Magazine
BRINGING YOU THE WORLD OF RASTAFARI and reggae
SPRING 2020 | £4 ORDER AT
www.jusjahmagazine.com
Honouring
Ras Daniel Heartman Jus’Jahmagazine | Spring 2020
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Special Thank you’s Magazine
BRINGING YOU THE WORLD OF RASTAFARI AND REGGAE
Thank you’s
sPRinG 2020 | £4 ORDER AT
www.jusjahmagazine.com
Thank you to everyone who helped make the Spring 2020 issue of Jus’ Jah Magazine so beautiful. Honouring
Give thanks to Jah RastafarI for guiding the entire team on this project, from the beginning to the publishing date.
Ras Daniel HeaRtman Jus’Jahmagazine | Spring 2020
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Notices Jus’ Jah Magazine is published four times a year in the UK. No content may be reproduced in any format without prior written consent from the owner. Jus’ Jah Magazine is committed to producing a culturally-rich, vibrant and representative publication. Our contributors offer a unique range of views. Their individual opinions are their own, and not necessarily shared by Jus’ Jah Magazine. Our departments Greetings@jusjahmagazine.com General enquiries or if you just want to give us a hail Sales@jusjahmagazine.com To advertise with us, collaborate or work with us in any way Picth@jusjahmagazine.com If you have a story you want published or if you want to write for us. Subscriptions@jusjahmagazine.com For all enquiries about subscribing to Jus’ Jah Magazine Editor@jusjahmagazine.com All editorial enquires including interviews, features and corrections.
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Thank you to Nicholas Dixon, Justice Dixon, Jahzarah Dixon, Jahfari Dixon, Glynis Mc Queen-Simon, GEMs Management Consulting, Teodora Nikolov, Ato Roberts, The Ras Daniel Heartman Estate, Thomas Nebbia, URIA, Ronnie Tomlinson, Destine Media, Buju Banton, Asha Heights, Empress II-Kaya Ises, Ashley Straker, Adriana Smith, Ras Bunny King, Ras Malekot, Ras Desmond Richards, Alex Kellier, Amanda Fernandez, Dwayne Brimah, Tarieg Guenine, Shami Rugambwa, Claire Hoppe, Mount Zinai, Malaika Lepine, MPR Consulting, Morgan Heritage, Ras General, Khalilah Rose, Rasta Circles TV and Jus’ Jah Kitchen.
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Also, the deepest gratitude to my parents for their love and teachings. Thank you to all our readers and supporters, because of you we are able to do a job that we love. This edition of Jus’ Jah Magazine is dedicated to Ras Daniel Heartman, Vaughn Benjamin (Akae Beka), Nipsey Hussle and Zion Starr.
Content’s Page
2. Thank you’s 3. Content’s Page 4. Advert 5. Letter from the publisher 6-7. The Rasta Calendar 8-10. A Tribute to Vaughn Benjamin 11. Ethiopian Universal Anthem 12-13. Authentic Rasta Tams 14-15. Welcome Forward Buju Banton 18-19. Honouring Ras Daniel Heartman 20-24. The Ras Daniel Heartman Story 25. Advert 26-29. Art by Ras Daniel Heartman 30-33. Meet Ato Roberts 34-35. Tribute to Zion Starr 36-38. Empress on the Rise: Khalilah Rose 39. Poetry Corner with Mount Zinai 40-42. Upfull King: Asha Heights 43. Adwa: Ethiopia’s Historic Victory 44-45. Remembering Nipsey Hussle 46-48. Year of Return 49. Morgan Heritage Remember Kobe Bryant 50-51. Salute our elders 52-54. Reggae in Ghana 55. Jus’ Jah Kitchen 56-57. Ital Food 58-59. Market a comic strip by Justice Dixon 60-62. Fans Tributes to Akae Beka 63. Reggae Search 64. Twelve Tribes Chart 65. His Majesty Says 66. About This Picture 68. Back page www.jusjahmagazine.com
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“INI Ah Reason” reggae podcast
A brand new podcast discussing all things related to Reggae and Dancehall music. We also discuss events affecting INI (meaning us the people). We also highlight issues affecting the Rasta community, the Caribbean and Africa. INI Ah Reason is hosted by Journalist and Editor Sinai Fleary and Reggae artist and Songwriter Asha Heights. Join the discussion by using #INIpodcast
The podcast is available on
Spotify, Apple Podcasts, YouTube, Soundcloud and Colourfulradio.com
Instagram: @iniahreason
Twitter: @InIAhReason Facebook: @InIAhReason
Magazine
Letter from the Publisher Dear Reader, Firstly, thank you for purchasing Jus’ Jah Magazine. I hope you enjoy this issue and find it to be all you have envisioned. I am so pleased to present the first issue of Jus’ Jah Magazine after a publishing break. Jus’ Jah Magazine was last published in Winter 2014, since then I have been busy researching the reggae music industry and all that surrounds it. During this time, the way we consume media and news has changed, so I needed to go back to the drawing board and start again. Everything has been re-developed or re-written including our business plan and our editorial values and mission. One notable change is our logo and branding. These changes were inevitable. We have evolved so much since our last publication. The new logo signals a new beginning for Jus’ Jah not just as a publication but also as a business. The use of red, gold and green on the globe symbolises the worldwide cultural impact the Rastafari movement and Reggae music has had on all four corners of the earth. Jus’ Jah Magazine remains committed to providing a platform and space to highlight the beauty and power of our music and our culture. We have lots of great things planned and they will all be announced as the year progresses. But for now, I leave you with this very special issue of Jus’ Jah Magazine. I hope you find the articles informative and a pleasure to read. As always, I welcome your comments and feedback on this issue. Give thanks for your patience and love. Jah guidance and blessings always,
Sinai Fleary Editor & Founder
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calendar
The Rasta Calendar
There are several key events that are of historical and cultural significance to Rastafarians. These special dates are celebrated throughout the year. Here are some of those important dates in the Rasta calendar.
Gena or Genna
The Battle of Adwa
January 7th (Annually)
March 1st (Annually)
Gena is the Ethiopian Orthodox Church celebration of Christmas. Often called Rasmas by Rasta communities.
On this date in 1896, the first war was fought between Ethiopia and Italy, in the town of Adwa. Menelik II lead Ethiopia’s 100,000 army to victory against the Italians, who wanted to colonise Ethiopia.
Robert Nesta Marley, OM Earthday February 6th (Annually) The reggae legend, Bob Marley, was born on this day in 1945, in Nine Miles, Jamaica. His earthday is celebrated by reggae fans and members of the Rasta community in Jamaica. Celebrations usually take place across the island, but also at Marley’s home, which is now the famous Bob Marley Museum on Hope Road, Kingston. 6
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Empress Menen I Earthday April 3rd (Annually) Celebrating the earthday (birthday) of Empress Menen Asfaw, who was the wife of Emperor Haile Selassie I. According to the Ethiopian calendar she was born on 26 Magabit 1881, which translates to April 3rd1891 in the Gregorian calendar. She founded the Empress Menen School for girls and did extensive charity work in her homeland.
calendar Africa Day
(Previously known as African Liberation Day)
May 25th (Annually) Is the annual celebration of the establishment of the Organisation of African Unity (OAU) now known as the African Union. The OAU was set up on 25th May 1963, in Addis Ababa, Ethiopia. Two of the founding fathers were Emperor Haile Selassie and Kwame Nkrumah of Ghana.
Leonard Howell Earthday June 16th (Annually) Leonard Howell is regarded as the ‘First Rasta’, and was born 1898. He began preaching about the crowning of Ras TafarI Makonnen in 1933. Howell formed one of the earliest Rasta communities called Pinnacle, in St Catherine, Jamaica.
Marcus Mosiah Garvey Earthday August 17th (Annually) Marcus Mosiah Garvey Jr. ONH is revered as a prophet for the RastafarI movement. His birthday (17th August 1887) is celebrated annually, by both Pan-Africans and Rastas.
Ethiopian New Year September 11th (Annually) The Ethiopian calendar is seven years behind the Gregorian calendar. Enkutatash is the word for Ethiopian New Year in Amharic, the official language of Ethiopia.
Peter Tosh, OM Earthday October 19 (Annually) Peter Tosh was born on October 19, 1944 and was a founding member of The Wailers. He was fondly known as the Stepping Razor or the Bush Doctor. Many use his earthday to remember his life, activism and music. An annual concert happens every year to honour Tosh on his earthday. His family also opened the Peter Tosh Museum in Kingston, which includes some of his instruments, clothing and his beloved unicycle.
Royal Ethiopian Coronation November 2nd (Annually) The RastafarI movement commemorate the anniversary of the Coronation of Haile Selassie I and Empress Menen Asfaw, which took place on this date in 1930.
