TEAM O
THE ART MILL MUSEUM, VIEWED FROM THE SEA
TEAM O - MANGADO Y ASOCIADOS ART MILL - INTERNATIONAL DESIGN COMPETITION STAGE THREE
ART MILL stage three international design competition
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SUMMARY BOARD//01 CITY STRUCTURE
URBAN FABRIC
GREEN SPACES SYSTEM
CHARACTERIZING ELEMENTS OF URBAN FABRIC
THE ORGANIZATION OF URBAN FABRICS REVEALS A CONCENTRATION OF THE ACTIVITIES ON BANKS AND IN THE OLD TOWN. QUITE THE MAJORITY OF THE GREEN AREAS OF THE CITY CAN BE FOUND ALONG THE COAST, AROUND THE CENTER POINT OF THE CITY. THEY THE CITY HAS A CONCENTRIC STRUCTURE, THE CENTER BEING THE BAY. THIS STRUCTURE IS SHOW THE IMPORTANCE OF THE THE CULTURAL AND ECONOMIC MARKS ARE SEPARATED AND POSITIONED EACH ON ONE SIDE OF THE PARTICULARLY THE CULTURE AND THE TOURISM ARE CONCENTRATED TOWARDS THE PORT. CREATE LIKE A BUFFER BETWEEN THE CITY AND WATER. THIS STRUCTURE, BOUND WITH A LINEAR PARK, THE BUSINESS WITH THE NEW WATER ON THE ORGANIZATION OF THE CITY. THE STRUCTURE REVEALS THE INDIRECT RELATION OF THE SITE WITH THE URBAN BAY. THE RELIGIOUS AND SPORTS MARKS, AS FOR THEM, BEING A MATTER OF THE EVERYDAY LIFE, ARE FABRIC. THE DISCONTINUITY PROPOSES TO CONVERT THE ZONE IN A NEW CULTURAL POLE. A UNIT, WITH CHARACTER OFCULTURAL DEVELOPMENTS. IN THAT SENSE THE ART MILLS WORKS AS A FUNDAMENTAL PIECE OF THIS STRUCTURE, DEFINE THE FINALIZATION AND SET BACK IN LANDS. THE BEGINNING TO THE FUTURE DEVELOPMENTS ENCLOSURE BUT WITH THE POWER TO TRANSFORM THE CITY
GREEN SPACES SYSTEM
URBAN FABRIC
CHARACTERIZING ELEMENTS OF URBAN FABRIC
THE CITY HAS A CONCENTRIC STRUCTURE, WITH THE BAY AT THE CENTER. THIS STRUCTURE SHOWS THE IMPORTANCE OF THE SEAFRONT IN THE ORGANIZATION OF THE CITY, REVEALING THE BUILDING SITE’S INDIRECT RELATIONSHIP WITH THE URBAN FABRIC. THE DISCONTINUITY CALLS FOR AN EFFORT TO TURN THE ZONE INTO A NEW CULTURAL HUB, ENCLOSED IN CHARACTER BUT WITH THE POWER TO TRANSFORM THE CITY.
MOST OF THE CITY’S GREEN AREAS ARE LOCATED ALONG THE COAST AND AROUND THE URBAN CENTER, CREATING A BUFFER BETWEEN THE CITY AND ITS WATERFRONT. IN THE LINEAR STRUCTURE LINKING THE BUSINESS TO THE CULTURAL AREA, THE ART MILLS BECOME THE CORNERSTONE, COMPLETING THE STRUCTURE AND MARKING THE BEGINNING OF FUTURE DEVELOPMENTS.
THE FUNCTIONAL STRUCTURE OF URBAN FABRIC REVEALS A CONCENTRATION OF ACTIVITIES IN THE ENVIRONMENT OF ART MILLS, SHOWING ITS STRATEGIC POSITION, BUT ALSO THE DISCONNECTION OF THE URBAN FABRIC. THIS HIGHLIGHTS THE NEED TO CREATE SYNERGIES WITH THE EXISTING STRUCTURE.
THE ELEMENTS THAT CHARACTERIZE THE URBAN FABRIC AND THE RECENT DEVELOPMENT OF DOHA ARE SITUATED AT THE ENDPOINTS OF THE SEAFRONT. THIS THROWS LIGHT ON THE IMPORTANCE OF THE PARK AS A CONNECTOR AND ON THE STRATEGIC POSITION OF THE ART MILLS IN THIS STRUCTURE.
SOUQ
MUSEUM
ART MILL CONCEPT
CONCEPT
CITY STRUCTURE
ART SOUQ
SITE ANALYSIS
Prevailing winds 3
PRIMARY ARTERIAL STREETS TRANSFORMATION AREA
SECONDARY ARTERIAL STREETS TERTIARY STREET
SECONDARY ARTERIAL STREETS (COLLECTOR)
SEMI-PRIVATE STREETS
TERTIARY STREET
GREEN / PUBLIC SPACES
FUTURE GREEN SPACE IN CONTINUITY WITH THE MIA PARK
FUTURE GREEN SPACE IN CONTINUITY WITH MIA PARK
GREEN / PUBLIC SPACES
SEMI-PRIVATE STREETS
FUTURE BUILDINGS IN DEVELOPMENT ZONE
HOUSING HOSPITALS
FUTURE BUILDINGS IN DEVELOPMENT HOUSINGS ZONE HOSPITALS
HOUSING + SHOPS TOURISM
HOUSINGS + SHOPS TOURISM
MARKETS BUSINESS
MARKETS BUSINESS
NEW PUBLIC SPACE CULTURAL
NEW PUBLIC SPACE CULTURAL
RELIGIOUS
RELIGIOUS BUSINESS BUSINESS
CULTURAL SPORT CULTURAL
CITY SCALE
PRIMARY ARTERIAL STREETS TRANSFORMATION AREA
NEW CULTURAL AND COMMERCIAL CENTER SPORT
1 2
NEW CULTURAL AND COMMERCIAL CENTER
66kV HV Electrical Utility
CULTURAL ANALYSIS - ENCLOSURE AND GROWTH IN MODERNITY AND TRADITION
300Ø MV Electrical Utility 1 Sea water cooling opportunities
EVOLUTION OF THE CITY
2 Good potential water transport acces
DOHA´S EVOLUTION SINCE 1947
3 Potential for large-scale renewables on unallocated land
SITE UTILITIES 1959
1979
1988
2016
2030
TERRITORIAL SCALE
1947
VERTICAL GROWTH MILLS MODERNITY HAS ALWAYS BEEN FIRMLY CONTEMPORARY
MODERNITY + TRADITION VERTICAL + HORIZONTAL
1992 SKYLINE
2000 SKYLINE
TRADITION / HORIZONTAL OLD CITY
TRADITION HORIZONTAL OLD CITY
DEVELOPMENT OF THE CITY CONSIDERING ITS PAST AND FUTURE
2015 SKYLINE
VERTICAL CITY / SKYSCRAPER AS A SYMBOL
MODERNITY VERTICAL CITY / SKYCRAPER AS A SYMBOL
66 kV high voltage cable (abandonned)
66kV HV Electrical Utility 300Ø MV Electrical Utility
GROWTH OF THE MOSQUE BY AGREGGATION
SYSTEMATICAL GROWTH OF THE MOSQUE
240Ø MV Electrical Utility
MOSQUE OF AL-AZHAR, EL CAIRO
MOSQUE OF CORDOBA
120Ø MV Electrical Utility
SOME MOSQUES HAVE IN THE COURSE OF HISTORY EXPANDED BY AGGREGATION TO ACCOMMODATE VARIOUS PROGRAMS, RESULTING IN HYBRID BUILDINGS WHERE DIFFERENT FUNCTIONS COEXIST AND THUS SHOWING THAT MODERNITY ALREADY EXISTED IN TRADITION.
