Vol. 03 Princeton University // 2016 Rensselaer Polytechnic Institute // 2011
www.kendall-baldwin.com
Architectural Designer
COMPETITION RESEARCH
A CATALOGUE OF WORKS 2016
kendall baldwin
Vol. 03 Princeton University // 2016 Rensselaer Polytechnic Institute // 2011
www.kendall-baldwin.com
Architectural Designer
A CATALOGUE OF WORKS 2016
kendall baldwin
2016 design workbook
content
Unbuilding Brutalism 02-07 Seoul Culture Spine 08-13 OHNY Infographic Table 14-17 Fulton Ferry Pavilion 18-21 Glacial Formwork 22-27 Lingotto BridgeStation 28-31 Taipei Performing Arts Center 32-35
academic
1
NDIA Airport Visitor Information Center 38-43 Duke University West Campus Union 44-45 Sustainable Themepark 46-47 Hunter’s Point South 48-49 Shafallah Genetics Research Center 50-51
Ramses Square 54-57 Brooklyn Bridge Bastions 58-59 Gowanus Lowline 60-61
Wood Board Sandblasting 64-67 Erosive Form-Finding 68-71
professional
2
competition
3
01 02 03 04 05 06 07 01 02 03 04 05 01 02 03
research
4
01 02
1
princeton university, rensselaer polytechnic institute
academic
1 01
This exploration seeks to speculate on the generative potential of historic preservation practices within the architectural discipline. Operating under the conceit that a built work is chiefly defined by the assemblage of its physical matter, one can view a structure as “preserved” so long as its original materials are retained and utilized – even if those materials are aged, displaced and reprocessed. As such, this project posits that methods of engaged demolition and pathologic construction can be deployed as generative acts of design that destabilize the normative rhetoric of preservation techniques. Through the manipulation and reconfiguration of a project’s built material – what I refer to “unbuilding” – a new composite typology that carries the work’s original principles of scale, geometry, composition and texture is formulated; one that possesses the genetic material of an architectural past synthesized with a tectonic sensibility that operates productively in the contemporary milieu. With this disciplinary recalibration, preservation in the 21st century can be defined not as the static conservation of an historical condition, but rather, as the dynamic production of a germane – unbuilt – work.
graduate thesis princeton university | spring 2016
Unbuilding Brutalism
DEMOLITION // DECONSTRUCTION ORDER OF OPERATIONS
critic: liz diller advisor: guy nordenson
demolition sequence diagram
FLOOR SLABS
HORIZONTAL ELEMENTS PRIMARY BEAMS
SECONDARY BEAMS
INTERIOR NON-STRUCTURAL WALLS
VERTICAL ELEMENTS EXTERIOR NON-STRUCTURAL WALLS
kendall baldwin // architectural designer
STRUCTURAL WALLS AND COLUMNS
DIAGONAL ELEMENTS
STAIRS
axonometric view of boston city hall
02
project UNBUILDING BRUTALISM
role LEAD DESIGNER
focus MATERIAL DECONSTRUCTION
ACADEMIC PROFESSIONAL COMPETITION
government center site plan, downtown boston
RESEARCH
boston city hall unbuilding intervention zones
03
1 01 Unbuilding Brutalism
kendall baldwin // architectural designer
unrolled elevation: existing condition
unrolled elevation: material degradation
unrolled elevation: unbuilt volumes
04
project UNBUILDING BRUTALISM
role LEAD DESIGNER
focus MATERIAL DECONSTRUCTION
ACADEMIC
unrolled elevation: existing condition
PROFESSIONAL COMPETITION RESEARCH
unrolled elevation: material degradation
unrolled elevation: unbuilt volumes
05
SEQUENCE 01 // COLLECTION ELEMENTS REMOVED FROM STRUCTURE
1 01 Unbuilding Brutalism
SEQUENCE 02 // SORTING ELEMENTS CATALOGUED BY TYPE
01 01
02
03
04
05
level 09 intervention zone
SEQUENCE 03 // UNBUILDING ELEMENTS DISSECTED INTO COMPONENTS
02 01
02
03
04
05
SEQUENCE 04 // STAGING
COMPONENTS POSITIONED INTO NEW ELEMENTS
03
kendall baldwin // architectural designer
01
02
03
04
SEQUENCE 05 // ASSEMBLY
ELEMENTS COMPOSED INTO PROGRAMMATIC SPACE
04 01
02
03
04
05
05
unbuilding stages and sequence
06
05
01
02
03
04
05
UNBUILDING // BRUTALIST FOLLIES EVENT PERFORMANCE
project UNBUILDING BRUTALISM
role LEAD DESIGNER
focus MATERIAL DECONSTRUCTION
02 // PLAN
02 // ELEVATION
LOBBY EXTENSION
brutalist follies 01 - event performance
ACADEMIC
UNBUILDING // BRUTALIST FOLLIES
PROFESSIONAL
04 // PLAN
COMPETITION
04 // ELEVATION
UNBUILDING // BRUTALIST FOLLIES
brutalist follies 02 - extended lobby
RESEARCH
ARCHIVAL EXHIBITION
03 // PLAN
03 // ELEVATION
brutalist follies 03 - living archive
07
1 02
The Culture Spine represents a new typology of urban space that satisfies the needs of a 21st century world citizen. It presents itself not as a cultural institution but, rather, as a cultural infrastructure. The Culture Spine relies on a cooperative network of local agencies, both private and governmental, that seek to charge the public realm with influential tokens of the rich heritage native to the Republic of Korea. This task is executed through the provision of a self-sustaining and climatically regulated venue which serves to stage performances, exhibitions and experiences that celebrate the national identity of Korea. These events, stimulated by neighboring organizations, are curated by the citizens of Seoul and enjoyed by residents and tourists alike.
