2015-2020
GR ADUATE PORTFOLIO
jubilee kao
hi! my name is It’s nice to meet you,
During my years in design school, I have come to appreciate the power of architecture and its ability to encourage meaningful experiences. I believe that architects have the responsibility to create a positive and a lasting impact in our environment. It beckons thoughtful innovations, enduring creations and conscientious decisions. Moving forward, I would like to continue to learn how to positively contribute to our moments in space. I have been an active student in the College of Architecture, Planning and Design at Kansas State University. Throughout my time there, I’ve had opportunities to lead design initiatives, learn from insightful experiences and discover what excites me in the field of design. Communicating design through a multifaceted approach is a passion I have. My work has been on exhibition throughout Kansas State University’s school of architecture and was chosen for accreditation evaluation. In the Summer of 2018, I won the U.S. Stone Competition for the design concept and construction documentation of the Parsons’ Animal Care Clinic. The competition considered design submissions that possessed uniqueness in its appeal, functionality and construction. Throughout my time in architecture school, I have gained experience in collaboration and learned the importance of diligence and hard-work. This portfolio reflects what I’ve accomplished during my five years at Kansas State University and encompasses how I view architecture. Through my experiences, I have grown to see that architecture is a field of innovation, thoughtfulness, and deep empathy. With collective effort combined with passionate and innovative ideas, I hope to bring great creativity and new ideas into the field of design. I’d be thrilled to learn more about you and discuss how I can help your mission in the ever-evolving discipline of architecture. I look forward to discussing the many things I will learn from you!
Sincerely,
Jubilee Kao
jubilee kao
+1 816 398 9262 jubilee.r.kao@gmail.com 8117 nw roberts road kansas city, missouri 64152
education
experiences
skills & interest
references
kansas state university manhattan, kansas masters of architecture 2020
ann beha architects; boston, ma architect designer intern jan. through aug. 2019 helped submit proposals to potential clients, create visuals for award nominations, and update the firm’s portfolio. assisted client building photoshoots. created two & three dimensional building information. modeling and construction documents using autocad & revit.
indesign cc 2020 illustrator cc 2020 photoshop cc 2020 office suite 2020 rhino 6 autocad 2018 3dxmax 2018 revit 2019 sketchup 2019 enscape 2019
gary coates gcoates@kstate.edu
study abroad program centro studi citta di orvieto orvieto, italy aug. through dec. 2018 u.s. stone competition awardee 2018
cornerstone architects, LLC; kansas city, mo architect designer intern 2017-2018 created two & three dimensional building information modeling and construction documentations using autocad & revit. assisted with administration responsibilities. participated in the reviews of product and shop drawing submittal during the construction phase. block real estate services, LLC; kansas city, mo marketing and communications assistant summer 2016 designed logos and created branding packages for customers. redesigned business cards. social media correspondent. helped organized groundbreaking events and open houses.
graphic design & digital media digital graphics watercolor media color pencil media group collaboration content creation
togier norhiem norhiem@kstate.edu
& there’s more!
2015-2020
TABLE OF CONTENTS a compilation of work from undergraduate + graduate works achieved at Kansas State University.
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Parsons Animal Care Clinic
Farm Implement Museum
The Living Building
Location: Parsons, Kansas
Location: Manhattan, Kansas
Location: Kansas City, Missouri
Client/Owner: Dr. Eva Dudek
Client/Owner: Manhattan, Kansas Community
Client/Owner: Diane Botwin
Concept/Parti Parsons Animal Care Clinic will provide a shelter for stray and lost animals, treat and rehabilitate them as needed, and shelter them until they can be re-homed.
Concept/Parti Drawing inspiration from the site’s natural ambience, this museum is designed to delve its occupants into the simplicity of the surrounding environment.
Concept/Parti This work will formulate the relevant questions impacting the topic of affordable housing, and establish an appropriate context for setting forth with our shared design work.
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Council Grove Public Library
“Coffee Filters”; Study Abroad
Location: Council Grove, Kansas
Location: Orvieto, Italy
Client/Owner Council Grove Community
Overview: Over the past three years in the College of Architecture at Kansas State University, our experiences as students rewrote our minds to observe the world from an imaginative and critical view point
Concept/Parti The building features different engagement with various forest experiences based on the time of year or purpose of the visit.
