The Justice, March 10, 2020

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the

Justice www.thejustice.org

The Independent Student Newspaper Volume LXXII, Number 19

of

B r a n d e is U n i v e r sit y S i n c e 1 9 4 9

Tuesday, March 10, 2020

FRED WILSON ACCEPTS CREATIVE ARTS AWARD

Waltham, Mass.

CORONAVIRUS

Studying abroad in the wake of coronavirus

■ Univ. announces

restrictions to student travel following updates about the coronavirus. By JEN CRYSTAL JUSTICE EDITORIAL ASSISTANT

NOAH ZEITLIN/the Justice

ARTIST AWARD: Fred Wilson received the Creative Arts Award, following in the footsteps of previous awardees such as Aaron Copland, Mark Rothko and Georgia O'Keefe.

Visual artist wins award for artwork exploring racism ■ Artist Fred Wilson

discussed his past projects and art exhibitions at the award ceremony. By ANIKA CHAKRABARTY JUSTICE CONTRIBUTING WRITER

Dean of the School of Arts and Sciences Dorothy Hodgson presented the University 2019 Creative Arts Award to visual artist Fred Wilson on behalf of University President Ron Liebowitz for Wilson’s critical work regarding institutional racism, in the Wasserman Cinematheque on Tuesday. According to the University website, the award recognizes “excellence in the arts and the lives and works of distinguished, active American artists.” The University established the award in 1956 and granted it to those who had either “left an enduring mark upon their times” or artists emerging in their field of study. Early recipients include composer Aaron Copland, painter Mark Rothko and artist Georgia O’Keeffe. In 1995, the award became The Poses Institute of the Arts at Brandeis University and awarded annual residencies for artists, which allowed the artist to reside within the institution while creating art. The University then revived the Creative Arts Award in 2015. Wilson’s work was distinguished because it “challenges dominant

assumptions of history, culture, race and conventions of display,” Hodgson said. She emphasized how Wilson’s art exposed society’s flaws while “also imagining paths to healing, inclusion, justice and light.” Upon receiving the award and medal, Wilson discussed past projects that he worked on, focusing on his exhibition in the Maryland Historical Society. In 1992, Wilson said, his work in “alternative gallery settings” garnered the attention of the curator of The Contemporary, an art museum in Baltimore, MD. The museum sponsored Wilson’s “Mining the Museum” one-year exhibition in the Maryland Historical Society, which involved spatial arrangements of objects from the museum’s archives as a way of conducting institutional critique. For example, a piece titled “Metalwork 1793-1800” juxtaposes the presentation of silver cups and pitchers with slave shackles. Wilson explained that he chose to work in the Maryland Historical Society because of the discomfort he felt there, referring to the racial undertones of the presentation of objects and artifacts from American history. Wilson said he created the exhibition after scouring the museum’s collections and archives and speaking to as many museum employees as possible, including board members and custodial staff. He used his research to create installations

on the third floor of the museum using objects from the collections and archives. “I wanted people to understand that I was going to take over the whole place. I was going to look at everything — the entire space. I controlled the lighting, the wall space, the labels, colors of the space and the arrangement,” Wilson said. “I wanted to make the museum mine.” Wilson displayed images of several different arrangements from the Baltimore exhibition. One image depicted a gold globe-shaped trophy with the worth “TRUTH” on it. To the right of the trophy were busts of Henry Clay, Andrew Jackson and Napoleon. To the left of the trophy, Wilson arranged three empty pedestals, each with a label of the name of Harriet Tubman, Benjamin Banneker and Frederick Douglass. Wilson commented on how the museum had busts of white historical figures, including one of Napoleon, who had never visited Maryland, but no busts of the notable Black historical figures who had all been to Maryland at some point in their lives. In another work, Wilson said he arranged chairs representing different class statuses around a whipping post he found in the museum’s archives. He also presented a photo of an installation in which he placed a Ku Klux Klan hood he had found in the museum inside a baby stroller.