graduate design studio princeton university | spring 2015
Seoul Culture Spine instructor: alejandro zaera-polo
context diagrams Line No. 1
PEDESTRIANS 400,000 per day
Line No. 4
BUS ROUTES #3 - Airport #4 - Downtown Seoul #5 - Gyeonggi-do South #6 - Gyeonggi-do North #7 - Uptown Seoul
Seoul Station Airport Line
SUBWAY LINES Line No. 1 Line No. 4 Airport Line
TRAIN ROUTES KTX - Gyeongbu Line KTX - Gyeongjeon Line Gyeongui Line Train Railroad Facilities 500m
infrastructure systems diagram
kendall baldwin // architectural designer
Daily Transit & Commuters
500m
Regional Map
NEIGHBORHOOD ZONE
REGIONAL CONNECTIVITY OF SEOUL STATION
PARKING ZONE
RAILROAD ZONE
PLAZA ZONE
ROADWAY ZONE
BUSINESS ZONE
Commuters and Transit Lines Engaging Daily with Seoul Station
78.00
78.00
686.00
12.50
A2 P28
75.00
P27
NEIGHBORHOOD ZONE
P26
52.00
P25
P24
23.00
P23
PARKING ZONE
P22
120.00
P21
P20
20.00
P19
P18
23.50
P17
RAILROAD ZONE
46.00
25.00
P16
90.00
P15
P14
175.00
P13
P12
PLAZA ZONE
P11
P10
P9
40.00
P8
P7
P6
ROADWAY ZONE
P5
P4
P3 P2 P1 A1
BUSINESS ZONE
site analysis CONTEXTUAL SITE ANALYSIS
Technical Studies of the Seoul Station Overpass Context
08
30.00
46.00
project SEOUL CULTURE SPINE
role LEAD DESIGNER
focus INFRASTRUCTURE REHABILITATION
aerial rendering
ACADEMIC
exploded axonometric
PROFESSIONAL COMPETITION RESEARCH
cu ture sp ne project branding & identity
09
1 02 Seoul Culture Spine
detail plan: cafe
Cafe Plan Plan Layout Layout Cafe
Korean Cafe Cafe House House Korean
detail plan: food vendors
Food Stall Stall Plan Plan Layout Layout Food
detail plan: market stalls
Dongdaemun Market Market Food Food Stall Stall Dongdaemun
PROGRAM PROGRAM LAYOUT: LAYOUT: FOOD FOOD STALLS STALLS & & CAFE CAFE Organization Organization and and Layout Layout of of Program Program
Market Vendor Plan Layout Market Vendor Plan Layout
Namdaemun Market Namdaemun Market
kendall baldwin // architectural designer
detail plan: recreation zone
Recreation & Activities Plan Layout Recreation & Activities Plan Layout
detail plan: exhibition space
Outdoor Activities at Namsan Mountain Outdoor Activities at Namsan Mountain
PROGRAM LAYOUT: LAYOUT: MARKET MARKET & & RECREATION RECREATION PROGRAM Organization and Layout of Program Organization and Layout of Program
Exhibition Plan Layout Exhibition Plan Layout
Traditional Korean Painting Traditional Korean Painting
detail plan: performance venue
Performance Plan Layout Performance Plan Layout
10
Dance Performance at the National Theater of Korea Dance Performance at the National Theater of Korea
PROGRAM LAYOUT: PERFORMANCE & EXHIBITION PROGRAMOrganization LAYOUT: PERFORMANCE & EXHIBITION and Layout of Program Organization and Layout of Program
project SEOUL CULTURE SPINE
role LEAD DESIGNER
focus INFRASTRUCTURE REHABILITATION
ACADEMIC PROFESSIONAL
BOTANIC PARK
park level floor plan
GARDEN
FOOD STALLS
ACCESS
CAFE
ACCESS
PERFORMANCE
ACCESS
EXHIBITION
ACCESS
RECREATION
ACCESS
MARKET
FEATURED LOCAL PROGRAMMING
Organization of The Culture Spine’s Resident Programs
Local Markets
Korean Dining
Recreation
Art Exhibitions
Traditional Dance
Native Flora
Sun|Mon|Wed|Fri|Sat
Sun|Mon|Thurs|Fri|Sat
Sun|Mon|Tues
Tues|Wed|Thurs
Fri|Sat|Sun
Mon|Tues|Wed
A variety of local vendors sell their goods to visitors and allow them to directly engage with and experience traditional Korean markets.
An array of culinary events are organized which allow visitors to directly engage with and experience local Korean cuisine.
A number of recreational programs are organized that allow visitors to directly engage with and experience local Korean activities and sports.
A variety of exhibitions are organized by local artists which allow visitors to directly engage with and experience both traditional contemporary Korean artworks.
RESEARCH
weekly program schedule
COMPETITION
Site Plan @ 1:300 Scale NAMDAEMUN MARKET
MYONG-DONG
A variety of cultural events are A wide display of native flora that held that allow visitors to directly allow visitors to directly engage engage with and experience with and experience local Korean traditional Korean performances. vegetation and agriculture.
Weekly Schedule of Events on the Culture Spine
11
1 02 Seoul Culture Spine
aerial rendering
kendall baldwin // architectural designer
systems diagram
SUMMER SUN STACK EFFECT
WINTER SUN
65 O
NATURAL VENTILATION
environmental section
12
25 O
NATURAL VENTILATION
project SEOUL CULTURE SPINE
role LEAD DESIGNER
focus INFRASTRUCTURE REHABILITATION
programmatic vignette & section 01
ACADEMIC PROFESSIONAL
Vignette of Spatial Character
RESEARCH
RENDERED VIGNETTE: PROGRAM CONCOURSE
COMPETITION
programmatic vignette & section 02
Representation of Programmatic Experiences and their Spatial Organization
programmatic vignette & section 03
13
1 03
graduate design seminar princeton university | spring 2015
OHNY Infographic Table instructor: peter pelsinski
This urban canopy, designed and constructed by the School of Architecture at Princeton University, has been donated to Open House New York (OHNY) for use in their annual OHNY Weekend event. The canopy will be on display at 11 Times Square and in the Union Square Market in New York City from October 16th-18th, 2015.
installation at ohny launch party
kendall baldwin // architectural designer
OHNY Weekend unlocks the doors to New York’s most important buildings, offering an extraordinary opportunity to experience the city and meet the people who design, build, and preserve New York. From historic to contemporary, residential to industrial, hundreds of sites across the five boroughs are open to visit, with tours, talks, performances and other special events taking place over the course of the Weekend. Through the unparalleled access that it enables, OHNY Weekend deepens our understanding of the importance of architecture and urban design to foster a more vibrant civic life and helps catalyze a citywide conversation about how to build a better New York. The aluminum canopy acts as an information kiosk that provides informational brochures about the OHNY Weekend to casual passersby. It is meant to be visually impactful, inventive, and communicate the scope of OHNY’s annual endeavor.
