500 YEARS OF 1 2 3 4 5 6 7 8
Marco Antonio Cavazzoni
Gregorio Strozzi
c.1490–c.1560
c.1615–after 1687
Recercare primo Salve Virgo Recercare secondo O stella maris Perdone moi sie folie Madame vous aves mon cuor Plus ne regres L’autre yor per un matin
4’43 2’36 5’19 3’48 3’11 3’41 3’24 3’40
13
at the anonymous organ (mid-17th-century) of the Church of San Giuseppe, Montevecchio di Pergola
Giovanni de Macque c.1548–1614 Capriccio sopra re, fa, mi, sol
Marco Antonio Cavazzoni Giovanni de Macque · Rocco Rodio Ascanio Mayone · Gregorio Strozzi Luzzasco Luzzaschi
CD 1
7’20
Luzzasco Luzzaschi c.1545–after 1687
14 15 16 17
5’51
Rocco Rodio c.1535–after 1615
Toccata quarta per l’Elevazione Stefano Innocenti at the F. Cimino organ (1726–36), Auditorium Giani Casa d’Organi
Fabio Antonio Falcone
9
CD 1
ORGAN MUSIC
18
From Il secondo libro de ricercari a quattro voci Ricercar quinto [del terzo tuono] Ricercar ottava [del sesto tuono] Ricercar decimo [dell’ottavo tuono] Ricercar duodecimo [del decimo tuono] Ricercar quinto [del terzo tuono]
6’11 5’08 4’19 5’54
1’45
Matteo Messori 10
Recercata seconda
4’17
Ascanio Mayone c.1565–1627 11 12
Toccata seconda Canzon francese prima
at the Giovanni Cipri organ (1556), Basilica of San Martino Maggiore, Bologna
4’56 3’01
Total time: 79’35 Recording: 25–27 August 2014, Church of San Giuseppe, Montevecchio di Pergola, Italy (1–8); 17 November 2013, Corte de’ Frati, Cremona, Italy (9–13); August–September 2011, Basilica of San Martino Maggiore, Bologna, Italy (14–18) Recording producer: Andrea Friggi (1–8) · Sound engineer: Luigi Faggi Grigioni (1–8) Sound engineering, editing & mastering: Federico Savio (9–13) Recording, mixing & mastering: Michael Seberich (Bolzano) (14–18) Recording, digital editing & post-production assistant: Francesca Tosolini (14–18) Digital editing: Fabio Antonio Falcone & Andrea Friggi (1–8) DDD 2014 (9–18), 2015 (1–8) & 훿 2016 Brilliant Classics
STEMRA
95310/1
500 YEARS OF
ORGAN MUSIC
Michelangelo Rossi
CD 2
Tarquinio Merula 1595–1665
c.1601/2–1656 1 2 3 4 5 6 7 8 9 10
Corrente prima Toccata seconda Toccata terza Corrente terza Corrente quinta Corrente sesta Toccata settima Corrente nona Toccata decima Toccata quarta
1’06 5’35 5’56 1’27 1’06 1’40 5’39 2’51 7’58 5’56
11 12 13 14 15 16 17 18 19
Toccata del secondo tono Canzone [V] Canzone [IV] Capriccio Intonazione cromatica del quarto tono Toccata e genus cromaticum primi toni Canzone [I] Canzone [II] Intonazione cromatica del nono tono
4’15 4’55 3’45 3’22 3’53 5’37 2’46 4’33 3’57
Ricardo Castignetti at the Graziadio Antegnati organ (1565), Basilica of Santa Barbara, Mantua
Enrico Viccardi at the Giovanni Chiappani organ (1447), Church of San Pietro apostolo, Mezzana Casati
Michelangelo Rossi · Tarquinio Merula
CD 2
Total time: 76’20 Recording: 23 May 2014, Basilica of Santa Barbara, Mantua, Italy (1–10); 23–24 January 2015, Church of San Pietro apostolo, Mezzana Casati, Italy (11–19) Sound engineering, editing & mastering: Federico Savio (11–19) Assistants to the organist: Paolo Gazzola & Federico Perotti (11–19) Organ preparation and tuning: Ugo Cremonesi (11–19) DDD 2015 & 훿 2016 Brilliant Classics
STEMRA
95310/2
500 YEARS OF
ORGAN MUSIC
CD 3
Antonio de Cabezón 1510–1566 1
Tientos Tiento del quinto tono
2
Motets in five parts Stabat Mater (Josquin) con segunda parte
3 4
Songs in five parts Qui la dira (Willaert) Quien llamó al partir partir? (Juan de Cabezón)
3’39 2’54
5 6 7 8
Motets in five parts III Sana me Domine (Clemens) In te Domine speravi con segunda parte Tercera parte de Virgo salutifera Stabat Mater (Josquin) con diferente glosa
6’36 10’21 3’57 5’57
9 10
Verses of the Magnificat II Siete versos del sexto tono Siete versos del octavo tono
4’27 3’44
11
Verses of the Magnificat in all eight tones I Siete versos del primer tono
5’39
Antonio de Cabezón
3’40
10’40
Claudio Astronio at the Organ of the Convento di San Magno, Amelia, Terni (1–4) & the Grazadio Antegnati organ (1565), Basilica of Santa Barbara, Mantua (5–11)
CD 3
