Jose Luis Delgado Architecture and Design Portfolio by Jose Delgado

Design + Portfolio

Jose Luis Delgado

2021

Professional Work Clyborn Home Project Completed: 2018 Collaboration: Golden Arrow Inc. Software: Revit

4-7

Crossfit DTA 8-9 Project Completed: 2019 Collaboration: Harvest Architecture Software: Revit

Hello, My name is Jose Luis Delgado I am an architecture graduate from Woodbury University. The following is a collection of projects that reflect my passion and appreciation for architecture and design. I hope to contribute the same passion to your firm. Thank you and enjoy. jdmoderndesign.com jose@jdmoderndesign.com ii

Woodbury University Projects The Sunset Studio: 3A_Fall 2014 Professor: Michal McDonald, AIA Software: Revit, Rhino, Grasshopper Parametrics, Twinmotion Rendering

10-15

Le Arbor Retreat Studio: 4A_Fall 2017 Professor: Robert kerr Software: Rhino, Adoby

16-21

San Pedro Coastal Park Studio:2B_Spring 2014 Professor:Mark Ericson Software: Rhino, Twinmotion, Adobe Photoshop, Illustrator

22-25

Purlieu Odyssey Dwelling Studio: 3B_Summer 2016 Professor: Deborah Richmond Software: Rhino, Grasshopper Parametrics

26-29

The M.O.C.A Box Studio: Progam & Space_ Spring 2013 Professor: Casey Hughes Software: Rhino, Adoby Illustrator

30-33

Bowtie Bench Studio:4B_Spring 2016 34-39 Professor: Jeanine Contouri / Oscar Corletto Team Members: Anthony Roddrigez, Helmer Douglas, Aaron Castaneda and "I" JoseLuis Delgado IN Motion, In Space 40-43 Studio: Design Communication_ Spring 2013 Professor: John Brockway Software: Rhino, Adobe After Effects From Sound to Form Studio: Degree Project_Spring 2017 Professor: Joshua G. Stein Associate: Ross Hansen

Sound and Terracotta Studio: Degree Project_Fall 2016 Professor: Joshua G. Stein Associate: Ross Hansen

48-49

Figure Drawing Artist: Jose Luis Delgado

50-51

44-47

iii

Clyborn Home This Tuscan home style design is as much about simplicity as it is about the strategic use of plaster, wrought iron, recycled wood and space. Vaulted ceilings, plastered walls and old timber for frames and ceilings to bring us back to Europe even if located in North Hollywood.

Property Information Project Completed:2018 Collaboration: Golden Arrow Inc. Located in the NoHo Arts District TYPE: Single Family Residence SIZE: 2,033 SQFT 2# OF STORIES: 2 BEDS: 3 BATH: 3.5 Revit

LOT OF T PAR NO T CO P E S E ALL

POST ICAL ECTR (E) EL

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CHERRY BLOSSOM TREE

E SCAP LAND 82 SF 297.

PER PRO

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CON

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FIRE

SCAP LANDE 45 SF 744.

Actual North

BL VD

Site Plan

VD R BL

CLOSET

AN DL ER

BL VD

CLOSET

(N) BALCONY

(E) BATHROOM

(E) KITCHEN

UE EN AV N(N) BEDROOM #2 R OU YB CL

(N) BATHROOM #2

(N) KITCHEN

VD BL

2 W

(N) GARAGE

(N) FAMILY ROOM

DLE HAN

001

VD BL

002

004

001

002

003

004

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AXON - SOUTH WEST VIEW

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AXON - SOUTH EAST VIEW

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MAIN LINE

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(N) BEDROOM #1 DN

(E) DEN

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(N) RM

(N) LAUNDRY

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(N) BATHROOM #1

12/25/2018 7:21:21 PM

First Floor Level 1

AXON - NORTH EAST VIEW

S h e et

3D PER VIE

WA Y

Second Floor Level 2

AXON - NORTH WEST VIEW

002

001

PROPERTY LINE

003

PROPERTY LINE

004

Elevation 004

2 a. FAMILY ROOM b. PRIMARY KITCHEN c. MASTER BEDROOM d. MASTER RESTROOM e. STUDY f. SECOND KITCHEN

b. a.