themed logo for ohny launch party
14
project OHNY INFOGRAPHIC TABLE
role DESIGN TEAM MEMBER
focus FULL-SCALE FABRICATION
detail of installation at ohny launch party
ACADEMIC
installation at ohny launch party
PROFESSIONAL COMPETITION RESEARCH 15
1 03
exploded axonometric assembly diagram
OHNY Infographic Table
Fabric
Nut Mending Plate Screw Top Washer (w/ gasket) Washer Bolt Aluminum Plate Bolt Stand-Off Aluminum Plate Bolt Washer
kendall baldwin // architectural designer
Upper Leg
Lower Leg
Leg Base
primary aluminum sheet components
16
project OHNY INFOGRAPHIC TABLE
role DESIGN TEAM MEMBER
focus FULL-SCALE FABRICATION
detail photograph of milled aluminum 01
detail photograph of milled aluminum 02
ACADEMIC PROFESSIONAL COMPETITION
detail photograph of milled aluminum 03
RESEARCH
detail photograph of milled aluminum 04
17
organizational sketch
1 04
graduate facade seminar princeton university | fall 2014
Fulton Ferry Pavilion instructor: bruce nichol
aerial render from jay street
kendall baldwin // architectural designer
axonometric render
18
Born from an interest in practicality and perception, this temporary summer pavilion in Brooklyn Bridge Park seeks to act as a flexible urban space and exhibition beacon for the neighborhood’s summer guests. As a fundamentally modular system, the deployment process of the pavilion is designed to be highly streamlined. With no member exceeding 15 feet in length, the transportation, assembly and disassembly of the pavilion does not require any special treatment. While rationalized modular systems do not often invite high levels of spectacle and intrigue,this architectural creation strives to defy those odds. Based on the idea of recalibrating traditional systems, this project looks to the industrial context for inspiration. Surrounded by industrial buildings and ample nautical activity on the East River, the notions of masonry construction and shipping systems became influential design drivers.
project FULTON FERRY PAVILION
role LEAD DESIGNER
focus FACADE ASSEMBLY
120'-0"
15'-0"
45'-0"
15'-0"
15'-0"
PROJECT WORK POINT
30'-0"
TYPICAL BAY SIZE (15’ x 15’ GRID LAYOUT)
30'-0"
15'-0"
15'-0"
INTERLOCKING SLATTED WOOD FLOORING
PIVOTING EXHIBITION WALLS
MODULAR EXHIBITION POD (4 PODS IN PAVILION)
15'-0"
MISCELLANEOUS FITOUT
ENTRY RAMP
MOVABLE PARTITIONS
PROFESSIONAL
105'-0"
PIVOTING DOOR
ACADEMIC
15'-0"
IRIDESCENT STRUCTURAL GLASS BRICK WALL
FLEXIBLE EXTERIOR SPACE
RESEARCH
15'-0"
T-SECTION STRUCTURAL CLADDING FOR EXHIBITION POD
COMPETITION
30'-0"
CHANNEL GLAZING
rendered floor plan
rendered elevation
19
1 04
exploded axonometric
Fulton Ferry Pavilion
Shipping containers are items often seen in or around Brooklyn Bridge Park. These modular and highly flexible units, while unsuspecting in terms of design technique, employ a robust structural system that allows for high rigidity without the need for intermediate members within its central space. Looking to this system for inspiration, the pavilion containers four ‘exhibit pod,’ units that are inspired by the design of a container but elevate their system into a style much more suitable for project’s exhibition based program.
exhibit pod section
20
15'-0"
9 1/4"
12'-0"
11"
14'-0"
17'-7 3/4"
kendall baldwin // architectural designer
15'-0"
exhibit pod concept sketches
project FULTON FERRY PAVILION
role LEAD DESIGNER
focus FACADE ASSEMBLY
ACADEMIC PROFESSIONAL COMPETITION RESEARCH
exploded exhibit pod assembly detail
21
1 05
One of the most aggressive results of global climate change has been the rapidly increasing rate of glacial melt. Not only does this pressure universal fresh water supply, but the excessive water presence threatens destruction to many native villages residing in higher lands. The onslaught of glacial lake outburst floods is increasing rashly in the Himalayas, menacing downstream communities and urban civilizations that lie in their path, up to 100 kilometers beyond the origin of the burst.
undergraduate thesis rensselaer | fall 2010 - spring 2011
Glacial Formwork advisor: julia watson
kendall baldwin // architectural designer
global biodiversity map
1:8,000,000 0
0
40 km
Europe
724,602 1,647,443 Europe
Americas
Middle East + North Africa
2,099,697
724,602 1,647,443
Middle East + North Africa 2,005,920
2,099,697 2,005,920
465,275 812,332
465,275 812,332
202,550 Unknown Others
202,550 Unknown
Terrain at high altitudes Terrain at high altitudes
Biodiversity hotspots Biodiversity hotspots
Areas of glacial thinning Areas of glacial thinning
Asia + Pacific
4,276,792
Americas
Others
22
1:8,000,000 40 km
Rest of Africa
2,627,624
2,074,854 Rest of Africa
Asia + Pacific 3,855,991
4,276,792 3,855,991
2,627,624 2,074,854
Origin + host countries of refugees Origin + host countries of refugees
Land surface temperature increase Land surface temperature increase
80 km
80 km
project GLACIAL FORMWORK
role LEAD DESIGNER
focus DISASTER RESILIENCE
Tsho Rolpa, an isolated valley in Northeastern Nepal, is the country’s most dangerous glacial lake. Situated in the heart of a sacred landscape, it is a religious beacon and looming threat. As such, it is necessary to mitigate the imminent risk of a GLOF while preserving and enhancing the relationship of man with nature. Through a projective approach to disaster-based design, it is the goal of this project to generate an accretive topography of glacial formwork through the manipulation of hydrological systems that will stabilize the glacial lake by reducing its water volume and structuring its dam wall. This new landscape will offer unique spatial conditions created within the topography that will transform this future disaster zone into a sacred destination place.
ACADEMIC
nepalese biodiversity map
PROFESSIONAL COMPETITION RESEARCH
1:1,000,000 1:1,000,000 0
0
50 km50 km
100 km 100 km
protectednational nationalparks parks protected
populartrekking trekkingregions regions popular
sacredhimalaya himalayalandscape landscape sacred
potentiallydangerous dangerous glacial glacial lakes lakes potentially
population density
23
1 05
3,252 GLACIERS
=
5,324 km2
=
76 km
HUMANS
21
Glacial Formwork
2,323
GLACIAL LAKES
CRITICALLY DANGEROUS
2
SPECIES
VILLAGES
1960
1965
1970
0.61 km2
0.62 km2
1975
1980
1985
1990
1995
2000
2005
0.78 km2
0.80 km2
1.02 km2
1.16 km2
1.27 km2
1.39 km2
1.65 km2
INDUSTRY 0.23 km2
1x
2x
3x
4x
5x AGRICULTURE
KATHMANDU
2,000
FLORA + FAUNA
8 hr 100 km 10,000
HUMAN LIVES
TOURISM
TSHO ROLPA
$30,000,000
TREKKING
INDUSTRIES
kendall baldwin // architectural designer
DEVELOPMENT
OBJECTIVE
OUTCOME TRANSPORTATION
How can a future disaster zone be transformed into a destination place?