Qtel Duct Storm water
1 · MOSQUE
2 · FIRST GROWTH
3 · SECOND GROWTH
4 · MOSQUE COEXIST WITH OTHER PROGRAMMES
5 · THE MOSQUE IS THUS A HYBRID BUILDING: THE ATTACHED ADDITIONS SERVE AS A WALL LINKING UP WITH THE EXTERIOR.
THE ENCLOSURE IN THE COLLECTIVE SPACE THE ART MILL IS A ‘NATURAL ENCLOSURE’. THE FOCUS IS ON THE IDEA OF THE ENCLOSURE AS BOTH TRADITION AND IN RELATION TO THE GROWTH AND DEVELOPMENT OF THESE SPACES IN HISTORY AND CULTURE.
1.- MOSQUE
2.- FIRST GROWTH
3.- SECOND GROWTH
4.- THIRD GROWTH
COLLECTIVE SCALE
GRAIN SILOS
GARAGES
EVERY STEP, HOUSE, SPACE, AND FORM IS SHAPED BY PEOPLE’S HABITS, CUSTOMS, AND TRADITIONS.
THE BUILT WALL-TO-WALL COURTYARD SHOWS THE IMPORTANCE OF VERNACULAR ARCHITECTURE.
THERE ARE OVERLAPPING PATTERNS OF ORGANIZATION—URBAN BLOCKS AND NEIGHBORHOODS.
THE MAIN ENTRANCE OPENS ONTO THE LIWAN, WHICH IS ON THE SCALE OF THE HOUSE, RATHER THAN OUT TO THE PUBLIC STREET, WHICH IS ON THE SCALE OF THE CITY.
PATTERN OF THE DESERT
PASTA FACTORY
GRAIN SILOS
URBAN FABRIC: TRADITION vs MODERNITY
THE FABRIC IS FORMED BY THE PLOT-DEFINING URBAN ENCLOSURES THAT DETERMINE THE STRUCTURE OF THE CITY. THE PRIVACY REQUIRED FOR HOUSING FORMS A CLOSED URBAN STRUCTURE. SOMETIMES THE GAPS BECOME COMMUNAL SPACES.
FLOUR SILOS
IN THE TRADITIONAL CITY EQUIPMENTS ARE PART OF THE URBAN FABRIC CONTEMPORARY CITY IS VERTICAL AND BREAKS THE URBAN FABRIC, DEFINING NEW RELATIONSHIPS
IN THE TRADITIONAL CITY, PUBLIC FACILITIES ARE PART OF THE URBAN FABRIC, WHEREAS THE CONTEMPORARY CITY IS VERTICAL, BREAKING THE URBAN FABRIC AND ESTABLISHING NEW RELATIONSHIPS.
INDIVIDUAL SCALE
HOW CAN THE ART MILL MUSEUM BE REPRESENTATIVE OF THE DIVERSE URBAN CHARACTER OF DOHA?
N
SITE PLAN SCALE 1:150.000
0
1 km
ART MILL MUSEUM
PUBLIC SPACE
BY OPENING THE MUSEUM TO THE PUBLIC SPACE AND TO THE URBAN LANDSCAPE OUTSIDE, THE ART MILL MUSEUM OF DOHA WILL BE AS DIVERSE IN ARCHITECTURE AND HISTORY AS THE CITY ITSELF
5 km FROM THE CITY TO THE MUSEUM DEFINITION OF TWO WORLDS: THE OUTSIDE, THE TRANSITION, AND THE INTERIOR WORLD
IN THE FABRIC OF A CITY YOU CAN READ ITS HISTORY, CULTURE, AND TRADITION. A NETWORK OF RELATIONS, A NEST AND TISSUE TRANSFORMED OVER TIME, IS WELL DEFINED. THE SAME HAPPENS WITH THE CITY, WHERE ONLY THE STRUCTURE, THE FABRIC, IS IMPERISHABLE (THEORY OF POET).
1. THE STREET (HALL, CIRCULATION, LANDSCAPE LINK) 2. THE TRANSITION (SUPPORT, RECEPTION, CONTEXT ROOM) 3. THE ROOM (GALLERY, EXHIBITION, NEUTRAL SPACE) 4. COURTYARD (LIGHTING, REFERENCE, URBAN LINK)
APPROACH TO THE SITE AND EXISTING BUILDING
THE MUSEUM BECOMES AN OCCUPIED CANOPY WHICH DEFINES THE PUBLIC SPACE, AN UMBRELLA
THE HOUSE SURROUNDS THE COURTYARD, FORMING AN INNER WORLD OF THE FAMILY WHICH ONE ENTERS FROM THE OUTSIDE WORLD THROUGH AN INTERMEDIATE SPACE, A TRANSITION.
THE MUSEUM WILL BE LIKE A CITY, WITH VARIOUS ORDERS AND HIERARCHIES; WITH AN OUTSIDE WORLD, CONNECTED TO THE LANDSCAPE, OPEN TO ALL, AND AN INNER WORLD, DIFFERENT IN EACH CASE, TRANSFORMABLE, MUTABLE, ACCESSED THROUGH AN INTERMEDIATE SPACE, A TRANSITION.
STREETS “INDOOR“ PLAZAS “OUTDOOR“ PLAZAS
USING THIS SCHEME, TAKING ADVANTAGE OF THE SITE BECOMES EVIDENT, ALMOST INTUITIVE 1. IN SUCH A WAY, THE MUSEUM BECOMES A PROPER NEIGHBOURHOOD: FULL OF FAMILIES, LIFE AND ACTIVITY
4.
PROPOSAL
2. 3.
