“A new American folktale with teeth.” teenager
compared to the work of Sally Rooney. But there’s no need to bring Rooney into the discussion. This is an assured, absorbing first novel that follows a young woman as she begins the delicate work of finding out who she is and where she stands in relation to her history. Beth Crowe is juggling the demands of college and family, making new friends, and struggling to cope with two legacies: her own lost potential as an athlete and her Irish poet grandfather’s suicide by drowning, which happened before she was born. A competitive swimmer, Beth is recovering from a breakdown that most likely ended her Olympic dreams. She’s swimming again, learning that the discipline and repetition of an athlete’s routine are hard to shake (as are her father’s expectations). She has left the home she shares with her mother and grandmother and moved into a dorm, and her presence on the college campus has the literature department reeling. Everyone wants answers about her grandfather and his work. She begins a flirtation with Justin, an older instructor who would love access to her grandfather’s archives (her grandmother refuses all such requests). They embark on an affair, and as Beth develops her own reasons for keeping secrets about and from Justin, she discovers surprising new revelations about her grandparents and her own capacity for acceptance. Throughout the novel, water plays an important role as both balm and torment, a way for Beth to test and soothe herself, a way for her troubled grandfather to escape. But Ryan never goes too far with metaphor: This is a crisply written, empathetic novel. Ryan offers a realistic, perceptive view of the early college years, reflecting how difficult but liberating the first steps to adulthood can be. An absorbing, nuanced coming-of-age novel.
COMPANION PIECE
Smith, Ali Pantheon (240 pp.) $26.95 | May 3, 2022 978-0-593-31637-5
An artist in England copes with old and new strangers in a time of plague in this touching entertainment. Painter Sandy Gray is at home in England in 2021 imagining Cerberus talking to a British policeman when she gets a call from someone she barely knew at college some 30 years earlier. Martina Pelf, who remembers Sandy as being good at explaining things, tells her about getting stopped at border control on her return from a trip to collect a 16th-century lock for the museum where she works. While being held in an interview room, Martina hears a disembodied voice ask a strange sortof question: “curlew or curfew.” This is Smith’s pandemic land, where myth and reality converse, where lockdown might evoke medieval artisanry, and where wordplay is more than playful. The Scottish author’s 12th novel displays once again her ingenuity in pulling together disparate narrative strands. The main one concerns the fallout from the unexpected phone call, which sends Sandy, who narrates the novel, back to a moment at university when she explained an e.e. cummings poem for Martina 38
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1 april 2022
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fiction
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kirkus.com
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and forward to a point when, in one long hilarious scene, the Pelf family invades Sandy’s home, breaking all the pandemic rules. She recalls the story of an aunt’s illness in the 1930s and often thinks of her father, who is currently in the hospital with an ailment that won’t be revealed until the penultimate page. The curlew and the curfew will resurface when a homeless teenager breaks into Sandy’s house and then, in a 40-page fable, is pre-incarnated as a gifted teen blacksmith, perhaps the artisan behind the aforementioned lock. With art and humor, Ali is the smith who forges links for her idiosyncratic narrative, one of which is the value of acts of kindness amid distress. A truly marvelous tale of pandemic and puns and endurance.
TEENAGER
Smith, Bud Vintage (416 pp.) $17.00 paper | May 10, 2022 978-0-593-31522-4 Two New Jersey teens go on the run across America in this debut novel. Kody Rawlee Green loves Tella “Teal” Carticelli. Unfortunately, he’s in juvenile detention and she’s about to get on a plane to Rome in her parents’ last-ditch attempt to split them apart. When Kody finds out, he breaks out of juvie, rushes to her home, and whisks her away—after shooting her parents—to a new life on the run. With the police and Teal’s brother, Neil, on their heels, the two take a whirlwind journey through a mythic America, from Graceland to the wilds of Montana to the beaches of Los Angeles. It’s only a matter of time until the world catches up to them, but until that happens, they’re the Bonnie and Clyde of the 21st century. Smith has mixed violence with fable to create this modern-day tall tale about two teens who love each other and say to hell with everything else. Each small chapter is akin to a section from The Odyssey or Don Quixote, snapshots that could stand alone but merge together to create a greater story. The tale is told from the perspective of Kody, an unreliable observer who sees everything as heroically and romantically as possible while Teal vacillates between being aware of the real world around them and falling back into Kody’s fantasy. It’s easy for the reader to be pulled into Kody’s imagination along with Teal until a surprising moment of violence or sudden injury sends you back to reality. The juxtaposition of the teens’ actions versus their thoughts (Teal dreams of having a family in jail once they’re caught, children and grandchildren raised behind bars) emphasizes their youth and disconnection. A new American folktale with teeth.