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Tribute
A Tribute to
Vaughn Benjamin aka Akae Beka Written by Sinai Fleary
T
here are not many people who can create music that can heal you through every word which they sing. But Vaughn Benjamin possessed that very gift. He was the lead singer of Midnite and Akae Beka. His voice was enchanting, his presence was mesmerising and his music is divine. Benjamin’s sudden death came as a shock to everyone when the news broke on November 5, 2019. He was 50 years old and unexpectedly passed away on November 4, 2019, at Tradition Medical Centre, Port St. Lucie, Florida. The cause of his death has not been made public. As the sad news travelled, so did an incredible sense of loss and brokenness. Tributes flooded social media, as fans from around the world paid tribute to one of Reggae’s musical geniuses. Benjamin was hailed as a spiritual teacher, intellectual master and high priest to many. His unique sound and philosophical lyrics provided his fans with music that could be used for deep reflection and meditation. But also, his music provided 8
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commentary and analysis on various political, social and economic situations. The multi-talented artist was born on the Caribbean island of Antigua, on August 13, 1969. He formed the Midnite band with his brother Ron Benjamin in 1989. The brothers are the sons of Antiguan musician Ronnie Benjamin. They were raised in St. Croix, Virgin Islands, where they would spend many years. Some of the bands earliest musical influences were The Abysinnians, bassist Flabba Holt, Bob Marley, Peter Tosh and Bunny Wailer. From very early on, Midnite made their mark on the music industry by being unapologetic about who they were and what they stood for. The Rastafari movement and way of life was at the forefront of everything that Benjamin did and said. His lyrics would comprise of biblical verses and his own experiences in the most captivating way. With every utterance he exuded light. Benjamin used his music to give praises to Emperor Haile Selassie I and shine a light on the Rastafari faith. The group’s debut album Unpolished
Tribute
Illustrator: Ras Bunny King was released exclusively in Namibia in December 1997. They followed up with Ras Mek Peace (Before Reverb and Without Delay) which was released in November 1999. But what was startling, the project was reportedly recorded live in one room, straight to two-track analog tape. Both albums were recorded using no mixing board, no overdubbing and no compression. But that didn’t stop the band from capturing the ears of millions of
adoring fans. Benjamin was a kind soul and would often spend hours talking to fans after his concerts. Midnite’s unique roots rhythms, spiritually charged lyrics and harmonious melodies were unparalleled. The band toured internationally and released numerous albums together including Jubliees of Zion, He is Jah and Seek Knowledge before Vengeance.
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Tribute In September 2011, Midnite released their first professionally produced music video for their song “Mongst I&I”. The video was filmed in St. Croix and Jamaica. Their popularity continued to grow and in the 2014 Midnite featured in a documentary film called Escape To St Croix. In February 2015, Midnite cancelled their tour and postponed dates “due to a life changing medical emergency, convictions, and revelations”. Later that year, Vaughn Benjamin reformed the group without his brother and renamed the band Akae Beka. The band’s new name reportedly came from the Book of Enoch, chapter 68, verse 20-24. Akae Beka had recently released new albums, Mek a Menshun and Hail the King, and was scheduled to tour Europe in 2020. At the time of his passing, fellow reggae musicians paid tribute to him, expressing their sense of loss and gratitude for being able to spend time with him. Chronixx: “Thank you elder soul, for 1500 insights the I gave us. I and I have learned so much from your reaonance. You are one of the kindest souls I ever connect with on earth. What is death and judgement to a soul that found mastery and mystery in life. #Voicesoftheremnancy there is no closer proximity to eternity.” Pressure Busspipe: “Loss for words.” Jah 9: “I beloved of JAH!!! No words for my gratitude to have shared time, space, stage and paper with one of the most extraordinary cultural icons of my generation. A beacon of light, a truly beautiful man, my brother Vaughn Benjamin, now with the Ancestors.” Jesse Royal: “Truly saddened to hear this news! Truly one of the Purest Genuine Souls that I’ve ever come across and the lessons and reasonings are truly indelible” Protoje: “Very saddened today, this is 10
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One of the biggest influences I’ve had in music. I’ve never met a more intelligent and knowledgeable person in my life and also with the wisdom of a Sage. Forever grateful that u allowed me to make Music with you. Rest well Vaughn.” On December 6, 2019, a special tribute was held for the talented musician in Miami, Florida. Those speaking at the event and paying homage to Benjamin were Poet and Educator, Mutabaruka, Dr Julius Garvey (son of Marcus Mosiah Garvey), Rapper and activist David Banner, Artist and Model Amara La Negra and Poet Aja Monet. Benjamin was known to be exceptionally intelligent and a prolific songwriter and poet. His words would effortlessly dive into metaphysical, philosophical and spiritual subjects. In 2005, he published a book of poetry entitled “Kole Pekude: Word – Sound & Poems of Vaughn Benjamin (Midnite)”, which contained more than 120 poems. He is credited with having one of the largest music catalogues, with an estimated 73 albums, with many tracks still unreleased. Since his untimely passing, a crucial roots voice is missing from the Roots Reggae space. It is without doubt that Vaughn Benjamin aka Akae Beka will be deeply missed by his family, friends and fans around the world. Trod on home to Zion great prophet, thank you for your guidance, teachings and music. Rise in Power Vaughn Benjamin Akae Beka, gone but NEVER forgotten. Jus’ Jah Magazine sends our deepest condolences and prayers to the family, friends and fans of Vaughn Benjamin (Akae Beka).
Chant
ETHIOPIAN
UniversaL Anthem Verse 1 Ethiopia the land of our fathers, The land where our Jah loved to be As the swift bee to hive sudden gathers, Thy children all gather to thee With our Green, Gold and Red flowering o’er us With our Emperor to shield us from wrong With our Jah and our future before us, We will hail thee with shout and with songs
Chorus Jah bless our Negus, Negus I and keep Ethiopia free, To advance, to advance with truth and right To advance with love and light With righteousness leading, We haste to our Jah and King, Humanity pleading, One Jah for us all. Verse 2 O Eternal thou art Jah of the ages, Grant unto our sons that lead The wisdom thou hast given to our ages When Ethiopia was sore in need Thy voice through the dim past hast spoken Ethiopia shall stretch forth her hands By thee shall all barriers be broken And Zion bless our dear Motherland.
Chorus Jah bless our Negus, Negus I and keep Ethiopia free, To advance, to advance with truth and right To advance with love and light With righteousness leading, We haste to our Jah and King, Humanity pleading, one Jah for us all.
Verse 3 Ethiopia, the tyrants are falling Who smote Thee upon Thy Knees, Thy children are lustily calling, From over the distant seas, Jehovah, the Great One has heard us, He has noted our sighs and our tears, With the spirit of love he has stirred us To be one all through the coming years. Chorus Jah bless our Negus, Negus I and keep Ethiopia free, To advance, to advance with truth and right To advance with love and light With righteousness leading, We haste to our Jah and King, Humanity pleading, One Jah for us all, One Jah for us all
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Rasta Tams
Authentic Rasta Tams With Ras Malekot
Introduce yourself to our readers. I was born in the parish of Kingston, Jamaica, in 1964. My birth name is Dave Anthony Marsh. As a Rastafarian, I was given the new name of Haile Malekot as a member of the Ethiopian Orthodox Church. 12
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What/who inspired you to become a hat designer? I was taught the basic knit and pearl stitch by a bredren. The love of bright colours and the inspiration from H.I.M Haile Selassie First, developed the craft to a higher standard. Hence, I was inspired
Rasta Tams
to knit woollen crowns for Rasta’s mainly. I have taught others, including my God Son (Gabre Medhin Taylor) the craft. How long does it take to completely make one of your hats? The duration of time in knitting a woollen hat really depends on the size of the hat. Also, the pattern has a big impact on the time scale. But as a general idea it can take between 3-5 hours. Where does your inspiration come from? My inspiration to knit woollen tams (hats) comes from a sense of fulfilment I get when I see others wearing my hand-crafted products. What sizes do your hats come in?
The sizes of my woollen hat range from small, medium to large. All size crowns are catered for. As a Rasta man, how does that influence your designs? The design of my tams is heavily influenced by my Rastafarian culture. Hence why black, red, gold and green are the colours mostly utilized. However, I also design hats the way patrons require of I, so you get the tam that you want. If people want to order/purchase one of your hats, how can they order? They can contact me through my email address, which is rasmalekot876@gmail. com What are your social media handles? Instagram: @Rasmalekot876
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Buju Banton
Welcome forward
Photos credit: Destine Media
Buju Banton
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Buju Banton
S
Written by Sinai Fleary
o much has happened in the last ten years. Many greats have left us to continue their journey elsewhere and new stars have made a name for themselves and topped our charts. Social media has become a part of daily life and streaming is the new home for music. But within the last decade one thing has remained blatant, the big empty void left by the Gargamel. As after all, there is only one Buju! Since his release on December 8, 2018, Buju Banton has been the talk of the town and the world. His first headline show at Jamaica’s National Stadium in Kingston, was a soldout event. The 40, 000 people who did get tickets were extremely lucky, as the event was one for the history books. The concert was trending online within hours of it being announced and social media enabled us to see the key event unfold in real-time. The energy surrounding Buju Banton and his Long Walk to Freedom Tour was immense. Even after the Kingston date came to an end, the buzz continued with more dates announced for neighbouring Caribbean islands. Proof that Banton was not only loved in his home country but right across the region. It was a memorable summer, with Buju gracing the stage in Grenada, Trinidad, Bahamas, Barbados, St. Kitts, St. Lucia and many other Caribbean islands. Europe also got to see him live too. Then there was his emotive performance on the Welcome to Jamrock Cruise, which left many in awe. There is no doubt he has slotted right
back into our lives like he never left. He has returned as one of Jamaica’s best entertainers to grace the stage. The music he has released has shown that he is still at the top of his game and whether he chooses to do Reggae or Dancehall. His performance in Nairobi, Kenya in February, was incredible. Banton has already launched the Buju Banton Foundation with the aim to give back to those in need. His fans can now order Offcial Buju Banton Merchandise at www.everythingbb.net With every announcement he makes and every picture he posts online, it brings great joy to his fans. We are happy to see him return and we can’t wait to see what 2020 has in store for him. Welcome forward to the great Buju Banton!
