backlist
Image Credits
2–3 Anton Henning Interieur No. 561, 2019, oil on canvas, 280 ∞ 460 cm 4–5 Andy Warhol Untitled, 1960, watercolor and pencil on cardboard (Strathmore), 73 ∞ 57.5 cm, Nationalgalerie, Collection Marx, Staatliche Museen zu Berlin, © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York Claes Oldenburg Plakat der Galerie Sidney Janis, New York, 1967, offset lithograph, 58.5 ∞ 73.7 cm, Kunstbibliothek, Staatliche Museen zu Berlin, photo: Dietmar Katz, Kunstbibliothek, SMB Berlin, © Claes Oldenburg
12–13 Anton Henning Interieur No. 565, 2020, oil on canvas, 70 ∞ 60 cm Grosses Stilleben No. 6, 2014, oil on canvas, 160 ∞ 280 cm Pin-up No. 269, 2020, oil on canvas, 100 ∞ 80 cm Pin-up No. 267, 2019, oil on canvas, 50 ∞ 40 cm 14–15
Ziqian Liu, Skin, 2019
Maya Golyshkina, Cucumber, 2019 16–17 Frank Herfort Holiday, 2007 The Girl Next Door, 2015
24 Martin Bruno Schmid Bohrschnitt, prekär, 2016–19, University of Tübingen, Geology and Environment Centre, photo: Alex Kern Leisesprecher (Akustikdecke, handgebohrt), 2015, Industrie- und Handelskammer IHK HochrheinBodensee, Schopfheim, photo: Martin Bruno Schmid Schalungslöcher +34, 2014–16, Hochschule für Technik Stuttgart, photo: Frank Kleinbach 25 Martin Bruno Schmid Tondo, 2012, Universität VS-Schwenningen, photo: Wolfram / Raphael Janzer Goldstücke (Fonds), 2019, Art Karlsruhe / Galerie Schwarz, photo: Patrick Oltean
Andy Warhol Marilyn, 1967, color screen print from the 10-part portfolio, 91.5 ∞ 91.5 cm, Kupferstichkabinett, Staatliche Museen zu Berlin, photo: Jörg P. Anders, Kupferstichkabinett, SMB Berlin, © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York
Ball in Forest, 2014
Schalungslöcher +34, 2014–16, Hochschule für Technik Stuttgart, photo: Niels Schubert
18–19 Zhu Jia Zero, 2012, inkjet print, 120 ∞ 150 cm, © ZHU Jia and ShanghART Gallery
26 Anna Nero Porträt Anna Nero, courtesy of Galerie Schierke Seinecke / Frank Blümler
Ulrike Ottinger Untitled, 1966–67, color silkscreen print, 55 ∞ 82.6 cm, Kupferstichkabinett, Staatliche Museen zu Berlin, photo: Dietmar Katz, Kupferstichkabinett, SMB Berlin, © Ulrike Ottinger
Bernd and Hilla Becher Gasbehälter, Germany, 1975, silver-gelatin print from a series of 10 sheets, 50.5 ∞ 40.5 cm, Düsseldorf-Kaiserswerth, © Estate Bernd & Hilla Becher, represented by Max Becher, 2020
Verwaltungskrake, 2019, oil and acrylic on canvas, 130 ∞ 100 cm
6–7
© 2020: Douglas Gordon
8–9 August Macke Elisabeth Gerhardt auf grünem Stuhl, 1908, oil on cardboard, 18 ∞ 14.5 cm, Kunstmuseum Bonn, permanent loan from a private collection August and Elisabeth Macke with their children Walter and Wolfgang in Bonn, Summer 1913, Museum August-Macke-Haus, Bonn
Epiphany, 2018
Mohamed Camara Le foot pour moi, c’est dans l’eau, 2012, inkjet print, 32.5 ∞ 48 cm, © Mohamed Camara, courtesy of Galleri Flach Tokihiro Sato Kashimagawa #352, 1998, silver-gelatin print, 91.4 ∞ 121.9 cm, © Tokihiro Sato, courtesy of Leslie Tonkonow Artworks + Projects, New York
Elvis, 2019, oil and acrylic on canvas, 40 ∞ 30 cm Celini, 2019, oil and acrylic on canvas, 180 ∞ 130 cm 27
© Henning Strassburger
28 Mehmet & Kazim Kissing Cousins, 2020, photo 5495 ∞ 7136 px, 300 dpi, photo: Kilian Blees Oriental, 2019, installation view, oil on canvas combined with projection and animation, 850 ∞ 195 cm, photo: Kilian Blees
Yto Barrada Arbre généalogique (Family Tree), 2005, C-print, 150 ∞ 150 cm, © Yto Barrada and Sfeir-Semler Gallery, Beirut / Hamburg