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jubilee kao architecture graduate portfolio 2020
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PARSONS ANIMAL C ARE CLINIC
Location: Midwest; Parsons, Kansas Client/Owner: Dr. Eva Dudek
Concept/Parti Parsons Animal Care Clinic will provide a shelter for stray and lost animals, treat and rehabilitate them as needed, and shelter them until they can be re-homed. Not only will it provide basic necessities for the stray animals of Parsons, Kansas, but also act as a community center for the citizens of Parsons. Finding a common ground between human and animal physiological and psychological needs, green space is intertwined and weaves each building component together. Even though the spaces are divided. Each program is controlled by an administrative element. The courtyard spaces become an integral element in the building’s layout.
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jubilee kao architecture graduate portfolio 2020
CONCEPTION
SPLICE
MOLD
MANIPUL ATION
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CONCEPTION It was adamant to provide a place that is predicated on sensitivity to the housed animals: physiological needs, social needs, psychological needs, environmental needs, behavioral needs. Green space is an underlying factor connecting the physiological needs of the occupants utilizing the space.
SPLICE By separating the services, this provides a clear division of space. Clean versus dirty, the served versus service, and public versus private. Finding a common ground between human and animal needs, green space is used to inter-wine and connect the separate building component together.
MOLD Transitioning from the plinth to the entrance of the building the material of the ground continues in the interior of the shelter, emphasizing the connection between inside and out.
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MANIPUL ATION Dividing the gabled roof structure, the flat roof emphasizes public points of entry. Transitioning from the plinth to the entry of the building, the material of the ground continues in the interior of the shelter, emphasizing the connection between inside and out.
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FLOOR PLANS
FIRST FLOOR PLAN: BUILDING A 101 MAIN LOBBY 102 COMMUNITY SPACE 103 ADMINISTRATION 104 INTAKE LOBBY 105 INTAKE EXAMINATION/GROOMING ROOM 106 DOG INTAKE HOLDING 107 CAT INTAKE HOLDING 108 TWENTY-FOUR HOUR INTAKE HOLDING
BUILDING A BUILDING B BUILDING C
FIRST FLOOR PLAN: BUILDING C 109 ANIMAL GROOMING 110 EXAMINATION ROOM ONE 111 EXAMINATION ROOM TWO 112 STAFF KITCHEN 113 PHARMACY STORAGE 114 SURGERY PREPARATION 116 SURGERY ROOM
FIRST FLOOR PLAN: BUILDING D: 117 DOG HOLDING 118 MEETING ROOM 119 FOOD PREPARATION ROOM 120 ANIMAL HOLDING LOBBY 121 CAT DISPLAY/CAT ROOM 122 CAT HOLDING
SECOND FLOOR PLAN: BUILDING A 201 TWO-PERSON APARTMENT
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SECTIONS + DETAILS
SECTION A-A SECTION B-B
NORTH SECTION: SECTION A-A
SOUTH SECTION: SECTION B-B
ROOF TO WALL CONNECTION
ROOF DETAIL
FLAT ROOF DRAIN DETAIL
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FOUNDATION CONNECTION
SOUTH ELEVATION
NORTH ELEVATION
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Green space is intertwined and weaves each building component together. Though the spaces are divided each program is still controlled by an administrative element.
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FARM IMPLEMENT MUSEUM
Location: Midwest; Manhattan, Kansas Client/Owner: Manhattan, Kansas Community Concept/Parti The Farm Implement Museum advocates a place for discovery and reflection. Drawing inspiration from the site’s natural ambiance, this museum is designed to delve its occupants into the simplicity of the surrounding environment. The structure emerges from the landscape, mimicking the rolling wheat fields of Manhattan, Kansas. The machinery-like structure creates moments underneath its billowing form.