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Happy Reggae Month
February is Reggae Month, so we want to wish you a very Happy Reggae Month. Let us know how you have been celebrating. Email us greetings@jusjahmagazine.com
Magazine We welcome your feedback, comments and suggestions.
Feel free to get in touch with us
www.facebook.com/JusJahMagazineofficial
Twitter: @JusJahMagazine
Instagram: @JusJahMagazine
Email: greetings@jusjahmagazine.com
www.jusjahmagazine.com
Phone: 07931051358 Outside UK: +447931051358
Write to us: Address Coming Soon!
Honouring
Honouring Ras Daniel Heartman Written by Sinai Fleary
R
as Daniel Heartman’s artistic work captured the true essence of what it meant to be Rastafarian. His work displayed love, family, beauty, and strength. These powerful images of Rasta men, women and children provided representation for many people. Heartman was a famous portrait artist from Jamaica, who created some of the most iconic images to come out of the Caribbean. These beautiful and striking pieces of art made their way around the world and into the homes of many Rasta families. One of those homes, was mine. I grew up in Shepherd’s Bush, west London, England, in a Rastafarian household. My parents were from The Caribbean, my mother is from St. Vincent and the Grenadines and my father is from Carriacou, Grenada. For them, ensuring there were positive images of Rasta people in the house was important. Like many Rasta families our daily routine included learning about our 18
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culture and heritage, which helped to shape us as Rasta children. The Daniel in the Lion’s Den piece and the famous Prince Emanuel portrait are part of my childhood, as much as learning to ride a bike was or learning my timetables. As a child, I would stare at those images and smile. I wondered what the people were like and if they were like my own family. My siblings and I, would even say some of the people in the paintings resembled us or our own mother or our own father. That is something that we could never say when we turned on the TV. Heartman’s art took centre stage in most homes I visited as a child, everyone loved his work and what it stood for. A few years ago, I got the chance to interview Heartman’s son, Ato Roberts, and I was absolutely honoured. He shared with me the incredible story of his late father and I have been granted permission to share it with you too.
1967 by Photographer THOMAS NEBBIA
Honouring
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Honouring
The Ras Daniel Heartman
Story Written by Sinai Fleary
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1967 by photographer THOMAS NEBBIA
R
as Daniel Heartman was born Lloyd George Roberts on January 18, 1942, in Kingston, Jamaica. As a young boy, Roberts would often travel to different camps around Kingston to listen to elder Rastafari brethren reasoning (talking) and praying. At 16 years old, he decided to become a Rasta and started to grow his locks and changed his name to Ras Daniel Heartman. He lived with his mother and being a Rasta was not widely accepted back then, so he had to leave. When he left home, an elder Ras who he had met at the camps called Ras Shadrach took him in. Ras Shadrach was part of a Rastafari cultural movement called The Church
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Honouring
Ras Daniel Heartman in Bristol, England in 1988. Picture taken by a member of the URIA Triumphant of Jah Rastafari. Heartman would later pay homage to this movement that helped to shape him, by signing all his paintings along with his signature, Church Triumphant of Jah Rastafari. The Church Triumphant was part of the early Rastafari movement in Jamaica and was founded by three brothers, who were called Ras Shadrach, Ras Meshach and Ras Abednego. They were given their names after those in the Bible. Ras Shadrach was the eldest brother and he was the one who took a young Heartman under his wing and encouraged him to pursue his art. He would praise the young artist, telling him he was gifted and not to waste his talent. He was a self-taught artist and his work
began flourishing in the early 60s. As word spread about his unique Rasta portraits, people would travel from one end of Jamaica to the other, to get a Ras Daniel Heartman original. Between 1950s and 1980s, Rasta communities were facing discrimination and marginalisation from mainstream society. Television and newspapers often depicted Rasta’s in a disparaging way. But Heartman’s work provided a positive reflection of life as a Rastafarian and for that reason his work became treasured amongst Rasta communities. But for Jamaican’s who were not Rasta, many found solace in Heartman’s work. Many saw his art as a true representation of life on the island. He would often be applauded for making Black Jamaicans the focus of his art, which
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Honouring was rare at the time because much of the literature and media had been controlled by the British. During the early 1960s, it was new era for Jamaica. They were beginning life as an independent nation and with this came a sense of cultural liberation. Towards the end of the 60s, Heartman was famous on the island and was a highly sought-after portrait artist. By the 1970s he became internationally known, with demand for his work in the UK, Canada, USA and parts of Europe. Celebrities had also heard of Heartman and were now making requests. Some of Reggae’s biggest stars wanted Heartman to design their album covers. His art was unique and was used on album covers by Dennis Brown (So Long Rastafari 1979), John Holt (The further You Look 1973), Errol Holt (Vision of Africa 1978), Channel One Studios (Revolutionaries Sounds volume 2 a dub album originally released with a poster of the cover art in 1979) and Rod Taylor (Lonely girl 1983). He gained further notoriety when he starred in the hit film The Harder They Come alongside Jimmy Cliff. Heartman played Pedro in the classic film. Heartman had many famous fans including legendary soul singer and songwriter Marvin Gaye, who visited Jamaica in the 60s and was introduced to the talented artist. He did a white pencil on black paper piece for Gaye and he fell in love with the picture. He told Heartman come to America to design all forthcoming albums and he would give him a $1 million deal. According to Ato Roberts (Heartman’ son), Heartman looked at him and said: “When I man leave yasso, ah Africa I man ah go.” 22
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Heartman refused the offer and sited his Rastafarian beliefs for repatriation as more crucial. Marvin Gaye did reach out again and but was once again turned down. It would be the start of many opportunities that would come and go, as Heartman would not leave Jamaica until he was leaving for Africa. Heartman loved his faith and culture and everything revolved around Rastafari for him. Things like money, fame, opportunity did not matter. All he wanted was to return home to Africa. Heartman was a huge fan of Marvin Gaye and Curtis Mayfield and revered their work as musicians and as social commentators for African Americans. He would often have Curtis Mayfield’s music on while he did his art. Heartman’s contribution to the Rastafari movement was acknowledged in 1966, when he along with 12 other Rasta’s were selected to meet Emperor Haile Selassie I, who was visiting Jamaica. They received the official invitation letter which had a royal imperial seal stamp. Ras Shadrach was one of those to also receive an invite. Both Ras Shadrach and Heartman, went to meet His Imperial Majesty at the airport. Heartman used his creativity to design a huge placard to take to the momentous event. His placard is the only one that remains today. He also painted a detailed portrait of King Selassie I and gave it to him at a meeting at Kings House. According to reports from those there on the day, Haile Selassie I looked at Ras Daniel Heartman and said: “Son you have done well.” There was a special medal ceremony for all the Rasta’s with His Imperial Majesty. One of the recipients was Prince
Honouring
Ras Daniel Heartman in Bristol, England in 1988. Picture taken by a member of the URIA Emmanuel Charles Edwards, founder of the Ethiopian African International Black Congress also known as the Bobo Shanti house of Rastafari. Heartman received his gold medal, which had been engraved with words written in Ge’ez (ancient language currently used by the Ethiopian Orthodox Church). On one side it read “Haile Selassie the First, King of Kings (Emperor) of Ethiopia” and on the back, it has the imperial seal and says: “Ethiopia now stretch forth her hands unto God”. Heartman’s artwork was very popular,
and many used its popularity to exploit him. There were occasions when he was promised money from those reselling his work, but the money never came. That misuse and abuse of his work would continue with his most famous piece entitled, Prince Emanuel, being recreated and labelled as the ‘Rasta Baby’ by Tronseal Ltd for several years. The clothing wholesalers based in Walthamstow, east London, specialise in selling Rasta items, African and Caribbean flags and other products.
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Honouring The image of Prince Emanuel was reprinted as ‘Rasta Baby’ and mass produced on T-shirts, flags, car boxing gloves, socks and bags and sold internationally. When we contacted Tronseal to ask about the misuse of the artwork they said: “We are not aware that this art belonged to anyone. “If we knew we would have asked permission to use the images. “The director closed the company six years ago, so Tronseal is not trading anymore.” The family of Heartman are taking legal action against Tronseal Ltd and this move has been spearheaded by his youngest son, Ato Roberts. He said: “I will do everything to make sure that they pay up, the exploitation of my father’s art work has gone on for far too long.” In 1988, Heartman’s lifelong dream came true when he and his son, Ato, repartriated to Africa. On their way, they stopped in London and was overwhelmed to see huge crowds of people at Heathrow airport, who had come to wish them well on their journey. They stayed for three days with members of the URIA (United Rastafari Improvement Association) in St. Pauls, Bristol. For many Rastafarian’s seeing Heartman and Ato make the trip from Jamaica provided inspiration that they could also return to their ancestors land. Heartman was overjoyed to reached Tanzania, east Africa, with his son. For them it was an exciting feeling and gave Heartman a sense of fulfilment that he had finally reached the Motherland after years of longing to be home. He was finally at peace and was living in 24
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the place he had dreamed about, the place he had preached about in street meetings in Kingston, since he was a young Ras. Tanzania was vibrant and colourful. The women wore the most beautiful garments called Kangas and Kitenges. Heartman was determined to fit in and the Kiswahili language was enticing and essential. He immediately purchased a “Kamusi” (an English-Swahili dictionary) and started to teach himself the language of his new home. With the help of Jamaican-born Professor, Kenneth Lloyd Edwards, also known as Joshuah Mkhululi, he applied for a job to teach art at the University of DarEs -Salaam. It was an institution Heartman was aware of, as Walter Rodney a Guyanese Historian and Political Activist had worked there. But also, Horace Campbell, Author of Rasta and Resistance had found employment at the same university. With Mkhululi and Ras Kwetenge Sokoni of the URIA, he started following up on land grants and adjustments for permanent residency that would lead up to citizenship on arrival for those who wanted to repatriate to Tanzania. They lived there for a year and a half and Heartman sadly passed away at the age of just 47. Now in 2020, Ato Roberts, is determined to help his father get the recognition he deserved when he was alive, by launching several projects including The Official Ras Daniel Heartman merchandise. Follow the Ras Daniel Heartman Estate on Facebook and Instagram @Rasdanielheartman or visit www.rasdanielheartman.com
Magazine We welcome your feedback, comments and suggestions.
