At the heart of our stillness

Page 1


SSA (with divisi) and piano, 4 minutes

At the heart of our stillness

Kathleen Allan 2016

Commissioned by the 2016 Women’s Choir Commission Consortium of the American Choral Directors Association (ACDA)

Iris S. Levine, National Repertoire & Standards Chair for Women’s Choirs

Stations of Angels

Within the universe of flame in the time between watching and waiting are the fire creatures holy and unholy hungry for those many coloured parts of us which have no names.

Blow out the candle, friends quickly, and let us close our eyes while the devouring is at hand.

At the heart of our stillness, in peaceable flames we shall hear

shall we not hear our mothers singing.

About the poet:

Joy Kogawa was born in Vancouver in 1935. She has two children and four grandchildren. With other Japanese Canadians on the West Coast, she and her family were interned in the B.C. mountains and scattered across Canada during the enactment of the government’s Dispersal Policy after World War II. Her best known work is a novel, Obasan, published in 1981. She has published several books of poetry and her latest book is a memoir, Gently to Nagasaki published in 2016 by Caitlin. Her works have been put to music by several composers including Dan Locklair, Ramona Luengen, Larysa Kuzmenko, Leslie Uyeda, David R. Scott and others. She is a recipient of the Order of Canada, the Order of British Columbia, the Order of the Rising Sun and numerous honourary doctorates.

At the heart of our stillness

Kathleen Allan (b. 1989) "Stations of

Soprano 1

With

Soprano 2

With

With

in - the u ni - verse - of flame in the time be tween - watch ing - and wait ing - are the

With p in - the u ni - verse - of flame in the time be tween - watch ing - and wait ing - are the

With p in - the u ni - verse - of flame in the time be tween - watch ing - and wait ing - are the

hun

hun gr y - for those man y - co loured - parts

hun gr y - for those man y - co loured - parts

of us

wait ing - are the fire crea tures, - the

wait ing - are the fire crea tures, - the

wait ing - are the fire crea tures, - the

and

hand, quick l y, - and let us close our eyes p

while

while f close our eyes, quick l y, - and let us close p our eyes molto while f

moth ers - sing ing, - our pp moth ers - sing ing, - our moth ers - sing ing. -

moth ers - sing ing, - our pp moth ers - sing ing, - our moth ers - sing ing.moth ers - sing ing, -

2016 ACDA Women’s Commission Consortium Members

Aria Women's Choir — Sean Boulware, Conductor

Bella Voce Women's Ensemble — Jennifer Tibben, Conductor

Bonneville HS Bel Cantos — Steve Dresen, Conductor

California State University, Fullerton, Women's Choir — Robert Istad, Conductor

Cantala (Lawrence University Women's Choir) — Phillip A. Swan, Conductor

Canzona Women's Ensemble — Cricket Handler & Jill Anderson, Conductor

Carillon Women's Chorale — Karen S. Nevins, Artistic Director

Carthage Women's Ensemble — Peter Dennee, Director

Central Bucks West Women’s Choir — Joseph Ohrt, Conductor

Clovis East High School Women's Chorale — Daniel Bishop, Conductor

Elektra Women’s Choir — Morna Edmundson, Artistic Director

Flower Mound High School Women’s Chorale, Flower Mound, TX — Mark Rohwer, Conductor

Girls' 21 from Cherry Creek High School — Adam Cave, Conductor

Holton—Arms School — Mary Jane Pagenstecher, Director

Jenny Lind Vocal Ensemble at Augustana College — Michael Zemek, Conductor

Ladies of Lee (Lee University) — Jonathan Rodgers, Conductor

Luther College Aurora — Jennaya Robison, Conductor

Manitou Singers, St. Olaf College — Therees Hibbard, Conductor

Mira Costa High School Advanced Women's Ensemble — Michael Hayden, Conductor

Mirinesse Women's Choir — Rebecca Rottsolk, Conductor

Mountain View High School — Jason Neumann, Conductor

Nazareth Academy Chorale — Katherine Chmelko, Conductor

Peninsula Women's Chorus — Martin Benvenuto, Artistic Director

Saint Mary’s College Women’s Choir — Nancy Menk, Conductor

Santa Monica High School Chamber Singers — Jeffe Huls, Conductor

Sistrum, Lansing Women's Chorus — Meredith Bowen, Conductor

The Texas State Women's Choir — Lynn Brinckmeyer, Conductor

The Women of the Bob Cole Chamber Choir — Jonathan Talberg, Conductor

University of Mississippi Women’s Glee Club — Debra Spurgeon, Conductor

University of Southern California Oriana Women's Choir — Jo-Michael Scheibe, Department Chair

University of Wisconsin, Eau Claire Women's Concert Chorale — Frank A. Watkins, Conductor

Voca Lyrica — Ginny Kerwin, Conductor

Vassar College Women's Chorus — Christine Howlett, Conductor

Vox Femina Los Angeles — Iris S. Levine, Artistic Director

West Ottawa High School Select Women's Ensemble — Pam Pierson, Conductor

Wheaton College Women's Chorale — Mary Hopper, Conductor

WomanSong (West Virginia) — Emily Capece, Conductor

WomenSing — Martin Benvenuto, Artistic Director

Xavier University Women's Chorus — Robyn Lana, Conductor

Also available for treble choir from Kathleen Allan

Early Spring

An arrangement of the haunting Newfoundland folksong for women’s or advanced girls’ voices. Published by Cypress Choral Music (CP 1142).

Joy

An upbeat and uplifting setting of Sara Teasdale’s poem by the same name. Soaring vocal lines and rhythmic piano accompaniment. Commissioned by Elektra Women’s Choir. Published by Cypress Choral Music (CP 1403).

Maid on the Shore

“A fabulous, energetic arrangement” for women’s choir and percussion. Commissioned by Lady Cove Women’s Choir. Published by Cypress Choral Music (CP 1404).

The Sailor’s Question

A folksong-style original composition for three-part treble choir. Published by Alliance Music Publications, Inc. (AMP 0749).

Sainte Cécile

Drawing from several texts in French and English about music’s patron saint, this moderately difficult treble piece was commissioned by the English Montreal School Board Chorale and suits young singers or adult women. Available from MusicSpoke.

the close and holy darkness

Using the last lines of Dylan Thomas’ “A Child’s Christmas in Wales,” this reflective piece depicts a quiet, dimly lit Christmas Eve from a child’s perspective. Text from the O Magnum Mysterium is woven in alongside distant sounds of Christmas bells. Available from MusicSpoke.

Ring out, ye bells!

A short jubilant piece perfect as a concert opener or impressive closer to a Christmas concert. Available from MusicSpoke.

For more about the composer and a full list of works, please visit kathleenallan.com.

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