Section 6

BEHR PAINT- ENGLISH CHANNEL -PPU 14-19 BEHR PAINT- BLACKOUT - N510-7 BLACK TRIM MULLIONS EXISTING BLACK TILE

Cross-fit DTA Cross-fit DTA is a highly energetic and community driven gym. It is centralized in the Downtown Alhambra district. The goal was to reintroduce new life as we retrofitted weight lifting, gymnastics, and aerobics into this sleeping structure while maintaining and celebrating its historic detailing. Project Location: Alhabra, California Project Completed: 2019 Collaboration: Harvest Architecture Revit

D I M E N S I ON S A N D E L E V A T I O N S HEIGHTS AR E NOT B ASED ON A P R OF E S S IO N A L A S- B U IL T S U R V E Y A ND S UB JEC T TO C HAN G E UPON FUTUR E FIELD MEASUREMENTS

STAM

2 A4.5

ARCHITECT HARVEST ARCHITECTURE 1510 OXLEY STREET, SUIT A SOUTH PASADENA, CA 91030 (626) 799 - 1078

D I M E N S I ON S A N D E L E V A T I O N S HEIGHTS AR E NOT B ASED ON A P R OF E S S IO N A L A S- B U IL T S U R V E Y A ND S UB JEC T TO C HAN G E UPON FUTUR E FIELD MEASUREMENTS

STAM

2 A4.5

DESIGNER

HARVEST ARCHITECTURE 1510 OXLEY STREET, SUIT A SOUTH PASADENA, CA 91030 (626) 799 - 1078 Golden Arrow Inc. 9682 HEMLOCK AVENUE FONTANA, CA 92335 909.714.2628

(N) OFFICE / STORAGE

T.O. PARAPET BACK 18' - 8"

ARCHITECT

A4.5

DESIGNER

140

3 A4.5

1 269

269

P ro je c t N ame: and

(N) OFFICE / STORAGE

Section 7

3 / 1 6 " = 1 ' -0 "

3/11/2019 4:32:48 PM

12" MAX.

FOLD UP SEAT

24" MIN.

P ro je c t N ame: and

5' - 0"

A4.7

9 3/4" 5' - 9 1/2"

4 ROGUE ABRAM GHD2.0. SEE ATTACHED EQUIP. LIST REF. ITEM #5 (6'x3.75') (22.5SQFT x 10 =225SQFT TOTAL)

ø 5' - 0"

A4.7

ø 5' - 0"

BENCH

18" MIN. 11

4' - 6"

(E) POST CONSEALED WITHIN WALL

6 1' - 3" 1' - 3"

SOFFIT ABOVE TO REMAIN

A4.7

2' - 6"

126

123

WOMENS RESTROOM

2' - 6" MENS RESTROOM

1' - 0 1/4"

129

6x6

130

ROGUE GAMES BOX. SEE ATTACHED EQUIP. LIST REF. ITEM #418 BOXES (20"x24"x30")

3' - 0"

8' - 0"

A4.8

18" MIN.

42" MIN.

ø 5' - 0"

3' - 0"

5' - 9 1/2"

4' - 0"

30"X48" CLEAR FLOOR SPACE FOR ACCESSIBLE FOUNTAIN

A4.8

Floor Plan

REPAIR STOREFRONT WINDOWS AS NEEDED BY CONTRACTOR

(N) ENTRANCE DOOR

STORE FRONT WINDOW

32" CLEAR WIDTH AT DOORWAYS, TYP. PER 11B-404.2.3

30"X48" CLEAR FLOOR SPACE IN FRONT OF EACH SINK

ADA Restroom

A4.5

12" MIN.

4' - 10 1/4"

18" MIN.