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Self Portrait by Ras Daniel Heartman 1967
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Prince Emanuel By Ras Daniel Heartman 1960
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Chanting Bredren By Ras Daniel Heartman 1960
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Immortality by Ras Daniel Heartman 1987
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Honouring
Meet
Ato Roberts Written by Sinai Fleary
W
hat role do you play in the Ras Daniel Heartman Estate? I am the administrator and with a handful of people I call “Ones” are managing my father’s estate. I personally manage the social media accounts for Ras Daniel Heatman’s work and I undertake regular research and follow up on bootleg products being sold online (via Ebay, Amazon, Etsy etc). and have them removed for infringing on our copyrights I took on this movement in a serious way about seven years ago after a 2010 trip to Jamaica. While I was there, I went to the National Gallery downtown Kingston and I didn’t see any of Heartman’s artwork on display. That made me realise I needed to do something. I said to myself “Mi nah go just let his name fade away like that.” But also, the level of support that I have had from people (both young and old), has encouraged me to preserve my father’s legacy. Do you have any siblings? I have a brother who is living in Jamaica now, his name is Baji Kataiger Roberts also known as Junior Roberts. He is the one who was in the film The Harder They Come. Also, he is featured on a lot of Heartman’s art. The pieces entitled Father and Son, Tomorrow Forever and Unity, all feature my 30
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brother, who is the likkle youth in the pictures. My brother has told me we have a sister called Stacey Roberts, but I have not met her as I have not been able to trace her. I was told that she resides in Boston, Massachusetts, but I have searched on Facebook and there is so many women with the same name. We have been looking and I would love to meet her one day. What are your memories of your dad being a famous artist? I was born in 1972, which is the same year The Harder They Come came out. I was staying with my grandma. I went to live with him in the mid-1970s and we lived in 7 Miles Bull Bay and we stayed there until 1980. I knew he was an artist, but I didn’t really know he was famous. To me he was my dad as I was with him every day. I knew we was talented because I would see him drawing all the time. I used to call him Hearty and he would call me Yun Yun, which means son. He was very caring and had a good soul. He was very attentive as a father. My memories are more of father and son relationship. I used to cook one day and he would cook the other day. We did everything together as it was just the two of us. We would do laundry together and when the chores were done I would go outside to play with my friends and I would leave him doing his art. On October 22,1980, gun men raided our
Honouring house and we were under siege for about three days. I was about eight years old at the time. It was a murder plot because they came to kill us in the house. However, we managed to escape. After that we were like nomads in Jamaica. But for me, I was a child and all I wanted to do was play marbles. What is your favourite piece of art by your dad? I can’t just choose one (laughs). I will choose two, one earlier piece and one later one. The early favourite one is entitled Self Portrait and it was done at about 1967 and it was him wearing a knitted tam. I love that one. One of his latter pieces is in his private collection of the estate, as I have many unpublished pieces done by Heartman. But the piece my I am referring to is more metaphysical, it is called Confrontation and it was done around 1987. I have an unpublished body of work that are very symbolic and they depict when he had got to a higher meditation with his art. They show that he was tapping into Kemetic science, astronomy, the human body and astrology. He went deeper with his art and was celebrating African heritage when it was being scrutinised. He was not deterred by critics because he knew who he was. There were some people who even looked at his work and said, “Is he going crazy?” because it wasn’t really understood outside of the Bible. But if we look now everyone is wearing Ankhs but in the 70s and 80s, Heartman was speaking about these things and putting them into his work. He was way ahead of his time. This body of work is in the private collection which will be shown at a later date. How often do you do research on your father’s work?
I do research every single day, whether it is reaching out to people for a photograph or an original or for a print that I have not seen before. It is my passion and I love doing it. When I get a photograph or a new piece of art it makes me very happy. I follow up people’s stories who reach out to me. It’s almost like I am putting together the pieces of a puzzle. Did you realise the impact your father’s art had on people’s lives around the world? No, I didn’t know of the impact he had until later after his passing. I went to different places like Bristol, UK and even in parts of America and people spoke with so much respect and admiration for him. That’s when I saw for myself the impact his
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Honouring work and life had on people around the world. He really touched people’s lives. I have numerous stories of people going to work or school and dealing with certain things and when they came home and looked at my father’s work on the wall, it gave them so much strength and pride to be who they are. Tell me about the famous Prince Emanuel portrait? The Church Triumphant of Jah Rastafari family that my dad grew up in had another brother called Samson and he had a son called Prince Emanuel. In Rasta families we always refer to our children as Prince or Princess. So, Emanuel was known as Prince Emanuel and was called that by his family. One day they all went to the beach with Prince Emanuel and my dad asked him to fold his arms and pose. He must have stayed there for about 15 to 20 minutes before running off to play. But during that time Ras Daniel Heartman had done a rough sketch of him. What many people didn’t know is he had a photographic memory. So, that evening he went home and filled in all the details from his memory and created the masterpiece that we now have. Do you know where Prince Emanuel is now? I think he is in England and he has contacted me and he is fine. At some point I will be coming to the UK to do a documentary and it would involve interviews and we have spoken about him being a part of it, which is great. How did you become aware that the Prince Emanuel piece was renamed Rasta Baby and being used on T-shirts? I only became aware of the counterfeit products when my friend Ras Opio Chung 32
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visited London in 1983 and went into the shop called Tronseal Ltd and saw hundreds of t-shirts with the Prince Emanuel picture. He got a bunch and took them back to America with him and it became an instant hit, everyone wanted it. In America we only had the original print, people would reproduce them, but it was not in colour. Also, the picture had never been used in a commercial way like on flags and t-shirts. They have been mass producing these products for a long time. It’s upsetting because I know how much passion my father put into every piece of art he created. He was a proud Rasta and his art reflected that. His art gave so many people pride at a time when Rasta’s were ridiculed. To have a company that has nothing to do with us as a people, just take his work, rip his name off it and repackage it is a total disrespect to his memory. I urge the community not to buy these fake products. It’s time for us to pull together and stop others from profiting from our talents. Are you taking any legal action? Yes, we are, but I can’t say too much about it. Our team of lawyers told them to remove all pictures on their website that featured the ‘Prince Emanuel’ piece, but they refused. So, the legal team contacted the website hosts, who after some investigation shut down their website. But I think they still may be selling products in store. Do you watch The Harder They Come and How did your father get the role of Pedro? I do many times. In terms of the role, I know mostly what my brother has told me. They did a trial run and he got the part in the film.
Honouring
He was very strong and humble. He didn’t get excited about the film role. He was more passionate about Rastafari and the Back to Africa movement. That was his focus and passion. How do you plan to keep your father’s legacy alive? I am working on a coffee table book that will be a limited-edition and a collectable. There are plans for a documentary film, and a short movie. I am copyrighting a lot of his work. I also hope to do an exhibition in the UK, USA and Jamaica. Ras Daniel Heartman doesn’t get any recognition in the art fraternity in Jamaica, where he was born and that needs to change, and I am determined to do that. I would like to reintroduce him to Jamaica and the new generation because it is almost like he has disappeared from the island and its history. I am working on official Ras Daniel Heartman merchandise and we are looking at some licensing deals.
