Just Magazine Spring-Summer 2019 by Just Magazine

www.maisonetnad.com

MAGAZINE PLEASANT SENSE OF FASHION INJECTION

Photography by Alek Szmytko Styling by Regynn Yengo MUAH by Oldie Mbani Models Daena Ladeesse & Oldie Mbani

issue 13

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contributors contributors

A . A . S P E C T R U M A n d r e a s K n a u b A l e k S z m y t k o A l l e g r a M e s s i n a C h o u a ĂŻ b A R I F D R A G A N D D R O P I n Ă¨ s L e g e r J o h n G r e g o r y J e s s B r o h i e r O B E R K A M P F T o v e W a l l D y r t i n g S o J I N S T E L L A M O R A I S M a k i M a r u k o M a x C h a n W a n g R a n s o m A s h l e y R o x a n e M o r e a u T A K U Y A M O R I W A K I V I N T I A N D R E W S Z h i y i n g L i

this issue

THE FINAL HOUR

RANSOM ASHLEY

GROWN UP SCENE GIRL

this issue

NINA AND HONEY

DRAG AND DROP

LETTER FROM AN UNKNOWN WOMAN ALIENATED

BITTERSWEET HER-OINE A.A.SPECTRUM

THEN FLOWER LANGUISHED UTOPIA

WHEN AT WORK VENI VIDE VICE

VINTI ANDREWS LAST SUNDAY LA MUSE OBERKAMPF

BLESSINGS OF WOMEN L’AMANTE

Alek Szmytko

interview

Allegra Messina

Zhiying Li

interview

John Gregory

Takuya Moriwaki

Stella Morais

106

interview

116

SoJIN

128

Max Chan Wang

138

Tove Wall Dyrting

150

Chouaïb ARIF

160

interview

170

Inès Leger

182

Roxane Moreau

192

interview

202

Andreas Knaub

218

Jess Brohier

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EDITOR-IN-CHIEF & FOUNDER Ekaterina Dokuchaeva ART DIRECTOR Nikita Eliseev EDITORIAL editorial@just-magazine.com ADVERTISING info@just-magazine.com

There are times when our inner selves are influenced by so many interactions questioning integrity. The horizons are broadening reducing the chances to distinguish and determine the essence of art. So… Who is she? The female of our generation? Sorry guys, I mean human in general. An ephemeral hot creature with seriate breakdowns, a little witch with a huge heart full of kindness and god knows what else. Consciously getting through the days making the deals with life is quite frustrating and curiously exciting. Actually, I hate philosophy in all the ways it makes me self-sabotaged and self-aware but didn’t you find that twenty-first century, as any previous one forcing to split our mind for the roles we play? You are completely another person at a different time of the day. You are actually completely another person inside and outside of the door. And definitely another person inside of your head for your own self. So, who the hell are you? I see you as an unthinkable glorious solid one. There were no crucial breakthroughs this spring, how about you? I guess you’re insanely inspired! So much inspired that you’ve turned me to inspired mode as well. What is your quote for yourself to get all the shit done? And now it sounds like: and so, was it possible? When I say “possible” I mean “allowed”, and the answer is sure - “yes”! If you don’t do it, someone else will do it instead. Borders are enemies of art and our internal borders are the hardest to overcome. Your energy makes gravity, spins the amazing people around, do not lose it by any cost. By the way, what would it cost if all that your efforts are in vain? Get up and start again. Wait a minute, is anger the real force and how could you make all the good things with the evil madness as a moving your ass forward factor? Duality permeates me every time I have to choose, but it is beautiful by all means. Am I making sense? Would love to see me as a still life in a pink colored Instagram account. Let’s talk about sustainability, I’m sorry but I have to anyway. We all constantly adore to talk about earth pollution, plastic efforts and so on, contrariwise we love animals and don’t want to hurt them. Hm… And we produce synthetic fur to protect animals. Synthetic… To protect animals. Do you see what I mean? If you don’t understand, read this again. Сovering topics like diversity and sustainability, cancel culture, and authenticity in eco-friendly designs I’m splashing saliva and hitting my chest with the fist. Do you feel any residual guilt for pushing through a change on the way of choosing? Driving slightly mad with all these options, do you? Produce more natural material shopper bags to save the planet? *picture of a fully loaded junkyard* You have to use your shopper bag at least eleven years to make it worth. Hope you satisfied. Unless...you will never fail if you’ll never try. Whether or not it is all the inherent parts of human existence and I don’t really think you would you rather chose the primeval life to your iPhone Xs Max. The progress is made and it makes us astonishingly happy victims of ourselves unwilling to return. By the way, let me introduce you a male bra! Seems like this thick topic escalates exponentially

e g a s s e

with an enormous media plume. It would be cool I guess to close this shittalk about the nipples once and for all. Honestly speaking this is my trigger but kinda out of the box. So, dear ladies, do you really want to show your nipples to the whole world or the Internet or whoever else? I don’t think

so. Imagine this for a second: you are going to the store to grab some milk or mac’n’cheese for your dinner and every woman walk with the tits completely naked… And their bodies are beautiful because

everybody is beautiful and blah blah even it’s fat or ugly. Objectify your dreams carefully, please. Therefore let men wear a bra to cover the same body part and keep our minds in peace since then.

Fluently things are coming to an end as this sheet of paper so let me wish you a nice time of the day and see you next time!

The Final Hour PHOTOGRAPHY BY ALEK SZMY TKO @ALEKSZMY TKO ST YLING BY REGYNN YENGO @QUEENREGYNN MUAH BY OLDIE MBANI @LAGLOWDIGGER MODELS DAENA LADEESSE @DAENALADEESSE & OLDIE MBANI @LAGLOWDIGG

JENNI ( LEFT ) TOP AND PANTS HYUN MI NIELSEN VIA BOON PRESS, EARRINGS LOEWE, SHOES VINTAGE LAIDE ( RIGHT ) SHIRT JOSHUA MILLARD, DRESS WILLIAM FAN, EARRINGS STYLISTS OWN, SHOES MARNI VIA NIGHTBOUTIQUE MALI ( SITTING ) DRESS COLORS OF BENETTON, VEST TEDDY GLICKMAN VIA BLACKBIRDS, SHOES VANS

DAENA IS WEARING JACKET AND PANT BY FAUCON FRIEDLANDER SHOES BY RED VALENTINO

OLDIE IS WEARING DRESS BY FAUCON FRIEDLANDER

< DAENA IS WEARING TOP & SKIRT BY FAUCON FRIEDLANDER DRESS BY FAUCON FRIEDLANDER >

20 OLDIE IS WEARING DRESS BY LYKS

OLDIE IS WEARING DRESS BY LYKS

OLDIE IS WEARING DRESS BY FAUCON FRIEDLANDER

DAENA IS WEARING TOP BY FAUCON FRIEDLANDER

DAENA IS WEARING PANTS BY FAUCON FRIEDLANDER

DAENA IS WEARING DRESS BY FAUCON FRIEDLANDER OLDIE IS WEARING DRESS BY LYKS

OLDIE IS WEARING TOP BY FAUCON FRIEDLANDER

RANSOM ASHLEY

INTERVIEW Born in Shreveport, LA , Ransom Ashley is a photographer, actor, and cinematographer. He attended Parsons The New School for Design in New York City where he was concentrating on photography and went on to receive his Bachelor of Science in Psychology. He has shown work internationally (in New York, London, Brighton and Budapest) and been included in shows at the New Britain Museum of American Art, Fort Wayne

Museum of Art, and Masur Museum of Art, among others. He has also been featured in select publications such as Teen Vogue, The New York Times, Deadline, Wonderland Magazine, Metal Magazine, and Dazed and Confused Magazine. Ashley is currently working on a body of work exploring Louisiana subcultures and recently appeared alongside Oscar Winning Actress Holly Hunter in the southern drama Strange Weather.

