SAMPLE PORTFOLIO JONAS BERTLIND M.Arch - RIBA Part 2 Jonas Bertlind Jonas Bertlind jonas.bertlind@gmail.com 0044 (0)770 971 83 15 jonas_bertlind www.jonasbertlind.com
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TONKIN LIU, PROJECT: BIO DOMES Freelancing Work On Project in St. Georges Hill I was working closely with the Project Architect and the other members of the team under
Skylights
the RIBA Work Stages 2 & 3, developing the concept design and working towards tender packages for the different parts of the building.
My main tasks were to design and specify the green facade system, the reflecting pool, the “grotto”, and the terraced reed bed, and to make sure the building sits nicely in the sloping landscape. Illustration below by me.
Entrance
WORK - TONKIN LIU
Entrance
Green wall (sandbags Flex MSE)
Skylights Reflecting pool Walkable green roof Reed bed in steps Large window Under-water window
Grotto Green wall (sandbags Flex MSE) Rain curtain, waterfall
Basement entrance Water collecting pool
IMAGE SUBJECT TO COPYRIGHT ©
Rhino, V-Ray, and Photoshop
PROJECT BIO DOMES Freelancing Work Experience - TonkinLiu I made a series of diagrams to explain the water collection and strategies for the pools (reflecting pool and collection pool) and the rain-curtain/waterfall. Furthermore, the green faรงades were explored and explained in diagrammatic format. Section Diagram; Reflection pool levels
FFL, office
Drain
Stepping stone
Level overflow into pool above grotto
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Cloud gathers and it starts to rain. Waterfall off.
Raining - up to 10mm. Waterfall off.
Raining - up to 20mm. Waterfall off.
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Section Diagram; Continuation of reflecting pool into pool above grotto, rain-curtain, and collection pool Level overflow into pool above grotto
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Raining - up to 30mm. Waterfall off.
Raining - up to 40mm. Waterfall off.
Raining - up to 50 mm. Waterfall naturally activated.
on , No tice Sols
Level of overflow into the collection pool Pool above grotto Underwater window Back curved wall dressed in mirror
Collection pool
Axo showing green walls/faรงade. The earth-bag system Flex MSE (including irrigation) is to be deployed.
This unfolded elevation shows the elements that affect the green facade (the Flex MSE earth-bag system), in order to determine which plants are most suitable for specific places on the wall.
Rhino and Illustrator
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REX ARCHITECTUS - THE CONCRETE VILLA
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Work on Project for a Private Client
Tollare 1:4
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Project: This plot is situated on slope, on the waterfront in a south-west location. The house is largely made from in-situ concrete. My tasks included 3D modelling in Revit and AutoCAD for the planning application and for tender packages. I also make the render.
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18 DRIVEWAY DOWN SHORT RETAINING WALL
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TALL RETAINING WALL
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WORKSHOP/BACK ENTRANCE
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+5,5 m BEDROOM +9,2 m HALLWAY
WORK - REX
TERRACE
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BEDROOM BATHROOM
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Rock wall 2m
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Revit & AutoCAD
Revit, 3ds Max, V-ray and Photoshop
RE-BRANDING RESTAURANT UK Freelancing Work Experience - LXA
small budget, we managed to create a nice updated look that the client felt was suitable for their demographic customer group, which they were keen to please. Project delivered and completed.
The client was keen on using a lot of standards to keep the cost down, and with a very
WORK EXPERIENCE - LXA
I was working alongside the Project Architect through the RIBA work stages 2-5 for two of restaurants for this brand. I was in charge of 3D modelling the spaces and make design updates and sending these to the client.
My practical skills and construction experience was instrumental as the Project Architect felt comfortable giving me a lot of freedom to draw up the design of the fixed furniture and joinery.
