblo” 68

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Roland Reed

(1864-1934, Ortonville, MN) The Fisherman Silver gelatin photograph on paper under glass Signed with a hand stamp lower right: REED, and with the copyright symbol Sight: 18.75â&#x20AC;? H x 14.5â&#x20AC;? W $700-900

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Hanson Duvall Puthuff

(1875-1972, Corona Del Mar, CA) Northern California Landscape Oil on canvas laid to board Signed lower right: H. Puthuff, titled illegibly and inscribed verso: Purchased 4-57 8â&#x20AC;? x 10â&#x20AC;? $2,000-3,000 Provenance: William Karges Fine Art, Carmel, CA Property from a Northern Californian Estate

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Ralph Davison Miller

(1858-1945 Los Angeles, CA) “Grand Canyon,” 1905 Oil on canvas laid to waxed canvas Signed and dated lower left: Ralph Davison Miller, titled and dated again on a gum label affixed to the backing board. 24.5” H x 40.25” W $3,000-5,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA

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Dale TerBush

(b. 1948, California) “The Pearl of Heaven” Oil on canvas Signed lower right: TurBush, signed again and titled verso 16” H x 20” W $500-700 Provenance: Dale TerBush Studio, Gallery, Fine Art, Antiques, Santa Fe, NM, August 22, 1993 Notes: This lot is accompanied by an original sales receipt dated August 22, 1993.

James Ormsbee Chapin

(1887-1975, New York, NY) Cows in a barnyard, 1924 Oil on canvas laid to canvas Signed and dated lower right: James C 20” H x 26” W $1,500-2,000

Provenance: D. Wigmore Fine Art, Ne Tomlin Fine Arts, Santa Monica, CA. Sold: John Moran Auctioneers, Monro and American Fine Art Sale,” June 24,

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Cyrus Afsary

(b. 1940, American) “Together” Oil on canvas Signed lower left: Cyrus Afsary, and with the copyright symbol, titled on a gallery label affixed to the frame verso 9” H x 12” W $2,000-3,000 Provenance: The Jones Gallery, La Jolla, CA

Chapin

ew York, NY.

ovia, CA, “California , 2008, Lot 233

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Sixteen Katchina dolls

Second-half 20th Century Most signed by maker In a variety of motifs, makers include: Myron Gaseoma, Hyram Namoki, Edwin Chuyou Sr., Lowell Talashoma Sr., Clifford Pongyesuip, and more, 16 pieces Largest: 12.5” H x 5.5” W x 2.75” D $800-1,200

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Thirteen Katchina figures

Second-half 20th Century Most signed for maker Of various motifs, makers include: Wilmer Kaye, Calvin Kaye, Emery Kyasyousie, C. Dike, Chuck Wallau, Joe Gash, and others, 13 pieces Largest: 19” H x 3.25” W x 4” D $800-1,200

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Edgar Alwin Payne

(1883-1947, Los Angeles, CA) “On the Trail” Pencil on paper Appears unsigned, titled by repute, numbered: S-31 Sight: 13.5” H x 20” W; Sheet: 15.75” H x 22.25” W $1,000-2,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA Notes: With an unfinished work verso.

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Elsie Palmer Payne

(1884-1971, Los Angeles, CA) “Summer Hogan - (Navajo),” 1948 Mixed media on paper under glass Signed lower right: Elsie Palmer Payne, titled lower left, initialed and dated verso: EPP / 48 25” H x 30” W $1,000-1,500 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA

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Seven Navajo silver boxes

Second quarter 20th century Each with hand stamped designs and four set with turquoise cabochons, 7 pieces Largest: 1.5” H x 4.25” W x 3” D 451.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A sterling silver tea pot

Late-19th/early-30th Century Stamped: Sterling The teapot with a double rams head finial and detail on the handle over cowboy and American Indian themed scenes with a bison head to the spout and horn handle, possibly Dominick & Haff 8.5” H x 11” W x 4.5” D 27.970 gross oz. troy approximately $1,500-2,000 80

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A Sioux beaded hide knife sheath

Late 19th/early 20th century Line-stitched beadwork in white, pink, blue, and green with cone tassels and beaded thongs Overall: 16” H x 3” W $600-800

Two Kenneth Begay sterling silver jewelry items

Each stamped: KB, with White Hogan; Further stamped: Sterling Comprising a letter opener and a belt buckle Longest: 6.625” L x .75” W 94.5 grams 2 pieces $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Six American Indian flutes Second half 20th century Each hand carved of hardwood, one adorned with turquoise cabochons, 6 pieces Largest: 27” L x 3” H x 1.25” D $500-700

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Fred Grayson Sayre

(1879-1939, Glendale, CA) “Desert Flowers” Oil on canvas Signed twice lower right: F. Grayson Sayre, signed again, titled and inscribed verso: “Desert Studio, Indio Calif.” 16” H x 20” W $1,500-2,000 Provenance: Wortsman Stewart Galleries, San Francisco, CA The Pasadena Art Museum, Pasadena, CA

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Sam Hyde Harris

(1889-1977, Alhambra, CA) “Regal Ramparts” Oil on canvasboard Estate signed lower right: Sam Hyde Harris, titled, numbered and estate stamped and numbered verso: #1055 / 000258 16” H x 20” W $1,000-2,000

Notes: With an authentication stamp signed by Maureen St. Gaudens verso.