Tell us briefly about yourself and your story as a creative. How did you get into photography? I got into photography when I was about 14 years old. I remember finally getting a camera for Christmas after growing fascinated with the idea of being able to tell stories without having a 20 person crew. I suppose I always evaluated things from a production standpoint, having dreamed of being an actor and filmmaker for much of my childhood. I was raised in a southern baptist church and school that was quite detrimental to me on a psychological level, but creativity and my photography became an outlet for me to express a lot of the emotions I was feeling at the time. I feel I was most understood when seen through my work so, in a way, it became a primary form of communication for me.

and become more connected in my community. I’ve naturally evolved into orienting myself more outward and focusing on the experiences of others. While I’m not naive to the fact that my more extrospective work will still be tainted with my own perspective, it’s definitely something I’m fascinated to explore at this stage of my life and career. Even though I can never fully transmit one’s depth or the entirety of their story in a photograph, it’s been incredibly rewarding to shine a light on those who seem to be more overlooked or ostracized.

It seems that your work still has strong links to your initial representation of the LGBTQ+ Community. What does this mean to you? There’s definitely a current in my work in terms of a certain pondering on the nature of human identity. I initially fell in love with photography because of the agency and means it gave me to explore my own inner life but that has somewhat changed as I’ve grown older

What are your main impulses to take photos? Have you ever gotten inspiration from some unexpected place? I would say that my main objective in taking photos comes down to striving for some deeper type of human connection, with my subject but also with the person that will later view the photograph in another setting. I like to define myself a storyteller and why tell stories if our reason isn’t to reach someone on some level? I always wanted to provide people with a sense of escape or understanding in the same way that films provided that for me during my coming of age. I always get inspiration from everywhere, often unexpected places, but the way that I channel and realize that inspiration is often fundamentally the same. Your new publication with Wombat Paris recently debuted at Rencontres d’Arles, what is it about? It’s a birds-eye view, a mini retrospective if you will, of the work I’ve done up to this point with a focus on much of my earlier work. It was important for me to create a very personal (and collectible) piece of my work that someone could live and interact with. Regarding the format, it’s an art box that contains 2 (frameable) prints of my work, a portfolio, and a double sided poster. Something I think makes it very special is that you can essentially guide yourself through my creative process, from my background to the inspiration behind so much of my work.

What helped you deal with the psychological abuse you faced during your Louisiana youth? Are there any tips for those who feel the same? I think storytelling was a huge antidote to everything I was going through in my middle and high school years. I remember using movies as an escape and getting in lost in films to the extent that I would be sad when the films came to an end. I also used my camera as a means to tell my own story and this was incredibly therapeutic to me. It really gave me so much purpose at a time when it was so easy to feel worthless. To people going through something similar, I would say that even if it feels absolutely impossible to grasp or have the slightest belief in, it DOES get better. Looking back, the things that had so much power over me during my formative years are so distant now in a way I thought they’d never be. I still have those experiences to pull on because they are an important part of my story, but it’s amazing how life changes and gives you perspective on the things you’ve been through. I realize now that I wouldn’t have grown into who I am now or had something meaningful to say had I not endured pain in the way that I did. Who do you see yourself collaborating with from within the visual arts and fashion spheres? Who is your dream subject? Right now, I’m really into Gucci and what direction Alessandro Michele is going in. I’m really into the colorful and nostalgic narratives he’s infusing into the brand. I’m also really into Kacey Musgraves so right now she would be a dream subject of mine.

Our Spring-Summer 2019 issue is about the roles humans play everyday. Who is the “real human” of our generation? That’s a really layered question. I could answer it from many angles but I think it all comes down to authenticity. Everyone can have their own idea of “real” and some mistake vulgarity or dominance for honesty and authenticity. We all have these ideas but most of us don’t know what lies behind the veil of those around us. Therefore, I think the “real human” is whoever we want it to be. It can be interpreted in so many ways so at the end of the day, I think it’s made in our own image! Any advice for beginners in photography? Don’t concentrate so much on the technical aspect of photography that you lose your own voice. Always be true to your vision even if it isn’t popular! What can we expect from you in the future? What’s your No.1 goal for 2019? I want to have a show in Austin and wrap up the body of work I’m currently developing. I’d also love to work on a film and put out a book of new work. I never have just one no.1 goal if you can’t tell. I’ve always had at least 5 simultaneous no.`1 goals.

GROWN UP SCENE GIRL

Photographer – Stylist – Star Model – Marine HMUA – Crystal

Allegra Messina / @messinaphotos Burleigh / @starburleigh Gaudin / @_thefrenchmonster_ at Photogenics / @photogenicsla Jalanis / @ewwjalanis

SUNGLASSES MYKITA DRESS 3.1 PHILLIP LIM COAT IRO

VINTAGE SHIRT

JACKET PHILIPP PLEIN

NECKLACES DALMATA BELT VINTAGE JUMPER AMIRI COAT I.AM.GIA SANDALS GIUSEPPE ZANOTTI

VINTAGE SHIRT

EARRINGS JESSICA BIALES NECKLACE DALMATA DRESS 3.1 PHILLIP LIM JACKET HARDWARE LONDON SANDALS GIUSEPPE ZANOTTI

EARRINGS DALMATA DRESS 3.1 PHILLIP LIMSANDALS GIUSEPPE ZANOTTI

ALOUETTE PARIS, VINTAGE SHOES

NECKLACE AND BRACELET DALMATA JACKET, SHORTS AND BOOTS ZADIG & VOLTAIRE

EARRINGS AND NECKLACE DALMATA JACKET AND SHORTS PHILIPP PLEIN

EARRINGS DALMATA VEST DEATH BY DOLLS JUMPER SALLY LAPOINTE PUMPS CHRISTIAN LOUBOUTIN

JACKET, SHORTS AND BOOTS ZADIG & VOLTAIRE

< ASTRAKA OF LONDON FUR, VINTAGE JEWELRY

EARRING DALMATA BRACELET VINTAGE BELTS THE KOOPLES BLAZER, SKIRT AND TIGHTS VERSACE PUMPS CHRISTIAN LOUBOUTIN >

< NECKLACES DALMATA BELT VINTAGE JUMPER AMIRI COAT I.AM.GIA SANDALS GIUSEPPE ZANOTTI

CHRISTINE C PARIS DRESS

NINA AND HONEY Photographer Zhiying Li @lizhiying_leeee Assistant and Makeup artist Siqi Li@siqi_li Model Nina Grau @ninagraus @viewmanagement