IMAGE SUBJECT TO COPYRIGHT Š
Sketchup, V-Ray, and Photoshop
GENERAL NOTES 1. THIS DRAWING IS THE PROPERTY OF LXA, PO BOX NO: 283639, DUBAI. IT IS FORBIDDEN TO PRODUCE ITS CONTENTS IN ANY FORM, EXCEPT FOR THE INTENDED PURPOSE 2. THIS DRAWING IS NOT TO BE SCALED. THE DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED 3. ANY DISCREPENCIES ARE TO BE BROUGHT TO THE ATTN OF LXA AND RESOLVED BEFORE THE COMMENCEMENT OF ANY WORK 4. THIS DRAWING IS TO BE READ IN CONJUNCTION WITH RELEVANT DETAIL DRAWINGS AS MENTIONED IN THE DRAWING 5. CONTRACTOR TO CONSTRUCT A MOCKUP FOR APPROVAL OF FINISHES & DETAILS, AND GET A SIGN OFF FROM CLIENTS & ARCHITECTS 6. THIS DRAWING TO BE READ IN TANDEM WITH THE DETAILS/SCHEDULES/SPECIFICATIONS AS REQUIRED 7. LXA WILL ACCEPT NO LIABILITY FOR COPYRIGHT COMPLIANCE OR INFRINGEMENT BORNE FROM THE SUBSTITUTION OF LXA SPECIFIED PRODUCTS OR MATERIALS, BY ANY OTHER PARTY. SHOULD ANY SPECIFICATIONS BE SUBSTITUTED, THE CLIENT/CONTRACTOR WILL ASSUME FULL LIABILITY.
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KEYPLAN
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Luminaire ref: J1 (see lighting designers schedule) LED-profile held in place by double-sided tape
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Brushed stainless steel plinth
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WF06 Countertop with concealed LED strip light by Lighting Consultant. Ref: Staron - Ocean View V0171 (david.roberts@blackheathproducts.co.uk)
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WF08 Stained Redwood planed timber or equivalent in 3 widths. Ref: Travis Perkins 44 x 20.5mm - code: 141034 69 x 20.5mm - code: 141033 94 x 20.5mm - code: 141032
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WF06 Countertop with concealed LED strip light by Lighting Consultant. Ref: Staron - Ocean View V0171 (david.roberts@blackheathproducts.co.uk)
REVISIONS
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27.11.18
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Luminaire ref: J1 (see lighting designers schedule) LED-profile held in place by double-sided tape
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Details updated
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Issue/Revision Details LXA London Hatfield House 52-54 Stamford Street London, SE1 9LX
WF06
E. info@WeAreLXA.com W. www.WeAreLXA.com
DRAWING TITLE :
Proposed Dessert Bar Details - Sheet 1/2 PROJECT :
WF08 Stained Redwood planed timber or equivalent in 3 widths. Ref: Travis Perkins 44 x 20.5mm - code: 141034 69 x 20.5mm - code: 141033 94 x 20.5mm - code: 141032 3
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Dobbies Edinburgh Melville Nursery CLIENT :
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AutoCAD
Dobbies Rev No:
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November 2018
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Drawing No.
LXA-1455-403
EXHIBITION DESIGN CSM Degree Show Exhibition Design I was 3D modelling this structure for our BA degree show. As the design-team member with the most experience in construction, I was a driving force during the design, manufacturing, and assembly of this truss-modular display structure.
CSM DEGREE SHOW DESIGN
A series of three complete truss-arches were linked with boards as shelves and frames displayed the student work and functioned as a backdrop to the round table -debates with the overarching theme name “Contested Spaces�, during the degree show.
