Art of the American West—March 12, 2024 | John Moran Auctioneers

1Fritz Scholder (1937-2005)

“Self Portrait in Rome,” 1978

Etching and aquatint in colors on paper

Edition: 14/50

Signed and numbered in pencil in the lower margin: Scholder; titled and dated by repute

$400-600

Plate: 19.5” H x 15.125” W; Sheet: 28.5” H x 20” W

Untitled, Dogs lounging

Etching and aquatint on wove paper

Edition: 57/60

Signed and numbered in pencil in the lower margin: Scholder

$800-1,200

2 Fritz Scholder (1937-2005)

Plate: 29.5” H x 23.75” W; Sheet: 37.5” H x 29.75” W

3

Fritz Scholder (1937-2005)

“Palo Alto Palm,” 1984

Etching and aquatint in colors on Tiepolo paper

Edition: SAE II, aside from the edition of 30

Signed, titled, and inscribed in pencil along the lower margin: Scholder; Scott Greene and Anne Hirsh, prntr.; Smith Anderson Editions, Palo Alto, CA, pub.

Plate: 24” H x 17.75” W; Sheet: 30” H x 22.375” W

$500-700

Provenance: Collection of Paula Kirkeby, owner of Smith Anderson Gallery/Smith Anderson Editions, Palo Alto, CA

Private Collection, San Rafael, CA, by descent to the current owner

Other Notes: This lot is accompanied by an information page about the print from the publisher, Smith Anderson Editions, Palo Alto, CA.

4 Jerry Lee (b. 1944)

Nocturnal riders on horseback

Gouache on board

Signed lower right: Jerry Lee

Sight: 17.5” H x 19.75” W

$600-800

5

A Plains-style hide collage

Late 20th century

An abstract irregular shaped hide “painting” with painted and applied leather appliques with beadwork accents depicting a central warrior figure surrounded by mountains, sun, and other natural element motifs, with additional thread-wrapped feather accents to each corner and wrapped hair accents to the center side edges, all mounted to red backing fabric within a custom-made Plexiglas frame 16.5” H x 21” W approximately; feathers: 3” L

$300-500

6 Red Robin (1912-1991)

“Navan Kachinas - Hopi Arizona,” 1941 Watercolor on tan wove paper

Signed lower left, signed again and dated lower right: Red Robin; titled on the verso, possibly in another hand

$600-800

Image: 12” H x 17.5”; Sheet: 13.75” H x 20” W

7

Harrison (Haskay Yahne Yah) Begay (1914-2012, Navajo/Dine)

“Old Time Navajo Wild Horse Round-Up”

Gouache on paper

Signed lower right: Harrison Begay; titled on a label affixed to the frame’s backing paper

Sight: 20.5” H x 26” W

$700-900

8

Ed Morgan (1943-2014)

“Old Souls,” 1998

Embossed engraving with handcoloring on wove paper

Edition: 5/15

Signed, titled, dated, and numbered in pencil at the lower edge: Ed Morgan

Sheet: 11.125” H x 15.125” W

$700-900

9

Dan Namingha

(b. 1950, Hopi-Tewa)

Abstract

Acrylic on paper, blindstamp Strathmore

Signed lower right: Namingha

Image/Sheet: 14.5” H x 23” W

$1,500-2,000

10

R. C. Gorman (1932-2005)

“Spirit,” 1979

Screenprint in colors on paper

Edition: 34/150 in the first state (of two; there were also 15 artist’s proofs and a few other proofs in this state)

Signed, dated, and numbered in pencil in the lower margin: R.C. Gorman; Editions Press, San Francisco, CA, prntr./pub., with the blindstamps of both the artist and the printer/publisher in the lower margin

Image: 24” H x 36” W; Sight: 26” H x 37” W

$300-500

Provenance: Collier Art Corporation, Los Angeles, CA

Literature: Adams/Newlin/Steen 171

Other Notes: In the second (final) state of this screenprint, the artist used light blue for the figure’s wrap, rather than the light magenta of this state. This lot is accompanied by an undated certificate of authenticity from Collier Art Corporation affixed to the frame’s backing paper.

11

Logan Maxwell Hagege

(b. 1980)

“High Desert Trail,” 2010

Oil on linen laid to Gatorboard

Signed upper right: Logan Maxwell Hagege; signed again, titled, dated, and inscribed on the verso of the Gatorboard 12” H x 9” W

$15,000-20,000

The Collection Santa Monica,

Renowned for his razor-sharp wit and keen indelible mark on the film industry by greenlighting ished movies. His penchant for humor, intelligence, his professional endeavors but also his personal brant hues of Southwest aesthetics, folk art, to showcase his remarkable collection of century to the mid-20th century. Tanen’s nings as a mail room clerk to becoming a prominent the roles of VP at Universal Pictures, Channel Productions, and ultimately President yielded iconic cinematic gems such as American and the Bandit (1977), and The Deer included timeless classics like Coal Sixteen Candles,The Breakfast Club, St. Elmo’s Day Off, and Top

of Ned Tanen, Monica, CA

keen eye for emerging talent, Ned Tanen left an greenlighting some of Hollywood’s most cherintelligence, and creativity permeated not only personal space, which was adorned with the viart, and Post War artwork. Moran’s is delighted Navajo textiles, spanning from the late 19th illustrious career path—from humble beginprominent TV talent agent, then ascending to President of Universal Films, founder of President and COO of Paramount Pictures— American Graffiti (1973), Jaws (1975), Smokey Hunter (1978). His prolific output in 1980 Miner’s Daughter, The Blues Brothers, Elmo’s Fire, Crocodile Dundee, Ferris Bueller’s Top Gun, among others.

12

A Navajo Second Phase chief’s blanket Late 19th/early 20th century, Diné Woven in alternating bands of cream and dark brown wool with blue banding and green crosses 56” H x 69.5” W

$3,000-5,000

Provenance: The Collection of Ned Tanen, Santa Monica, CA

The Collection of Ned Tanen,

Tanen, Santa Monica, CA

The Collection of Ned Tanen,

13

A Navajo Late Classic child’s blanket

Late 19th century, Diné

A Germantown textile woven in red, black, and beige wool, with three bands of spider woman crosses within larger crosses

57” H x 34.5” W

$2,000-3,000

Provenance: The Collection of Ned Tanen, Santa Monica, CA

Tanen, Santa Monica, CA

14

A Navajo banded blanket

Late 19th century, Diné Woven in cream, green, red, and dark brown wool, with alternating cream and red serrated bands 54” H x 89” W

$800-1,200

Provenance: The Collection of Ned Tanen, Santa Monica, CA

Tanen, Santa Monica, CA

15

Late 19th century, Diné

Woven in alternating bands of red, cream, dark brown, light green, and salmon wool

59” H x 77.5” W

$1,000-2,000

Provenance: The Collection of Ned Tanen, Santa Monica, CA

A Navajo transitional banded blanket

The Collection of Ned Tanen,

16

A Navajo Late Classic banded blanket

Late 19th century, Diné

Woven in blue, red, green, cream, and brown wool, with alternating bands of Moki stripes 48” H x 71” W

$3,000-5,000

Provenance: The Collection of Ned Tanen, Santa Monica, CA

Tanen, Santa Monica, CA

The Collection of Ned Tanen,

17

A Navajo Germantown textile

Late 19th century, Diné

Woven in light and dark green, black, grey, orange, and beige wool on red ground, with an all over geometric motif

64.25” H x 47.25” W

$1,500-2,500

Provenance: The Collection of Ned Tanen, Santa Monica, CA

Tanen, Santa Monica, CA

The Collection of Ned Tanen,

18

A JB Moore Navajo textile

Early 20th century, Diné

Finely woven in red, salt and pepper, black, and cream wool with two central sawtooth diamonds surrounded by floating hooked motifs and sawtooth bands to center edges, with design elements inspired by JB Moore 1911 catalog plate 19

73” H x 46.5” W

$1,200-1,800

Provenance: The Collection of Ned Tanen, Santa Monica, CA

Literature: A similar design illustrated: JB Moore, “The Catalogues of Fine Navajo Blankets, Rugs, Ceremonial Baskets, Silverware, Jewelry & Curios 1903 & 1911” (Albuquerque: Avanyu Publishing, Inc., 1987), 62, pl XIX [19].

Other notes: “Very little is known of John B. Moore as an individual other than that he was a native of Sheridan, Wyoming, bought an interest in the trading post at Washington Pass, N.M. (also known as Cottonwood Pass) in 1896 and abruptly left the Navajo Reservation in the autumn of 1911. What we can gather about him as a person and a trader comes from [his] catalogs, leaflets and the report which are printed here.”

The Crystal Trading Post, established in 1896, was located on the Navajo Reservation in far western New Mexico, high up in the Chuska Mountains. In 1897, JB Moore purchased the entire interest in the post and renamed it “Crystal” after a “pure and sparkling mountain spring that ran by the post.”

The remoteness of the Crystal area and the fact that winter business was fairly limited led Moore to issue mail order catalogs in 1903 and 1911, selling Navajo rugs to people in the eastern United States. These catalogs allowed a buyer to choose specific designs and wool quality. Printed images of the rug designs - called plates - appeared in the catalogs, and the weavings that resulted from them are now known as plate rugs and are highly collectible.

Moore had a strong interest in Navajo weaving and was “instrumental in promoting a bordered rug style, more suited to the tastes of Anglo buyers.” Early Navajo Crystal rugs from the 1903 catalog were often made from natural hand-spun wool yarn and featured traditional Navajo weaving patterns common in the last quarter of the nineteenth century. Later Crystal rugs from the 1911 catalog featured patterns reminiscent of classic oriental rugs, with geometric motifs such as hooks, “waterbugs,” frets, “airplanes,” and chevrons, and were often woven with brighter aniline-dyed wools as well as the natural colored hand-spun wool.

Moore’s interest in Navajo weaving seemed to include respect for the weavers, as in the catalogs the weavers are mentioned by name and captions to their portraits indicate that the women designed certain rugs. It seems likely that there was collaboration between Moore and his master weavers, with Moore providing patterns and ideas and “the women using their own skill and good taste to reinterpret his suggestions.” He repeatedly emphasized the quality of the materials his weavers used and the limited range of colors. He seemed “especially proud of the grays his weavers achieved, [indicating] how difficult it is to produce a fine, even tone through carding of black and white wool together.”

Marian Rodee (Curator of Collections, Maxwell Museum of Anthropology, University of New Mexico Albuquerque, New Mexico)

Sources: Marian Rodee, “Introduction,” in “JB Moore, The Catalogues of Fine Navajo Blankets, Rugs, Ceremonial Baskets, Silverware, Jewelry & Curios 1903 & 1911” (Albuquerque: Avanyu Publishing, Inc., 1987), 1-4.

https://www.medicinemangallery.com/collections/navajo-rugs-crystal

Tanen, Santa Monica, CA

19

A large Navajo regional rug

Early 20th century, Diné

Woven in cream, grey, dark brown, red, and ochre wool with two central stepped diamonds and floating crosses throughout with stepped motifs to corners and a chunky serrated border 143.5” H x 65” W

$3,000-5,000

Provenance: The Collection of Ned Tanen, Santa Monica, CA

The Collection of Ned Tanen,

Tanen, Santa Monica, CA

20

A Navajo transitional-style banded blanket

Early 20th century, Diné

Woven in red, cream, grey, orange, and blue wool, with five red diamond bands alternating with thin cream

49.5” H x 68.5” W

$800-1,200

Provenance: The Collection of Ned Tanen, Santa Monica, CA

The Collection of Ned Tanen,

21

A Navajo regional rug

Early/mid-20th century, Diné Woven in red, cream, grey, and black wool, with a central serrated diamond, red zig zag motif, and serrated border to both sides 82.5” H x 44” W

$800-1,200

Provenance: The Collection of Ned Tanen, Santa Monica, CA

Tanen, Santa Monica, CA

22

A Navajo regional rug Mid-20th century, Diné Woven in red, brown, and cream wool with seven knotted bands and an elaborate border 96” H x 50.5” W

$800-1,200

Provenance: The Collection of Ned Tanen, Santa Monica, CA

The Collection of Ned Tanen, Santa Monica, CA

23

A Navajo regional rug

Early 20th century, Diné

Woven in red, cream, dark brown, and grey with three columns of stacked crosses 74.5” H x 55” W

$1,000-1,500

Provenance: The Collection of Ned Tanen, Santa Monica, CA

24

A Navajo Late Classic-style full dress 20th century, Diné

The two pieces woven in black and red wool with stepped banding to ends, joined with shoulder and side seams 35” H x 22” W

$500-700

A large Navajo regional rug Mid-20th century, Diné Woven in cream, red, dark and light brown wool, with three columns of stacked triangles and sawtooth border 114” H x 67.5” W

$1,000-1,500

26

A Navajo Germantown saddle blanket

Late 19th century, Diné

Woven in green, black, red and speckled grey wool with a central cross within a large stepped diamond and green bands to ends

21” H x 37” W

$400-600

$2,000-3,000

A Navajo transitional textile Late 19th century, Diné Woven in red, green, blue, orange, cream and dark brown wool in an allover serrated floating diamond motif 52” H x 33.75” W

A

Mid-20th century, Diné

Woven in cream, grey, beige, and brown, with a central stepped hooked diamond, stepped, corn stalk, and butterfly motifs to corners, and an elaborate border 79.25” H x 54.5” W

$800-1,200

28

Navajo Two Grey Hills rug

$300-500

A Navajo Two Grey Hills Storm Pattern textile Mid/late 20th century, Diné

Woven in brown, light brown, grey, black, and cream wool with pictorial feather elements and two sawtooth motif borders 35” H x 26” W

30

A Navajo Two Grey Hills textile

Late 20th century, Diné

The eyedazzler textile woven in cream, dark grey, light grey, black and brown wool, with a column of four serrated diamonds and two sawtooth borders 57.5” H x 34.75 “ W

$500-700

31

A

Early-20th century, Diné

Woven in red, green, black, and cream wool, with hooked border 37.5” H x 32” W

$700-900

Provenance: The Marmor Family Collection

Navajo saddle blanket

Mid-20th century, Diné

Woven in turquoise, red, grey, brown, and cream wool in bands, with checkered/stepped corners

29.5” H x 29.5” W

$200-300

32

A Navajo saddle blanket

33

A Navajo regional rug

Mid-20th century, Diné

Woven in red, cream, grey and dark brown wool, with stacked X’s centering a step diamond and with an elaborate zig zag border 78.5” H x 56” W

$500-700

A

Mid-20th century, Diné

Woven in brown, cream, and grey natural wools with three columns of stacked diamonds

61”

$600-800

34

Navajo regional rug

H X 40.5” W

35

A Navajo regional rug Mid-20th century, Diné Woven in cream, black, dark grey and tan wool, with two conjoined stepped diamonds and central cross motifs 73.5” H x 34.75” W

$600-800

Other Notes: This lot is accompanied by a business card from Lonesome Dove Antiques, Yarnell, AZ.

$500-700

36 A Navajo regional rug Mid-20th century, Diné Woven in brown, beige, and tan natural wools with two stepped diamonds 61.75” H x 29.75” W

37

A Navajo regional rug

Mid/late 20th century, Diné

Woven in cream, black, dark grey, dark and light brown wool with an elongated central floating diamond and cross-hatched and stepped motifs at corners

46.25” H x 29.5” W

$500-700

38

A Lucille M. Yazzie pictorial sand painting textile Mid-20th century, Diné

With Mesa Verde Gift Shop tag, specimen number: 6711

Woven in multicolor wool in a sand colored ground, with Yei figures and rainbow guardians 50” H x 46” W

$800-1,200

39

A Navajo Storm Pattern rug

Mid-20th century, Diné

Woven in red, black, grey, green, and brown wool on a cream field with a stylized storm pattern motif 87.5” H x 52.25” W

$700-900

$300-500

40

A Navajo Storm Pattern textile Mid/late 20th century, Diné Woven in multicolor wool with waterbugs and geometric accents, two sawtooth borders, and tassel corners 33.25” H x 24.25” W

41

A Navajo Yei pictorial textile Mid/late 20th century, Diné Woven in ochre, beige, salmon, grey, yellow, and burgundy wool, with six Yei figures alternating with four corn stalks and an elaborate sawtooth border on two sides 46” H x 67.75” W

$600-800

A Navajo Yei

Mid/late 20th century, Diné Course woven in red, orange, green, black, brown, and beige wool, with nine figures 34.25” H x 55” W

$400-600

42

pictorial textile

43

A Navajo Yei pictorial weaving Mid-20th century, Diné

Woven in green, cream, red, and black wool, with four Yei figures alternating with four corn stalks and two serrated edges with attached wood poles

Textile: 28.5” H x 39” W; With poles: 30.25” H x 43” W

$300-500

44

A

Circa 1930s, Diné

Dated with description on folded paper applied to frame verso

Woven in black, brown, beige, and cream natural wool, with four female figures and alternating corn stalks, with tassels at corners

Textile: 23” H x 38.5” W

$400-600

framed Navajo Yei pictorial textile

46

A Chimayo textile Mid-20th century; New Mexico

Woven in red, blue, ochre, grey, and beige wool, with central geometric diamond motif and banded shorter borders 59.75” H x 29” W

$200-400

45

A Navajo Tree of Life textile

Late 20th century, Diné

With tag signed by the marker: Marie Sellers / Hubbell Trading Post / Ganado Arizona / Certificate of Genuineness / Navajo Woven Rugs

Woven in a multitude of colors, profusely decorated with birds and floral motifs, with an elaborate sawtooth border and tassel corners 45.25” H x 34.5” W

$500-700

Other Notes: This lot is accompanied by a photo of the weaver holding the textile.

47 A Chimayo textile Mid-20th century; New Mexico

Woven in red, blue, and beige wool on a grey ground, with central elaborate geometric motif and opposed floating Saltillo-style stepped diamond motifs, featuring two tassel edges

80” H x 52.5” W

$200-300

48

A framed Navajo chief’s blanket weaving sampler

Mid/late 20th century, Diné

Signed to frame verso: Susie Bea / Navajo

Each woven in blue, red, and white wool, depicting first, second, and third phase chief’s blankets in miniature, custom frame with formed color-matched mats

Each weaving: 3.5” H x 4.25” W approximately

$200-400

49

A Navajo Teec Nos Pos textile Mid-20th century, Diné

With original Teec Nos Pos Arts and Crafts Center vinyl tag Woven in red, green, yellow, black, brown, and cream wool, with central dragonfly motif, opposed stepped motifs, and two sawtooth borders 41” H x 28” W

$400-600

50 Ed Oppenheimer (b. 1947) “Midnight Wind”

Wool

Signed and titled to linen patch verso: Ed Oppenheimer 70.5” H x 41.25” W

$600-800

Provenance: The Marmor Family Collection

Early 20th century; Great Basin

$600-800

51

A polychrome Paiute beaded basket

A coiled globular bowl with all-over geometric patterning to a white field 4” H x 7.5” Dia.

A polychrome Paiute beaded basket

Early 20th century; Great Basin

A coiled oval globular low bowl with all-over geometric patterning to a dark red field 3” H x 6” W x 5.75” D

$400-600

52

Early 20th century; Central California

A coiled low bowl with central geometric motif and shell trim to rim, with five shell dangles

2” H x 5.5” Dia.

$300-500

53

A small Pomo gift basket

A polychrome Panamint pictorial basket

Early 20th century; Central California

A fine coiled bowl with narrow banding and alternating butterfly and turtle motifs to sides

3.5” H x 7.75” Dia.

$300-500

54

55

Late 19th century

$400-600

A California basketry bowl

A large coiled tray with floating “coyote tracks” motifs and banding to top 3” H x 15.5” Dia.

Early 20th century; Central California

A coiled tall bowl with a tapering cylindrical form and with three radiating arms issuing from center with three floating butterfly motifs

4” H x 8.25” Dia.

$400-600

56

A polychrome Yokuts basket

57

A polychrome California Mission basket

Early 20th century; Southern California

A wide coiled globular bowl with four radiating banded columns 5.75” H x 10.5” Dia.

$300-500

Provenance: The Estate of Dr. Amy Conger

A Central California basket

Early 20th century

A coiled bowl with five pointed leaf-form motifs to sides

$500-700

58

3.5” H x 7” Dia.

59

A Pit River oval basket

Early 20th century; Northeastern California

A small twined tapered basket with eight floating six-pointed star motifs and banding to rim 5.5” H x 9” W x 5.5” D

$500-700

60

A large Pima basketry tray

Early 20th century, Akimel O’odham; Southwest United States

A coiled tray with five radiating bands issuing from the center 2.875” H x 16” Dia.

$300-500

61

Early 20th century, Diné

$300-500

A Navajo basketry bowl

A coiled low bowl with central Wedding star motif

3.25” H x 11.75” Dia.

Mid/late 20th century, Diné

$200-300

62

A polychrome Navajo wedding basket

A coiled tray with a banded star motif in red and black 2.75” H x 13” Dia.

63

A

group of Papago baskets

Mid-20th century; Tohono O’odham, Arizona

Five works comprising three coiled tall baskets, each with three zigzag columns and rim ticking (Largest: 9.5” H x 10” Dia.; Smallest: 9” H x 9” W), a coiled pictorial bowl with four horse motifs (5” H x 8.75” Dia.), and a small coiled basketry tray with S motifs to sides (1.75” H x 10” W x 6” D), 5 pieces

$300-500

64

An Attu basket

Early 20th century; Unangan/Aleutian Islands, Alaska

A tall finely twined basket with globular base and openwork accents and lines of “false” embroidery

4.75” H x 4.75” Dia. (irregular)

$400-600

65

A polychrome Thompson River/Klikitat burden basket 20th century; Pacific Northwest

A large tall coiled basket with imbricated stepped zigzag motifs and braided looped rim, with attached hide loops 14.5” H x 12. 5” W x 11” D

$1,000-1,500

66

Michel Bayne (b. 1959)

A large Folk Art pottery jug, late 20th/21st century

Incised to side: Bayne / Maker/ SC

The ovoid stoneware jug with dual portraits of Native American men rendered in colorful glazes to either side 25” H x 13” Dia.

$1,000-2,000

67

Michel Bayne (b. 1959)

Three glazed ceramic sculptures, late 20th century

One incised: Bayne / Maker / SC; two stamped: B M

Comprising one coin bank in the form of a lady holding a fan with rubber plug to underside, one cardinal bird figure, and one blue bird figure, 3 pieces

Largest: 9” H x 4.625” Dia.; Smallest: 6.25” H x 3” W x 6.5” D

$700-900

68

Fannie Loretto (b. 1951, Jemez/Isleta Pueblo)

Two polychrome pottery masks, 21st century

Each signed to mask interior: Fannie Loretto

Each mask with draped horsehair and ribbons, comprising a cowboy and a warrior with painted star

2 pieces

Cowboy: 17” H x 9.75” W x 4.75” D; Warrior: 16.5” H x 9” W x 3.325” D

$600-800

69

Priscilla Namingha Nampeyo (1924-2008, Hopi-Tewa)

A large yellowware polychrome pottery seed pot, mid/late 20th century

Signed to underside: Priscilla Namingha Nampeyo

The four-color seed pot with moth, feather, and geometric motifs to shoulder

7.325” H x 14” Dia.

$800-1,200

70

Rachel Sahmie Nampeyo (1956-2022, Hopi-Tewa)

A yellowware polychrome pottery low jar, late 20th/early 21st century

Signed to underside: R. Sahmie Nampeyo

The three-color jar with moth motifs radiating from rim 6” H x 10.5” Dia.

$600-800

71

Georgia Koopee (1944-2021, Hopi-Tewa)

A large polychrome pottery seed pot, mid/late-20th century

Signed to underside: G. Koopee [cipher]

The three-color flat-shouldered seed pot with banded geometric, cloud, and rain motifs to shoulder and wave motif to underside 4.5” H x 9.25” Dia.

$500-700

A Hopi Nampeyo-style large flat-shouldered seed pot

Mid 20th century

Unmarked

The yellowware pot with banded moth and feather motifs to shoulder 4.5” H x 13.75” Dia.

$400-600

72

73

Karen Abeita (b. 1960, Hopi-Tewa)

A polychrome redware pottery seed pot, late 20th century

Signed: Karen Abeita / Tona/Isleta / Polacca, Ariz.

The three-color pot with moth, feather, wave, and geometric motifs to shoulder 4.625” H x 9.5” Dia.

$600-900

74

Priscilla Namingha Nampeyo (1924-2008, Hopi-Tewa)

A redware polychrome seed pot, mid/late 20th century

Signed to underside: Priscilla Namingha Nampeyo

The three-color seed pot with banded avian motif to shoulder 5.25” H x 8.875” Dia.

$400-600

75

James Garcia Nampeyo (b.1958, Hopi-Tewa)

A small yellowware pottery vessel, late 20th/early 21st century

Signed to underside: James G. Nampeyo / [corn cipher]

The three-color pot with whirlwind and feather motifs to shoulder 3.325” H x 4.125” Dia.

$200-400

76

Verna Nahee (b. 1940, Hopi-Tewa)

A polychrome yellowware pottery seed pot, late 20th century

Signed: Verna Nahee / Tewa Village/ Polaca Ariz.

The seed pot with feather, swirling, and raincloud motifs to shoulder with a terracotta wash around the rim 4.75” H x 9.875” Dia.

$200-400

77

An Acoma Pueblo polychrome pottery olla

Early 20th century

Unmarked

The three-color jar with alternating floral central medallions and kiva step motifs above a terracotta wash and puki indentation to underside 8.325” H x 11.125” Dia.

$800-1,200

78

Juana Leno (1917-2000, Acoma Pueblo)

A polychrome pottery olla, mid/late 20th century

Signed to underside: J. Leno / Acoma Pottery / New. Mex.

The three-color jar with brown sawtooth and kiva step motifs on white slip glaze above a terracotta wash

9.25” H x 11.325” Dia.

$600-800

79

An Acoma Pueblo polychrome pottery olla

Early/mid-20th century

Unmarked

The three-color pottery jar with black geometric and checkered motifs on a white slip glaze above a terracotta wash and puki indentation to underside 8.25” H x 10.325” Dia.

$500-700

80

An Acoma Pueblo polychrome pottery olla

Early 20th century

Unmarked

The three-color jar with sawtooth and central floral medallion on white buff above a terracotta wash

7.5” H x 10” Dia.

$400-600

81

An Acoma Pueblo polychrome pottery olla

Early 20th century

Unmarked

The jar with black foliate motifs and repeating central checkered medallion on a white slip glaze above a terracotta wash

8.875” H x 10.875” Dia.

$500-700

82

An Acoma/Laguna Pueblo polychrome pottery olla

Early/mid-20th century

Unmarked

The three-color jar with geometric motifs above a terracotta wash and puki indentation to underside 7.625” H x 9” Dia.

$500-700

83

An Acoma Pueblo polychrome pottery olla

Early/mid-20th century

Unmarked

The three-color olla jar featuring kiva step and geometric motifs above a terracotta wash and puki indentation to underside 8.5” H x 10.325” Dia.

$600-800

84

An Acoma Pueblo polychrome pottery olla

Early 20th century

Unmarked

The three-color jar with three central migration motifs and alternating checker motifs on a white slip glaze above a puki indentation to underside 7.325” H x 10.325” Dia.