Total time: 61’42 Recording: 20-22 August 1997, Convento di San Magno, Amelia, Termi, Italy (1–4); 5-6 February 2010, Basilica of Santa Barbara, Mantua, Italy (5–11) Recording producer: Michael Seberich (1–4) Balance engineer: Michael Seberich Digital editing: Peter Golser (1–4) · Simon Lanz (5–11) DDD STEMRA 2012 & 훿 2016 Brilliant Classics
95310/3
500 YEARS OF
ORGAN MUSIC
CD 4
Girolamo Frescobaldi 1583–1643 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
Girolamo Frescobaldi
CD 4
Toccata del Sig.r Frescobaldi in D Recercar primo Toccata del Sig.r Frescobaldi in G Recercar secondo Toccata del Frescobaldi in A Recercar terzo Toccata del Sig.r Frescobaldi in F Recercar quarto, sopra mi, re, fa, mi Toccata di Frescobaldi in F Recercar quinto Toccata F.Baldi in F Recercar sesto, sopra fa, fa, sol, la, fa Toccata del Sig.r Frescobaldi in G Recercar settimo, sopra sol, mi, fa, la, sol Toccata del Sig.r Frescobaldi in G Recercar ottavo, obligo di non uscir mai di grado Toccata per l’organo col contrabbasso overo Pedale di Frescobaldi in D Recercar nono con quattro soggetti Recercar decimo, sopra la, fa, sol, la, re
2’28 3’40 3’30 4’25 3’06 3’46 4’14 3’38 4’04 5’11 2’04 3’00 3’02 2’55 3’30 2’24 2’30 3’43 3’50
Roberto Loreggian at the anonymous organ (18th-century) of the Church of the Annunciation of the Blessed Virgin Mary, Casatico di Marcaria, Mantua
Total time: 65’03 Recording: 5–6 July 2009, Church of the Annunciation of the Blessed Virgin Mary, Casatico di Marcaria, Mantua, Italy Sound engineers: Matteo Costa & Gabriele Robotti 2011 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/4
500 YEARS OF
ORGAN MUSIC
CD 5
Giovanni Maria Trabaci c. 1575–1647
Giovanni Maria Trabaci
1 2 3 4 5 6 7 8 9 10 11 12
From Ricercate, Canzone franzese, Capricci…, libro primo Canzona franzesa settima cromatica Canto fermo secondo del secondo tono Consonanze stravaganti Toccata seconda ottavo tono Canzona franzesa prima Toccata prima secondo tono Canzone sesta Ricercata nono tono con tre fughe Durezze et ligature Canzona franzesa terza Canto fermo quarto del primo tono Ricercata del decimo tono
3’45 3’35 2’21 3’02 2’42 3’37 3’01 3’31 3’33 3’40 2’54 3’51
13 14 15 16
From Ricercate e altri varij Capricci, libro secondo Versetti dell’ottavo tono (Magnificat)* Ricercata del sesto tono cromatico Toccata quarta a cinque Ricercata del primo tono con tre fughe
5’08 5’03 2’43 4’09
Francesco Cera at the anonymous organ (1570) of the Church of Sant’Antonio, Salandra, Matera *Polifonica Materana ‘Pierluigi da Palestrina’ Carmine A. Catenazzo conductor
CD 5 Total time: 56’44 Recording: 29 & 30 March 2014, Church of Sant’Antonio, Salandra, Matera, Italy Sound engineer & editing: Luca Ricci 2014 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/5
500 YEARS OF Giovanni Gabrieli 1557–1612 1
Canzon del primo tono in 8 parts for two organs
Andrea Gabrieli 5’04
Andrea Gabrieli c.1532/3-1585 2 3 4 5 6
Intonazione del primo tono 1 Ricercare del primo tono 1 Intonazione del sesto tono 1 Ricercar arioso 1 Motetto ‘Egredimini et videte’ in 8 parts for two organs
1’18 6’51 1’28 3’15 4’20
7 8 9 10
Fuga del nono tono Toccata del secondo tono Canzon ‘La Spiritata’ 1 in 4 parts Canzon ‘Sol Sol La Sol Fa Mi’ in 8 parts for two organs
11 12 13 14 15
Toccata del quinto tono 1 1’46 3’14 Canzon ariosa 1 3’18 Fantasia allegra 1 1 3’58 ‘Io mi son giovinetta’ for 4 voices, intabulation Canzon francese on ‘Petit Jacquet’ 1 2’17 in 4 parts
Giovanni Gabrieli 16
Giovanni Gabrieli 2
CD 6
ORGAN MUSIC
3’01 2’36 4’08
‘Lieto godea’ in 8 parts for two organs 17 Toccata del primo tono 2 18 Ricercar del primo tono 2 19 Canzon del secondo tono 2 20 Canzon del duodecimo tono 21 Canzon del duodecimo tono in 10 parts for two organs
3’26
2
3’16 2’27 3’09 2’54 4’37
2’24
Giovanni Gabrieli · Andrea Gabrieli Luigi Ferdinando Tagliavini & Liuwe Tamminga at the organs of the Basilica of San Petronio, Bologna 1
Lorenzo da Prato organ ‘in cornu Epistolae’ [right-hand side] (1471-1475) & Baldassare Malamini organ ‘in cornu Evangelii’ [left-hand side] (1596) Luigi Ferdinando Tagliavini 11, 2, 3, 4, 5, 61, 102, 162, 17, 18, 19, 20, 212 Liuwe Tamminga 12, 62, 7, 8, 9, 101, 12, 13, 14, 15, 161, 211 2