Sam Hyde Harris

(1889-1977, Alhambra, CA) “Silver Symphony” Oil on canvasboard Estate signed lower left: Sam Hyde Harris, titled, numbered and estate stamped and numbered verso: A399 / 000259 16” H x 20” W $1,000-2,000 Provenance: La Tourette’s Gallery, El Monte, CA Notes: With the estate stamp signed by Maureen St. Gaudens verso

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Noel Sickles

(1910-1982, New York, NY) Wagon train, 1982 Oil on canvas Signed and dated lower left: Noel Sickles / ‘82, and with the copyright symbol 24” H x 36” W $800-1,200

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A Zuni sterling silver butterfly necklace

Stamped: [double lightning bolt] Sterling Designed with five inlaid abalone disks set with turquoise and tiger’s eye butterflies suspended from an adjusting silver slide chain 26” L x 3.75” H x 3.125” W 265.5 grams $300-500

An inlaid butterfly double-strand necklace

Apparently unsigned Designed with chip inlaid stones suspended from a double-strand of silver beads 28.5” L x 2.5” H 166.0 grams $300-500

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Two Southwest jewelry items

One stamped with a pictoral mark Comprising a pendant necklace (23.5” L x 3.325” H x 2.25” W) and a tumbled turquoise necklace (23.5” L) Pendant necklace: 125.5 grams 2 pieces $400-600

Two coral and sterling silver jewelry items

First stamped: EJ; Second stamped: By Kee Montoya / Sterling Comprising a necklace (16.75” L x 3.25” H x 1” W) and a Navajo cuff bracelet (6.25” C x .5” H, wrist opening: 1”) 119.0 grams gross 2 pieces $500-700

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Wilna Splivalo

(1915-2004, American) “Cowboy de California,” 1933 Patinated bronze Signed and dated: Wilna Splivalo / 1933 17” H x 14” W x 5.75” D $1,000-1,500 Exhibitions: Salon de Paris, France, 1933

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Edward Borein

(1872-1945, Santa Barbara, CA) “Trail Boss” Dry point etching on paper under Plexiglas Signed in pencil lower right: Edward Borein, titled in pencil lower left, inscribed in pencil under the mat lower left: By Edward Borein Sight: 8.75” H x 9.25” W; Sheet: 11.25” H x 11.5” W $1,000-2,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA Notes: This lot is accompanied by a letter of authenticity from Harold G. Davidson to Kerwin Galleries on July 15, 1996. “I have examined this etching and, in my opinion, it is the work of Edward Borein, and is an impression pulled during the artist’s lifetime.” Signed by Harold G. Davidson.

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Walt LaRue

(1925-2010, Canadian) “No Place for a Greenhorn,” 2000 Oil on canvas Signed lower left: Walt LaRue and with the copyright symbol, titled, dated and inscribed verso: Reproduction rights reserved by the artist 12” H x 9” W $1,000-1,500 Provenance: Sold: Old West Events, Mesa, AZ, January 21-22, 2017, Lot 148 Estate of Dewitt McCall III, Los Alamitos, CA

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Ross Stefan

(1934-1999, Tucson, AZ) “Canyon Moon” Oil on canvas Signed lower left: Ross Stefan, signed again, titled and numbered on the stretcher: 52 9” H x 12” W $1,000-2,000 Provenance: The Jones Gallery, La Jolla, California. Estate of Dewitt McCall III, Los Alamitos, CA Notes: Stamped on the stretcher, “All reproduction rights reserved by the artist, Ross Stefan.” w w w. j o h n m o r a n . c o m

Joe Ferrara

(1932-2004, Hamden, CT) “Cattle Drive,” 1987 Oil on canvas Signed and dated lower right: Ferrara / 87, titled on a gallery label affixed to the stretcher 16” H x 28” W $700-900 Provenance: Biltmore Galleries, Los Angeles, CA

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Burt Procter

(1901-1980, Palm Springs, CA) Two riders in a desert landscape Oil on panel Signed lower left: Burt Procter 20” H x 24” W $2,000-3,000 Provenance: Sold: John Moran Auctioneers, Monrovia, CA, “Art of the American West,” September 9, 2019, Lot 279 Estate of Dewitt McCall III, Los Alamitos, CA

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Marjorie Reed

(1915-1996, Vallecito, CA) “Westward Ho,” covered wagon in a landscape Oil on canvasboard Signed lower left: Marjorie Reed, titled on an artist’s label affixed verso 8” H x 10” W $2,000-3,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA Literature: G. Fillmore, “All Aboard: The Life and Work of Marjorie Reed”, Schiffer Books, Atglen, PA, 2009, p. 132, illustrated.

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Jules Moigniez

(1835-1894, French) “Eagle” Bronze on marble base Signed: J. Moigniez Overall: 30” H x 17.5” W x 20” D $2,000-3,000

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, S e p te mb e r 2 9 , 2 0 2 0

Jules Moigniez

(1835-1894, French) “Eagle” Patinated bronze Signed: J. Moigniez 40” H x 28.5” W x 17” D $1,000-1,500

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A set of Southwest-style jewelry

Stamped: Q / Sterling Each set with rough turquoise in a highlydecorated silver frame with coral accents, comprising a cuff (7.5” C x 2.125” H, wrist opening: 1.25”), and a ring (12.25) 221.0 grams 2 pieces $400-600

Two Southwest-style turquoise bracelets

Each stamped: Q / Sterling Comprising a wire-work cuff with three large turquoise stones and smaller coral scattered throughout with an allover foliate motif (6.5” C x 1.75” H, wrist opening: 1.325”) together with a large cuff centering a turquoise stone and smaller coral stones with an allover foliate design and elaborately stamped interior (7.5” C x 2.325” H, wrist opening: 1.5”) 280.0 grams 2 pieces $400-600

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Three Southwest cuff bracelets

First marked: C L; Second marked: Sterling; Third marked: Q Sterling Comprising a three wire cuff with turquoise and coral set among applied flowers and stamped conchos (6.5” C x 2” H, wrist opening: 1”), a three wire cuff with a single large slab turquoise stone (6.25” C x 2.25” H, wrist opening: 1”), and cuff with five turquoise cabochons set in elaborate silver mount with small coral accents and intricately stamped interior designs (7” C x 1.25” H, wrist opening: 1.25”) 270.0 grams gross 3 pieces $600-800

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A David Rosales Shalako cuff

Sterling silver Stamped: David Rosales Inlaid with turquoise, opal, and sugilite 7” C x 1.5” H; Wrist opening: 1.25” 90.0 grams $400-600

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Curt Walters

(b. 1950, Sedona, AZ) “Wintry Confine” Oil on canvas Signed lower right: Curt Walters, titled on the stretcher 14” H x 14” W $2,500-3,500