There is a lot of unseen artwork that the public are yet to see, so I am excited about what is to come. You are also an artist, tell us about your journey. After my dad passed away in Tanzania, it was a huge loss for me. He was my everything. I was 17/18 years old when I lost my father. I had a lot of growing up to do and I started a family of my own. I have only started doing art recently and the first piece was about the transatlantic slave trade. My artistic name is 1 Art of the Covenant (my middle name is “Kidane” which means Covenant in Amharic). Art must speak to you and mine does. How do you overcome a creative block? I listen to a lot of music. Like my father, I listen to Curtis Mayfield, but I listen to Empress Sativa, Chronixx, Peter Tosh, Dezarie, Protoje, Bob Marley and Sade. There isn’t really time to get a creative block because I have so much work now and many projects that I am doing. Tell us about some of the projects you have completed. Albums cover art: “Ancient kingdom” by Hempress Sativa and Friends 2018 “Mek a Menshun” by Akae Beka 2019 “Grudefull Enemies” by Mykal Rose 2019 Book cover: “ The Empress Menen Chronicles: An African Woman’s Journey of History amd Culture” Volume 1 Where can people contact you online? Website: www.1artofthecovenant.com Instagram: @1artofthecovenant Facebook: Ato K.D. Roberts Etsy shop: 1HeartKingdom
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Tribute
A Tribute to
Zion Starr G
Written by II-Kaya Ises
reetings in the wonderful name of the Most High Jah Rastafari. InI thankful for this platform that Jus’ Jah Magazine has irated (created) for InI. There are ones and ones in the Reggae music industry who are household names, but in the smaller islands there are some artists who are not recognized even though they put in just as much work. There are some you may never hear of. Zion Starr is a recording artist, singer, songwriter, producer, sound engineer and a visionary for the unification of Africa hailing from the twin-island Trinidad and Tobago. He is a brother to four queens (sisters) and two kings (brothers), a loving father to Prince Israel, mentor and loyal friend to many. Most importantly Zion was an upright lion, who surrounded his life with prayer and purpose. Prayer was a vital part of his being.
Zion’s musical journey started from iration (creation). Owing to his father, Junior Taylor, who was a Calypsonian. When he started his reggae journey he was the organizer and glue for the group called Jah Creation, formed with his musical brothers Jah Angel and Jah Disciple. A powerful trio blooming in Trinidad with hits like “Alpha and Omega”, “African Daughter” and “Jail House”, to name a few. Zion was responsible for the 34
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coordination of the group’s videos, most of their studio links as well as performances. Though the group came onegether (together) and chipped up to pay for studio time, Zion was the one who did the networking and manifested different platforms for the group to perform and be heard. Royal salutation to his Queen mother, Monica Taylor, who firmly believed in her son’s craft and allowed them to practice at home. Each member was a leader in their own way. Still, the other two members give maximum credit to Zion Starr who worked diligently to cut and go through no matter the struggles. Even though the group split, everyone itinued (continued) to do music and support each other. Jah Creation could have excelled tremendously but it’s tough when you’re from a place that glorifies only Soca music; sad but true. Managers don’t see the benefits of Reggae music and won’t invest in genres outside of Soca. Though this is a major issue in my country, I can safely say, I see little changes towards other genres now in this 21st century. However, a lot more can be done in support of the hardworking artists who are paving the way through various avenues for the future generations.
Tribute Every independent artist knows Art Work by Ashley Straker the struggles of trying to survive in Babylon and find time to put in work towards your craft; to still get fight down in your own home land. Zion worked two jobs and would go from one to the other. He cared for his youth and was his mother’s rock. He also went forward to school and still balanced his music, none of which is easy. Zion would always seek solutions and was tired of the run around; pushing for studio time while ones and ones took him for granted. With his will and determination, he irated (created) a studio called Nuclear Records. The aim was to produce his own music and allow other local artists to record. After a long time coming, Zion finally started being recognized and requested. With his hit songs “United Africa” and “Farmacy (Stay Calm It’s A Plant),” his career was now taking flight. It’s sad to write this piece even though I take great pride in sharing a glimpse of his life with “Everything is ordained, so don’t you ever complain you. It’s an honour to have trod or call Jah name in vain. No matter the struggle, onegether (together) and know a the sun comes out after rain.” man lion who lived his life with purpose. It’s I prayer that you, Zion Starr the readers, decipher the blessing within this piece and endorse Long Live the Starr from Zion who left your prophets. InI (we) must rewrite history these realms August 10th, 2019; manifested and start honouring our very own. InI must (born) November 25th, 1985. not wait until someone is no longer with InI (us) in the physical to then show appreciation. To all independent artists who read this Now is the time! I spoke in the present tense article, please hold firm. Copyright your to magnify the faith of Rastafari. InI don’t music, register your name and protect your believe in death. InI simply take on another craft. While you stitch your piece in the fabric form, for energy can’t be destroyed, only of life, remember that one day all of InI would transferred. Rastafari chant more life! transition, so flow like there’s no tomorrow.
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Photographer islandboi photography Make up artist Nori Rane
interview
Empress on the Rise:
Khalilah Rose
I
ntroduce yourself for our readers. I am Khalilah Rose. I am a singer, songwriter, performing artist, teacher, leader, activist, nutritionist, mother, daughter and servant of the Most High. I sing roots reggae music. I have a big album coming out soon called, “555.” It is going to do well. 36
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What/who inspired you to become a singer? I would say it was planted within me. It was divine inspiration. It was innate. I can remember wanting to be something, I always remember wanting to sing. It was my father who placed me in a group to sing with three other young ones when I was about three
interview Leadership. One of my most treasured moments include singing my song “Blackstarliner” for President George Wear and the First Lady of Liberia. I also sang at City Hall in Monrovia, Liberia. I will never forget those moments.
or four years old. That was what ignited the flame. As I got older, I always wanted to sing but was terrified of fame and music industry, so I intentionally tried to limit myself. You were our cover star for our winter 2013 issue, what have you been up to since then? Yes, that was such a special time in my life. Thanks again for the opportunity. I have been performing a lot. I performed on stages such as Rebel Salute, Reggae Geel, and many others. Since then, I have visited various countries to perform. I have won a few awards and I have also attained a Post Master’s Degree in School Building
Your new single is called, “Alkebulan,” tell us about the title and what does it mean? “Alkebulan” according to multiple sources is an ancient name for Africa. I decided to write a song for the Black man and call him, “Alkebulan” in the song. The Black man has always paid respect to the Black woman in song, so, I felt it was time for me to do the same for them. We need to lift up the Black man. The Black man is the most feared and hated. They have been victimized and hunted. It is time we stand up for them. We must! The video for the song Alkebulan is stunning, where was it filmed, and did you enjoy making the video? Thank you! The video was filmed in Jamaica in the Eastern part of the island. I did my main shots in Portland, St. Thomas and Bull Bay. I felt it necessary to film in those places because those areas are where my father is from, and where he has lived. Our most recent home is in Bull Bay. My dad is a very special, “Alkebulan” to me. He is not here in the flesh, but I try to honor him anytime I can. Making videos can
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interview sometimes be very stressful for me. I can’t say I enjoyed the process but the producer, Icey Jace is extremely professional and made my experience very easy. Tell us about your new upcoming album, “555.” What can people expect from this project? This project is long-awaited, and you can expect me to touch on more current day topics. I named it “555” because there was a time period in my life in which I kept seeing 555 or 55 everywhere. Even the email I got from Jus’ Jah was time stamped with 55. These numbers represent great change. My album contains undiluted roots reggae. You will hear more dub music as well. I also decided to keep the message strong. Sometimes when we try to soften the blow, we lose the impact. I tried to keep the impact fierce. If a song was too intense or the message was too hot or political, I just removed the song from the album. For those who do not know, what does your name Khalilah Rose mean? Khalilah means loyal friend. It is also a name a man calls his love. Rose is a flower. This name is courtesy of my mother. I live up to this name. Loyalty is very important to me. When I was younger, I always wanted a plain name with four letters, most likely European, but as I got older and identified with my African roots, I am so grateful for my name. How would you describe your musical sound? I would say my musical sound combines roots, reggae and RnB. I also am very inspired by Sade and her tone and simplicity. How do you juggle your music career and being a mother? It is not easy, especially considering I am a teacher as well. I am also an active member in the UNIA- ACL among other things. I feel 38
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like my music could have gone further if I didn’t have so much to juggle but I like living how I am living. The music industry scares me and it always has. I intentionally try not to go too deep. I always knew there are some negative forces in the music business. I just have no interest in entertaining them. I have been there. I dealt with some forces face to face. It was not a pleasant experience. But that is another interview. What else do you have planned for 2020? Great question. They say if you fail to plan, you plan to fail, right? I plan on releasing my album and initiating my promotional tour. I also, will be working with the UNIAACL to organize events for Black youth. I have been studying food and nutrition. I plan to take that to the next level. I plan to eat Alkaline, drink water and do as much yoga as I can. I plan to stay relevant musically. Instagram: @khalilahroseofficial www.khalilahrosegarden.com
poetry
Poetry Corner Beauty Queens By Mount Zinai
O
ur beauty shines, My beauty is mine, Your beauty is yours, Our Sista’s beauty is kicking open doors, They walk graciously across those pageant floors, We were once told, Those trophies we will never hold, Those titles, We are not entitled, But now we are owners of those crowns, Hold your heads high, don’t you dare put your head down! Listen to the vibrational sound, Of the earth putting us where we are meant to be on this ground, As queen, The revolution has just been televised and our representation found, Our skin is perfect, There is no defect. Our eyes are windows to our magnificent souls, As they glide across the stage her gown just naturally flows, Her hair is just how it is supposed to be, Curls, kinks, waves, texture 4C, Lips that speak life into those who will listen, Skin that when the camera hits it, it does nothing but glisten, To the beauty queens who are making history, It is our time, this isn’t no mystery, Or maybe it’s an epiphany? Either way, Our queens are here to stay, With elegance, intelligence and grace, The world has finally caught up and is ready to acknowledge the black woman’s beautiful spirit and face.
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Photo credit: Shaun Powerz
interview
Asha Heights:
Upfull King
Y
ou featured in our very first issue of Jus’ Jah Magazine, in 2012, what have you been up to since then? Since 2012, a lot has happened. I released Reporting for Duty and teamed up with a producer called the Musical Genius and released the Unity EP.