3' - 0"

A4.5

3 / 1 6 " = 1 ' -0 "

3' - 0"

PROPOSED BUILDING SECTIONS

7' Section - 10 1/4" 6

SHOWER (B)

3' - 0"

5' - 11 1/2"

5' - 5 1/2"

1' - 6"

S h eet N a me:

3 / 1 6 " = 1 ' -0 "

FOLD UP SEAT

SHOWER (A)

ø 5' - 0"

5' - 0"

CL 8' - 0"

42" MIN.

1' - 6"

PROPOSED BUILDING SECTIONS

Section 6

3 / 1 6 " = 1 ' -0 "

REVISION DATES S h eet N a me:

138

12" MAX.

3/11/2019 4:32:48 PM

Section 7

REVISION DATES

CONCEPT 2 MODEL D ROWER. SEE ATTACHED EQUIP. LIST REF. #3 (5 ROWERS) (2' WIDE AND 1.5' SPACING BETWEEN ROWERS TOTAL AREA 268 SF

3 24" MIN.

Front Section

BACK LANDING 2' - 8"

269

PROPOSED FLOOR SPACE

12" MIN.

138

136

Rear Section 3

(N) OFFICE / STORAGE

BACK LANDING 2' - 8"

269

PULL UP RIG: SEE ATTATCHED EQUIPMENT LIST REF. ITEM #1SPACE TOTAL 432SF

136

STALL TO COMPLY WITH FIGURE 11B-604.B.1.1.3(b)

STANDARD ROLL IN TYPE SHOWER COMPARTMENT PER 11B-608.2.2

STALL TO COMPLY WITH FIGURE 11B-604.B.1.1.3(b)

T.O. PARAPET BACK 18' - 8"

Project 0001

12' - 8"

269

T.O. PARAPET BACK 18' - 8"

Project 02/26/2019

PLAN CHEPCLKAN CHECK SUBMITTSAU LB SEMTITTAL SET 3

Checked MM

Drawn JD Drawn JD 1 A4.5

CROSSFIT GYM CROSSFIT GYM

A4.5

ROGUE WEIGHT LIFTING PLATFORM, SEE ATTACTED EQRIPMENT LIST REF. ITEM #6 (8'X8') (13SF X 4 = 39SF)

1 A4.5

(N) ELECTRICAL PANEL LOCATION

A4.5

(E) WALL TO REMAIN

REPAIR WINDOW AS NEED BY CONTRATOR

13 A4.7

3 / 1 6 " = 1 ' -0 "

14 A4.7

Section 5

(N) HIGH / LOW DRINKING FOUNTAIN

12 A4.7

Longitudinal Section

3 A1.7

3 / 1 6 " = 1 ' -0 "

MEN'S RESTROOM

109

Section 5

10 A4.8

126

BACK LANDING 2' - 8"

WOMEN'S RESTROO M

(N) SHOWER

Checked MM

109

BACK LANDING 2' - 8"

101 E. MAIN STREET Project 02/26/2019 101 E. MAIN STREET Project 0001 ALHAMBRA,91801 CALIFORNIA 91801 ALHAMBRA, CALIFORNIA

12' - 8"

126

Golden Arrow Inc. 9682 HEMLOCK AVENUE FONTANA, CA 92335 909.714.2628

140

SHOWE R

(N) SHOWER

SHOWE R

(N) OFFICE / STORAGE

T.O. PARAPET BACK 18' - 8"

The Sunset The Sunset Project is a contemporary multicultural housing unit. The Project seeks to find meaning of form and dwelling form the comparison that juxtaposes interior vs. exterior space, public vs. private spaces, community vs. the individual, and traditional vs. non-traditional families.

ROOFTOP GARDEN (GATHER, STRETCH, RELAX AND FEEL THE SUN)

DINNING

RESIDENT LOFT

RETAIL SHOPS

PUBLIC PARKING

PRIVATE PARKING

Section 12

On the left is the sun within a mass. This form was inspired by solar flares in space. this design hopes to inspire connections within diverse communities. such that a sun reaches its light across the galaxy.