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100

Curt Walters

(b. 1950, Sedona, AZ) ìCanyon Walkî Oil on canvas Signed lower right: Curt Walters, titled on the stretcher 10” H x 14” W $2,000-3,000

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101

John W. Hilton

(1904-1983, Twentynine Palms, CA) “Spring in the Dunes,” 1957 Oil on masonite Signed lower right: John W Hilton, titled and numbered on the stretcher: 57-69, titled again and dated on a placard affixed to the frame 20” H x 24” W $1,000-1,500

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102

John W. Hilton

(1904-1983 Twentynine Palms, CA) “Desert Spring” and “Arizona Yuccas,” 1962 (two works) Oil on canvasboard / Oil on masonite Each signed lower right: John W Hilton, each titled verso Each 12” H x 16” W $800-1,200 Provenance: “Desert Spring” - O’Brien’s Art Emporium, Scottsdale, AZ

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103

John W. Hilton

(1904-1983, Twentynine Palms, CA “Magic Moment,” desert landscape, 1973 Oil on board Signed lower right: John W. Hilton, titled and dated verso: 73-8-2 18” H x 24” W $1,500-2,500

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104

Two Hopi Third Mesa basketry items

Second-quarter 20th century A round polychrome plaque (13’’ Dia.) and basket (4.5’’ H x 11.5’’ Dia.) $200-300

106

An Apache pictoral motif basket

First-half 20th Century The oblong basked designed with a repeating horse and figure motif 3.75” H x 11.5” W x 6.5” D $300-400

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105

A Maidu basket with stepped motif

First-half 20th Century The small basket with stepped geometric design 3.5â&#x20AC;? H x 7.25â&#x20AC;? Dia. $200-300

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107

David Chapple

(b. 1947, California) “Vespers” Patinated cast bronze on marble and wood base Signed and numbered to base: Dave Chapple / 92/350 Overall: 14” H x 10.5” W x 8.5” D $300-500 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA

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108

Kent Ullberg

(b. 1945, American) Victory Eagle, circa 1986 Bronze Numbered 3/20 20” H x 30” W x 15” D $2,500-3,500 Provenance: Property from a Northern Californian Estate w w w. j o h n m o r a n . c o m 1 0 9

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A Navajo First Phase concho belt

First quarter 20th century; Period fabric label to buckle Designed with seven oval conchos and a smaller oval buckle on a leather backing under a newer leather belt 45.5” L; Each concho: 3.325” H x 4.125” W $4,000-6,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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111

A group of turquoise

Comprising a cuff (6.25” 1.125”), a ring (6.5), and (43.75” L x 1” H) Cuff and ring: 111.5 gram 3 pieces $500-700

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110

A Robert Platero turquoise concho belt

Stamped: RP / Sterling Designed with nine conchos and a belt buckle all set with a free-form cluster of turquoise on a black leather belt 47.75” L x 2” H; Buckle: 2.125” H x 2.5” W $800-1,200

jewelry

C x 1.25” H, wrist opening: a belt with rainbow Yei figures

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112

Two Northwest Coast silver overlay jewelry items Each stamped with a broken arrow maker’s mark Comprising a tiered bib necklace (20.5” L x 4.75” H x 5.325”) and a cuff bracelet (6.5” C x 1” H, wrist opening: 1.25”) each with orca motif and two-tone silver design 215.5 grams 2 pieces $800-1,200

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113

A Kwakiutl button blanket

First half 20th century Abalone and mother-of-pearl buttons on green felt foundation with red cotton borders, a central design of a Northwest Coast copper to center 61’’ H x 26’’ W $2,000-3,000

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114

Two Nantucket baskets

First-half 20th Century Each round basket with a molded wood handle, 2 pieces Larger: 6.25” H x 9.125” W; Smaller: 5” H x 6.75” Dia. $400-600

116

Three Northwest Coast/Makah basketry items

Early 20th century First: A polychrome pictorial basket depicting fisherman in a boat with whale to sides and face to lid, (3’’ H x 4.5’’ Dia.); Second: A polychrome lidded basket depicting a standing fisherman in boat with harpoon, whale and large fish with similar whale motif to lid, (2.75’’H x 3.75’’ Dia.); Third: A flat polychrome imbricated tray with a central whirling log to center, (6.75’’ Dia.), 3 pieces $200-300

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115

A Pacific Northwest polychrome handled basket

Early 20th Century Possibly Salish with an open-work band to top and imbricated ‘MARGARET’ to one side with braided handle 14”h x 9”dia $200-300

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117

Three Northwest Coast/Makah lidded baskets

Early 20th century First: A lidded basket with star motif and polychrome banding, (2.75’’ H x 5’’ Dia.); Second: A polychrome lidded basket with a whale motif, (2.75’’ H x 4.5’’ Dia..); Third: A polychrome lidded basket, (2.5’’ H x 4’’ Dia.), 3 pieces $200-300

118

A Northwest Coast polychrome Salish tray

First-quarter 20th century The double handled basketry tray with an oval diamond motif to tray and alternating inbricated polychrome edge 18.25’’ L x 11.75’’ W x 2’’ D $200-300

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119

A large polychrome Northwest Coast Makah storage basket

Early 20th century A basket with imbricated dear and geometric motif to sides and cedar bark woven lid 6.25’’ H x 10’’ Dia. $200-300

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121

A Pablita Quam tu blossom necklace

Signed to naja: Pablit The naja designed wi further set with comp 26” L x 3.75” H x 3.5 224.5 grams $500-700

120

A set of Zuni Ric Laselute silver and turquoise jewelry

Necklace stamped: Ric Laselute Comprising a necklace (22” L x 2” H x 1.125” W), and a pair of clip-back ear pendants (3” H x 3/4” W) 135.5 grams 3 pieces $400-600

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urquoise and sterling squash

ta Quam ith turquoise tablets in a floral frame, plementary blossoms 5” W

122

A group of Southwest gem-set jewelry

One ring stamped: Max C.; The bracelet stamped: 925 Comprising four rings, a pair of earrings, and a coral cuff bracelet Bracelet: 6.5” C x .25” H; Largest ring size: 10 56.5 grams 7 pieces $400-600