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The EP was well received in America, Belize, Germany and Jamaica. Then I went to Jamaica to record the Heights Riddim, which was a project that I worked on as a producer as well as an artist. The Heights Riddim featured Fantan Mojah, Queen Ifrica, Danja Fritz, Sando, Spring Wata,
interview myself, G’Ovany, Karamanti and Zaza Bella. We also filmed a collaborative video for the entire riddim. Heights Riddim was well received and Queen Ifrica’s track went to number 1 in New York. I went on tour in Paris with Ras Cleva and I have also released different singles like Building Up the Empire, For You and Frenz Like These. Basically, I have been busy travelling, networking, performing and releasing singles and videos. Last year you did a tour of The Gambia for their Independence Day celebrations, what was that experience like? It was my first time in Africa and I am very blessed that it was through my music I got the opportunity. I went to The Gambia alongside another artist, Ras I-Maric. He bought me on board and I was overwhelmed, as I have never been to Africa before. It was a glorious experience, I had the time of my life. Going to The Gambia for the first time and meeting the people was a great experience. They have so much love for Reggae music and can recite all the lyrics to the songs. Every event was a success, the Gambian crowd had great energy. It was a big deal for my career as an artist and as a Rasta man to go to Africa and perform my music. What was the crowd reaction to your live performances? The Gambian crowd were astounding, they had high levels of energy. Once the music hit them and they feel the vibes they go to a different level. There is no profiling. They are free. They want to come on stage with you, take pictures, they want to take the mic from you and sing, buy you drinks and hug you. They have a lot of love to give. So, am I right to say that the most memorable performance of yours to date is
The Gambia? It is, but also the performance I did at The O2 to open for Tarrus Riley and Beres Hammond. The concert was called The Greatest Show on Earth. Big up Jahman the First and Sista Maggie who organised my appearance. That show was one of my favourites because the crowd confirmed to me that I am a star and singing is what I am supposed to be doing. The crowd was singing along to my song word for word and it was the first time they heard Everything Gone Up. I will always remember that night. What can you tell us about your new EP, what inspired you to put it together? This EP is for my fans to show them that
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interview I am still here doing what I love. The EP is also to share the message of the Most High Jah. The EP has different vibes and I hope that the fans like it, as it is for them. What types of topics do you touch on and what kind of genres are on the EP? This EP has six tracks, which has roots reggae and a more contemporary sound to some tracks. There are also elements of dancehall on the EP and some up-tempo tracks. There is also a Nyabinghi influenced song. What was the overall creative process like for completing the EP? I took my time with this project, as I wasn’t trying to force anything. I waited until I got an idea or inspiration then wrote the lyrics and recorded them acapella on my phone. Then I booked the time at the studio and recorded the tracks. My engineer is based in Jamaica and he mixed and mastered everything for me. The EP is only six tracks as I didn’t want to give away too much, as the album is coming soon. How do you think social media and the internet has impacted reggae/dancehall music and the artists in those genres? I use social media, but I don’t let it use me. I post when I get the vibes too. Sometimes, I take a break for a few days, a week or even months. Last year, I took about six months off social media. I work off my spirit. What is next for Asha Heights going forward? I am going to stick to my creative side and I will be releasing more music and videos. I also have lots of plans to give back to the community and do my part to help others. Where can people reach you on social media? Instagram: @IamAshaHeights Twitter: @IamAshaheights Facebook.com/ashaheights Email: ashaheights@yahoo.co.uk 42
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The brand new EP Upfull King is out March 17th
Adwa:
history
Ethiopia’s Historic Victory
Т
he Battle of Adwa (also known as Adowa) was fought on 1 March 1896 between the Ethiopian Empire and Italy near the town of Adwa, in Tigray, Ethiopia. It was the first Ethiopian and Italian War, which was won by Ethiopia. Menelik II led Ethiopia’s army to victory. The brutal war stopped Italy’s (then known as the
Kingdom of Italy) campaign to increase its colonial empire in the Horn of Africa. The Battle of Adwa, catapulted Ethiopia as a symbol of resilience. The country is often used as a reference point in the panAfrican movement. To this day Ethiopia remains the ONLY African country not to be colonised by the west, securing Ethiopian sovereignty.
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Remembering
Remembering
Ermias “Nipsey Hussle” Asghedom By Sinai Fleary
I
remember feeling a huge sense of devastation when I heard about the passing of brother Nipsey Hussle. He was a rapper, who used his voice and microphone to give millions of people a blueprint to follow. Despite his success, Hussle remained grounded with his feet firmly on the ground of his beloved South Los Angeles neighbourhood. He was a proud Black man with integrity, who was changing the lives of many for the better. He built his name as an artist, by independently releasing numerous mixtapes in the mid-2000s. As word spread about the talented new rapper, big labels came knocking and Hussle was able to negotiate better record deals because of the huge fanbase he had built from the ground up. On February 16, 2018, he released his highly anticipated debut studio album entitled Victory Lap. The album went on to earn him a nomination, in the Best Rap Album category at the 61st Grammy Awards. 44
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According to the numerous testimonials online, when everyone else said no, the LA native said yes. He was investing in his inner-city community through his businesses, ventures and charitable activities. Those he gave opportunities to were people that the rest of society had turned their backs on, young Black men and women, the homeless and former prisoners. He was responsible for funding improvements to schools and created a co-working space called Vector 90. On June 17, 2017, he opened the Marathon Clothing store which he founded with his brother Samiel Asghedom, fondly called Blacc Sam. Hussle was laudable and got his nickname from his entrepreneurial spirit. He was intelligent, business savvy and forwardthinking. For example, he was investing in cryptocurrency long before many of us had even heard of Bitcoin. He implemented
Remembering Despite his fame and celebrity, he never forgot his community. Once his life elevated, he ensured his people did too. Musically, his lyrics were honest, raw and inspiring all at the same time. His music embodied his gift of storytelling combined with the traditional sounds of West Coast Rap. His presence would captivate everyone in the room and his voice would command any audience. It is fair to say, he had gained admiration from his fellow musicians. They were fans as well as his peers, a double reward only given to a few. h a He loved his family and m ri yne B ation) a kept them close to him. w D tr Illus _ His queen and life partner, (DB actress, Lauren London, would often appear in his music videos. Their love dazzled on screen and off it. He was a proud son, brother, father and king to those who technology in his Marathon Clothing store knew him best. to provide a unique selling point for his On March 31, 2019, Hussle was shot and customers and a competitive advantage, killed outside his Marathon Clothing store. to ensure his business was years ahead of He was 33 years old. everybody else. Despite feeling a huge sense of grief, we He was an avid reader and had a thirst for must push ourselves to step into our own knowledge, not just for himself but to pass greatness. on to those around him. His discernment should not end because His community loved him and he loved his physical life has. his community. He was a pillar of Crenshaw, Let us remember life is not a sprint but a where he grew up and was a hero to many. marathon and as the late great Nipsey Hussle The Eritrean community in America was dear to his heart and he embraced his father’s would say “the marathon continues.” homeland and took great pride in honouring Jus’ Jah Magazine sends our deepest his African heritage. prayers and love to the Asghedom The East African nation was an integral Family, Lauren London, friends and part of his life and for that, he was respected fans of the late great Nipsey Hussle. by Africans around the world.
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travel
Т
The Year
Of return
he Year of Return, Ghana 2019 was an initiative the government of Ghana developed to encourage people in the African diaspora to visit Africa (specifically Ghana) to settle, holiday or invest in the motherland. Ghana’s President, Nana Akufo-Addo, officially launched it in September 2018, in the hope that it would help unite Africans at home and abroad. The year 2019, was symbolic as it commemorated 400 years since the first enslaved Africans touched down in Jamestown, Virginia, United States. Travel blogger, Adriana Smith, visited Ghana during the Year of Return and tells Jus’ Jah Magazine all about her experience. Introduce yourself to our readers. My name is Adriana Smith, the founder of Travepreneur, the digital platform empowering 46
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travel new travellers to see and do good in the world. Before I started traveling 11 years ago and way before I created Travepreneur, I thought that my hometown of Miami, Florida, was the centre of the universe. I didn’t venture outside of this bubble and out of my country until a college trip to Spain. I experienced excitement, culture shock, homesickness and everything in between, but guess what? I thrived. What/who inspired you to visit Africa last year? My first contact with Ghanaian culture happened in 2017, when my best friend and I travelled to Amsterdam and London for nine days during the Christmas and New Year’s holiday. It was the first time we ever travelled together and on one of our outings in Brixton, London, we decided to have dinner at a Ghanaian restaurant, Zoe’s Ghana Kitchen (thank you, Nelda!!). I had never tasted Ghanaian food, but my friend who is a certified foodie demanded that we try it. We ordered a plate of well-seasoned meal and I couldn’t imagine that the food would create such excitement in my mouth and stomach. The owner and her delicious food sparked my interest in Ghanaian culture. But, it wasn’t until I took a DNA test that I was truly inspired to see Ghana for myself. After receiving my results and confirming my bloodline in Ghana, this is when I knew I had to travel to Ghana. Where did you stay and how was your trip? I stayed in an Airbnb with a lovely
lady named Nana, who I found through Tastemakers Africa. Nana and her sweet housekeeper truly made Ghana feel like home. They embraced me as soon as I arrived and helped me through the disastrous experience of my airline misplacing my luggage. Have you ever been to a family gathering and your aunt or relative reaches out to comfort you when something negative has happened? That’s what it felt like: going to visit my aunt. That’s what Ghana represented for me. Going home for the very first time.
