cover image
Louis Ribak, Rocks of Atlantis back cover
Emil Bisttram, Old Taos Church
Art of the West Paintings & Drawings 2007
5733 South 34th Street, Suite 300 Lincoln, Nebraska 68516 T 402.420.9553 F 402.420.9554
gallery@kiechelart.com www.kiechelart.com
TABLE of CONTENTS
p l at e emil james bist traM
1,2
I lya B o l o t o w s k y
48, 49
e dwa r d b o r e i n
14, 15, 16 , 17
keith crown
26
leo garel
27, 28, 29, 30
H a r r y J ac k s o n
18, 19
Thomas Williams Jones
3
w i l l i a m h . d. ko e r n e r
8, 9, 10, 11, 12, 13
ja n e t l i p p i n c o t t
37, 38
wa r d l o c k w o o d
32, 33
Merrill mahaffey
6, 7
b e at r i c e m a n d e l m a n
43, 44, 45, 46, 47
ed mell
4, 5
forrest lee moses
31
lee mullican
50, 51, 52, 53
w i l l a r d ay e r n a s h
25
louis ribak
34, 35, 36, 37, 38, 39, 40
hyde solomon
20, 21, 22, 23, 24
h a r o l d wa l d r u m
54, 55, 56
P r e fac e
For more than 20 years, Kiechel Fine Art has striven to provide its clients with exceptional service and knowledge of the art industry. Directors Vivian Kiechel and Buck Kiechel possess an expertise in Regionalism and have established an extensive inventory of works by leading Regionalist artists, Thomas Hart Benton, John Steuart Curry and Grant Wood. This catalogue represents a selection of contemporary works from the Southwest. With this catalogue, the Kiechel Fine Art staff extends the highest gratitude to its patrons and looks forward to serving all of you for many years to come.
1
e m i l j a m e s b i s t t r a m Taos Mountain in Spring, Watercolor, 13 他 x 20 inches, Signed a b ov e (verso watercolor study)
2
e m i l j a m e s b i s t t r a m Old Taos Church, Oil on panel, 13 他 x 20 inches, Signed
3
t h o m a s w i l l i a m s j o n e s BIrch Bark, Oil on paper, 13 他 x 20 inches, Signed
4 e d m e l l Evening Cloud Drift, 2000, Monotype, 7 x 14 inches, Signed & numbered
5
e d m e l l Rusted Rock, 2000, Monotype, 7 x 14 ½ inches, Signed & numbered
6
m e r r i l l m a h a f f e y Canyon Redwall (Grand Canyon near Mt. Hayden North Rim), 1979, Oil on canvas, 46 ½ x 67 ½ inches, Signed
7
m e r r i l l m a h a f f e y Humphrey’s Peak, c. 1979, Oil on canvas, 43 x 57 inches, Signed
8
w i l l i a m h . d. ko e r n e r War Plumes and Muskets, For Saturday Evening Post, April 6, 1929,
Story by Hal G. Evarts, Tomahawk Rights, 1929, Oil on Strathmore board, 31 x 60 inches, Initialed This savage procession glided along without speech, the moonlight glinting on the musket barrels, war plumes and naked shoulders, a fascinating sight, yet one fraught with peril.
9
w i l l i a m h . d. ko e r n e r The Painted Stallion, For Saturday Evening Post, October 3, 1925,
Story by Hal G. Evarts, The Painted Stallion, Oil on Strathmore board, 31 â…ž x 39 Âź inches, Initialed The painted stallion stood and looked back across the lower country which he had just traversed a wild and beautiful picture with his flowing white mane and tail streaming in the air.
10
w i l l i a m h . d. ko e r n e r The Black Dog, For Metropolitan, February 1922, Story by A. E.
Coppard, The Black Dog, Oil on Strathmore board, 30 ½ x 23 ½ inches, Initialed He is a stern, simple man, but he is so just.
11
w i l l i a m h . d. ko e r n e r Wolf Dog, For Saturday Evening Post, Aug. 4, 1934, Story by
Hal G. Evarts, The Wolf Dog, Oil on Strathmore board, 24 x 34 inches, Initialed The Squatter was a dour man of unsociable nature, and he had no great love for Catlin.
12
w i l l i a m h . d. ko e r n e r Ahead of the Law, For Saturday Evening Post, June 12, 1920, Oil on Strathmore board, 21 x 17 inches, Initialed
The little mare leaped forward and carried him away at a mad gallop toward the mountains and a barely possible freedom. 13
w i l l i a m h . d. ko e r n e r The Stick Up, For Saturday Evening Post, April 28, 1917
Story by Eugene Manlove Rhodes, Over, Under, Around, and Through, Oil on Strathmore board, 12 ½ x 23 ½ inches, Initialed At the crossing of Largo Draw he had been held up by a single robber on horseback.