$500-700

86

An Acoma Pueblo polychrome pottery olla

Early/mid-20th Century

Unmarked

The three-color jar with polychrome slip glaze, avian and geometric motifs, and puki indentation to underside 7.25” H x 9.25” Dia.

$400-600

Provenance: The Marmor Family Collection

85

An Acoma/Laguna Pueblo polychrome pottery olla

Early 20th century

Unmarked

The black on white jar with checkered, avian, and geometric motifs above a terracotta wash and puki indentation to underside

7.125” H x 9.5” Dia.

$600-800

87

An Acoma Pueblo polychrome pottery olla

Early/mid-20th century

Marked to underside: Acoma M.T.

The three-color jar with banded geometric motifs above a terracotta wash and puki indentation to underside 8” H x 10.125” Dia.

$400-600

89

An Acoma/Laguna Pueblo pottery olla

Mid-20th century

Unmarked

88

Marie Zieu Chino (1907-1982, Acoma Pueblo)

A polychrome pottery olla, mid-20th century

Signed: Marie Z. Chino / Acoma, N.M.

The polychrome jar with black geometric motif on white slip glaze above a terracotta wash and puki indentation to underside

8.75” H x 9.325” Dia.

$300-500

The three-color jar with black on white raincloud motif above a terracotta wash and puki indentation to underside

7.25” H x 10” Dia.

$400-600

91

Mary Histia (n.d.-1970, Acoma Pueblo)

A polychrome pottery olla, circa 1960s

Signed in pencil: Mary Histia; further marked in ink: Made in Acoma Sky City, N. Mex.

The three-color jar with swirling geometric motifs on a white slip glaze above a terracotta wash and puki indentation to underside

8.5” H x 10.625” Dia.

$400-600

Provenance: The Marmor Family Collection

90

An Acoma Pueblo polychrome pottery olla

Mid-20th century

Signed faintly to underside: Acoma N.M. / M. [illegible]

The three-color jar with rain cloud motifs above a terracotta wash 7.25” H x 10.5” Dia.

$400-600

92

An Zia Pueblo polychrome pottery olla

Early/mid-20th Century

Unmarked

The three-color jar with all-over geometric motif on white slip glaze and puki indentation to underside 7.75” H x 9.875” Dia.

$400-600

Provenance: The Marmor Family Collection

93

An Acoma Pueblo polychrome pottery olla

Early/mid-20th century

Marked to underside: FC

The three-color jar with banded geometric motif on a white slip glaze above a terracotta wash and puki indentation to underside

7.325” H x 9.25” Dia.

$300-500

94

95

An Anasazi Revival Acoma Pueblo pottery olla

Mid-20th century

Marked to underside: Acoma NM

The jar with black swirling geometric motif on white slip glaze above a terracotta wash and a shallow puki indentation to underside 9.75” H x 11.125” Dia.

$500-700

An Acoma Pueblo polychrome pottery olla

Late 19th/early 20th century

Unmarked

The four-color jar with three bands of sawtooth geometric motifs above a terracotta wash and puki indentation to underside 9.75” H x 10.25” Dia.

$400-600

96

An Acoma Pueblo polychrome pottery olla

Early/mid-20th century

Marked to underside: Sky City / Acoma

The three-color jar with banded black geometric motif on white slip glaze above a terracotta wash and shallow puki indentation to underside 7.5” H x 8.75” Dia.

$400-600

97

Florence Aragon (1929-2010, Acoma Pueblo)

A large Tularosa swirl polychrome pottery olla, late 20th century

Signed to underside: F. Aragon / Acoma, N.M.

The jar with black swirling and kiva step motifs on white slip glaze above terracotta wash and puki indentation to underside 9.25” H x 11.75” Dia.

$300-500

98

An Acoma Pueblo pottery jar

Mid-20th century

Marked to underside: Acoma Pottery

The two-color jar with black Tularosa swirl and kiva step motifs on a white slip glaze 5.875” H x 8” Dia.

$300-500

99

John F. Aragon (b. 1962, Acoma Pueblo)

A black and white pottery jar, 1991

Signed and dated to underside: Acoma, N.M. / John F. Aragon / [illegible], 1991

The jar with black fine-line migration motif over a white slip glaze

5.875” H x 8.325” Dia.

$300-500

100

Ruby Shroulate (b. 20th century, Acoma Pueblo)

A large Anasazi Revival pottery jar, late 20th century

Signed to underside: Mrs. R. Shroulate / Acoma N.M.

The jar with black banded repeating kiva step motifs on white slip glaze above a terracotta wash

15.125” H x 14.625” Dia.

$500-700

101

Grace Chino (1929-1994, Acoma Pueblo)

An Anasazi Revival pottery olla, mid-20th century

Signed to underside: Grace Chino / Acoma, N Mex

The jar with brown repeating geometric motif on a white slip glaze, rim interior with terracotta wash, the underside with puki indentation 8.875” H x 11.325” Dia.

$300-500

102

Marie Zieu Chino (1907-1982, Acoma Pueblo)

A high-shouldered seed pot, mid-20th century

Signed: Marie Z. Chino / Acoma N.M.

The seed pot with fine-line geometric design to shoulder and body over a white slip glaze 5.125” H x 7” Dia.

$400-600

103

Marie Zieu Chino (1907-1982, Acoma Pueblo)

A corrugated pottery jar, mid-20th century

Signed to underside: Marie Z Chino / Acoma, N.M.

The round-bottom pot with banded indentations to body and a flared rim 8.75” H x 9.125” Dia.

$400-600

Provenance: The Marmor Family Collection

104

Marie Zieu Chino (1907-1982, Acoma Pueblo)

A polychrome pottery olla, 1992

Signed and dated to underside: M Chino / Acoma / New Mexico / 1992

The three-color jar with banded geometric motifs above a terracotta wash and shallow puki indentation

7.125” H x 9” Dia.

$300-500

105

An

Mid-20th century

Unmarked

The three-color jar with repeating parrot motifs above banded checkered and geometric motifs and a puki indentation to underside 7.75” H x 10.125” Dia.

$600-800

Acoma Pueblo polychrome pottery olla

106

A Zia Pueblo polychrome pottery olla

Early/mid-20th century

Unmarked

The three-color jar depicting parrots with floral and geometric motifs above a terracotta wash and puki indentation to underside 10.5” H x 12.5” Dia.

$1,000-1,500

107

A Zia Pueblo polychrome pottery olla

Mid-20th century

Unmarked

The three-color pot with avian and floral motifs on a white slip glaze and puki indentation to underside 8” H x 8.5” Dia.

$500-700

108

Lois Medina (1959-2003, Zia Pueblo)

A large polychrome pottery jar, late 20th century

Signed to side of base: Lois Medina / Zia

The four-color jar with alternating roadrunner and kiva step motifs in a rainbow above a terracotta wash

15.75” H x 18” Dia.

$1,000-1,500

109

Lois Medina (1959-2003, Zia Pueblo)

A large polychrome pottery dough bowl, late 20th century

Signed to side of base: Lois Medina / Zia

The three-color piki bread dough bowl with geometric motifs on a terracotta ground

9.25” H x 19.5” Dia.

$1,000-1,500

110

Two Zia Pueblo polychrome pottery jars

Two works:

Kathy Pino (1935-2017, Zia Pueblo)

A large polychrome pottery jar, late 20th/early 21st century

Signed to underside: Kathy Pino / Zia

The four-color olla-form jar with rainbow and roadrunner motifs above a terracotta wash 12” H x 15.5” Dia.

Sofia Medina (1932-2010, Zia Pueblo)

A polychrome pottery vessel, mid-20th century

Signed in pencil to underside: Sofia Medina

The three-color jar with kiva step and avian motifs 7.325” H x 8.325” Dia.

2 pieces

$600-800

111

A Jemez Pueblo redware pottery vessel

Late 20th/early 21st century

Signed to underside: L. Loretto

The black on red pot with migration motif to shoulder above banded geometric and cloud motifs

6.5” H x 8.75” Dia.

$300-500

112

Two Jemez Pueblo redware pottery vessels

Two works:

Caroline G. Loretto (b. 1953, Jemez Pueblo)

A redware pottery jar, late 20th century

Signed to underside: C. G. Loretto

The jar with banded black on red feather and wave motifs 7.5” H x 9.5” Dia.

Juanita Fragua (b. 1935, Jemez Pueblo)

A redware pottery seed pot, late 20th century

Incised signature: Juanita Fragua / Jemez N.M.

The square-rimmed pot with feather and swirling, and raincloud motifs to shoulder 3.875” H x 6.25” Dia.

2 pieces

$300-500

113

Three Santa Clara Pueblo diminutive seed pots

Three works:

Joseph Lonewolf (1932-2014, Santa Clara Pueblo)

A globular redware seed pot, 1979

Incised to underside: Joseph [wolf cipher] Lonewolf / 1979 / HO6E9

The rounded small seed pot with sgrafitto deer, feather, and dragonfly motifs 2.25” H x 2.325” Dia.

Joseph Lonewolf (1932-2014, Santa Clara Pueblo)

A miniature blackware seed pot, 1979

Incised to underside: Joseph [wolf cipher] Lonewolf / 79 / 19S55

The seed pot with attenuated neck and sgrafitto avanyu motif to neck and shoulder 1.5” H x 1.325” Dia.

Gloria (Golden Rod) Garcia (b. 1942, Santa Clara Pueblo)

A diminutive blackware seed pot, late 20th century

Signed to underside: Golden Rod

The small seed pot with sgrafitto butterfly and rain motifs surmounted by a turquoise pebble 1.325” H x 2.25” Dia.

3 pieces

$1,000-1,500

114

Maria Martinez and Popovi Da (n.d.-1980 and 1923-1971, San Ildefonso Pueblo)

A blackware pottery vase, mid-20th century

Incised to underside: Maria / Popovi / 863

The vase with flared neck and black on black avanyu motif to body 9.25” H x 6.75” Dia.

$800-1,200

Provenance: The Marmor Family Collection

115

Two Santa Clara Pueblo blackware pottery vessels

Two works:

Frances Salazar (1936-2002, Santa Clara Pueblo)

A blackware wedding vase, mid/late 20th century

Signed to underside: Frances Salazar / Santa Clara

The double-sided vase with incised avanyu motif to the body

9.625” H x 7.5” W x 5.325” D

Rosemary M. Lewis (b. 1952, Santa Clara Pueblo)

A blackware pottery bowl, late 20th century

Signed to underside: Rose M Lewis / Santa Clara Pueblo, 94’ T

The bowl with incised avanyu motif to the body

5.325” H x 8.5” Dia.

2 pieces

$300-500

116

Three Santa Clara Pueblo blackware pottery baskets

Three works:

Mary Singer (b. 1936, Santa Clara Pueblo)

A blackware pottery basket, mid/late 20th century

Signed to underside: Mary Singer / Santa Clara Pueblo / New Mexico

The basket with twisted handle above an incised avanyu motif 5.75” H x 4.5” W x 4.125” D

Pasquelita “Peggy” Tafoya (1883-1959, Santa Clara Pueblo)

A blackware pottery basket, circa 1940s

Signed to underside: Peggy / Santa Clara

The black on black basket with twisted handle above banded feather and geometric motifs 4.5” H x 4.25” Dia.

A blackware pottery basket, mid-20th century

Unmarked

The handled basket with banded wave motif to body 5.25” H x 4.325” Dia.

3 pieces

$200-400

117

Two Pueblo pottery vessels

Mid-20th century

The font signed verso: anna

Comprising a blackware holy water font with black on black kiva step motif and a burnished pottery jar with dark red glaze and incised motifs to shoulder, 2 pieces Jar: 4.25” H x 6.625” Dia.; Font: 5.5” H x 3.75” W x 1.75” D

$300-500

118

Three Santa Clara Pueblo blackware pottery vessels

Three works:

Sophie “Eagle Feather Basket” Cata (b. 1957, Santa Clara Pueblo)

An incised blackware jar, late 20th century

Signed to underside: Sophie Cata / Santa Clara Pue.

The jar with incised banded motif to rim and kiva step motif to body 2.75” H x 3.325” Dia.

Doris Tenorio (b. 20th century, Santa Clara Pueblo)

A diminutive jar, mid/late 20th century

Signed to underside: Doris Tenorio / Santa Clara Pueblo

The small jar with deeply incised kiva step motif to rim 2.125” H x 3” Dia.

A diminutive seed pot, 20th century

Unmarked

The pot with incised feather motif radiating from rim 1.75” H x 3.125” Dia.

3 pieces

$200-400

119

Late 20th century

Unmarked

The ceramic jar encrusted with turquoise and blended sand, adorned with carved stone animal fetish figures fastened to the jar with hide straps, each fetish with applied coral, shell, and turquoise items on its back

Jar: 7” H x 8.625” Dia.; Largest fetish: 4.5” L

$300-500

A Zuni Pueblo fetish jar

120

A group of micaceous pottery bowls

Late 19th/20th century

One incised: Felipe / Jicarilla Apache / La Madera NM; one with maker’s cipher to underside

The cookware group comprising one Felipe Ortega (1952-2018, Jicarilla Apache) handled pot with half-moon indentations to shoulder, two globular pots with pie crust rims, and one wider globular pot, 4 pieces Largest: 6” H x 9.5” Dia.; Smallest: 5.75” H x 6.5” Dia.

$500-700

Other Notes: This lot includes a paper insert for the Felipe Ortega item describing materials used in the construction and instructions for use and care.

121

Two Mississippi Basin pottery jars

Circa 1600 or later

Likely Caddo water vessels, each with banded incised lines to wide neck and spiraling motifs to rounded body, 2 pieces

Larger: 6” H x 4.5” Dia.; Smaller: 4.625” H x 4.125” Dia. approximately

$600-800

Provenance: Private collection, Arkansas

122

An

Pre-1500 AD

Unmarked

The bowl with white slip glaze and sawtooth motif to rim interior 3.5” H x 7.125” Dia.

$200-400

Other Notes: This lot is accompanied by a notarized “affidata of prehistoric pottery,” acknowledging and recording the excavation of the item in the state of Colorado.

Anasazi pottery bowl

123

A group of Tesuque Pueblo pottery rain gods 20th century

One marked in felt pen to underside: Tesuque

The polychromed molded clay figures depicted seated holding pots, 5 pieces

Tallest: 7.325” H x 2.625” W x 3.125” D

$400-600

Provenance: From the collection of Stephen Cohen

124

Gloria Kahe (b. 1951, Diné)

Three polychrome pottery pots, late 20th century

Each signed to underside: G. Kahe

The three-color vessels comprising one redware pot with serpentine bands of geometric motifs and two yellowware pots, one with central swirling cloud motif, the other with allover banded feather, cloud, and geometric motifs, 3 pieces

Tallest: 5.625” H x 5.125” Dia.

$300-500

125

Gloria Kahe (b. 1951, Diné)

Three yellowware polychrome pottery vessels, late 20th century

Each signed to underside: G. Kahe

The three-color pots, comprising one with central swirling cloud and rain motifs, one with serpentine banded feather, migration, and geometric motifs, and a larger jar with repeating swirling kiva step and sawtooth motifs, 3 pieces

Largest: 9.5” H x 9” Dia.

$300-500

126

Three Hopi-Tewa yellowware pottery jars

Three works:

Sadie Adams (1905-1995, Hopi-Tewa)

A polychrome pottery jar, mid-20th century

Signed to underside: Sadie Adams [flower cipher]

The three-color jar with avian and serpentine banded geometric motifs 6.125” H x 6.325” Dia.

Jeanette Sahu (1935, Walpi)

A polychrome pottery vessel, late 20th century

Signed to underside: Jeanette Sahu

The three-color jar with avian and raincloud motifs 4.625” H x 6.625” Dia.

Anita Polacca (1940-2002, Hopi-Tewa)

A polychrome pottery jar, late 20th century

Signed to underside: Anita Polacca

The three-color jar with banded geometric motif to midsection 5.125” H x 5.125” Dia.

3 pieces

$300-500

Other Notes: Each item in this lot is accompanied by printed blurbs about the artist, some with list of exhibitions or sales records.

127

Four Acoma Pueblo pottery vessels

Four works:

Brenda Cerno (b. 1959, Acoma Pueblo)

Two diminutive bowls and a seed pot, early 21st century

Each signed to underside: B.L. Cerno / Acoma, N.M.

The three-color vessels comprising two small low bowls with lizard and geometric motifs on a white slip glaze, and a conformingly designed seed pot

Largest bowl: 1.325” H x 5.5” Dia.; Seed pot: 1.25” H x 2.875” Dia.

3 pieces

Rachel Concho (b. 1936, Acoma Pueblo)

A polychrome pottery seed pot, late 20th/early 21st century

Signed to underside: R. Concho / Acoma, N.M.

The three-color pot with lizard and geometric motifs on a white slip glaze 1.75” H x 3.75” Dia.

4 pieces total

$400-600

128

Three Pueblo pottery vessels

Three works:

Emma Lewis (1931-2013, Acoma Pueblo)

A polychrome pottery bowl, 21st century

Signed to underside: Emma Lewis

The three-color Mimbres/Anasazi Revival bowl with deer and cloud motifs on a burnished white slip glaze 3.25” H x 4.875” Dia.

A polychrome pottery vessel, mid/late 20th century

Signed to underside: Leno / Acoma N.M.

Possibly Juana Leno (1917-2000, Acoma Pueblo), the three-color pot with opposed braided handles and painted bird and floral motifs on a white slip glaze 5.325” H x 5.875” Dia.

A Mimbres/Anasazi Revival bowl, 1990

Signed to underside: [corn cipher] / Russ Crites / © 90

The bowl with four black avian motifs in friezes surrounding a round fine-line design at center 3.75” H x 9” Dia.

3 pieces

$500-700

129

Gene Kloss (1903-1996)

“Morning at the Pueblo” Etching on paper

An artistís proof aside from the edition of 75 Signed, titled, and inscribed in pencil in the lower margin: Gene Kloss Plate: 9” H x 12” W

$800-1,200

Literature: Kloss 568

130

Edward S. Curtis (1868-1952)

Six works:

“Tsaiyatsa - Cochiti” from “The North American Indian” Volume 16

Photogravure in brown on tissue-thin Japanese paper

With the title, artist name, and the 1925 copyright line all printed in the lower margin edge

Image: 7.625” H x 5.5” W; Sight: 8.5” H x 6.25” W

“Flute Dancers Dressing at Kuchina House” from “The North American Indian” Volume 12

Photogravure in brown on tissue-thin Japanese paper

With the title, artist name, and the 1921 copyright line all printed in the lower margin edge

Image: 5.5” H x 7.5” W; Sight: 6.5” H x 8.25” W

“Interior of Wichita Grass-House” from “The North American Indian” Volume 19

Photogravure in brown on tissue-thin Japanese paper

With the title, artist name, and the 1927 copyright line all printed in the lower margin edge

Image: 7.625” H x 5.75” W; Sight: 8.5” H x 6.5” W

“Sticks Used in Hupa Guessing Game” from “The North American Indian” Volume 13

Photogravure in brown on tissue-thin Japanese paper

With the title, artist name, and the 1927 copyright line all printed in the lower margin edge

Image: 7.5” H x 5.625” W; Sight: 8.375” H x 6.125” W

“Peeled Squash - Wichita” from “The North American Indian” Volume 19

Photogravure in brown on tissue-thin Japanese paper

With the title, artist name, and the 1927 copyright line all printed in the lower margin edge

Image: 5.75” H x 7.5” W; Sight: 6.5” H x 8” W

“Lahkeudup - Skokomish” from “The North American Indian” Volume 9

Photogravure in brown on tissue-thin Japanese paper

With the title, artist name, and the 1927 copyright line all printed in the lower margin edge

Image: 7.625” H x 5.625” W; Sight: 8.375” H x 6” W

6 pieces

$400-600

Provenance: The Estate of Dr. Amy Conger

“Star stalker,” 1995

Acrylic on canvas

Signed and dated lower right:

$700-900

131

Walter Wojtyla (1933-2014)

Wojtyla; titled on a label affixed to the frame, verso 22” H x 28” W

132

Walter Wojtyla (1933-2014)

“Moose,” 1990

Acrylic on foamcore

Signed and dated lower left: Wojtyla

30” H x 40” W

$800-1,200

Other Notes: An information card is taped to the verso, along with an artist stamp with address.

133

Miguel Martinez (b. 1951)

“Eva + Friends”

Painted ceramic and inset silver Edition: 48/100

Signed, dated, and numbered in pencil near bottom: Miguel Martinez © 85; incised to underside: 1985 Martinez edition / greg grycner ltd. ed. © / “Eva + Friends” 17” H x 14” Dia.

$300-500

Provenance: Grycner Gallery, Taos, NM Private collection, acquired from the above 1985

134

A tile coffee table after Mimbres pottery

Late 20th century Central tile with raised mark to verso: Ceramica Cipa / Casalgrande RE / Made Italy

The square wood frame with thirty-six inset tiles forming an image taken from a Mimbres pottery bowl of two intertwined mountain sheep, sold together with a paperback book featuring original bowl: Berlant, Tony (introduction). “Mimbres Pottery: Ancient Art of the American Southwest.” New York: Hudson Hills Press, 1983 16.125” H x 39.325” W x 39.325” D 2 pieces

$500-700

Exhibited: As of the publishing year of the companion book, the original bowl was displayed in the permanent collection at Maxwell Museum of Anthropology at the University of New Mexico, Albuquerque.

135

Two groups of framed stone points

Pre-historic or later

Comprising two frames mounted with various points of differing stones, shapes and sizes, including arrowheads and spearheads, approximately 90 pieces

Largest: 8.5” H x 2.325” W

$600-800

Provenance: The James M. Cole Collection, Visalia, CA

Late 20th/early 21st century

Appears unmarked

The painted metal pig depicted in a harness with two baskets on each side

9” H x 15.25” W x 10.5” D

$400-600

136

A metal sculptural pig figure

137

Early 20th century

Appears unmarked

Possibly a weathervane mount, the cast and assembled hollow copper cow figure mounted on a hollow rod and set in a fitted wood base

Overall: 19.75” H x 28.25” W x 14.5” D

$1,000-1,500

A copper longhorn cow figure

138

A tooled leather Western ranch saddle

Mid/late 20th century

Marked to one strap: U8

A leather saddle with thick monogrammed horn and tooled pommel, with a set of saddle bags, various attachment straps including decorative rosettes and lacing straps, and elaborate tooled leather fenders and stirrup covers, with a sheepskin lining

Overall: 14” H x 19” W x 25” D; Seat size: 17”; Gullet: 15” W; Swell: 4.5” H x 16.5” W

$800-1,200

139

An antler and hide rocking chair and ottoman

Late 20th/early 21st century

Each appears unmarked

Comprising a rocking chair with frame constructed from possibly elk antlers, the seat and back cushions upholstered with animal hide, and a conformingly designed ottoman, 2 pieces

Chair: 39” H x 29.5” W x 34” D; Ottoman: 17” H x 22.75” W x 17” D

$800-1,200

140

A mounted Texas longhorn trophy

Circa 1964

Marked to brass plaque: Presented to W.S.D.A. by Al and Helen Petersen / President July 1963-64

Comprising two cattle longhorns with riveted leather, mounted to wood backing and hoisted on extendable metal poles, screwing into the handled wood case on casters, the interior fitted with forms for storage and travel, revealing a vinyl flag for the Western Square Dance Association

Assembled: 24.25” H x 73” W x 25” D, dimensions variable; Case: 19.5” H x 46.5” W x 6.75” D

$400-600

141

A cattle horn and hide console table

Late 20th/early 21st century

Appears unmarked

The wood and chipboard table wrapped in cowhide and raised on possibly longhorn and smaller cattle horn legs

31.75” H x 46.5” W x 21.5” D

$800-1,200

142

A Daryl Stokes-style coffee table

Mid-20th century

Appears unmarked

The table in the manner of Daryl Stokes, with a lacquered root wood base surmounted by a curvilinear tempered glass top

16.25” H x 50” W x 30” D

$600-800

143

A Daryl Stokes-style armchair and ottoman

Circa 1970s

Each appears unmarked

The freeform chair in the manner of Daryl Stokes, assembled with lacquered burl and root wood with peg joints and an enameled metal spring and wire seat support, accompanied by a conformingly designed ottoman upholstered in sheepskin, 2 pieces

Chair: 39.5” H x 42” W x 50” D; Ottoman: 11.5” H x 27” W x 21.5” D

$1,000-1,500

145

A hickory wood watchman’s chair

20th century or earlier

Burn mark to seat underside possibly reading: Rail Works / Handcrafted / [railroad]

Also known as a Viking chair, the two interlocking pieces of carved and varnished wood forming a slanted seat back with handle at the crest, 2 pieces

34.5” H x 16.875” W x 37.5” D

$300-500

144

Circa 1970s

Each appears unmarked

The freeform chair in the manner of Daryl Stokes, assembled with lacquered burl and root wood with peg joints and an enameled metal spring and wire seat support 48.5” H x 45.5” W x 41” D approximately

$800-1,200

A Daryl Stokes-style armchair

148

Lee Wayne Chapella (b. 20th century, Hopi-Tewa)

A carved cottonwood “koyemsi” mudhead katsina doll, late 20th century

Signed to underside: Lee Chapella

The carved and polychromed wood carving depicting a male mudhead carrying a child holding a rattle on his back, housed in a wood and glass display case with a mirrored rear panel and hinged top Figure: 10.75” H x 4.875” W x 5.125” D; Case: 19.5” H x 10.325” W x 7.125” D

$200-300

146

A pair of copper candlesticks

Early/mid-20th century

Each unmarked

Hammered copper three-light candlesticks, 2 pieces

Each: 9.75” H x 13.25” W x 6.325” D

$600-800

147

A Plateau style beaded blanket strip

Late 20th century

A blanket strip beaded in a palette of purple, green, white, rust, pink, yellow and navy with four medallions and long hide tassels, beaded to waxed canvas with sinew stitched edges

5.5” H x 63.75” W

$2,000-3,000

Provenance: Private Collection, Poway, CA

149

Leonard Selestewa (b. 20th century, Hopi-Tewa)

A carved cottonwood “mongwa” owl katsina doll, mid/late 20th century

Incised to underside: Leonard Selestewa

The carved and polychromed wood carving depicted with a great horned owl head and holding a whip in each hand, housed in a wood and glass display case with a hinged top

Figure: 13” H x 8” W x 4.625” D; Case: 19.75” H x 9.25” W x 9.25” D

$300-500

150

Delbridge Honanie (b. 1946, Hopi-Tewa)

“Great Horned Owl”

Painted carved cottonwood

Signed, dated, titled to underside: Delbridge Honanie / 3900 / [illegible]

17.875” H x 12” W x 9.5” D

$500-700

151

Jonathan Day (b. 20th century, Hopi-Tewa)

A carved cottonwood blue corn maiden katsina doll, late 20th century

Signed to underside: Jonathan Day; further marked in pencil: OGT

The carved and polychromed wood katsina depicted with a blue face and cloaked in a blanket

14” H x 3.5” W x 3.75” D

$200-400

152

A Hopi Pueblo “shalako” katsina doll

Early/mid-20th century

Unmarked

The carved and polychromed cottonwood cloud maiden figure with mounted feathers

16” H x 14.5” W x 3.625” D

$500-700

153

Ken Payne (1938-2012)

“Wolves of Winter,” 1991

Patinated and cold-painted bronze on wood base

Edition: 1/30

Signed, dated, and numbered in the casting: © 91 / Ken Payne; titled to metal plaque on base 27.25” H x 27.5” W x 28” D

$3,000-5,000

154

Ken Payne (1938-2012)

“Wolves of the Mystic Moon,” 2001

Patinated bronze on rotating wood plinth

Edition: 3/50

Signed, dated, and numbered in the casting: Ken Payne © ‘01; further attributed and titled to applied metal plaque

Overall: 27.5” H x 14.75” W x 15.5” D

$2,000-3,000

155

Ken Payne (1938-2012)

“Other Side of the Blue Mountains,” 1994 Patinated bronze on a rotating wood base Edition: 13/45

Signed, numbered, and dated in the casting: © 94 / Ken Payne; titled to metal plaque on base 35.5” H x

$3,000-5,000

20.5” W 21.5” D

156

Buck Pettinger (b. 1935)

Two Native Americans on horseback, 1988

Patinated bronze on wood base

Edition: 14/45

Signed, dated, and numbered in the casting: Buck Pettinger / © ‘88’

Overall: 24” H x 23” W x 13” D

$1,000-1,500

157

Oreland C. Joe, Sr. (b. 1958)

“Blackfeet Ritual,” 1997

Patinated and cold-painted bronze on rotating wood base

Edition: 21/45

Signed, dated, and numbered to base: O C Joe / CA © 97; foundry stamped: Bronze Smith

Figure:

$1,000-1,500

12.25” H x 13.75” W x 9” D; Base: 4.5” H x 6.875” W x 6.875” D

158

Alvin K. Marshall (b. 1959, Diné)

“Raising the Ghost,” 1991

Patinated bronze on wood plinth Edition: 4/21

Signed, dated, and numbered in the casting: 1991 © Alvin K. Marshall

12.75” H x 17.625” W x 5.25” D

$800-1,200

Provenance: Galeria Capistrano, San Juan Capistrano, CA Private collection, acquired from the above 1986

160

A Native American miniature bronze figure 20th century

Edition: 6/25

Signed illegibly and numbered in the casting

The standing female figure depicted wrapped in a blanket, mounted to a wood plinth

Overall: 4.875” H x 3” Dia.