CD 6
Total time: 69’00 Recording: 1990, Basilica of San Petronio, Bologna, Italy Sound engineer: Roberto Meo Director: Sigrid Lee 훿 2016 Brilliant Classics Licensed from Tactus
DDD STEMRA
95310/6
500 YEARS OF
ORGAN MUSIC
CD 7
Bernardo Pasquini 1637–1710 1 2 3 4 5 6 7 8 9 10 11 12 13 14
Sonatas for two organs Sonata No.1 in D* Sonata No.2 in C‡ Sonata No.3 in D minor† Sonata No.4 in B flat† Sonata No.5 in B minor* Sonata No.6 in E minor* Sonata No.7 in F† Sonata No.8 in G minor‡ Sonata No.9 in C minor† Sonata No.10 in E minor* Sonata No.11 in G minor‡ Sonata No.12 in B flat† Sonata No.13 in A minor† Sonata No.14 in G minor‡
3’44 6’08 4’45 4’21 4’15 5’53 5’45 5’20 5’59 5’06 5’20 4’56 5’57 3’47
Luca Scandali & Hadrien Jourdan at the Pietro Nacchini (1757) & Gaetano Callido (1785) organs, Basilica of Santa Maria della Misericordia, Fermo
Bernardo Pasquini
Hadrien Jourdan harpsichord LS (Nacchini) & HJ (Callido)* · LS (Callido) & HJ (Nacchini)† · LS (Nacchini) & HJ (harpsichord)‡
CD 7
Total time: 72’10 Recording: 29–31 October 2012, Basilica of Santa Maria della Misericordia, Sant’Elpidio a Mare, Fermo, Italy Sound engineer, editing, mastering & musical supervision: Luigi Faggi Grigioni 2013 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/7
500 YEARS OF 1 2 3
ORGAN MUSIC
Jan Pieterszoon Sweelinck
Jan Pieterszoon Sweelinck
1562–1621
Psalm 36 SwWV311 ‘Des boosdoenders wille seer quaet’ Variatio 2’53 Secunda Variatio 3’10 Tertia Variatio 3’39
Fantasia chromatica in D minor à 4 SwWV258 Almande Gratie [More Palatino] SwWV318 [4 variations] Mein junges Leben hat ein End SwWV324 [6 variations]
8’37 4’24
11 12 13
Anonymous
7’11 14
Anonymous 4
XLIX. Wilhelmus – XIV. Almande prynce
Psalm 118 ‘Dancket den Heer seer hoogh’ ghepresen’
IV. De frans galliard
0’50
Anonymous
2’02 15
XXXVI. Serbande
1’45
Anonymous
Henderick Speuy c.1575–1625 5
CD 8
16
XIII. Almande Brun Smeedelyn
1’25
2’44
Jan Pieterszoon Sweelinck 6 7 8
Jan Pieterszoon Sweelinck · Henderick Speuy Anthoni van Noordt · Cornelis Schuyt Gerhardus Havingha
Anthoni van Noordt c.1619–1675
17
Psalm 24 Verse 1 à 4, pedaliter Verse 2 à 4 Verse 3 à 4, in de Bas
2’24 2’23 3’02
18 19
5’02
20 Ouverture octava: Vivace
Ballo del Granduca SwWV319 [5 variations]
1’39
Cornelis Schuyt 1557–1616 Padovana (del decimo modo) Gagliarda (del decimo modo)
4’21 1’46
Gerhardus Havingha 1696–1753
Jan Pieterszoon Sweelinck 9
Malle Sijmen SwWV323
4’34
Jan Pieterszoon Sweelinck Anonymous 10
LVI. Daphne [3 verses]
21
Fantasia in G minor à 3 SwWV271
5’44
5’54
Matthias Havinga at the Faber/Blank organ, Jacobuskerk, Zeerijp
CD 8
Total time: 75’42 Recording: 30 April & 1–2 May 2014, Jacobuskerk, Zeerijp, The Netherlands Recording producer: Hester Groenleer Recording engineer, editing & mastering: Erik Sikkema 2015 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/8
500 YEARS OF
ORGAN MUSIC
CD 9
The John Reading Manuscripts of Dulwich College 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
John Blow 1648/9–1708 Voluntary for full organ John James d.1745 A voluntary Maurice Greene 1696–1755 A 2nd voluntary in F John Stanley 1712–1786 A voluntary for the trumpet stop Mr Seedo c.1700–1754 A 2nd voluntary in A minor John James A voluntary for full swell, cornet and flute John Reading 1685/6–1764 A trumpet air [II] Maurice Green A 1st voluntary in G John Reading A [double] voluntary William Croft 1678–1727 A voluntary John James A voluntary for the full swell and cornet John Reading A trumpet for air John Stanley A voluntary John Barrett 1676–1719 A 1st volutary in D minor Mr Seedo A 1st volutary in D minor John Reading Air for French horns and flute John Blow A double voluntary
1’34 4’58 3’51 7’09 3’11 5’06 1’39 2’36 4’15 2’46 2’45 3’15 5’21 4’45 6’15 3’31 3’28
Riccardo Bonci at the George England organ (1760), Christ’s Chapel of God’s Gift, Dulwich, London
The John Reading Manuscripts of Dulwich College
CD 9
Total time: 67’07 Recording: 10 & 11 March 2010, Christ’s Chapel of God's Gift, Dulwich, London, UK Sound engineering, editing & mastering: Draft Audio Productions (Stewart French & Elena Zucchini) 2013 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/9