On the right is the project site on Sunset Blvd. Located in the heart of Silverlake, Los Angeles. This area is rich in pop culture, cafes, record shops and an exuberant nightlife. Site Plan

public link

e. d.

private mass

Massing Diagram

a. Entrance b. Atrium c. Cafe d. Retail Shop e. Receptionist Desk f. Confrence Office g. Library Stacks h. Lounge area i. large couch j. Restroom

j. h. j.

First Floor Level 13

Le Arbor Retreat The Le Arbor Retreat is a mixed use housing and community center. This project is located in the diverse city of Eagle Rock California. This regional area's climate consisted of desert heat and rocky hillsides. The project was developed through an analysis and response to the site, the design of massing and orientation, envelope and aperture, passive heating and cooling and daylighting strategies.

Aerial Photo: The project site is an island in an urban sea.

NORTH

WIND PATH

PLACING TREES TO CREATE A WIND PATH THROUGH THE PROPOSED MASS

SITE

TREE PLANTING

Massing orientation in response to site and wind direction. 18

Tree & Structure Elevation

Floor Plan Level Three

South Elevation

Floor Plan of Ground Level 19

RETREAT

Section of the Passive Environmental Systems collecting air and dispensing heat through its center vents. The spouts act as gathering areas while allowing light to penetrate the core.

Passive Environmental Systems: The facades outer skin is given a wood timber louvered system to reduce the passage of solar radiation while maintaining natural light. 21

San Pedro Coastal Park The development of this project was created through the use of a systematic program that was governed by the properties of inflection or to inflect. This systematic program was developed from the pre-existing contours that influenced to inflect and respond own properties; while simultaneously, extracting the designer from the form. This processes gave way to a very spontaneous and organic form. This form was then take to a new transformations when the form was ask to accept a scheduled program.

San Pedro Coastal Park The architectural strategy is to identify zones within the site and notate its relationship to its surroundings. After studying the zones properties a directional path establish and vector force is created. Vectors are forces that can only move in a single direction until an opposing force collides with the force changing its path. The change in direction is identified as an STUDY inflection, DRAINAGE furthermore, theSHADOW point of coalition is called the inflection point. In final, the goal in this project is to identify forces find its directionality, then establish how one force will effect to another to create harmony among the site. ∞

ORGANIZING GEOMETRY

ORGANIZING STRATEGY VEGETATION

VEGETATION

ORGANIZING GEOMETRY

DRAINAGE

PROGRAM

ORGANIZING STRATEGY

VEGETATION

PROGRAM

DRAINAGE

SHADOW STUDY

INFLECT: The rise and fall of a wave such as a sound wave or micro wave.

SAN PEDRO ATHLETICS CENTER, The development of this project was created through the use of a systematic program that was governed by the properties of inflection or to inflect. This systematic program was developed from the preexisting contours that influenced to inflect and respond own properties; while simultaneously, extracting the designer from the form. This processes gave way to a very spontaneous and organic form. This form was then take to a new transformations when the form was ask to accept a scheduled program. The architectural strategy is to identify zones within the site and notate its relationship to its surroundings. After studying the zones properties a directional path establish and vector force is created. Vectors are forces that can only move in a single direction until an opposing force collides with the force changing its path. The change in direction is identified as an inflection, furthermore, the point of coalition is called the inflection point. In final, the goal in this project is to identify forces find its directionality, then establish how one force will effect to another to create harmony among the site. ∞

VEGETATION

PROGRAM

DRAINAGE

SHADOW STUDY

JOSE LUIS DELGADO_STUDIO 2b_ PROFESSOR ERICSON

INFLECT: The rise and fall of a wave such as a sound wave or micro wave.

DRAINAGE

INFLECT: The rise and fall of a wave such as a sound wave or micro wave.

SAN PEDRO ATHLETICS CENTER, The development of this project was created through the use of a systematic program that was governed by the properties of inflection or to inflect. This systematic

SHADOW STUDY

INFLECT: The rise and fall of a wave such as a sound wave or micro wave.