Yung Wilds, 2018, 3D-printed buttons, oil on canvas, and tailored jeans, 150 ∞ 170 cm, photo: Kilian Blees
20–21 Anna Nero Up and Down (at the stockmarket), 2020, oil and acrylic on canvas, 160 ∞ 120 cm
10–11 Adrian Sauer 16.777.216 Farben in unterschiedlichen Anordnungen. Rotes Dreieck, 2019, digital C-print, 100 ∞ 100 cm, © Adrian Sauer/courtesy of Klemm’s Berlin
29 Thomas Bang SIGN (flying yellow flags for Elena and Nicholae), 2018, plywood, textiles, leather, acrylic paint, gesso, stove black, 165 ∞ 204 ∞ 94 cm, photo:
22 Katharina Hinsberg Vorzeichnen, 2019, prepared fingertips, © Katharina Hinsberg and VG Bild-Kunst, Bonn, 2020
Dorte Krogh, KANT Gallery
30.06.2015, 2015, digital C-print, 121 ∞ 161 cm, © Adrian Sauer/courtesy of Klemm’s Berlin
Matrize Bohren, 2019, drill, © Katharina Hinsberg and VG Bild-Kunst, Bonn, 2020
Die Platonischen Körper. Tetraeder, 2019, carbon fiber, titanium, ø 240 cm, edge length 196 cm, © Adrian Sauer/courtesy of Klemm’s Berlin
Detail, 2019, paper, wall, © Katharina Hinsberg and VG Bild-Kunst, Bonn, 2020
Dietrich Erdmann, 14 days old, with Lothar and Elisabeth Erdmann, August 1917, Museum August-Macke-Haus, Bonn Photo: Elisabeth Erdmann-Macke, Berlin 1943, private collection
Heuhaufen, 2016, digital C-print, 35 ∞ 46 cm, © Adrian Sauer/courtesy of Klemm’s Berlin
23 Valérie Favre Studio view, 2019 Poulinière am Tisch, 2019
Interloper 1, 2016, plywood, textiles, wax, acrylic paint, carbon pencil, 145 ∞ 13 ∞ 118 cm, photo: Dorte Krogh, KANT Gallery Animalskin Stage, 2013, MDF, plywood, animal skin, textiles, panels, modified dinnerware, aluminum, iron, 70 ∞ 360 ∞ 184 cm, photo: Dorte Krogh, KANT Gallery
30 Artistide Maillol La nuit, 1902–09, bronze, 106 ∞ 61 ∞ 112 cm (foot: 54 ∞ 70 ∞ 115 cm) Herbert Otto Hajek Durchbrochene Fläche im Raum, 1955, cast iron without rust protection, 360 ∞ 180 ∞ 60 cm Per Kirkeby Ohne Titel, 1986–87, solid facing brick, HKS red, 12.8 ∞ 3.49 ∞ 3.11 m 31 Martin Voßwinkel Urbanes Farbfeld Nürnberg 019-1, 2019, aluminum laminated cardboard, Fine Art Print, © VG BildKunst, Bonn, 2020 Urbanes Farbfeld Bremen 018-9982, 2018, acrylic on MDF, acrylic glass, Fine Art Print, © VG BildKunst, Bonn, 2020 Moving squares for Durban 016-291, 2016, acrylic on MDF, wheelbarrow, Fine Art Print, © VG BildKunst, Bonn, 2020 32 SCHAUM Allegorie, 2016, triptych, Fine Art Print behind acrylic, backlighted, 155 ∞ 355 cm, © SCHAUM going going gone, 2019, neon, light control module, metronome, approx. 150 ∞ 30 ∞ 20 cm 33 Jan Köchermann Frasseks Raumsammler, 2018, photo: Tillmann Engel 34 Christine Gedeon Kassis Hospital, (mother’s memory), 2017, digital drawing with thread, pencil, and adhesive tape on archive paper, 42.5 ∞ 59.7 cm, © Christine Gedeon Khan al Tatoun (Grandfather’s office), 2019, 135 ∞ 94 cm, courtesy of Dima Dayoub Les Frères Maristes, (mother’s memory), 2018, digital drawing with thread, pencil, and adhesive tape on archive paper, 30.5 ∞ 27.9 cm, © Christine Gedeon 35 Jürgen Heinrich Notturno, 2018–19, acrylic, ink on nettle, 150 ∞ 120 cm, © Jürgen Heinrich Der Schlaf der Vernunft, 2017, charcoal on paper, 75.5 ∞ 54 cm, © Jürgen Heinrich Ohne Titel 1, 2, 2017, acrylic, lead, and colored pencil on paper, 65 ∞ 50 cm, © Jürgen Heinrich 36 Dana Meyer Nachtruhe – Insekten (detail), 2020, steel plate driven, welded, 35 ∞ 20 ∞ 60 cm, photo: Michel Klehm Schweine, 2013, steel, forged, welded, 176 ∞ 500 ∞ 600 cm, photo: Michel Klehm Die Schlucht, 2016, steel, forged, welded, 162 ∞ 140 ∞ 497 cm, photo: Michel Klehm
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