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travel What was the highlight of your trip? The entire trip! If I had to choose one aspect of my trip, I would say that exploring my heritage. By connecting with my tour guide, the driver and my Airbnb host I was able see Ghana through their eyes. They brought Ghana to life for me. I’m thankful for their generosity and willingness to share their culture with me. Had I not booked an Airbnb or a tour guide, my experience would have been drastically different. Was there anything that you would have changed or done differently on your trip (if any)? I wish I could have stayed longer. I was only in Ghana for four days and it wasn’t enough. I felt compelled to touch down in Ghana and see it for myself even in the limited time I had. Imagine being pulled by a magnet and feeling the force as it urges your mind and body to come to it. That’s how it felt. In fact, my feelings were validated when I met a fellow traveller on one of my flights home. She had just visited Ghana and loved it. Her enthusiasm rubbed off on me and I realized that while I was only be there for a few days, I hoped I wouldn’t regret it at all. And, I didn’t. What did you learn from your trip? I learned about a piece of my ancestry and my past. While I will never truly know everything about my family, bloodline,
and ancestry, I appreciated being in the space and place that my ancestors walked, lived, ruled, and fought. Several celebrities went out to Ghana, to celebrate the Year of Return, what was your reaction to all the Black excellence in the motherland? I loved the fact that so many Black people were traveling to Ghana and touched the motherland. Here in the U.S. we typically do not learn much about African American/African heritage. Our history starts with slavery. But I know we have a rich history prior to that period. So, knowing that celebrities were highlighting and bringing attention to the beauty of Ghana, its culture and history, made me proud and feel honoured that the African diaspora is starting to forge a bond. Will you be visiting Africa again? If so, which country will you be going to and why? Yes! My bucket list would be to travel to every country in Africa. I want to get to know a home I’ve never known. Where do you see yourself in five years’ time? In five years, I will be living in Africa and traveling the continent with my family. And, as an explorer and educator, my purpose would be to educate new travellers about Africa and facilitate trips to the continent.
https://travepreneur.com/ https://www.instagram.com/travepreneur/ https://twitter.com/Travepreneur https://www.pinterest.com/Travepreneur/boards/ https://www.facebook.com/Travepreneur/ 48
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Tribute
Morgan Heritage’s Tribute to Basketball Legend Kobe Bryant
G
rammy-winning Reggae band Morgan Heritage have recorded a special tribute to Basketball legend Kobe Bryant. The NBA star, 41, died when his helicopter crashed into a hillside in Calabasas, California, on January 26, this year. His 13-year-old daughter Gianna Maria Onore Bryant, a budding basketball player, also died in the crash along with her teammates and their parents, their basketball coach and pilot. The crash claimed the lives of Payton Chester, 13; Sarah Chester, 45; John Altobelli, 56; Keri Altobelli, 46; Alyssa Altobelli; Christina Mauser, 38; and the helicopter’s pilot, Ara Zobayan, 50. Speaking about the tribute, Mojo Morgan said: “I re-wrote the lyrics for “Home” the night Kobe Bryant died in tears because not only did I love Kobe as one of the hardest working Lakers in history, that many times went misunderstood but also as a Laker fan since I was a child. But more so as a father that travels, there’s nothing more precious than coming home to your family. When they ask what presents did you bring Daddy? I pray now they understand when I say I’m the gift and I love you all dearly my children!” The group were attending the Mamba Sports Academy in Thousand Oaks for a basketball game, where Gianna was expected to play in the game and her father was expected to coach. Bryant played with The Los Angeles
Lakers for his entire 20-year NBA career and is regarded as one of the best athletes of all time. He won five NBA championships with The Lakers and was also the proud owner of two Olympic gold medals for men’s basketball. He began playing basketball at 3 years old. He was so good at the sport, he was drafted straight out of high school making him the youngest player in NBA history at the time. He retired from professional basketball in April 2016. He leaves behind his parents Pamela and Joe Bryant, sisters Sharia and Shaya, wife, Vanessa and three daughters, the youngest being only 7 months old. Listen to Morgan Heritage- Home feat Esh Morgan (Kobe Bryant) on YouTube
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Salute
Salute Our Elders!
Ras Desmond Richards D
esmond Alexander Richards was born in Clarendon, Jamaica, where his life growing up was like that of a shepherd. As a young child, Richards was responsible for looking after the sheep and goats at his home in the lower part of Lionel Town. His time would be split between looking after the animals and attending the traditional African church called Pocomania to give praises. It is from these very early days that Richards discovered Rastafari and became interested in the movement. Like many in Caribbean at the time, Richards decided to migrate to England in search of work. He managed to find work and made friends with many of the Caribbean people who had also made the long journey to London. As he settled into his new life Richards, bought a car and would often attend an Orthodox Church in Brixton, south London. But years later his life would take a dramatic turn. Richards had both of his legs amputated from the knees down after
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Salute
he caught frost bite. He was given wooden legs and walks with two walking sticks. He has lived in Shepherd’s Bush, west London for decades and is a huge part of the community. He is popular with locals and he brings life to the area. Despite his disability and hardship, Richards can often be heard laughing and sharing riddles and life advice in the famous
Shepherd’s Bush Market, demonstrating that despite his own problems he is willing to spread joy. Richards is an example of what it means to be strong and to have faith. His traumatic story doesn’t stop him, he continues to smile and spread love. Ras Desmond Richards, Jus’ Jah Magazine Salutes you!
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Reggae
Reggae
Ј
in Ghana
us’ Jah Magazine spoke to Ras General, a prominent Journalist and TV presenter, about the popularity of Reggae music in Ghana.
Introduce yourself to our readers. My name is Emmanuel Amoah and I was born in Ghana. I am a broadcast journalist and I studied journalism at one of the most prestigious colleges in Ghana. I have been a journalist for over 10 years. But also, I have been promoting Reggae and dancehall music in Ghana on TV, Radio and Blogs. I am currently the host and owner of the Rastas’ Circles TV show on ITV which for the record happens to be the biggest reggae/ dancehall TV show in Ghana. 52
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When did you fall in love with Reggae music? I was just nine years old staying with one of my uncles in the central part of Ghana and started to become interested in the music my uncle selected and played. He loved Reggae music and would play music by Bob Marley, Peter Tosh, Lucky Dube, Alpha Blondy and many more. Growing up and learning about life I saw that the only genre of music that I vibe with was Reggae and it has taught me a lot up to this date. What is the Reggae music scene like in Ghana? I will be very honest with you, years
Reggae back Ghana wasn’t really getting and understanding Reggae and it was very difficult explaining the genre to the people. It was hard to get sponsors to participate in Reggae events. There was a few presenters and DJs on radio and TV and even some parents were preventing their family members from associating with it. Even to date, there is a societal stigma and perception that is attached if you are a lover of Reggae music. But things are changing quickly due to education, especially with the younger generation. The younger generations really do love and appreciate Reggae and Dancehall music. They admire Jamaican culture now because they see a lot of great talents taking the genre to the next level locally and internationally. How have attitudes changed towards Caribbean music and culture in Ghana? Recently, I got a few Jamaican artists on my show and they have told me they feel at home. Ghanaian culture and Caribbean culture is merging, and it is becoming easier to reach each other. Ghana and Jamaica and other Caribbean islands have always had a good relationship, almost like a husband and wife. The Year of Return in Ghana has helped many to understand the connection between Ghana and the Caribbean. I know Ghanaians who have travelled to Jamaica and they have told
me, it feels like they are still in Ghana. I would like to see more Jamaican artists in Ghana and Ghanaian artists in Jamaica. We need fellow promoters so that we can work together as a family. May Jah guide and protect all of us. Who are some of the biggest Ghanaian Reggae artists that we should be looking out for? Ghana has produced so much reggae musicians and still producing more who are working very hard to put Ghana on the map with reggae music. Rocky Dawuni was at Grammys in 2016, Blakk Rasta also got Grammy considerations and always helps unite African countries with Reggae. Blakk Prophet has been touring all over the world and Samini got a MOBO and other international recognitions. Stonebwoy has done a lot and has collaborated with many Jamaican top artistes such as Morgan Heritage, Tarrus
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Reggae Riley and Sean Paul. Shatta Wale is another great pillar and has won a great deal of awards for his contribution to Reggae. Other names to look out for are: Ras Kuuku, Red Fyah, Kwame Partan, Osagyefo, Blak Mexxiah, Konkarah JahVbez, Kojo Kombolo, Kahpun, Burning Faya, Banjui, Linguakat, and many more. Tell us about your TV show Rastas’ Circles and where are your hopes for the show going forward? The Rasta Circles TV show is one of biggest platform that strictly projects and promotes the excellence of Reggae/ Dancehall Music in Ghana, Africa and the world at large. The show also serves as the ultimate platform where pundits disect and educate the people about Pan-Africanism, African roots, cultural identity and dismantling the misconceptions of Rastafari. The show also profiles legends and serves as the platform for both mainstream and upcoming Reggae/dancehall artistes. It is a promotion hub.