$200-400

161

Guadalupe Barajas (b. 1943)

“Enough for Everyone,” 1994

Cold-painted and patinated bronze and marble on wood base Edition: 7/50

Signed, dated, and numbered in the casting: G. Barajas / 1994; titled and attributed to metal plaque applied to base

Overall: 15.75” H x 33” W x 22.25” D

$500-700

159

Glenna Goodacre (1939-2020)

“Cochiti Head Study,” 1999

Patinated bronze on black stone base Edition: 46/50

Signed, dated, and numbered in the casting: G. Goodacre / 1999; title and attributed to applied paper label to underside from Nedra Mateucci Fine Art

Sold together with a paperback monograph: Edson, Gary (editor). “Glenna Goodacre: The First 25 Years.” Lubbock: Museum of Texas Tech University, 1995

2 pieces

Overall: 13.625” H x 5.75” W x 4.625” D

$1,000-1,500

Provenance: Acquired from Matteucci Gallery, Santa Fe, NM July 2000 with paperwork

Other Notes: This lot is accompanied by a purchase receipt from Matteucci Gallery, Santa Fe, NM, dated July 2000. Also accompanied by a pamphlet from the Matteucci Gallery.

162

21st Century American School “Big Shaggy,” 2016

Oil on canvas laid to panel

Signed indistinctly at the lower right; signed again, titled, dated, and inscribed, all verso: Painted from a Plein trip / to Antelope Island, Utah / 10/2016 / Thanks to my friend and fellow artist David Sturges 9” H x 12” W

$300-500

Provenance: The Estate of George David Sturges, Park City, UT

163

Ronald E. Lawson (b. 1939)

Trapper, 1982

Oil on panel

Signed and dated at the 11” H x 18” W

$600-800

Provenance: Trailside Galleries,

the lower edge, left of center: R.E. Lawson ©

Galleries, Scottsdale, AZ

164

Charles Henry Reynolds (1902-1963)

“Navajo Moving Day” Oil on board

Signed lower right: Chas. H. Reynolds; titled verso 15.5” H x 19.75” W

$800-1,200

Other Notes: Inscribed on the verso: A. Kling Collection / Sagebrush Inn / Taos N.M

165

Ken Longmore (b. 1948)

Native American encampment, 1993 Gouache on paper

Signed and dated lower left: Longmore 22” H x 34” W

$800-1,200

166

Laurence Philip Sisson (1928-2015)

“Snow Covered Mountains, Desert”

Oil on Masonite

Unsigned; titled by repute 18” H x 24” W

$1,200-1,800

Provenance: Sold: Altermann Galleries and Auctioneers, Santa Fe, NM, “American Western and American Art,” April 6, 2017, Lot 189

Other Notes: According to a handwritten label on the frame’s backing paper, this work was consigned from the collection of Sisson’s first wife to the abovementioned auction.

Carl Sammons (1883-1968)

Desert scene

Oil on canvas board

Signed lower right corner: Carl Sammons

16” H x

$1,200-1,600

167

20” W

168

Ralph Love (1907-1992)

“White Mountains” Oil on canvas

Signed lower left: Love; titled on the stretcher 24” H x 30” W

$2,000-4,000

$400-600

169

Willard Page (1885-1958)

Desert landscape with mountains Oil on board

Signed lower right: W. Page 16.5” H x 26” W

170

William Burlingame (b. 1942)

Figures on horseback in Southwest landscape, 1964 Oil on Masonite

Signed and dated lower right: Will Burlingame 24” H x 36” H

$500-700

171

Joe De Yong (1894-1975)

“Indians on Horseback,” 1937 Watercolor on paperboard

Signed lower left: Joe De Yong; titled by repute

Image: 10” H x 15.25” W; Paperboard: 15” H x 20” W

$3,000-5,000

Provenance: Sold: Butterfield & Butterfield, Los Angeles, CA, “American Paintings,” December 9, 1992, Lot 4000

Other Notes: This lot is sold together with a sales invoice from Butterfields & Butterfields, dated December 14, 1992.

172

Del Parson (b. 1948)

Figures on horseback in a snowy landscape, 1982 Oil on Masonite

Signed and dated lower left: Parson 12” H x 24” W

$400-600

$500-700

173

Hubert Wackermann (b. 1945)

“Crow Hunting Party,” 2022 Oil on canvas

Signed with the artist’s device lower right: © HF. Wackermann; signed again, dated, and with the artist’s device, all in pencil, verso; titled on the stretcher 18” H x 24” W

174

Eyvind Earle (1916-2000)

“Silent Thunder (Edition 2),” 1986

Screenprint in colors on paper

Edition: 223/310 (there were also 45 artist proofs)

Signed and numbered at the lower edge of the image: Eyvind Earle

Image: 24” H x 32” W; Sight: 25” H x 33” W

$500-700

175

Eyvind Earle (1916-2000)

“Snow Trees,” 1986

Screenprint in colors on paper

Edition: 87/100

Signed and numbered at the lower edge of the image: Eyvind Earle

Image: 20” H x 16” W; Sight: 20.5” H x 16.5” W

$400-600

176

A collection of Oscar Howe ephemera

Comprising an Oscar Howe framed print released in the 1960s by his wife for his birthday, and a group of childrenís books illustrated by Oscar Howe

Six works:

Oscar Howe (1915-1983)

Untitled

Offset lithograph in colors on paper

With a printed signature in the image, lower right: Oscar Howe

Sight: 8.5” H x 10.5” W; Image: 8” H x 10” W

Clark, Ann (author); Oscar Howe (illustrator). “Bringer of the Mystery Dog.” Bureau of Indian Affairs, 1943

Two staple-bound books, First Edition

2 copies

Each: 6.875” H x 9.875” W x 0.125” D

Raabe, Martha (author); Oscar Howe (illustrator). “The Little Lost Sioux.” Chicago: Albert Whitman & Company, 1942

Hardcover book, First Edition

9.5” H x 7.325” W x 0.325” D

Howe, Oscar (illustrator). “Legends of the Mighty Sioux.” Sioux Falls: Fantab Inc., n.d.

Two paperback books, First Edition

2 copies

Each: 8.5” H x 6” W x 0.5” D

6 pieces total

$400-600

177

Fearon (Tsungani) Smith Jr. (b. 1948, Kwakwaka’wakw/Kwakiutl)

Puffin mask

Carved and painted Western red cedar

Signed: Tsungani

7” H x 15.75” W x 8” D

$1,000-1,500

Provenance: Lelooska Foundation, Ariel, WA

Private collection, acquired from the above 2011

Exhibited: Ariel, WA, Lelooska Foundation, November 12 and 13, 2011

Other Notes: This lot is accompanied by correspondence with the Lelooska family (the artist’s family), which tells of the cultural significance and usage of the mask. Also accompanied by a gallery postcard from the show at which the item was purchased.

178

Andy Peterson

(b. 1955, Skokomish)

“Great Flood Raven and Lizard,” 2007

Carved and painted wood

Titled and signed in pencil to verso: Andy Peterson / [illegible] / Puget Sound WA. / Skokomish

23” Dia. x 1.625” D

$800-1,200

Provenance: The Marmor Family Collection

Other Notes: This lot is accompanied by an artist’s bio and gallery history put together by Quintana Galleries.

179

Donald “Putt” Putman (1926-2007)

Native and the buffalo Oil on canvas

Signed lower right: Putt 40” H x 30” W

$500-700

180

Donald “Putt” Putman (1926-2007)

Two works:

“Jullia Parker & Two Great Grandchildren,” 2004

Acrylic on canvasboard

Signed lower right: Putt; titled and dated verso 20” H x 24” W

Independence Day rodeo

Acrylic on Masonite

Signed lower left: Putt 12.125” H x 10.75” W

$400-600

Oil on canvas

181

Hubert Wackermann (b. 1945)

“Dakota Sioux Campfire,” 2023

Signed and with the artist’s device lower left: HF Wackermann; signed and with artist’s device again, and dated, verso; titled on stretcher 18” H x 24” W

$400-600

182

Edward Borein (1872-1945)

Rider on a Palomino horse, 1929

Watercolor and graphite on paper

Signed, dated, and inscribed in pencil lower right: Edward Borein / Santa Barbara / Calif.; inscribed in pencil, presumably in another hand on a piece of board affixed, verso

Image: 3.75” H x 4” W; Sheet: 6.875” H x 6.375” W

$800-1,200

183

Carl Oscar Borg (1879-1947)

“Les Fils du Desert”

Watercolor on thick paper

Signed lower left: Carl Oscar Borg; titled on a note and a xerox-copy from a catalog in French

Sheet: 9.75” H x 14.5” W

$1,000-1,500

184

After Karl Bodmer (1809-1893)

“Pehriska-Ruhpa. Moenitarri Warrior in the Costume of the Dog Danse (Plate 28)” from “Prince Maximilian zu Wied-Neuwied’s Travels in North America”

Lithograph and engraving in colors on wove cream paper

Edition: 19/85 EK

Signed and dated in the image near the lower edge, at center: Karl Bodmer; numbered and inscribed in pencil, possibly in another hand in the lower margin, at left; with the American Heritage Galleries blue ink stamp on the lower margin edge, verso

Plate: 14.5” H x 9.375” W; Sheet: 16.5” H x 11.5” W

$1,000-2,000

185

Hubert Wackermann (b. 1945)

“Cree Hunter,” 2023 Oil on canvas

Signed and with the artist’s device lower right: © HF Wackermann; signed and with the artist’s device again, titled, and dated in pencil, all verso 12” H x 9” W

$300-500

186

Elbridge Ayer (E.A.) Burbank (1858-1949)

Five works:

“Oleary,” 1925

Charcoal on paper

Signed in pencil on the lower edge, at right: E.A. Burbank; titled and dated in pencil on the upper edge, at left

Sheet: 9.5” H x 6.25” W

“Beauty,” 1932

Charcoal, graphite, and colored pencil on paper

Signed in pencil on the lower edge, at right: E.A. Burbank; titled and dated in pencil on the upper edge, at left

Sheet: 3.875” H x 7.375” W

“Judy,” 1932

Conte crayon on cream-colored paper

Signed on the lower edge, at right: E.A. Burbank; titled and dated on the upper edge, at left

Sheet: 6.125” H x 6.875” W

“A Tribute to the Dog - By Senator Vest,” 1933

Conte crayon, colored pencil, and graphite on paper

Signed and dated near the center: E.A. Burbank; titled at upper center; inscribed with the famous eulogy delivered by George Graham Vest, about a dog

Sheet: 10.125” H x 12.125” W

Untitled, shepherd dog, 1937

Charcoal on paper

Signed and dated in pencil on the lower edge, at right: E.A. Burbank Sheet: 5.25” H x 10.125” W

5 pieces

$1,000-2,000

Other Notes: The work, “A Tribute to the Dog - By Senator Vest,” 1933, is a visual homage to the famous eulogy delivered by Senator George Graham Vest. In his earlier career and before becoming a Senator, he practiced law in a small Missouri town. From 1869 to 1870, he represented Charles Burden and Old Drum in the case, Burden v. Hornsby.

Charles Burden’s hunting dog, a foxhound named Old Drum, was killed by Leonidas Hornsby, a sheep farmer, who had previously relayed that he would kill any dog found on his property. Burden sued Hornsby for damages up to the maximum penalty, which was $150. During Vest’s closing argument, he delivered a eulogy to the jury, and it is known as “one of the most enduring passages of purple prose in American courtroom history.” After the following speech and the jury’s deliberation, Vest won the case, and in 1958, a bronze life-sized statue of a dog was placed on the Johnson County lawn that also contains the speech on a plaque.

187

Carl Oscar Borg (1879-1947)

“Chief’s House, Moencopi[sic], Arizona,” circa 1916-1932

Etching and drypoint on paper

Signed and titled in pencil in the lower margin: Carl Oscar Borg

Plate: 7.875” H x 9.875” W; Sight: 9.875” H x 11.25” W

$500-700

Provenance:: Arlington Gallery, Santa Barbara, CA, 2007

Other Notes: An information label is affixed to the frame’s backing paper.

188

Lyman Byxbe (1886-1980)

“Blackbird Chief,” 1929

Etching and drypoint on paper

From the edition of 29

Signed and titled in pencil in the lower margin: Lyman Byxbe; date and edition size by repute

Plate: 9” H x 7” W; Sight: 9.5” H x 7.5” W

$400-600

189

William H. Dougal (1822-1895) after Emanuel Leutze (1816-1868)

“An Indian at the Burial Place of His Father”

Aquatint and engraving with hand coloring on wove cream paper

Edition 19/85 EK

Signed in the plate lower right: Will Dougal; numbered and inscribed in pencil, possibly in another hand in the lower margin, at left; with the American Heritage Galleries blue ink stamp on the lower margin edge, verso

Plate: 17.75” H x 8.75” W; Sheet: 15.375” H x 11.375” W

$400-600

190

Hubert Wackermann (b. 1945)

“Meeting in Oklahoma, Creek, Caddo, Wichita,” 2015 Oil on canvas

Signed and with the artist’s device lower left: © HF Wackermann; signed and with the artist’s device and copyright again, and titled and dated, all verso 16” H x 20” W

$400-600

191

Hubert Wackermann (b. 1945)

“Comanche Woman,” 2019 Oil on canvas

Signed and with the artist’s device lower right: © HF Wackermann; signed and with the artist’s device and copyright again, and titled and dated, all verso 18” H x 14” W

$400-600

192

Edward Borein (1872-1945)

“Canon De Chelly”

Etching and drypoint in brown ink on wove paper

Signed in pencil in the lower margin, at right: Edward Borein

Plate: 7.625”

$700-900

Literature: Galvin 201

H x 9.25” W; Sheet: 9.75” H x 13.5” W

193

Edward Borein (1872-1945)

“Scratchin’ High”

Etching and drypoint on paper

Signed in pencil in the lower margin, at right; with the artist’s remarque in the lower margin, at left

Plate: 7.75” H x 4.625” W; Sheet: 11.25” H x

$1,000-1,500

Provenance: Arlington Gallery, Santa Barbara, CA

Literature: Galvin 69

Other Notes: An Arlington Gallery label is affixed to the frame’s backing paper. This lot is accompanied by an edition of Noticias: Cowboy Artist: The Life and Art of Edward Borein 1872 - 1945. This is edition 90/100.

7.5” W

194

Edward Borein (1872-1945)

Bucking bronco

Etching and drypoint in brown ink on paper

Signed in the plate, lower right: Edward Borein

7.875”

$600-800

Plate:

H x 7.875” W; Sight: 8.5” H x 8.5” W

195

Edward Borein (1872-1945)

“Out of the Gate”

Etching and drypoint on wove paper

Signed in the lower edge of the plate, at right: Edward Borein

Plate: 5”

$400-600

Literature: Galvin 80

H x 7” W; Sight: 5.625” H x 7.625” W

196

Edward Borein (1872-1945)

“Headin’ a Steer No. 2”

Etching and drypoint on paper

Edition: Possibly from a second printing

Signed in the plate: Edward Borein

Plate: 7.875” H x 11.375” W; Sight: 8.25” H x 11.75” W

$400-600

Literature: c.f Galvin 199, Record

197

Edward Borein (1872-1945)

“Her Calf”

Etching and drypoint on paper

Signed in the plate, lower right: Edward Borein

Plate: 4.125” H x 9.75” W;

$300-400

Literature: Galvin 121

4.75”

Sight:

H x 10.375” W

198

Edward Borein (1872-1945)

Four works:

“Little Trail Heard”

Etching and drypoint on wove paper

Unsigned Plate: 7.875” H x 9.5” W; Sight: 8.25” H x 10” W

“Straight-On”

Etching on paper

From an edition of 110, George Record, prntr.

Unsigned Plate: 7.875” H x 6.125” W; Sight: 8.5” H x 6.75” W

“New Bucking Horse”

Etching on paper

Unsigned Plate: 8” H x 5” W; Sight: 8.325” H x 5.5” W

“Heading Him Straight-In”

Etching and drypoint on paper

From an edition of 6; George Record, prntr.

Unsigned Plate: 7.125” H x 5.125” W; Sight: 7.625” H x 5.5” W

Plate of largest: 7.875” H x 9.5” W; Sight of largest: 8.25” H x 10” W

$600-800

Literature: “Little Trail Head,” Galvin 94

“Straight-On,” Record 7

“New Bucking Horse,” Galvin 72

“Heading Him Straight-In,” Record 3

199

Edward Borein (1872-1945)

Three works:

“A Street in Taos”

Etching and drypoint on wove paper

Edition: Possibly from the second printing

Unsigned

Plate: 8.375” H x 11.375” W; Sight: 9” H x 12” W

“Santa Barbara Mission No.2”

Etching and drypoint on wove paper

Edition: Possibly from the second printing

Unsigned

Plate: 7.75” H x 10.625” W; Sight: 8.25” H x 10.625” W

“Church at Acoma”

Etching and drypoint on wove paper

Signed in the plate lower left

Plate: 7.875” H x 11.5” W; Sight: 8.5” H x 12” W

$600-800

200

Bill O’Neill (1926-1999)

Three works:

“Bighorn Ram,” circa 1973

Lithograph on paper

From the edition of unknown size

Unsigned; with the artist’s copyright printed in the lower margin, at right

Image: 13.5” H x 10.375” W; Sheet: 15.125” H x 11.5” W

“Bugling Elk,” circa 1977

Lithograph on paper

From the edition of unknown size

With the printed signature in the image, lower right: Bill O’Neill; titled and with the artist’s copyright printed in the lower margin, at left

Image: 13.5” H x 10.25” W; Sheet: 15” H x 11.5” W

“Morning Mist Moose,” circa 1981

Lithograph on paper

From the edition of unknown size

With the printed signature in the image, right O’Neill; titled and with the artist’s copyright lower margin, at left

Image: 14.125” H x 10” W; Sheet: 16.125”

$300-500

right of center: Bill copyright printed in the H x 11.5” W

201

Edward Borein (1872-1945)

“Chasing a Steer”

Etching and aquatint on paper

From an edition of 240; printed posthumously

Signed in the plate lower right: Edward Borein; Gene Record, prntr. and pub.

Plate: 5.875”

$300-500

Literature: Record 9

H x 10.875” W; Sheet: 13.625” H x 9.625” W

202

After Edward Borein (1872-1945)

“Blackfoot Women Moving Camp, No. 2”

Etching and drypoint on paper

Signed in the plate lower left: Edward Borein

Plate: 5.75”

$400-600

Literature: Galvin 169

H x 10.75” W; Sheet: 10” H x 13” W

203

Edward Borein (1872-1945)

Two works:

High-bucking horse and rider Etching on wove paper

Unsigned

Plate: 10” H x 8” W; Sight: 10.75” H x 8.625” W

“Four Horsemen, No. 2,” circa 1915 Etching on paper

Unsigned

Plate: 10” H x 11.75” W; Sight: 10.75” H x 12.375” W

$300-500

Literature: Galvin 31

204

Greg Eiselein (b. 1945)

“The Gate Keeper,” 2012 Oil on linen laid to board

Signed and dated lower right: G. Eiselein; titled on a label affixed verso 18” H x 24” W

$2,000-3,000

205

Frederick Hambly (b. 20th Century)

“The Long Knives,” 1987

Oil on canvas

Signed lower right: Hambly; signed again, titled and dated, verso 18” H x 24” W

$600-800

206

James Regimbal (b. 1949)

“Highway to Home,” 1998

Patinated and cold-painted Edition: 18/75

Signed, dated, and numbered plaque applied to base 14.25” H x 50.25” W x 7”

$4,000-6,000

1998 cold-painted bronze on a wood base

numbered in the casting: Jim Regimbal / © 1998; titled and attributed to metal 7” D

207

Fred Fellows (b. 1934)

“Life in the Fast Lane: The Changing of the West”

Patinated bronze on wood plinth

Edition: 12/80

Signed and numbered in the casting: Fellows / CA; titled and attributed to front bronze plaque

10.75” H x 34.125” W x 13.25” D

$2,000-3,000

208

Wah Ming Chang (1917-2003)

“Rolling his Own, #7”

Patinated bronze on wood plinth

Stamped to horse as if branded: WC; titled and signed to plinth underside in ink

D;

$300-500

Figure: 4” H x 3.5” W x 1.325”

Plinth: 3.75” H x 3.75” W x 2.325” D

209

Vilem Zach (b. 1946)

“Last Performance Buffalo Bill Cody 1916”

Patinated and cold-painted bronze on marble set in a wood plinth Edition: 2/50

Signed and numbered in the casting: V. Zach; titled to metal plaque mounted applied to wood plinth

Overall: 26” H x 19” W x 8.75” D

$1,000-1,500

210

Vic Payne (b. 1960)

“Friends that Wont Tell”

Patinated and cold-painted bronze on rotating wood plinth

Edition: 16/35

Signed and numbered in the casting: Vic Payne ©; titled and attributed to applied metal plaque

Overall: 15.5” H x 15.325” W x 15.75” D

$1,000-2,000

211

David Scott Rogers (b. 1961)

“The Iron Mistress,” 1994

Verdigris bronze on raised and rotating wood plinth

Edition: 9/30

Signed, dated, and numbered in the casting: D.S. Rogers © ‘94; attributed and alternately titled to metal plaque applied to plinth: “Holding the Line”

Overall: 20.75” H x 13.5” W x 12.5” D

$800-1,200

212

James Nathan Muir (b. 1945)

“Appomattox,” 2000

Patinated bronze on wood plinth Edition: 3/26

Signed, dated, and numbered in the casting: James N. Muir © ‘00; further marked and titled in the bronze: Appomattox / Florida / The Final Surrender

Overall: 18.125” H x 9” W x 7.75” D

$300-500

213

James Nathan Muir (b. 1945)

“Last Embrace”

Patinated bronze mounted in wood and velvet shadowbox frame Edition: 7/50

Signed and numbered in the casting: © James Nathan Muir; titled and attributed to metal plaque

$200-300

Figure: 7.875” H x 6” W x 2.75” D

214

After Frederic Remington (1861-1909)

“Cheyenne”

Patinated bronze on a stone plinth Edition: 2/100

Signed in the casting: Copyright Frederic Remington

Originally cast 1901

Overall: 23.25” H x 22.5” W x 8.625” D

$400-600

215

Alvin Marshall

(b. 1959, Diné)

Eagle chief, 1991

Carved alabaster on wood plinth

Etched signature and date near bottom: ©

Alvin K Marshall / 1991

Overall: 21.5” H x 9.5” W x 6.75” D

$300-500

216

Alvin Marshall

(b. 1959, Diné)

Looking left, 1990

Carved alabaster on wood plinth

Etched signature and date near bottom:

© Alvin K Marshall / 1990

15.75” H x 9.75” W x 4.75” D

$300-500

219

A Craig Kelly Navajo beaded belt buckle

Craig Kelly (b. 1983, Diné)

21st century

Signed to fabric verso

With a beaded portrait finely worked in various colors

3” H x 4” W; Belt opening: 1.5”

$300-500

218

Thomas Fontaine (b. 20th century)

Two stag head jars, 1986/1987

Each signed to underside: Thomas Fontaine; one dated: ‘86; one dated: ‘87

The painted ceramic jars with mounted stag heads, each set inside an acrylic box

2 pieces

Larger: 9.125” H x 7” Dia.; Smaller: 7.75” H x 7.325” Dia.

$400-600

217

A Sioux beaded purse

Late 19th/early 20th century

A small metal frame purse with fully beaded exterior with multicolored geometric motifs on a white field, with hide fringe, fabric lining, and fully beaded fabric strap 7” H x 8.25” W; Fringe: 1.75” L; Handle drop: 5.5”

$400-600

220

A Danny Romero mosaic inlay portrait belt buckle

Danny Romero (b. 1954, Yaqui-Spanish)

Late 20th/21st century

Stamped with artists mark verso: [starburst lines] / R.MER.