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123

A group of silver and turquoise jewelry items

Earrings stamped: P.A. Smith Comprising a tumbled turquoise necklace (23” L) and a pair of shadowbox earrings (.875” H x .75” W) Earrings: 12.5 grams 3 pieces $300-500

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124

A group of Southwest jewelry

Earrings stamped: Custom Made / Serling / TEH Comprising a coral squash blossom necklace with a pair of earrings en suite (25” L x 2.75” H x 3” W; 1.325” H x .75” W), a double-sided pendant necklace (24.5” L x 3” H x 2” W), and a turquoise and simulated coral necklace (20” L x 2.25” H x 1.25” W) 352.0 grams 5 pieces $700-900

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125

126

(b. 1930, American) ìGypsy,” 1975 Oil on canvas Signed lower right: William George, and with the copyright symbol, titled, dated and inscribed verso: “Reproduction Rights Reserved by Artist” 30” H x 18î W

(1932-2005, Taos, N “Sandra’s Shawl,” 19 Lithograph on pape Signed and dated lo an blindstamped low Sheet: 22.5” H x 30”

William George

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R.C. Gorman

$800-1,200

NM) 979 er under glass ower left: R.C. Gorman, and with the artistâ&#x20AC;&#x2122;s blindstamp, inscribed wer right and center, titled on a tag affixed to the backing board â&#x20AC;?W

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127

R.C. Gorman

(1932-2005, Taos, NM) “Woman from Chaco Canyon,” 1983 Lithograph with touches of handcoloring on paper under glass Edition 141/200, signed, dated and blindstamped lower left: R.C. Gorman, numbered lower right, titled on a tag affixed to the backing board Sight: 23.5” H x 31.75” W $800-1,200 Provenance: Adagio Galleries, Palm Springs, CA

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128

R.C. Gorman

(1932-2005, Taos, NM) Woman in profile, 1979 Lithograph on paper under glass Edition A/P, signed and dated lower left: R.C. Gorman, editioned lower right, blindstamped lower center Sheet: 16â&#x20AC;? H x 12â&#x20AC;? W $500-700

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129

A group of Chimayo clutch purses 20th Century

Various makers including: Ganscraft, La Azteca, El Grandee- Fred Harvey Twelve clutch style purses sewn from New Mexico Chimayo wool weavings, varying colors, some with figural silver snaps, interior zippers, and interior buttons, some retain original box, 12 pieces Each approximately: 6” H x 9.25” W x .5” D $400-600

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130

A group of Chimayo handwoven wool purses

Various makers including: Ganscraft, La Azteca, El Grandee, Fred Harvey Fourteen wood handled purses sewn from hand loomed New Mexico Chimayo wool weavings, varying colors and sizes, 14 pieces Larger approximately: 16.5” H x 14.25” W; Smaller approximately: 14.25” H x 13.25” W $400-600

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131

A group of silver jewelry

Comprising three early Navajo silver cuff bracelets (largest: 6.75” C x .5” W, wrist opening: 1”) and one gem-set hummingbird brooch (1.75” H x 2” W) 97.0 grams gross 4 pieces $200-400

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132

A group of silver and gem-set jewelry

One buckle stamped: Lautore; One ring stamped: Made in Israel Comprising two rings (larger: 7.5), two buckles (larger: 2” H x 2.875” W), a pin (1.75” H x 1.25” W), and one cuff bracelet (6.25” C x .875” H, wrist opening: 1”) 173.5 grams gross 6 pieces $300-500

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133

Seven bracelets

Most stamped for maker and/or for sterling silver Comprising a Hopi Norman Honie Jr. sterling silver cuff, a small sterling silver cuff with stamped design, a Harold Lujan stamped sterling silver bangle, a smooth sterling silver cuff, a ridged cuff, a shadowbox cuff with tumbled turquoise, and a cuff with rectangular turquoise tablets Largest: 7.25” C x 1.75” H, wrist opening: 1.325; Smallest: 6.5” C x .25” H, wrist opening: 1.125” 427.5 grams gross 7 pieces $500-700

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134

Two cuff bracelets

Each stamped for maker; One stamped: Sterling Comprising a sterling silver Zuni Anny Locaspino cuff bracelet (7.5” C x 1.75” H, wrist opening: 1.25”), together with a cuff watch set with simulated turquoise (7.25” C x 1.5” H, wrist opening: 1.325”) 258.0 grams gross 2 pieces $400-600

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135

Sam Hyde Harris

(1889-1977, Alhambra, CA) “Sanctuary Guardian” Oil on canvas Estate signed lower right: Sam Hyde Harris, signed again, titled and numbered on the stretcher: #648, estate stamped and numbered verso: 000419 22” H x 28” W $2,000-3,000 Notes: With an authentication stamp signed by Maureen St. Gaudens verso.

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136

Sam Hyde Harris

(1889-1977, Alhambra, CA) “Enchantment” Oil on canvasboard Signed with the estate stamp lower left: Sam Hyde Harris, signed again, titled, numbered and estate stamped and numbered verso: 862 / 000352 16” H x 20” W $1,000-2,000 Notes: With the estate stamp signed by Maureen St. Gaudens verso.

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137

Sam Hyde Harris

(1889-1977, Alhambra, CA) “Desert Blue and Gold” Oil on canvas laid to board Signed with the estate stamp lower left: Sam Hyde Harris, titled, numbered and estate stamped and numbered verso: #441 / 000257 16” H x 20” W $1,000-2,000 Notes: With an authentication stamp signed by Maureen St. Gaudens verso.

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138

Harold E. (Hal) Larsen

(b. 1935, Santa Fe, NM) Kachina Mixed media on paper under Plexiglas Signed lower left: Harold E. Larsen Sight: 39.5â&#x20AC;? H x 29.5â&#x20AC;? W $400-600

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139

Harold E. (Hal) Larsen

(b. 1935, American) “Night Horse Blanket” Triptych (three works) Mixed media on paper under glass Signed lower left: Harold E. Larsen, titled and numbered on the backing board of the center piece: H 8902003 Sight of each: 39.5” H x 19.5” W $1,000-2,000

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140

Dale TerBush

(b. 1948, California) “Dancing in the light of Romance” Oil on canvas Signed lower left: TurBush, signed again and titled verso 18” H x 24” W $500-700 Provenance: Dale TerBush Studio, Gallery, Fine Art, Antiques, Santa Fe, NM, August 22, 1993 Notes: This lot is accompanied by an original sales receipt dated August 22, 1993.