How can a design function for disaster prevention and re-invigorate community life?
How can a project of management + development sustain its resources? INFRASTRUCTURE
DRINKING WATER
Transform Tsho Rolpa glacial lake into a popular cultural destination.
statistical risks of the environment
24
OPERATION
Create a generative ecology formed by the release, channelization + filtration of water.
Reinvent technologies using local materials to generate new, sustainable systems + practices.
ENERGY
FLOODING
AGRICULTURE 72% of Nepal’s electricity is
project GLACIAL FORMWORK
72% of Nepal’s electricity is fueled by felled timber
95% role AGRICULTURE 72% of Nepal’s electricity is LEAD DESIGNER 41% fueled increase Nepal’s tourism by in felled timber 72% over the past decade. fueled by felled timber
72% of Nepal’s electricity is 41% increase in Nepal’s fueled by felled timbertourism over the past decade.
72% of Nepal’s electricity is fueled by felled timber
72% 41%
72%
72% of Nepal’s electricity is fueled by felled timber
72%
reduce dependency on timber
adopt alternative methods of energy production
reduce dependency on timber
adopt alternative methods of energy production
ENERGY
99%
99%
99% of Nepal’s potential hydroelectric energy is not harnessed harness natural water surges structured farming practices harness natural water surges
store and release in appropriate amounts and locations sustainable rural livlihoods store and release in appropriate amounts and locations sustainable rural livlihoods
fueled by felled timber
structured farming practices
sustainable rural livlihoods
AGRICULTURE 72% of Nepal’s electricity is 41% increase in Nepal’s tourism
structured farming practices
sustainable rural livlihoods
reduce dependency on timber
adopt alternative methods of energy production
reduce dependency on timber
adopt alternative methods of energy production
reduce dependency on timber
adopt alternative methods of energy production
reduce dependency on timber
adopt alternative methods of energy production
AGRICULTURE 72% of Nepal’s electricity is 95%
72%
fueled by felled timber over the past decade.
72% of Nepal’s electricity is by felled timber 41%fueled increase in Nepal’s tourism over the past decade.
72% 41%
72% 41%
72%
S
reduce dependency on timber
adopt alternative methods of energy production
S
reduce dependency on timber
adopt alternative methods of energy production
reduce dependency on timber
adopt alternative methods of energy production
99%
99%
harness natural water surges
harness natural water surges
harness natural water surges
harness natural water surges
WATER
store and release in appropriate amounts and locations
store and release in appropriate amounts and locations
store and release in appropriate amounts and locations
store and release in appropriate amounts and locations
nepal’s drivers of change
WATER
S
PROFESSIONAL
72% of Nepal’s electricity is fueled by felled timber
adopt alternative methods of energy production
S
99% of Nepal’s potential hydroelectric energy is not harnessed
TOURISM
99% of Nepal’s potential hydroelectric energy is not harnessed
99%
tsho rolpa site analysis
TOURISM
99% of Nepal’s potential hydroelectric energy is not harnessed
store and release in appropriate amounts and locations
99%
harness natural water surges
store and release in appropriate amounts and locations
99%
harness natural water surges
store and release in appropriate amounts and locations
harness natural water surges
store and release in appropriate amounts and locations
99% of Nepal’s potential hydroelectric energy is not harnessed
COMPETITION
harness natural water surges
99%
WATER
RESEARCH
WATER
VILLAGE
WATERCOURSE
MORAINE DAM WALL
ACADEMIC
structured farming practices
95%
reduce dependency on timber
TOURISM
99% of Nepal’s potential hydroelectric energy is not harnessed
95% of the population are involved in agriculture
95% of the population are involved in agriculture
sustainable rural livlihoods
99%
ENERGY
95%
focus DISASTER RESILIENCE
structured farming practices
99% of Nepal’s potential hydroelectric energy is not harnessed
TOURISM
95% of the population are involved in agriculture 99% of Nepal’s potential hydroelectric energy is not harnessed
95% 99%
72%
sustainable rural livlihoods
99% of Nepal’s potential hydroelectric energy is not harnessed
99% of Nepal’s potential hydroelectric energy is not harnessed
95% of the population are involved in agriculture
72% 41%
structured farming practices
RIDGE
OUTLET
1:500 0
25 m
50 m
25
1 05 Glacial Formwork
sedimentation wall render
kendall baldwin // architectural designer
sedimentation wall render
WALKWAY EXTRACTED SEDIMENT TIMBER POSTS
BAMBOO WEAVE BRACING WATER CHANNEL GABION WALL
GEOTEXTILE BACKFILL EXTRACTED SEDIMENT CONCRETE FOOTING EARTH BERM
TIMBER POSTS
GABION ABUTMENT WALL
BACKFILL
moraine dam sluice gate
26
project GLACIAL FORMWORK
role LEAD DESIGNER
focus DISASTER RESILIENCE
INITIAL PHASE
YEAR 1
YEAR 2
RESEARCH
INTERMEDIATE PHASE
YEAR 6
COMPETITION
YEAR 5
PROFESSIONAL
YEAR 4
ACADEMIC
YEAR 3
YEAR 7 sedimentation wall render & diagram
WALKWAY EXTRACTED SEDIMENT
BAMBOO WEAVE
WATER CHANNEL GABION WALL
FINAL PHASE
TIMBER POSTS
BRACING
YEAR 8 GEOTEXTILE
BACKFILL
EXTRACTED SEDIME CONCRETE FOOTING EARTH BERM
TIMBER POSTS
GABION ABUTMENT
YEAR 9 BACKFILL
sediment wall system
yearly sediment accretion
27
1 06
undergraduate design studio rensselaer | fall 2008
Lingotto BridgeStation instructor: david riebe collaborators: jeffrey christianson
site plan
analytical diagrams A.S.L.
A.S.L.
A.S.L.
1
A.S.L.