See AWARD, 7 ☛

Provost Lisa M. Lynch announced in a March 9 email to students and families that international trips planned between now and May 3 would be canceled. It is unclear whether this will affect fall semester study abroad programming. As the March 20 deadline for summer study abroad programs quickly approaches, students must decide what the prospect of studying abroad will look like for them in wake of the coronavirus. Students are permitted to study abroad over the summer; however, Brandeis has suspended all University travel and study abroad pro-

grams in mailand China, Italy, Iran and South Korea, Associate Dean of Study Abroad J. Scott Van Der Meid said in a March 6 email to the Justice. In a March 9 email, Lynch announced that all upcoming University-related, international travel until May 3 will be suspended. Students returning from Level 3 countries (currently China, Iran, Italy and South Korea) and from Level 2 countries (currently Japan) will be required to self-quarantine for 14 days before returning to campus, Lynch wrote. Lynch explained that students who live on campus must complete their selfquarantine period off campus. Since the coronavirus is constantly evolving, primarily impacting travel, studying abroad can be daunting. “The Office of Study Abroad is in daily communication with its affiliate program partners abroad (program providers and host

See VIRUS, 7 ☛

ARTIST TALK

Artist’s work explores relationship between queer and Jewish identities ■ Goldbloom presented her

photographs that deal with queer identities in Hasidic communities. By ARI ALBERTSON JUSTICE PRODUCTION ASSISTANT

Artist Shterna Goldbloom presented her photography, which was inspired by her experiences reconciling with her queer identity and Hasidic upbringing, as part of an exhibit of her work at the Hadassah-Brandeis Institute on Wednesday. Goldbloom was selected from among 70 applicants, and her exhibit, entitled “Ich Bin Di Sitra Achra” — Yiddish for “I Am The Other” — is part of an HBI sponsored series of exhibits by Jewish artists. Goldbloom grew up in a Hasidic community in Chicago, Illinois, a place which she described as “very gendered.” She only had female friends, she said, and certain tasks, such as making challah, were assigned to only girls. When she went to college (something that was discouraged by her community), she began to make art that dealt with the expe-

riences and traditions of her upbringing, as well as notions of gender and queerness. Some of Goldbloom’s early projects question gender norms, particularly composite photographs she created by taking photographs of herself and her twin brother wearing the same clothes and participating in gendered tasks such as baking or taking out the garbage. These works drew inspiration from the work of photographer Kelli Connell, whose work involvedscomposite photographs (pieces made from multiple separate photographs combined) of the same model wearing different clothes in order to explore notions of gender and expression, Goldbloom said. Another composite photograph portrayed Goldbloom as two figures sitting next to each other, one wearing traditional clothing from her youth and the other wearing the style of clothes she wears currently. The piece was inspired by the work of artist Frida Kahlo, Goldbloom said, and bears a striking resemblance to Kahlo’s “The Two Fridas.” Goldbloom wanted to explore both sides of herself in the painting –—past and present,

See GOLDBLOOM, 7 ☛

Dining RFP vendor presentations

You Go, Girl!

The Tempest

W JFAB sponsored a brunch in celebration of International Women's Day.

 Last weekend, this classic story was retold at Laurie Theater.

By ELIANA PADWA

By SHOSHI FINKEL

By EMILY BLUMENTHAL, JEN GELLER

NEWS 4-5

Coronavirus wreaks havoc on the economy By VANDITA MALVIYA WILSON

FORUM 11

The impact of sports on the human body THEA ROSE/the Justice

FEATURES 9 For tips or info email editor@thejustice.org

NOAH ZEITLIN/the Justice

ARTS AND CULTURE 18

Make your voice heard! Submit letters to the editor to letters@thejustice.org

By EMMA GHALILI

COPYRIGHT 2019 FREE AT BRANDEIS.

SPORTS 15


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