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jubilee kao architecture graduate portfolio 2020
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EAST DETAIL SECTION
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NORTH SECTION
SOUTH SECTION
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THE LIVING BUILDING
graduate thesis project
Kansas State University’s Location: Regneier Studio 2020: Midwest; Kansas City, Missouri Zachery Billings Jesse Burton Roger Clack Erinn Engle Erik Loya James Jones Keylee Kohlmeier Adam Pelfrey Gwen Pitts Yanjun Sun Julia Switlik Yao Wang David Dowell, AIA El Dorado Inc. Kansas City, Missouri Lawrence Scarpa, FAIA Brooks + Scarpa Los Angeles, California
Client/Owner: Diane Botwin 1801 Walnut Street Overview: This Capstone Design Studio focused on the topic of well-designed, implementable affordable housing. Leveraging Brooks+Scarpa’s successful 2018 proposal for the Housing Innovation Challenge for Los Angeles County as a starting point, this work will advance a “High Stackable” development in the Crossroads Arts District in Kansas City working with long time El Dorado Client Botwin Family Partners, LP. We delved our research in the history of housing, cost of living, housing public policy, philanthropic involvement, climate, culture, etc. This work will formulate the relevant questions impacting the topic of affordable housing, and establish an appropriate context for setting forth with our shared design work. Click Here to read more about our work in 2019.
INTRODUCTION
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RESEARCH
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TEST-FIT #3
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DESIGN-BUILD
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INTRODUCTION
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“Our focus as thirteen graduate-level students at Kansas State University has been on defining the issue of affordable housing and determining solutions through architectural means. To begin, the definition of affordable housing and its troubled past from public housing to social housing, incluscionary housing to mixed-income, the definitions seem to be endless. As such, it seemed to be our task to develop a definition to encompass the reality and dignity of the situation, as affordable housing should be attainable in every market. However, affordability is measured based on income, which varies greatly from individual to individual and city to city. The federal definition of an affordable dwelling is one toward which an individual need not designate more than 30% of their income. Beyond this definition is understanding that incomes are generally categorized into groups of those who make higher than 80% of the Average Median Income (AMI) and those
who make less than this. The second of these categories can break down even further, which is imperative later in our understanding of how to mix incomes within a design proposal. With the facts established, it is time to realize the definition of our subject, project, and our goal: that affordable housing, through often misunderstood, is something powerful. If our housing is affordable, our lives are more manageable, more developed, and more successful. To design affordable housing has more depth than to simply provide residence for those who need it fosters possibility and potential in people from all backgrounds, incomes and circumstances in a truly meaningful and impacting way. Through direction from instructions David Dowell and Lawrence Scarpa, client Diane Botwin, and study of successful built work, we have worked to embody this definition through design.�
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kansas city star
umb bank
kc art mural
reverb apartments
green lady lounge green lady lounge
kc art gallery
we-work
updown
kc art mural
RESEARCH
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“The Crossroads Arts District is a neighborhood within the Greater Downtown of Kansas City, Missouri. Major highways (I-670 to the north, Route 71 to the east and I-35 to the west), border the neighborhood and connect it to greater Kansas City. Known for its vibrant art community, the Crossroads is home to more than 400 local artists and 100 independent studios. Other amenities include an abundance of boutiques, restaurants and bars, architectural and design firms, and advertising businesses. Many of these businesses are placed in renovated warehouses or industrial buildings. The crossroads district hasn’t always been Kansas City’s main arts district. In the 1930’s, the film industry chose a four block area in the Crossroads, dubbed “Film Row”, for a geographically central distribution point in the U.S.
Major studios on Film Row included Warner Brothers, 20th Century Fox, and Paramount. At its height, it had one of the largest concentration of film studios and is now one of the most intact Film Row districts in the United States. When the need for film distribution centers diminished in the 1960s, buildings in the Crossroads were neglected and essentially abandoned. It wasn’t until the 1980s that the rebirth of the Crossroads began, inciting the vibrant culture of today. During a search for an area in which a community of artists could bot live and display either work, Kansas City Art Institute professor Jim Leedy prompted the neighborhood’s transformation. Leedy purchased, renovated, and sold previously vacant back to artists at purchase price, leading to an influx of culturally diverse people in the Crossroads.”
8,018 peopl
1,104 p
e e op l
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ERE? W H O L IV E S H
Much of our program depends on knowing the demographics of the Crossroads district. At just under one square mile of land, this neighborhood is home to a little over 1,500 people. The demographics of this neighborhood are racially homogeneous, with 92% Caucasian residents, and only 5% African American. There are 859 households in the Crossroads, with 57% being one-person households and 39% two-person.
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WH Y HO US ING ON TH IS SIT E? 1801 Walnut is the perfect location, with every amenity that a resident may need only a 10-15 minute walk away. Many jobs are located in the district and many more can be easily commuted to via public transit.