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I have a vision of becoming one of the biggest entertainment TV shows, promoting Reggae and Dancehall Music in the world. Where can we watch Rasta Circle? In Ghana and other parts of Africa you can watch on ITV which is available on Digital and Satellite TV. I have viewers from Togo, Benin, Sierra Leone, Gambia, Liberia and Rwanda. We stream live on Facebook, just go on ITV Ghana and you can have access to all our live programmes. Or visit Rasta Circles Show on Facebook, to see all the big interviews we have done and on YouTube search RG- TV. What are your Social Media contacts? Instagram: @ras.general Facebook: Ras General / Emmanuel Amoah Twitter: @RasGeneral4 Email: amoahe12345@gmail.com
Kitchen bringing you Ital food information and recipes
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Ital is vital
Ital Food Rasta food at its best By Jus’ Jah Staff
Meaning Ital or I-tal (pronounced eye-tahl) is the food type eaten by members of the Rastafarian faith and movement. The word derives from the English word “vital”, with the initial letter replaced by the letter I. This is done to many words used by the Rasta community to signify the unity of the speaker with all of nature. Ital food is usually vegan/vegetarian dishes that are prepared using fresh vegetables, fresh coconut milk, spices and herbs. Artificial flavourings are not used or are kept to a minimum. Also, brown/whole grain alternatives are preferred for items like bread, pasta and rice. Rasta communities have for many years been scorned because of their beliefs and diet. But for many, the mocking and marginalising didn’t deter them from being who they are. Many believe eating Ital food keeps their mind, body and spirit at its healthiest and purest. Drinks Rasta’s enjoy making healthy Ital based punches and juices, like Carrot, Sour Sop, Irish/Seamoss, Peanut Punch, Sorrel and Mauby. Staple drinks include water and coconut water. Bitters and other roots drinks have been a fundamental part of Rasta culture for decades. With each drink having their own purpose or health benefits. Some of the ingredients that are used in these drinks are usually from special plants like Cerassie/Cerasee, Guinea Hen Weed, 56
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Ital is vital
Chainy Roots, Sarsaparilla, Dandelion and others. For punches, if milk is used it is not dairy based. Milks that are used in the Rasta community are plant-based like Almond, Hazelnut, Cashew, Oat or Coconut. Herbal teas like Peppermint, Green Tea, Camomile and Ginger are firm favourites, especially first thing in the morning. Meals For Rasta’s fruit and vegetables make up a huge proportion of their diet, providing them with plenty of essential vitamins. Beans/peas, pulses and dark green leafy vegetables provide the protein for those who implement an Ital diet. Gungo/pigeon peas, kidney/red peas, black eye peas, butter beans, black beans, split peas, lentils, chick peas, crab eye beans are some of the beans and pulses are used in Ital cooking. Meals are nutritious and versatile and prepared with love and care. Rastafarians are deeply spiritual people and take care to ensure that their food is prepared in a clean and harmonious environment. Family meals can consist of tasty stews, which can be made of just vegetables or beans/peas. These can be served with brown/ wild rice or hard food like steamed green
bananas, yam, sweet potato and plantain and plenty of salad. Ital food is easy to prepare but requires knowledge of how to combine spices and flavours to ensure that meals are not bland. Supermarkets provide a lot more choice now, items like coconut cheese, dairy-free yoghurts and even dairy-free ice cream have been introduced in recent years, which has been welcomed by many Rasta families, especially those with young children. Cakes are also common in the Rasta community, but are made without eggs and other dairy products. The flour used, is usually brown/ wholemeal or one of the ancient grains like Teff, Buckwheat or Rye. Ital food is vegan food at its best and continues to be a sacred part of the beloved Rastafari movement.
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comics
Market By Justice Dixon
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comics
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Fan Mail
AKAE BEKA
FANS PAY TRIBUTE We asked fans of the late Akae Beka to send in their tributes to the gifted singer songwriter. We hear from some of Vaughn Benjamin’s biggest fans, as they tell us what he meant to them.
Name: Tarieg Guenine Age: 26 Lives: In France About my picture: This was taken a few weeks before Vaughn passed away. I was invited in Birmingham for a family/ community event to play records (One Dub’s ve-gan dub lounge). From my perspective, playing records is the opportunity to spread a message and get people together - and the best record I could choose was the one with Vaughn and the musicians and people that surrounded him. That was the picture of me I choose for the event. Also, another picture with some of the records/CDs. What did Akae Beka teach you? I think Vaughn Benjamin taught a lot on the importance to reach out and share a positive message in life. And this, while it can take many different shapes, stands out in the sense that humanity and simplicity are always called forth. Call it 60
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initiatives, presence, disposition – all good “intenshan” matter. I guess he would insist on the fact that from the singularity of
Fan Mail lives, the little room that is left to empower “in our borders” makes a great case for beauty in life. In this respect, holding fast onto the principles of love, consideration and kindness is important. Did you ever meet Vaughn Benjamin? What was that experience like? What do you remember most about that meeting? I had the opportunity to see Vaughn Benjamin and Akae Beka members playing on stage in Paris in 2017. I can remember his majestic stance and his presence was one of a kind - impressive and comforting at the same time. I remember him intoning and chanting, while the rest of the band was playing a deep meditative music specific to Midnite. It felt like the venue turned into the safest place around. Then you had all the words left to be listened and
overstood. That’s when I started to look more into Vaughn’s music and work. What is your favourite song/album from him and why? “Southeastern Moon”, taken from one of the very first Midnite albums, “Jubilees of Zion”, on Afrikan Roots Lab. It is a very personal and poetic song, a breathtaking nature writing piece where Vaughn takes one on a travel from the “Green trees over silver waters” to the “Simian Mountains of Ithiopia”. The bassline is deep, keys are majestic, and the voice of Vaughn is magnificent. Remembering and longing for a “Southeastern Moon”, Vaughn champions sweetness, heartlessness and belonging. One of the most beautiful songs ever written.
Name: Shami Rugambwa From: Gisenyi/Rwanda Tribute: Akae Beka’s music is my everyday anthem. Every word he speaks, and sings goes straight to my heart. I decided to make a mixtape for his tribute. Unfortunately, I never met Vaughn physically, but every time I hear his voice he is always present. It is difficult to choose a favourite song, as all his songs are my favourite’s but there is one called “Begin the Day” that is my anthem every morning. Blessings and love. Listen to Shami’s tribute to Akae Beka here by going to soundcloud.com/dj-shami-1/ tribute-to-benjahmin-vaughn
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Fan Mail Name: Claire Hoppe Lives: in Los Angeles, CA
Tribute: I would not be who I am without Vaughn’s teachings in the form of his musical gifts. I was blessed to come across a Midnite mixtape in 2003, in a shop on Slauson and from the first notes of “Great Zimbabwe Walls”, I felt an instant connection to the words and signature heartbeat flow. I was a young teen at the time and had grown up on Roots, but I had never heard anything like Vaughn. His music shaped my world view and impacted many decisions over the years. I turn to his catalogue as one might turn to the Bible for comfort, inspiration, and knowledge of self. I was at the Akae Beka performance in MacArthur Park in September 2019, in Los Angeles. That neighbourhood and park have been notorious over the decades - poverty, gangs, and homelessness are rampant. The stage was small, and the show’s timeline became significantly delayed. Finally, when it was time for these warriors to take the stage, I watched Vaughn humbly perform with the same 62
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Artwork: Claire Hoppe dedication and clarity as one might in a huge and lavish venue and I was reminded of Christ, always among the people spreading love and good works. That night was a personal gift for me, as I’m sure it was for everyone else in attendance. Your chants will ring out eternally. Infinite gratitude and love for you Vaughn Benjamin.
Word Search
Reggae Search ReggaeWord Word Search Enjoy a little time out with our Reggae Word Search.
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BUJU BUJU CHRONIXX CHRONIXX JAHMIEL JAHMIEL PROTOJE PROTOJE
BUSHMAN BUSHMAN CULTURE CULTURE KOFFEE KOFFEE SANCHEZ SANCHEZ
CAPLETON CAPLETON ETANA ETANA LUCIANO LUCIANO SIZZLA SIZZLA
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Twelve
Tribes Chart T
here are three main branches in the Rastafari faith. They are Nyabinghi, Bobo Shanti and Twelve Tribes. These branches are often called houses or mansions. The Twelve Tribes of Israel was
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founded by Vernon Carrington who is fondly known as Prophet Gad, in Kingston, Jamaica. The Twelve Tribes of Israel Chart is based on Jacob’s 12 sons. The chart corresponds with the ancient Israelite calendar.
HIS
Majesty Says “T oday, we look to the future calmly, confidently, and courageously. We look to the vision of an Africa not merely free but united. In facing this new challenge, we can take comfort and encouragement from the lessons of the past. We know that there are differences among us. Africans enjoy different cultures, distinctive values, special
attributes. But we also know that unity can be and has been attained among men of the most disparate origins, that differences of race, of religion, of culture, of tradition, are no insuperable obstacle to the coming together of peoples. History teaches us that unity is strength”. —Words of H.I.M. Emperor Haile Selassie in Addis Ababa May 25, 1963, Speech, “Towards African Unity”
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About
This Picture
Every issue, we will select a picture from the Jus’ Jah archives and share a little story behind that image. This image was taken at Windrush Square, Brixton, London in 2015. The march was attended by various groups within the Black community, including members of the Ethiopia Africa Black International Congress (Bobo shanti) (pictured). This was taken at the annual Emancipation Day March, which happens every year on 1st August.
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