An oval portrait buckle with mixed stone inlay including lapis lazuli and onyx, together with a detachable tooled tan leather belt, 2 pieces

Buckle: 2.625” H x 3.875” W; wire loop verso: 1.5” H; belt: 36.25” L x 1.375” H

Buckle: 136.6 grams gross

$800-1,200

221

A Frank Patania sterling silver and turquoise cuff bracelet Frank Patania (1899-1964)

20th century

Stamped: FP / Sterling / [Thunderbird]

An elaborate cuff bracelet with a large round silver stacked medallion with a band of turquoise and with stone set side panels 6.75” total inner C x 2.25” H, with a 1” gap 92.9 grams gross

$1,500-2,500

222

A Navajo sterling silver and coral cuff bracelet

Mid/late 20th century, Diné

Stamped: AC [conjoined; likely for Albert Cleveland, b. 1954, Diné]

A wide tapering sterling silver cuff with shadowbox set columns of thirteen branch coral stones

6.75” total inner C x 2.625” H, with a 1” gap

179.0 grams gross

$1,000-1,500

224

A Mike Bird-Romero stone set cuff bracelet

Mike Bird-Romero (b.1946, Ohkay Owingeh/San Juan Pueblo)

20th century

Stamped to terminal verso with artist’s cipher of two birds

A wide alternating multiple wire cuff set with three rows of lapis and spiny oyster

6.5” total inner C x 2” H, with a 1.125” gap

168.2 grams gross

$800-1,200

223

A Lewis Lomay Hopi sterling silver cuff bracelet

Lewis Lomay (Lomayesva; c. 1915-1996, Hopi)

Mid/late 20th century

Stamped: LL [snake] / Sterling

Designed with a central stone-set teardrop coral flanked by four set turquoise stones, with chasing and set coral to terminals

6.25” total inner C x 2.125” H, with a 1” gap 94.8 grams gross

$800-1,200

225

A Southwest carved frog fetish silver cuff bracelet

Mid/late 20th century

Etched marks to interior: BN//O

A chunky sterling silver cuff with bezel set graduated carved black stone frogs each with inset turquoise eyes, and with silver foliate and dot overlay accents and stamp work to terminals and edges

6.5” total inner C x 2” H, with a 1.125” gap 154.6 grams gross

$500-700

226

An Emory Boone Zuni sterling silver fetish bear cuff bracelet

Emory Boone (b. 20th century, Zuni Pueblo)

Late 20th/21st century

Cuff stamped verso: Sterling; Bear marked to foot: E. Boone / Zuni

A large carved black jet bear with an inlaid turquoise heartline, asymmetrically set to a two-wire silver cuff bracelet with stamped edging

6.75” total inner C x 2” H, with a 1.125” gap

104.2 grams gross

$500-700

227

A Southwest Zuni/Navajo style set stone cuff bracelet

Mid-20th century

Illegible etched fine script initials verso

A large sterling silver three-wire openwork butterfly motif cuff with set turquoise and black stone body with silver wire and ball accents

7.25” total inner C x 4” H, with a 1.25” gap

201.9 grams gross

$1,000-1,500

228

A Tom Taylor Navajo sterling silver and turquoise cuff bracelet

Tom Taylor (b. 20th century, Diné)

Late 20th century

Stamped: TT / Sterling

A wide chunky cuff filled with twisted wire overlay topped with a large oblong turquoise stone

6.5” total inner C x 1.625” H, with a 1.125” H

127.2 grams gross

$400-600

230

A Zuni Pueblo silver and turquoise petit point cuff bracelet

Late 19th/early 20th century

Etched pawn letters verso: Txxx

An Old Pawn three wire cuff with cluster set petit point turquoise

6.25” total inner C x 2.75” H, with a 1” gap

64.0 grams gross

$400-600

229

A Tommy Jackson Navajo sterling silver cuff bracelet with cobblestone inlay

Tommy Jackson (b. 1958, Diné)

Late 20th/21st century

Stamped: Jackson

A slim cuff with raised turquoise and onyx inlay

6.75” total inner C x 1” H, with a 1” gap

88.0 grams gross

$400-600

231

A Julian Lovato Kewa sterling silver and turquoise bracelet

Julian Lovato (c. 1925-2018, Kewa/Santa Domingo Pueblo)

Mid/late 20th century

Stamped to clasp verso: J. Lavato / Sterling / IHM / [Thunderbird]

A heavy graduated link bracelet with eight shadowbox set turquoise panels

7.625” L x 1.25” H

131.1 grams gross

$2,000-3,000

Provenance: Morning Star Traders, Tucson AZ

Acquired from the above by current owner, August 2000

Other Notes: This lot accompanied by a purchase receipt from Morning Star Traders, Tucson AZ, dated August 16, 2000.

232

Two Southwest style cuff bracelets

Mid/late 20th century

Each appears unmarked

Comprising a large sterling silver three-wire cuff with central set slab turquoise and applied silver feather, together with a sterling silver five-wire cuff with central set turquoise and twisted wire edging and shoulder accents, 2 pieces

Each: 6.25” total inner C, with a 1” gap; Larger: 2.875” H; Smaller: 1.75” H 206.2 grams gross

$400-600

233

A group of Roie Jaque Navajo sterling silver and turquoise jewelry Roie Jaque (b. 20th century, Diné, Laguna Acoma, Chiricahua Apache)

Late 20th/21st century

Each stamped: Roie Jaque / Sterling

Three works comprising a chunky cast silver and rectangular set turquoise cuff bracelet with elaborate applied stamped accents to shoulders, together with a matching stone set pendant, and a pair of pierced earrings of a similar design, 4 pieces

Cuff: 6.75” total inner C x 1.1.625” H, with a 1.375” gap; Pendant:2.75” H x 1.375” W; Each earring: 1” H 188 grams gross

$500-700

234

A Federico Jimenez ketoh-style cuff bracelet

Federico Jimenez (b. 1941, Mixtec)

Mid/late 20th century

Stamped: JF [conjoined]

A large tapered bow guard style cuff with central cluster set turquoise and coral cabochons and stamped accents to edges

6.5” to 7.5” total inner C x 4” H, with a 1” to 1.75” gap 125.5 grams gross

$500-700

235

A Southwest sterling silver cuff bracelet 20th century

Etched verso: T U E [or TYE]

An ingot silver cuff with stamped and chased motifs 6.625” total inner C x 1.375” H, with a 1” gap 49.7 grams

$400-600

236

A Stephen Hyson Naseyoma Hopi pictorial cuff bracelet

Stephen Hyson Naseyoma (b. 20th century, Hopi)

20th century

Stamped: HN [conjoined] / Sterling

A wide, slightly tapered Hopi silver overlay cuff featuring a band of figures with linked hands

7” total inner C x 2” H, with a 1.125” gap 108.7 grams

$300-500

237

A Wallie Sekayumptewa Hopi overlay cuff bracelet Wallie Sekayumptewa (1917-2003, Hopi Pueblo)

Mid/late 20th century

Stamped with crossed arrows and Hopi Guild mark for Wallie Sekayumptewa

A sterling silver chunky cuff with deep geometric motif overlay

6.5” total inner C x 1” H, with a 1.125” gap

62.5 grams

$200-300

238

A sterling Mid-20th Stamped A large 6.75”

96.4 grams

$700-900

239

A Federico Jimenez spiny oyster inlay cuff bracelet

Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Stamped: JF [conjoined] / Sterling

A chunky sterling silver cuff with channel set orange spiny oyster in an overall grid pattern, with stamped terminals

6.5” total inner C x 2.125” H, with a 1.375” gap

157.3 grams gross

$500-700

238

sterling silver Zuni-style petit point coral cuff bracelet

Mid-20th century

Stamped to terminals: 8V [?] / Sterling large four-wire cuff with cluster set petit point coral plaque total inner C x 3.75” H, with a 1” gap grams gross

$700-900

240

A Lee Bennett Navajo set multistone cuff bracelet

Lee Bennett (b. 20th century, Diné)

Late 20th/21st century

Stamped: Lee Bennett / Sterling

A sterling silver five-wire cuff with a large central set turquoise and green stone set side plaques, all surrounded by cluster set multistone cabochons including turquoise, spiny oyster, and charoite

6.75” total inner C x 3.25” H, with a 1.25” gap 228.8 grams gross

$500-700

241

A Calvin Martinez Navajo sterling silver and coral cuff

Calvin Martinez (b. 1960, Diné)

Late 20th/21st century

Stamped: C. MTZ [within an arrow head] / Sterling

A finely detailed silver cuff set with cabochon coral to central concho and flanked by additional coral

6.75” total inner C x 1.75” H, with a 1.125” gap 87.1 grams gross

$400-600

242

A Franklin & Verna Tahe Navajo silver and gold-filled cuff bracelet Franklin and Verna Tahe (b. 20th century, Diné)

Late 20th century

Stamped to terminals: Tahe / Sterling / 1/20 12K G.F.

A ridged edge sterling silver cuff with central stampwork and gold filled raised wire edging 6.5” total inner C x 1.5” H, with a 1.25” gap 91.2 grams gross

$100-200

243

A sterling silver Zuni Pueblo coral watch cuff

Late 20th century

Stamped: Sterling / [unknown mark]

A tapered cuff with irregular row set coral and silver balls, with stamped silver edging and set with an attached watch with a Kokopelli motif dial 7” total inner C x 2” H , with a 1” gap 98.2 grams gross

$400-600

244

An Art Tafoya carved stone frog fetish pendant

Art Tafoya (b. 20th century; Yaqui)

Late 20th/21st century

Stamped: AT [conjoined] / Sterling; Necklace cones stamped: Sterling

A double-drop stamped sterling silver pendant set with two carved frogs of different stones, one with inlaid coral accents and all suspended by a large silver bail from an associated multistrand coral necklace, 2 pieces

23.5” to 27” L x 5.375” H x 2” W

231.6 grams gross

$700-900

245

An Art Tafoya monumental stone frog fetish belt buckle

Art Tafoya (b. 20th century; Yaqui)

Mid/late 20th century

Stamped: AT [cipher] / Sterling

A sterling silver buckle with various carved stone frog fetishes in different sizes and stone types, some with sinew-tied bundles, and all custom mounted to a heavy silver buckle with applied dot and scroll work

3.5” H x 5.125” W; wire loop verso: 1.625” W 356.9 grams gross

$700-900

246

A group of Zuni Pueblo stone fetish frogs set by Art Tafoya

Art Tafoya (b. 20th century; Yaqui)

Late 20th/21st century

Ring stamped: AT [artist’s cipher] / Sterling; Each earring stamped verso: Sterling Two works comprising a sterling silver ring with carved turquoise frog fetish set to a custom silver mount with elaborate stamped edging, together with a pair of double-drop carved stone and shell frog earrings, 3 pieces

Ring size: 7.75; 1.75” H; Fetish: 0.75” H from base; Earrings: 3” H and 2.875” H 95.5 grams gross

$400-600

An Art Tafoya sterling silver and stone frog fetish cuff bracelet Art Tafoya (b. 20th century; Yaqui)

Late 20th/21st century

Stamped: AT [artist’s cipher] / Sterling

A two wire cuff with a carved white stone frog with inlaid turquoise and shell accents set to a shaped bezel with stampwork edging and flanked by two carved turquoise fetish frogs 6.75” total inner C x 2.75” H, with a 1” gap; frog: 1” H from base 160.7 grams gross

$700-900

248

An Art Tafoya sterling silver and stone buffalo pendant Art Tafoya (b. 20th century; Yaqui)

Mid/late 20th century

Stamped: AT [artist’s cipher] / Sterling

A chunky pendant with a large set carved white stone buffalo fetish with inlaid turquoise accents set within elaborate silver overlay and stamped edging with a large stamped bail

3.75” H x 4” W

256.6 grams gross

$500-700

249

An Art Tafoya sterling silver cuff bracelet with Zuni buffalo fetish

Art Tafoya (b. 20th century; Yaqui)

Mid/late 20th century

Cuff stamped to terminal verso: AT [artist’s cipher] / Sterling; Fetish marked to foot: _Q [obscured]

A chunky three wire cuff with a large carved mother-of-pearl buffalo with inset coral eye and white stone horn, bezel set within elaborate silver overlay and stampwork edging and shoulders

6.5” total inner C x 2.75” H, with a 1.125” gap

210.5 grams gross

$500-700

250

A set of Southwest carved stone buffalo fetish jewelry

Art Tafoya (b. 20th century; Yaqui)

Lynn Quam (b. 20th century, Zuni Pueblo)

Late 20th/21st century

Buckle stamped: Sterling; Fetish marked to one hoof: Q [likely for Lynn Quam, Zuni]; Ring stamped: AT [artist’s cipher]

Three works comprising an Art Tafoya style sterling silver belt buckle with a Lynn Quam Zuni carved alabaster buffalo fetish with turquoise accents set to a shaped bezel (2.375” H x 3.25” W), together with an Art Tafoya chunky stamped silver ring with set stone buffalo fetish (Ring size: 8; 1” H from base), a matching stone buffalo hairpin (6” L), and a pair of matching drop earrings with turquoise accents (Each: 1.5” H), 5 pieces

$500-700

251

An Art Tafoya cuff bracelet with carved stone horse fetish figures Art Tafoya (b. 20th century; Yaqui)

Late 20th/21st century

Stamped: AT [artist’s cipher] / Sterling

A chunky sterling silver three-wire cuff with three Zuni carved stone horses set into a large shaped silver bezel with elaborate silver overlay and stampwork and repoussÈ plaques to shoulders

6.75” total inner C x 4.25” H x 2.5” W, with a 1.125” gap; Horses: 1.5” H from base 324.0 grams gross

$600-800

252

An Art Tafoya silver belt buckle with a Hayes Leekya stone horse fetish

Art Tafoya (b. 20th century; Yaqui)

Hayes Leekya (b. 1967, Zuni Pueblo)

Late 20th/21st century

Buckle: stamped: AT [artist’s cypher] / Sterling; Fetish marked to base: HL / Zuni

A large sterling silver buckle set with a Zuni carved tan stone horse fetish, with inlaid turquoise hooves and with incised silver overlay and stamped accents

2.375” H x 3.5” W; wire loop verso: 1.5” H

151.8 grams gross

$500-700

253

A Percy Reano Kewa necklace with Zuni horse fetish

Percy Reano (b. 1951, Kewa/Santo Domingo Pueblo)

Rosella Lunasee and Loubert Soseeah (Each b. 20th century, Zuni Pueblo)

Late 20th/21st century

Necklace terminals stamped: PR [within shell motif]; Fetish marked to hooves: RL / LS [for Rosella Lunasee and Loubert Soseeah]

A Percy Reano Santo Domingo square cut multistrand stone and shell necklace suspending a Rosella Lunasee and Loubert Soseeah Zuni carved stone horse fetish with silver wire and a stamped silver bail

24” L x 3.25” H

155.2 grams gross

$600-800

A Frank Patania sterling silver and turquoise concho belt

Frank Patania (1899-1964)

20th century

Stamped to buckle: [Thunderbird with crossed arrows cipher] / Sterling With a large ornate rectangular buckle and eight oval conchos, all with central cluster-set turquoise and mounted to a black leather strap

Buckle: 3” H x 4” W; Each concho: 2.5” H x 2.875” W; Strap: 34” L x 1” H 45.2 grams gross

$3,000-5,000

255

A Frank Patania sterling silver concho belt

Frank Patania (1899-1964)

Mid-20th century

Stamped to buckle: FP [conjoined] / [Thunderbird with crossed arrows cipher] / Sterling

With nine cast silver rectangular conchos and a larger buckle, each with a silver overlay and raised wire floral spray motif with stars and all mounted to a black leather strap

Buckle: 2.375” H x 3” W; Each concho: 1.875” H x 2.5” W; Strap: 43” L x 1” H 388.4 grams gross

$2,000-3,000

256

Pete Morgan (b. 20th century; Diné)

Late 20th century

Buckle stamped: M / Sterling

Comprising an elaborate incised oval belt buckle and nine conchos, all on a black leather belt strap

Buckle and each concho: 2.75” H x 3.25” W; strap: 43” L x 1.375” H

707.7 grams gross

$1,000-2,000

A Pete Morgan Navajo sterling silver concho belt

257

A Navajo silver concho belt

Early/mid-20th century, Diné Appears unmarked

A large Second Phase belt with eight sterling silver oval conchos and a buckle, each with stamping and chisel accents and all mounted to a black strap

Buckle and each concho: 3.125” H x 3.75” W; Strap: 46.25” L x 1.25” H 650.6 grams gross

$1,000-1,500

258

A Lee Epperson Southwest cast sterling silver concho belt

Lee Epperson (b. 1935, Cherokee)

Late 20th century

Stamped to buckle: LEE [conjoined] / Sterling

A heavy belt with a large oval buckle with turquoise and coral inlay and eleven round conchos all with various katsina dancer and mask motifs and mounted to a black leather strap

Buckle: 2” H x 2.75” W; Each concho: 1.75” Dia.; Strap: 49.5” L x 1” H 485.7 grams gross

$1,000-1,500

259

A Benjamin Becenti Navajo silver and stone storyteller concho belt Benjamin Becenti (c. 1950, Diné)

Mid/late 20th century

Stamped: BB [for Benjamin Becenti] / Sterling

A belt with nine stamped silver rectangular conchos and one buckle, all with various domestic and animal outdoor scenes in multiple stone inlay including turquoise, coral and shells, all mounted to a black leather belt

Buckle and each concho: 2” H x 3” W; Strap: 49” L x 1.25” H 428.6 grams gross

$600-800

262

A Joe & Cornelia Bowannie Zuni katsina inlay concho belt

Joe and Cornelia Bowannie (each: b. 20th century, Zuni Pueblo)

20th century

Etched verso: Joe & Cornelia Bowannie

A belt with raised stone and shell mosaic inlay including turquoise, spiny oyster and other shells set to a large round buckle and ten smaller conchos, each depicting a stylized Zuni katsina dance mask of possibly Yamuhakto, a wood carrier dancer, and all set to a black leather strap

Buckle: 3” Dia.; Each concho: 2.25” Dia.; Strap: 40.5” L x 1.625” H 352.7 grams gross

$800-1,200

260

A Floyd Becenti, Jr Navajo silver overlay storyteller concho belt

Floyd Becenti, Jr (b. 1960, Diné)

Late 20th/21st century

Stamped to buckle verso: _CT [cent symbol, in stylized script; B obscured by pin] / Sterling

A sterling silver storyteller belt with a buckle and fifteen rectangular conchos, each depicting a different theme or activity including a dwelling, an outhouse, horses, goats, farming, cooking, shearing sheep, spinning wool, making jewelry, riding and others, all mounted to a black leather strap

Buckle and each concho: 1” H x 1.5” W; Strap: 47.75” L x 0.75” H 207.8 grams gross

$500-700

261

A Les Holden Navajo petit point turquoise concho belt

Les Holden (b. 20th century, Diné)

Mid/late 20th century

Stamped to buckle verso: LH / Sterling

With a Zuni-style sterling silver buckle and ten conchos each set with teardrop petit point turquoise and all mounted to a black leather strap

Buckle: 3” H x 3.25” W; Each concho: 2.75” H x 3” W; Belt: 41” L x 1.5” H 521.6 grams gross

$1,000-1,500

263

A Gary Reeves Navajo sterling silver and set coral concho belt

Gary Reeves (1962-2014, Diné)

Late 20th/21st century

Stamped: G Reeves [script] / Sterling

A heavy belt with a deeply stamped rectangular buckle with nine silver oval conchos and ten butterfly spacers, all set with coral cabochons and mounted to a black leather strap

Buckle: 2” H x 2.375” W; Each concho: 1.75” H x2” W; Each spacer: 1.625” H x 1.125” W;

Strap: 47” L x 0.75” H

450.5 grams gross

$1,000-1,500

264

A Southwest-style sterling silver concho belt

Mid/late 20th century

Stamped to each concho: [Half sun pictograph] / Sterling

A link belt with thirteen spiny oyster cluster-set conchos with ring links and a hook closure 41” to 44.5” L x 2.25” Dia.

444.3 grams gross

$500-700

265

An Andy Cadman Navajo sterling silver and set stone concho belt

Andy Cadman (b. 1966, Diné)

Late 20th/21st century

Stamped to buckle verso: A. CADMAN / Sterling

Comprising a stamped and repousse silver rectangular buckle and eleven matching oval conchos each set with turquoise, coral and spiny oyster cabochons and all mounted to a black leather strap

Buckle: 2.125” H x 2.625” W; Each concho: 1.75” H x2.125” W; Strap: 43.25” L x 0.75” W

315.2 grams gross

$800-1,200

266

A Valentino & Matilda Banteah Zuni silver and turquoise concho belt

Valentino and Matilda Banteah (each b. 1955, Zuni Pueblo)

Mid/late 20th century

Buckle stamped verso: VMB

Nine sterling silver oval conchos and ten butterfly spacers with matching buckle, all set with turquoise

Buckle: 2.25” h x 2.75” W; Each concho: 1.625” H x 2” W; Each spacer: 1.75” H x 1” W; Strap: 42.375” L x 1” H

243.1 grams gross

$800-1,200

267

A Zuni Pueblo-style sterling silver inlay bear concho belt

Late 20th century

Stamped to buckle verso: GT / Sterling

With a large black inlay bear buckle and twelve smaller bears all with various designs and various inlaid stone and shells including turquoise, spiny oyster, coral and lapis lazuli, all mounted to a brown leather strap

Buckle: 1.625” H x 2.25” W; Each concho: 1” H x 1.5” W; Strap: 38.75” L x 0.75” H 159.0 grams gross

$500-700

268

A Southwest sterling silver and chip inlay concho belt

Mid-20th century

Appears unmarked

A heavy chunky belt with an oval buckle and ten round conchos each with stamped edges and a Peyote teepee motif in turquoise and coral chip inlay, all mounted to a wide tan leather strap

Buckle: 2.625” H x 3” W; Each concho: 2.5” Dia.; Strap: 37.75” L x 2” H 649.2 grams gross

$400-600

269

A Beverly Etsate Zuni sterling silver and stone inlay concho belt

Beverly Etsate (b. 20th Century, Zuni Pueblo)

Mid/late 20th century

Buckle etched verso: Bev. Etsate / Zuni, NM

Comprising a large oval buckle and ten smaller oval conchos each set with raised mosaic stone inlay in turquoise, coral, and various shells with motifs representing mudhead, kachinas, koshares, and gan dancers, all mounted to a black leather strap

Buckle: 2.125” H x 3.25” W; Each concho: 2” H x 1.5” W; Strap: 50. 25” L x 1.5” H 358.8 grams gross

$800-1,200

270

A Federico Jimenez stone inlay butterfly concho belt

Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Several conchos stamped: FJ [conjoined] / Sterling

A sterling silver link concho belt, each concho set with turquoise, spiny oyster, onyx, and white buffalo, with rolled wire edging and joined with stamped sterling silver links 42.5” L x 2.75” H 752.9 grams gross

$2,000-3,000

271

A group of Federico Jimenez inlaid stone butterfly jewelry Federico Jimenez (Mixtec, b. 1941)

Late 20th/21st century

Each stamped: JF [conjoined] / Sterling

Four works in sterling silver comprising a large butterfly drop pendant with turquoise, spiny oyster, and onyx inlay and coiled wire edging (3.375” H x 3.875” W), together with a matching two wire cuff bracelet (6.75” total inner C x 2.875” H, with a 1” gap), a ring (Ring size: 8; 1.75” H), and a pair of pierced earrings (Each: 1.75” H), 5 pieces 256.0 grams gross

$1,000-1,500

272

A Federico Jimenez Zuni-style mosaic Rainbow man concho belt

Federico Jimenez (b. 1941, Mixtec)

Mid/late 20th century

Stamped to inlay bezel base, beneath stones: JF [conjoined] / Sterling

A sterling silver link belt with thirteen rainbow man figures set with turquoise, spiny oyster, and onyx inlay and hook closure

45” L x 1.625” H

415.9 grams gross

$1,000-1,500

273

A group of Federico Jimenez Zuni-style mosaic inlay jewelry

Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Each stamped: JF [conjoined] / Sterling

Three works in sterling silver mosaic inlay with multiple stones including turquoise, onyx, and spiny oyster comprising a Rainbow Guardian squash blossom necklace (28” L x 3.5” H), together with a matching Rainbow Man ring (Ring size: 6; 1.75” H) and pair of earrings (Each: 1.625” H), 4 pieces 307.4 grams gross

$800-1,200

274

A Federico Jimenez Rainbow Man mosaic brooch Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Stamped: JF [conjoined] / Sterling

A sterling silver brooch with various stone and shell inlay including turquoise and spiny oyster

4.5” H x 2” W 45.6 grams gross

$200-400

275

An Ida Payton Navajo Rainbow Man pendant Ida Payton (b. 20th century, Diné)

Mid-20th century

Stamped: Ida Payton [script] / Sterling

A large sterling silver Zuni-style pendant with multiple stone mosaic inlay including turquoise, spiny oyster and various shells, with a chunky stamped silver bail

4” H x 5.125” W 96.2 grams gross

$400-600

276

A Federico Jimenez mosaic inlay Rainbow Man cuff bracelet Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Stamped: JF [conjoined] / Sterling

A large shaped sterling silver cuff with multistone inlay including turquoise, spiny oyster, bone, and onyx

6.75” total inner C x 2” H, with a 1.5” gap 117.7 grams gross

$500-700

277

A Southwest-style sterling silver multistone concho belt

Mid/late 20th century

Stamped to plaque verso: CL / Sterling

With a cluster-set oval buckle and five oval conchos alternating with six butterfly spacers, all with set stone cabochons including turquoise, lapis, and spiny oyster, and all set to a black leather strap

Buckle and each concho: 2” H x 2.5” W; Strap: 50.5” L x 1.125” H 435.1 grams gross

$400-600

278

A Navajo sterling silver and set stone concho belt

Mid/late 20th century, Diné

Stamped to buckle verso: BW [possibly Bill Willie] / Sterling

Comprising a large buckle with fourteen smaller matching rectangular conchos each with set turquoise and coral and all mounted to a brown leather strap

Buckle: 2.5” H x 3” W; Each concho: 1.25” H x 1.5” W; Strap: 41.5” L x 0.75” H 360.6 grams gross

$600-800

279

A Plains beaded leather belt

20th century, Great Plains

A wide leather belt with applied beaded strip with geometric motifs in red, blue, black, and yellow on a white ground and with metal rivets to edges and a twobuckle closure 42” L x 4.25” H

$300-500

280

A Navajo cluster set turquoise and silver bolo

Mid/late 20th century; Diné

Stamped to plaque verso: YSJ / Chinle, AZ [Likely Yazzie Slim Jim; Diné]

Designed with a large central medallion and cluster set turquoise cone dangles, all on a braided leather cord

Bolo: 3” H x 2.875” W; Each dangle: 1.625” H; cord: 36” L 86.3 grams gross

$300-500

281

A Floyd Becenti Jr. Navajo sterling silver katsina bolo Floyd Becenti, Jr. (b. 1960, Diné)

Stamped: Becenti / F / BCT / Sterling / ©

A large incised silver overlay standing kachina storyteller bolo with elaborate tips featuring katsina dancers, all on a plaited leather cord

Bolo: 6” x 2.25” W; 48” L 169.9 grams gross

$600-800

282

An Orville Tsinnie Navajo sterling silver necklace Orville Tsinnie (1943-2017; Diné)

Circa 1986

Stamped: Orville Tsinnie of New Mexico / [mountain pictographs] / Sterling

The award-winning “Star Wars” necklace with chunky silver beads and set lapis cabochon clasp

35.5” L x 1.25” Dia. 233.3 grams gross

$1,200-1,800

Exhibited: Pasadena, CA, “The Original American Indian & Western Relic Show,” March 1986, First Place

Other Notes: This lot accompanied by a First Place ribbon from The Original American Indian & Western Relic Show, March 1986, Pasadena, CA.