< STRAW HAT FROM VINTAGE MARKET TIE FROM VINTAGE MARKET JUMPSUIT SHORT DIDDI STUDIO

DRESS 1PSUTDIO EARRINGS MANGO

SHIRT AND PANTS OKBANG STUDIO EARRINGS MANGO

DRESS AND EARRINGS FROM VINTAGE MARKET

SHIRT AND PANTS OKBANG STUDIO EARRING MANGO

ONE-PIECE URBAN OUTFITTERS SUIT AND EARRINGS FROM VINTAGE MARKET

DRAG AND DROP

INTERVIEW

http://draganddrop.sexy/

Tell us briefly about the concept of your AW19 collectionand what does fashion mean to you? I have maintained the same idea all along. AW19 collection remains conceiving contemporary fashion statements by audaciously mixing influences, aesthetics or existing concepts from radically oppositional backgrounds. The main inspiration is coming from the aesthetics of the middle ages and its icon Jeanne d’Arc on one hand and by New York’s artists from the 80s with their rebellious mind set, on the other, in particular Robert Mapplethorpe and his enigmatic artistic investigation on his muse Lisa Lyon. Fashion personally for me is a field to push boundaries and find new creative pathways. What made you think about Jeanne d’Arc while designing the latest collection? I was exploring the feminist art movement exploded in America during the 60s - 70s, this scene inspired me of creating the image of a strong modern female sensuality, contemporary fragile woman warrior, Joan of Arc of our days.

There are really futuristic and pretty natural vibes at the same time in your FW19, where did this amazing combination come from? What inspires me the most in the medieval aesthetics is theirintimate connection with nature, hand craft, practicality and pure femininity. In this collection I concentrated a lot on the organic materials, natural palette, we even used old Ukrainian hand crafted technic for our DRAG AND DROP metal chainmail. All this is absorbed and combined with codes from radically different background. Is there a type of person you have in mind when designing your clothes? Who is your dream client to dress? During the creation process I see the person without any gender, ethnic or age categories, but with a certain mindset, a special sensibility to the world, beauty,

comfort and life. DRAG AND DROP is not just a brand, itâ&#x20AC;&#x2122;s a community of like-minded people.. How is your brand DNA changed compared to your early collections? Before the last collection I felt it was time to change my way of doing things. Creating is a way. Iâ&#x20AC;&#x2122;m glad that DRAG AND DROP reinvents itself all the time. How do you think technology changes and social media is affecting art and fashion nowadays? Tell us more concerning the creation of the 3D printed skin-tight tights! We are constantly in a search of the new ways of making things. New technologies are as exciting as an old traditional craft. In AW19 we first created the 3-D chainmail, where each tiny detail is artificial and then hand crafted the real one in metal with a help of Ukrainian craftsmen.

"DRAG AND DROP IS NOT JUST A BRAND, ITS A COMMUNITY OF LIKE-MINDED PEOPLE.."

"Be prepared that fashion is a business, where design is only a part to make it grow." 77

"THE MAIN INSPIRATION IS COMING FROM THE AESTHETICS OF THE MIDDLE AGES AND IT'S ICON JEANNE D ARC ON ONE HAND AND BY NEW YORK'S ARTISTS FROM THE 80'S" Who do you see yourself collaborating with from within the visual arts and fashion spheres? For the last collection we did several collaborations, for the 3D chain mail print with Lesha Mykhailov, scarves with Studio Fasse, hair braided sandals with hair artist Yann Turchi. More interesting to come for our next drops. Our Spring-Summer 2019 issue is about different roles that women play every day, she’s multiple. Who are the ‘real women’ of our generation? Greta Thunberg with her encouraging activist and climate change work inspires me so much. She is a great example of how we should reconsider ways we are doing things. I believe this 16 year old girl is a voice of our generation.

Any bits of advice for the beginners in fashion? Be prepared that fashion is a business, where design is only a part to make it grow. What can we expect from you in the future? Your No1 goal in 2019? We are going to open up some boundaries of the creation process. Soon to be announced.

< JACKET LEINWÃ&#x201E;NDE TOPS MURRAL

Photographer : John Gregory @johngregoryyyy Stylist : Erica Mimura @erica_mimura Hair : Hei Tai @Heitai111 Makeup : KATO @Katohairmake Model : Kako Takahashi @Kako_Takahashi

LETTER FROM AN UNKNOWN WOMAN

< DRESS & ROMPERS BELLA FREUD SHOES TARO HORIUCHI

> JACKET & PANTS IHNN TOPS KOTOHAYOKOZAWA EARRING BIJOU R.I SHOES MAISON EUREKA

> JACKET IHNN BODYSUIT MAISON EUREKA

< DRESS & ROMPERS BELLA FREUD SHOES TARO HORIUCHI

< BODYSUIT MAISON EUREKA PANTS STUNNING LURE

ALIENATED Photography by TAKUYA MORIWAKI @takuya_0612 Stylist by IGAWA @i_g_w_a_s_m_ Hair UMEDA TAKAYUKI @um_takayuki Makeup AYA HAMASAKI @ham9ya Model @yanalien @mille_management_inc

ZARA WORK SUIT / VINTAGE SHIRT / ZARA EARRINGS

LEOTARD H&M EARRING MADE BY IGAWA PINK SHIRT RALPH LAUREN BLACK KNIT MADE BY IGAWA CORSET MADE BY IGAWA GREEN JACKET MADE BY IGAWA PURPLE SHIRT XANDER ZHOU SCARLET JACKET MADE BY IGAWA

VINTAGE FUR / TOPSHOP PANTYHOSE / BANANA REPUBLIC FUR SHOES

BITTERSWEET HER-OINE

Photographer & art director : STELLA MORAIS www.stella-morais.co.uk Fashion stylist : FELICITY RUDD www.flissrudd.com Hairstylist : KAZUTO SHIMOMURA shimomurakazuto.com Make up artist : MARY-JANE GOTIDOC maryjanegotidoc.com Model : LEAH SMITH repping WILHELMINA

PATENT TRENCH MILO MARIA TAN TROUSER ELEANOR BALFOUR WHITE AND CLEAR SHOES ESAU YORI NECKLACES ALIGHIERI EARRINGS ALEXANDRA HAKIM BAG ELLEME

BLAZER VINTAGE EARRINGS AND NECKLACES ALIGHIERI

PLEATED SHIRT YOUNG BRITISH DESIGNERS EUDON CHOI EARRINGS AND NECKLACE ALIGHIERI

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BLAZER VINTAGE ESAU TROUSERS YOUNG BRITISH DESIGNERS LF MARKET EARRINGS AND NECKLACES ALIGHIERI SHOES YORI