80’ 70’ 60’ 50’ 40’ 30’

A. PARKING LOT B. BASKETBALL COURT

20’ 15’ 10’ 5’

C. POOL D. FIRST AID

0’

E. LOBBY F. EXERCISE ROOM G. MENS RESTROOM J. WOMENS RESTROOM

L. WOMANS SHOWER M. BOAD STORAGE N. MECHANICAL ROOM O. ADMINISTRATION OFFIC E.

P. SNACK BAR C.

M. F. L.

JOSE LUIS DELGADO_STUDIO 2b_ PROFESSOR ERICSON

K. MENS SHOWER

K. A.

G. N.

C. J.

A. PARKING LOT B. BASKETBALL COURT C. POOL D. FIRST AID E. LOBBY F. EXERCISE ROOM G. MENS RESTROOM J. WOMENS RESTROOM

JOSE LUIS DELGADO_STUDIO 2b_ PROFESSOR ERICSON

K. MENS SHOWER L. WOMANS SHOWER M. BOAD STORAGE N. MECHANICAL ROOM O. ADMINISTRATION OFFIC P. SNACK BAR

Purlieu Odyssey Dwelling "Transitional dwelling to unite the world" This pod was developed to provide refuge to youth age transitioning out of the foster care system. This intricate collapsible design is created to be affordable and can be transported using only a bicycle. By detaching the structure from the ground to free itself from permanency we can liberate the structure from a costly union to one plot of land. Unlike traditional fixed construction this dwelling pod is not bound to the location it was built. It can quickly be assembled and disassembled making a perfect asset for disaster relief. When a ventilation system is activated, the dwelling pod swells into shape like a modern age textile flower. The pods structure is a lightweight inflatable exoskeleton that provides rigidity while creating a weather proof protective skin.

M.O.C.A. Box Welcome to the Museum of contemporary Art. Inspired by the influence of Le Corbusier’s philosophy of isolated free forms and a study precedent of Herzog and De Meuron’s The Vitra Haus. In this Project I sought to allow the arch's influences to lead the design.

The arches are stacked in a way that the crashs between the forms justified the design and the complicity of the space.

Nor

M.O.C.A. Box th S

d ar ev

an ard lev Bou nte Vvice

a nt

ica

Pacific Design Center

Melrose Avenue

r th

nu Ave

San ard lev ou eB ent Vvic

North Robertson Boulevard

ose Melr

North

a nt

Site

West Hollywood Park d ar lev

i on

The site shares a lot at the pacific design center located in the West Hollywood region of Los Angele, California

The building was constructed out of solid forms that were then stacked to then give the impression of random placement. Then found that the sporadic placement was caused by the desire to separate ones self from the work to have the form admired for the beauty and its Presence. 32

Section

Floor Plan lower level

Floor plan ground level

Floor plan Second level

North West Axonometric

North East Axonometric

South West Axonometric

South East Axonometric

North West Axonometric

North East Axonometric

South West Axonometric

South East Axonometric

North West Axonometric

North East Axonometric

South West Axonometric

South East Axonometric

South West Axonometric 33

Bow-tie Bench "Bow-tie Park Bench projects seeks to welcome a passerby with interactive engagement to the park."

PROGRAM DIAGRAM SIT

LAY

LEAN

RELAX WORK

The project was a 2016 Woodbury architecture student project of four. The team included Anthony Rodriguez, Helmer Douglas, Aaron Castaneda and "I" Jose Delgado. Working together the project was built for the Bow-tie parcel as part of the Agency for Civic Engagement (ACE) Spring Design Studio. "The primary goal of the studio is to explore the potential of low technology, high impact design interventions as a means of better understanding community needs along this future public park site in Northeast Los Angeles." 36

1/2”

Washer

1/2”

Hex Nut

4x11 Timber

1/4” Steel

MATERIAL DIAGRAM Wood and Steel Structure

4'-7"

- 1/4”

- 4 x 11 Timber Steel

- 3/16” Steel 5"

1'5"

Hardware - 1/2” x 3” Hex Bolts - 1/2” Hex Nuts - 3/8” Lag Bolts

4'-7" 5"

4'-4"

4'-6"

/2"