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141

Joe Baker

(b. 1946, Phoenix, AZ) “Wintering in Arizona,” 1982 Oil on canvas Signed and titled along the upper edge: Joe Baker, signed and titled again and dated verso 66” H x 78” W $600-800 Exhibitions: Arizona, The Elaine Horwitch Galleries, B4375

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142

Barrett DeBusk

(b. 1955, American) A landscape and a figural group wall sculpture, two works Hand bent cold-rolled steel, powder coat finish Each signed to side: DeBusk Larger: 27” H x 53” W x 5” D $300-500

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143

Leroy Neiman

(1921-2012, New York, NY) “Zebra Family,” 1978 Color serigraph on paper under glass Edition 168/300, signed in pencil lower right: LeRoy Neiman, numbered in pencil and blindstamped for Styria Studio lower left Sight: 27.75” H x 37.25” W; Sheet: 34.25” H x 43.75” W $800-1,200

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144

Leroy Neiman

(1921-2012, New York, NY) “Giraffe Family,” 1977 Color serigraph on paper under glass, Knoedler, pub., Styria Studio, prntr Edition 78/300, signed in pencil lower right: LeRoy Neiman, numbered in pencil and stamped for Styria Studio lower left Sight: 37.75” H x 28” W; Sheet: 44.25” H x 34.5: W $1,000-2,000 Literature: K., 135

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Condition Reports

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1 Each in overall good condition with light scratches commensurate with age. The screwbacks are bent to the side. 2 Overall good condition with tarnishing and light scratches commensurate with age. 3 Each in overall good condition with tarnishing and light scratches commensurate with age. The first necklace with a kink to the string. 4 Each in overall good condition with tarnishing and light scratches. Inscribed in sharpie to the back of the central pendant. 5 Visual: Generally good condition. Very fine craquelure in and around the figure of the boy and the body of the burro. Minor surface dirt and grime. Blacklight: A dime-sized scattered area and a series of tiny dots of touch-up upper left. Frame: 33.25” H x 39.25” W x 3” D 6 Visual: Generally good condition.

Condition Reports

Blacklight: No evidence of restoration under blacklight.

150

Frame: 18.25” H x 15.25” W x 2.5” D

7 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 14” H x 15.75” W x 1.75” D

8 Visual: Generally good condition. A 1” scratch in the center. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 33” H x 45” W x 3.25” D 9 Visual: Generally good condition. Blacklight: Small spots of touch-up scattered throughout, concentrated mainly in the sky. Frame: 23” H x 27” W x 2.25” D 10 Visual: Generally good condition. Blacklight: Touch-up scattered throughout. The largest, a 3” x 1” area along the right edge center. Frame: 23” H x 27” W x 2.25” D 11 Overall good condition with light scratches commensurate with age. Minor creasing to the leather. 12 Overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions to some stones. 13 Overall good condition with tarnishing and light scratches commensurate with age.

14 Each in overall good condition throughout, some minor scuffing, rubbing and wear to each, chips and losses to rim of redware vessel signed “Dusty,” scuffing and color loss and inclusions to “Kokopelli” vessel Additional measurements: Etched vessel signed “Dusty”: 3.5” H x 4.25” W x 2.75” D Kokopelli vessel: 4” H x 4.75” W Handled blackware pot: 5.5” H x 4.5” Dia. Blackware seed pot: 3.75” H x 4” Dia. Etched vessel signed ‘Tafoya:’ 4.25” H x 4” Dia. Feather rim blackware pot signed “Pauline”: 2” H x 3” W x 2.75” D Small pottery article signed “J.Baca”: 2.5” H x 2.75” W x 2.25” D

15 Each in overall good condition with some minor rubbing, scuffing, some discoloration and minor paint loss

18 Visual: Generally good condition. Tiny dots of gold paint upper right. Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist. Frame: 13” H x 15” W x .75” D 19 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 23.5” H x 25.5” W x 2” D 20 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 16” H x 13.75” W x 3” D

Unframed but matted 17 Visual: Generally good condition. Frame abrasion along the four edges. Small chips of paint loss in the upper right corner. Varnish discoloration scattered throughout.

21 Visual: Generally good condition. Very fine craquelure under the varnish scattered throughout. Blacklight: No evidence of restoration under blacklight. Frame: 16” H x 18.25” W x 3.5” D 22 Visual: Generally good condition.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Blacklight: No evidence of restoration under blacklight.

Frame: 21.75” H x 19.5” W x 2” D

Frame: 34.5” H x 46.25” W x 4.25” D 23 Each in overall good condition with tarnishing and light scratches commensurate with age. Green oxidation to the bolo.

Condition Reports

16 Each generally good condition. The larger: Isolated areas of small dots of yellow staining scattered throughout. Each hinged to the recto mat with artist’s tape along the four edges.

151

24 Each in overall good condition with tarnishing and light scratches commensurate with age. A small inherent hairline crack to the turquoise slab of the bolo. 25 Overall good condition with light scratches commensurate with age. A chip and corresponding crack to one turquoise cabochon. 26 Each in overall good condition with tarnishing and light scratches commensurate with age. The third with scattered visible glue residue to the inlay. 27 Visual: Generally good condition. Small spot of grime in the sky upper right. Blacklight: No evidence of restoration under blacklight. Frame: 33” H x 39” W x 2” D 28 Visual: Generally good condition. Craquelure throughout. Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 28.5” H x 33.5” W x 2.5” D

152

29 Visual: Generally good condition. Two grooves in the panel with scattered tiny flecks of paint loss in the upper right corner. Tiny fleck of paint loss upper center. Blacklight: No evidence of restoration under blacklight. Frame: 16” H x 18.75” W x 1” D

30 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 44” H x 55.5” W x 3” D 31 Each in overall good condition with tarnishing and light scratches commensurate with age. 32 Each in overall good condition with light scratches commensurate with age. 33 Each in overall good condition with tarnishing and light scratches commensurate with age. Approximately one coral bead with a break. The fourth necklace with kinks to the string, may benefit from restringing. 34 Overall good condition with minor dust accumulation and wear commensurate with age and use. Scattered areas of loss to lower outside rim of wrapping. 35 Overall good condition with minor dust accumulation commensurate with age. 36 Overall good condition with minor dust accumulation commensurate with age. Area of mold to lower interior. 37 Overall good condition with minor wear and dust accumulation commensurate with age.