500 YEARS OF
ORGAN MUSIC
CD 10
Johann Jacob Froberger 1616–1667 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
From the Libro secondo Toccata in A minor FbWV101 Toccata in D minor FbWV102 Toccata in G FbWV103 Toccata in C FbWV104 Toccata 'da sonarsi alla Levatione' in D minor FbWV105 Toccata 'da sonarsi alla Levatione' in G minor FbWV106 Fantasia sopra Ut Re Mi Fa Sol La FbWV201 Fantasia in A minor FbWV202 Fantasia in F FbWV203 Fantasia sopra Sol La Re FbWV204 Fantasia in A minor FbWV205 Fantasia in A minor FbWV206 Canzon in D minor FbWV301 Canzon in G minor FbWV302 Canzon in F FbWV303
5’04 4’19 4’23 3’51 6’20 5’24 8’08 3’15 5’28 3’42 3’31 3’01 7’06 4’50 4’05
Simone Stella at the Onofrio Zeffirini organ (1558), Church of Badia Fiorentina, Florence
Johann Jacob Froberger
CD 10
Total time: 71’01 Recording: 23–25 May 2014, Badia Fiorentina, Florence, Italy Sound engineer: Alessandro Simonetto 훿 2016 Brilliant Classics An OnClassical Production
DDD STEMRA
95310/10
500 YEARS OF
ORGAN MUSIC
CD 11
Dieterich Buxtehude 1637–1707 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Praeludium in D BuxWV139 Erhalt uns Herr, bei deinem Wort BuxWV185 Toccata in G (manualiter) BuxWV164 Danket dem Herren, denn er ist sehr freundlich BuxWV181 Passacaglia in D minor BuxWV161 Canzonetta in A minor BuxWV225 Praeludium in F BuxWV144 Christ, unser Herr, zum Jordan kam BuxWV180 Praeludium in E minor BuxWV143 Nun lob, mein Seel, den Herren BuxWV212 Ein feste Burg ist unser Gott BuxWV184 Mensch, willst du leben seliglich BuxWV206 Canzona in D minor BuxWV168 Magnificat primi toni BuxWV204 Magnificat noni toni BuxWV205 Auf meinen lieben Gott BuxWV179 Fantasia super Gelobet seist du, Jesu Christ BuxWV188
5’52 1’53 3’20 3’27 5’40 1’44 2’59 3’58 5’13 3’21 3’33 2’32 4’07 3’31 3’20 5’01 8’59
Simone Stella at the Zanin organ (2007), Church of Sant’Antonio Abate, Padua
Dieterich Buxtehude
CD 11
Total time: 68’40 Recording: 19–20 September & 17–13 October 2011, Church of Sant’Antonio Abate, Padua, Italy Sound engineer & editing: Alessandro Simonetto & 훿 2016 Brilliant Classics DDD An OnClassical Production
STEMRA
95310/11
500 YEARS OF
ORGAN MUSIC
CD 12
Nicolaus Bruhns 1665–1697 1 2 3 4 5
Praeludium in E minor (große) Praeludium in E minor (kleine) Praeludium in G minor Adagio in D Chorale Fantasia: ‘Num komm, der Heiden Heiland’
7’49 4’36 4‘01 2’23 9’42
Heinrich Scheidemann 1595-1663 6
Galliarda ex D
4’20
Samuel Scheidt 1587-1654 7 8
Variationen über das Niederlandische Lied ‘Ach du feiner Reiter’ Bergamasca
8’54 4’18
Adriano Falcioni at the Pinchi organ, Church of San Giorgio, Ferrara
Johann Adam Reincken 1643–1722
Nicolaus Bruhns · Heinrich Scheidemann Samuel Scheidt · Johann Adam Reincken
9 10
Chorale fantasia ‘An Wasserflüssen Babylon’ Chorale fantasia ‘Was kann uns kommen an für Not’
18’01 12’39
Simone Stella at the Zanin organ (2007), Church of Sant’Antonio Abate, Padua
CD 12
Total time: 77’07 Recording: 25–27 June 2013, Church of San Giorgio, Ferrara, Italy (1–8); 7–8 October 2012, Church of Sant’Antonio Abate, University College Don Mazza, Padua, Italy (9–10) Recording producer & sound engineer: Luca Ricci (1–8) Organ tuner: Claudio Pinchi (1–8); Francesco Zanin (9–10) Sound & mastering: Alessandro Simonetto (9–10) Editing: Simone Stella (9–10) DDD 2014 & 훿 2016 Brilliant Classics
STEMRA
95310/12
500 YEARS OF
ORGAN MUSIC
CD 13
Georg Muffat 1653–1704 1 2 3 4 5 6 7 8
Toccata prima Toccata seconda Toccata tertia Toccata quarta Toccata quinta Toccata sexta Toccata septima Toccata octava
5’02 5’26 5’25 6’43 5’17 9’26 8’59 6’43
Adriano Falcioni at the Organ of the Church of Santa Maria Assunta, Giove, Terni
Georg Muffat
CD 13
Total time: 53’01 Recording: 15–17 May 2013, Church of Santa Maria Assunta, Giove, Terni, Italy Sound engineer: Luca Ricci Editing: Luca Ricci & Adriano Falcioni 2013 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/13
500 YEARS OF
ORGAN MUSIC
Johann Kuhnau 1660–1722
1 2 3 4 5 6 7 8 9
Johann Kuhnau
10 11 12