Timber Structure modelled with Rhino and built in CSM wood workshop
Planar pine board 14x22mm
Plyboard 12mm Form & stability joint
Planar pine board 20x70mm Planar pine board 20x70mm
Planar pine board 14x45mm Planar pine board 14x45mm
Planar pine board 14x22mm
3100mm
Planar pine board 14x45mm Planar pine board 14x45mm
2500mm
Planar pine board 14x22mm
THE ARCHITECTIVE ABOVE THE ARCTIC FOG
UNIVERSITY PROJECT - KIRUNA CULTURE HOUSE & TOWN CENTRE
Final Year Project - Kiruna Culture House and New Town Centre Kiruna town is being moved from the mountainside where it was founded at the end of the 1800s, to a new strikingly flat site 3km to the east. This is the inevitable consequence of allowing the worlds largest underground iron ore mine to expand. The expansion of the mine destabilises the ground on which the town sits. Kiruna was founded because, and is dependant on the extraction and export of iron ore. Extensive research into the unique situation of moving a whole town - the larges project of this kind ever - was undertaken in order fully be able to contextualise the situation, and to understand the extreme climate in this Arctic region, in the very north of Sweden. The Kiruna Culture House and Pub seek to stack culture in a densely packed cluster at the very heart of the new town centre, for practical cultural and environmental reasons. The brief set by the local municipality insists that as much building elements as possible should be recycled and reused in the new town, at something they refer to as “The Portal�. The town has a very rich cultural legacy that must be preserved, but also issues, that are now given a unique chance to correct. The region also holds a large community of indigenous people, The Sami, that must be respected and continuously considered in this enormous project, that is to move 10,000 peoples homes.
RECORDING EXISTING KIRUNA
Photography, Sketchup, Illustrator, and Photshop
THE PROGRESS OF THE INVESTIGATION
ROUNDING UP THEM FINDINGS - ‘It doesn’t fit on the board’, he noted. ‘I might even need a bigger wall.’ With all the collected research a possible solution started to crystallise.
Sketchup & Photoshop
KIRUNA CULTURE HOUSE
Rhino, 3ds Max, V-Ray, and Photoshop
Accessibility and Circulation Entry points are located all around the building, and some entries are through connected other buildings (the hotel, and commercial facilities.
A NEW CULTURE HOUSE
Fire In accordance with Approved Document B (Fire Safety), there should not be more than 45m in one direction when access to more than one route out of a public building of this sort is possible (see circle).
Stacking Culture in Clusters The aim for with the new master plan is to get it dense, with short, walkable distances in the town centre, and little to no traffic. The programme is stacked in the new town grid pattern. The result is a tightly packed terraced volume.
Main centre atrium & permanent exhibition space - LKAB & Kiruna. Can also be used for markets and events
The culture house is attached to commercial facilities, The Portal (recycling building material), and the hotel. At these points there needs to be a close collaboration between the two parties, contracts need to be established, and security, maintenance, and responsibilities need to be clarified and agreed on an early stage.
Indoor rooftop restaurant and small Sami exhibition - visual contact with the new Sami Parliament to the North-East
Note: The Portal is attached to the culture house.
Note: Entrance not part of the Culture House
Main auditorium with possible panorama view towards Sami Parliament and northern lights
Access point Disabled access point Non-Public access point
Gallery space for temporary art exhibitions Art Studios Permanent exhibition; Arctic Climate & Climate change Studios Library
Note: Entrance not part of the Culture House
Performance & Dance studios Changing rooms & WC Music & Film studios Performance & Dance studios WC The Alleyway - youth centre Venue & Cinema - connected to the Hotel block Restaurant Maintenance - connected to The Portal (Recycling old building parts) Gallery space for temporary exhibitions Workshops
Note: Entrance not part of the Culture House
Office Gift-shop Kiruna Public House
Rhino and Illustrator
Curved Glass Panel can be made flat with alteration to the parametric definition
CONTEMPORARY SAMI HUT Parametric Diagrid Timber Structure With the Grasshopper definition, form-finding becomes very flexible. Because each panel has the same ‘set-of-rules’ it applies to all panels despite their unique geometric form. Detailing and exact measures for production could also be made in 3D with the same principles. That means the definition can provide the exact measures in high precision for each unique element throughout the whole structure, even though many different forms are tested and evaluated.
In this homogeneous geometrical form each row is made up from same-size panels
More than one form can be combined and the diagrid interwoven into several elements by evolving the definition.