SCALE 1:3000
TYPOLOGICAL REFERENCE
BASIC SYSTEM
CONCEPTUAL SYSTEM
THE MUSEUM BECOMES A SYSTEM, AS A CITY
INSIDE
OUTSIDE URBAN FABRIC
ENCLOSURE
MORPHOLOGY
ART MILL stage three international design competition
STREETS AND SQUARES
PATIOS
OASIS
ATMOSPHERE
TRANSITIONS
AXES
FILTERS
LIGHT AND SHADOW
INTERSTICIAL SPACES
SCALE
PROPORTION
SOUQ
HANDICRAFTS
NEIGHBOURHOOD
IN-BETWEEN SPACES
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ART MILL MUSEUM, NEIGHBOURHOOD AND PARK MASTERPLAN//02 THE SITE
CONTINUITY OF THE GREEN SPACES AND THE SEAFRONT
THE CONNECTION WITH THE CITY IS NOT DIRECT. TO REGENERATE THE AREA IT IS IMPORTANT TO ESTABLISH SYNERGIES WITH THE COASTAL PARK AND EXISTING FACILITIES, DEFINING A UNITY WITH THE EXISTING AS THE CITY’S NEW FRONT FACING THE SEA.
THE MARITIME WALK ON THE CORNICHE CREATES A PUBLIC CONTINUITY THAT ENDS AT MIA PARK. THE SEA IS A NATURAL BOUNDARY OF THE SITE, CONSTITUTING AN ENCLOSURE, OPEN TO THE CITY ON ONE SIDE, BUT ALSO TO THE BAY.
EXTENDING THE MIA PARK EXISTING MIA PARK LIMIT
THE ART SOUQ
THE CENTRALITY OF THE SITE
THE BUILDING SHOULD BE TAKEN AS PART OF THE LARGE M.I.A. PARK. WE PROPOSE TO CONTINUE THIS PARK THROUGH THE ENVELOPE OF THE MUSEUM, WHICH WILL APPEAR IN THE COMPLEX LIKE ITS PROW. TO ACHIEVE THIS, WE SUGGEST THAT A WALKWAY BRIDGE BE BUILT ACROSS TO THE ART MILL MUSEUM PLATFORM AND TO THE MIA PARK, SEEKING TO CREATE CONTINUITY ALL ALONG IT. THE WALKWAY HAS BEEN DESIGNED SUCH THAT IT CAN MOVE IN ORDER TO LINK UP TO THE BAY OF DOHA.
THE POSITION OF THE SITE GIVES IT A CENTRALITY IN RELATION TO EXISTING AND FUTURE DEVELOPMENTS. IF WE UNDERSTAND THE AREA BY THE SEA AS AN AUTONOMOUS URBAN ZONE BECAUSE OF ITS INDIRECT RELATIONSHIP WITH THE CITY, THE FLOUR MILLS WILL BE THE ELEMENT THAT LINKS THE NEW TO THE EXISTING, THE PRESENT TO THE FUTURE.
MUSEUMS CULTURAL FACILITES LEISURE FACILITIES SPORT FACILITIES INFRAESTRUCTURE FACILITES
Aerial view of the Art Mill Museum and the park THE ENCLOSURE IN THE COLLECTIVE SPACE
A MOSQUE - A COLLECTIVE SPACE
THE MOSQUE RISES WITHIN A CLOSED ENCLAVE OF THE CITY, A SACRED SPACE OPEN TO PEOPLE, AN INNER WORLD ENTERED THROUGH A COURTYARD OPEN TO THE SKY.
FOR A START WE TOOK AS A REFERENCE THE MOST IMPORTANT PUBLIC SPACE OF QATARI TRADITION: THE MOSQUE. NOT, HOWEVER, AS A PURELY FORMAL REFERENCE, BUT AS A CONCEPTUAL ONE, DRAWING INSPIRATION FROM THE TRANSITIONS AND NUANCES OF ITS DIFFERENT SPACES. IT IS NOT A DIRECT, BUT AN ‘ESSENTIAL’ INTERPRETATION OF THE MOSQUE.
INTERIOR SQUARE
INTERIOR SPACE
EXTERIOR SQUARE
01 ENCLOSURE
02 TWO SPACES
03 TRANSITION
04 PRAYER HALL
Continuity of the public space FUTURE DEVELOPMENTS
ART MILL
1
SEA
PRIVATE
PUBLIC
STREET
MOSQUE MIA MUSEUMS PARK
FUTURE DEVELOPMENTS
A
TWO SPACES
AN OCCUPIED CANOPY, AN ART SOUQ
TRADITIONALLY THE MOSQUE CONSISTS OF TWO SPACES, THE SACRED ONE INSIDE AND THE ACCESS AREA, THE TRANSITION TO THE OUTSIDE WORLD. REVERSING THE SCHEME, THE COLUMNS BECOME A SEA OF PALMS, AN ENTRANCE COURTYARD, THE VOID IN THE MAIN SPACE OPEN TO THE SEA. TWO SPACES, ONE OPEN TO THE CITY, THE OTHER TO THE SEA.
IN THE MOSQUE, THE SEQUENCE OF ALTERNATING PUBLIC AND PRIVATE SPACES DEVELOPS LINEARLY ON THE SAME PLANE AS THE CITY. A NEW PUBLIC SPACE WHICH IS COVERED TOWARDS THE CITY, OPEN TOWARDS THE SEA, THE MUSEUM VOLUME IS ELEVATED TO FREE UP THE GROUND LEVEL AND MAKE THE INSTITUTION ENGAGE WITH THE ART MILL NEIGHBOURHOOD AND PARK.
G
QNM 2
Masterplan concept NEW CULTURAL AREA 212.000 m2
B
C
3
ART MILL 100.000 m2
D
E
NEW CULTURAL AREAS 240.000 m2
F
OPEN-AIR ACTIVITIES 49.000 m2 CORNICHE 45.000 m2
4
SCULTPURE GARDEN 52.000 m2
QNM 47.000 m2
A. ART MILL PARK
ART MILL stage three international design competition
B. MIA PARK
1. ART MILL MUSEUM 2. MIA 3. AL-RIWAQ 4. NATIONAL MUSEUM OF QATAR C. EXISTING PARKING D. NEW PARKING E. CORNICHE F. QNM PARK G. TRAM STATION
N
MASTERPLAN SCALE 1:10.000
0
100 m
200 m
500 m
SEA
Different site areas
ART MILL PRIVATE
PARK - PUBLIC
SEA
ART MILL PRIVATE
PARK - PUBLIC
PUBLIC SPACE
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CONTENT, COLLECTIONS AND PROGRAMMING//03 A MUSEUM LIKE A CITY
FLEXIBILITY MUSEUM FLEXIBILITY
An adaptable system to form unique and singular spaces The large exhibition halls can be arranged differently depending on the use plan. There are four categories or themes which represent chronologically distinct moments in the history of art. In technical terms, their architectural and museographic conditions are very similar, but none are exactly the same. They differ in terms of geometry and size. And under one same cover and structure, they vary in height according to the requested plan, and can be changed subsequently as required. Based on systematically defined solutions and elements, countless combinations can be formed to turn each hall into a unique space. For instance, the doors to the halls are always the same, as access or exit points, but they can be arranged in different ways to suit the geometry of each hall, inviting visitors to explore their contents in a specific way.
