RESEARCH
PAUL RENNER According to linotype. com the fonts Paul Renner developed are: Futura (1928) Plak (1928) Futura Black (1929) Futura licht (1932) Futura Schlagzeile (1932) Ballade (1937) Renner Antiqua (1939) Steile Futura (1954)
image from linotype.com
MAX MIEDINGER According to wikipedia the fonts Max Miedinger developed are: Helvetica (1957) Pro Arte (1954) Horizontal (1965) Swiss 921 Swiss 721 Monospace 821 Miedinger
ADRIAN FRUTIGER
swisstypedesign.ch
According to typofile.com the fonts Adrian Frutiger developed are: President (1952) Pheobus (1953) Ondine (1954) MĂŠridien (1955) Egyptienne (1956) Univers (1956) Apollo (1962) Serifa (1967) OCR-B (1968) Iridium (1975) Frutiger (1975) Glypha (1979) Icone (1980) Breughel (1982) Versailles (1982) Avenir (1988) Vectora (1990)
JAN TSCHICHOLD According to wikipedia.com the fonts Jan Tschichold developed are: Transit (1931) Saskia (1931/1932) Zeus (1931) Sabon (1966/1967)
MATTHEW CARTER
fontbureau.com
Acccording to Identifont typefaces made by Matthew Carter includes: Alisal (1995) Bell Centennial Address-Also BT (1978) Big Caslon (1994) Big Figgins (1995-2009) Big Figgins Open (1998-2009) Carter Sans-Also Bold (2010) Cascade Script (1965) ITC Charter - Also EF (1993) Charter BT (1987) Charter BT Pro- Also Black (2004) Dutch 811 Elephant (1992) English 111 Adagio (1990) English 111 Presto (1990) English 111 Vivace (1990) Engravers’ Oldstyle 205 (1990) Freehand 471 ITC Galliard- Also Italic (1981) ITC Galliard (EF) (1979) ITC Galliard Pro-Black (1978-2001) Georgia (1996) Georgia Pro- Also Black and Light (2011) Helvetica Compressed (1974) Mantina (1993) Miller Banner -Black (2010) Miller Display-Text (1997-2000) Monticello (1946, 2002) Olympian (1970) Rocky (1998, 2008) Rocky Compressed- Condensed and Extra Condensed(1998) Roundhand (1990) Shelley Script Allegro-Andante and Volante (1972) CC Skia- Skia (1993-1999) Snell Roundhand-Black (1965) Sophia (1993) Stilson-Bold, Display, Display Bold, Display Condensed, Display Condensed Bold (2010) Swiss 911 Compressed- Extra Compressed (1990)
MONOTYPE CORP According to Wikipedia Monotype Corp is a type foundry that created: Albertina (Chris Brand, 1966) Albertus (Berthold Wolpe, 1932-40) Times New Roman (1931) Rockwell
CAROL TWOMBLY According to linotype.com, Carol was the creator of several typefaces: Adobe Caslon (1990) Chaparral (1997) Charlemagne (1989) Miraral (1984) Myraid (1991) Nueva (1994) Pepperwood (1993) Rosewood (1993) Trajan (1989) Viva (1993) Zebrawood (1991)
ERIC GILL
According to linotype, Eric Gill created these following type faces: Gill Sans (1927-30) Perpetua (1926) Golden Cockerell Press Type (1929) Sulus (1929) Joanna (1930-31) Aries (1932) Flokated Capitals (1932) Bunyan (1934) Jubilee/Cunard (1934)
KRIS HOLMES According to linotype Kris Holmes worked on the following type faces: Leviathan (1979) Shannon™ (with Janice Prescott, 1982) Baskerville (Revival, 1982) Caslon (Revival, 1982) ITC Isadora (1983) Sierra (1983) Lucida (with Charles Bigelow, 1985) Galileo (1987) Apple New York (1991) Apple Monaco (1991)
VINCENT CONNARE According to Identifont Vincent Connare created the following type faces: Comic Sans (1995) Magpie-Bold (2008) Trebuchet-Bold and Italic (1996) Wildstyle (1990)