3 1/2"

8'-6"

Cost Estimate Site A, B & C Quantity

20.25 137 1 4 12

Price

$ $ $ $ $

82.00 19.00 136.00 55.96 9.98

Total

$ 1,660.50 $ 2,603.00 $ 136.00 $ 223.84 $ 119.76

/2"

Unit

Linear Foot Each Each Case of 2 Roller Kit

Size

4 x 12 x 20' 1/8 x 3 x 36 5 Gallon Gallon

1 1/2"

Material

Wood Metal Wood Sealer Paint (Red) Brushes

(NEW) 1/4" x 3 1/2" FLAT BAR STEEL

4'-

$ 4,743.10

4'-

TOTAL

/2"

Cost Estimate Price

$ $ $ $ $

82.00 19.00 136.00 55.96 9.98

TOTAL

Total

$ 1,246.40 $ 1,919.00 $ 136.00 $ 167.88 $ 119.76

15.2 101 1 3 12

Quantity

Unit

Linear Foot Each Each Case of 2 Roller Kit

6'-

Size

4 x 12 x 20' 1/8 x 3 x 36 5 Gallon Gallon

7'41

Site A & B Material

Wood Metal Wood Sealer Paint (Red) Brushes

8 1/2"

$ 3,589.04

5'-0" 4'-1 1/2"

1'-7"

4x11 Timber

5" 2'-

2'-

/2"

3 1/2"

/2"

2'-

(NEW) 1/4" x 3 1/2" FLAT BAR STEEL.

1/2” x 3” Hex Bolt 1/2” Washer

2'-

MATERIAL DIAGRAM Wood and Steel Structure

- 4 x 11 Timber - 1/4” Steel - Hardware - 1/2” x 3” Hex Bolts - 1/2” Hex Nuts

3/16” Steel 1/2” x 3” Hex Bolt 1/4” Steel 1/2”

Washer

1/2”

Hex Nut

4x11 Timber

1/2”

Washer

1/2”

Washer

1/2”

Hex Nut

BOW TIE PROJECT - SITE(B) - STEEL

12'-4" Scale @ 3/4" = 1-'0"

1-3

/4"

1'6"

2 '0"

3'-6"

3 1/2"

2'0"

A.1

3'-6"

LUMBER

3'-7"

1'-

3'-7"

3 /16" x 3" CENTER CUT-TYP.

A.2

31 6'-6"

3 1/2"

/2"

6'-6"

A.1

CUT @ 60 - TYP.

LUMBER DETAIL /2"

STEEL

0" 1'-

1'-

7'-7"

BOW TIE PROJECT- SITE(A)

Scale @ 1/2" = 1-'0"

A.2

STEEL DETAIL

3 /16" FLAT BAR STEEL 0"

1'-9"

2'-2"

7'-4"

Scale @ 3" = 1-'0"

CUT @ 60 - TYP. Scale @ 1-1/2" = 1-'0"

In Motion, In Space BIO-MIMICRY "Science itself is dependent on repeatable and MEASURABLE occurrences and is a system which allows for the determination of logical ideas of causality in the world" - Stephen Turk on William Forsythe's 'One Flat Thing.' This project explored the roles of mapping and notation in the realm of spatial representation. As a media we used stop-motion photography, as pioneered by Etienne Jules Marey and Eadweard Muybridge, in the analysis of the intricate algorithmic choreography to be found in William Forsythe’ s One Flat Thing.

Interpret / Human Subject Phillip Snow / Body in motion 41

Mass vs. volume / negative & positive

Mass vs. volume / waffle

Mass vs. volume / skin

Waffle study of mass

From Sound to Form UNDERSTANDING YOUR ENVIRONMENT THROUGH SOUND “Acoustics follows materiality as a complement to presence. As an example, a person whom is blind folded and standing in a middle of an open room can still be aware of the span of a space.”