Sonata No.2 The Melancholy of Saul Assuaged by David’s Music The Sadness and the Rage of the King The Restorative Song of David’s Harp The Calm and Contented Soul of Saul
Sonata No.3 Jacob’s Wedding The Joy of the Family of Laban The Servitude of Jacob Is Indeed Laborious 15 The Bridal Song Sung by the Companions of Rachel 16 The Rejoicing for the Wedding, and the Congratulations 17 The Laban’s Trick 18 The Bridegroom Loving and Content 19 Disappointment of Jacob for the Trick 20 The Rejoicing for the Wedding Is Repeated 13 14
Biblical Sonatas Sonata No.1 The Combat between David and Goliath The Boasting of Goliath The Trembling of the Israelites The Courage of David The Combat between the Two and Their Struggle The Stone Is Thrown from the Slingshot - Goliath Falls The Flight of the Philistines The Joy of the Israelites over Their Victory The Musical Concert of the Women in Honour of David The General Rejoicing, and the Dances of Joy of the People
CD 14
1’52 2’30 1’04 0’28 0’26 1’04 1’16 1’21 1’51
Sonata No.4 Hezekiah Dying and Restored to Health 21 Hezekiah’s Lament for the Death Foretold to Him 22 His Confidence in God 23 The Joy of the Convalescent King 24 Ciacona in F minor 25 Prelude in A minor
5’22 4’00 1’22 1’44 4’25 1’28 1’30 1’28
4’58 2’33 2’34 6’20 4’43
8’30
Stefano Molardi 4’02 2’44
at the Silbermann organ (1714), Freiberger Dom (1–23) & the Silbermann organ (1722), Marienkirche, Rötha (24–25)
CD 14 Total time: 69’56 Recording: 5-6 May 2014, Freiberg, Germany (1–23); 5–6 August 2014, Rötha, Germany (24–25) Sound engineer & artistic director: Simone Bellucci DDD 2015 & 훿 2016 Brilliant Classics
STEMRA
95310/14
500 YEARS OF
ORGAN MUSIC 12 13
Preludio con Fuga in C Preludio Fuga
1’30 4’44
14 15
Preludio con Fuga in D minor Preludio Fuga
2’45 2’30
16 17
Preludio con Fuga in A Preludio Fuga
18 19 20 21 22
Concerto in G I. Preludio: Adagio – Allegro II. Largo III. Ritornello: Vivace IV. Aria: Largo V. Vivace
Johann Gottfried Walther 1684–1748 1 2
Toccata con Fuga in C Toccata Fuga
2’15 3’32
3 4 5 6
Alcuni variationi sopr’un basso continuo del Signor Corelli Variatio 1 Variatio 2 Variatio 3 Variatio 4
1’54 1’02 1’03 0’59
7
Fuga in F
2’29
8 9 10 11
Preludio con Fuga in G Preludio Fuga Grave Aria a 2 tastature
2’32 2’30 2’46 2’08
CD 15
1’19 3’51
1’28 2’11 2’27 4’05 2’38
Simone Stella at the Zanin organ (2007), Church of Sant’Antonio Abate, Padua
Johann Gottfried Walther
CD 15
Total time: 52’21 Recording: 29–30 April, 1–6 May, 5–10 November 2013, Church of Sant’Antonio Abate, Padua, Italy Sound engineer: Alessandro Simonetto & 훿 2016 Brilliant Classics DDD STEMRA An OnClassical Production
95310/15
500 YEARS OF
ORGAN MUSIC
CD 16
Andreas Kneller 1649–1724 1 2 3 4
Praeludium in D minor Nun komm, der Heiden Heiland (8 verses) Praeludium in F Praeludium in G
6’53 10’02 5’39 3’15
Christian Geist 1650–1711 5 6 7
Allein Gott in der Höh sei Ehr Aus tiefer Not schrei ich zu Dir Gelobet seist du, Jesu Christ
2’10 2’52 2’42
Georg Dietrich Leyding 1664–1710 8 9 10 11 12
Praeludium in C Von Gott will ich nicht lassen (6 verses) Praeludium in E flat (transposed to F) Wie schön leuchtet der Morgenstern Praeludium in B flat
5’52 8’11 4’52 4’14 7’59
Johann Sebastian Bach 1685–1750
Andreas Kneller · Christian Geist Georg Dietrich Leyding Johann Sebastian Bach
CD 16
13
Wo Gott der Herr nicht bei uns hält – Chorale fantasia BWV1128
8’10
Manuel Tomadin at the Dell’Orto e Lanzini organ (2011), Nostra Signora di Fatima, Pinerolo
Total time: 73’17 Recording: 22 & 23 October 2012, Nostra Signora di Fatima, Pinerolo, Italy Tuning: Massimo Lanzini Mastering & editing: Manuel Tomadin 2013 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/16
500 YEARS OF
ORGAN MUSIC 15 16
Aus tiefer Not schrei ich zu dir I. Versus 1 II. Versus 2
2’48 2’07
17 18 19
Christe der du bist Tag und Licht I. Versus 1 II. Versus 2 III. Versus 3
1’32 5’23 1’32
Georg Böhm 1661–1733 1
Praeludium in C
4’54
2 3 4 5 6 7 8 9
Ach I. II. III. IV. V. VI. VII. VIII.
1’04 1’04 0’53 0’53 0’54 0’53 1’36 1’26
10
Allein Gott in der Höh sei Ehr
3’06
11 12 13 14
Auf I. II. III. IV.