FREDRIC W. GOUDY According to linotype Fredric W. Goudy worked on the following type faces: Copperplate (1905) Kennerley (1911) Goudy Old Style (1915) Deepdene (1927) Remington Typewriter (1929) Californian (1938) Bulmer (1939)
MORRIS FULLER BENTON
myfonts.com
According to Wikipedia, Morris Fuller Benton worked on the following typefaces: Century series (1900-1923) Globe Gothic (1900-1908) Card Mercantile (1901)6. Wedding Text (1901) Wedding Text Shaded (1913) Typo Script + extended (1902) originally ‘‘Tiffany Script’’. Engravers Bold (1902) Franklin Gothic series (1903-1912) Alternate Gothic, Nos. 1,2,3 (1903) Cheltenham series (1903-1913) Bulfinch Oldstyle (1903) Bold Antique (1904) Bold Antique Condensed (1908/9 ?) Re-issued as Whittin Black and Whittin Black Condensed (1960) Cloister Black (1904) Miehle Extra Condensed + Title (1905) Typo Upright (1905), originally Tiffany Upright. Cushing Antique (1905) Engravers Shaded (1906) Norwood Roman (1906)
Engravers Old English (1906) Engravers Old English Bold (1910) Clearface series (1907) Monotone Gothic (1907) News Gothic series (1908) Commercial Script (1908) Bodoni series (1909-1933) Hobo (1910) Light Hobo (1915) Clearface Gothic (1910) Venetian + Italic (1911) Venetian Bold (1913) Copperplate Gothic Shaded (1912) Cloister series (1913-1926) Cromwell (1913) Packard (1913) Packard Bold (1916) Antique Shaded (1914) Lithographic Shaded (1914) Adscript (1914) Souvenir (1914), Light Oldstyle (1916) Invitation Shaded (1916) Invitation (1917) Goudy series (1916) Goudy Title (1918) Goudy Bold Italic + Goudy Catalog (1919) Goudy Catalog Italic (1922) Garamond series, (1919-1931) Baskerville Roman + Italic (1915) Motto (1915) Sterling (1917) Sterling Cursive (1919) Freehand (1917) Rugged Roman (1917) Card Litho + Card Light Litho (1917) Announcement Roman + Italic (1918)
American Caslon (1919) Pen Print Open (1921) Civilité (1922) Typo Roman Shaded (1924) Schoolbook Oldstyle (1924) Schoolbook Oldstyle Italic (1928) Card Roman (1925) Typo Roman (1926) Canterbury (1926) Bulmer Roman (1926) Bulmer Roman Italic (1927) Greeting Monotone (1927) Gravure (1927) Galia (1927) Broadway (1928) Broadway Condensed (1929), capitals + lower-case Modernique (1928) Novel Gothic (1928) Chic (1928) Parisian (1928) Louvaine series Louvaine (medium) + Italic (1929) Louvaine Light + Italic Louvaine Bold + Italic Paramount (1929) Bank Gothic series Bank Gothic Light (1930) Bank Gothic Medium (1932) Bank Gothic Bold (1932) Bank Gothic Light Condensed (1933) Bank Gothic Medium Condensed (1933) Bank Gothic Bold Condensed (1933) Dynamic Medium (1930) Piranesi Italic (1930) Piranesi Bold Italic (1931) Piranesi Bold (1933) Engravers Text (1930)
Rockwell Antique (1931) Stymie Bold + Light + Medium + Light Italic + Medium Italic (1931) Stymie Bold Italic Thermotype (1931) American Text (1932) Raleigh Gothic (Condensed) (1932) Agency Gothic (1933) Agency Gothic Open (1934) Tower (1934) Poster Gothic (1934) Benton (1934)American Backslant (1934) Othello (1934), Shadow (1934) Headline Gothic (1935) Phenix (1935) Headline Gothic (1936) Empire (1937)
Link for Typographic Designs over the last 100 years (roughly) http://www.appliedaesthetics.org/art132a/07/typographic_posters.pdf