1 A.S.L.
LINGOTTO
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ESPOSIZI
PALAZZO
PALAZZO
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LINGOTTO PALAZZO ONI LINGOTTO PALAZZO ONI
PALAZZO NI LINGOTTO
ESPOSIZI
ESPOSIZIO
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SCUOLA MATERNA TI MUNIC. MILLEFON
SCUOLA MATERNA TI MUNIC. MILLEFON
SCUOLA MATERNA TI MUNIC. MILLEFON
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PALLAVOL
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STAZIONE F. S.
CO LICEO SCIENTIFI O COPERNIC
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STAZIONE F. S.
CO LICEO SCIENTIFI O COPERNIC
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WASSILIJ
ATA NE IMMACOL CONCEZIO GIOVANNI E S. BATTISTA
P.T.
CALCETTO
SPORTIVO
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MATERNA
BOCCE
SCUOLA MATERNA ASSUNZIONE DI MARIA VERGINE LINGOTTO
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TECNICO CIALE URG ISTITUTO COMMER R. LUXEMBO
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MATERNA J SCUOLA STATALE KANDISKI
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MATERNA J SCUOLA STATALE KANDISKI WASSILIJ
MARIA VERGINE LINGOTTO
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BASKET
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CALCIO
BASKET
PALESTRA
PALESTRA
TECNICO PALESTRA IALE URG ISTITUTO COMMERC R. LUXEMBO
LICEO ICO SCIENTIFCO COPERNI
BASKET
CALCIO
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BASKET
PALESTRA
ESPOSIZI
LINGOTTO PALAZZO ONI
PALAZZO NI LINGOTTO ESPOSIZIO
SCUOLA MATERNA TI MUNIC. MILLEFON
SCUOLA MATERNA TI MUNIC. MILLEFON
ELEMENT
CENTRO ITALGAS
BOCCE
TENNIS
TENNIS TENNIS
A A PALESTR
SUCC. SCUOLA ARE ELEMENT
28
LINGOTTO
ESPOSIZI
LINGOTTO
ESPOSIZI
NI LINGOTTO
PALAZZO
1
1
1
ONI ONI
NI LINGOTTO ESPOSIZIO PALAZZO
PISTA
kendall baldwin // architectural designer
Lingotto is an area that suffers from various complications with its functionality and dynamism as a city and space. The most prominent issue present is the dividing demarcation of the tracks of the railway. These train tracks perfectly split the city into two separate halves that lack any visual or physical connections. Because of this austere partitioning, Lingotto has lost a primary sense of cohesion and the vitality of the area has steadily decreased over the past several years. In an effort to bridge this bounding gap, modernize the existing infrastructure, and regenerate the city, this proposal has been designed and put forth.
TENNIS MATERNA I SCUOLA STATALE G. FANCIULL
TENNIS TENNIS
PALESTR
SUCC. SCUOLA ARE ELEMENT
TENNIS MATERNA I SCUOLA STATALE G. FANCIULL
TENNIS TENNIS
project LINGOTTO BRIDGESTATION
role DESIGN TEAM MEMBER
focus GENERATIVE INFRASTRUCTURE
ACADEMIC PROFESSIONAL COMPETITION
platform render
RESEARCH
generative parametric construct
29
1 06 Lingotto BridgeStation
market level plan
long section
roof render
kendall baldwin // architectural designer
3d printed model
30
As opposed to neglecting the dysfunctionality of the site and installing only a structure that merely facilitates the most elementary and fundamental needs present, this proposal for the Lingotto BridgeStation implements beneficial disruptions calculated parametrically and applied on a global scale that results in a complete transformation of the site environment and its context in both a visual and visceral manner. The modern resolve of its architectural tectonic permeates all aspects of the urban fabric and provides for the opportunity of community life within the bounds of its enclosure, solidifying that the objective of this project was not just to create a bridging structure, but rather, to utterly reestablish and re-define the utility and meaning of the entire city of Lingotto.
project LINGOTTO BRIDGESTATION
role DESIGN TEAM MEMBER
focus GENERATIVE INFRASTRUCTURE
parametric definition
ACADEMIC PROFESSIONAL COMPETITION RESEARCH
bridge render
exploded component diagram
31
1 07
structure diagram
integrated building studio rensselaer | fall 2009
Taipei Performing Arts Center
kendall baldwin // architectural designer
instructor: demetrios comodromos collaborators: heath horn
1:50 scale detail physical model
32
project TAIPEI PERFORMING ARTS CENTER
role DESIGN TEAM MEMBER
focus DESIGN DEVELOPMENT
The Taipei City urban center, comprised of a banal context of high-rise residential towers, calls for an iconic arts complex that possesses a display of extreme verticality, challenging its surroundings. The proposed performing arts center responds to the density and urbanity of the area by utilizing a system of verticality as an organizational device. Through this emphasis of height, a new typology of performance space is generated, where program is layered vertically. The double-skin faรงade that encloses this structure is used to conduct the movement of its participants throughout the space. It does this by channeling circulation upwards along the periphery.
transverse section
ACADEMIC PROFESSIONAL COMPETITION RESEARCH
concept sketches
33
1 07 Taipei Performing Arts Center
long section Maximum Height + 57.0 m
Level 7 + 48.0 m
Level 6
kendall baldwin // architectural designer
+ 40.0 m
Concession Level +38.0 m
Level 5 +35.0 m
Balcony 2 +34.0 m
Level 4
+31.0 m
Balcony 1 +28.0 m
Level 3
+20.0 m
Entry Mezzanine +16.0 m
Level 2
+10.0 m
Level 1 +5.0 m
Level -2 - 5.0 m
34
detail wall section
project TAIPEI PERFORMING ARTS CENTER
role DESIGN TEAM MEMBER
focus DESIGN DEVELOPMENT
ACADEMIC PROFESSIONAL COMPETITION
detail facade model photo
RESEARCH
The containment of circulation within this setting of perforated double surfaces creates a visceral sense of spatiality that provokes a defamiliarization with the city and introduces an infusion of visceral spectacle that is typically isolated to and contained within the individual performance spaces. It is both the intent and desire that these combined effects and their resultant experiences reinvigorate the once idealized notion that atmosphere and environment are fundamental and essential attributes to the performing arts.
physical model photos
35
2
grimshaw architects
professional
2 01
construction documentation january 2012 - august 2014
Airport Visitor Information Center office: grimshaw architects partner: william horgan, mark husser
roof terrace offices & workstations press room gallery reception prefunction & cafe multifunction auditorium back of house
kendall baldwin // architectural designer
mechanical
exploded axonometric
38
project AIRPORT VISITOR INFORMATION CENTER
role LEAD FACADE DESIGNER
focus FACADE DEVELOPMENT
ACADEMIC PROFESSIONAL
interior render (grimshaw visualization)
COMPETITION
exterior renders
RESEARCH
The Airport Visitor and Information Center is a truly civic building, creating an inspiring, welcoming, and expressive environment to host important meetings and events. The AVIC building is designed to support exhibitions related to Doha, Qatar’s new Airport City (NDIA), and in part as a venue for ceremonial events such as meetings with visiting dignitaries, conferences, and large gatherings of staff. Modestly scaled, the AVIC is quite prominent when approaching by vehicle, dynamically rising three floors above the podium level. The shape of the building is composed of non-concentric circles in plan which develops into a conical shape in section that resolves into a rounded disc-like roof.
