DIGITAL DESIGN PORTFOLIO Kang Jing

PORTFOLIO

DIGITAL DESIGN

KANG JING

930892 XIAORAN HUANG, STUDIO 03

M3 - Project Name

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EN

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Matthew Gree

culation Space

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{Hexagon Cell from Wiverbird with different parameters}

MODULE 2:

KEY

GENERATING IDEAS THROUGH PROCESS

PRIMARY CIRCULATION PATH

Smooth transition of space due to curved celling.

REFLECTION

CIRCULATION AREA

Design is always a way for self-expression. I want to take this opportunity to creat something that makes me satisfied, to create something that tells my identity. Moreover, I believed good design can exert positive influence on environment and people’s condition.

SPECIAL TRESHOLDS

email: kangj2@student.unimelb.edu.au

The dramaticly curved roof creates regions that are different in height and form. At the central area which is lower, the triangle panels are densely packed and have a small size. In contrast, the ends of the pavillion are higher and composed by larger panels.

Bachelor of Design University of Melbourne 2015-2016 Serangoon Junior College, Singapore AWARDS/EXHIBITION 2017 MSDx Exhibition - Mario project (Still exhibited at window of MSD Building)

Rhino Grasshopper

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MODULE 2:

Unreal Photoshop Illustrator Indesign

MODULE 3: Lights

2 The scale of the pavillion is

The ceiling is composed by triangular hollow EDUCATION panels, which makes it porous and permeable.

It allows light to come though.

2017 - current

I gain aspiration from all sources, but I believed in Mies van der Rohe’s “less is more“, that simplicity would cerate beauty and elegance.

For instance, the Queen Victoria Pavillion, it is composed by trianguar patter, but each triangle is different in term of their size and height. It looks simplistic at the first glance, but one can find many interesting details when observing it closely.

4 PRECEDENT STUDY

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In this course, I learnt how to think about threshold and circulation space. It is an opportunity for me to learn how to cnosider the relationship between human and space.

QUEEN VICTORIA GARDEN PAVILLION

Lightroom PremierePro

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DIAGRAMMING DESIGN PRECEDENT

AA Pavilion - Had Hair EN

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Kang Jing - 930892

The Bad Hair Pavillion aims design a hairy pavillion - to express hair in timber - and to create similar visual effect to the shadowy space that one can experiece when drying hair. This pavillion act as an event space, meeting place and street furniture. What I have learnt from this project is the way to blur the boundary between exterior and interior. The shadow created by each component becomes an important part of this design.

Primary Circulati

Isometric 1:50 0

1000

3000mm

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Structure and cir

Isometric of precedent study Primary Circulation Space

Lights

Threshold

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Structure and circulation paths

Structure and people

Circulation

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Circulation 1:200

GENERATING IDEAS THROUGH PROCESS

TASK 1 SURFACE AND WAFFLE

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TASK 2 SOLID AND VOID

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+ {Hexagon Cell from Wiverbird with different parameters}

Design Matrix 1:5 Lofts

1.1

1.2

{100,0,150}

{0,0,0}

{150,100,150}

{75,150,0}

Grid Points

{50,0,150}

{0,25,150}

{150,25,0}

Attractor / Control Points (X,Y,Z) Attractor / Control Curves

{150,0,150}

{0,100,150}

{125,150,0}

{0,75,0}

{150,150,150}

{0,150,150}

{0,100,150}

The waffle structure creates an interior volume that is twisted. At the bottom, it forms triangular volume, yet when it comes to the top, it fomrs rectangular volume.

Key

1.4 {100,150,150}

{75,150,150}

{150,50,150}

{25,150,150}

1.3

{150,50,0}

{150,25,0} {0,100,0}

{0,50,0}

{0,50,0}

{0,25,0}

{0,25,0}

Paneling Grid & Attractor Point

{Index Selection}

{Index Selection}

{Index Selection}

{Index Selection}

2.1

2.2

2.3

2.4

{25,150,150}

{150,50,150}

{62.5,82.5,40} {0,90,90}

{50,25,75}

{-2.5, -87.5, -40}

Paneling

{Attractor Point Location}

{Attractor Point Location}

{Attractor Point Location}

{Index Selection}

3.1

3.2

3.3

3.4

The surface creates by 3D panels contains tall and short pyramids which give the surface an interesting terrian.

The two surface forms contrast between sharpness and smoothness, simplicity and intricacy.

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There is a subtle change from quadrilateral to octagon from the top righthand corner to the bottom left corner. The surfaces are triangulated to give more intricate pattern on the surface.