Blacklight: A 2” x 1” area of restoration lower right with corresponding patch verso. Dots and lines of touch-up scattered throughout the sky. Frame: 35” H x 50” W x 1.5” D 39 Visual: Generally good condition. Fine craquelure throughout. Minor surface dirt. Blacklight: A series of small dots of touch-up in the sky upper left with a dime-sized spot upper left edge. Difficult to read under varnish. Frame: 27.25” H x 43.75” W x 3.5” D 40 Visual: Generally good condition. Isolated areas of fine craquelure scattered throughout. Blacklight: No evidence of restoration under blacklight. Frame: 30.5” H x 40.5” W x 3” D 41 Each in overall good condition with tarnishing and light scratches commensurate with age. One stone slightly loose. One turquoise cabochon with chips to the edge of the stone. 42 Each in overall good condition with tarnishing and light scratches commensurate with age. One with cracks to the silver dating to time of manufacture. 43 Each in overall good condition with tarnishing and light scratches commensurate with age. Each stone with cracks.

44 Each in overall very good condition with minor areas of wear, scuffing, and fading commensurate with age and use. Additional measurements: Brown, cream and grey with hour glass center: 36” H x 22” W Cream, brown and grey with elaborate central diamond: 29” H x 42” W 45 In overall good condition with areas of scuffing, light discoloration and some soiling throughout commensurate with age and use. 46 Overall good condition commensurate with age and use. Some sections of selvage edge either detached or separating from body, Largest section 1.5’’ L. Intrinsic unevenness to red dye. 47 Overall good condition with minor wear and dust accumulation commensurate with age and use. 48 Overall good condition commensurate with age and use. Even fading and dust accumulation to exterior with scattered stitch loss to bottom from shelf wear. 49 Overall good condition commensurate with age and use. Some damage to handles and cordage. 50 Visual: Generally good condition. A tiny spot of paint loss in the sky upper right. A few spots of surface grime in the sky upper center. Blacklight: No evidence of restoration under blacklight. Frame: 38.5” H x 28.5” W x 3” D

Condition Reports

38 Visual: Generally good condition. Craquelure throughout. Minor surface dirt and grime.

153

51 Visual: Generally good condition. Minor surface dirt. Blacklight: No evidence of restoration under blacklight. Frame: 35.75” H x 47.75” W x 3.75” D 52 Generally good condition. Minor toning to the paper. Small dots of yellow staining scattered throughout, mainly visible in the lighter pigments, also visible verso. Staple holes along the perimeter from a previous mounting. The paper with deckled edges. Hinged to the recto mat with artist’s tape along the upper edge. Frame: 33” H x 41.25” W x 2.25” D 53 Visual: Generally good condition. A small scuff in the lower left corner. Minor surface dirt throughout with a spot of grime lower left corner. Blacklight: Touch-up in the face of the figure and a quarter-sized area in the tree trunk upper center. Frame: 16.5” H x 13.5” W x 1.75” D 54 Visual: Generally good condition.

Condition Reports

Blacklight: No evidence of restoration under blacklight.

154

56 Overall good condition with minor scuffs and darkening to bronze commensurate with age. 57 Overall good condition with minor rubbed wear commensurate with age. Plinth: 1.75” H x 19.75” Dia. 58 Overall good condition with minor scuffs and darkening to bronze commensurate with age. 59 Overall good condition with tarnishing and light scratches commensurate with age. Staining and wear to the leather. Visible glue residue to the back of the buckle. 60 Overall good condition with tarnishing and light scratches commensurate with age. Minor wear to the leather 61 Each in overall good condition with tarnishing and light scratches commensurate with age. The mother-of-pearl panel with two cracks and a .324” x .25” replaced portion and rubbed wear to the gold paint detail.

Frame: 13.5” H x 13.5” W x 1” D

62 Generally good condition. With trimmed margins. Tape remains in the upper corners from a previous mounting. Attached to the back mat with paper corners.

55 Visual: Generally good condition.

Unframed but matted

Blacklight: No evidence of restoration under blacklight. Frame: 26.5” H x 22.5” W x 3” D

63 Generally good condition. The paper is slightly rippled. A .5” crescent shaped crease on the front of the canoe. A crease to the lower left corner. Not examined out of the frame.

69 Each in overall good condition with scuffs, scratches, nicks, and wear to paint commensurate with age. Some with losses to feather headdresses.

Frame: 25” H x 21” W x .75” D

Blacklight: No evidence of restoration under blacklight. Frame: 13.25” H x 15.5” W x 1.5” D 65 Visual: Generally good condition. Very fine craquelure scattered throughout. Blacklight: Touch-up throughout Frame: 33.25” H x 48.75” W x 3” D 66 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 29.5.5” H x 33.5” W x 2.5” D 67 Visual: Generally good condition.

71 Toning to the paper. Paper losses to all four corners. The paper is torn around the left corner hinge. Tears and small losses scattered around the perimeter, the largest is a 1” tear upper edge center. Four pinholes in the upper left corner. Minor handling creases scattered throughout. The paper is scuffed around the cowboy’s head possibly due to erasing. Small scuff to the paper lower left. Hinged to the recto mat with artist’s tape in the upper corners. Most condition issues are not visible behind the mat. Unframed but matted 72 The perimeter of the paper has nicks, creases, losses and tears commensurate with age, the largest: 2” along the upper edge center. The tears are stabilized with clear tape verso. Minor surface dirt. The paper is loose, not mounted.

