Gallery_Catalog

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GALLERY

Knight-Brown Gallery 248 Bleecker Street

New York, NY 10014

Gallery Hours

Tuesday & Friday, 11 AM to 4:30 PM (Closed in August)

Cover Image: Tad Nakamura, “Tranquility 12” , 2022

The Knight-Brown Gallery is pleased to continue its 42-year tradition of presenting exceptional mid-career artists in our Fall Gallery Show. Our curatorial team has selected five individuals whose work demonstrates both creative vision and technical proficiency across a range of visual arts disciplines.

I invite you to join us in welcoming these artists to the Gallery. Their inclusion in this exhibition represents a significant achievement, and I look forward to sharing their work with you.

Sincerely,

Born into the neon-lit chaos of Tokyo’s Shibuya district, Tad Nakamura’s childhood was anything but traditional. His father, a pachinko parlor owner, and his mother, a manga artist, filled their home with a kaleidoscope of colors, sounds, and stories. It was amidst this sensory overload that Tad discovered his love for art.

Tad’s artistic journey began with the elegant lines of Japanese calligraphy, which he transformed into vibrant graffiti art that adorned the city’s hidden corners. He was particularly drawn to the minimalist aesthetics of Ikebana flower arrangements, incorporating floral imagery into his street compositions.

A backpacking trip to Europe exposed Tad to the techniques of the Old Masters, particularly their still-life paintings. The interplay of light and shadow captivated him, adding a new dimension to his artistic palette.

Returning home, Tad embarked on a quest to fuse his diverse artistic visions. The result is a body of work that defies easy categorization. His graffiti art background sometimes breaks through, juxtaposing disparate elements to create anachronistic chaos amidst harmony.

Tad’s paintings are a testament to his unique upbringing and his restless artistic spirit. They invite the viewer to step into a world where tradition and modernity, East and West, collide and coalesce.

“Mixed Results”, 2023
Above: “Spring Lust”, 2023
Left: “Frozen Thoughts”, 2022

Harry Jones (b. 1994)

Harry, a Boston native, has always been captivated by colors and patterns. His early fascination with stripes blossomed into a lifelong passion, shaping his artistic journey from the Rhode Island School of Design (RISD) to a Master of Fine Arts from Yale University.

Harry’s paintings, while influenced by abstract expressionism, transcend mere patterns of colored lines. For him, they are concrete timelines, meticulously chronicling his life’s emotional landscape. Each painting begins with a diary entry. This is translated into lines that trace the contours of his feelings. Some paintings capture fleeting moments, while others show the events that unfolded over months.

These lines are not solely about Harry; they intertwine with the trajectories of others, their lives intersecting and diverging within the canvas. Discontinuities, he emphasizes, are intentional, each representing a significant event that disrupted his path.

For Harry, stripes are not merely a stylistic choice—they are a profound medium for emotional expression, a visual language that translates the complexities of his life into a tapestry of color and form.

“Covid! 8/21-5/22” 2022

“Friends help each other 6/05-8/05”, 2019

Lulu

Chen

(b. 1985)

Lulu’s artistic journey began in the rolling hills south of San Francisco, where her immigrant grandparents from Shanghai had settled. She was captivated by the misty landscapes of traditional Chinese paintings that adorned her grandparents’ home, and how they echoed the fog-draped hills of the Bay Area. Often, during calligraphy lessons, she would break away to create abstract recreations that blended these two worlds.

Her passion led her to the California College of the Arts, where she continued to explore the fusion of Eastern and Western artistic traditions. But it was a year-long residency in Kyoto, Japan, that proved transformative. Immersed in the art of sumi-e (ink wash painting) and the philosophy of wabi-sabi, Lulu found her unique voice.

The misty landscapes of her childhood, the elegance of calligraphy, and the ephemeral beauty of sumi-e converged in her work. Lulu’s paintings invite the viewer to contemplate the delicate balance between presence and absence, the beauty of imperfection, and the profound interconnectedness of all things.

“Livermore Commute”, 2019

Tomales Bay”, 2022

Fred Livingstone (b. 19770

Living on a farm in the Great Plains, Fred’s days were filled with work, except in the winter. Those quiet months became his sanctuary, where he could escape into a world of vibrant colors, a stark contrast to the monotonous white landscape outside.

This youthful passion led him to a challenging double major in Art and Business Administration at Wayne State College. Today, Fred manages a large family farm, but his artistic spirit remains unyielding. He carves out time for a part-time career documenting the rural landscape, capturing its subtle beauty and quiet resilience.

His paintings are a testament to his deep connection to the land, a visual diary of a life lived in harmony with nature’s rhythms. They invite the viewer to appreciate the simple grandeur of the Great Plains, a world often overlooked but rich in stories and timeless beauty.

Right: “Corn Harvest”, 2021

Over Left: “Dale’s Wheat”, 2021

Over Right: “Promise of Rice”, 2021

Born and raised in Honolulu, Ken always felt a deep connection to the ocean and its inhabitants. After a long career in education, retirement offered him the chance to explore his passion for art. A journey to Japan introduced him to Gyotaku, the traditional art of fish printing. This style of art captivated him.

Returning to Hawaii, Ken began to experiment, blending the ancient technique of Gyotaku with abstract expressionism. His knowledge of fish and their behavior guided his artistic vision.

He realized that the fish print itself was just the beginning. Now, his process involves capturing the realism of the fish through a print, then distilling that image into an abstract painting.

“Dinner at Millie’s House”, 2020

Above: “No schooling around!”, 2023

Right: “Hooked”, 2024

“All

together now”, 2024

“Are you sure?”, 2023

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