PATENT TRENCH MILO MARIA NECKLACES ALIGHIERI EARRINGS ALEXANDRA HAKIM

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CRINKLE TROUSERS YOUNG BRITISH DESIGNERS WEN PAN PLEATED SHIRT YOUNG BRITISH DESIGNERS EUDON CHOI EARRINGS AND NECKLACE ALIGHIERI SHOES ESAU YORI

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JUMPSUIT PIECE OF WHITE SHOES ESAU YORI CUFF AND EARRINGS ALEXANDRA HAKIM

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FRINGE TOP, TROUSERS AND SHOES ESAU YORI EARRINGS ALIGHIERI

http://aaspectrum.com

A.A.SPECTRUM

INTERVIEW

A.A.Spectrum is a cross-cultural collaboration based in Copenhagen, Denmark. Aiming to create a tribe not an army - a spectrum with room for diversity A.A.Spectrum is highly skilled in functional-wear and performance fabrics. All the down used in jackets and coats is RDS (Responsible Down Standard) sertified. RDS monitors the entire down production to harvest process. Constant reflection, curiosity, and questioning are the main factors that drive A.A.Spectrum forward, expressing timeless and elemental design, yet primeval and ultramodern.

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The owner of A.A.Spectrum runs an own production facility located in Beijing, China. I have colleagues there who make patterns and sew our pieces. A colleague who orders fabrics and plan the process of my intended design to finished selling samples. A colleague who manage collection flow, a design assistant who is communicating ideas to paper-pattern makers and sewers. We have a colleague focusing on all projects and because we are different units in four capitals of the world, then there is a lot of translation, sometimes much know-how exchange and following up on projects. Sales and press is run from Paris by Mwanga Sinkolongo and Tine Kozjak at showroom BERG located in Marais. BERG also introduced our Japanese sales and press agent ‘Wanderlust’ who we now work with in Tokyo. As A.A.Spectrum is a joined venture of creation and production, then there was a lack of sales and distribution, so we work closely with our sales and press agents. I believe more than usual agency-client based relations. We rely on their support and they are our colleagues. The creative studio is a small scaled one located in central Copenhagen, Denmark. I generate ideas, create, source fabrics, run SoMe, set direction, direct and produce photoshoots, communicate with freelancers and my teammates in Beijing, Paris and Tokyo. I work with a super-star intern who basically helps me with everything from carrying cartons to the 5th floor to calculating invoices and assisting me on the collection. It feels like I work from where-ever I am and the studio is more like a safe base. The past year I travelled to Beijing four times, Paris two times and I just recently got back from Tokyo. I work ‘hands on’ as much as I possibly can in the process of creating the pieces. I hand sketch to keep it alive. dÍ don’t sew the collection myself, but I sometimes make tests, styling props, cut up, drape, adjust and more than anything I explain and use body language if it’s needed. Graphic designer Johan Thermænius is probably the one I share most creative ideas with. He helps out on a friendly and sometimes freelance basis. From time to time I reach out to freelancers if I see the potential and mutual interest of a collaboration. The past two years I have worked with photographer Polina Vinogradova on our photoshoots. We constantly push ourselves and each other when working together. We have inspired and motivated each other greatly. My first job as a designer was for a Danish womenswear brand. I had studied fashion, but decided to study Art History after graduation. I was approached by a former classmate to create a series of fashion drawings for a big high-street label. It was a fun task. I was sketching the american movie star ‘Lucy Liu’ wearing all sorts of different outfits. I have been sketching off poses from fashion magazines since a child, so it was really fun to me. To my surprise they had a lovely atmosphere in their design-team and their head-office was not ‘office-like’ as it was located at an old castle surrounded by fields and small lakes. At the time I was studying Art History and tough I loved the subject I was rather bored by the environment at the university. Most of the fellow students were older than me and wanted to become teachers. I was clearly just as interested in creating art as reading about it. I received a call from the high street label who offered me a job. I started as an assistant. My plan was to go apply for the Academy of Arts, but one month in I was offered the title of designer. I had a lot of ‘fire’ in me and I was in a sort of in a youthful performing gear. I was perhaps rather cocky, so I told the CEO that it would be fruitful for the company if I joined one of their production facilities abroad. I thought that we could work closer with the manufactures. I saw that there would be great opportunities, less waste and a better work-flow if the design and the manufacturing were working together. Not on a screen, not on email, but face to face - and ‘hands on’ in the process. It wasn’t until 4 years later where I had left that company that my former CEO called me. I was introduced to the opportunity of going abroad and working with manufactures. He made me sign a deal memo that it would be a challenge of business, communication, organisation and for me not about creation. I signed that as I knew that I would always be creative, but there were other things to practice to ever get my creations across. As it had been my wish and as I have some sort of genetic globetrotter within me, then I took up the opportunity. With a suitcase and one carton of books I went to China to get behind the scenes of the fashion industry. I had a feeling that I could learn a lot. My experience from that time, still makes me want to offer more creation and to push for value.

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"I WAS PERHAPS RATHER COCKY, SO I TOLD THE CEO THAT IT WOULD BE FRUITFUL FOR THE COMPANY IF I JOINED ONE OF THEIR PRODUCTION FACILITIES ABROAD"

Tell us briefly about A.A.Spectrum, who is behind it and how did you first get into clothing design?

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What is the concept behind your AW2019 collection and how would you describe your brand DNA? The collection is inspired of time-travelling and of the state of ‘being-in-between’. The pieces are meant to travel well beyond their physical state while colours suggest both earthy and cosmic-like tones. I got inspired on a trip to Hong Kong while on board from Beijing to Hong Kong, I watched Wong Kar Wai’s “2046”. I love Wong Kar Wai’s unique imagery and split screens suggesting more than one truth in the moody yet romantic sci-fi universe. I arrived late and there was a sudden downpour of rain, more extreme than what I had experienced before where the cities green lights blended in with the rain on the windows. I was thinking of Wong Kar

Wai’s characters and how they travel to the future, but long back. In a parallel to what I had been watching, I found myself time travelling too and I realised that “being inbetween” is a special place. This comes across in the collection in direct ways and in subtle ways. As an example there is an artwork created from this idea that presents a family portrait. It is inspired by a family portrait from Ming dynasty, but then I asked Chau Luong to give it her incredible alienesque and humoristic take. The artwork now seems like a family of aliens, but their poses and expression are resembling old historical portraits. In this way you can say it points both backwards and forwards. I like that. It is in our DNA to be inclusive, open, curious and colourful. I like to let the work speak and to let it live. If I add too many

labels or stigmatising captions to my work then it will easily end up being categorised and therefore not open. Expression and functionality are essential. I like to contribute with clothes that are born from an idea and where the result is both expressive and comfortable. I would like people to feel free, but to feel free you have to feel comfortable aswell. So I care a lot about the overall expression and silhouettes, but just as much about how your hand feels when it touches the lining inside the pocket. There should be room enough, there should be a soft feeling. We are responsible. We really want to make a difference. We want to use resources in the best possible way.