2’35 3’02 1’37 1’44
wie nichtig, ach wie flüchtig Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8
meinen lieben Gott Versus 1 Versus 2 Versus 3 Versus 4
CD 17
20 21 22 23
Christ lag in Todesbanden I Christ lag in Todesbanden II Christum wir sollen loben schon A second fugue on the Praeludium in A minor 24 Erhalt uns, Herr, bei deinem Wort 25 Fugue in A minor
5’28 4’15 2’19 2’16 2’50 3’28
Simone Stella at the Zanin organ (2007), Church of Sant’Antonio Abate, Padua
Georg Böhm
CD 17
Total time: 59’51 Recording: 11–14 May 2012, Church of Sant’Antonio Abate, Padua, Italy Sound engineer: Alessandro Simonetto & 훿 2016 Brilliant Classics An OnClassical Production
DDD STEMRA
95310/17
500 YEARS OF
ORGAN MUSIC
Johann Sebastian Bach 10
1685–1750 1 2
6
from the Orgelbüchlein† Gott, durch deine Güte (Gottes Sohn 1’14 ist kommen) BWV600 Der Tag, der ist so freudenreich 1’46 BWV605 à 2 Clav. et Ped. Vom Himmel kam der Engel Schar 1’12 BWV607 In dulci jubilo BWV608 1’38
7 8 9
Toccata, Adagio and Fugue in C BWV564† Toccata Adagio Fugue
3 4 5
Johann Sebastian Bach
CD 18
Toccata and Fugue in D minor BWV565* Toccata 2’22 Fugue 6’20
5’49 4’31 5’02
11
12 13 14
15 16
17
CD 18
from the Orgelbüchlein† Ich ruf zu dir, Herr Jesu Christ BWV639 Wenn wir in höchsten Nöten sein BWV641 Concerto in A minor BWV593 (after Vivaldi)† I. Allegro II. Recitative: Adagio III. Allegro
2’19 1’48
3’54 3’30 3’55
from 18 Chorale Preludes† Nun komm, der Heiden Heiland BWV659 à 2 Clav. et Ped. Trio super Allein Gott in der Höh sei Ehr BWV664 Passacaglia in C minor BWV582*
4’37 5’30
14’15
Stefano Molardi *Johann Christoph Thielemann organ (1728–31), Dreifältigkeitskirche, Gräfenhain †Zacharias Hildebrandt organ (1728), Jakobikirche, Sangerhausen
Total time: 70’55 Recording: 25–28 September 2013, Gräfenhain, Thuringia, Germany (1–2; 17); 26–28 August 2013, Jakobikirche, Sangerhausen, Germany (3–16) Sound engineer & art direction: Simone Bellucci 2014 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/18
500 YEARS OF
ORGAN MUSIC
CD 19
Johann Sebastian Bach 1685–1750 1 2
Fantasia and Fugue in G minor BWV542‡ Fantasia Fugue
5’16 6’45
3 4
from the Schübler Chorales‡ Wachet auf, ruft uns die Stimme BWV645 Kommst du nun, Jesu, von Himmel herunter BWV650
4’21 3’39
5 6 7
Trio Sonata in C BWV529‡ I. Allegro II. Largo III. Allegro
5’18 6’26 3’41
8 9
from the Orgelbüchlein† O Mensch, bewein dein Sünde groß BWV622 Hilf, Gott, daß mir’s gelinge BWV624
5’44 1’13
10 11
Toccata and Fugue in D minor BWV538† Toccata Fugue
5’46 9’33
12 13
from the Clavierübung – Part III§ Christ, unser Herr, zum Jordan kam BWV684 Schmücke dich, o liebe Seele BWV654 á 2 Clav. et Ped.
4’06 9’00
14 15
Prelude and Fugue in G BWV541‡ Prelude Fugue
3’00 4’28
Johann Sebastian Bach
Stefano Molardi
CD 19
†Zacharias Hildebrandt organ (1728), Jakobikirche, Sangerhausen ‡T.H.G. Trost organ, Stadtkirche ‘Zur Gotteshilfe’, Waltershausen §Gottfried Silbermann organ, Hofkirche, Dresden Total time: 79’18 Recording: 26–28 August 2013, Jakobikirche, Sangerhausen, Germany (10–11); 29 April–3 May 2013, Stadtkirche, Waltershausen, Thuriniga, Germany (1–9, 14–15); 12–15 August 2013, Hofkirche, Dresden, Germany (12–13) Sound engineer & art direction: Simone Bellucci DDD STEMRA 2014 & 훿 2016 Brilliant Classics
95310/19
500 YEARS OF
ORGAN MUSIC 11 12 13 14
Mitten wir im Leben sind Chorale in fuga 7’32 Variation 1: à 2 claviature con pedale 2’57 Variation 2 4’47 Variation 3: con tremulo 4’57
15 16 17 18
Es wird schier der letzte Tag Chorale in contrapunto doppio 5’44 Variation 1 1’57 Variation 2: à 2 claviature con pedale 1’14 Variation 3: à 3 claviature con pedale 3’07
19 20 21 22 23
Gott hat das Evangelium Variation 1: Largo e staccato Variation 2: in doppio contrapunto Variation 3: senza pedale Variation 4: à 3 claviature con pedale Variation 5
Daniel Magnus Gronau 1700–1747
3 4 5
Ein feste Burg ist unser Gott Chorale in contrapunto doppio Variation 1: à 2 claviature coppulate, e senza pedale Variation 2: à 2 claviature con pedale Variation 3: à pedale solo Variation 4
6 7 8 9 10
