Transformative Fashion Midterm Presentation

fds

TRANSFORMATIVE FASHION JUNZABURO 2015

CONTENTS

I. CONCEPT LIMITING MOVEMENTS DRESSING MOTION CHANGING IDENTITY PAINTERLY

II. RESEARCH MASK & MAKEUP ARTIST FASHION DESIGNER WEARER GAY CULTURE

Transformative Fashion > Contents

2

CONTENTS

III. DESIGN PROCESS PAINT POEM MUSIC MASK PERFORM FINAL

IV. RANGE PLAN V. TOILES Transformative Fashion > Contents

3

I. CONCEPT

1. LIMITING MOVEMENTS Investigating the limitation of the movements generated by garments. Considering historic cultural garments from Japan and around the country. These restrictions are much more obvious in the past than in modern society. The garment construction helps men and women to act in a specific way and generating the identity of the people.

2. DRESSING MOTION The time it takes to dress is also reduced compared contemporary to the past.

3. CHANGING IDENTITY Nowadays, people can choose what to wear based on what they do. When they are not restricted by socio-cultural role, they are able to wear casual comfortable clothes that they tend not to wear the restricted garments in order to perform well.

4. PAINTALY To make the paintaly effect using embroiderly, lazer cut and print.

Transformative Fashion > Concept

4

LONDON TRIP, V & A, Shoes: Plesure and Pain | 14 Oct 2015

I. CONCEPT

LIMITING MOVEMENT

1 LIMITING MOVEMENTS There are certain movements and posing that are generated by the ristriction of the garment.

Transformative Fashion > Consept > Limiting Movements

5

1 Oct 2015

1 JAPANESE TEA CEREMONY There are specific movements to surve tea.

When people are not wearing the kimono, those movements look odd.

Transformative Fashion > Concept > Japanese Tea Ceremony

6

DRESSING MOTION

2 DRESSING MOTION Dressing kimono contans a lot of tying motion. The way it is dressed makes the difference of a man and a woman.

Transformative Fashion > Consept > Dressing Motion

7

CHANGING IDENTITY

3 CHANGING IDENTITY Nowdays, people can choose their social role. It means that people have different social role within one day.

Transformative Fashion > Consept > Changing Identity

8

LONDON TRIP | 14 Oct 2015

PAINTARLY

4 PAINTARLY To make the paintaly effect using embroiderly, lazer cut and print.

Transformative Fashion > Concept > Paintaly

9

II. RESEARCH

1. MASK & MAKEUP

2. ARTIST

3. FASHION DESIGNER

4. WEARER

5. GAY CULTURE Transformative Fashion > Range Plan

10

23 Sep 2015

MASK & MAKEUP

1 MASK Hiding identity is one of the purpose for having a mask but is it only that?

Transformative Fashion > Research > Mask & Makeup > Mask

11

25 Sep 2015

1 MASK IN PERFORMANCE Does not show the facial expression that some times it cannot hold audiences attention.

Transformative Fashion > Research > Mask & Makeup > Mask in performance

12

25 Sep 2015

1 MASK IN FASHION SHOW It is more about the garment not the model.

Transformative Fashion > Research > Mask & Makeup > Mask in fashion show

13

1 Oct 2015

1 HIDING IDENTITY Not only mask that hide identity but adding effects on photos can also hide identity.

Transformative Fashion > Research > Mask & Makeup > Hiding identity

14

2 Oct 2015

1 CUTE MASK Cute patterns are printed on the mask and the mouth of an charactors is also common.

Transformative Fashion > Research > Mask & Makeup > Cute mask

15

4 Oct 2015

1 KUMADORI Red black and blue and white colour are used in these makeup. The forehead is covered with the cloth to make the face bigger.

Transformative Fashion > Research > Mask & Makeup > Kumadori

16

22 Oct 2015

1 HODDIE Hoods are to prevent winds and rain. Covering the face will make people identify someone that they can feel to become different charactor.

Transformative Fashion > Research > Mask & Makeup > Hoddie

17

NOTTINGHAM, Waverley Gallery, Design for action | 23 Oct 2015

1 STEPHEN JON Wooden masks. Also using flipping effect.

Transformative Fashion > Research > Mask & Makeup > Stephen Jon

18

CAMBRIDGE TRIP, The Fitzwilliam Museum | 24 Oct 2015

1 WAR HELMETS This helmets had been used and the shapes were not designed because its just how they wanted to be but because to prevent damage and to show identity.

