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cap-height x-height
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One Size. One Weight. Horizontal Baselines 12pt text / regular weight / roman / b+w /
2 One Size. One Weights. Horizontal and Orthogonal Baselines 12pt text / regular weight / roman / b+w /
3 One Size. Two Weights. Horizontal and Orthogonal + Circle. 12pt text / regular and bold / roman / b+w /
4 One Size. Two Weights. Horizontal and Orthogonal + Rules 12pt text / regular and bold / roman & italic / b+w /
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History Hsitory of of Typography Typography Timeline Timeline
open
1475 1475 OLDSTYLE
Oldstyle serifs are categorized by their curved strokes with leftward inclines and little to no contrast between thick and thins. Oldstyle typefaces usually feature bracketed serifs and a large cap-height to x-height ratio.
1740 1750
TRANSITIONAL
Transitional serifs are categorized by their larger x-height with vertical stress and a greater contrast between thick and thins. Transitional typefaces usually feature wider bracketed serifs with flat bases.
1740 1775 MODERN
Modern serifs are categorized by their small x-height with vertical stress and a large contrast between thick and thins. Modern typefaces usually feature hairline serifs with flat bases.
hand g l o v e s
ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUV WX YZ ABCDEFGHIJKL MNOPQRSTUV W X Y Z
1825 1825 SLAB SERIF
Slab serifs are categorized by a large x-height with vertical stress and a minimal contrast between thick and thins. Slab Serif typefaces usually feature thick serifs with flat bases and squared off ends.
SLAB
1900 1900
1990 1900 1990
SANS SERIF
Sans serifs are categorized by a larger x-height with no stress and a little to no contrast between thick and thins. Sans Serif typefaces do not feature any serifs. Grotesque Essentially ‘grotesque’ is used as a blanket term for sans serifs.
Humanist Humanist sans serif typefaces include proportions modeled after oldstyle typefaces
Geometric Geometric typefaces are modeled on geometric forms.
Transitional The characteristics of transitional sans serif closely relate to transitional serifs.
SUPERFAMILIES
Superfamilies contain fonts of multiple classifications. The goal of superfamilies is to use a base character shape prior to adding details like serifs to create a system of fonts that are complementary to each other. Examples of superfamilies include Thesis, Meta, and Roboto.
LUCAS DE GROOT
Lucas De Groot is a type designer from the Netherlands. He was born on June 21, 1963 and is most famous for designing Thesis and Calibri – which has been the default font in the microsoft office suite for decades. “The Antiqua” of Thesis won De Groot an award from the Type Director’s Club in 1999 and he has since opened FontFabrik, also known as LucasFonts.
ALSO DESIGNED
1994 1994
THESIS IS RELEASED
Thesis is released under FontShop, paving the way for many other font superfamilies to be designed at utilized as a tool by type designers.
Font Shop
1994 1999
THE ANTIQUA WINS
TheAntiqua version of Thesis won the Type DIrector’s Club Typeface Design Award in 1999
The Type Directors Club.
2000 2000
THESIS MOVES TO LUCASFONTS
Luc De Groot opens his foundry and his Typefaces come with him.
Calibri
Sources
Nicholas Pentony designer
Email pentony.3@osu.edu
Keith Novicki, Instructor
Hayes Hall 105
Typography: Design 3503 The Ohio State University Deparment of Design
Autumn 2018 M+W 6:00 - 8:35pm
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Lucasfonts Logo
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Type Directorâ&#x20AC;&#x2122;s Club Logo
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Photo of Lucas de Groot
www.lucasfonts.com www.tdc.org
www.tdc.org/past-winners/
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Serif Type Classifications
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Sans Serif Type Classifications
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www.fonts.com
www.designhistory.com
Typeface Design Winners
www.tdc.org/past-winners/
Typography
1994 The Ohio State University Department of Design
105 Hayes Hall 43210-1315 USA 614 292 6746
108 North Oval Mall
Columbus, Ohio
10 of 14 design.osu.edu