"The artwork now seems like a family of aliens, but their poses and expression are resembling old historical portraits."

Which garment are your personal favourite and who would you like to see wearing them?

We’ve already seen Ella Mai performing in this look. I hope it will reach many people this season and hopefully brighten up the streets.

There is a look called ‘Imagine’ in Fall Winter 2019. I like it as I had fun with the process of making it. We made a tie-dyed printed furry outfit that is originally an artwork by Berlin based Chau Luong. I asked Chau if we could extend her artwork and let it travel. So each piece will be unique, due to the tie-dye technique, yet it will belong to the same original artwork. In that way it travels and extends. When I first hand the fabric in hand, I couldn’t figure out if it was the most ugly pieces I have ever designed or some of the best. And that is an interesting place and there place I want to go more.

Can you talk us through your design and fabrication process a bit - what are the key considerations? We use our production know-how to explore and push for new shapes and techniques. As an example we have made down coats where natural fibres as silk are bounded with a functional backside. In the design process I let my intuition guide me and I speak it out, write notes, make sketches and as I go along I set up rules, but for a long while I leave it open. Then it becomes to me as sort of a puzzle and the rules I set up help

me put the bits together. The collection we’re creating at the moment is for instance based only on pre-produced fabrics. I often pass by a huge street artwork on the top of a house when biking in Nørrebro /Copenhagen and that artwork says “one mans trash - another mans treasure” and so that inspired me to take up the challenge of making value from stock fabrics. This sets a limit to the choice of colours, but also create a focus and a good feeling to know that we haven’t dyed unnecessary fabrics. Good design is problem solving and limits often make creativity greater. I always consider if there is a need for what I want to make.

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What are your main inspirations - and how do you see your design evolving? My inspiration kicks in when I keep my head empty. It often comes from travelling or simply from a change of environment. My main sources of inspiration are outside of fashion. It can be a conversation, lyrics or something I notice in everyday life. Within A.A.Spectrum I have embraced our cross-cultural aspects and the fact that I’m travelling a lot between Asia and Scandinavia become a natural fuel of inspiration. In terms of evolving then I think it’s an important point that I don’t design for me. I design to share and to give and to contribute. I think if the purpose is bigger than yourself then it will naturally evolve. As people start to respond to our work, then I naturally want to give more. It also evolves from working with other people, those processes adds layers to my ideas and give me something back from which I can then learn and become better. How do you think technology changes and social media is affecting fashion nowadays? I see more surface and less substance. I notice a reaction to it all at the moment. On one side there are the peacocks who just can’t get enough and can’t get it fast enough. So called influencers who are followed because of their great content. I don’t vibe with that at all. It’s distraction and it easily takes over. As time go by, there is a quest of originality, personality, talent and authensity. To have a message and a voice is important. I think young fashion designers will be either visionary and great communicators or skilled at their handcraft. On the positive side of it all, there are no boundaries of who you can reach out to and interesting constellations are born because of the easy access to one another. What sets aside A.A.Spectrum from the other fashion brands that are on the scene at the moment? I didn’t go ‘the right way’. I’m not coming out of any certain fashion channel for upcoming talents. My vision was to connect, to build bridges and to create value out of an already established set-up and relation. Our set-up is quite unique. The combination of us having an own identity, own production facility, high quality, multi-cultural team and affordable price level sets us aside. We are a team with each of our experience and cultural background, contributing together. I believe that is very special. In fact, it is also the biggest challenge, as it is a new constellation to work how we do. You can be a great artist, but when it comes to production your art will easily suffer, as production will be like learning a new language. You can be a great producer, but without art, there is not much reason to produce and eventually people won’t respond to the production as there was no heartfelt idea behind it. I took a trip to the backyard at a young age and now I can explore my creative ideas within that field of working. Most designers explore their creative ideas at a school, in internship and then they start up and own business. I admire anyone who does that and I wish for all creatives that it would be easier and looked upon as equally important to creative development that talents connect with investors and other skilled people that are needed to set-up a business. I have work-experience from places that are tabu to many designers, but having in-sight, makes me able to do differently and to communicate and push and change from inside.

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Which designers or artists have been the most influential to you? The most influential designers or artist to me are the ones who don’t act like designers or artist, but think like designers or artist. There has to be an intellectual point or an insane flow of energy for me to feel influenced. It is no secret that I’m more into Rembrandt than Rihanna. In random order I admire artists, designers, musicians, writers, visionaries as Yohji Yamamoto, Maharishi Mahesh, Maya Angelou, Rei Kawakubo, Snoop Dogg, Bernhard Wilhelm, Wolfgang Tillmans, Issey Miyake, Raf Simons, Henrik Vibskov, Patti Smith, Yoko Ono, David Lynch, David Byrne, David Bowie, Alicia Keys, Jørgen Leth. Who would you most like to collaborate with from within the visual arts and fashion spheres?

I recently had a dream of making a shoot inspired by Bill Viola’s art films “A Portrait of Light and Heat” filmed in Chott- El- Djerid in Tunesia. A magical capture of the desert. It would be incredible some day to work with such visual artist. There are many people I wold like to collaborate with. Perhaps also someone I don’t know of yet. Someone who sets art and expression first. Our Spring Summer ’19 issue is about different roles that human play everyday. Who is ‘the real human’ of our generation? Ain’t we all? To me the greatest and most inspiring human is ‘humane’. If I’m to mention one person it would have to be the 16 year-old climate activist Greta Thunberg. Any bits of advise for beginners in fashion? I’d really like some myself. I truly feel like a beginner. From what I’ve learned so far - Don’t be afraid to look for experience in far out places, you might find the exact ingredient that will make you able to contribute with something special.

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flower languished “PEOPLE GIVE THE MEANING TO FLOWER, THEN FLOWER LANGUISHED FOR CONTRADICT THAT MEANING.”

Photography & Styilng by SoJIN @jinginso @photographyjin Make-up by Giuditta Bedetti @judybedetti Hair by Ildana Khalitova @ildanakhalitova

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HOODIE ACNE STUDIOS SCARF HERMES DRESS STYLISTâ&#x20AC;&#x2122;S OWN

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SHIRT AND SKIER ACNE STUDIOS GLOVES MIU MIU

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DRESS BY STUDIO AUGUST

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UTOPIA Photographer Max Chan Wang @maxchanwang Hair Junko Hirakose @junko_hair Make up Chiharu Wakabayashi @chiha0313 Stylist Maki Maruko @junko_hair Model Yu KAINO(AMAZONE Model Agency) @yuio2580 Maria Herreram(elite Model Agency) @maria.herreram

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< BOTH DRESSES PAULINE DUJANCOUT

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TOP AND SKIRT ROBERTS WOOD SOCKS STYLISTâ&#x20AC;&#x2122;S OWN

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DRESS ROBERTS WOOD

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DRESS ROBERTS WOOD SOCKS STYLISTâ&#x20AC;&#x2122;S OWN