STREETS AND PLAZAS
Variation - Different scales
Orthogonal halls
GALLERIES FLEXIBILITY
STREETS PLAZAS
TAKING ADVANTAGE OF THE SITE THROUGH THE INTERIOR CONFIGURATION OF THE MUSEUM
Small galleries
Big galleries
Auditoriums spaces
Office spaces
HEIGHT FLEXIBILITY
VIEWS FROM THE INSIDE
Exhibitions
Art Installations
Lectures and events
Permanent collection - Galleries X0
X01
X02
X03
X04
X05
X06
X07
X08
X09
X10
X11
X12
X13
X14
X15
X16
X17
X18
X19
X20
X21
X22
X23
X24
X25
X26
X27
X28
X29
X30
X31
X33
X32
X34
X35
X36
+41,0 m
FIFTH FLOOR - SILOS Level +33.70 m
+25,7 m
ART INSTITUTION / FOUNDATION 4,000 m2
+23,7 m +20,7 m
TECHINCAL ROOM 650 m2
+14,2 m +13,0 m +11,0 m
TECHINCAL ROOM 1,100 m2
FOURTH FLOOR - SILOS Level +27.20 m
STAFF 2,000 m2
+04,0 m +01,0 m
SOUTH-WEST ELEVATION SCALE 1:750
X0
X1
X2
X3
X4
X5
X6
X7
X8
X9
X10
X11
X12
X13
X14
X15
X16
X17
X18
X19
X20
X21
X22
X23
X24
X25
X26
X27
X28
X29
X30
X31
X32
X33
X34
X35
0
20 m
20 m
X36
MODERN 2,200 m2
THIRD FLOOR (SILOS) - MUSEUM Level +20.70 m
CLASSICAL 1,310 m2
TEMPORARY 5,000 m2 VIP SPACE 1,000 m2
ACCESS LEARNING SPACE 850 m2
RESTAURANT 370 m2
INDUSTRIAL 6,635 m2 CAFE 365 m2 PRESENT 9,125 m2
6
5
MOSQUE AND PRAYER ROOMS 680 m2
SECOND FLOOR - MUSEUM Level +14.20 m
Y14
1
10
2
3 CRAFT/PRODUCTION WORKSHOPS 2,000 m2
Y13
3 Y12
ARTISTS’ STUDIOS 2,000 m2
7 5
Y11
5
START UP-OFFICE SPACE 755 m2
FIRST FLOOR - ART MILL NEIGHBOURHOOD Level +8.50 m
10
RETAIL-ART SOUQ 650 m2
Y10
WATER CONNECTIONS
ARTISTS’ RESIDENCE 910 m2
CONNECTION WITH THE TRAM/METRO
10 Y9
COVERED PARKING
Y8
MOSQUE AND PRAYER SPACES 680 m2
VIP DROP-OFF AREA
9 4
Y7
MAIN PUBLIC ACCESS TO THE MUSEUM
PLANTROOMS & STORAGE 1,500 m2
4 Y6
EDUCATION 1,000 m2
Y5
SERVICE & ART ENTRANCE
VIP ACCESS
RETAIL-ART SOUQ 650 m2 EXTERIOR PRAYER AREA
LOAD AND UNLOAD
START-UP OFFICE SPACE 755 m2
8
Y3
AMPHITHEATER
Y2
ARTISTS’ RESIDENCE 1,205 m2
10
4
4
3
3
Y0
PEDESTRIAN BRIDGE
1 Classical Galleries 2 Modern Galleries
ART MILL stage three international design competition
3 Industrial Galleries 4 Present Galleries
5 Temporary Galleries 6 VIP Space
7 Casual Restaurant 8 Cafe/Education
9 Learning space 10 Gallery studios
N
SECOND FLOOR - MUSEUM SCALE 1:750
GROUND FLOOR - ART MILL NEIGHBOURHOOD Level +1.00 m
0
20 m
50 m
ARTISTS’ RESIDENCE & CAFE 1.205 m2
GROUND FLOOR - ART MILL NEIGHBOURHOOD Level +4.00 m
AXONOMETRICAL VIEW REFERENCES
Y1
4
ENTRANCE, BLACK BOX AND SHOP 2,070 m2
CAFE, RESTAURANT, MAIN KITCHEN 390 m2
10
Y4
COVERED DROPOFF AREA
MOSQUE & PRAYER SPACES RETAIL-ART SOUQ START-UP OFFICE SPACE ARTISTS’ RESIDENCE TECHNICAL SPACES & OTHER ENTRANCE, BLACK BOX & SHOP EDUCATION RESTAURANT & MAIN KITCHEN ARTISTS’ STUDIOS WORKSHOPS
1,360 m2 1,300 m2 1,510 m2 3,320 m2 5,005 m2 2,070 m2 1,000 m2 390 m2 2,000 m2 2,000 m2
PROGRAM TOTAL SURFACE
52,810 m2
VIP SPACE CLASSICAL GALLERIES MODERN GALLERIES INDUSTRIAL GALLERIES PRESENT GALLERIES TEMPORARY GALLERIES CHILDREN AND FAMILIES CAFE & RESTAURANT STAFF ART FOUNDATION
1,000 m2 1,310 m2 2,200 m2 6,635 m2 9,125 m2 5,000 m2 850 m2 735 m2 2,000 m2 4,000 m2
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+04 Library & Archive
+04 Library & Archive
+08.5 Studios & Workshops +08.5 Studios & Workshops
CONTENT, COLLECTIONS AND PROGRAMMING//04 X2
X3
X4
X5
X6
X7
X8 X2
X9 X3
X10 X4
X11 X5
X12 X6
X13 X7
X14 X8
X15 X9
X16 X10
X17 X11
X2 X12
X3 X13
X4 X14
X5 X15
X6 X16
X7 X17
X8 X2
X9 X3
X10 X4
X11 X5
X12 X6
X13 X7
+14.2 Temporal Galleries
X14 X8
X15 X9
X16 X10
X17 X11
X2 X12
X3 X13
X4 X14
X5 X15
X6 X16
X7 X17
X14 X8
X15 X9
X16 X10
X17 X11
X12
X13
X14
X15
X16
X17
+14.2 Temporal Galleries
X8 X2
X9 X3
X10 X4
X11 X5