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WHO WOR KS HER E? Demographics are fairly even split between the sexes, a breakdown with 82% under the age of 55, and even a similar income, with most earning more than $40,000 a year. Jobs split comparably, with 30% in the Professional and Scientific fields, and 14% in Hotel, Food, and Arts. Retail services make up an additional 16%.
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AFF ORD ABL E DES IGN With affordability in mind, our studio began the semester researching modularity and the implications it can have on both the budget and overall building design. Other ways to achieve affordability come from alternative design, a concept that uses things like shared amenities to reduce costs.
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WH O LIV ES + WO RK S HE RE ? Of the 8,018 people who work in the neighborhood, a mere 74 are also its residents. This means less than 1% of the people employed in the Crossroads live in the same area. Since this district is surrounded on three sides by major interstates and highways, over 70% of the 1,030 who live in the Crossroads and work elsewhere travel alone and by car.
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N C L IE N T V IS IO
Diane Botwin is a developer in the Greater Kansas City area. Diane envisions a home for the people of the Crossroads; the nurses, the teachers, and the employees in the surrounding area. Throughout the entire process, Diane’s vision of mixing income levels within the building has stayed consistent; with a mix of affordable units, market rate units, and even larger units oriented toward a higher income level.
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E R V IE W P R O B L E M OV In the Crossroads today, there is a dire need to provide housing for those who work in the Crossroads. It is imperative as architects and designers that we find a solution to accommodate those currently unable to work close to home and/or find affordable rent due to the high market-rate pressures of downtown.
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PRO CESS The thinking behind the progression of the building center themselves around values of community, sustainability, affordability, and resilient/flexible design. The site response that makes up the base program allows for an architecture of diverse activity and welcomes much needed green space into the lives of the residents and workers of the Kansas City Crossroads.
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HIS TOR Y OF TH E CR OSS RO AD S
The found ation of the Crossroads was built by artist Jim Leedy, a Kansas City Art Institute professor in the 1960s. Alone, he started the neighborhood’s transformation from ghost town to arts destination. During his time as a professor, he noticed a lack of opportunity and affordable living spaces for his graduating students in the downtown Kansas City are. He started renovating warehouses and renting out studio spaces to his students.
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UNIT T YPO LOG Y In dealing with the rigidity of modular design and micro-units, it was vital that the units were infused with strong principles and values that could heighten the experience past that of a furniture-filled box and towards that of a home. The size of each modular unit was determined to be 14.5’ by 29’. The size fits efficiently within the size parameters while keeping the module sizes.
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WH O + WH AT
With the Crossroad’s demographic in mind, this proposal provides contrasts from a typical developers apartment model. Dividing the building into appropriately sized micro-communities provides a well-rounded connection within one’s living experience. These micro-communities accommodate more ‘local’ interactions.
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IL D IN G OV E R A L L B U The building completes itself in the unification of the diverse order of spaces, adding to the quality of life within. Continuing the values of the Crossroads, this proposal establishes itself as a model for both affordable housing and community living. This proposal’s value will only proceed to grow in need and importance with the increasing demand for dignified, affordable housing within the Crossroads.
TEST-FIT #3
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“We feel this issue is one that affects those not just those within the Crossroads, but those throughout Kansas City and the United States. Affordable housing in the Crossroads needs a solution that provides workers, families, and residents of Kansas City the amenities and resources to be a part of the Crossroads and invest their community as a whole.
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The Crossroads is a growing and ever-expanding part of Kansas City. This growth will only continue to flourish if there is appropriate, dignified, and affordable housing that is made available to all those who wish to reside within this thriving district. This unique piece of downtown’s vibrant history and culture has established a place that people want to experience and live in. Our goal is to provide a solution that can meet this need and provide a connection to the Crossroads in a way that encourages a heightened sense of community.”
INFORM
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CONGREGATE Taking cues from the street to establish public and residential entries.
ECONOMIC L ANGUAGE
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BASE PROGRAM Establishing the second floor as a flexible interstice for both residents and the public.
COMMUNIT Y POCKE TS Starting with a formal idea geared towards the strengths of stacked modularity and site dimensions.
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The complete program of the ground floor. Establishing the building’s connecting point to the crossroads.
COMPLE TE PROGRAM Creating secondary micro-community pockets that add flexible amenities.
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The building manifestation of community ideals in a modular design.
The second floor of this building brings different businesses and events up into the building, creating interactions between the residents and the public.