Transformative Fashion > Research > Mask & Makeup > War helmets

19

CAMBRIDGE TRIP, The Fitzwilliam Museum | 24 Oct 2015

1 HAND FAN Fan can also be a mask in some ocations. It is also used to show their perosonality or status.

Transformative Fashion > Research > Mask & Makeup > Hand Fan

20

PARIS TOUR, Paris de Tokyo, | 12 Sep 2015

ARTIST

2 TIANZHUO CHEN Tianzo chen's work was exhibited at Palais de Tokyo.

He has collaborated with fashion designer.

Transformative Fashion > Research > Artist > Tianzhuo Chen

21

26 Sep 2015

2 DINA KNAPP The posing for her garment is always like this for her editorial shots. The shape of the garment makes this pose. It is similar to the poses for Japanese dancing.

Transformative Fashion > Research > Artists > Dina Knapp

22

29 Sep 2015

2 JANA STERBAK Conceptual dresses. It is hard to wear them but it is about limiting the movement.

Transformative Fashion > Research > Artist > Jana Sterbak

23

29 Sep 2015

2 KAISIK WONG His masks are connected to other parts of the garment.

Transformative Fashion > Research > Artists > Kaisik Wong

24

29 Sep 2015

2 NICK CAVE These outfit reminds me of Kendo helmets. Kendo helmets are not masks. It is to prevent the hit of a banboo stick.

Transformative Fashion > Research > Artists > Nick Cave

25

NOTTINGHAM, Nottingham Contemporary, Autumn Season: Alien Enounters | 9 Oct 2015

2 RANA HAMADEH The garment is hanged on the wall. It is also becoming a piece of an art work in the gallary

Transformative Fashion > Research > Artists > Rana Hamadeh

26

29 Sep 2015

FASHION DESIGNER

3 IRIS VAN HERPEN Kimono contains a lot of string tying motion. This also has lot of string. And flipping effect.

Transformative Fashion > Research > Avant Garde > Iris Van Herpen

27

LONDON TRIP, V & A, The fabric of India | 15 Oct 2015

3 MANISH ARORA Butterfly Mask. The butterfly dress was exhibited at V & A museum. The iconic ellements he use are romantic.

Transformative Fashion > Research >

28

LONDON TRIP, Selfiges and Vivienne Westwood man store at 18 Conduit St | 15 Oct 2015

3 VIVIENNE WESTWOOD The dress fit me well even the garment had unique shapes

Transformative Fashion > Research >

29

LONDON TRIP, Dover street market, 3F | 15 Oct 2015

3 WALTER VAN BEIRENDONCK I found the magazine with his work that had lot of masks.

Transformative Fashion > Research >

30

LONDON TRIP, Dover street market, 3F | 15 Oct 2015

3 CÉLENE The emboidery work was unique and delicate. Hand made tasts are added to the garment by the illustration and embroidery.

Transformative Fashion > Research >

31

LONDON TRIP, Selfridges | 15 Oct 2015

3 KTZ Visual effects that are being used are similar to my art works. It makes me think how to translate those effects in garment language.

Transformative Fashion > Research >

32

VISITING STUDIO, 577, Nuthall Road, Nottingham | 1 Oct 2015

3 DANIEL HANSON He specializes in night gown but also design clothes for costumes. It made me clear to understand the research and the design work.

Transformative Fashion > Research > Fashion Designer > Daniel Hanson

33

1 Oct 2015

3 QIAODAN YIN PENG Chinese desiner who designs masks for chinese air pollution. Thinking about the needs for my one consumer.

Transformative Fashion > Research > Fashion Designer > Qiaodan Yin Peng

34

22 Oct 2015

3 MASK & MAKEUP VIVIENNE WESTWOOD Makeup resembles the day of the death.

Transformative Fashion > Research >

35

1 Oct 2015

3 BUTTON I have seen the similar garment in other fashion exhibition. Althogh it is transformative, just changing shape is not enough for my designs. And also want to think more about string.

Transformative Fashion > Research >

36

23 Sep 2015

WEARER

4 JAPNESE MUSIC INDUSTRY Idols Representing the country but always in rainbow colour. Is there a room for me to design the clothes for them? Transformation is needed in this sector.

Transformative Fashion > Research >

37

30 Sep 2015

4 GRACE JONES She has inspired Madonna and Lady Gaga. Developing her one identity, she used decorations around her face.

Transformative Fashion > Research > Wearer > Grace Jones

38

3 Oct 2015

4 LADY GAGA When ever I design fancy dress, she would always be the person who I can imaging wearing it.

Transformative Fashion > Research > Wearer > Lady Gaga

39

4 Oct 2015

4 PERFUME They are Japanese pop girl group. I wish to design clothes for them and perform my clothes.

Transformative Fashion > Research >

40

1 Oct 2015

4 CHILDRENSWEAR The contimuing presence of the bomber is down to its versatility. This season's luxurious

Transformative Fashion > Research > Wearer > Childrenswear

41

1 Oct 2015

4 GLAM ROCK MOVEMENT Makeup hides nationality and gender. The colour scheme is mainly black but I like the playfulness of the garment.