{Hexagon Cell from Wiverbird with different parameters}

Exploded Axonometric 1:1

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D E S I G N8M A T R I X

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60mm

S U R F A C E A9N D W A F F L E

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COMPUTATION WORKFLOW

2D PANEL A smooth transition of shape.

Deconstruct into basic triangles.

Each panel is patched together with one another individually to create a subtle change in curvature of the surface. So it is 2 dimensional but not completely flat.

Create 2 polygons as patterns.

Create 2 polygons as patterns.

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Morph 2D mean to creaet a graduation of shape from diamond to hexagon.

Output as patches.

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3D PANEL

COMPUTATION WORKFLOW

Each 3d panel is composed by two pyramids. Due to limitation of size, I decided to take this simple but effective form, so it is easier to make the model

The two surface forms contrast between sharpness and smoothness, simplicity and intricacy.

Input: surface

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Pattern brep

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Output: Morph 3D

MODEL MAKING PROCESS

LASER CUT The line quality of laser cut depends on how fast the cutter moves and the power of the machine. These two critical factors are adjusted based on material and size of the things to be cut. For instance, when laser cutting an ivory card, which is a relatively thin material as compared to mountboard, the power of the machine should be adjusted to the lowest and it should move faster to prevent any half cut became a cut through.

1. MAKING INDIVIDUAL 3D PANEL 2. COMBINING THEM TOGETHER 3. THE WAFFLE STRUCTURE 4. PASTING THE 2D PANEL ON WAFFLE STRUCTURE USING UHU 5. PASITNG THE 3D PANEL ON WAFFLE

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Grid Manipulation

1.1

1.2

1.3

Key

1.4

{0,0,0} {0,0,150}

{150,150,150}

{-35,-110,233}

{100,150,150}

{150,150,150}

{ 50,150,150} {0,150,150} {150,150,150}

{150,150,0}

Cylinders’ Distribution

{Point Attractor}

{multiple point attractors}

{Linear Point attractors}

{curve attractor}

2.1

2.2

2.3

2.4

{ 50,150,150} {0,150,150} {50,150,150}

Transformation

S O L I D A 18N D V O I D

Attractor / Control Curv Grid Points

{150,150,150}

{50,100,150}

Attractor / Control Poin

{Attractor Point Location}

{Curve Attractors}

{Random Attractor}

{Volume Gravitational centres}

3.1

3.2

3.3

3.4

D E S I G N 19 M A T R I X

COMPUTATION WORKFLOW Weaverbird prism to create pattern

Hexagon prisms are attracted to the bottom at one point.

These prisms intersect with one another hence they create very thin and steep “columns�.

The sharp and thin structure form the cellings extrudes toward the bottome centre of the volume, to create a compressed yet exciting interior space.

The prisms at bottom are relatively flat hence they create an interesting staircase form.

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3D PRINTING

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The process of generating the shape for 3D print.

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M3 - Project Name

QUEEN VICTORIA GARDEN PAVILLION

Matthew Greenwood - 000000

KEY CONCEPT: 1. Permanece (Pavillion) vs Change (Plants)

KEY PRIMARY CIRCULATION PATH CIRCULATION AREA SPECIAL TRESHOLDS

Smooth transition of space due to curved celling.

The ceiling is composed by triangular hollow panels, which makes it porous and permeable.

It allows light to come though.

The dramaticly curved roof creates regions that are different in height and form. At the central area which is lower, the triangle panels are densely packed and have a small size. In contrast, the ends of the pavillion are higher and composed by larger panels.

The scale of the pavillion is shown as compared to an adult man.

At these special thresholds where the edges of the pavillion overlaps with the steps, people could seat on the podium and enjoy the light and shadow created by the triangular hollow panels.

The cenral area is the most compressed space as it is surrounded by three columns and the ceilling is raletively low. It creates a contrast with the upward tilted ends of the pavillion.

The steps create a threshold helping to differentiate the landscape from the pavilion itself.

Exploded Isometric 1:25 0

500

1500mm

2. Organic form

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3. Industrial material (metal) vs natural material (Plants)

I SO M25E T R I C

COMPUTATION WORKFLOW The parametric modelling contains 3 parts: the shape of the ceilling, the columns and the patterns on the ceillling. The pattern of the ceilling would decide the shape of the columns. Together, the ceiling anf the columns form a uniform shape with fluid transition of space.

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RENDER

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MODEL

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MODEL

FABRICATION PROCESS

The 3D Print model is not to scale as I need to thicked it to at least 2 mm in order to print successfully.

The process of generating the shape for 3D print.

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360 IMAGE OUTPUT

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