X12 X6
X13 X7
X14 X8
X15 X9
X16 X10
X17 X11
X12
X13
X14
X15
X16
TEAM O
X17
SERVICE ENTRANCE
ART LOADING
VIP ENTRANCE
+04 Library & Archive
X7
X8 X2
X9 X3
X10 X4
X11 X5
X12 X6
+08.5 Studios & Workshops +08.5 Studios & Workshops
X13 X7
X14 X8
X15 X9
X16 X10
X17 X11
X2 X12
X3 X13
X4 X14
X5 X15
X6 X16
X7 X17
X8 X2
+08.5 Studios & Workshops
X17
X2
X3
X4
X5
X6
X7
X9 X3
X10 X4
X11 X5
X12 X6
X13 X7
X14 X8
+14.2 Temporal Galleries
X15 X9
X16 X10
X17 X11
X2 X12
X3 X13
X4 X14
X5 X15
X6 X16
X7 X17
+14.2 Temporal Galleries
X8 X2
X9 X3
X10 X4
X11 X5
X12 X6
N
FIRST FLOOR - LEVEL +10.2 m SCALE 1:750 X11 X10 X12
X13 X7
+14.2 Temporal Galleries
X8
X9
X10
X11
X12
X13
X14
X15
X16
X17
+20.7 Temporal Galleries X3
X2
X4
X5
X6
X7
X2
X3
X4
X5
Back-of-House Education (Library X6 X7 & Archive) X8
+20.7 Temporal Galleries Artists’ Studios 10 m 20 m 0
GROUND FLOOR - LEVEL +4 m SCALE 1:750X11 X2X12 X10
N X9
X9 X3
X10 X4
X5 X11
X6 X12
X13 X7
X4X14
X5X15
+27.2 Staff & Archive
+20.7 Temporal Galleries X8 X2
X3X13
Craft/Production WorkshopsX8 X6X16 X7X17
X8 X14
X15 X9
X16 X10
X17 X11
X2 X12
X3 X13
X4 X14
X5 X15
X6 X16
X9
10 m
0 X13
X14
X15
+27.2 Staff & Archive X7 X17
X8 X2
X9 X3
X10 X4
X5 X11
X6 X12
X16
X17
X8 X14
X15 X9
X16 X10
X3
X2
X5
X4
X6
X8
X7
First floor +33.7 Foundation
Ground floor X13 X7
+33.7 Foundation
+27.2 Staff & Archive
20 m
X17 X11
X2 X12
X3 X13
X4 X14
X5X15
X9
X10
X11
X13
X12
X15
X14
X16
X17
X3
X2
SILOS-FLEXIBILITY: CORES AND SERVICES +33.7 Foundation
BACK-OF-HOUSE X6 X16 X7X17 VIP ENTRANCE EDUCATION (LIBRARY & ARCHIVE) CRAFT/PRODUCTION WORKSHOPS ARTISTS’ STUDIOS VISITORS CORE
X8 X2
X9 X3
X10 X4
X5 X11
X5
X4
X6
X8
X7
X9
X10
X13 X7
X8 X14
X15 X9
X16 X10
X17 X11
X13
X12
X15
X14
X16
FLEXIBILITY
X17
MUSEUM FLEXIBILITY
SERVICE CORE VIP CORE
Third floor
Second floor
Homogeneus light
TEMPORARY GALLERIES VIP SPACE VISITORS CORE
Different programms
SERVICE CORE
Perimeter-free
Center-free
SILOS-FLEXIBILITY: TEMPORARY GALLERIES
VIP CORE
Artificial Skylights Fifth floor
Fourth floor
STAFF ART INSTITUTION/FOUNDATION VISITORS CORE SERVICE CORE
es X7
+27.2 Staff & Archive
+20.7 Temporal Galleries X8 X2
X9 X3
X10 X4
X5 X11
X6 X12
X13 X7
X8 X14
X15 X9
X16 X10
X17 X11
X2 X12
X3 X13
X4 X14
X5 X15
X6 X16
+27.2 Staff & Archive Temporary Galleries X7 X17
X8 X2
X9 X3
X10 X4
VIP X6 Space X12
X5 X11
X13 X7
X8 X14
+33.7 Foundation Temporary Galleries 10 m 20 m 0
SECOND FLOOR - LEVEL +14.2 m SCALE 1:750X17 X16 X10 X11 X2 X12
N
X15 X9
X3 X13
X4 X14
X5X15
X6 X16
X7X17
+33.7 Foundation THIRD FLOOR LEVEL +20.7 m N X8 X2
X9 X3
X10 X4SCALE
1:750X11 X5
Kids & Workshops 10 m
0
X6 X12
X13 X7
20 m
X8 X14
X15 X9
Y00
X16 X10
A
X17 X11
B
X12
X13
X14
X15
X16
X13
X12
Temporary galleries
SILOS-LIGHTING POSSIBILITIES
X6 X12
X11
Y01
Y02
Y03
Y04
Sculptures, Paints & Audiovisuals Y05
Y06
Y07
Point light source
Artistic performances Y08
Y09
Y10
Y11
Y12
Y13
When working with dropped ceilings, there are two possible systems. One leaves the technical elements exposed, including structural modulations, lighting or rails, air conditioning and so on. The other system is a ceiling that conceals those elements and lights up the hall evenly, forming a plain, white surface. Moreover, it is important to note that under the building’s large roof structure, each hall can adjust the height of its dropped ceilings, which enables freedom when it comes to arranging the various spaces depending on how the museographic project develops and the pieces are laid out. In fact, this also enables height variations within one same exhibition hall, and the two dropped ceiling systems can be combined at will.