39
2 01 Airport Visitor Information Center
material samples box
3A 3A
CL OF JOINT
CL OF JOINT
CL
1% INCREASE IN SIZE
1% INCREASE IN SIZE
CL OF SYMMETRY
CL OF SYMMETRY A
CL
RADIUS 3
A
X
X
RADIUS 3
X
X
20
B
FB
B
20
B
CL OF JOINT (TYP)
F R2
R1 R2
2% INCREASE IN SIZE 2% INCREASE IN SIZE
Y
Y
CL CL
2A
2A
CL
2% INCREASE IN SIZE
C
E
Z
2% INCREASE IN SIZE
Z D
CL 1A
Z
Z
RADIUS 2
C
C
40
C
kendall baldwin // architectural designer
E
RADIUS 2
RADIUS 1
1B
D
RADIUS 1
1B
1% INCREASE IN SIZE
1A
rainscreen geometry setout
CL OF JOINT (TYP)
Y
R1
Y
R1
R1
R R2 2
2B 2B
1% INCREASE IN SIZE
full-scale mockup
project AIRPORT VISITOR INFORMATION CENTER
role LEAD FACADE DESIGNER
focus FACADE DEVELOPMENT
facade vignettes
ACADEMIC PROFESSIONAL COMPETITION RESEARCH 41
2 01
The overall building faรงade reads as generally opaque with a honeycombing of fenestration to allow mediated natural daylight, except where it meets the podium when a portion of the shell is lifted revealing an inviting delicately detailed glass faรงade that promotes views outwards. Internally the building is also bathed in soft daylight from a circular skylight above that washes down through all the levels. The building is conceived as an innovative and visually-engaging shell that encapsulates an intimate interior sky lit space that descends completely within the podium.
Airport Visitor Information Center rainscreen setout
building elevations
CL COLUMN A CL COLUMN B 1127
564 T.O. CONE AVIC TOFF +29.70 m
AV12
965
1
RT-21
A30101
2115
956
ROOF LEVEL AVIC TOFF +34.04 m
2220
947
T.O. FILLET AVIC TOFF +31.92 m
938
RT-20
920
3000
929
T.O. CONE AVIC TOFF +29.70 m
06 LEVEL AVIC TOFF +26.70 m
4500
902
911
06 LEVEL AVIC TOFF +26.70 m
893
20835
WT-22
868
DROP OFF CANOPY STRUCTURE (REFER TO STRUCTURAL DRAWINGS)
5000
876
885
05 FLP 100 TOFF +22.20 m
860
04 LEVEL AVIC TOFF +17.20 m
843
WT-20.1
835
A50007
796
803
811
819
827
05 FLP 100 TOFF +22.20 m
788
1 FIRE ACCESS PANEL
A30101
FIRE ACCESS PANEL
781
ROOF LEVEL AVIC TOFF +34.04 m 2115
773
RT-20 RT-23
2220
766
T.O. FILLET AVIC TOFF +31.92 m
758
RT-20
WT-23
716
20835
4500
730
5B
05 FLP 100 TOFF +22.20 m
WT-22
5000
3B
688
2B
675
4A
04 LEVEL AVIC TOFF +17.20 m
2A 1A
1B 413
EXTENT OF WT-21
6
WT-21
4000
3A
662
682
695
4B
330
06 LEVEL AVIC TOFF +26.70 m
04 LEVEL AVIC TOFF +17.20 m
702
709
5A
6B
3000
744
751
T.O. CONE AVIC TOFF +29.70 m
737 723
6A
669
kendall baldwin // architectural designer
03 LEVEL AVIC TOFF +13.20 m
3
WT-20.2
AV12
826
42
5075
851
WT-21
4000
EXTENT OF WT-21
WT-21
A50004 03 LEVEL AVIC TOFF +13.20 m
03 LEVEL AVIC TOFF +13.20 m
project AIRPORT VISITOR INFORMATION CENTER
role LEAD FACADE DESIGNER
focus FACADE DEVELOPMENT
detailed wall section
GFRG-1 INTERIOR CLADDING
GL-A-21.1
AIR BARRIER (DELTA-S-FASSADE)
COMPRESSIBLE INSULATION ACCOUSTIC SEALANT BETWEEN STEEL MEGAPANELS (TYP) INSULATION AIR AND VAPOR BARRIER EXTERIOR LIGHTING (REFER TO DETAIL 2/A50008 AND LIGHTING DRAWINGS)
TOFF 22.20 m
STEEL MEGAPANEL (REFER TO A50003 FOR SETOUT INFORMATION)
A50008 FIRESAFING COMPOUND FIRESAFING INSULATION SUPPORTED BY 'Z' CLIPS
GFRC-4 EXTERIOR CLADDING PRECAST STRUCTURAL COLUMN BEYOND
GL-A-21.2
RESEARCH
TOS 21.60 m
COMPETITION
1
PROFESSIONAL
CUSTOM ALUMINIUM EXTRUSION
ACADEMIC
2 A50020
PANEL CONNECTION BRACKET
STEEL CONNECTION TO PRECAST STRUCTURAL COLUMN
43
2 02
bridge and balcony section detail
brief translation & concept design january 2012 - april 2014
Duke University West Campus Union office: grimshaw architects partner: mark husser
kendall baldwin // architectural designer
Built in 1931, Duke University’s West Campus Union was once the social center of campus. Now severely in need of renovation, this new scheme seeks to modernize the otherwise prominent historic building and reestablish it as the epicenter of student life. Through the reorganization of existing layouts and addition of features that promote healthy and dynamic campus culture, the project will provide space for impromptu interactions amongst faculty, staff and students. Innovative energy and engineering solutions will work in concert with programming development to deliver a solution that sustains the natural, social and built environment.
interior render (grimshaw visualization)
44
project DUKE UNIVERSITY WEST CAMPUS UNION
role DESIGN TEAM MEMBER
focus EDGE DETAILING
balcony support (revit model detail)
ACADEMIC PROFESSIONAL
balcony support enlarged detail
COMPETITION RESEARCH
interior render (grimshaw visualization)
bridge and balcony panel setout
45
GRIMSHAW
2 03
KNIPPERS HELBIG
wall type diagram
feasibility & schematic design october 2011 - january 2012
Disney TomorrowLand office: grimshaw architects partner: vincent chang
12 PM
3 PM SUMMER SOLSTICE PEAK ANGLE TIMES
WINTER SOLSTICE SUN PENETRATION
12 PM 3 PM
The ‘Superblock’ is a winding external glass and terracotta canopy that resides in Disney’s future Tomorrowland theme park in Shanghai, China. The Superblock canopy will provide the park’s visitors with a covered walkway into the area’s dining concourse in addition to several entrances for rides, shops and attractions. The project is currently under construction.
