ESC Vol 1 Issue 3

5 volume 1 issue 3

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March 2014

caution: wet paint THIRTYFOUR AUG 2014

www.thirty fo urmag. co m

T A B L E O F C O N T E N T S

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T H E C U R R E N T Y O U S E L E S S why young people aren’t part of the plan for ATL

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cool places to break into

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K I L L E D

THE VIDEO STAR GPB and the demise of the

student

voice

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C I S U M T R A T I L

urban sprout farms 2200 reynolds dr • atlanta, ga FREE ADMISSION nov 15, 12—6pm P R E S E N T S

U r b a n

E x p l o r i n g

P u l l m a n

Y a r d

Pullman Yard is an abandoned train yard in Edgewood near the MARTA station. Walk around front by the know where you’re going until you round the corner at the end into the

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tracks, follow the sidewalk like you

gravel alley. Walk down, the fence is cut.

It’s

always

cut.

There’s

a

plywood walkway over all the nails and broken glass. Wear shoes, duh.

Lots of murals and strange heights and corners to explore. Don’t be an idiot, watch for police. Pretend to be

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taking pictures if you get caught.

escmag.com/events

Chomp & Stomp Chili Cookoff in Cabbagetown Nov. 1, 2014. $5, AYCE Chili

#weloveATL Photo Gallery Ponce City Market Oct. 3—Oct. 30 IT’S FREE

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Phil Jones of Dog Bite @ indieATL

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e li c eg ub o ll P c e g ia fre t eo st G n sn’ i is oe ga s d a i a is Th et t Th nd it. the e is ow ’s V n L g in AT ek die sw d ia n i a me S, d ia A e R U m n GS h W gu n wit e u r h p r t ntsto de de n u dy t u s e ree m g t x o ne h is o c nt d r t n e a de u uc t r d s cke pro the Be k ow r a h M is 14 . of 20 h is n T i s. nt a nie tla o r A c in ies d ice vo

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usic t run m n e d u t s local TL is a shoot indieA e W el. ch a n n rough video ds th n a b al AS . nation d WR and n a s ent g ag time is bookin Studio . o t d e u se ming PB co Well, w G h it w m p now progra hard u e and c u d o ntent d to pr aroun inal co ig r o f o ract h o urs S cont the 12 A R W o ur now, y that p e r da for. So e n li on the io to p ut u s e stud h t g sin d of u videos instea ance m r o f r e live p , we’ll ba n ds make l a n io at ere l and n mewh o s of loca p o p sh these o set u have t ducing o r p p ing: o kee the th else t ’s e r he n . And r be e videos e eve v a h of us yone . Ever non e y e n o m a g any os is makin e vide s e h t akes ic or s m us who m e v lo ho hy eer w tograp o volunt h p r ion o o duc t film pr

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Flute a Pan d n a n Fau al 2014 Festiv m il F a ision Atlant nd + V u o S L T indieA esc

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ea for e an id v a h u yo ou are tever. If lp us, y o r wh a e h o t do crew ou can w h at y cepted c a d n ’s ome a w that a welc B ut n o .

L T A die er of in ndomly memb a n d ra ly s u io ignifimyster m os t s we’ve r u o — AS inf f WR lture— sold o e nt c u d u t s f . iece o as well c a nt p e gun h t r e d re falls un crew a dieATL d his n a r e d if Beck ol to fin It ’s as h e sch o t h g u o t ing thr s tu d e n sweep ms of a r g o r d gue p ut a n any ro eep o w s o ” ers t e . volunte t i z e rn a o n he alte “ m ol for t o h c s r it to this emeste I came ver y s e d n a ore lture, and m tive cu more t e g en we up of m se e m s g a gro in v a h field d on d on a fo c u s e he hea t in r e ball. h oth hit eac a

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indieATL

has

been

the

most

important place for me in college to date. The people I’ve met, the skills I’ve learned, it’s an invaluable experience. And I work my ass off to make sure it happens. It’s student run, so we have to show up for anything to get made. Whatever idea you can come up with, the crew is at least willing to try it. It’s a creative playground for students

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and faculty to work together to make amazing professional grade video. All of the opportunities that have come to me from working with this team have already manfiested in my life, and I’m not even a senior yet. What GPB is doing to WRAS and indieATL is completely despicable. Teaming up with a bunch of money-hungry administrators at Georgia State to eliminate student programs under the

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guise of progress is a total sham.

AJ Holder: Editor/CamOp, Age 21

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