Y14
X17 +41,0 m
B A
+25,7 m +23,7 m +20,7 m
X17
X2
X3
X4
X5
X6
+14,2 m +13,0 m
+33.7 Foundation
+27.2 Staff & Archive X7
X8
X9
X10
X11
X12
X13
X14
X15
X16
X17
X2
X3
X4
X5
+11,0 m
X6
X7
X8
X9
X10
X11
X13
X12
X15
X14
X16
X17 +04,0 m +01,0 m
SOUTH-EAST ELEVATION SCALE 1:750 Y00
Y01
Y02
Y03
Y04
Y05
Y06
Y07
Y08
Y09
Y10
Y11
Y12
Y13
0
20 m
50 m
A-A SECTION SCALE 1:750
0
20 m
50 m
B-B SECTION SCALE 1:750
0
20 m
50 m
Y14
+41,0 m
+25,7 m +23,7 m +20,7 m
+14,2 m +13,0 m +11,0 m
+04,0 m +01,0 m
Staff
FOURTH FLOOR - LEVEL +27.2 m SCALE 1:750
N
X00
X01
X02
0
X03
10 m
X04
20 m
X05
Art Institution / Foundation
X06
X07
N
X08
X09
FIFTH FLOOR - LEVEL +33.7m SCALE 1:750
X10
X11
X12
10 m
0
X13
20 m
X14
X15
X16
X17
X18
X19
X20
X21
X22
X23
X24
X25
X26
X27
X28
X29
X30
X31
X32
X33
X34
X35
X36
+41,0 m
+25,7 m +23,7 m +20,7 m
+14,2 m +13,0 m +11,0 m +07,8 m +04,0 m +01,0 m
Entrance to the Silos
ART MILL stage three international design competition
2345X
X14
X15
TEAM O
PUBLIC PROGRAMMING//05 Y0
Y1
Y2
Y3
Y4
Y5
Y6
Y7
Y8
Y9
Y10
Y11
Y12
Y13
C
D
C
D
Y14
+41,0 m
+25,7 m +23,7 m +20,7 m
+14,2 m +13,0 m +11,0 m +07,8 m +04,0 m +01,0 m
Y0
Y1
Y2
Y3
Y4
Y5
Y6
Y7
Y8
Y9
Y10
Y11
Y12
Y13
C-C SECTION SCALE 1:750
0
20 m
50 m
D-D SECTION SCALE 1:750
0
20 m
50 m
Y14
+41,0 m
+25,7 m +23,7 m +20,7 m
+14,2 m +13,0 m +11,0 m +07,8 m +04,0 m +01,0 m
View of the Palm Court with the Main Entrance in the background
Service trucks
10 X0
X1
X2
X3
X4
X5
X6
X7
X8
X9
X10
X11 X0
X12 X1
X13 X2
X14 X3
X15 X4
X16 X5
X17 X6
X18 X7
X19 X8
X20 X9
X21 X10
X22 X11
X23 X12
X24 X13
X25 X14
X26 X15
X27 X16
X28 X17
X29 X18
X30 X19
X31 X20
X32 X21
X33 X22
X34 X23
X35 X24
X36 X25
X26
X27
X28
X29
X30
X31
X32
X33
X34
X35
Art entrance
VIP cars
9
VIP Drop off
X36
Load & Unload
SERVICE ENTRANCE
8
Water connections
3
2
7
6
1
5
4
ART LOADING MOSQUE & MADRASA (MALES) ENTRANCE, BLACK BOX & SHOP RETAIL-ART SOUQ START-UP OFFICE SPACE ARTISTS’ RESIDENCE
VIP Drop off
14
Y14
13
1 2 3 4 5
RESTAURANT & MAIN KITCHEN VIP SPACE EDUCATION TECHNICAL SPACES & OTHER LIFTS & EMERGENCY EXITS
Park furniture storage Public bathrooms Control IT / DATA comms HV / LV room 1
6 7 8 9 10
Public bathrooms Sprinker services HV / LV room 2 Art loading-bay Storage and plantrooms
Y14
12 Y13
SECONDARY ENTRANCE
VIP ENTRANCE
PARKING ENTRANCE
15
23
Y12
16
4
Y11
20
3
22
2
1
Y11
11 Y10
5
11 Y10
Y9
8
Y9
10
Y8
Male Female
MAIN ENTRANCE
7
PARKING ACCESS
6 a h 5 9 f
SECONDARY ENTRANCE
e 6
3 1 0 m5
t
Covered Drop off area
z
9
s
Y8
Y7
Y7
Screen Y6
Y5
Y4
21
Y12
Load & Unload
Y6
PARKING ENTRANCE
Y13
Y5
Amphiteatre Y4
Y3 Y3
29
28
21
25
24
Y2 Y2
Y1
19
28 30
24
27 18
26
17
LEVEL +2.50m
Y1
Y0 Y0
PARKING EXIT
N
ART MILL stage three international design competition
GROUND FLOOR - ART MILL NEIGHBOURHOOD SCALE 1:750
0
20 m
PARKING EXIT
50 m
GROUND FLOOR REFERENCES 1 Mosque (male) 2 Prayer space (Madrasa) 3 Black Box (and green room) 4 Museum shop 5 Ticketing & information, member’s desk and cloakroom 6 Projection room 7 Restroom & Break-out space 8 Lift 9 Children’s library 10 First Aid room 11 Library and Archive 12 VIPs’ restrooms 13 Service and Art entrance (Art Loading-bay, receiveing & packing) 14 Storage, conservation and plantrooms 15 Cafe
PARKING - LEVEL +2.50 m SCALE 1:750
16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
Main kitchen Retail - Art Souq Start-up Office space Artists’ Residence (live & work spaces) Park furniture storage Public bathrooms Water services Control IT / DATA comms HV / LV room 1 Souq Storage BMS Sprinker services HV / LV room 2 Residence storage
2345X
TEAM O
PUBLIC PROGRAMMING//06 VERTICAL COMMUNICATIONS
PARKING ACCESS
PARKING
COVERED DROP-OFF AREA
MAIN ACCESS
COVERED DROP-OFF AREA FOR VIPS
ART SOUQ
LOADING AND UNLOADING AREA
AMPHITHEATER
PEDESTRIAN BRIDGE
View from the MIA to the Art Mill Museum X0
X01
X02
X03
X04
X05
X06
X07
X08
X09
X10
X11
X12
X13
X14
X15
X16
X17
X18
X19
X20
X21
X22
X23
X24
X25
X26
X27
X28
X29
X30
X31
X32
X33
X34
X35
X36
E
EMERGENCY CORES VIP CORES VISITORS CORES SERVICE CORES ART MILL MUSEUM ART MILL NEIGHBOURHOOD
THE STRATEGY
E PUBLIC SPACE AND FUNCTIONS: AN ART SOUQ
+41,0 m
+25,7 m +23,7 m +20,7 m
X0
+14,2 m +13,0 m
X1
X2
X3
X4
X5
X6
X7
X8
X9
X10
X11
X12
X13
X14
X15
X16
X17
X18
X19
X20
X21
X22
X23
X24
X25
X26
X27
X28
X29
X30
X31
X32
X33
X34
X35
X36
+11,0 m
+04,0 m +01,0 m
E-E SECTION SCALE 1:750
20 m
0
50 m
GROUND FLOOR PREVAILING WIND ART MILL MUSEUM ENTRANCE ART MILL NEIGHBOURHOOD
3
4
2
NIGHT CLOSING LATTICEWORK
1
3 INTERMEDIATE SLAP
Y14
8
7
6
5
4
Y13
11
9
10 2
SECURITY - NIGHT TIME CLOSING
1
MOSQUE & MADRASA (FEMALES) RETAIL-ART SOUQ START-UP OFFICE SPACE ARTISTS’ RESIDENCE
Y12
Y11
4
3
CRAFT/PRODUCTION WORKSHOPS ARTISTS’ STUDIOS TECHNICAL SPACES & OTHER LIFTS & EMERGENCY EXITS
1 2 3 4
Park storage Water services Security IT / DATA comms
5 6 7 8
HV / LV room 1 BMS Sprinker services HV / LV room 2
SECURE CLOSED AREA INDEPENDENT OPENED PUBLIC SPACES
Y10
t
z
s
n
s e
t
o 3
n
a h 5 9 f 3 1 0 m5
o r t
e 6
c 1
Y9
m
Y8
Y7
Y6