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KNIT TOP PAULINE DUJANCOUT

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TOP AND SKIRT ROBERTS WOOD SOCKS STYLISTâ&#x20AC;&#x2122;S OWN

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BOTH DRESSES PAULINE DUJANCOUT

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BLOUSE BITE STUDIO SKIRT HUMANA SECOND HAND SHOES RESCHIA BELT-BAG SANDQVIST

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When at work Photography: Tove Wall Dyrting @tovewalldyrting www.walldyrting.com Styling: Annica Sidebrand @annicasidebrand Makeup & Hair: Filippa MĂĽnlilja @filippaindigomua www.filippaindigo.com Model: Isabell Thorell MP Management @isabellthorell www.mpmanagement.com

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DRESS AVAVAV FIRENZE EARRING SARA ROBERTSSON

DRESS OUR LEGACY TROUSERS MQ STOCKHOLM SHOES INABO EARRINGS SARA ROBERTSSON

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SHIRT NOTES DU NORD EARRING MODELS OWN

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DRESS AVAVAV FIRENZE BOOTS RESCHIA EARRING MARIA BLACK RING SARA ROBERTSSON

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TURTLENECK AND TROUSERS AVAVAV FIRENZE KNIT NOTES DU NORD SHOES INABO

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SHIRT AND SKIRT HUMANA SECOND HAND BELT HOPE

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DRESS AVAVAV FIRENZE BOOTS RESCHIA EARRING MARIA BLACK RING SARA ROBERTSSON

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CARDIGAN OUR LEGACY TROUSERS HUMANA SECOND HAND

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COAT AND TURLTLENECK AVAVAV FIRENZE TROUSERS HUMANA SECOND HAND BOOTS SECOND HAND BALENCIAGA SUNGLASSES CÃ&#x2030;LINE

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VENI VIDE VICE Photographer ChouaĂŻb ARIF @ch.a.z Model KARINA DZIUBA www.marilynagency.com Make-up | Maria Ortega www.mariaortegamakeup.com Hair Yolette Bouchar yolettebouchar-hairstylist.book.fr Wardrobe Jessette jessette.nyc

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MUSTARD TOP WENO PANTS ENAMI JACKET AURÃ&#x2030;LIE FONTAN NECKLACE DIOR PURSE MIMII SHOES FLR X ENDURANCE PASTEL

KNIT,YELLOW SKIRT / KEITA MARUYAMA BLACK SKIRT / REKISAMI SCARF / ΣΕΡΑΠΙΣ

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< OKLAHOMA VINTAGE SHIRT BAD GRANNY’S BAZAAR BLUE DRESS & CHECKERED BAG CORALIE MARABELLE SHOES AURÉLIE FONTAN RING GIVENCHY

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ORANGE TOP CORALIE MARABELLE DRESS MIMII EARRING AND NECKLACE COSH RING WILDFOX

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MUSTARD TOP WENO PANTS ENAMI JACKET AURÃ&#x2030;LIE FONTAN NECKLACE DIOR PURSE MIMII SHOES FLR X ENDURANCE PASTEL

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DRESS MIMII TOP LEVI STRAUSS & CO. LEG PIECES ENAMI BOLO TIE & SHOES STYLISTâ&#x20AC;&#x2122;S OWN RING SAINT LAURENT HEART LEATHER BAG NIELS PEERAER

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ORANGE TOP CORALIE MARABELLE DRESS MIMII EARRING AND NECKLACE COSH SHOES ENAMI RING WILDFOX STOCKINGS AMERICAN APPAREL

JACKET,SKIRT / KEITA MARUYAMA TOP / YOHEI OHNO

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< TOP & PANT WENO EARRINGS COSH PONYHAIR JACKET MYRIAM DENGUEZLI SHOES FLR X ENDURANCE PASTEL

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INTERVIEW

VINTI ANDREWS Vinti Andrews is a London based brand, collaboration between Vinti Tan and Paul Andrews. Both designers share the same influences of British culture and the world music scene, to curate a contemporary brand that flaunts innovation and originality. Each collection is designed for the au courant fashion conscious individual and garments reflect a unique expression of texture and colour through an interesting art form. The theme of rebellion and self-expression represents the label, to define the freedom that they stand for, by setting new standards for fashion. With a crafty approach to design, the duo is very well equipped and have both experienced high acclaim for their specialist techniques. Re-constructed garments, recycled high end clothing, detailed applique, strong graphics and simple but exciting clothing sequences, showcases their passion for being prominent in the cutting-edge contemporary fashion scene. Tan and Andrews are keen on staying ahead of what is relevant by filling a void and redefining the perception on todayâ&#x20AC;&#x2122;s world.

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What is the concept behind your latest collection and how would you describe your brand DNA? The latest collection is kind of city sports mixed, in mid tone colors. The brand DNA is always a hybrid street fashion feeling. Which particular work are you most proud of and why? We really like the eco maxi denim skirts made with recycled sportswear, as they are just easy to throw on and wear. Seems your FW19 collection letting a woman be whoever she wants to be, who would you rather like her to be in 2019? That’s it, we like the girl to wear how she feels, whatever is good, we enjoy seeing girls mixing/making up their own personal style. Tell us more about your work for Nike because it looks astonishing! How did you come up with this? A few years ago Nike ask us to make something for an AIR MAX event that represents LND - English people love their dogs, so we decided to make a life size Staffy bull terrier, since then we have made around 30 dogs some for stores in Tokyo and some are commissions by Nike London, Hong Kong and Shanghai – the recent ones are for Nike NYC – so these ones were designed quite raw, just thrown together.

Is there a type of person you have in mind when designing your clothes? If you could pick one person to fully dress in VINTI ANDREWS, who would it be? We don’t really have a muse per-se just make your own style kind of girl, but if we could dress one person, we love Daisy Ridley. What are your main inspirations, and how do you see your design evolving? How do you feel like social media has changed fashion? Inspirations when designing the collections can come from anywhere, but mostly from underground cultures, travelling, people we meet and music is important – anything from Goth Metal, Electronic, Grime to French pop. Social media has sped up fashion in regards to moving trends worldwide, and has more importantly given people a voice or an outlet for themselves and to find other like-minded people.

"ENGLISH PEOPLE LOVE THEIR DOGS, SO WE DECIDED TO MAKE A LIFE SIZE STAFFY BULL TERRIER

SINCE THEN WE HAVE MADE AROUND 30 DOGS SOME FOR STORES IN TOKYO AND SOME ARE COMMISSIONS BY NIKE LONDON, HONG KONG AND SHANGHAI , THE RECENT ONES ARE FOR NIKE NYC"

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Who would you most like to collaborate with from within the visual arts and fashion spheres? We would like to work more with beauty, make-up artists etc… Nowadays the environmental impact is highly resonating with the fashion industry, what do you think of this critical paradigm? I think fashion industry still has a long way to go, but it’s a start. Any bits of advice for the beginners in fashion? My advice would be - just do what love and makes you happy, believe in what you do. Our Spring-Summer 2019 issue is about different roles that human play every day. Who is the ‘real human’ of our generation? People who are compassionate, giving their time to help others and make the world a better place for everyone to enjoy. What can we expect to see from you in the future? I think we will work more with musicians more blurring fashion and music.