Blacklight: No evidence of restoration under blacklight.

Frame: 32.5” H x 37.75” W x 1.75” D

Frame: 17.5” H x 20.5” W x 2.5” D

73 Each in overall good condition with tarnishing, light scratches and scattered dents commensurate with age.

68 Visual: Generally good condition. Craquelure throughout the sky. Blacklight: Scattered spots of touch-up throughout the sky and along the left edge. A few scattered spots of touch-up on the barn. Frame: 25” H x 31” W x 2.25” D

74 Each in overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

64 Visual: Generally good condition.

70 Each in overall good condition with scattered scuffs, nicks, scratches, and wear to paint commensurate with age. Some with wear and losses to feather headdresses.

155

75 Overall good condition with tarnishing and light scratches commensurate with age. 76 Overall good condition with one detached thong, dust accumulation and wear commensurate with age and use. 77 Each in overall good condition with minor nicks and scuffs. The turquoise inlaid flute with a chip and corresponding crack to the pipe. 78 Visual: Generally good condition. Fine craquelure along the upper edge and lightly scattered throughout. Rubbed wear scattered throughout the lower portion. A pea-sized spot of paint loss under the varnish lower right. Minor surface dirt. Blacklight: Two small spots of touch-up upper center. A series of small dots of touch-up in the upper left corner. Frame: 21” H x 25” W x 2” D 79 Visual: Generally good condition. Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.

Condition Reports

Frame: 21.5” H x 25.5” W x 1.5” D

156

80 Visual: Generally good condition. Minor surface dirt and grime. Blacklight: A 5” x 2” scattered area of touch-up along the left edge center. Frame: 21.5” H x 25.5” W x 1.5” D

81 Visual: Generally good condition. Minor surface dirt. Blacklight: Touch-up scattered along the extreme upper and lower edges. Frame: 32.75” H x 44.75” W x 3.75” D 82 Overall good condition with tarnishing and light scratches commensurate with age. Scattered inlay panels with minor losses, possibly dating to time of manufacture. 83 Overall good condition with tarnishing and light scratches commensurate with age. Three chains from the central panel partially detached, one missing. 84 Each in overall good condition with tarnishing and light scratches. 85 Each in overall good condition with tarnishing and light scratches commensurate with age. 86 Overall good condition with minor scuffs and scratches commensurate with age. 87 Generally good condition. Minor toning to the paper. Hinged to the back mat with artist’s tape in the upper corners. Frame: 19.75” H x 19.75” W x 1.25” D 88 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 16.5” H x 13.5” W x 2.25” D

Blacklight: No evidence of restoration under blacklight.

95 Visual: Generally good condition. Isolated areas of very fine craquelure scattered throughout. A dime-sized area of tiny dots of grime upper edge right.

Frame: 15.5” H x 18.5” W x 2” D

Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish.

90 Visual: Generally good condition. A 3” ridge in the canvas upper left. Dots of yellow staining scattered throughout verso. Minor surface dirt.

Frame: 19.5” H x 23.5” W x 3” D

Blacklight: No evidence of restoration under blacklight. Frame: 24” H x 36” W x 3” D 91 Visual: Generally good condition. Small chip of paint loss upper left corner. Blacklight: No evidence of restoration under blacklight. Frame: 27.5” H x 31.5” W x 1.5” D 92 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but appear to be in the hand of the artist. Frame: 14.25” H x 16.25” W x 1.5” D. 93 Overall good condition with minor scuffs and darkening to bronze commensurate with age. 94 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Scattered spots of housepaint.

96 Visual: Generally good condition. A small loss to the board along the upper edge left. Frame abrasion along the left edge. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 26.75” H x 30.75” W x 2” D 97 Visual: Each generally good condition. The first: Minor surface dirt and grime. The second: A .75” scuff left center. Minor surface dirt and grime. Blacklight: The first: Touch-up along the full width of the upper edge. The second: Spots of grime fluoresce under blacklight scattered throughout. Frame of each: 17” H x 21” W x 1” D 98 Visual: Generally good condition. A 1” x 2” portion of the lower left corner is damaged with some loss. A tiny fleck of paint loss lower right. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Frame: 27.25” H x 33.25” W x 2.75” D 99 Both in overall good condition commensurate with age and use. Slight fading to each.

Condition Reports

89 Visual: Generally good condition.

157

100 Overall good condition with dust accumulation and wear commensurate with age and use. One side with several localized losses to wrapped basketry. 101 Overall fair condition with scuffs and dust accumulation commensurate with age. A .625” tear to the rim extending into the body with corresponding stitch loss. A possible 1” repair to the rim. Scattered spots of stitch loss to the interior and exterior, the longest section: .5”. 102 Overall good condition with minor scuffs and darkening to bronze commensurate with age. 103

104 Overall good condition with tarnishing and light scratches commensurate with age. The copper belt hook with verdigris. A repair to one leather backing. Drying, cracking, creasing, and wear to leather commensurate with age.

Condition Reports

105 Overall good condition with tarnishing and light scratches commensurate with age. One cabochon with a break. The belt has been cut to a point on one end.

158

106 Each in overall good condition with tarnishing and light scratches. 107 Each in overall good condition with tarnishing and light scratches commensurate with age.

108 Overall good condition commensurate with age and use. Two large abalone buttons with losses, several other buttons either loose or lost. Small losses to edge of red fabric from pinning and wearing. 109 Each in overall good condition with minor dust accumulation commensurate with age. Larger with scattered small losses to basketry, largest approximately: 1.75” L. 110 Overall good condition commensurate with age and use. 111 Each overall good condition commensurate with age and use. Each with dust accumulation. 112 Each in overall good condition commensurate with age and use. Each with dust accumulation. 113 Overall good condition commensurate with age and use. Even discoloration from age and dust accumulation throughout. A stitch loss to one handle and scattered losses to imbrication. 114 Overall good condition commensurate with age and use. Overall fading to the exterior motifs. 115 Each in overall good condition with tarnishing and light scratches. 116 Overall good condition with tarnishing and light scratches. Restrung. Scattered turquoise with inherent hairline cracks.