Y5
Y4
Y3
17
16
Y2
15
13
12
16 8
7
12 6
18
5
14
Y1
Y0
1 Mosque (females) 2 Prayer space
ART MILL stage three international design competition
3 Workshops 4 Artists’ Studios
5 Retail - Art Souq 7 Artists’ residence 6 Start-up office space 8 Residential rooms
9 Park Maintenance 10 Water services
11 Security 12 IT / DATA comms
13 HV / LV room 1 14 Souq storage
15 BMS 16 Sprinker services
17 HV / LV room 2 18 Residence storage
N
FIRST FLOOR - ART MILL NEIGHBOURHOOD SCALE 1:750
0
20 m
50 m
View from the Art Mill Museum to the MIA Park through the Art Mill Neighbourhood
2345X
TEAM O
OPERATIONS AND LOGISTICS//07
BACK AND FRONT-OF-HOUSE OPERATION SERVICE LIFT FORKLIFT CORES FOR INTERNAL USE ART INSTITUTION / FOUNDATION 4.000 m2 WALKWAYS
FIFTH FLOOR Level +33.70 m
DOUBLE HEIGHT SPACE CORES FOR INTERNAL USE STAFF 2,000 m2
PRAYER ROOMS 2x50 m2
FOURTH FLOOR Level +27.20 m
SERVICE LIFT FORKLIFT
The restaurant with Doha´s Skyline in the background
Learning spaces
WALKWAYS TEMPORARY GALLERIES 2,000 m2
AXONOMETRICAL VIEW REFERENCES
TRAM
OPERATIONS AND LOGISTCS AREA
LOCAL WATER TAXI PEDESTRIAN
MAIN ACCESS
LOCAL WATER TAXI
DOUBLE HEIGHT SPACE
BACK-OF-HOUSE VIP ENTRANCE EDUCATION (LIBRARY & ARCHIVE) CRAFT/PRODUCTION WORKSHOPS ARTISTS’ STUDIOS TEMPORARY GALLERIES VIP SPACE STAFF ART INSTITUTION/FOUNDATION
CAR
THIRD FLOOR Level +14.20 m
SERVICE LIFT FORKLIFT
PEDESTRIANS PEDESTRIANS FROM MIA PARK VIP SERVICES
PEDESTRIAN BRIDGE FLUXES AND DEDICATED ACCESS ZONES
VIP LIFTS VIP SPACE 1,000 m2 WALKWAYS TEMPORARY GALLERIES 3,000 m2
SECOND FLOOR Level +8.50 m
F
G ROTATING PEDESTRIAN BRIDGE SERVICE LIFT FORKLIFT
WALKWAYS ARTISTS’ STUDIOS 2,000 m2
LOCAL WATER TAXI G
LOCAL WATER TAXI RY R
DA CON
GROUND LEVEL PARKING ACCESS
SE
OAD
CRAFT/ PRODUCTION WORKSHOPS 2,000 m2
PREVAILING WINDS AND PATIOS
TRAM
FIRST FLOOR Level +10.50 m
LOCAL WATER TAXI F LOCAL WATER TAXI
ART LOADING-BAY
LOCAL WATER TAXI
CITY WIDE RAPID FERRY
SERVICE ENTRANCE GROUND LEVEL PARKING ACCESS SECONDARY ROAD
TRAM
VIP ENTRANCE
GROUND FLOOR LEVEL +4.00 M LOCAL WATER TAXI
4890.00
m2
TO AIRPORT LOCAL WATER TAXI
ACCESS
ACCESS RESTAURANT ACCESS
N
MASTERPLAN ACCESS AND CIRCULATION SCALE 1:7.500
0
100 m
200 m
500 m
N
Conection with MIA Park: Pedestrian rotating bridge - people crossing SCALE 1:5.000
N
Conection with MIA Park: Pedestrian rotating bridge - boats crossing
Back of house: operations and logistics
SCALE 1:5.000
G F
F G
F-F SECTION SCALE 1:1.500
ART MILL stage three international design competition
0
40 m
100 m
G-G SECTION SCALE 1:1.500
0
40 m
100 m
2345X
TEAM O
MATERIALITY AND TECHNICAL REQUIREMENTS//08 INDOOR CLIMATE STRATEGY OPTION TO INTEGRATE SOLAR PV AND SOLAR HOT WATER COLLECTORS ON ROOF AREA, WHICH WOULD SHADE THE ROOF AND REDUCE COOLING ENERGY DEMAND
AIR HANDLING UNIT WITH HIGHLY EFFICIENT MOTORS AND HEAT EXCHANGERS EXHAUST AIR REMOVED AT HIGH LEVEL THROUGH ACOUSTICALLY LINED BAFFLE
EASE OF MAINTENANCE ACCESS
FRESH AIR INTAKE AT HIGH LEVEL EXHAUST AIR REMOVED AT HIGH LEVEL FRESH AIR IS COOLED TO OFFSET SOLAR AND OCCUPANCY HEAT GAINS AND ENTERS SPACE USING DISPLACEMENTCumulative VENTILATION Solar Irradiation
Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux Lux 0 %. occ. hrs 100
Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100
Exterior Neighbourhood Spaces EXCELLENT DAYLIGHTING TO CIRCULATION SPACES HIGH 2 2030 15 USING kWh/m
PERFORMANCE GLASS ON ELEVATIONS; “BORROWED” SIDE LIGHTING TO GALLERY SPACES PREVAILING WIND DIRECTION CREATES PASSIVE COOLING OPTIONS, ESPECIALLY FOR “NEIGHBOURHOID” SPACES UNDERNEATH GALLERY LEVEL; WINTER AIR NIGHT-PURGING FOR PASSIVE CONDITIONING
Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100
Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030
FLEXIBLE GALLERY SPACES AND CIRCULATION
CLOSE CONTROL GALLERY
Daylight 300 - 2.500 Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100
EXPOSED HEAVY-WEIGHT SURFACES PROVIDING PASSIVE COOLING, THROUGH THERMAL MASS MECHANICAL COOLING DISTRIBUTION PIPELINE HIGH EFFICIENT CIRCULATION PUMPS
Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030
Cumulative ROOF PLAN Solar Irradiation Roof Canopy 635 kWh/m 2 2030
INCOMING SEA WATER COOLING PIPES
CLOSE CONTROL GALLERY
MEP GALLERY TCHNICAL FLOOR
MEP GALLERY TCHNICAL FLOOR
HYDRONIC THERMOACTIVE FLOOR SLAB MAINTAINS LOW TEMPERATURE AND PROVIDES EFFICIENT RADIANT COOLING IN THE OCCUPIED ZONE
UNDERGROUND GREY WATER SETTLEMENT TANK BIO REACTOR WITH GLASS DISPLAY CABINET
Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100
Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030
WATER RESOURCE STRATEGY
Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100
Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030
Lux Interior Circulation Spaces 0 SECOND %. FLOOR occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100
ROOF INLETS FOR RAIN WATER COLLECTION (VERY LIMITED AMOUNT) GREY WATER FOR TOILET FLUSHES
COPPER / UV- FILTER
GREY WATER DRAINAGE SYSTEM (WASHBASINS, SINKS, SHOWERS)