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PURPLE DRESS WITH DOTS KOCHE LACE TIGHTS CALZEDONIA SILVER SHOES STYLISTâ&#x20AC;&#x2122;S OWN

LAST SUNDAY

Photographer InĂ¨s Leger @freckllness Stylist Valentine Jaquier @valentine_j Make up Helena Henrion @helenahenrion Hairtstyle Benjamin Josh Tandre @benjaminjoshtandre Model Ashanti from The Face Paris @thefaceparis @iamashantinicole

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PURPLE DRESS WITH DOTS KOCHE LACE TIGHTS CALZEDONIA

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BLACK TOP WITH BIG BONE LOU BÃ&#x2C6;TOLY

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ONE SLEEVE PINK DRESS ANAIS JOURDEN PINK SKIRT WITH STRASS ANAIS JOURDEN BLUE TIGHTS CALZEDONIA SILVER SHOES STYLIS’S OWN

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BLAZER SANDRA KPODONOU, TOP JULIA KOŚCIEŃSKA, TIES VINTAGE, BOXERS SYLWIA ROCHALA

ONE SLEEVE BLACK DRESS WITH NEON BELT COLLUSION NEON YELLOW CROP TOP ASOS DESIGN EARRING JUSTINE CLENQUET

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GREEN SHIRT ZARA EARRINGS JUSTINE CLENQUET

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PURPLE TURTLENECK IN VELVET SANKUANZ WHITE MINI SKIRT DUMITRACSU SILVER DRESS ANAIS JOURDEN PINK TIGHTS CALZEDONIA

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BICOLOR BLAZER ASOS DESIGN NEON GREEN CYCLING SHORT ZARA BOOTS H&M STUDIO

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INTERVIEW LA MUSE Avec son visage lisse et impassible, Clara me rappelle ces filles qui a l’epoque inspiraient les grands peintres simplement en echangeant un regard. Elle s’est transformee en pantin funambulesque le temps d’une journee, Epousant alors plusieurs visages. Cette beaute aux milles visages incarne un Arlequin au feminin la rendant ainsi muse intemporelle...

Photographer : Roxane Moreau @RoxanePaname Light Assistant : Vincent Barthelemy @Vincent_barth Stylist : Louis Guimard @lgmr Make up Artist : Audrey Renouf @audrey_renouf Hair Stylist : Yann Deschaud @yann.deschaud Models : Clara Benador @clarabenador Girl mgmt

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JACKET VINTAGE FRIP CUT BY LOUIS TOP HOEL PANTS HAMAKI-HO SHOES ARROWT

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JACKET VINTAGE FRIP CUT BY LOUIS TOP HOEL PANTS HAMAKI-HO SHOES ARROWT

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OBERKAMPF

INTERVIEW

HTTPS://WWW.OBERKAMPF.EU/

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Tell us briefly about OBERKAMPF, who is behind it and how would youdescribe your overall aesthetics? OBERKAMPF is a Paris brand by a multi-disciplinary team, all with backgrounds from the creative field ranging from Design, Photography, Branding, Styling, Graphic and Web Design. In terms of our overall aesthetics I think there is a unexpected sex appeal to everything we do in terms of accessories and bags. What is the key idea behind your latest collection? What techniques andmaterials did you use? Our collections are really continuations of each other, so in a way it’s more of an ongoing offering. We always try to create pieces that hold a distinct female strength amongst a subtle masculine aesthetic. It’s always those contrasting elements that make a product interesting. We keep a lot of attention to detail and quality in anything from the choice of leather to the hardware. It seems clear how firm and powerfully OBERKAMPF stands up in the accessories scene, what makes it so special? Is it a perfect balance between practicality and luxury? Yes I think that is very well described but it’s also about breaking down the codes between formal and fetish turning them into strict and graphic hybrid shapes with resolute practicality. We also always liked making ”the unnecessary indispensable” which can be seen in our leather umbrella case, skateboard bag or the new pétanque bag. Which items are your personal favorite and who would you like to see wearing them? I would have to say the Minaudiere Cigarette case, which has been one of our best sellers since day one. It’s also a design that became a bit of a benchmark for us and a product that I think is quintessentially French and Parisian, or at least our idea of what that is. If I can state the impossible, it would have been great to have had it featured on Anne Wiazemsky during that train scene towards the end of La Chinoise.

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What are your main inspirations, and how do you see your design evolving? Our last offering was inspired by the undertones of Paris and the film Frantic in particular. We wanted to capture the cityscape that was slightly more paranoid than picturesque. We are always looking to have a natural progression to our design and yet keep somewhat of a controlled fluidity to it. How do you feel like social media has changed fashion? Well, I would say it’s a blessing and a curse. On the one hand it’s obviously a great tool for a lot of brands but on the other hand it has killed a bit of the magic in a way. What challenges did you face when designing and producing your collections? There are always obstacles in the way but we always try to see them as opportunities to adapt our collection or brand. The market is changing a lot faster today and it’s important to try to foresee changes before they become obstacles. Who would you most like to collaborate with from within the visual arts and fashion spheres? Our Spring-Summer 2019 issue is about different roles that human play every day. Who is the ‘real human’ of our generation? Unfortunately I think we are still looking for her or him. What can we expect from you in the future? And what crucial did 2019 already bring into your brand? Together with our coming online shop launch our exclusive UK launch with Selfridges was really big thing for brand this year. We’ve since then also launched with Ssense, LN-CC, Harvey Nichols, Opening Ceremony etc so we are hoping to be able to continue to collaborate with more of these great retailers and expand not only our brand, but also the design language and overall identity of the brand.

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"WE ALSO ALWAYS LIKED MAKING THE UNNECESSARY INDISPENSABLE"

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Photographer Andreas Knaub www.andreasknaub.com @andreasknaub Styling Iri Ni @_irini_styling Hair & Make Up Sutida Vestewig @sutida.de www.sutida.de Photo assistant Lukas Wenninger @lukas_wenn Models Yennifer Schwan @yenniferschwan smcmodelmanagement.com Laide Ayegbeni @olayide_ayegbeni izaio.de Malaika Adhiambo @lookslikeberlin

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< SHIRT AND SKIRT IYV & OAK VIA PRAG AGENGY EARRINGS MANGO

> JACKET AND PANTS IVY & OAK VIA PRAG AGENCY SHIRT VINTAGE EARRINGS STYLISTS OWN SHOES MARNI VIA NIGHTBOUTIQUE

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DRESS AND SWEATER WILLIAM FAN, EARRINGS STYLISTS OWN

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DRESS AND SWEATER WILLIAM FAN, EARRINGS STYLISTS OWN, SHOES MARNI VIA NIGHTBOUTIQUE