Transformative Fashion > Research > Wearer > Glam Rock

42

23 Oct 2015

4 PUNK FASHION Vivienne Weswood's inspiration comes from punk. The identity makes the posture. Clothes has to match the facial expression.

Transformative Fashion > Research > Wearer > Punk Fashion

43

1 Oct 2015

4 POLLUTED AIR This is one of the reason people wear mask.

However, the purpose of my mask did not start from this reason.

Transformative Fashion > Research > Wearer > Polluted Air

44

1 Oct 2015

4 DROPPING DOWN What do I see in real garment that are being used in reversible ways?

Who wears the reversible clothes?

Transformative Fashion > Research > Wearer >

45

30 Sep 2015

GAY CULTURE

5 DRAG QUEEN Drag queen change their name after when they makeup. It means that they are different having different identity while they are in that outfit.

Transformative Fashion > Research > Identity > Drag Queen

46

LONDON TRIP, V & A, Shoes: Plesure and Pain | 15 Oct 2015

5 TOM OF FINLAND Leather boots have sexual appeal and show physical strength. What kind of foot wear that goes with my line?

Maybe that will clarify my identity of my designs.

Transformative Fashion > Research >

47

CAMBRIDGE TRIP, The Fitzwilliam Museum | 24 Oct 2015

5 ST SEBASTIAN What strong symbol can I have in my garment designs? And logo for my brand.

Transformative Fashion > Research > Gay Culture

48

1 Oct 2015

5 WHAT IS FEMININE? Maybe the way the skin shows makes it feminine. Or images that are printed on the garment. What is unisex clothes?

Transformative Fashion > Research > Wearer > What is feminine?

49

III. DESIGN PROCESS

1. PAINT 2. POEM 3. MUSIC 4. MASK & MAKEUP 5. PERFORM 6. FINAL

Transformative Fashion > Design Process

50

PAINT

1 PAINT The timeing I use my paintings has changed. Still figuring when to play around with images.

Transformative Fashion > Design Process > Paint

51

1 Oct 2015

1 COLLAGE Playing around with real cloths makes me think what is practical.

Transformative Fashion > Design Process > Paint > Collage

52

1 Oct 2015

POEM

2 POEM Translating images into other format is always important to my design process. Garment comes in the process of these translations.

Transformative Fashion > Design Process > Poem

53

1 Oct 2015

MUSIC

3 MUSIC Music is an artwork using time passage, which relates to my concept "Transformative fashion".

Transformative Fashion > Design Process > Music

54

30 Sep 2015

MAKEUP

4 MAKE UP Make up has different purpose. To look pretty or sometimes to look stronger.

But my experiments started to hide identity.

Transformative Fashion > Design Process > Paint > Collage

55

5 Oct 2015

4 MASK Identifiying the mood for my desins for the garment.

Transformative Fashion > Design Process > Animal Mask

56

1 Oct 2015

PERFORM

5 HALLOWEEN "Who are you suppose to be?" was the questions I got from people. It was mixed personality in one look at this point but it needs to be changed completelly after one and another.

Transformative Fashion > Design Process > Perform > Halloween

57

1 Oct 2015

5 PERFORM Considering the shapes by actually performing with wearing the garment.

Caming back to the toile to decide the final look.

Transformative Fashion > Design Process > Perform

58

1 Oct 2015

FINAL

6 THEATRICAL IMAGE I can use accessories when shooting garments.

Transformative Fashion > Design Process > Final > Theatrical Image

59

I V. R A N G E P L A N

Transformative Fashion > Range Plan

60

1 Oct 2015

STRETCHING

1 LIMITING MOVEMENTS The contimuing presence of the bomber is down to its versatility. This season's luxurious

Transformative Fashion > Range Plan > Stretching

61

1 Oct 2015

REVERSING

2 REVERSING Flipping up and dropping down made an interesting effect.

Transformative Fashion > Range Plan > Reversing

62

1 Oct 2015

MASK TO COLLAR

3 MASK TO COLLAR Two function in one garment.

Transformative Fashion > Range Plan > Mask to Collar

63

V. T O I L E S

Transformative Fashion > Range Plan

64

Transformative Fashion > Range Plan

65