34
WINTER SOLSTICE PEAK ANGLE TIMES
30
90
PARTIAL ROOF PLAN
kendall baldwin // architectural designer
CON
46
FACADE STUDIES SUPERBLOCK
facade elevation
lighting study
project DISNEY TOMORROWLAND
role FACADE DESIGNER
focus FACADE RATIONALIZATION
ACADEMIC PROFESSIONAL RESEARCH
Assuming the form of a sinuously extruded C-shape, the Superblock contains many unique conditions of geometrically complex facade panels. Wanting to avoid the economic pitfalls that stem from differing double-curved units, an intensive process of panelization and rationalization studies were needed to ensure that the formal gesture of the Superblock could exist without devastating impacts on the project’s budget. The included imagery showcases the diagrams and studies that were produced throughout the aforementioned process of geometric definition.
COMPETITION
concourse render
3.2 RESTAURANT BALCONY STUDIES
facade panelization studies
47
2 04
concept design august 2010
Hunter’s Point South
This residential project, located in the neighborhood of Hunter’s Point South in Long Island City, New York, consists of two residential and mixed-use buildings, a tower and mid-rise structure, which seek to offer 500 housing units and over 20,000 square feet of new commercial space. Of the 500 residential apartments with sweeping views of the Manhattan skyline, the building will allocate 75% of the units to be targeted toward low and middle-income households. In addition to providing high quality housing for tenants in sharp financial need, the residential complex also seeks to provide easily accessible and cost effective options for community events, physical activities and healthy food options. These amenities will come in the form of several sustainable design features such as programmed sky boxes, lush parks and gardens and productive urban farms, among other facilities.
office: grimshaw architects partner: vincent chang
kendall baldwin // architectural designer
massing diagrams
48
project HUNTER’S POINT SOUTH
role DESIGN TEAM MEMBER
focus PROGRAM & FACADE CONCEPTS
building elevation
ACADEMIC PROFESSIONAL COMPETITION
exterior render (grimshaw visualization)
RESEARCH
plaza level plan & elevation CORRUGATED METAL RAIN SCREEN CLADDING, TYPICAL WOOD COMPOSITE RAIN SCREEN CLADDING, TYPICAL MAX. STREET WALL 70’-0”
FIBER CEMENT RAIN SCREEN CLADDING, TYPICAL
MIN. STREET WALL 50’-0”
51’-10”
5’-0” TYP
3’-0”
8’-5”
4’-5”
LEVEL 01 (CENTER BLVD)
3’-5”
- 0’-3” (QUEENS DATUM 6.92’)
RECESSED “STOOP” W/ PLANTER @ LIVE/WORK ENTRY (WOOD COMPOSITE CLADDING)
PERFORATED & CORRUGATED METAL SCREEN OVER TRANSOM LITE, TYP
GLASS STOREFRONT AT RETAIL, TYPICAL
5’CANOPY @ LOBBY ENTRY
GLASS “STORERONT” @ GROUND FLR WORK SPACE OF DUPLEX UNIT
* EL. 8.25’
RECYCLE - A -BICYCLE
S
S
EMER GEN
1’-9” (QUEENS DATUM 8.92’)
FULL HEIGHT GLASS LOBBY FACADE
TRASH
* EL. 8.25’
MAIN ELECT. RM.
LIVE / WORK DUPLEX UNIT
* EL. 8.25’
THE GREEN CORNER STORE
LIVE / WORK DUPLEX UNIT
LIVE / WORK DUPLEX UNIT
LIVE / WORK DUPLEX UNIT
* EL. 8.92’
5’-6”
8’-0”
48’-8”
14’-7”
8’-0”
14’-0”
8’-0”
14’-0”
8’-0”
14’-0”
8’-0”
16’-10”
11’-9”
27’-8” 6’-6”
* EL. 4.85’
TOWER LOBBY
* EL. 8.25’
* EL. 8.25’
* EL. 8.25’
* EL. 8.25’
EL. 9.1’ *
4’-0”
* EL. 8.25’
PROPERTY LINE
5’-0”
1’-1” (QUEENS DATUM 8.25’)
8’-5”
LEVEL 01
50th AVENUE AVERAGE CURB
WOOD COMPOSITE RAIN SCREEN SOFFIT AT 1’ OVERHANG
8’-5”
16’-10”
4’-0”
PERFORATED METAL A/C SCREEN, TYPICAL
51st STREET
49
2 05
concept design july 2011
Genetics Research Center office: grimshaw architects partner: william horgan
kendall baldwin // architectural designer
exterior render (grimshaw vizualization)
50
building elevations
project GENETICS RESEARCH CENTER
role DESIGN TEAM MEMBER
focus PROGRAM & FACADE CONCEPTS
lighting diagrams
ACADEMIC PROFESSIONAL COMPETITION RESEARCH
program diagrams
interior render (grimshaw vizualization)
Service
Public 3 1
2
51
3
method design, case, studio rede
competition
3 01
concept design summer 2009
Ramses Square office: method design collaborators: case, ted ngai
purification plant
kendall baldwin // architectural designer
phytoremediation chimneys
54
modular phytoremediation system (case)
project RAMSES SQUARE
role ENVIRONMENTAL DESIGNER
focus PHYTOREMEDIATION SYSTEM
The modern practice of infrastructure planning in hyper-dense Cairo has been one of spectacular devastation to the urban environment. Multi-story highways needle through complex historic fabrics whose foundations were set a thousand years before the invention of the automobile, injecting the city with a congestion of vehicles impossible to navigate in its current street system. Ramses Square, the epicenter of transportation interchange in Cairo, was the focus of an international design competition hosted by the Egyptian government to seek new solutions and opportunities for the overwhelming problems. ACADEMIC PROFESSIONAL COMPETITION
birds eye render (method design)
RESEARCH
geometric typologies
55
3 01 Ramses Square
The proposal attempts to project heavy traffic infrastructure into the future by submerging it underground, affording Cairo the ability to continue and extend the social logics of the highly pedestrian city which already exists. Submerged highways and trains begin to create and fulfill underground networks by connecting to the existing tunnels in place. With high velocity traffic and mass transportation below ground, the surfaces along those routes become fully pedestrian paths, plazas, parks, markets and open public spaces, all of which are needed to transform the choked megalopolis of Cairo into a projective world city.