125
1 27
14 e dwa r d b o r e i n (1 872 -1 9 4 5) On the Drive, c. 1935, Pen & ink, 6 x 8 inches 1 5 e dwa r d b o r e i n (1 872 -1 9 4 5) Harnessed, c. 1935, Pen & ink, 4 x 4 inches 16
e dwa r d b o r e i n (1 872 -1 9 4 5) Wolf Study, c. 1935, Pen & ink, 6 ½ x 3 ½ inches, Signed 17 e dwa r d b o r e i n (1 872 -1 9 4 5) Bucked Off, c. 1935, Pen & ink, 8 ½ x 10 ½ inches
126
128
18
h a r r y j ac k s o n Ropin’ a Star, 1982, Bronze, Cast #36, 22 x 9 x 27 inches, Signed, numbered & dated
19
h a r r y j ac k s o n The Marshall II, 1981, Bronze, 38 x 26 x 34 inches, Signed
20
h y d e s o l o m o n , Clouds and Plain, 1975, Oil on canvas, 25 ⅛ x 33 inches, Signed 21
h y d e s o l o m o n , Confluence, 1975, Oil on canvas, 25 x 32 ¼ inches, Signed
22 23 24
h y d e s o l o m o n Easterly, 1975, Oil on canvas, 32 x 25 inches, Signed
h y d e s o l o m o n Storm Center, 1970, Oil on canvas, 30 â…ž x 24 â…ž inches, Signed h y d e s o l o m o n Towards Evening, 1975, Oil on canvas, 21 x 17 inches, Signed
25
w i l l a r d ay e r n a s h Trees, Watercolor, 16 ⅝ x 20 ⅛ inches, Signed
26
k e i t h a l l e n c r o w n , Storm Over Ranchos, 1969, Watercolor, 29 ⅜ x 36 ⅞ inches, Signed
27 l e o g a r e l Winter Sunset, Gouache, 26 ¼ x 31 ½ inches 28 l e o g a r e l Sunset, Gouache, 27 ⅛ x 32 ⅜ inches
2 9 l e o g a r e l Pool at Sunset, 1953, Gouache, 33 ⅝ x 29 ¼ inches 3 0 l e o g a r e l Quarry at Reservoir, Gouache, 32 ¾ x 27 inches, Signed
31
f o r r e s t m o s e s Landscape 87-239, Monotype, 35 Ÿ x 22 ž inches, Signed
32 33
wa r d l o c k w o o d Forest, 1956, Oil and casein, 30 ¾ x 22 ⅝ inches wa r d l o c k w o o d Rocky Landscape, Pastel, 24 x 29 ½ inches, Signed
34
l o u i s r i b a k Atlantis Red Black Movement, Oil on canvas, 40 â…› x 32 Âź inches, Signed
louis ribak
35
Silent Canyon Oil on canvas 64 â…ž x 51 inches Signed
36 37
l o u i s r i b a k Gorge Figures, Watercolor and ink, 43 x 30 â…? inches, Signed
l o u i s r i b a k Personages of the Gorge, Watercolor and ink, 36 x 27 Âź inches, Signed
38 39
l o u i s r i b a k Canyon with Red Square, Watercolor, 24 1/4 x 19 1/8 inches
l o u i s r i b a k Lines and Forms, Watercolor and ink, 27 1/2 x 33 1/4 inches, Signed
40
l o u i s r i b a k Rocks of Atlantis, Oil on canvas, 20 ½ x 30 ⅛ inches, Signed
41
j a n e t l i p p i n c o t t Untitled Landscape #1, Oil on canvas, 16 ½ x 15 ½ inches, Signed
42
j a n e t l i p p i n c o t t Untitled Landscape #2, Oil on canvas, 16 ½ x 15 ½ inches, Signed
43
b e at r i c e m a n d e l m a n Appearance of the Monolith #8, Oil on canvas, 27 他 x 21 他 inches, Signed 44
b e at r i c e m a n d e l m a n Space Section, Oil on canvas, 24 遜 x 20 他 inches, Signed
b e at r i c e m a n d e l m a n
45
Thermal Beings Acrylic 18 ¾ x 24 ¾ inches, Signed 46
#1 Acrylic 24 x 31 ½ inches, Signed 47
Space Series #4-600 Oil on canvas 12 ⅜ x 20 ⅜ inches, Signed
48 49
i lya b o l o t o w s k y Red Tondo, Acrylic on canvas, 23 ¾ x 23 ¾ inches, Signed i lya b o l o t o w s k y Yellow Tondo, Acrylic on canvas, 23 ½ x 23 ½ inches, Signed
50
l e e m u l l i c a n Electric Night, Oil on canvas, 49 ¼ x 43 ⅛ inches, Signed
51
l e e m u l l i c a n Signs and Directions, 1977, Oil & alkyd on canvas, 24 ⅞ x 50 ¾ inches, Signed
52
l e e m u l l i c a n Magic Curtain, 1972, Oil on canvas, 48 ½ x 24 ½ inches
53
l e e m u l l i c a n Procession Near Dawn, 1975, Oil on canvas, 20 ⅝ x 36 ½ inches
54
h a r o l d wa l d r u m Cundingo, Oil on linen, 50 x 48 inches
5 5 h a r o l d wa l d r u m Casa Colorado, 1980, Oil on linen, 41 x 35 inches
56
h a r o l d wa l d r u m , Pewter Cordova, Oil on linen, 28 x 24 inches
Artists of Nebraska SPRING 2007 Keith Jacobshagen, Rain over Home
gallery
director
5733 South 34th Street
Vivian Kiechel
Suite 300
vivian@kiechelart.com
Lincoln, Nebraska 68516 tel: 402.420.9553
gallery director
fax: 402.420.9554
Buck Kiechel buck1@kiechelart.com
office 2341 Bretigne Drive
a s s o c i at e d i r e c t o r
Lincoln, Nebraska 68512
Gloria Garrett
tel: 402.423.0340
gloria@kiechelart.com
fax: 402.423.4270 l ayo u t & d e s i g n w w w. k i e c h e l a r t. c o m
Josie Stauffer
g a l l e r y@ k i e c h e l a r t. c o m
josie@kiechelart.com