The green alley along the south facade of the building provides much needed green space in the Crossroads. This space is envisioned as a farmer’s market during the week and transformed into a stop during First Friday’s.
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DESIGN-BUILD
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“Designing affordable housing by stacking modules helps to maintain the affordability portion of the design and paves the way for making modular construction more common and attainable in the future. Stretching the limits of the 60’x16’x12’ module to comprise of units, hallways, and amenities is the ultimate goal to allow for ease of construction. In creating a micro urban neighborhood, it is important to include the variety of people who work and play in the Crossroads. This means avoiding a building that contains only one income-type and instead, incorporating a diverse range. Creating a building that is integrated into the district and inclusive to various incomes is essential to being variable in the crossroads.
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Some may associate “affordable housing” with lesser-quality, cramped, and bare apartments. Giving quality space to those who live in these apartments is vital, as we know how much quality of life can improve when a quality home is provided. Scale and proportion are costless. They are two important factors in making units that provide quality living. Creating a community and neighborhood within the building helps to build a strong identity for the Crossroads, as well as encourage interaction between people in dense urban fabrics.”
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COUNCIL GROVE PUBLIC LIBR ARY
Location: Midwest; Council Grove Public Library Client/Owner: Council Grove Community Concept/Parti Often imagined as a quiet, meditative retreat from the bustle of modern life, a walk in the woods brings us into a space brimming with activity. The building features different engagement with various forest experiences based on the time of year or purpose of the visit. The interior of the library, allows the users to bask in the splendor of a densely wooded scene. Other seek to possess the forest and assign a sense of order to it, while still others capture moments of soft stillness in the woods, picturing the promise of seasonal renewal.
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jubilee kao architecture graduate portfolio 2020
Reading underneath the trees hosts different layers of moments. With the heights of the branches and the blankets of leaves, this creates a multi-dimensional and compressed space to retreat for a private and intimate moment.
Nature hosts multiple different walks of life and at all stages. It provides a place to retreat, to recover, and rejuvenate.
Sunlight peaks through the trees creating a cast of ambient lighting. The varying heights of branches and leaves allows for different variations of lighting, that allows for different levels of activities down below.
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The varying heights creates a multi-dimensional and compressed space to retreat for a private and intimate moment.
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The atrium space in the center of the building allows optimum amount of lighting throughout the building. Mimicking the natural sun patterns in the nature, beaming through structure.
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The ceiling structure flows down and becomes a bookshelf for the occupants to utilize. The interaction of the structure and the users, reflects the interactions found in nature.
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DESIGN MOTIVES
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The initial alloted square footage. The community of Council Grove was looking to rehabilitate community interactions and focus on an epicenter of holding Council Grove’s history and foundation.
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The concept of reading underneath the trees. The wood structure that interweaves together exhibit and facilitate moments throughout the building. These spaces host spaces to imagine, to feel warmth and a place of haven amongst the structure.
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The facade of the building reflects the same dynamic wave as the interior structure. Mimicking the flows of wind against the wheat fields in Council Grove.