kendall baldwin // architectural designer
chimney section at parking structure
56
typical phytoremediation chimney
project RAMSES SQUARE
role ENVIRONMENTAL DESIGNER
focus PHYTOREMEDIATION SYSTEM
ACADEMIC PROFESSIONAL COMPETITION RESEARCH
urban chimney downtown site plan
57
3 02
concept design summer 2011
Brooklyn Bridge Bastions office: method design, studio rede collaborators: jessica bristow
habitation modules
Can urban spaces help resolve concern over health, biodiversity and public education? The Brooklyn Bridge Bastions (B3) proposal looks to re-appropriate the underside infrastructural space of the Brooklyn Bridge – transforming it from a vacant to a civic venue where previously unmatched urban activities can create a new infrastructural hybridization. Urban ecological habitation and outdoor rock climbing will be synthesized with rappelling, belaying, bouldering and traversing, while situated amongst green walls and ecological nesting sites for migratory bird, bat, and butterfly species.
rendered site plan
PEA TE R
DOVER STREET
SUN SU M
R ME
N SU
rendered long section
58
SOUTH STREET
H RT
NO
N WI
kendall baldwin // architectural designer
ET
TRE
RL S
EXIT RAMPS & ACCESS ROAD
EAST RIVER
project BROOKLYN BRIDGE BASTIONS
role DESIGN TEAM MEMBER
focus URBAN BIODIVERSITY
50 ft.
ACADEMIC
30 ft.
PROFESSIONAL RESEARCH
rendered section (method design)
COMPETITION
10 ft.
exterior renders (studio rede)
59
3 03
The Gowanus Lowline activates ecology by proposing sustainable systems to clean the Gowanus Canal. The technical operations begin in the soil bio-reactor building, a micro-municipal waste water treatment facility inserted to purify contaminated soils and reduce the instance of CSO pollution. Inside an adjacent soil composting facility, earthworms produce high quality soil that will eventually be transferred and used for the process of water purification in the soil bio-reactor. Other embedded systems include the Dig-In Flow of the storm water filter park, the LiveIn Reef interactive oyster purification habitat and the Live-In Skin avian habitat inserted into the facade of the soil bio-reactor building.
concept design summer 2011
Gowanus Lowline
kendall baldwin // architectural designer
office: studio rede partner: julia watson
60
water collecting slabs
gowanus canal timeline (rede studio)
composting soil trays
bird nesting pods
project GOWANUS LOWLINE
role DESIGN TEAM MEMBER
focus REMEDIATION STRATEGIES
urban remediation strategies
DIG-IN WELL
BULK-UP COFFER
BULK-UP FLOW LIVE-IN SKIN
ULK-UP FLOW
birds eye render
DIG-IN SWIM
LIVE-IN REEF
DIG-IN BASIN
PROFESSIONAL
LIVE-IN SOIL LIVE-IN SKIN
1
ACADEMIC
2 3
COMPETITION RESEARCH 61
4
building pathologies, material degradation
research
4 01
fabrication & analysis fall 2015 - spring 2016
Wood Board Sandblasting
Every material decays. More precisely, the physical properties of materials change over time as the materials are exposed to various chemical reactions, external sources and mechanical action. The changes vary from minor mechanical breakdown to chemical alterations of the physical properties of the material. When the material reaches a critical level of deficiency due to such forces of natural aging or accelerated decay, it is then subjected to undertakings of repair, replacement or demolition.
institution: princeton university collaborators: axel kilian, forrest meggers
kendall baldwin // architectural designer
range of wood grain
64
sandblasting patterns
project WOOD BOARD SANDBLASTING
role RESEARCHER
focus MATERIAL EROSION
ACADEMIC PROFESSIONAL COMPETITION RESEARCH 65
4 01
kendall baldwin // architectural designer
Wood Board Sandblasting
Pathology is defined as the scientific study of disease, which can be described as any abnormality that induces change in an entity’s structure or function. Common in branches of medicine, the practice of pathology deals with the laboratory examination of body parts for diagnostic purposes, investigating the causes and effects of aberrant behaviors. When applied to the architectural discipline, pathologic operations attempt to explore such abnormalities as the sites of creative potential. Through the embrace and amplification of a material’s stochastically aged condition, design interventions are able to invent a heretofore unimagined building typology; maintaining a selective sensitivity to the “old” – original structures – and a manipulative capacity for the “new” – altered composition – with allegiance to neither.
scaffold board sandblasting experiments
66
project WOOD BOARD SANDBLASTING
role RESEARCHER
focus MATERIAL EROSION
facade pattern option 01
ACADEMIC PROFESSIONAL
facade pattern option 02
COMPETITION RESEARCH
facade pattern option 03
facade pattern option 04
67
4 02
prototyping & analysis spring 2016
Erosive Form-Finding institution: princeton university advisors: liz diller, guy nordenson
drilled brick
kendall baldwin // architectural designer
hammer-drilled cinder brick
68
masonry debris
jackhammered cinder block
project EROSIVE FORM-FINDING
role RESEARCHER
focus MATERIAL DEGRADATION
ACADEMIC PROFESSIONAL
drilled cinder brick
jackhammered concrete
acid-washed concrete
drilled cinder brick
acid-washed cinder brick
COMPETITION
concrete debris
RESEARCH 69
4 02 Erosive Form-Finding
sandblasted rigid insulation
kendall baldwin // architectural designer
sandblasted styrofoam
70
sandblasted styrofoam and rigid insulation
sandblasted styrofoam
project EROSIVE FORM-FINDING
role RESEARCHER
focus MATERIAL DEGRADATION
ACADEMIC PROFESSIONAL
salt crystallization on wood
salt crystallization on concrete
salt crystallization on concrete
salt crystallization on wood
salt crystallization on concrete
COMPETITION
salt crystallization on wood
RESEARCH 71