Detail 1 - Diagrid & Panel joints Section 1:10 (originally)
Timber panel cladding Section profile diagrid timber structure Timber panel cladding fixed to metal bracket Bracket at every joint in diagrid structure Cable backstrapped by coil m
mm
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4m
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Even though the form is perceived smooth and continuously curved, each structural element is actually made from straight elements (think regular joist)
Rhino & Grasshopper
THE CENTRAL ATRIUM Recycled Culture and Indigenous Sami The central atrium is more than a lightwell. At the very bottom of this indoor (but not insulated) courtyard, we find a metaphor for, or a reminder of the very reason Kiruna was founded; Iron stained concrete and corten planters holding small birch trees. At the top of the atrium we are reminded of what was here long before Kiruna was founded, and what is very much still part of the identity of this place; A indigenous Sami tent structure, albeit a contemporary one. The diagrid timber roof structure and the many recycled windows of the facade allow the characteristic red-pinkish light to penetrate all the spaces. This wonky roof structure creates an interesting duality with, and contrast to the boxy roof structure of the new Town Hall situated just opposite the Culture House. The symbolism should be clear: the rationale of financial benefits of mining iron ore and the iconic symbol of the simple life - a life far away from the world of economy These spaces that encourage local and global culture are framed by local traditional materials and vernacular building strategies (such as pitched roofs, and timber cladded houses), in combination with rusty corten - the metaphor for the iron ore that still constitutes the financial and cultural foundation of this town.
Rhino, 3ds Max, V-ray and Photoshop
EXTERIOR OF NEW KIRUNA A Car-free Dense Town Centre In meetings with White Architects and via research we established how much the local community appreciate and utilise the fantastic nature. With this new car-free town plan, the inhabitants can ski back into the very town centre, all the way to the culture centre or the adjacent town hall. The main town square becomes a lively place of temporary interaction and the culture house can be the public living room, right opposite the town hall, where the decisions for the future of this community is planned.
The Pub (obviously still short for Public House) is overlooking the public square and from the Pub, there is clear visual contact to the Town Hall. One of the main concepts is that the heart of local culture sits right next to the centre for politics, economy and finances so that they never can disregard one another. It seeks to create a natural constructive dialogue between the two and should be seen as a reminder that they can never exist without each other. The Pub and the restaurant is the public living room of Kiruna and should consist of as many recycled elements and furniture as possible. It should feel like coming home rather than coming to a commercial facility.
Moreover, the town centre is not only car-free but also free from snow clearance. The average snow depth in Kiruna is just 600-800mm, despite its location in the Arctic. In fact this area gets very little precipitation in winter. Most of the snow is blown in from the north-west, which has had a heavy influence on the town centre layout plan. Much money can be saved by getting rid of the snow clearance and now instead becomes a nice feature of the town centre. Moreover, it helps insulate the dense town centre further, in accordance with British/Swedish architect Ralph Erskine’s research and analysis of the Arctic climate.
Rhino, V-Ray, and Photoshop
Rhino, 3ds Max, V-ray and Photoshop
thern European Climate such rently as is, would not be suitugh insulation nor is there any of the material being used.
n allows users to apply a coat or facades of the building. The re from settling on the surface aving heat retaining qualities.
THE LIPARI RETREAT The Demountable Building To protect the structure from the elements and allow the building to be a more permanent intervention on site black pine tar can be purchased and applied to the external facade of the outward facing wall panels via a simple wood brush. 100% natural it has a good penetration of planed would and provides protection from harmful UV rays which, in Lipari would damage the envelope over time, and also has good water resiistance properties, having been used to treat the underside of boats throughout history.
UNIVERSITY PROJECT - THE DEMOUNTABLE BUILDING
The 1:10 physical model represent half of the total scheme.
hannes Norlander used black eat effect, as do the old fishing d precedents for our coastal Having been treated with the tar the building will sig-
more durable in the coastal climate where The render shows interior space of full nificantly scheme it is based. The tar also comes in red or brown colours meaning the user has more control over the aesthetic of the finished building - although we recomend a black tar finish as it looks pretty awsome.
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Physical models (timber & MDF), Rhino, V-Ray, MicroStation, and Photoshop
2.0_Design Development 2.6_Model Testing 1:1 Detail Model - Lock Mechanism
The Demountable Building, The Lipari Retreat, is meant to be constructed with very few tools and can be neatly packed into manageable parcels, that can be carried by two people. It is inspired by the ingenious Japanese joinery traditions, and holds both interlocking peices ans well as a disc locking mechanism made from plywood, that was successfully tested in scale 1:1.