283

A Clarence Lee sterling silver story teller necklace

Clarence Lee (1952-2011, Diné)

Late 20th century

Pendant with etched signature and stamped verso: Clarence Lee / CLE [cipher] / Sterling; one barrel with etched signature; one barrel stamped Sterling

An award-winning Navajo sterling silver necklace designed with ten mixed metal barrels and figurative pendant drop

28” L x 0.625” Dia.

262.3 grams gross

$2,000-3,000

Exhibited: Santa Fe, NM, “SWAIA 66th Annual Indian Market,” 1987

Other Notes: This lot accompanied by a First Award blue ribbon from the SWAIA 66th Annual Indian Market, Santa Fe, NM, dated August 21, 1987.

284

A Pueblo-style shell and stone necklace

Late 20th century

Appears unmarked

A triple-strand necklace with alternating abalone shell points and turquoise spacers

18” L

$1,000-1,500

285

A strand of Russian/Eastern European blue glass trade beads

19th century; Columbia River Basin, Washington

A single strand of faceted cobalt blue glass trade beads, likely traded on the Pacific Northwest Coast 32” L

$200-400

Other Notes: Russian blue beads are so-called due to their association with the Russian fur trade of the Pacific Northwest, first appearing in the Americaís during the early 1800s. “In the Pacific Northwest, these beads have been likely identified incorrectly as Russian facetted beads due to their late 18th and early 19th century introduction into the Alaskan [and Northern California Fort Ross] region by Russian fur traders. The Russian American Fur Company did trade these beads, but the Russians probably did not manufacture them.” Although called “Russian” these beads were more likely manufactured in 18th/19th century Bohemia. Designed for export, the beads were subsequently distributed to traders and found their way to both Africa and the Americas. One observer noted: “Other beads, such as the large ultra marine blue faceted beads found along the coast of southern Alaska and British Columbia and as far south as Washington and Oregon, became “Russian beads”, in spite of the fact that original packages of these beads, wrapped in gray coarse paper, were found unopened in the warehouse of the Russian American Fur Company at Sitka in 1867, marked “Brussels”. In the latter case it was probably a repackaging job done by an export company in the Belgian city.”

Source: Lester A. Ross, “Trade Beads From Hudson’s Bay Company Fort Vancouver (1829-1860), Vancouver, Washington,” “BEADS: Journal of the Society of Bead Researchers” 2, Article 6 (1990): 38.

286

A Southwest Pueblo coral multistrand necklace 20th century; New Mexico

Appears unmarked

A fifteen strand necklace, with coral beads of various sizes, and each strand with small turquoise and silver bead spacers 27” L

$2,000-3,000

287

A Mike Bird Romero coral necklace with silver crosses

Mike Bird Romero (b. 1946, Ohkay Owingeh)

Late 20th/21st century

Pendant stamped verso with artist’s bird cypher

A six strand graduated and rounded coral bead necklace with ten sterling silver crosses of various shapes and sizes with central large bead-wrapped silver cross pendant and traditional wrapped neck cord

32” L x 3.5” H

$2,000-3,000

288

Two Zuni Pueblo coral fetish necklaces

Mid/late 20th century

Each appears unmarked

Two works comprising a four-strand coral necklace with carved mixed stone carved fetish animals (22.5” L) and a two-strand coral fetish necklace with carved coral birds (23” L), 2 pieces

$600-900

289

A group of Federico Jimenez multistone butterfly jewelry Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Each stamped: JF [conjoined] / Sterling

Five works in sterling silver with inlaid spiny oyster, turquoise and onyx comprising a graduated panel link necklace (17.5” L x 2” H), a matching cuff bracelet (6.5” total inner C x 1.625” H, with a 1.125” gap), a two-part belt buckle on a fabric belt (1.5” H x 3.375” W clasped), a ring (Ring size: 8; 1.375” H), and a pair of pierced earrings (Each: 1.375” H), 6 pieces 321.5 grams gross

$800-1,200

290

A Zuni Pueblo coral fetish necklace

Mid/late 20th century

Appears unmarked

An S Delaney Zuni double strand coral necklace with carved coral birds and cone terminals

23” L

$500-700

Other Notes: This lot accompanied by a copy of a partial purchase receipt from “Thomas McKee Indian Jewelry and Minerals,” dated 10/26/80, indicating artist’s attribution.

291

A Rhoda Quam Zuni coral fetish necklace

Rhoda Quam (b. 20th century, Zuni Pueblo)

Mid/late 20th century

Etched signature to silver cone: Rhoda Quam; further stamped: Sterling

A two-strand necklace with various stylized birds and heishi shell and ambercolored spacers and sterling silver cone terminals 23.5” L

$400-600

292

A set of Santo Domingo Pueblo-style jewelry

Late 20th century

Necklace clasp marked: 925

Two works comprising a triple strand spiny oyster beaded necklace with a chunky turquoise and coral mosaic chip inlay pendant, finished with silver tips, together with a pair of matching chip inlay on shell pierced earrings, 3 pieces 25” L x 2.875” H; Each earring: 1.875” H

$300-500

293

A group of Southwest Santo Domingo-style jewelry

Late 20th century

Ring stamped: FCR / Sterling

Four works comprising a double strand necklace suspending reversible stone inlay tabs including turquoise, lapis lazuli, coral, and spiny oyster (19” L x 0.875” H), a sterling silver mosaic inlay ring (Ring size: 8), and two pairs of earrings with multistone mosaic inlay on shell (Largest: 2” H; Smallest: 0.625” H), 6 pieces

Ring: 11.1 grams gross

$300-500

294

A set of Zuni petit point coral and silver jewelry

Mid/late 20th century

Ring band marked: WM [wavy lines cipher] / Sterling

Three works comprising a petit point coral and silver collar link necklace with a pair of matching earrings, and a similar design round openwork sterling silver and petit point coral ring, 4 pieces

Necklace: 20” L x 4.25” H; each earring: 2” H; Ring: 1.375” Dia.; ring size: 7.75 60.6 grams gross

$600-800

295

A fine Zuni Pueblo-style turquoise fetish necklace

Mid/late 20th century

Appears unmarked

A double strand necklace with multiple diminutive finely carved avian and quadruped animals including frogs, bears, rabbits, turtles, sheep, foxes, fish, and beavers with fine heishi spacers 25” L

$1,000-1,500

296

Mid/late 20th century

Silver cones stamped: SG

$400-600

A Zuni Pueblo style carved turquoise fetish necklace

A fine single strand necklace with small turquoise carved birds and beads 29” L

297

A Ray Lovato Kewa carved fetish necklace

Ray Lovato (b. 1941, Kewa/Santo Domingo Pueblo)

Late 20th/21st century

A delicate three strand turquoise necklace with finely carved spiny oyster birds and central eagle

27” L

$600-800

Provenance: Purchased by owner, June 18, 1979.

Other Notes: Artist’s attribution based on owner’s records.

This lot accompanied by a photograph of a partial purchase receipt dated June 18, 1979.

298

A group of Federico Jimenez turquoise Rainbow Dancer jewelry

Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Each stamped: JF [conjoined] / Sterling

Five works all in sterling silver and set turquoise including a Rainbow Dancer squash blossom necklace (29” L x 3.875” H), together with a matching two-wire cuff bracelet (6.625” total inner C x 3” H, with a 1.125” gap), a belt buckle (3” H x 3.5” W), a ring (Ring size: 8.25; 1.875” H), and a pair of matching earrings (Each: 2” H), 6 pieces 516.0 grams gross

$1,500-2,500

299

A Sara Leekya Zuni carved turquoise and coral necklace

Sara Leekya (c. 1932-2017, Zuni Pueblo)

Mid/late 20th century

Appears unmarked

A single strand necklace strung with fifteen graduated carved turquoise leaves and coral heishi beads, with sterling silver cone terminals

27” L x 1.875” H

$800-1,200

Other Notes: Sarah Leekya was the daughter of renowned Zuni fetish carver Leekya Deyuse (1889-1966), who had three children, Alice Homer, Francis Leekya, and Sarah.

This lot accompanied by an undated Certificate of Authenticity indicating Sarah Leekya as the maker of this necklace.

300

A Southwest Pueblo turquoise necklace with jacla drops

Mid-20th century

Appears unmarked

A double strand turquoise and heishi bead necklace with two turquoise, coral, and shell jacla drops and a traditional wrapped neck cord 27” L x 6” H

$500-700

301

A Southwest Pueblo turquoise and oyster shell necklace

Mid/late 20th century

Appears unmarked

The necklace formed of a double strand of turquoise and spiny oyster jaclas suspending a further pair of jaclas, all with spiny oyster stacked tab spacers 29” L x 5.75” H

$800-1,200

302

Early/mid- 20th century

Appears unmarked

Comprised of graduated and hand carved turquoise tabs on a single heishi strand with a wrapped neck cord 30” L

$400-600

A Southwest Pueblo turquoise tab necklace

303

A Federico Jimenez multistrand turquoise necklace Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Each terminal stamped: JF [conjoined] / Sterling [worn]

A chunky three strand necklace with graduated teardrop shaped turquoise tabs and turquoise heishi spacers and sterling silver cone terminals 28” to 33.5” L

$700-900

304

A Southwest Pueblo turquoise necklace

20th century

Appears unmarked

A chunky single strand necklace with graduated turquoise nuggets and heishi shell disc spacers

28” L

$400-600

305

A T. Singer Navajo mixed stone necklace

Late 20th/21st century; Diné

Stamped to tab: T Singer / Goldcraft

A turquoise and mixed stone graduated necklace with silver and gold-toned metal barrel beads

30” L 120.4 grams gross

$400-600

306

A Southwest Pueblo carved stone fetish necklace

20th century

Appears unmarked

A four strand necklace of carved stone animals including bison, birds, turtles, and fish, and with turquoise and stone nugget and bead spacers 29.5” L

$300-500

307

A set of Zuni Pueblo carved stone fetish jewelry

Mid-20th century

Each appears unmarked

Two works comprising a three-tiered multistrand carved fetish necklace with multiple stones and animals including armadillo, turtle, bear, rabbits, fox, otter, and birds, finished with a larger turquoise thunderbird and all strung with heishi and turquoise spacers with silver cone terminals, together with a pair of associated similar design earrings, 3 pieces

Necklace: 27.5” L; Each earring: 1.5” H

$400-600

308

A multistrand Santo Domingo Pueblo turquoise necklace

Mid/late 20th century, Kewa

Appears unmarked

A four strand necklace of graduated nugget turquoise finished with silver bead terminals

27” L

$400-600

Provenance:

Gloria Gifford in Neal Simmons California Suite.. see photo

Bought directly from actress, c. 2015

309

Two Santo Domingo Pueblo turquoise necklaces

Mid/late 20th century, New Mexico

Each appears unmarked

Two Kewa works comprising a ten strand turquoise heishi necklace of King Manassa turquoise with stamped silver cone terminals (25” L), as well as a single strand graduated turquoise necklace (14.25” L), 2 pieces

$400-600

310

A pair of Lewis Lomay Hopi sterling silver and lapis lazuli earrings Lewis Lomay (c.1915-1996; Hopi)

20th century

Each stamped: LL / [snake]

The clip earrings designed with articulated panels of ornate silver floriform overlay with set lapis lazuli cabochons, 2 pieces

Each: 3.25” H 39.1 grams gross

$800-1,200

311

A Kewa/Santo Domingo Pueblo graduated bone inlay necklace

Benny and Frances Aguilar (1935-1986, Kewa; b. 20th century, Coushatta) Mid/late 20th century

Stamped to each cone: BFA / [quatrefoil cipher]; one cone further etched with illegible inscription

A single strand tapered necklace with bone disc beads with multistone and silver dot inlay, suspending a central carved disc pendant with larger stone dot inlay, finished with silver cone terminals 25” L x 1.5 “ Dia.

$600-800

312

Late 20th/early 21st century

Unmarked

The carved fetish doll with inset beads of turquoise, coral, and onyx 8.325” H x 1.325” W x 1.325” D

$200-400

A Zuni Pueblo carved antler corn maiden

313

A Southwest silver and amethyst bear paw squash blossom necklace 20th century

Marked to pendant verso: Sterling

Comprising a double strand of sterling silver beads with ten silver bear paw blossoms, each with set amethyst, supporting a set stone bear paw naja with central pendant 24.5” L x 2.5” H 100.5 grams gross

$400-600

314

A Southwest sandcast sterling silver squash blossom necklace

Mid/late 20th century

Appears unmarked

A chunky silver necklace with fourteen fleur-de-lis style pointed blossoms and a central silver naja

25.5” L x 2.25” H 166.8 grams

$400-600

315

A Southwest sterling silver and coral concho necklace

Mid/late 20th century

Stamped: PT [possibly Patrick Taylor, Navajo] / Sterling

Designed with graduated oval silver conchos, some with set coral cabochons and stamped starburst motifs

27” L x 1.625” H 89.3 grams gross

$200-400

316

A Navajo silver and turquoise squash blossom necklace

Mid/late 20th century, Diné

Appears unmarked

A sand-cast sterling silver and stone-set turquoise double-strand necklace suspending six fleur-de-lis blossoms and finished with a naja 22” to 26” L x 3” H 213.4 grams gross

$800-1,200

317

A Southwest coin silver squash blossom necklace

Early/mid-20th century

Appears unmarked

The Mercury head single strand necklace accented with twelve walking Liberty silver dollars each with set turquoise, suspending a naja with a large central turquoise stone and two 1920s quarters (1925 and 1928) at the terminals

25.5” L x 2.5” H

523.0 grams gross

$800-1,200

Mid-20th century

Stamped to naja dangle: AN [or NA; conjoined within half-circle]

Four works comprising a silver and set turquoise squash blossom necklace with twelve graduated blossoms and a central stone set naja (27” L x 3.25” H), together with a matching three wire cuff bracelet with three stone set plaques (6.5” total inner C x 1.25” H, with a 1.375” gap), a set stone ring (Ring size: 8; 1.5” H), and a pair of drop earrings (Each: 1.5” H), 5 pieces 268.3 grams gross

$700-900

318

A set of Southwest sterling silver and turquoise jewelry

319

A group of Southwest sterling silver and inlay jewelry

Mid/late 20th century

Each appears unmarked

Three works comprising a silver and chip stone inlay squash blossom necklace with Peyote bird motif “blossoms” and a sandcast naja, 28.5” L x 2.25” H) together with a two-wire cuff with central cast silver Peyote bird motif with mosaic chip inlay (6.75” total inner C x 2.625” H, with a 1.125” gap) and a banded silver cuff with a chipped stone inlay Peyote teepee motif and stamped geometric motifs (6.75” total inner C x 1.5” H, with a 1.125” gap), 3 pieces 265.8 grams gross

$600-800

Mid-20th century

Appears unmarked

A double strand of fine silver beads with twenty blossoms and suspending a sandcast silver and set turquoise naja

27” L x 2.5” H

177.5 grams gross

$700-900

320

A Southwest silver and turquoise squash blossom necklace

321

A Southwest sterling silver squash blossom necklace

Late 20th century

Stamped: SC [within cloud] / STER / © [for Silver Cloud Inc., Albuquerque, New Mexico]

A silver bench bead strand with ten heart-form set stone blossoms including turquoise, red, orange, and purple spiny oyster shell, and with turquoise and purple spacer beads and a central naja pendant with cross and set turquoise terminals

28” L x 2.5” H 156.8 grams gross

$400-600

322

A Santo Domingo Pueblo “Battery Bird” necklace

Early 20th century, Kewa

Appears unmarked

A single strand necklace with inlaid tabs and central Thunderbird pendant, all in various materials such as turquoise, resin, bone, and repurposed plastic from items such as car batteries, toothbrushes, phonograph records and other discarded plastic items

25.5” L x 3” H

$200-300

323

A Jeff Tsalabutie Zuni carved amber fetish necklace

Jeff Tsalabutie (d. 2009, Zuni Pueblo)

Late 20th/21st century

Pendant signed to base: Jeff Tsalabutie / Zuni; cone terminals stamped: Sterling A coral and turquoise single strand necklace with carved amber animals suspending a large carved amber panther fetish adapted to a pendant, together with a pair of similar design earrings, 3 pieces

Necklace: 28.25” L x 2” H; Each earring: 2” H

$600-900

324

A Joan Slifka Southwest-style silver and stone heart charm bracelet 20th century

Appears unmarked

A chunky chain link bracelet with set stone heart charms of various colored stones, with stamped silver edges and decorative motifs verso 8” L x 2” H 142.2 grams gross

$500-700

325

A Chris Billie and Joe Piaso Jr. Navajo sterling silver and stone heart concho belt

Chris Billie (b. 20th century, Diné)

Joe Piaso Jr. (b. 20th century, Diné)

Late 20th/21st century

Stamped: KRS / Sterling / J. Piaso Jr. [script within a feather]

Comprising a large heart-shaped set greenstone buckle with eleven stamped silver conchos in a variety of stones and shell colors all mounted to a black leather strap

Buckle: 2” H x 2” W; Each concho: 1.625” H x 1.625” W; Strap: 40” L x 0.875” H 393.7 grams gross

$700-900

326

A group of Southwest heart jewelry

Mid/late 20th century

Ten works:

Roie Jaque (b. 20th century, Diné, Laguna Acoma, Chiricahua Apache)

A group of Navajo sterling silver and cluster set multistone heart motif jewelry

Each stamped: Roie Jaque / Sterling

Three works comprising a narrow cuff with spiny oyster, coral, and lapis (6.5” total inner C x 0.75” H, with a 1.25” gap), a large spiny oyster heart pendant (1.125” H x 1.625” W) and a spiny oyster and turquoise double heart ring (Ring size: 7.75), 3 pieces

A group of Southwest heart jewelry

Five variously marked for maker and for sterling: A [within half circle] / JR Silversmiths [for James Roger, Albuquerque] / USA / 925 / Mexico / 925 / Q.T. / © Sterling [for Quoc Turquoise, Inc, Albuquerque] / S / Sterling / CJ [script] / Ster.

Six works comprising a three-wire cuff bracelet with central set purple heart shaped stone and multistone cabochons (6.5” total inner C x 1.875” H, with a 1” gap), a JR Silversmiths purple spiny oyster hair pin (5” H x 1.5” W), as well as three stone set rings, including a Mexican silver ring, a QT multistone inlay ring, and a set turquoise ring (Ring sizes: 6; 7; 8), a pair of “S” set spiny oyster and coral heart pierced earrings (Each: 1.5” H) and a CJ set stone fine link bracelet (7.5” L x 0.25” H), 8 pieces

11 pieces total 211.5 grams gross

$500-700

327

A group of Southwest sterling silver heart jewelry

Late 20th/21st century

Six works:

Roie Jaque (b. 20th century, Diné, Laguna Acoma, Chiricahua Apache)

A group of Navajo sterling silver and stone set jewelry

Each stamped: Roie Jaque / Sterling

Two works comprising a cluster set ring with various cabochon stones and a pair of similar design clip earrings, 3 pieces Ring size: 7.5; 2” H; Each earring: 1.125” H

A group of Southwest sterling silver and stone set jewelry

Three variously stamped for maker; Each further stamped for sterling

Four works comprising a “D” three-wire narrow cuff with set turquoise and spiny oyster hearts (6.5” total inner C x 0.75” H, with a 1.125” gap), a “GM” set spiny oyster heart and lapis pendant/brooch (2” H x 1.25” W), a pair of “RP” matching set stone heart drop earrings (Each earring: 1.75” H), and a cluster set ring with lapis lazuli, coral, and purple stone hearts (Ring size: 7), 5 pieces

8 pieces total 114.5 grams gross

$300-500

328

A pair of Denise Wallace sterling silver mask earrings

Denise Wallace (b. 1957; Chugach-Sugpiaq)

Each stamped: DW / Sterling

A pair of delicate round mask earrings with shadowbox features and clip backs 2 pieces

Each: 1” Dia. 10.4 grams $600-800

329

An Edith Tsabetsaye Zuni silver and petit point turquoise ring Edith Tsabetsaye (c. 1940, Zuni Pueblo)

Mid/late 20th century

Stamped: ET Z

An oval ring with finely set stones in a central starburst with row set notched edging

Ring size: 6.5 8.6 grams gross $500-700

330

A Lewis Lomay Hopi turquoise and silver ring Lewis Lomay (Lomayesva; 1915-1996; Hopi)

20th century

Marked to shank with L L cipher for Lewis Lomay

A chunky sterling silver ring with a tall set turquoise stone and ornate shoulders

Ring size: 8; 0.625” H 26.5 grams gross

$500-700

331

Two Southwest inlaid stone rings

Two works:

Richard S. Begay (b. 1943, Diné)

Rita Begay (b. 20th century, Diné)

A Navajo sterling silver and stone inlay oval ring

Late 20th century

Stamped: RB / Sterling

A two-tiered ring with central turquoise cabochon and turquoise and coral inlay

Ring size: 8.25; 1.5” H

A large Southwest sterling silver and stone inlay ring

20th century

Stamped: PB / Sterling

A narrow oval ring with a silver shadowbox overlay plaque atop two tiers of turquoise and coral inlay

Ring size: 8; 2.25” H

2 pieces

48.1 grams gross

$300-500

332

A group of Southwest sterling silver pictorial jewelry

Late 20th/21st century

Two works:

Victor Coochwytewa (1922-2011, Hopi)

A Hopi sterling silver overlay cuff bracelet

Stamped with raincloud pictograph for Victor Coochwytewa; with shop mark for Kopavi International, Sedona, AZ; further stamped: Sterling

A detailed silver pictorial cuff with Pueblo and landscape motif

6.5” total inner C x 1.5” H, with a 1.125: gap

Tommy Singer (1940-2014, Diné)

A pair of Navajo square sterling silver pictorial earrings

Each stamped: T [with quarter-moon] / Sterling

The earclips with hogan and bear motifs, 2 pieces

Each: 1.625” H x 1.625” W

3 pieces total

116.1 grams gross

$800-1,200

333

A set of Zuni Pueblo stone inlay figural jewelry

Mid/late 20th century

Three works:

A JA Calavaza Zuni raised inlay sterling silver ring

Etched verso: JA Calavaza / Zuni / N.M.

With a Koshare Clown katsina in Beverly Etsate-style multistone inlay

Ring size: 7.5; 1.75” H

A Zuni-style sterling silver cuff bracelet with raised inlay

Stamped to terminal: [illegible script] / Sterling

A three-wire cuff with a Koshare Clown katsina plaque in Beverly Etsate-style multistone inlay 6.5” total inner C x 2.125” H, with a 1” gap

A near-pair of Zuni raised inlay earrings

One earring etched verso: Bev. Etsate / Zuni; one etched: JAC / Zuni

Comprising a Beverly Etsate earring with a katsina dancer mask motif (1.25” H) and a JA Calavaza earring with a katsina masked dancer (1.125” H), 2 pieces

4 pieces total 107.6 grams gross

$600-800

Mid/late 20th century

Appears unmarked

A single strand asymmetrical necklace with carved jet beads, and four coral and turquoise beads flanking a carved sanded glass frog 30” L

$1,000-1,500

334

A Southwest stone bead necklace

335

A LeJeune Chavez Kewa Peyote bird beaded necklace LeJeune Chavez (b. 1961; Kewa/Santo Domingo Pueblo)

Circa 1995

Appears unmarked

An elaborate award-winning chunky double strand necklace of vintage cut stone and bone beads suspending an elaborate multicolored set turquoise plaque with orange, red, blue, and black beadwork edging and dentalium shell accents, all backed with buckskin leather 25.5” L x 8” H

$400-600

Provenance: Purchased from the artist by the current owner, 1995

Exhibited: Santa Fe, New Mexico, SWAIA 74th Annual Santa Fe Indian Market, August 18, 1995

Other Notes: This lot accompanied by an Honorable Mention green ribbon from the SWAIA 74th Annual Santa Fe Indian Market, dated August 18, 1995.

This lot accompanied by a copy of a purchase receipt dated 8/19/1995.

336

A Roque Garcia Kewa carved shell fetish necklace

Roque Garcia (b. 20th century, Kewa/Santo Domingo Pueblo)

Late 20th century

Appears unmarked

A large chunky coral and shell bead necklace with carved spondylus or codakia shell fetish birds in various poses and a large central bird pendant

31” L x 3” H

$500-700

Provenance: Boyer’s Indian Arts and Crafts, Jackson Hole, WY

Acquired from the above by present owner, July 1989

Other Notes: This lot accompanied by a Certificate of Authenticity from Boyer’s Indian Arts and Crafts, Jackson Hole, WY, July 13 1989.

Late 20th century

Necklace cones stamped: Sterling

Two works comprising a five-strand necklace with carved stone horses of various colors and types, as well as a pair of carved turquoise horse pierced drop earrings, 3 pieces

Necklace: 21.5” L; Each earring: 1.75” H

$400-600

337

A group of Southwest-style stone horse fetish jewelry

338

A multistrand Zuni Pueblo carved fetish necklace

Mid/late 20th century

Marked to each cone with rising sun cipher

A triple strand necklace with stylized carved birds in turquoise and various stones and spiny oyster and other shells, with heishi spacers and silver bench beads and cone terminals

29” L

$300-500

A Travis Lasiloo Zuni horse fetish pendant necklace Travis Lasiloo (b. 20th century, Zuni Pueblo) 20th century

Signed to pendant: T. Lasiloo [partially obscured by silver bail]

An assembled necklace comprised of three combined strands of carved stone horse fetish figures suspending a large carved black stone horse pendant by Travis Lasiloo 27” L x 3” H x 3” W

$400-600

339

340

Two Pueblo necklaces

Mid/late 20th century; Southwest United States

Comprising a double-strand Zuni-style necklace with multiple carved shell fetish birds and a triple-strand Santo Domingo-style necklace with nugget and bead turquoise, 2 pieces

Each: 30” L

$300-500

341

A group of Southwest-style silver rings

Late 20th century

Two marked for maker; one marked: Sterling

Six rings including a David K Lister Navajo/Dine silver ring with three set turquoise stones (Ring size: 10), a Corbet Joe Navajo/Dine chunky silver ring with large set turquoise stone (Ring size: 10.5) and four further silver rings, two with set turquoise (Ring size: largest: 10.5; Smallest: 8.75), 6 pieces 88.2 grams gross

$500-700

342

A group of Southwest silver jewelry

Four works:

Jimmie (Jim) Harrison (b. 1952, Diné)

A Navajo inlay sterling silver and stone inlay ring

Late 20th century

Stamped: Jim Harrison [script] / Sterling

A rectangular modernist style ring with lapis lazuli and coral geometric inlay

Ring size: 10

Dan Oliver (b. 20th century, Diné)

A Navajo sterling silver concho style belt buckle

Mid/late 20th century

Stamped: DO / Sterling / [diamond mark for Shades of the West, Scottsdale AZ]

With central incised and stamped concho motif and stamped edging 2.5” H x 3.25” W; loop wire verso: 1.25” H

Two Southwest chunky silver and stone set rings

20th century

Coral ring stamped: Sterling

Comprising a chunky rectangular sterling silver and set coral ring with stamped motifs to band (Ring size 10.5) and a set oval turquoise and silver ring (Ring size: 11), 2 pieces

4 pieces total 129.2 grams gross

$300-500

343

A group of Southwest sterling silver stone set rings

Mid/late 20th century

One marked: PJ [conjoined; for Pacific Jewelry Company] / Sterling Six works comprising three petit point and row-set turquoise rings, a shadowbox conch ring with a set coral cabochon, a ring with cluster set coral, and a a Knifewing motif ring with stone inlay, 6 pieces

Largest ring size: 7.5; Smallest: 6.5 39.8 grams gross

$200-400

344

A group of Southwest sterling silver and inlay jewelry

Mid/late 20th century

Six works:

Lorraine Waatsa (b. 20th century, Zuni Pueblo)

A set of Zuni sterling silver and cluster set jewelry

Each stamped: LW / Zuni

Two works comprising a small round multistone cluster set brooch/pendant and a pair of matching pierced earrings, 3 pieces

Brooch: 1.25” Dia.; Each earring: 0.875” Dia.