118 Each in overall good condition with tarnishing and light scratches. Scattered turquoise beads with chips. 119 Each in overall good condition with tarnishing and light scratches commensurate with age. The earrings are for pierced ears only. The two beaded necklaces with kinks in the string. 120 Visual: Generally good condition. Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish. Frame: 36” H x 24.25” W x 3.25” D 121 Generally good condition. A small dent to the paper lower left. Light, unobtrusive handling creases scattered across the center. The paper with deckled edges. Framed floating and hinged to the back mat.

124 Each in overall good condition with wear commensurate with age and use. Some with tears to interior lining. 125 Each in overall good condition with wear commensurate with age and use. 126 Each in overall good condition with tarnishing and light scratches. 127 Each in overall good condition with tarnishing and light scratches. One ring with ink staining to the stone. 128 Each in overall good condition with tarnishing and light scratches commensurate with age. The tumbled turquoise with a loss to one corner. 129 Each in overall good condition with tarnishing and light scratches commensurate with age. First with a chip to one turquoise cabochon. Moran’s does not guarantee the working condition of clocks and watches.

Frame: 31” H x 39” W x 2” D

130 Visual: Generally good condition.

122 Generally good condition. The lower left corner of the glass is chipped.

Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 30.25” H x 38.25” W x 1.25” D

Frame: 27.75” H x 33.75” W x 1.5” D

123 Generally good condition. The paper with deckled edges. Framed floating and hinged to the back mat. Not examined out of the frame. Frame: 24” H x 18.75” W x 1.25” D

Condition Reports

117 Each in overall good condition with tarnishing and light scratches commensurate with age. The petit-point ring and earrings with a total of three cracked stones.

159

131 Visual: Generally good condition. The canvas is frayed on all four corners. A small nick out of the canvasboard along the upper right edge. A small fleck of paint loss in the center.

small .25” linear puncture to the canvas in the lower left corner. Minor surface dirt and grime.

Blacklight: Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Unframed

Unframed 132 Visual: Generally good condition. Small fleck of paint loss upper left. Blacklight: No evidence of restoration under blacklight. Frame: 21.5” H x 25.5” W x 1.5” D 133 Generally good condition. Two small chips to the paint upper right. A small chip to the paint left center. Not examined out of the frame. Frame: 51.25” H x 41.5” W x 1.25” D 134 Generally good condition. Not examined out of the frame. Frame of each: 40.25” H x 20.25” W x 1” D; Overall: 40.25” H x 60.75” W x 1” D

Condition Reports

135 Visual: Generally good condition.

160

Blacklight: No evidence of restoration under blacklight. Frame: 31.5” H x 37.5” W x 2.5” D 136 Visual: Generally good condition. Three small linear punctures to the canvas with paint loss along the upper edge, the largest .75” long. A

Blacklight: No evidence of restoration under blacklight.

137 Each in overall good condition with minor dents and oxidation. Smaller: 24.75” H x 38.25” W x 5” D 138 Generally good condition. Toning to the paper. Fine craquelure scattered throughout. A 1.5 scratch in the center. The upper edge is deckled. Hinged to the back mat with artist’s tape in three points along the upper edge. Frame: 37” H x 46” W x 1.25” D 139 Minor toning to the paper. The paper is slightly rippled. The paper has yellow staining and is creased throughout the margin. One crease extends 4” into the image with scattered paint loss upper right. A 1” and a .25 tear to the paper along the upper edge center. Minor surface dirt and grime. Hinged to the back mat with artist’s tape in three points along the upper edge. Frame: 47” H x 37.25” W x 1.25” D

Price

Consign Today

Art of the American West March 2021

A Navajo Two Grey Hills rug/weaving

Price Realized: $3,250

Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com Âˇ info@johnmoran.com Âˇ (626) 793-1833 w w w. j o h n m o r a n . c o m 1 6 1

Consign Today

California & American Fine Art November 17, 2020

Granville Redmond (1871-1935, Los Angeles, CA) Landscape with poppies and lupine $80,000-120,000

Consignment and Auction Inquiries: morgana@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com Âˇ info@johnmoran.com Âˇ (626) 793-1833 1 6 2 A r t o f t h e Am e r i c a n We s t l Tu e sd ay, S e p te mb e r 2 9 , 2 0 2 0

w w w. j o h n m o r a n . c o m 1 6 2

Consign Today

Fine Jewelry & Timepieces December 2020

A Buccellati peridot and diamond ring Price Realized: $6.875

Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com Âˇ info@johnmoran.com Âˇ (626) 793-1833 w w w. j o h n m o r a n . c o m 1 6 3

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, American Indian Specialist Senior Vice President, Fine Art Director

Maranda Moran Morgana Blackwelder

Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Junior Specialist / Senior Cataloguer: Furniture & Decorative Arts Jardine Gates, GIA G.G. Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook 20th Century Furniture and Decorative Arts Specialist John Simon Taylor Post War & Contemporary Fine Art Bree Hughes American Indian Specialist Maranda Moran Head of Sale Jewelry Director

Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Property Manager Emmett Clements Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

ADVERTISING, MARKETING, DIGITAL DESIGN

Advertising & Marketing Director, Art Design Nathan Martinez Photographer Madison Torres Photographer Keith Berson Graphic Designer Brian Olivas

TRUSTS & ESTATES

Department Manager Noelle Valentino

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYERâ&#x20AC;&#x2122;S PREMIUMS: BUYERâ&#x20AC;&#x2122;S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyerâ&#x20AC;&#x2122;s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "â&#x2014;&#x160;" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyerâ&#x20AC;&#x2122;s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financial account information as a reference. All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights. Signature:

Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] F R

FFICE USE

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneerâ&#x20AC;&#x2122;s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

P E SE

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyerâ&#x20AC;&#x2122;s Premium) bsentee only

F R

Y/N

FFICE USE

Last Bid $

TE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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info@johnmoran.com · (626) 793-1833