By understanding sound in relationship to the built environment I hope to enhance the architectural experience beyond sight. When engaging sound during the design phase we can design to activate one’s focal auditory field, we can distinguish direction for the blind, and we can enhance sense of place within one’s own mind before ever activating visual sensory. By combining the study of Don Ihde and Kenneth Frampton I hope to open new possibilities, and shift the way we view architecture or in this case hear architecture. With the aid of digital design/ digital fabrication we can now design beyond our 2 dimensional dependent visual field and replace it for a spherical build environment.

Philosophers such as Frampton[1], have theorized that there is an underline connection between materiality and human presence. Frampton believes that the human presence is the link between the physical and nonphysical world. In his theory of the visual and tactile, both visually and the other human senses should take a part while designing. The correspondence between all senses makes architecture deeper and one of a kind. This concept supports the usage of all materials which marks all senses and that will allow variable emotional reactions. To complement our normative visual experience by redirecting the tactile range of human perceptions. For example, we are using the theory that Frampton has presented in front of us and we are moving beyond the

crutches of sight to develop architecture. We are developing via our tactile range specified to sound which in return will evoke a wider range of human perception towards the development of architecture. Experience from seeing, hearing and feeling things from everyday life has made it possible for a person to have dimensional awareness and yet without even realizing you have the potential to see things through sound. Ihde states “I also note that I can switch my focal auditory “ray” from one sound to another without even turning my head. I can discern the sounds from the window to my right and from behind the irksome whine of the stove fan motor. My auditory field and my auditory focusing is not isomorphic with visual field and focus, it is omni-directional. In the shape of the auditory field, as a surrounding thing, the field-shape “exceeds” that of the fieldshape of sight”. [1]Beyazlı, Mehmet. "“Six Points for an Architectural Resistance Frampton “." Mehmet Beyazlı. N.p., 29 May 2015. Web. 02 May 2017. [3]Ihde, Don. Listening and voice: phenomenologies of sound. Albany, NY: State U of New York Press, 2007. Print.

Sound and Terracotta Ambiance Sounds “People have the ability to filter through sound”

HIERARCHY OF FOCUS “The understanding of the hierarchies of a persons focus threw the use of materials.” STUDY FORMULA Programmer + Media = Output PROGRAMMER is sound source, refection and deformation. MEDIA is the material manipulation that causes sound deformation.

CLAY PRINTING PATTERNS

END

LAYER 1

LAYER 1 LAYER OVER LAY

END

START

LAYER 4

LAYER 3 END

LAYER 2 Sound relationship to layer 3 & 4

LAYER 2 START

END

START

END

START

LAYER 2

END

START

END

START

LAYER 3

START

END

START

END

START

LAYERS REPEAT LAYER 4

LAYER 3

START

START END

LAYER 1

LAYER PATH

LAYERS REPEAT

Sound relationship to layer 1 & 2

LAYER 4

END

START END START

LAYER 2

CLAY PRINTING PATTERNS

END

LAYERS REPEAT

to the surrounding sounds such as the tapping of shoes, the shuffling of papers, and the breathing of someone next to him, his recorder caught it all. Playing back the lecture you can distinctly hear everything he states because the recorder doesn’t have the ability to decipher the hierarchy of focus. In this conductive study, he learned that people have the ability to filter through a plethora of sounds from that of which capture their attention leaving the person unaware that ambiance sounds even exist.

LAYER PATH

LAYER PATH LAYER PATH

START

CLAY PRINTING PATTERNS

According to the research conducted by Don Ihde[3], Chapter 6 “The Auditory Field”, he writes of his experience during a presentation lecture and a recording. It was at this time that he noticed a differences from being present for an audio speaker to the time after when he reviewed the record from his audio device . Ihde observed how a person’s perception and focus can be directed on a single person in the auditorium. Present at the lecture he was oblivious

LAYER 1

LAYER OVER LAY LAYER OVER LAY

LAYER OVER LAY

Art of Anatomy The study of anatomy is so much more than naming parts and understanding their function; it is the celebration of our wondrous physicality in the world. "Seated in front of a subject, make a series of drawings in rotation, observe how the functions of the body create movement." The drawings life and movement are given by the illumination of only those elements essential to the view.