Was Gott tut, das ist wohlgetan Chorale in fuga 5’00 Variation 1: à 2 claviature con pedale 2’12 Variation 2 2’00 Variation 3: senza pedale 3’17 Variation 4: à pedale solo 1’48
1 2
7’49 1’54 1’40 2’26 2’40
CD 20
2’10 4’10 2’20 3’42 2’05
Matteo Venturini at the Glauco Ghilardi organ (2005), Church of San Rocco, Larciano, Pistoia
Daniel Magnus Gronau
CD 20
Total time: 77’42 Recording: 19, 20 & 22 May 2013, Church of San Rocco, Larciano, Pistoia, Italy Sound engineer: Emiliano Bandini Editorial consultant: Grame Kay Artistic supervisor: Federico Savio 2014 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/20
500 YEARS OF
ORGAN MUSIC
CD 21
Johann Gottfried Müthel 1728–1788 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
Fantasie g-moll Fantasie Es-dur Fantasie F-dur Fantasie Es-dur Unbezeichnetes Stück in C-dur Fugenfantasie C-dur Durch Adams Fall ist ganz verderbt Vater unser im Himmelreich Christe, der du bist Tag und Licht Herr Christ, der einig Gottessohn Jesu, meine Freude (Theme) Jesu, meine Freude (Variation 1) Jesu, meine Freude (Variation 2) Jesu, meine Freude (Variation 3) O Traurigkeit, o Herzeleid Was mein Gott will, das gescheh allzeit Herzlich thut mich verlangen Fantasie G-dur
6’29 6’43 5’57 6’59 5’27 13’48 1’49 1’11 0’56 1’19 1’35 3’48 4’58 2’16 2’59 2’14 4’42 3’52
Matteo Venturini
Johann Gottfried Müthel
CD 21
Glauco Ghilardi Organ (2005), Church of San Rocco, Larciano, Pistoia (1–6) Glauco Ghilardi Organ (2007), Church of Sant’Anna, Sant’Anna di Stazzema, Lucca (7–11) Glauco Ghilardi Organ (2008), Church of Sant’Ignazio di Loyola, Pistoia (12–18)
Total time: 77’15 Recording: 3 November 2013, Church of Sant’Anna, Sant’Anna di Stazzema, Lucca, Italy (7-11); 10 November 2013, Church of Sant’Ignazio di Loyola, Pistoia, Italy (12-18); 1–2 December 2013, Church of San Rocco, Larciano, Pistoia, Italy (1-6) Sound engineer: Emiliano Bandini Editorial consultant: Grame Kay Artistic supervisor: Federico Savio DDD 2015 & 훿 2016 Brilliant Classics
STEMRA
95310/21
500 YEARS OF
ORGAN MUSIC 9 10 11 12
Concerto No.3 in G minor Op.4 No.3 HWV291 I. Adagio 3’50 II. Allegro 3’57 III. Adagio 1’01 IV. Allegro 2’33
13 14 15 16
Concerto No.4 in F Op.4 No.4 HWV292 I. Allegro 3’48 II. Andante 6’11 III. Adagio 1’09 IV. Allegro 3’36
George Frideric Handel 1685–1759 Organ Concertos
George Frideric Handel
1 2 3 4
Concerto No.1 in G minor Op.4 No.1 HWV289 I. Larghetto e staccato II. Allegro III. Adagio IV. Andante
5’14 5’30 1’09 4’12
5 6 7 8
Concerto No.2 in B flat Op.4 No.2 HWV290 I. A tempo ordinario e staccato II. Allegro III. Adagio e staccato IV. Allegro ma non presto
0’56 5’03 0’41 4’03
CD 22
Concerto No.13 in F ‘The Cuckoo and the Nightingale’ 2nd Set No.1 HWV295 17 I. Larghetto 2’25 18 II. Allegro 3’28 19 III. Organo ad libitum: Fuga 4’49 HWV609 20 IV. Larghetto 2’46 21 V. Allegro 3’20
Christian Schmitt at the Mühleisen organ (1992), Evangelische Schlosskapelle Solitude, Stuttgart
Stuttgart Chamber Orchestra Nicol Matt conductor
CD 22 Total time: 70’01 Recording: Summer/Autumn 2004, Evangelische Schlosskapelle Solitude, Stuttgart, Germany Producer & engineer: Reinhard Geller DDD 2009 & 훿 2016 Brilliant Classics
STEMRA
95310/22
500 YEARS OF
ORGAN MUSIC
CD 23
Georg Philipp Telemann 1681–1767
Georg Philipp Telemann
1 2 3 4 5. 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
Chorale Preludes TWV31 Vater unser in Himmelreich TWV31:1–2 Allein Gott in der Höh sei Ehr TWV31:3–4 Komm, heiliger Geist, Herre Gott TWV31:5–6 Herr Jesu Christ, dich zu uns wend TWV31:7–8 Schmücke dich, o liebe Seele TWV31:9–10 Straf mich nicht in deinem Zorn TWV31:11–12 O wir armen Sünder TWV31:13–14 Alle Menschen müssen sterben TWV31:15–16 O Lamm Gottes, unschuldig TWV31:17–18 Ich ruf zu dir, Herr Jesu Christ TWV31:19–20 Ach Herr, mich armen Sünder TWV31:21–22 Christus, der uns selig macht TWV31:23–24 Durch Adams Fall ist ganz verderbt TWV31:25–26 Christ lag in Todesbanden TWV31:27–28 Erschienen ist der herrlich Tag TWV31:29–30 Herr Christ, der einig Gotts Sohn TWV31:31–32 Jesu, meine Freude TWV31:33–34 Was mein Gott will, das g’scheh allzeit TWV31:35–36 Wie schön leuchtet der Morgenstern TWV31:37–38 Herr Jesu Christ, dich zu uns wend TWV31:39–40 Gott der Vater wohn uns bei TWV31:41–42 Ach Gott, von Himmel sieh darein TWV31:43–44 Wer weiss, wie nahe mir mein Ende TWV31:45–46 Nun danket alle Gott TWV31:47–48