The Disk Lock Model shows a 1:1 prototype of 4 cassette sections coming together and manually tied together first, with a square disk and secondly, with a diamond disk and spiralling lock mechanism. The model was interesting in revealing the importance of getting four cassettes these dimensions perfect. Our first attempt was not a Align meeting each other. successful. After glueing together the cassettes, they did not seem to retain their exact shape. We suspect this was due to the mitre joints at the centre which aren’t so easy to achieve unless you have very precise tools at your disposal. In addition, the disk locks were laser cut to size however, they did not allow tolerance for the unpredictability of the cassettes.
so that the correct notches are
Place square guide disk roughly in place and adjust cassettes so that disk can slide on smoothly.
Place square guide disk in place.
Grab the diamond disk, ensure the disk is orientated correctly. It has a specific way to go in. The notches are sized to ensure the spiralling cut in the disk can rotate around it.
Place the diamond disk relatively in place. This is your chance to nudge the four cassettes with some force so that they are tight up against one another.
Ensure diamond goes in cleanly. Continue to ensure cassettes haven’t separated.
Begin locking disk by twisting it clockwise. Second person should ensure the cassettes are not separating.
Disk is now locked. All four cassettes are now rigid and immovable. They structurally act together now.
However, after a few more hours in the workshop, we managed to resolve the issue. The next page demonstrates the process of applying the disks and locking the 4 cassettes together.
_ATA REPORT 2016-2017 _GROUP 12 _THE LIPARI RETREAT
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Disk lock presents an aesthetic feature as well as practical solution
Physical models (timber & MDF), Rhino, MicroStation, and Illustrator
EXPLORING
Freidrich’s painting may suggest an unclear future (of the, at the time, emerging Industrialisation) but also a call for endeavour, adventures and exploration of the grand. Now it is time to rediscover and re-engage in post-industrial landscapes which has been abandoned and forgotten. It is time we dealt with the mess that was left behind - because the mess is grand in itself.
UNIVERSITY PROJECT - SOLOMON’S HOUSE
The field trip to Sicily, Aeolian Islands and Venice was an incredible adventure. And just as in any exiting story you learn new things as well as experiencing them. Through meetings with local characters and new findings we are set for more profound investigations.
AGENDA
Sketchup and Photoshop
SOLOMON’S HOUSE - PROGRAMMATIC STRATEGY Lipari Volcanic Island; Site Masterplan (Original drawing: Scale 1:1000 at Quad Demy format [889 × 1143 mm])
Stage and Decking area
Botanic Garden
Botanic Garden entrance
Seating area Parking A
Waterfront
Main path/the Aorta
A
Fibonacci Hill
St Bortholomew’s Pavilion
Solomon’s House
Collapsed Volcanic Crater Rim
The Almond Shelf
N To Lipari Town
Dune of Flowers
Horticulture Hill Orange Plateau
Fibonacci Hill
Sketchup, Rhino, and Photoshop
RKSHOP WORKSHOP JONGO Workshop, Rio De Janeiro, Favela Serrinha
I was invited by Aberrant Architecture to parJaneiro, Favela Serrinha ticipate and guide this two-week workshop
in Rio, together with Studio X of Columbia go, Afro-Brazilian sing, dance and University, New York.
Vernissage in the Studio X’s facilities.
Students from (University of the Arts London)
Central Saint Martins PUC (Pontifícia n between (University of the Arts and London) Central Universidade Católica do Rio de Janeiro) Studio X (Columbia University, NYC) and PUC (Pontifícollaborated to design interiors and interacJaneiro). tive furniture for an Afro-Brazilian cultural music equently) understanding of the Afro-Brazilian culture, and dance school. The workshop sought to l interactive encourage interiors to the encourage practice of practice the of Jongo, a culture
PUBLICATIONS & GUIDANCE
deriving from Angola.
