The Dolphin - 2015

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The Dolphin 2015

EDITOR’S LETTER by James Plummer

D

oes this sound familiar? “GCSEs don’t compare with the O Levels we had to do.” I wonder how many parents have made this claim and how many students have disagreed. Hundreds of students took to Twitter this year after a particularly hard IGCSE Maths paper and the infamous AQA maths question about Hannah’s sweets. We may never truly know whether O Levels were harder but there are some experiences that we can all relate to, whether we took our exams in the Sixties and Seventies or in the more recent past. We have all been there, that moment outside the exam hall minutes before your exams are about to begin. We all know those people with textbooks who saunter past you with an impossible question on electrolysis - and the joy in their eyes when you get it wrong. Every school has that group of “nerds” who turn up two minutes before the exam begins with no notes and a wide grin across their faces as if they have already seen the paper. And there is the joker who has spent all night thinking of some witty comment to shout just before entering the exam hall which is greeted by a vicious “shhhhhh!” from a grey haired examiner in crocks. It is well known that every school buys tables with different length legs. No matter where you sit, or what impossibly difficult angle you tilt your table at, it must just be accepted as part of an exam that your table is going to rock from side to side. As you look around, more confidence is lost when you see the meticulous arrangement of highlighters and colouring pens that you have never even seen before. After the examiner has read your last rites, silence falls upon the hall for a moment. This is the most intense moment of the exam – everyone knows that the speed at which you turn over your paper is absolutely crucial to gain that extra half a second. In my experience I

have seen some horrendous mistakes at this crucial stage. I have seen papers ripped and false starts that would make Marion Ajijala blush on the King’s 100m track. Following a clean start in exams such as History, five minutes of intense writing ensues before the writing speed returns to its normal pace after a minute has been taken to shake your writing hand. In the case of Maths exams, students will all look up to make eye contact with a friend. Not a good idea with invigilators around. When the exam finally finishes, you will look up to see a few students with extra time who have finished half an hour before you. After the exam, they will then complain about how boring they find extra time. Whether it’s this, or just that you realise you should have put in some extra revision, leaving the exam hall invariably prompts a tide of emotions. There are the people who will come out crying but who you know will still beat you on results day. And of course there will be those who will say “that was really easy”, only to be told by our friends with the textbooks that the accurate answers bear no relation to what everyone has written. Annoying! Contrary to what our parents say, exams are actually becoming harder and harder, partly thanks to the former Education Scretary Michael Gove, so it is important to see the lighter side of the ordeal. The front cover shows a portrait of his mother by Old Brutonian James Hayes, an artist with an immense reputation. On the back is an impressive example of an Old Brutonian’s work lit up in the concrete sails of one of the world’s most iconic buildings, the Sydney Opera House. Ben Casey is CEO of Spinifex Group, specialists in video and graphics. The two artists feature in an exhibition of Old Brutonians’ work called “Diversity”. Mr Spilsbury started putting the exhibition together in April, fulfilling a long held ambition, and it’s an extremely good show. The title interested me. In this issue of The Dolphin, Kitty Geach writes about the Charlie Hebdo terrorist attack, an article that has been made even more significant by the recent horrific events in Paris. Diversity is, ostensibly, a positive word, but the Paris attacks, both in January and as we go to press, might not have happened if France had been a less diverse nation. The Chaplain would certainly point to the importance of diversity advocated by Christ who “gave some to be apostles, some to be prophets, some to be evangelists, and some to be pastors and teachers.” Although potentially dangerous, as shown in Paris, diversity must therefore be a force for good. Mr Oulton tells me I should have pressed Robin Grint (Old Brutonian interview, page 8-9) for more details about his nephew Rupert who played Ron Weasley in the Harry Potter films. Why? I think it works the way I did it, just dropping in this detail at the end of the interview, thus ending it on a high. It’s modern journalism. It’s time for Mr Oulton to move with the times! I hope you all enjoy this issue.


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