A group of cobblestone inlay jewelry

Each variously marked for maker: TN / AUT; one further marked: Sterling

Four works comprising a chunky cuff with coral, spiny oyster, lapis lazuli and opal raised inlay (TN; 6.5” total inner C x 1.25” H, with a 1.125” gap) as well as a multistone raised inlay cuff (AUT; 6.25” total inner C x 0.5” H, with a 1.125” gap) and two further raised inlay rings (AUT; Ring sizes: 8.5 & 7.5; Each 1.5” H), 4 pieces 7 pieces total 135.7 grams gross

$400-600

345

A group of Southwest stone inlay rings

Five works:

Art Tafoya (b. 20th century; Yaqui)

Two sterling silver and stone inlay rings

Late 20th century

Each stamped: AT [artist’s cipher] / Sterling

Comprising a large oval ring with shell, lapis and spiny oyster mosaic inlay (1.75” H) and a smaller ring with geometric motif mosaic inlay and stamped silver edging with turquoise cabochon accents (1.25” H), 2 pieces

Each: ring size: 7.75

A group of Southwest sterling silver and stone inlay rings

Mid/late 20th century

Each variously stamped for maker and for sterling

Three works comprising an L Sheka silver ring with set square lapis lazuli stone (Ring size: 14), a TËmË Knifewing motif silver ring with turquoise, spiny oyster, and shell inlay (Sunburst Handicrafts, Inc; Ring size: 8), and a cluster set ring with central set turquoise surrounded by amethyst cabochons (Illegibly marked; Ring size: 8.5), 3 pieces

5 pieces total 109.2 grams gross

$400-600

346

A group of Southwest stone-set and silver rings

Seven works:

Art Tafoya (b. 20th century; Yaqui)

A sterling silver and stone inlay ring

Mid/late 20th century

Stamped: AT [artist’s cipher] / Sterling

A large oval ring with turquoise, lapis, and spiny oyster inlay

Ring size: 7.75; 1.875” H

Federico Jimenez (b. 1941, Mixtec)

A sterling silver and shell inlay ring

Late 20th/21st century

Stamped: JF [conjoined] / Sterling

With channel set spiny oyster inlay in an intertwined abstract motif

Ring size: 8.25; 1” H

Delbert Gordon (b. 1955, Diné)

A Navajo sterling silver ring with set turquoise

Late 20th/21st century

Stamped to band verso: D Gordon [stirrup cipher] / Sterling

With a slim oblong set turquoise stone and silver fan overlay and stamped band

Ring size: 7.75; 1.375” H

Roie Jaque (b. 20th century, Diné, Laguna Acoma, Chiricahua Apache)

Two Navajo sterling silver and set turquoise rings

Late 20th/21st century

Each marked for Roie Jaque; one further stamped: Sterling

Comprising a ring with a narrow oblong set turquoise with heavy matrix and applied silver feather (2” H) and a small ring with rectangular set turquoise and incised shoulders (0.75” H), 2 pieces

Each: ring size: 7.75

Two Southwest stone set silver rings

Mid/late 20th century

One marked: S / Sterling ; one marked with unknown cipher on outer band

Comprising a sterling silver cluster set adjustable ring with turquoise, lapis, and amethyst cabochons (Ring size: ± 7.5; 1.5” H) and a set coral ring with stampwork and twisted wire accents (Ring size: 6; 1.25” H), 2 pieces

7 pieces total 104.7 grams gross

$500-700

347

A group of Southwest jewelry

Early/mid-20th century

Twelve works:

David K. Lister (b. 20th century, Diné)

A Navajo sterling silver and stone set cuff bracelet

Stamped: D.K. Lister / Sterling

A two-wire V-shaped cuff with central set onyx cabochon and applied silver feather and floral accents 6.25” total inner C x 1.5” H, with a 1” gap

A group of Southwest jewelry

Most appear unmarked; two marked for Cortez; three further marked for sterling

Eleven works comprising a three-wire cuff bracelet with central set turquoise and an inlaid turquoise edge and stamped shoulders (6.25” total inner C x 2” H, with a 1.125” gap), a Cortez set turquoise and sterling silver concho belt buckle (2.5” H x 3.125” W), and a Cortez set onyx ring (Ring size: 8), together with five pairs of earrings including a sterling silver pair with set oval turquoise (Each: 1.5” H), as well as four pairs of set onyx earrings (Largest: 2.75” H; Smallest: 0.875” Dia.), and three sets of buttons of various styles and sizes including a set of fourteen 1930s Buffalo nickel and Mercury dime buttons ((0.875” Dia. & 0.625” Dia.), a set of twelve set coral buttons (0.625” Dia.) and a set of seven starburst motif buttons (0.75” Dia.), 45 pieces

46 pieces total 293.0 grams gross

$400-600

348

A group of Southwest stone inlay jewelry

20th century

Two works:

Ernie Ohmsatte (b. 20th century, Zuni Pueblo)

An Zuni buffalo pendant necklace with multiple stone inlay

Etched verso: E. Ohmsatte / Zuni, N.M.; Cone terminals stamped: Sterling

A chunky pendant including turquoise, lapis and spiny oyster and other shells suspended from a jet and turquoise six-strand necklace with sterling silver cone terminals and lobster claw clasp (25” to 30” L x 2.625” H), 2 pieces

Sheryl Martinez (b. 20th century, Diné)

A Navajo sterling silver and turquoise cobblestone inlay oval pendant

Stamped verso: SM / Sterling

A modernist style pendant with angular raised turquoise inlay 2.5” H x 1.75” W

3 pieces total 123.6 grams gross

$600-900

349

A set of Art Tafoya coin silver and turquoise jewelry

Art Tafoya (b. 20th century; Yaqui)

Mid/late 20th century

Cuff stamped: AT [cipher] / Sterling; Necklace terminal stamped: Coin Silver / ©

Four works designed with Mercury head dimes and set turquoise including a chunky necklace with alternating dime beads and turquoise spacers (30.75” L), a sterling silver two-wire cuff bracelet with central dime and set turquoise plaque and stamped shoulders (6.5” total inner C x 1.625” H, with a 1” gap), together with a matching ring (Ring size: 7.75) and a pair of sunburst earrings (Each: 1.25” Dia.), 5 pieces

347.7 grams gross

$700-900

350

A set of Art Tafoya sterling silver and stone set jewelry

Art Tafoya (b. 20th century; Yaqui)

Mid/late 20th century

Ring stamped: AT [artists cypher, partial] / Sterling

Three works comprising an elaborately stamped chunky cuff bracelet with set cut green stone and orange stone beads, together with a matching ring and a pair of drop earrings, 4 pieces

Cuff: 6.5” total inner C x 1.5” H, with a 1.125” gap; Ring size: 7.75,1.625” H; Each earring: 1.875” H

143.1 grams gross

$400-600

351

An Art Tafoya sterling silver heartstone fetish bear pendant Art Tafoya (b. 20th century; Yaqui)

Mid/late 20th century

Stamped: AT [conjoined cipher] / Sterling

A large carved stone pendant with inlaid turquoise heartline and stamped silver edging 4” H x 2.875” W

173.7 grams gross

$300-500

352

A group of Art Tafoya horse-themed jewelry

Art Tafoya (b. 20th century; Yaqui)

Mid/late 20th century

Cuff and ring marked: AT [conjoined cipher] / Each further marked: Sterling

Four works including an Art Tafoya double stone set carved amber cuff with horse motifs (6.5” total inner C x 1.75” H, with a 1.25” gap) with a similar design ring (Ring size: 7.75; 1.5” H), as well as a similar design pendant/scarf ring (1.625” H x 1.5” W x 1.125” D), and a pair of matching earrings (Each: 1.375” H), 5 pieces 173.6 grams gross

$300-500

Late 20th century

Appears unmarked

A chunky necklace designed with alternating beads of nugget turquoise, striped agate tabs, and polished antler discs suspending a carved stone frog fetish pendant 28” L x 3” H

$400-600

353

A Southwest-style stone bead frog necklace

354

A Zuni/Santo Domingo Pueblo carved stone fetish necklace

Late 20th century

Appears unmarked

A single strand necklace of carved fetish animals in variegated brown stone, including bison, birds, bears, fish and small animals, with a traditional wrapped neck cord

30” L x 2.5” H

$400-600

Mid/late 20th century

Appears unmarked

A triple-strand necklace with delicate carved bone birds alternating with turquoise beads, with central eagle and silver metal cone terminals 29.5” L

$600-800

355

A Zuni Pueblo carved fetish necklace

Mid/late 20th century

Appears unmarked

fine

$500-700

356

A Zuni Pueblo turquoise fetish necklace

A

double-strand delicate necklace with carved turquoise birds in flight and fine turquoise beads 24” L

357

Two Navajo sterling silver jewelry items

20th century

Pendant stamped: RC [conjoined; likely Ramos Chavez, Diné]; chain unmarked

Cuff stamped: RC [possibly Rose Castillo Draper, Diné]

Comprising a three-wire sterling silver cuff bracelet with a large central set turquoise stone together with a matching silver pendant and associated sterling silver chain, 3 pieces

Cuff: 6.75” total inner C x 2.25” H, with a 1.25” gap; Pendant: 2.125” H x 1.625” W; Chain: 32” L 134.6 grams gross

$1,000-1,500

358

A group of Pete Sierra Navajo cobblestone inlay jewelry

Pete Sierra (b. 20th century, Diné) 20th century

Each stamped: PS / [with scalloped line]; cuff further stamped: Sterling

Three works in sterling silver with chunky raised inlay in turquoise, coral, and shell including a cuff bracelet, a ring with an extra-large inlay plaque, and a pair of matching earrings, 4 pieces

Cuff: 6.5” total inner C x 2” H, with a 1.25” gap; Ring size: 9.5; 3” H; Each earring: 1.5” H 298.3 grams gross

$600-800

Other Notes: Pete Sierra was a student of Hopi artist Charles Loloma.

359

Late 20th century

Appears unmarked

Comprising a necklace designed with double-sided graduated oval links of multiple stone inlay including turquoise, coral, spiny oyster, lapis, and shells together with a matching bracelet, 2 pieces

Necklace: 17” L x 1.125” H; Bracelet: 6.5” inner C x 1” H

$400-600

A set of Southwest mixed stone inlay jewelry

360

A group of silver and shell jewelry including Federico Jimenez Federico Jimenez (b. 1941, Mixtec)

20th century

Ring and earrings stamped: JF / Sterling; cuff etched verso: FBC

Three works comprising a Fredrico chunky sterling silver and abalone ring with a stamped band and edging, and a pair of matching clip earrings, as well as a similar design three-wire sterling silver cuff bracelet with three set abalone panels, 4 pieces

Cuff: 6.625” total inner C x 1.375” H, with a 1” gap; Ring: 1.75” H; ring size: 10; Earrings: 1.875” H and 1.75” H 107.5 grams gross

$500-700

361

A set of Southwest multistone horse fetish jewelry

Late 20th/21st century

Three works:

Art Tafoya (b. 20th century; Yaqui)

A sterling silver ring with Zuni carved stone horse fetishes

Stamped: AT [artist’s cipher] / Sterling; One grey horse fetish marked: CM / Zuni

With multiple horse fetish dangles in various stones, some detachable

Ring size: 8.25; dangles: 2” H

Tommy Singer (1940-2014, Diné)

A sterling silver Navajo cuff bracelet with Zuni carved stone horse fetishes

Cuff stamped: T / Sterling; One red stone horse fetish marked: CM / Zuni

With multiple horse fetish dangles in various stones and shell, some detachable 6.375” total inner C x 0.625” H, with a 1.125” gap; longest dangle: 2.5” H

A pair of Southwest silver earrings with set shells and Zuni Pueblo horse fetishes

One earring with illegible etched signature verso; Each horse fetish marked: CM / Zuni

With horse fetish dangles, each in grey and brown with black spots

Earrings: 3” H and 2.375” H

4 pieces

269.3 grams gross

$600-800

362

A group of Southwest-style horse-themed jewelry

Late 20th century

Nine works:

Tom and Sue Kee (each b. 20th century, Diné)

A Navajo sterling silver storyteller cuff

Stamped: TSK [within a hogan] / Sterling

A shadowbox style cuff with horses in a landscape 6.75” total inner C x 0.5” H, with a 1” gap

Calvin Begay (b. 1965, Diné)

A Navajo sterling silver and mosaic inlay link bracelet

Stamped: Calvin Begay [script] / Sterling / TSF [Touch of Santa Fe]

With turquoise, lapis lazuli, and coral multistone inlay oval links and central horseshoe motifs

8” L x 0.375” H

Virgil and Shirley Benn (b. 20th century and b. 1946, Zuni Pueblo)

A Zuni channel inlay horse brooch/pendant

Etched verso: V & S Benn

A running horse in carved brown raised stone inlay with turquoise hooves 2.25” H x 2.25” W

A group of horse-themed sterling silver jewelry

Each variously stamped for sterling; three stamped for maker: OTT / MBS / Zuni / [illegible]

Six works comprising a necklace (21” L x 1.375” H), an openwork cuff with standing horses (OTT; 6.75” total inner C x 1.375” H, with a 1” gap), three rings including a Zuni stone inlay ring (Ring size: 8.5), and two sculptural silver horse rings (Ring sizes: 8.5 & 7), and a pair of stamped silver earrings with detachable horse charm dangles (Each: 3.5” H), 7 pieces

10 pieces total 230.3 grams gross

$200-400

363

A Zuni Pueblo carved stone fetish necklace

Mid/late 20th century

Appears unmarked

A single strand Quandelacy-style necklace with variety of carved stone and shell animals including two larger inlaid heartline bears, a pair of striped yellow stone turtles, and a standing bear central figure 30” L x 1.5” H

$300-500

Mid/late 20th century

Appears unmarked

A single strand Quandelacy-style necklace with a variety of carved bone animals and a larger Yei figure to center with colorful stone inlay chest plate, with a traditional wrapped neck cord 35” L x 2.125” H

$300-500

364

A Zuni Pueblo carved bone fetish necklace

365

A group of Zuni Pueblo set turquoise and silver jewelry

Mid/late 20th century

Four variously marked for maker and for sterling: R.L. / Sterling / TL [or H] / VN / Sterling / W / Zuni Eight works comprising an R.L. modern petit point sterling silver cuff with four rows of narrow stones and stamped terminals (6.75” total inner C x 1” H, with a 1.125” gap), a large TL three-wire cluster set watch cuff with attached watch (6.5” total inner C x 2.375” H, with a 1” gap), a VN cluster-set round brooch/pendant (1.5” Dia.), as well as two rings (Ring sizes: 7; 8), and three pairs of earrings, including a pair of narrow stone set dangle earrings (Each 3.25” H), and two pairs of round earrings (1.25” Dia. and 0.625” Dia.), 11 pieces

172.1 grams gross

$600-800

366

A group of Zuni Pueblo bear motif jewelry

Mid/late 20th century

Two marked: Sterling; Necklace with one carved bear marked to base: GB / Zuni; bear earrings marked to base: D. Boone / Zuni / N.M.; brooch etched: DC Seciwa / Zuni

Six works comprising a chunky carved coral bear fetish necklace with six silver wirewrapped carved stone bear fetish figures of various stones and with a traditional wrapped neck cord (36” L x 1.625” H), together with a pair of matching bear fetish earrings in rainbow colored stone with fish (Each 2” H), and a second pair of black stone bear earrings with added fetish charm dangles (Each: 2.5” H), as well as an inlaid stone bear brooch/pendant (1.125” H x 1.625” W), and two rings including a sterling silver and set carved bear fetish ring and a stamped sterling silver band with multiple carved stone fetish charms (Each: Ring size: 7.75), 8 pieces

Weighable items: 89.0 grams gross

$300-500

367

A Zuni Pueblo carved bone fetish necklace

Mid/late 20th century

Appears unmarked

A single strand Quandelacy-style necklace with a variety of carved bone animals including two large turtles, two large inlaid heartline bears, and a large resin-like standing bear to center, with a traditional wrapped neck cord 28” L x 1.5” H

$300-500

Late 20th century

Appears unmarked

A single strand Quandelacy-style necklace with a variety of carved bone animals and a larger resin-like Hopi-style eagle figure to center, with a traditional wrapped neck cord 34” L x 3” H

$300-500

368

A Zuni Pueblo carved bone fetish necklace

369

A Zuni Pueblo carved bone fetish necklace

Mid/late 20th century

Appears unmarked

A double strand Quandelacy-style fetish necklace with a variety of carved bone animals including rabbits, fish, frogs, bears, sheep, and birds, with turquoise and likely garnet bead spacers and a larger standing bear figure to center, finished with a silver metal bead clasp 24” L x 2” H

$300-500

370

A group of Southwest jewelry

Mid/late 20th century

Three works:

Wilson Jim (b. 1949, Diné)

A Navajo sterling silver and set-stone pendant

Stamped: W.J. / Sterling

A large elaborate pendant with set slab turquoise surrounded by set coral and onyx, with silver feather dangles and large stamped silver bail

7” H x 2.25” W

A Navajo/Diné sterling silver and cluster set pendant, likely Chris Charley

Stamped: CC /Sterling

With large central set veined green stone edged with set coral 2.5” H x 1.75” W

A large sterling silver cluster set ring

Appears unmarked

With central set turquoise and set coral edging

Ring size: 9.75; 2” H x 1.5” W

3 pieces

140.9 grams gross

$400-600

371

A group of Southwest-style silver and cobblestone inlay jewelry

Late 20th/21st century

Each stamped: CC / © / .925 / [design number: 05, 06, 07]

Five works with spiny oyster, turquoise, abalone and sugilite sculptural inlay comprised of a three-panel link necklace with paperclip chain (No. 07; 24” L x 1” H) together with a matching cuff bracelet (No. 05; 6.75” total inner C x 1.125” H, with a 1” gap), a square set ring with an abstract wire overlay band (No. 07; Ring size: 8.5), and a pair of pierced earrings (No. 06; Each: 1.125” H), 5 pieces 177.6 grams

$600-800

372

A group of Federico Jimenez stone set jewelry

Federico Jimenez (b. 1941, Mixtec)

Late 20th/21st century

Eight stamped: JF [conjoined] / Sterling; One marked: Sterling

Nine Southwest-style works in various set stones and inlay including coral, turquoise, lapis lazuli and garnet, comprising a butterfly brooch (1.75” H x 2.25” W), two cluster set rings (Ring sizes: 7.5 and 8.5), and six pairs of earrings including four pairs of dangle earrings and two pairs of heart earrings (Largest: each: 3.75” H; Smallest: each: 1.25” H), 15 pieces 250.4 grams gross

$1,000-1,500

373

A group of Southwest stone necklaces including Federico Jimenez

Mid/late 20th century

Five works:

Federico Jimenez (b. 1941, Mixtec)

A six-strand stone bead necklace

Each cone stamped: JF [conjoined] / Sterling

With small turquoise beads and chunky stamped sterling silver cone terminals 35” L

A group of Southwest stone necklaces

Two stamped to cones: Sterling

Four necklaces of turquoise and mixed stone beads in various designs including a threestranded pale green stone bead necklace (24” L), and three chunky turquoise bead necklaces, each with silver or coral accent beads (22” L and 19” L), 4 pieces

5 pieces total

$600-800

374

Two Southwest sterling silver parrot motif jewelry items

Art Tafoya (b. 20th century; Yaqui)

Michael Sanchez (b. 20th century, Zuni Pueblo)

Late 20th/21st century

Each stamped: AT [artist’s cipher] / Sterling; Shell parrot signed to base: Michael Sanchez / Zuni

Two works comprising an Art Tafoya silver three wire cuff with a Michael Sanchez Zuni carved shell parrot set to a shaped bezel with silver overlay and stampwork, together with carved stone parrot fetish with turquoise and coral accents set to a chunky silver ring with stamped edging, 2 pieces

Cuff: 6.25” total inner C x 3” H, with a 1.125” gap; Ring size: 8; 1.25” H from base 235.6 grams gross

$500-700

375

A group of Southwest jewelry

Five works:

Jeff Shetima (b. 20th century, Zuni Pueblo)

A Zuni sterling silver and carved stone ladybug fetish brooch

Late 20th/21st century

Marked to label: Jeff Shetima; further stamped to pin: Sterling

With a red stone ladybug atop a carved greenstone leaf set to a double spiral silver wire setting 1.25” H x 2.75” L

A Zuni Pueblo inlaid stone bird pendant with set coral

Mid-20th century

Appears unmarked

With central cardinal motif in shell and stone inlay flanked by bezel set oblong coral, all on an associated chain, 2 pieces

2.5” H x 2” W; chain: 18” L

A group of Southwest sterling silver and cobblestone inlay parrot jewelry

Late 20th century

Each marked: Sterling

Three works with fine raised stone and shell inlay including turquoise, lapis lazuli and various shells comprising a parrot inlay pendant with large stamped silver bail (4.25” H x 1.375” W), a hair stick pin with silver cones suspending parrot head inlay drops (6.375” H; drops: 1” H) and a pair of matching parrot inlay pierced earrings (Each: 2’ H), 4 pieces

7 pieces total 102.7 grams gross

$400-600

376

A group of Zuni Pueblo stone horse fetish jewelry

Hayes Leekya (b. 1967, Zuni Pueblo)

Freddie Leekya (b. 20th century, Zuni Pueblo)

Mid/late 20th century

Ring stamped: Sterling; Fetishes with carved initials: HL [for Hayes Leekya] / FL [for Freddie Leekya]; Necklace stamped to clasp: TQ-10 / 925 / Mexico

Three works comprising a large pendant with two Zuni carved stone horse fetishes by Hayes Leekya and Freddie Leekya clasped with silver wire and with a stamped silver bail (3.5” H x 2.5” W x 2.25” D), together with a similar style stamped silver and a carved stone horse fetish ring (Ring size: 7.75; 1” H from base), and an associated chunky Mexican sterling silver bead necklace (30.5” L), 3 pieces

$400-600

377

A large group of Santo Domingo/Kewa-style stone inlay jewelry

Mid/late 20th century

Sixteen works:

Art Tafoya (b. 20th century; Yaqui)

A set of sterling silver and turquoise jewelry

Ring stamped: AT [artist’s cipher] / Sterling

Two works comprising a sterling silver ring with a carved turquoise leaf and coral cabochon in a custom setting with stamped edges (Ring size: 7.75; 1.5” H), and a pair of matching carved turquoise leaf and stamped silver earrings (each: 2.625” H), 3 pieces

A group of Pueblo-style stone-set jewelry

Two marked: FCR / Sterling; two marked for Mexico and for sterling; two marked for sterling

Fourteen works in stone and shell inlay or set stone or shell, comprising an FCR sterling silver ridged wire cuff with stone and spiny oyster inlay plaque (6.25” total inner C x 2” H, with a 1.25” gap) and a matching silver ring (Ring size: 7.75; 1.125” H), two further inlaid shell rings (Ring sizes: 11.5; 7.5), and a an inlaid shell hair ornament with silver stick pin (1.125” H x 1.5” W, pin: 3” L) as well as nine additional pairs of earrings in various colors and styles with set stones or mosaic stone inlay (Largest: 1.625” H; Smallest: 0.875” H), 24 pieces

27 pieces total 217.6 grams gross

$600-800

378

A group of Southwest jewelry

Mid/late 20th century

Three works:

Delbert Vandever (b. 20th century, Diné)

A Navajo modernist style sterling silver ring

Stamped: Delbert Vandever / Sterling / [hat symbol]

The triangular abstract ring with set turquoise

Ring size 6.5; 1.5” H

Bill Emerson (b. 20th century, Diné)

A Navajo sterling silver cuff bracelet

Stamped: Emerson [worn, for Bill Emerson] / Sterling

The heavy triangular wire cuff with deeply stamped edges

7” total inner C x 0.375” H, with a 1.5” gap

A pair of connected jaclas with turquoise, coral and spiny oyster beads

5” L; 10” L extended

3 pieces total

Silver: 66.7 grams gross

$400-600

379

A Southwest Zuni Pueblo carved stone fetish necklace

Mid/late 20th century

Appears unmarked

A four strand necklace with a variety of animals including birds, fish, bison, bighorn sheep, rabbits, foxes, and armadillos, in various stones with turquoise and other stone nuggets as well as coral and heishi shell spacers 34.5” L

$300-500

380

Two Zuni-style carved stone fetish necklaces

Late 20th century

Each appears unmarked

Two works comprising a single strand necklace with eleven carved turquoise bison and brown heishi beads (34” L x 1” H), and a single strand necklace with carved bear fetish figures, turquoise nuggets, and alternating silver bench beads and quartz beads, finished with a standing carved turquoise bear (24” L x 1.5” H), 2 pieces

$400-600

381

A group of Navajo jewelry

Late 20th century

Six works:

Charlie Singer (1931-2018, Diné)

A Navajo sterling silver and stone inlay cuff

Stamped with arrowhead cipher for Charlie Singer

With chipped turquoise and coral inlay and stamped edges

7” total inner C x 0.875” H, with a 1.375” gap

A group of stone-set Navajo jewelry

Two marked for maker; one marked: 925

Comprising three silver bracelets including a B. Begay two wire cuff with central set turquoise, and a J. Perry threewire cuff with large central turquoise and stamped applied leaves (Largest: 6.5” total inner C x 2.25” H, with a 1” gap; Smallest: 7” total inner C x 1” H, with a 1.125” gap), as well as turquoise and silver rings (Ring sizes: 7.5 and 4.5), 5 pieces

6 pieces total 183.4 grams gross

$400-600

A set of Southwest-style silver and shell jewelry

Late 20th/21st century

Each stamped: CC / .925 / © / 06 [Design number]

Three works with modernist style sterling silver wire overlay including a cuff bracelet (6.5” total inner C x 1.25” H, with a 1.25” gap), a matching ring with set spiny oyster and a turquoise dot (Ring size: 6.5), and pair of square clip earrings (Each: 1.25” H), 4 pieces 95.7 grams gross

$300-500

382

383

A group of Zuni Pueblo silver inlay bird motif jewelry

Mid-20th century

Each with various marks: S&E Guardian / R. Ghahate / Zuni / D Edaakie / Dennis & Nancy Edaakie / SC Edaakie / Michelle Edaakie / R.B. / Sterling / RNL / Zuni / A.D.Banteah [obscured]