his culture school wasintroduced housed, inand theeducated favela of by the We were uced to the local culture of Jongoin–the thepractice music and the in a community of Jongo has been assigned new, larger facilities, (currently series of presentations before we visited the ela) by the school City of inRio. We got to visit the site where Favela Serrinha. Together we worked in the workshops of PUC
withto thedesign students evenersons, and university were asked an design interior,and inspired tually held an exhibition in facilities Jongo. Out prototypes were supposed to be provided interacUniversity Columbia. song, dance,bymusic andof teaching.
w on wheels with a built-in rainstick (the instrument) ded on a wire) that made sounds when rocking the to ‘dance around’ on the schoolyard and the facili-
Work PUC
PUBLICATIONS A Collection of my Documents RIBA Presidents Medal Award Nomination I read and I write. I think with my pen - in the form of both text and illustraitons.
Documents
RIBA President’s Medal Award Nomination Learning from the Favelas?
Can spatial regenerative strategies for political and social integration be a source of knowledge for the formal city?
Advanced Digital Design Technology
Generative structures - An exploration of Structural Optimisaiton with Parametric Tools
Highest Mark.
Frozen Timber
Unit 04 Logbook; Agoruna Culture House
Highest Mark. The book been used as guide to Unit 04
Applied Technology in Architecture Lipari Retreat - The demountable Building
Unit 04 Research Book Kiruna Integrated Design Studies Technical report
Kiruna Reseach File Kiruna in the Global Context
Kiruna Travel Book
Collective and personal reflections from the field trip
Postindustrial Landscapes - Solomon’s House Architectural design & Stories from a Mediterranean volcanic arc
ARTI GREEN DESIGN Green Living, Preserved, and Artificial Walls
OTHER PROFESSIONAL DESIGN & CONSTRUCTION WORK
From time to time I help Arti Green with design and illustrations for their projects. The company installs green walls and planters for both internally and externally. The preserved plant wall panels and moss walls use only natural vibrant green materials such as preserved bun moss, reindeer, moss, ferns, papyrus, amaranthus, eucalyptus and genarium plants for maintenance free biophilic design. Numerous studies have concluded that the use of natural greenery in the workplace can improve productivity, reduce stress and improve general well-being. Clients vary from offices, to commercial activity, restaurants, but also private homes. Arti Green provides several different types of green walls and planters, including high quality artificial ones for clients who wants to minimize maintenance. The artificial walls have both the highest fire ratings, and the most UV resistant products on the market.
Lido & Sport Centre, Åkeshov 2x25m indoor swimming pools Children’s pool & play area Bowling 2 Indoor sports halls Saunas and changing rooms
Offices & Kindergarten, Lilla Essingen Nursury White Villa Renovation and extension. Insulation of extension (Rockwool; RAINSCREEN DUO SLAB) Plastering and Rendering of façades. System: Weber Serporoc
Blockwork system: Leca lightweight Plastering and Rendering of internal faces Plaster system: Weber Serposol EF (Elastic Fiber)
Bricklayer Projects: Craftsman & Team Manager Villa Gazebo Gate, Royal Djurgården National Monument from 1871 Residential Housing Block, Liljeholmen 143 Apartmens. Total area:11,116 sqm Commercial area: 375 sqm
Maintenance & Renovation Plastering and Rendering of interior walls Rendering system: Traditional Lime render
Brick cladding on ground floor, rendered facade. Insulation: Rockwool Rainscreen Duo Slab Render System: Weber Serporoc
Citadel Kastellet, Kastellholmen National Monument from 1848 Maintenance & Renovation
School, Hammarby 550 students
Plastering and Rendering of interior walls Rendering system: Traditional Lime render
Brick cladded facade 5 different bond patterns, juxtaposed 262 unique brick beams
Shipping Warehouse & Wharf, Gustavsberg Gustavsberg Porcelain Production Plant from 1863 Renovation & Conversion to residential housing 54 Apartments Internal Insulating blockwork system: YTONG Autoclaved Aerated Concrete Blocks Plastering and Rendering of new and existing interior walls and facade with Traditional Lime render External renovation of brick facade Concrete casting of new floor slabs