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SECTION PERSPECTIVES
SECTION A-A SECTION B-B
NORTH SECTION: SECTION A-A
WEST SECTION: SECTION B-B
SECTION A-A: 101 MAIN LOBBY 102 COMMUNITY SPACE 103 ADMINISTRATION 104 LOBBY 105 STORAGE 106 RESTROOMS 107 MAKERS SPACE 108 COMPUTER ROOM
SECTION A-A: 109 POTENTIAL LECTURE SPACE 110 BACK VESTIBULE 111 TEEN AREA 112 ADULT BOOKS 113 CAFE 114 CHILDREN’S SPACE 115 FIRE STAIRS
SECTION B-B: 101 MAIN LOBBY 102 COMMUNITY SPACE 103 ADMINISTRATION 104 LOBBY 105 STORAGE 106 RESTROOMS 107 MAKERS SPACE 108 COMPUTER ROOM
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SECTION B-B: 109 POTENTIAL LECTURE SPACE 110 BACK VESTIBULE 111 TEEN AREA 112 ADULT BOOKS 113 CAFE
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“COFFEE FILTERS”; STUDY ABROAD
Kansas State University in Location: Orvieto, Italy Orvieto, Italy; Centro Studi Citti di Orvieto Centro Studi Citti di Orvieto Studi Urbani 2018 Zachery Billings Jesse Burton Overview: Bryan Bruckner “The observations documented in this book were Roger Clack made during a four month study abroad experiBrandon Cole ence in Orvieto, Italy. Beginning the fourth year Samantha Davies of the Masters of Architecture program at Kansas Colin Esworthy State University, studio Urbani, a class of nineteen Jacob Frazier students traveled from America in August 2018 Erik Loya to begin an experience that would continue until Catherine Gutman December 2018. During this period, a professor James Jones from K-State continued their studies in architecKelsey Kohlmeier tural theory, while two Orvietan locals instructed Erin Murphy us in the Italian language. The final professor (an Peter Nguyen art and architectural historian from Assisi, Italy) Christina Sanchez informed them of Italian art, history, and culture. Julia Switlik Studio Urbani embarked on field trips throughout the country and analyzed each excursion and how it impacts them as architects.” Click here to read more of our book, Coffee Filters
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jubilee kao architecture graduate portfolio 2020
“Over the past three years in the College of Architecture at Kansas State University, our experiences as students rewrote our minds to observe the world from an imaginative and critical view point. The first concept that was introduced to us in school was the design process - a method used in architecture to create comprehensive design, much like scientific method in scientific field. In this process, architects define a problem, collect information, brainstorm ideas, develop solutions, then present an idea. After receiving feedback, they work to improve a design by defining the new problems and restarting the cycle. Through this process, we students were programmed to see the world not as it is, but as it could be. Identifying the problems we see in the world not as it is, but as it could be. Identifying the problems we see in the world, we seek to
these issues through methodical design and thoughtful architecture. Through this method, each of us learned to think and make design decisions at a rapid pace. After one project was finalized, we were immediately presented with a new problem with a deadline to find a solution. It trained us to work quickly and efficiently as well as helped us to develop our understanding of the design process through practice. However, this pace must be paired with thoughtful contemplation, something in light of this fact, our study abroad in Italy began with a focus on observation and reflection. Since then, our experience of the world has slowed greatly. It is through this lens that we as students of architecture have had our minds significantly influenced over the past months by the designed environment and culture across Italy. Undeniably, each of us have developed and changed through this exploration of a distant culture in our own respective ways.�
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“Our consensus as a studio is that our experience within the years has been focused upon “the object’ within architecture. Studying abroad, the Italian envirronment has presented the notion of a cohesive whole of architecture. From this discovery and the interconnection of our readings and research upon the Macro and Micro scales, we compiled a book to document our findings. Together all of us have developed a new, personal realm of architectural thought. This realm of thought attempts to decode and break down the complexity of the world into measurable means. By doing this, we hope to have the ability to design
an entity of limitless possibility by engaging multiple scales and concepts, thus reinforcing human values and desires. It is our hope that our documentation of our experience and exploration of multiple scales will inspire a new way of perceiving both the natural and built environment. Through this new perception, we hope to expand the realm of architectural possibility through the use of mental navigational tools and their subdivision of filters. As the realm of possibility is expanded, designers will be inspired to reformat through patterns in order to abstract lessons of existing architecture and redefine the contemporary environment.”
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“During our experience in Italy, we defined five ‘mental navigational tools.’ These are defined as a way of interpreting the complexities of the world through a multi scalar relationship of the macro and the micro. By dividing the world into this dualism of scales, an observer will develop the ability to compose a cohesive ‘whole’ made up of ‘parts’. Each tool then allows for a breakdown of complexity through the subdivision of each concept into ‘filters’. In this context, filters provide the ability for an individual to measure and observe the materialization of mental navigational tools within the broader world. By engaging this process, these tools and filters also become representations of the macro and micro conditions respectively.
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The takeaway of our experience include the shaping of the environment through mental navigational tools. Society is full of complexities that must be broken down in order to simplify the world, and these mental tools lend aid for this simplification. With this in mind and having simplified many concepts within the context of Italy, a discovery has been made. What happens when all of this complexity within cities can be broken down into its parts? The observer then has an acute sense of how much of society functions an the layout of such societies. Because of this acute sense, the observer has now gained the ability to recognize flaws and imperfections that have the ability to be adjusted or fixed.”
THANKS!
LE T S CHAT SOON. jubilee kao +1(816) 398.9262 jubilee.r.kao@gmail.com