Nine works by various artists each with bird motifs including hummingbirds, cardinals, quail, roadrunners, and a bluejay and comprising three cuff bracelets by Sammy & Esther Guardian, Randolph Ghahate, and D Edaakie (Each: 6.5” inner C; 0.75” H and 0.5” H), a Dennis and Nancy Edaakie spinner pendant with quail and parrot motifs (2.75” H x 1.5” W), two hummingbird motif rings, one with coral edging by Dolly Banteah (Ring size: 7.75) and one by Ruddell and Nancy Laconsello (Ring size: 7.5), as well as three pairs of pierced earrings by Michelle Edaaki, Sanford Edaakie, and RB (Largest: 1” Dia.; Smallest: 0.875” H), 12 pieces 156.7 grams gross

$500-700

384

A group of Southwest sterling silver stone inlay jewelry

Late 20th century

Eight works:

Calvin Begay (b. 1965, Diné)

A group of Navajo sterling silver and mosaic inlay jewelry

Two stamped: Calvin Begay [script]; each further marked: Sterling; Cuff further etched: N. Becenti; ring etched: LL

Three works comprising a Calvin Begay slim silver cuff with raised green and brown mosaic stone inlay with turquoise and tigers eye, together with a pair of matching pierced earrings and a similar design ring, 4 pieces

Cuff: 6.5” total inner C x 0.375” H, with a 1.125” gap; Ring size: 8; Each earring: 0.625” H

A group of Southwest silver and mosaic inlay jewelry

Each variously stamped for maker and for sterling

Five works comprising a TP sterling silver and raised stone inlay narrow cuff with malachite, spiny oyster and turquoise (6.5” total inner C x 0.5” H, with a 1.375” gap) together with a similar design QT ring (Ring size 6), as well as a Carolyn Pollack/Relios multistone inlay pendant (1.5” H) ,with a matching ring (Ring size: 6) and pair of earrings (Each: 0.875” H), 6 pieces

10 pieces total 123.5 grams gross

$300-500

385

A large group of Southwest style silver jewelry

Mid/late 20th century

Most variously marked for maker and/or for sterling: Leo Damon / S/S / Allison / Sterling / AA / Sterling / Kristi Davis / 1988 / Mexico / 925 / TP-25

Thirteen works including a sterling silver Leo Damon Kokopelli overlay cuff (6.75” inner C x 1” H), a Kokopelli ring with gold toned overlay (Ring size: 8); a Katsina dancer hair ornament (4” H x 2” W), three figural brooches including two sterling silver Allison animated alligator figure brooches in Western garb and a mixed metal howling wolf brooch (Largest: 2.375” H; Smallest: 1.75” H), together with a silver metal and set amber bird pendant (2.5” H), two silver topped hair combs (Each: 1.75” H), and four pairs of silver earrings including a pair of Kristi Davis howling wolves with wagging tails (Each: 2.5” H), a pair of AA sterling silver hummingbirds and two pairs of Mexican silver earrings including silver hearts and domed spheres (Largest: 2” H; Smallest: 0.875” Dia.), 17 pieces 185.6 grams gross

$200-400

386

A group of Southwest jewelry

Mid/late 20th century

Six works:

Art Tafoya (b. 20th century; Yaqui)

A sterling silver cuff bracelet set with a carved bear fetish

Stamped: AT [artist’s cipher] / Sterling

With a carved coral fetish bear flanked with bezel set amber and with silver overlay and stamped accents to terminals

6.5” total inner C x 1” H x 0.75” D, with a 1” gap

Wilson and Carolyn Begay (each b. 20th century, Diné)

A Navajo sterling silver and set amber cuff bracelet

Stamped: WB [under a hat] / Sterling

With seven graduated bezel set amber stones and stamped terminals

6.75” total inner C x 0.875” H, with a 1.25” gap

A group of Southwest style silver and amber jewelry

Necklace cones and ring variously stamped: MS [conjoined] / 950 / Sterling; bangle unmarked

Four works comprising a multistrand opaque amber and coral necklace (MS; 18” L), a carved amber and red stone necklace (29” L), a Tafoya-style sterling silver ring with carved amber turtle fetish with etched and inlaid stone dragonfly and floral motifs and stamped silver edging (Ring size: 7.75; 2” H), and a narrow Navajo-style stamped silver bangle (8” total C x 0.125” H), 4 pieces

6 pieces total

Weighable silver: 186.6 grams gross

$300-500

387

A group of Navajo sterling silver and cluster set jewelry

Mid/late 20th century

Four works:

Emer Thompson (b. 20th century, Diné)

A cluster set cuff bracelet

Stamped: Emer Thompson / Sterling

A wide cuff with various set stones including coral, turquoise, malachite, spiny oyster and amethyst

7” total inner C x 1.5” H, with a 1.25” gap

Ernest Pino (b. 20th century, Navajo)

A multistone cuff bracelet

Stamped: E. Pino / Sterling

A wide cuff with various set stones including turquoise, amber, lapis lazuli, malachite, and amethyst

6.75” total inner C x 1” H, with a 1.125” gap

Daniel Mike (b. 20th century, Diné)

A multistone cuff bracelet

Stamped: Daniel Mike / Sterling

A narrow cuff with a row of various set stones including turquoise, spiny oyster, and lapis lazuli

6.75” total inner C x 0.5” H, with a 1.125” gap

A pair of cluster set chandelier earrings

Stamped: [feather motif] / Sterling

Each with various cluster set stones including turquoise, spiny oyster, and lapis lazuli, 2 pieces

Each: 3” H

5 pieces total 246.9 grams gross

$500-700

388

A large group of Southwest-style stone bead necklaces

Mid/late 20th century

Two with silver cone tips marked: Sterling Twelve necklaces and one bracelet designed in various styles, colors and types of beads including turquoise, coral, spiny oyster, glass, ceramic, and silver metal beads, as well as carved stone fetish animals, 13 pieces

Largest: 28.5” L; Smallest: 16.5” L to 19” L; Bracelet: 8.75” L

$300-500

389

A large group of Southwest jewelry

Early/mid 20th century

Most appear unmarked; pendant etched verso: Vera Halusewa / Zuni; Buckle stamped: RR [or RP; conjoined]

Fourteen works including a Zuni petit point turquoise and silver cross pendant/brooch by Vera Halusewa (2” H x 1.625” W), a chipped stone inlay and stamped silver belt buckle (3” H x 4.25” W), a tapered turquoise inlay and silver bolo on a braided leather cord (2.625” H x 1.5” W), a further Zuni-style stone and shell inlay bird motif bolo clasp with separate cord (2” H), a stamped silver and set turquoise round hinged pillbox (2.25” H x 1.5” Dia.), two set turquoise rings (Ring size: each: 6.5), two pairs of turquoise and silver earrings, (1.75” H and 0.625” H), two Zunistyle carved brown stone horse fetish necklaces (27” L and 24.5” L), as well as a double-strand choker necklace with stamped silver bench beads and shell spacers (16” L), and a pendant bead necklace with dentalium and abalone shell (26” L x 2.5” H), 16 pieces 315.8 grams gross

$400-600

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art - jewelry - decorative objects - furnishings and more

Sold at John Moran Auctioneers: Oscar Howe

“Camte waste, no no wa” (“Good Heart Forever”)

Price Realized:$325,000

SINCE 1969

Condition Reports

1

Overall generally good condition. Full margins with deckled edges. A nickel-sized stain in the upper margin. Occasional scattered pale foxing showing in the margins. Framed floating, hinged to the back mat in places at the verso of the margin edges. Not examined out of the frame.

Framed under Plexiglas: 29.75” H x 21.25” W x 1.75” D

2 Overall good condition. Full margins with deckled edges. The sheet is framed floating and hinged to the back mat. Not examined out of the frame.

Framed under glass: 45.5” H x 37.5” W x 2” D

3 Overall good condition. Full margins with deckled edges. The colors fresh. A small diagonal crease in the upper left margin corner. The sheet is loose, not matted.

Unframed

4 Visual: Overall good condition.

Blacklight: No evidence of restoration.

Framed under glass: 25.25” H x 27.25” W x 1” D

5

Overall good condition with dust accumulation and wear commensurate with age and use. Some wear and color loss to some elements. One feather with a few tiny holes. Collage measurements approximate; collage not examined out of frame.

Frame: 24.375” H x 30.375” W x 1.75” D; With a large fracture to lower right corner.

6

Overall generally good condition. Slight lightstaining. Short edge tears and artist pinholes, occasional surface skinning, and remains of old brown paper tape with related old glue, all confined to the outer edges of the sheet, and therefore not affecting the image. Slight backboard staining, verso. Small remains of various old tapes with occasional attendant surface skinning in places along the sheet edges, verso. The sheet is loose, not matted.

Unframed

7

Overall good condition. Not examined out of the frame.

Framed under Plexiglas: 29.5” H x 35.25” W x 1.5” D

8

Overall good condition. The full sheet with deckled edges. The sheet is framed floating and hinged to the back mat. Not examined out of the frame.

Framed under glass: 21.5” H x 25” W x 1.5” D

9

Overall good condition. An unobtrusive 1” vertical tear at the center of the lower edge. Pale mat staining, verso. The sheet is hinged to the backmat with brown paper tape in two places on the verso of the upper sheet edge.

Framed under glass: 21.75” H x 28.75” W x 2” D

10

Overall generally good condition. With margins. The color of the figure’s wrap attenuated, attendant with light-staining throughout. Not examined out of the frame.

Framed under glass: 39” H x 45” W x 2” D

11

Visual: Overall good condition. A pea-sized area of grime near the center of the upper edge. Slight frame abrasion and a pinpoint-sized fleck of stray paint at the extreme lower edge. A 0.125” diagonal line of pigment loss across the extreme tip of the lower right corner.

Blacklight: No evidence of restoration.

Frame: 15.5” H x 12.5” W x 1” D

12

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Slight fading to side A, a few scattered small breaks and minor losses to selvage cords, with two areas of loosening of intact selvage to one long edge; a Velcro loop strip applied to one edge of side B; a brass disc stitched to left corner of side A, stamped: 9T.

13

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: older repairs, fading to one side, a few scattered small stains and spots, scattered areas of loose weave, fraying to longer edges with scattered breaks to selvage cord, one shorter side with larger break and loss to stitching, and shorter edge with Velcro hook strip applied.

14

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered spots and stains overall, scattered areas of stitch loss and loose weave, with a large area near one end, and two edges with scattered breaks to selvage edges.

15

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered small spots, a few areas of uneven fading, a few scattered small holes, a few scattered minor breaks to selvage cords, and fraying to one corner.

16

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight fading to side A, an area of loose weave by one top edge, and top edge with two areas of breaks to cord, one with subsequent loose weave, and Velcro applied along top edge.

17

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading to one side, one corner with small stain, with scattered minor spots, two shorter ends with scattered breaks in the selvage cord, one end with evidence of removal of original multicolored fringe, and one end with Velcro applied.

18

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered small stains, small area of loose weave and stitch loss to one sawtooth area, a small hole to one short edge with breaks to warps and loose weave, the other short edge with a separation of cord and loose weave, and a few small areas of moth grazing. Velcro applied to one short edge.

19

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading to side A, scattered light soiling and a few scattered spots to pale areas, and with a few darker stains to side B. An area of loose weave to one short edge, with an adjacent area of earlier repair to same edge. Opposite edge with a small area of loose weave. A few scattered small holes.

20

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: narrow linear staining/fading to side A, a few areas of dye migration, scattered larger stains, each side with small scattered spots, a break to selvage cord with subsequent weave loss to longer edge, loss to yarn of one tassel, and a small area of moth grazing to side A.

21

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small stains and spots to each side with areas of dye migration, a few areas of stitch thread repair, scattered small holes and one larger hole to one corner, and most edges with breaks and loss to selvage cord with attendant areas of fraying and loose weave.

22

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight fading, overall soiling, and scattered spots and stains to side A, a couple of red areas with pale staining, long edges with multiple breaks to selvage cords, one short end with subsequent break to selvage cord and with an area of loose weave, scattered other areas of loose weave, some with stitch loss, and a few scattered small holes. One shorter side with Velcro.

23

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: staining to center of one end, with small area of dye migration, losses to one end, fraying to selvage edge and corners, loose weave and stitch loss to two sections of one short end, and a quarter-sized hole to one section of the border.

24

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. With added woven lining attached at neck edge and armholes.

25

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of stains and small spots, scattered dye migration, an area of moth grazing near one corner with a few small holes, and scattered breaks and loss to cording with an area of loose weave of short edges.

26

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered light, even fading to each side; scattered breaks to selvage cords, with attendant stitch losses primarily to grey edges. A couple of small areas with minor insect grazing.

27

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading throughout, scattered spots and mild staining, scattered dye migration, a few areas of loosened weave, edges with scattered small breaks in the selvage cord, one short edge with small area of stitch loss, and tassels cut from corners.

28

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading to side A, scattered small spots and stains, and one long edge with scattered break to selvage cord, one corner lacking a tassel.

29

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

30

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered small spots and stains and ruckling throughout.

31

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: soiling and staining throughout, slight dye migration, scattered pulled threads at selvage edge, and two cut tassels.

32

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small spots and stains, soiling throughout, and one edge with area of loose weave and separated stitching.

33

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight fading to side A, general light soiling with a couple scattered small stains, three edges with scattered breaks in the selvage, one short edge with loosening and minor loss to weave, and one long edge with small area of color variation, possible reweaving.

34

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slightly out of square, one corner with fading to both sides, and minor scattered loose stitching to selvage cords concentrated at corners.

35

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered minor small stains and spots, a small area of loose weave to one short edge, one short edge with scattered breaks in the selvage.

36

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered very minor small spots and a few scattered minor breaks to selvage cord.

37

Overall good condition with slight fading to one side, dust accumulation, and typical signs of wear commensurate with age and use.

38

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: each side with scattered areas of minor moth grazing, a few small scattered spots/stains.

39

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: overall soiling and staining to both sides, dust accumulation, scattered dye migration, a small area of moth damage to one side, and a few scattered breaks to selvage cord on one end.

40

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

41

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Weave slightly ruckled to center.

42

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

43

Overall good condition with dust accumulation, slight fading to one side, mild soiling throughout, and typical signs of wear commensurate with age and use.

44

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Side B not inspected out of frame.

Framed: 27.5” H x 42.5” W x 1” D

45

Overall good condition with slight fading to one side, dust accumulation, and typical signs of wear commensurate with age and use.

46

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight fading to one side, scattered small spots and stains, scattered areas of slightly loose weave, a small area of stitch loss at selvage edge, and one small area of moth grazing stitch loss to central diamond.

47

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight fading to one side, scattered stains to central areas, and one corner with slight separation of selvage cord at sorter edge.

48

Each overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

Framed: 12.125” H x 27.625” W x 1.125” D

49

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading to one side, scattered small areas of moth grazing, and mild soiling.

50

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Textile slightly ruckled, particularly near edges.

51

Overall good condition with dust accumulation and wear commensurate with age and use.

52

Overall good condition with dust accumulation and wear commensurate with age and use. A loose stitch to one row of beads just below rim.

53

Overall good condition with dust accumulation and wear commensurate with age and use. A couple of scattered stitch losses to exterior. General fading throughout.

54

Interior and exterior with multiple losses to lower dark band and scattered losses to pictorial elements.

55

Overall good condition with dust accumulation and wear commensurate with age and use. Some dark marks/spots to interior. Scattered multiple stitch losses to rim. A few scattered single stitch losses overall, as well as a 0.5” section of loss to lower dark band of exterior.

56

Overall good condition with dust accumulation and wear commensurate with age and use. A few scattered single stitch losses to exterior just below rim. Light shelf wear to base with a couple of stitch losses.

57

Overall fair condition with scattered stitch losses overall, primarily to rim and exterior, with largest area: 1”. Break to coil just below terminal. Slight darkening to exterior.

58

Overall good condition with dust accumulation and light wear commensurate with age and use. A stitch loss to terminal end. Darkening to basket overall. Light shelf wear to base.

59

Overall good condition with dust accumulation and wear commensurate with age and use. Rim with a few scattered stitch losses and a minor thread repair. Light wear and a couple of small spots to base exterior.

60

Overall good condition with dust accumulation and wear commensurate with age and use. Slight fading to interior. Slightly tipped. Scattered stitch losses to lower exterior and to base, with shelf wear to base.

61

Overall good condition with dust accumulation and wear commensurate with age and use. Rim slightly out of round. A few scattered single stitch losses overall. Slight darkening overall. A small area of bright residue to exterior.

62

Overall good condition with dust accumulation and wear commensurate with age and use. With slight fading to interior face.

63

Each in overall good condition with dust accumulation and wear commensurate with age and use. Medium and small tall zigzag baskets each with scattered single and multiple stitch losses to rim. Pictorial basket with darkening and soiling to base and sides, and with shelf wear to base exterior.

64

With slight deformation to rim and center sides. Lower sides and base with a few short splits across the weave. Multiple losses to embroidery.

65

Overall good condition with dust accumulation and wear commensurate with age and use. A few scattered partial losses to imbrication stitches. Shelf wear to base with breaks and minor losses to three long stitches.

66

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

67

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

68

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The cowboy with a 1.5” x 1” moisture stain to top of brim of hat.

69

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some flaking to the paint of the eagle feathers. Pea-sized spattered stains to shoulder. Soiling/rubbed smudges under shoulder. Wax residue to underside.

70

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A 1.5” diameter area of splattered ink stains to shoulder edge. As well, scattered minor smudges and rubbed wear to shoulder. Dust accumulation to interior. Felt feet and previous dealer sticker applied to underside.

71

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The shoulder with rubbed wear to polychrome with scattered light staining. Dust accumulation to interior. Felt feet and previous dealer’s sticker applied to underside.

72

With shelf wear, scattered minor scuffs, soiling, and inherent firing flaws commensurate with age. Three repaired cracks radiating from rim to shoulder edge, the longest measuring 5.5” long. Scattered rubbed wear and loss to glaze at shoulder edge. Dust accumulation to interior. Underside with 0.325” diameter deep chip and wax residue.

73

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. Felt feet applied to underside.

74

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered minor rubbed wear and indentations. Dust accumulation to interior. Felt feet applied to underside.

75

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear to signature. Dust accumulation to interior. Sticker residue to underside.

76

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. Previous dealer’s pencil mark to underside.

77

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scatter spalling and degradation to glaze with minor soiling and fleabite chips to rim and body. A few pea-sized chips to glaze, mostly near rim. Dust accumulation to interior. Felt pads applied to underside.

78

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Mild crazing to polychrome and glaze throughout. Dust accumulation to interior.

79

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered fleabites and pea-sized chips to glaze, with rubbed wear and mild fading to polychrome, concentrated at shoulder. Rim with a 1.25” long crack. Dust accumulation to interior. Wax residue to underside.

80

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered spalling and degradation/fading to polychrome throughout Rim with 1” long repaired chip. Underside with felt pads applied and fire clouding. Dust accumulation to interior.

81

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Heavy rubbed wear/degradation/fading to polychrome. Scattered spalling. Underside with sticker ghosts, previous dealer sticker applied, and two pencil marks. Dust accumulation to interior.

82

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear, soiling, and fire-clouding throughout. Scattered fleabites to rim. Dust accumulation to interior. Wax residue and sticker ghosts to underside.

83

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered fleabite chips, rubbed wear, and degradation to glaze throughout. Dust accumulation to interior. Wax residue to underside.

84

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Two 0.5” cracks to rim. Fleabite chips to rim and scattered pea-sized chips to glaze throughout. Some rubbed wear and fading to polychrome. Felt applied to underside. Dust accumulation to interior.

85

Overall good condition with shelf wear, soiling, scattered scuffs, and inherent firing flaws commensurate with age. Rubbed wear, crazing, fading, scattered fire clouding, and some degradation to the glaze throughout. Fleabite chips to rim. Dust accumulation to interior. Underside with wax residue and previous dealer’s sticker applied.

86

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Crazing and fading to the glaze throughout. The rim with a 2.25” long crack. Dust accumulation to interior. Fire clouding to bottom and underside. As well, two penciled marks from previous dealers to underside.

87

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some fading to polychrome, crazing and minor degradation to glaze, and minor spalling throughout. The rim with two possible repairs/ touchups and a 1” long crack. Dust accumulation to interior.

88

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered spalling; subsequently, when tapped on, the jar has a dull ring. Dust accumulation to interior. Wax residue and scuffing to underside.

89

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some degradation to polychrome and glaze with scattered spalling. The rim with a 1.75” long crack and attempted repair. Dust accumulation to interior. Sticker ghost to underside.

90

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear and degradation to glaze throughout, particularly to rim. Dust accumulation to interior.

91

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. Wax residue to underside. As well, a 1” long crack to underside, not surface-reaching.

92

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The rim with 1.5” long crack. Mild fading to the glaze. Dust accumulation and dirt to interior.

93

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some soiling and mild degradation to glaze with three pea-sized chips. Dust accumulation and scattered pencil marks to interior.

94

Overall good condition with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. The rim with two pea-sized chips, one chip measuring 1.25” and one measuring 1”. Some degradation and soiling to polychrome and glaze. Some fire clouding near bottom.

95

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear to the polychrome and soiling, with dust accumulation to interior. Previous dealer’s sticker applied to underside.

96

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The pot inherently sits slightly askew. Degradation/fading to polychrome and glaze throughout with a few scattered fleabite chips, concentrated at the rim. Felt feet applied to underside. Dust accumulation to interior.

97

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered degradation/fading to black decorations around rim and shoulder. Underside with wax residue and previous dealer sticker applied. Dust accumulation to interior.

98

With shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear and fleabite chips to rim with two 0.05” long cracks. As well, two repaired cracks radiating from rim, each measuring 2-2.5” long. Dust accumulation to interior.

99

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. Underside with sticker residue and felt feet applied.

100

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. Scattered area of rubbed wear and loss to polychrome with possible touch-ups. One 5” long black scuff to side. Rim with a fleabite chip. Wax residue near bottom. Underside with previous dealer’s sticker, wax residue, and felt pads applied.

101

Overall fair condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The jar is cracked with broken pieces that have been repaired/restored, on two sides from the rim to near base. Dust accumulation to interior.

102

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Minor rubbed wear and fading/yellowing to glaze throughout. Dealer’s pencil mark, wax residue, and soiling to underside.

103

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. Underside with pencil marks and soiling from shelf wear.

104

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered pea-sized or smaller chips to shoulder and body, with rubbed wear to terracotta wash. Dust accumulation to interior.

105

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Rubbed wear and degradation to polychrome throughout with some fire clouding. A 2.5” crack to the rim with scattered fleabites. Dust accumulation to interior.

106

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A few scattered areas of pea-sized chips to the glaze and fleabite chips to rim. Some soiling throughout and fading to polychrome. Fire clouding to underside and 0.5 diameter area near rim. Wax residue to underside. Dust accumulation to interior.

107

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered mild degradation and soiling to glaze throughout. Dust accumulation to interior. Felt feet and previous dealer’s sticker applied to underside.

108

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered minor rubbed wear to polychrome at shoulder and rim. Dust accumulation to interior.

109

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered rubbed wear, concentrated at the rim. Dust accumulation to interior.

110

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. The Medina with some crazing and minor degradation to polychrome and glaze throughout. As well, with a 0.75” diameter area of discoloration and sticker ghost to underside. The Pino underside with previous retailer’s sticker and felt pad applied with sticker residue.

111

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Shoulder with a 1.5” x 1.25” area of mild degradation to black feather design. Dust accumulation to interior.

112

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. The larger with wax residue and sticker ghosts to underside, the smaller with sticker ghost and felt feet applied.

113

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

114

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior.

115

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

116

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Unmarked basket with more rubbed wear to body and sticker ghosts to underside.

117

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The jar with imperfections to the rim.

118

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Two with wax residue to underside, the unmarked vessel with sticker remnants, and the Cata with some degradation/chipped losses to underside.

119

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered areas of loss to the encrusted sand, concentrated at rim and base, the largest measuring 1.5” x 0.25” at the rim. Ten fetishes not affixed to the jar, four with breaks, most pieces retained with the lot.

120

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The larger piecrust pot with circular crack to whole underside, attendant radiating cracks, and a 1.5” chipped loss to rim. Two with all-over fire clouding, two with fire clouding to waist and undersides.

121

Each overall good condition with shelf wear, scattered scuffs and scratches, and inherent firing flaws commensurate with age. Each with degradation and weathering from excavation. Each with holes near the rim, possibly to be fitted with a leather handle/strap.

122

Overall good condition with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age and excavation. Crazing and degradation to glaze, concentrated to bowl interior and underside. Fleabite chips to rim with scattered small chips throughout. Felt feet applied to underside.

123

Each overall fair condition with scattered scuffs, scratches, nicks, and small chipped losses commensurate with age. Three figures with significant cracks through the body with repairs. One figure missing a piece of its hand. Condition issues possibly due to intentional antiquing. A few with previous dealer markings to underside. As well, a few with fire clouding.

124

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with slight fading from degradation to polychrome. One with two pea-sized chips to side. The redware pot with a pea-sized indentation to side. Each with sticker residue to underside.

125

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with fading/degradation to polychrome and glaze. One with a pea-sized chip to side. One with sticker residue and previous retailer’s pencil marks to underside, the other with felt feet applied.

126

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The Sadie Adams jar with rubbed wear and minor soiling throughout.

127

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with previous dealer’s pencil mark to underside, one with wax residue.

128

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Dust accumulation to interior. The Leno with a few fleabites to rim, mild soiling to glaze, and previous dealer’s pencil mark to underside. The Lewis with sticker ghost to underside. The Crites bowl has been aged to mimic origins of the Mimbres tradition, with scattered faint reddish stains throughout and bottom of bowl with 0.75” diameter hole with attendant wear to surrounding area.

129

Overall good condition. With margins. Not examined out of the frame.

Framed under glass: 19.25” H x 21.5” W x 1” D

130

Each overall good condition. With margins. Not examined out of the frame.

Each framed under glass: 15.5” H x 12.75” W x 1” D (or opposite)

131

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 33.75” H x 29.75” W x 2” D

132

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 30.75” H x 40.75” W x 2.5” D

133

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Three black scuffs to side, each 0.5-1” long, with a few scattered linear scuffs to side as well. Oxidation/tarnishing to silver element, with some discoloration to paint surrounding the mounting.

134

The wood overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. The tiles in good condition, some with minor surface grime. Book in overall good condition with shelf wear, bumping to edges, and sun fading and curling to cover.

135

Each in overall good condition with intrinsic flaws in the stones and wear from weathering/excavation.

Each framed: 32.25” H x 27” W x 1.5” D

136

Overall good condition with scattered scuffs and scratches and oxidation to metal commensurate with age.

137

Overall good condition with scuffs, dust accumulation, and darkening, oxidation, and some verdigris to copper commensurate with age. Rear leg mount slightly bent. Base in overall good condition with minor shelf wear.

138

Overall good to fair condition with dust accumulation, minor soiling, and wear commensurate with age. Worn and with scattered areas of darkening to the leather and typical scuffs/scratches, and various marks from use. Scattered minor splits and cracking to some areas including side edges of saddle flaps and stirrup fenders. A break to a narrow front strap, piece retained. Saddle stand not included in sale.