LAIDE ( LEFT ) TOP BLANCHE VIA PRAG AGENCY, SHIRT FENDI VIA NIGHTBOUTIQUE, SKIRT JOSHUA MILLARD, EARRINGS MANGO, SHOES BALENCIAGA VIANIGHTBOUTIQUE JENNI ( RIGHT ) JACKET JOSHUA MILLARD, TOP HYUN MI NIELSEN VIA BOON PRESS, SKIRT JOSHUA MILLARD, EARRINGS AJ, SHOES MARNI VIA NIGHTBOUTIQUE

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SHIRT PRADA VIA NIGHT BOUTIQUE, JACKET TEDDY GLICKMAN VIA BLACKBIRDS, PANTS PRADA VIA NIGHTBOUTIQUE, EARRINGS STYLISTS OWN, SHOES BALENCIAGA VIA NIGHTBOUTIQUE >

< TWIN SET VELVETEEN VIA VIDA KIDS PR, T-SHIRT STYLISTS OWN

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< JENNI ( LEFT ) TOP AND PANTS HYUN MI NIELSEN VIA BOON PRESS, EARRINGS LOEWE, SHOES VINTAGE LAIDE ( RIGHT ) SHIRT JOSHUA MILLARD, DRESS WILLIAM FAN, EARRINGS STYLISTS OWN, SHOES MARNI VIA NIGHTBOUTIQUE JENNI ( LEFT ) EARRINGS LOEWE VIA NIGHTBOUTIQUE, TOP HYUN MI NIELSEN VIA BOON PRESS MALI ( RIGHT ) DRESS COLORS OF BENETTON, VEST TEDDY GLICKMAN VIA BLACKBIRDS >

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< SHIRT DAS CAPE MÄDCHEN VIA PRAG AGENCY, SUNGLASSES STYLIST’S OWN

JACKET AND PANTS IVY & OAK VIA PRAG AGENCY, SHIRT VINTAGE, EARRINGS STYLISTS OWN, SHOES MARNI VIA NIGHTBOUTIQUE >

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L’AMANTE (Set in an original 1970’s Italian home in rural Victoria, L’AMANTE (the mistress) is the story of an empowered woman. Left alone in her lover’s house, she claims the territory as her own. A dark, romantic turn of events, the film and stills depict her hypnotic feminine persuasion and seduction in securing her power role. A wardrobe of archival vintage and original decor feature in this editorial story.)

Photo: Jess Brohier @jessbrohier Video: Jordan Kaye @jordanjkaye Photo Assist: Julie Ha @julie_hha Video Assist: Ashley Woodward @woodstagram_ Model: Karla @ Duval @darlakuckworth Styling: Ava Coffen @avalution HMUA: Sarah McFadden @se__artistry

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1970â&#x20AC;&#x2122;S WHITE LACE JUMPSUIT MY DELIRIUM ARCHIVE RED PATIENT LEATHER BOOTS VINTAGE GARAGE

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1950’S MAROON SILK CHIFFON DRESS VINTAGE GARAGE 1970’S DEADSTOCK CREAM LEATHER BOOTS ARCHIVE VESUVIUS VINTAGE STOCKINGS STYLIST’S OWN

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1980S GOLD RED BLACK METALLIC STRIPED TOP VINTAGE GARAGE I AM GIA RED LEATHER PANTS GOLD GORMAN BOOTS

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< 1960’S ARCHIVE VERSUVIUS VINTAGE LUREX SILK SET

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1950’S MAROON SILK CHIFFON DRESS VINTAGE GARAGE >

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1980S GOLD RED BLACK METALLIC STRIPED TOP VINTAGE GARAGE

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1950’S MAROON SILK CHIFFON DRESS VINTAGE GARAGE 1970’S DEADSTOCK CREAM LEATHER BOOTS ARCHIVE VESUVIUS VINTAGE STOCKINGS, STYLIST’S OWN

ACNE STUDIOS WWW.ACNESTUDIOS.COM ADIDAS WWW.ADIDAS.COM

CORALIE MARABELLE WWW.CORALIEMARABELLE.COM CELINE WWW.CELINE.COM C.E WWW.CAVEMPT.COM CHLOE WWW.CHLOE.COM CHARLES JEFFREY LOVERBOY WWW.CHARLESJEFFREY. NET CHRISTIAN LOUBOUTIN US.CHRISTIANLOUBOUTIN.COM DAS CAPE MÄDCHEN DASCAPEMAEDCHEN.COM DANS LA VIE RIRA SUGAWARA WWW.DANSLAVIE.CO.JP DALA EIDO WWW.DALAEIDO.COM DANNY REINKE DANNYREINKE.DE DALMATA WWW.SHOPDALMATA.COM DEATH BY DOLLS WWW.DEATHBYDOLLS.COM DE FURSAC WWW.DEFURSAC.FR DOLCE & GABBANA WWW.DOLCEGABBANA.IT DIDDI STUDIO WWW.DIDDISTUDIO.COM DIOR WWW.DIOR.COM DR. MARTENS WWW.DRMARTENS.COM DUMITRASCU WWW.DUMITRASCU.DE ELISABETTA FRANCHI WWW.ELISABETTAFRANCHI.COM ELEANOR BALFOUR WWW.ELEANORBALFOUR.COM ELLEME ELLEME.COM ENAMI MADEINENAMI.COM EMILIO CAVALLINI WWW.EMILIOCAVALLINI.COM ESAU YORI ESAUYORI.COM ESCADA WWW.ESCADA.COM ESCORPION ESCORPION.COM EDYTA PIETRZYK EDYTAPIETRZYK-SHOP.COM EUDON CHOI WWW.EUDONCHOI.COM FALKE WWW.FALKE.COM FAUCON FRIEDLANDER FAUCONFRIEDLANDER.COM FENDI WWW.FENDI.COM GEORGE MORAND WWW.GEORGES-MORAND.FR GORMAN WWW.GORMANSHOP.COM GINA BERENGUER WWW.GINABERENGUER.COM GIUSEPPE ZANOTTI WWW.GIUSEPPEZANOTTI.COM GIANVITO ROSSI WWW.GIANVITOROSSI.COM GIVENCHY WWW.GIVENCHY.COM

GREYYANG GREYYANG.COM GUCCI WWW.GUCCI.COM HAMAKI-HO WWW.HAMAKI-HO.COM HARDWARE LONDON WWW.HARDWARELDN.COM HERMES WWW.HERMES.COM HERITAGEFLOSS HERITAGEFLOSS.COM HOUSE OF HOLLAND WWW.HOUSEOFHOLLAND.CO.UK H&M WWW.HM.COM HUGO BOSS WWW.HUGOBOSS.COM HUMMEL HUMMEL.NET HYUN MI NIELSEN WWW.HYUNMINIELSEN.COM I.AM.GIA IAMGIA.COM IHNN WWW.IHNN-DESIGN.COM IRO WWW.IROPARIS.COM ISSEY MIYAKE WWW.ISSEYMIYAKE.COM IYV & OAK IVY-OAK.COM

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