John Trevor B. Arch Portfolio

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JOHN PALMER TREVOR

restraint

invention

contrast

exploration

case study

interpretation

building systems

community

travel

contents

This design is an exploration of the eloquence and beauty afforded by restraint. Inspired by the need for a simple pavilion that would not compete with the art on display, I arranged a series of planes set into the landscape at right angles to one another. By testing each iteration with sequences of perspective sketches, I refined the plan so that it supported the informal circulation of the park. In the final state, a balanced composition of open and closed, indoor and outdoor spaces invites park visitors to walk through with the freedom to follow their own curiosities.

Fall 2007

211 Studio

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Planar Pavilion Laumeier Sculpture Park St. Louis, MO
RESTRAINT
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| 6 |
site plan, perspective | 7 |
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axonometric and perspective drawings

Can I use an ordinary tool to create an unexpected object that contains intriguing spaces?

I first translated these iron shears into a two dimensional drawing by covering them in a latex skin which I then removed and flattened. By tracing the skin onto paper I created an accurate pattern of the shears.

Using this pattern drawing, I modeled a 1:1 scale replica of the shears in paper, secured with a system of integrated tabs and slots.

Using elements of the pattern drawing, I created a paper space container based on the tool. The spaces created by this abstract form progress from closed to open just as the shears close and open to operate. Serial sections through the model illustrate this internal development of space.

Tool Study/ Space Container Fall 2006 111 Studio
INVENTION
| 14 | Space container detail
| 15 |
Section drawing

This project is a new public aquatic facility where south St. Louis residents can swim competitively or for recreation, enjoy sun decks, and excercise in a fitness center. The architecture is born from the joining of two contrasting experiential qualities. The weighty enclosure of massive, masonry-clad plinths is juxtaposed with the lightness of a crystalline, glazed roof canopy. Throughout the building there are opportunities to move from one condition to the other, creating dramatic shifts in the interior environment which enhance the ritual of swimming. With its spreading, informal plan the building engages the park landscape as a mediator between the sharply contrasting systems and sugests a process of continuing growth. Instead of blending together, the plinths and canopy remain distinct so that integration can be found over time through the experiences of the swimmers.

| 16 | Carondelet
St.
Fall
311
Park Pool
Louis, MO
2008
Studio
CONTRAST
building section, conte and graphite
building
| 17 |
section, conte and graphite
| 18 | axonometric plans roof plan
| 19 |
building elevations
| 20 | spectator area
| 21 | section perspective

The Nerf brand includes a wide selection of dart guns which promise children a world of adventure. That promise is typically not fulfilled, but this interactive museum maximizes their potential. With a Nerf gun in hand, a person can affect the surrounding environment in a new way. It extends their reach and tests their coordination and spatial awareness. The museum gives visitors an environment that can be experienced and manipulated entirely through the use of a Nerf gun. After entering through an unassuming shell that blends with the urban context, visitors are outfitted with a Nerf gun and ushered into a completely interactive space derived from the forms and colors of Nerf. Shooting dart-sensitive panels in the space opens secret displays and areas. This continuity between space and object elevates the Nerf guns from novelty item to primary mediator of experience.

Nerf Experience St. Louis, MO Spring 2008 212 Studio
ADVENTURE object study

display schemes

| 24 | entry
display

Working with classmate Brett Simon, I completed a case study of Carlo Scarpa’s renovation to the Querini Stampalia Foundation. The project included a researched text and a section model at 1/2” = 1’ - 0” scale. These materials were included in an exhibition at the Washington University School of Architecture titled Architecture In Detail.

In our research we surveyed the importance of the Venetian building tradition to Scarpa’s early career. We also drew parallels between his design process and Heidegger’s philosophy on dwelling. This section model shows the canal entry he designed for an existing palazzo. The stairway brings visitors up above water level into the exhibition halls of the building. Scarpa’s intervention is set back from the historical structure throughout the project, maintaining a legible narrative of the building’s development.

| 26 |
2009
Fall
CASE
STUDY

In this analysis I explored the ways to measure and model the complex geometries of a shampoo bottle. Through deconstruction of the physical bottle, measurement, and digital reconstruction, I created an accurate digital model.

After mapping the bottle’s primary regulating lines, I created a lasercut model exploded along those lines to emphasize how they define its form. The four vertical surfaces of the model are mounted with integrated connectors to an aluminum armature.

Digital Representation

Spring 2010

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INTERPRETATION
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| 30 | residential wall section
BUILDING SYSTEMS

RIGID INSULATION

CONCRETE SLAB WITH METAL DECK

MODULAR GREEN ROOF SYSTEM STEEL ROOF CANOPY

SPRAY INSULATION

STEEL TUBE

LINEAR SLOT DIFFUSER

W 18 STEEL BEAM

ACOUSTICAL TILE CEILING

STEEL COLUMN BEYOND

SLIDING GLASS DOOR

STONE PAVERS

SAND BED

CONCRETE SLAB

GRAVEL

STONE FLOORING

CONCRETE FLOOR SLAB

CONCRETE BEAM BEYOND

CONCRETE FOUNDATION WALL

RIGID INSULATION

BACKFILL GRAVEL WITH SILT FABRIC DRAIN TILE

CONCRETE FOOTING

TERRACE VIEW CAFE AT CITY GARDEN

ST LOUIS, MISSOURI

WALL SECTION

SCALE: 1” = 1’ - 0”

| 31 |
BRETT
BUILDING SYSTEMS
SIMON AND JOHN TREVOR commercial wall section

OIL ON CANVAS

L to R
View from under I-55, 18”x24” Reading Barefoot Lessons, 18”x24” Landscape after David Schnell, 24”x36”

DRAWING

Mixed Media Studies

| 35 |

This adaptive re-use project considers the potential for improving the sustainability of a neighborhood through passive energy design and cooperative living. Not only is the building a test case for techniques such as natural ventilation, daylighting, solar heating, and rooftop gardening, it also serves as a tool sharing center and community workshop. Here, neighborhood residents could gather to learn ways to improve the beauty and efficiency of their homes, then borrow the tools they need to do the work.

The original two-story brick building on the site would become a multi-purpose classroom and resource center. The empty adjacent lot would be utilized for tool storage and workshop space, with a rooftop garden above. The plan is arranged so that the entire ground floor of the building can be opened to the central courtyard when additional space is needed.

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Tool Sharing Center Wellston, MO Spring 2010 Sustainable Design
COMMUNITY
38
| 39 |
elevations section through courtyard

This hotel seeks to help travelers acclimate to this exceptional, often overwhelming, city and facilitate an enjoyable experience of it. Realizing that tourists do not come to Florence for the hotels, my intention is to create a simple, comfortable environment that satisfies visitors’ needs for rest and privacy, replenishes their energy, and helps them feel confident to explore the city.

Private rooms offer seclusion while large shared balconies create opportunites to meet fellow travelers. The semi-public balconies counteract the isolation often associated with travelling abroad.

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The Traveler’s
Hotel Florence, Italy Spring 2009 311 Studio
TRAVEL
| 42 | ground floor plan

third - sixth floor plans

second floor plan

| 43 |
| 44 | courtyard of san lorenzo san frediano FLORENCE SKETCHBOOK
altar in pisa cathedral campo santo, pisa
florence panorama india ink on canvas 1 m x 2.5 m

johnptrevor@gmail.com

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