CONDENSATION COLLECTION FROM AHU’S, FCU AND OTHER ON-SITE COOLING SYSTEMS
Cumulative Solar Irradiation Roof Canopy kWh/m 2 2030 635
Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux Daylight 2.500 0 %. occ. 300 hrs -100
Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030
WATERLESS URINALS ALLOW SAVING WATER AND ENERGY
CONDENSATION COLLECTION FROM AHU’S, FCU AND OTHER ON-SITE COOLING SYSTEMS
Daylight 500 - 10.000 Lux
Cumulative Solar Irradiation Exterior Spaces Cumulative Solar Neighbourhood Irradiation 15 kWh/m 2Spaces 2030 Exterior Neighbourhood 15 kWh/m 2 2030
SUSTAINABILITY STRATEGY
Exterior Daylight 500 - 10.000 Lux Neighbourhood Spaces 0 %. occ. hrs 100 Exterior Neighbourhood Spaces 0 %. occ. hrs 100
Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100
FIRST FLOOR
Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100
Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030
Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030
The Art Mill Museum, viewed from the sea
OPTION TO INTEGRATE SOLAR PV AND SOLAR HOT WATER COLLECTORS ON ROOF AREA, WHICH WOULD SHADE THE ROOF AND REDUCE COOLING ENERGY DEMAND
WATER SAVING TAPS, WC CISTERNS AND WATERLESS URINALS INNOVATIVE WASTE WATER RECYCLING TECHNOLOGY
LOCALLY SOURCED MATERIALS WITH HIGH RECYCLED CONTENT
MAXIMIZED OPEN EXTERNAL SPACE HEAT ISLAND EFFECT ON THE ROOF Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030
HEAVILY INSULATED ENVELOPE TO REDUCE SOLAR HEAT GAINS
Cumulative Solar Irradiation Exterior Neighbourhood Spaces 15 kWh/m 2 2030
ADVANCED BUILDING COMISIONING TOOLS
BUILDING SHAPE OPTIMIZES SHADING AND REDUCES SOLAR GAINS COOLING AND ELECTRICITY PROVIDED BY THE RENEWABLE SOURCES
Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces 0 %. occ. hrs 100
Daylight 300 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100 Galleries, ‘borrowed’ light Daylight 300 - 2.500 Lux 100 - 2.500 Lux Interior Circulation Spaces 0 %. occ. hrs 100
Daylight 500 - 10.000 Lux Exterior Neighbourhood Spaces %. occ. hrs 100
LOW-EMITTING MATERIALS
GROUND FLOOR 0 COLLECTION AND STORAGE OF RECYCLABIES
Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030
Cumulative Solar Irradiation Roof Canopy 635 kWh/m 2 2030
0 %. occ. hrs 100 Galleries, ‘borrowed’ light 100 - 2.500 Lux 0 %. occ. hrs 100
Exterior space irradiaton; interior & exterior daylighting
+20.23 m
View from the MIA - Sunset
+20.23 m
DIfferent screens for the façade
STRUCTURE OVERVIEW A key aspect of the architectural proposal is to maximise flexibility of the galleries to allow internal spaces allow be transformed with freedom over time; allowing an extremely adaptable environment for different configurations of gallery rooms, exhibits and events. Therefore one of the main priorities of the proposal has been to maximise structural spans and eliminate as many internal columns as possible, resulting in column-free areas of up to 35x45m.
CENTRAL TRUSSES 4.5M SPACING
CENTRAL AND OUTER TRUSSES SUPPORTED BY BOX TRUSSES AND MEGA-COLUMNS
TYPICAL
COURTYARD
END
SIMPLY SUPPORTED BEAMS BETWEEN OUTER TRUSSES AND BOX TRUSSES
The structural frame of the building is proposed to be predominately steel-framed and has been developed to withstand the high forces associated with gallery and exhibition spaces, by utilising truss elements that are material efficient and are therefore ideally suited to long-span structures due to their high strength-toweight ratio.
+4.00m
STRIP SECTION 1 0 SCALE 1:100
Behaviour of typical roof structure X35
X34
X33
X32
X31
X30
X29
STRIP SECTION 1 SCALE 1:100
5m
1. Main truss 2. Extruded polystyrene thermal insulation (30 cm) 3. Cladding of foded 1 mm aluminium sheet 4. Aluminium sheet gutter 5. Aluminium sheet 6. Thick steel “L” sheet
Location of zones of differing structural typology X36
2m
X28
X27
X26
X25
X24
2m
0
5m
7. Ceramic filter 8. Metallic support 9. Ceramic filter 10. Secondary truss 11. Aluminium folded sheet 12. Structural steel element X23
X22
X21
X20
X19
STRIP SECTION 1 0 SCALE 1:100
2m
19. Suspended ceiling with sound absorption and geotextile 20. Aluminium ceiling substructure 21. Ceramic tiling 22. Extruded aluminium profile 23. Extruded steel profile 24. Folded galvanized sheet frame 25. Galvanized tubular profile filled with internal wool
13. Double glazing 10 + 10 14 Aluminium substructure 15. Self-leveling resin interior floor 16. Reinforced concrete slab 17. Lower truss 18. Tubular galvanized steel substructure X18
X17
X16
X15
X14
X13
X12
X11
STRIP SECTION 1 0 SCALE 1:100
5m
X10
X09
X08
X07
X06
X05
X04
X03
2m
5m
26. Laminar glass 27. Galvanized steel louver 28. Structural steel cable 29. Steel beam 30. Double layered plasterboard over galvanized structure 31. Led skylight X02
X01
• • • • •• • •• • • • • • • • • ••
X0 +41,0 m
NORTH-EAST ELEVATION SCALE 1:750
0
10 m
+25,7 m +23,7 m +20,7 m
+14,2 m +13,0 m +11,0 m
+04,0 m
ART MILL stage three international design competition
2345X
20 m