139

Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Antlers with scattered small chips at legs, arms, and rockers. The hide upholstery in good condition, with a 7” x 2.5” area to seat cushion edge of rubbed loss to the fur from use. As well, the ottoman with rubbed loss to fur at upper edges.

140

Overall good condition with scattered scuffs, scratches, indentations, nicks, and soiling commensurate with age and use. One caster missing. The flag with a band of sticky residue recto.

141

Overall good condition with scuffs, scratches, and nicks commensurate with age. The table doesn’t sit perfectly level, possibly slightly warped table top. End of one leg with 5” long chipped area. Hide in good condition with minor soiling/dust accumulation.

142

Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. The base with dust accumulation. The glass top with scattered minor scratches and scuffs.

143

Each overall fair to good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Each with dust accumulation and surface grime throughout. The chair spring support with oxidation and loose junctures, worn in with age and use. The ottoman sheepskin loose from its mounting, with soiling and scattered losses, the largest measuring 1.75” diameter, and a 5.5” long tear. Chair lacking seat cushion.

144

Overall fair to good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. With dust accumulation and surface grime throughout. Drink rings and scattered stains to arm rest. The chair spring support with oxidation and loose junctures, worn in with age and use and missing one spring. Lacking seat cushion.

145

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. With inherent small losses to the wood near junctures and knots in the wood. The seat panel with scraped losses to the varnish from assembly/reassembly.

146

Each overall good condition with scattered minor scuffs and scratches, light soiling, and oxidation commensurate with age.

147

Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: approximately four areas of minor bead loss, largest: 0.5” L primarily near one end, and overall soiling/staining to reverse canvas.

148

Overall good condition with shelf wear, scattered minor scuffs and scratches, and dust accumulation commensurate with age. The father figure with wood accents missing from head, with one missing from the back of the child and one from front, retained with the lot. As well, a second rattle in the left hand of child is missing. Case in overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Case is rigged for wall-mounting.

149

Overall good condition with shelf wear, scattered minor scuffs and scratches, and dust accumulation commensurate with age. Case in overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Case is rigged for wall-mounting.

150

Overall good condition with scuffs, scratches, and dust accumulation commensurate with age. Six feathers of headdress with chipped losses, one retained with the lot, and one with repair. As well, the end of the bow with chipped loss. Underside with some moisture staining, obscuring the title, signature, and other marks.

151

Overall good condition with shelf wear and scattered minor scuffs and scratches commensurate with age. With a 1.75” long area to verso of possibly faded lettering.

152

Overall good condition with shelf wear, scattered scuffs and scratches, and dust accumulation commensurate with age. The feathers with general wear. Rubbed losses to the polychrome and scattered nicks and indentations. Verso with 8” long split in the wood.

153

Overall good condition with dust accumulation, scattered scuffs, and darkening/oxidation to bronze commensurate with age. The base with two splits/ separation through the wood.

154

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. With dust accumulation throughout.

155

Overall good condition with dust accumulation, scattered scuffs, and darkening/oxidation to bronze commensurate with age. The base with split/ separation through the wood.

156

Overall good condition with scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age.

157

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

158

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Felt applied to underside of plinth.

159

Overall good condition with minor general wear and darkening to bronze commensurate with age. Book in overall good condition with mild shelf wear and bumping at corners.

160

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

161

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Area at buffalo’s tail with rubbed wear to the cold-painted finish.

162

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 17.5” H x 20.25” W x 1.75” D

163

Visual: Overall good condition. Minor varnish discoloration. A soft horizontal line across the center, possibly attendant with the natural surface of the panel used. A pinhead-sized area of white paper adhered to the surface in the upper left quadrant.

Blacklight: No evidence of restoration.

Frame: 16.25” H x 23.25” W x 1.5” D

164

Visual: Overall good condition. A soft, shallow 2” diagonal surface scratch visible primarily in raking light, as well as a soft 0.25” vertical scratch into the board, both in the cliffs of the upper left quadrant. A pinhead-sized spot of white pigment in the extreme lower left corner.

Blacklight: No evidence of restoration.

Frame: 22” H x 26.25” W x 1.75” D

165

Overall good condition. Not examined out of the frame.

Framed under glass: 29.25” H x 42.25” W x 2” D

166

Visual: Overall good condition. Occasional very minor specks of surface grime, primarily near the outer edges.

Blacklight: No evidence of restoration.

Framed: 21” H x 27” W x 1” D

167

Visual: Overall good condition. A pinhead-sized spot of stray dark blue pigment in the upper right quadrant in the sky.

Blacklight: A 1.5” thin vertical band of touch-ups towards the center of the extreme left edge.

Frame: 20” H x 24.25” W x 1.25” D

168

Visual: Overall good condition. A 2.25” line of slight grime along the extreme upper edge of the left corner. A pea-sized area of frame abrasion at the tip of the lower right corner.

Blacklight: A 2” scattered horizontal line of touch-up in the trees of the lower left quadrant.

Frame: 32.5” H x 38.5” W x 1.25” D

169

Visual: Overall generally good condition. Grime and varnish discoloration commensurate with age throughout. A delicate 6” horizontal black scuff mark in the upper right quadrant, in the sky. A few peato rice-sized spots of pigment loss in the upper left quadrant, in the sky near the left edge. A very soft 2” diagonal surface scratch in the upper left quadrant, visible primarily in raking light. A 2” H by 1” W area of overpaint in the upper right quadrant, in the sky above the mountain range.

Blacklight: No evidence of restoration.

Frame: 20.5” H x 29.5” W x 1.5” D

170

Visual: Overall good condition. Minor varnish discoloration showing primarily in the sky.

Blacklight: No evidence of restoration.

Frame: 28” H x 40” W x 2” D

171

Overall good condition. Very minor pale damp staining directly above the image, primarily in the upper edge, inherent in the artist’s creative process. The slightest toning, commensurate with age. Backboard staining, verso. Two areas of surface skinning and remains of old adhesives, attendant with previous matting. Hinged to the overmat with artist’s tape along three edges of the paperboard, verso.

Framed under glass: 22” H x 26.5” W x 1.5” D

172

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 17.75” H x 29.75” W x 2” D

173

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 21.75” H x 26.75” W x 1.375” D

174

Overall good condition. With margins and the colors fresh. Not examined out of the frame.

Framed under glass: 35” H x 43” W x 2” D

175

Overall good condition. The colors fresh. Not examined out of the frame.

Framed under Plexiglas: 33.75” H x 29.75” W x 1.5” D

176

Print overall good condition. Each book in overall good condition with shelf wear, minor bumping to edges, and mild soiling. One book with Mylar casing. “The Little Lost Sioux” with pencil ex-libris notes to front free end paper verso and 1” long pencil mark to front cover.

Framed under glass: 12.25” H x 18.25” W x 0.75” D

177

Overall good condition with scattered minor scuffs and scratches commensurate with age. Lower portion of beak glued in.

178

Overall good condition with a few scattered fleabite indentations to outer rim.

179

Visual: Overall good condition. A 0.5” H x 1” W area of dried dirt on the lower edge, at left.

Blacklight: No evidence of restoration.

Unframed

180

Each: Overall good condition. “Jullia Parker & Two Great Grandchildren” with minor scuffing along the upper edge and upper portion of the right edge. A pinhead-sized spot of grime in the upper right quadrant to the left of the woman’s head. Small, unobtrusive scratches, scuff marks, and smudges occasionally showing throughout the sky. Independence Day rodeo with a pinhead-sized spot of grime in the lower right quadrant, to the right of the figure.

Each: Unframed

181

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 21.25” H x 27” W x 2” D

182

Uneven pale staining throughout with the colors slightly attenuated. Time staining along the edges of the mat window. A cluster of three pinheadsized areas of pale foxing in the lower left corner. Scattered bands of slight surface skinning along the left and right sheet edges. Four areas of small brown staining attendant with the previous tape used at each sheet edge, at center. Artist pinholes along the upper and lower sheet edges. Pale toning, surface skinning along each sheet edges, and a dime-sized area of black paper remnants in the upper left corner, all verso. The paper is slightly trimmed along the sheet edges, possibly in the hand of the artist. The sheet is hinged to the back mat with a piece of white hinging tape from the upper edge.

Framed under glass: 13.5” H x 11.75” W x 0.75” D

183

Overall generally good condition. Pale light staining throughout with the colors slightly attenuated. Pinhead-sized or smaller areas of foxing scattered throughout. Small paper losses to the extreme left and lower sheet edges. Pale toning throughout and pieces of brown paper tape remnants with attendant brown staining and glue residue from the tape along the sheet edges, all verso. The sheet is hinged to the overmat with two pieces of white hinging tape from the verso of the upper sheet edge.

Framed under glass: 25.5” H x 29.5” W x 3” D

184

Overall good condition. With margins. Pale light staining throughout with some uneven areas of staining primarily in margin edges. Time staining along the extreme margin edges. Surface soiling to the margin edges and the verso sheet. A soft handling crease in the upper left margin corner. The sheet is loose, not matted.

Unframed

185

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 14.75” H x 11.75” W x 1” D

186

Each overall good condition. “Oleary,” with creases at the upper right and lower left corners and a small band of surface skinning along the upper edge, verso. “Beauty,” with a very small crease in the extreme upper right corner and a pinpoint-sized foxmark at the upper portion of the extreme left edge, verso. “Judy,” with two areas of toned paper remnants adhered to the lower left and right corners, verso. “A Tribute to the Dog - By Senator Vest,” with a 0.375” vertical tear in the extreme upper edge, at center, scattered areas of handling creases primarily in the outer edges, and a small band of old paper tape remnants along the left edge, verso. The untitled work with a crease in the lower right corner and a piece of thin paper taped from the lower edge, verso. Each sheet is loose, not matted.

Each unframed

187

Overall generally good condition. With margins. A very good impression, with velvety burr on the drypoint. Pale light-staining from a previous matting. Not examined out of the frame.

Framed under glass: 16.25” H x 17.5” W x 1” D

188

Overall good condition. With margins. A rich impression with velvety burr on the drypoint. Not examined out of the frame.

Framed under glass: 16” H x 14” W x 1” D

189

Overall good condition. With margins. Soft areas of abrasion scattered along the extreme upper margin edge. Scattered and small areas of surface soiling, verso. The sheet is loose, not matted.

Unframed

190

Visual: Overall good condition. A few unobtrusive specks of grime in the upper left quadrant.

Blacklight: No evidence of restoration.

Framed: 19” H x 23.25” W x 1.25” D

191

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Framed: 20.5” H x 17” W x 1.5” D

192

Overall good condition. Full margins with deckled edges. The slightest pale time staining along the edges of the mat window. Soft and unobtrusive handling creases scattered in the margin edges, and some scattered small creases in the upper left quadrant of the image. The sheet is hinged to the back mat with a long piece of tape along the upper margin edge.

Framed under glass: 15” H x 16” W x 0.75” D

193

Overall good condition. A pinhead-sized fox mark in the lower left image. The sheet is hinged in two places at the left and right upper sheet edges with white archival tape, verso, and by one piece of white archival tape on the recto of the upper sheet edge.

Framed under glass: 15.25” H x 11.75” W x 1.25” D

194

Overall good condition. With margins. The sheet is sandwiched in between the mat boards.

Unframed

195

Overall good condition. With margins. Not examined out of the frame.

Frame under glass: 12” H x 15” W x 0.75” D

196

Overall good condition. Not examined out of the frame.

Framed under glass: 15” H x 19” W x 0.75” D

197

Overall good condition. With margins. Two small indentations to the paper in the upper margin, at left. A small area of surface soiling primarily in the upper margin, right of center, and slightly affecting the image. The sheet is sandwiched in between the mat boards.

Unframed

198

Each: Overall good condition. “Little Trail Head” with a few scattered fox marks through the image. “Straight-On” with a few pale pinhead-sized spots of staining in the lower margin. “Heading Him StraightIn” with mat burn along each edge and occasional pinhead-sized fox marks throughout.

Frame of largest: 14.75” H x 19.75” W x 0.5” D; Frame of smallest:14.75” H x 11” W x 0.5” D

199

Each: Overall generally good condition. “A Street in Taos” with a few scattered pinhead-sized fox marks in the sky. Very pale mat burn along each extreme mat edge on “Mission Santa Barbara No.2.” “Church at Acoma” with a pinhead-sized fox mark in the right margin and scattered grime in the upper left quadrant above the church, and is sandwiched between the overmat and backing paper. Each not examined out of the frame.

Largest framed under glass: 15” H x 19” W x 0.75” D

200

Each overall generally good condition. With margins. The two smaller lithographs with scattered and soft handling creases primarily in the outer edges. One of the smaller lithographs with pale light staining in the image. The larger lithograph with scattered handling creases primarily in the upper margin edge. Pale time staining along the extreme margin edges. A 0.75” horizontal tear in the upper left margin corner. Each sheet is loose, not matted.

Each unframed

201

Overall good condition. With margins. Not examined out of the frame.

Framed under glass: 12.5” H x 16.5” W x 0.75” D

202

Overall good condition. With margins. Pale time staining along the opening of the mat window edges. The sheet is hinged to the overmat with two pieces of tape at the verso of the upper margin edge.

Framed under glass: 14.75” H x 18.75” W x 0.75” D

203

Each overall good condition. With margins. The sheet is secured in between the matboards.

Unframed

204

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 24.75” H x 30.75” W x 1.5” D

205

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 23.25” H x 29.25” W x 1.25” D

206

Overall good condition with scuffs, dust accumulation, and darkening/oxidation to bronze commensurate with age.

207

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Two 0.75” diameter stains to the wood base.

208

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Plinth underside with wax residue, staining, and felt pads applied.

209

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

210

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Scattered rubbed wear to the patina.

211

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. The wood plinth base with two bottom panels detached and askew.

212

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Felt applied to underside.

213

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Frame in overall good condition with a few rice and peasized scuffs and dust accumulation.

Framed: 16.325” H x 13.5” W x 3.325” D

214

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

215

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Some weathering/roughness to the stone from outside storage. Likewise, the wood base with weathering and cracks in the wood. A 0.325” dia. chip to headdress and 0.25” chip to eagle feather point.

216

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Light weathering/roughness to textured areas of the stone from outside storage. Likewise, the wood base with weathering and cracks in the wood.

217

In overall good condition with dust accumulation, metal oxidation and typical signs of wear commensurate with age and use. One top edge slightly loose from metal frame. Crimping and slight distortion to fringe. The strap with an area of loose and missing bead strands. The interior in poor condition, with soiling and splits to fabric.

218

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Minor shelf wear to acrylic boxes.

219

Overall good condition with light wear commensurate with age and use.

220

Overall good condition with light tarnishing and scratches commensurate with age and use. Stone inlay with scattered abrasions and surface reaching fractures. Light wear to leather.

221

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

222

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Tests for sterling.

223

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

224

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Tests for Sterling.

225

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Scattered minor chips to some frogs, and a few hairlines to one frog. One with loss of both turquoise eyes, one with loss of one eye. Tests for sterling.

226

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

227

Overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Scattered hairline fractures to some stones. Older repaired break to metal plaque base beneath one wing at left shoulder curvature. Tests for sterling.

228

Overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered light abrasions and surface reaching fractures.

229

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Tests for sterling.

230

Overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A couple of point ends slightly misaligned.

231

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

232

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Each tests for sterling.

233

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

234

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Tests for sterling.

235

Overall good condition with light tarnishing and scratches commensurate with age and use. Tests for sterling.

236

Overall good condition with light tarnishing and scratches commensurate with age and use.

237

Overall good condition with light tarnishing and scratches commensurate with age and use. The cuff is slightly out of round, and shows indications of a previous repair verso. Tests for sterling.

238

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions.

239

Overall good condition with light tarnishing and scratches commensurate with age and use. Shell inlay with scattered light abrasions.

240

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

241

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions.

242

Overall good condition with light tarnishing and scratches commensurate with age and use.

243

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions. Moran’s does not guarantee the working condition of clocks and watches.

244

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

245

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

246

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

247

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

248

Overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions and surface reaching fractures.

249

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Shell with scattered light abrasions.

250

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

251

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

252

Overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions and surface reaching fractures.

253

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Silver tests for sterling.

254

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A couple of stones with a subtle hairline fracture. Light wear to leather.

255

Overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to leather.

256

Overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to leather.

257

Overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to leather. Tests for sterling.

258

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions. Light wear to leather.

259

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather.

260

Overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to leather.

261

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few scattered stones with tiny single hairline fractures. Light wear to leather.

262

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A couple of inlay pieces with single hairlines. Adhesive label residue to buckle verso. Light wear to leather. Tests for sterling.

263

Overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with light abrasions. Light wear to leather.

264

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

265

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather.

266

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few scattered stones with a single hairline fracture. Light wear to leather. Conchos test for sterling.

267

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather.

268

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather. Tests for sterling.

269

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather. Tests for sterling.

270

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

271

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few scattered minor chips to some turquoise inlay.

272

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few links with minor fractures to some areas of inlay. One section of inlay detached from one figure, retained. One figure with loss of inlay to one arm section.

273

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Ring with loss of one inlay piece to one arm.

274

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

275

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

276

Overall good condition with light tarnishing and scratches commensurate with age and use. Inlay with scattered abrasions and surface reaching fractures.

277

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather. Each concho and spacer with leather backing.

278

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather.

279

Overall good condition with dust accumulation and wear commensurate with age and use. Beadwork strip with loosened rows to each end from stitch application. Oxidation and corrosion to metal rivets and buckles.

280

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather.

281

Overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to leather.

282

Overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered light abrasions.

283

Overall good condition with light tarnishing and scratches commensurate with age and use.

284

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures.

285

Overall good condition with wear commensurate with age and use. Scattered minor chips to a few bead edges. One bead with an end-to-end fracture and chipped loss to area.

286

Overall good condition with light wear and scratches commensurate with age and use. Stones with minor scattered abrasions. Light soiling to bound thread section.

287

Overall good condition with light tarnishing and scratches commensurate with age and use. Beads with scattered light abrasions. Crosses test for sterling.

288

289

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

290

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A break and loss to one bird, retained. A second bird with minor break.

291

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones and coral with scattered abrasions.

292

Each in overall good condition with light wear and scratches commensurate with age and use. Stones and inlay with scattered abrasions and surface reaching fractures. One earring with minor discrete chip to inlay.

293

Each in overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Inlay with scattered abrasions and surface reaching fractures. One larger earring with break to post back.

294

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions.

295

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

296

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

297

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones and shell with scattered abrasions and surface reaching fractures.

298

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

299

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few leaves with hairlines to one face. One leaf with minor chip to one face.

300

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few scattered tiny chips to a few beads, and one bead with minor chipped loss.

301

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few scattered beads with minor chips.

302

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One tab with second drill hole.

303

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

304

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

305

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

306

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

307

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A couple of figures with minor losses to ends. Previous repair to large redstone bear.

308

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

309

Each in overall good condition with tarnish and scratches commensurate with age and use. Scattered stones with light abrasions.

310

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One cabochon with a subtle fleabite to surface. With clip fasteners.

311

Overall good condition with light wear, tarnishing and scratches commensurate with age and use. Beads with scattered abrasions.

312

Overall good condition with general wear commensurate with age. The bottom of figure with a few cracks, the longest measuring 1.5” long, likely inherent in the material. Adhesive residue/mounting putty to underside.

313

Overall good condition with light tarnish and scratches commensurate with age and use. Scattered stones with light abrasions, surface reaching fractures and visible inclusions.

314

Overall good condition with light tarnishing and scratches commensurate with age and use. Tests for sterling.

315

Overall good condition with light tarnishing and scratches commensurate with age and use. Coral with scattered light abrasions. A few discs with minor dimples.

316

Overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. Two stones with scattered hairline fractures. Tests for sterling.

317

Overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Some stones with hairline fractures and with a few minor chips.

318

Each in overall good condition with light tarnish and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. Central naja stone with minor chip to one side. Minor dent to scalloped edge of central cuff plaque. Each tests for sterling.

319

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Inlay with scattered abrasions. Each tests for sterling.

320

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Tests for sterling.

321

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

322

Overall good condition with light wear and scratches commensurate with age and use. Elements with scattered abrasions and surface reaching fractures.

323

Each in overall good condition with light tarnish, wear, and scratches commensurate with age and use. One foot of panther fetish with evidence of glue.

324

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Charms test for sterling.

325

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Light wear to leather.

326

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

327

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

328

Each in overall good condition with light tarnishing and scratches commensurate with age and use.

329

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Tests for sterling.

330

Overall good condition with light tarnishing and scratches commensurate with age and use. The stone with scattered light abrasions and surface reaching fractures. Tests for sterling.

331

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Minor tiny chip to endpoint of larger PB ring.

332

Each in overall good condition with light tarnishing and scratches commensurate with age and use.

333

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions. Ring tests for sterling.

334

Overall good condition with light wear and scratches commensurate with age and use. Stones with minor scattered abrasions.

335

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

336

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

337

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Necklace with a break and subtle loss to heads of two carved horses.

338

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Loss to tail of one black stone bird and to one shell bird.

339

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

340

Each in overall good condition with light scratches and wear commensurate with age and use. Turquoise stones with scattered abrasions and surface-reaching fractures.

341

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, and surfacereaching fractures.

342

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Turquoise ring unmarked for silver content: not guaranteed.

343

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Each tests for sterling.

344

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Tests for sterling.

345

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Cluster ring with hairline to turquoise. Lapis ring with metal size reducer to band.

346

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Larger Jaque ring with hairline to one end.

347

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One coral button with missing coral stone. A minor fracture to the stone of the turquoise cuff.

348

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Oval pendant with a couple of faint hairlines.

349

Each in overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Stone of one earring with minor off-center hairline fracture.

350

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Tests for sterling.

351

Overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions and surface reaching fractures.

352

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

353

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

354

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

355

Overall good condition with light wear, tarnishing, and scratches commensurate with age and use. Stone beads with scattered abrasions and surface reaching fractures.

356

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

357

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Each tests for sterling.

358

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Ring and earrings test for sterling.

359

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

360

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Set shell with scattered abrasions. Cuff tests for sterling.

361

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones and shells with scattered abrasions and surface reaching fractures.

362

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

363

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

364

Overall good condition with light wear and scratches commensurate with age and use. Bone figures with scattered abrasions and surface reaching fractures.

365

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Moran’s does not guarantee the working condition of clocks and watches.

366

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

367

Overall good condition with light wear and scratches commensurate with age and use. Carved bone with scattered abrasions and surface reaching fractures.

368

Overall good condition with light wear and scratches commensurate with age and use.

369

Overall good condition with light wear and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Central bear with two unobtrusive vertical splits to sides.

370

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

371

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Inlay shells and stones with scattered abrasions and surface reaching fractures. Faint hairline to sugilite of one earring.

372

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Coral ring with hairline to center stone.

373

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Smallest necklace with a few scattered minor discrete chips to bead edges.

374

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones and shell with scattered abrasions and surface reaching fractures.

375

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

376

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

377

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Tafoya ring and FCR cuff each with slightly indented edge. Some earrings with mismatched post backs. One pair lacking post backs.

378

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

379

Overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

380

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

381

Each in overall good condition with tarnishing, light wear, and scratches commensurate with age and use. Scattered stones with light abrasions and surface reaching fractures. Singer cuff tests for sterling. Singer cuff with personalized inscription to interior. Larger ring with two small sections of loss to bezel.

382

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Shell with scattered light abrasions.

383

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Ghahate Blue Jay cuff with loss to one floral inlay element. One pair of earrings lacking post backs.

384

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

385

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Amber with scattered abrasions and visible inclusions.

386

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Bangle tests for sterling.

387

Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures.

388

Each in overall good condition with light wear and scratches commensurate with age and use. Stones and beads with scattered abrasions. Scattered stones with surface reaching fractures. Smallest with undetectable loss to one coral bead, retained.

Each in overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. One pair beaded earrings lacking hooks. Ring bands slightly out of true. Wear to leather cord. Silver not tested, content not guaranteed.

John Moran Auctioneers, Inc

SPECIALISTS

President, Auctioneer

Head of Sale, Vice President, Silver, Western, and American Indian Art Specialist

Director, Fine Art

Senior Specialist, Furniture & Decorative Arts ``

Associate Specialist, Fine Art

Associate Specialist, Fine Art

Post-War & Contemporary Design Specialist

Department Administrator, Fine Art

Department Administrator, Furniture & Decorative Arts

Silver, Western and American Indian Cataloguer

Cataloguer, Furniture & Decorative Arts

Cataloguer, Fine Art

Cataloguer, Fine Art

Cataloguer, Fine Art

Director, Jewelry & Watches

Department Administrator, Jewelry & Watches

TRUSTS & ESTATES

Senior Vice President, Director Trusts & Estates

Director, Appraisals

Administrator, Appraisals

Administrator, Trusts & Estates

CLIENT SERVICES

Office/HR Manager

Client Services

Finance Administrator

Client Services

OPERATIONS

Vice President, Business Director, Auctioneer

Controller

Finance

Consignment Coordinator

Warehouse Supervisor, Senior Art Handler

Transport Supervisor, Senior Art Handler

Art Handler

Art Handler

MARKETING

Director, Advertising & Marketing

PR Manager/Social Media

Graphic Designer

PHOTOGRAPHY

Photographer

Photographer

Photographer

Photography Assistant

FOUNDERS

Founder

Co-Founder

Jeffrey J. Moran

Maranda Moran

Jenny Wilson

Angela Past`

Bobby Cullen

Ian Anderson

Matthew Grayson

Lori Kassabian

Alek Ellis

Sally Andrew

Grant Stevens

Anne Spink

Madison Ari

Clark Silva

Tom Burstein

Nikita Mehta

Morgana Blackwelder, ISA AM

Mariam Whitten, ISA AM

Shannon Dailey

Melissa Brownell

Mario Esquivel

Ella Fountain

Jamie Holthauser

Bryan Ortega

Stephen Swan

Joseph Scott

Maha Darwish

Jean Rapagna

Richard Corral

Joe Miranda

Joseph Corcoran

Romero Corral

Nathan Martinez

Brenda Smith

Brian Olivas

Keith Berson

Madison Torres

Matthew Mizerowski

Jacob Baer

John H. Moran (1942-2017)

Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS:

BUYER’S PREMIUM is calculated at 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 - $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments

$500 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments

$2,000 - $4,750 @ $250 increments

$5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments

$50,000 - $95,000 @ $5,000 increments

$100,000 - $190,000 @ $10,000 increments

$200,000 - $480,000 @ $20,000 increments

$500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

Conditions of Sale

AUCTION HOUSE AS AGENT

Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION

(a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

(b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

(c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION

(a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording.

(b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment.

(c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive.

(d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION

(a) The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any applicable sales tax. The Buyer’s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Bidsquare platforms will be charged a Buyer’s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit card payments made directly to Moran are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full. Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers’ LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service

(c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies

available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date.

(d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee.

(e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY

(a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot.

(b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability.

(c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

(d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

(e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS

(a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

(b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California.

(c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.

(d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.