2’36 2’06 3’47 2’55 2’55 3’11 3’01 2’52 2’30 3’24 3’44 3’18 2’43 2’57 2’36 2’22 3’25 3’05 2’54 2’35 3’00 3’45 2’52 3’11
Roberto Loreggian at the F. Zanin organ (2007), Church of Sant’Antonio Abate, Padua
CD 23 Total time: 71’58 Recording: 25–26 June 2012, Church of Sant’Antonio Abate, Padua, Italy Recording engineer: Fabio Framba 2013 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/23
500 YEARS OF
ORGAN MUSIC
CD 24
Gottfried August Homilius 1714–1785
Gottfried August Homilius
1 2 3 4 5
Nun komm, der Heiden Heiland HoWV:VIII.38 Ich ruf zu dir, Herr Jesu Christ HoWV:VIII.37 Ach bleib mit deiner Gnade HoWV:VIII.34 Wer nur den lieben Gott läßt walten HoWV:VIII.41 Gelobet seist du, Jesu Christ HoWV:VIII.36
2’43 2’25 2’05 2’20 2’38
6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
32 Praeludia zu geistlichen Liedern vor zwey Claviere und Pedal HoWV:VIII.2-33 Gelobet seist du, Jesu Christ HoWV4 Hilf, Herr Jesu, laß gelingen HoWV5 Christ lag in Todesbanden HoWV6 Christ lag in Todesbanden HoWV7 Wer nun den lieben Gott läßt walten HoWV3 Straf mich nicht in deinem Zorn HoWV2 Herr Jesu Christ, du höchstes Gut HoWV8 Wir Christenleut habn jetzund Freud HoWV9 Sei Lob und Ehr dem höchsten Gut HoWV10 Meine Hoffnung steht auf Gott HoWV11 Herzlich lieb hab ich dich, o Herr HoWV12 O großer Gott, du reines Wesen (Wer nur den lieben Gott läßt walten) HoWV13 Komm, heilger Geist, Herre Gott HoWV14 Meinen Jesum laß ich nicht HoWV15: Vivace Christ lag in Todesbanden HoWV16
1’40 2’32 2’27 1’56 2’00 3’08 3’13 3’12 3’15 3’14 2’35 2’40 2’43 1’36 3’08
Felix Marangoni at the Zanin organ (2007), Church of Sant’Antonio Abate, Padua
CD 24
Total time: 51’30 Recording: 11–14 June 2011, Church of Sant’Antonio Abate, Padua, Italy Producer, recording engineer, balance engineer & mastering: Michael Seherich Musical assistance: Antonio Scavuzzo Digital editing: Corrado Ruzza 2015 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/24
500 YEARS OF
ORGAN MUSIC
Carl Philipp Emanuel Bach
10
Adagio in D minor Wq n.v.66 (H352) 2’48
11
Prelude in D Wq70 No.7 Grave – Presto – Grave – Presto
1714–1788
Carl Philipp Emanuel Bach
1 2 3
Sonata in A minor Wq70 No.4 (H85) I. Allegro assai 6’28 II. Adagio 3’45 III. Allegro 4’45
4
Fugue in A Wq119 No.4 (H101) Allegretto
5’01
5. 6 7
Sonata in B flat Wq70 No.2 (H134) I. Allegro II. Arioso III. Allegro
3’17 3’05 2’47
8
Fugue in E flat Wq119 No.6 (H102) Alla breve moderato
7’18
9.
Fugue in D minor H372 Moderato
CD 25
3’53
12
Ich ruf zu dir, Herr Jesu Christ BWV Anh.73
3’54
13
Aus der Tiefe rufe ich BWV745
4’00
14 15 16 17 18
5 Choräle mit ausgesetzten Mittelstimmen H336 No.1 O Gott, du frommer Gott 1’01 No.2 Ich bin ja, Herr, in deiner Macht 1’09 No.3 Jesus, meine Zuversicht 0’54 No.4 Wer nur den lieben Gott 1’28 läßt walten No.5 Komm, heiliger Geist, Herre Gott 1’48
19
Fantasia and Fugue in C minor Wq119 No.7 (H75 No.5) Allegretto – Allegro
2’28
5’54
Luca Scandali at the Dell’Orto & Lanzini organ (2007), Parish Church of Santa Maria Assunta, Vigliano
CD 25
Total time: 65’55 Recording: 25–27 November 2013, Parish Church of Santa Maria Assunta, Vigliano, Italy Sound engineer, editing & mastering: Luigi Faggi Grigioni Musical supervision: Luigi Faggi Grigioni & Roberto Santocchi 2014 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/25
500 YEARS OF
ORGAN MUSIC 13 14
Sonata No.7 in B flat I. Larghetto II. Allegro
15 16
Sonata No.8 in D I. Andante II. Allegro
3’11 1’46
17 18
Sonata No.9 in F minor I. Andante II. Allegretto
4’15 2’41
Ignazio Cirri 1711–1787 1 2
3 4
Ignazio Cirri
Sonata No.1 in C I. Andantino II. Allegretto Sonata No.2 in F I. Larghetto II. Allegretto
5 6
Sonata No.3 in G minor I. Larghetto II. Allegro
7 8
Sonata No.4 in G I. Andante II. Allegro
9 10
Sonata No.5 in C minor I. Andante II. Allegro
11 12
Sonata No.6 in A I. Andantino II. Allegro
2’53 2’00
3’07 1’48
5’11 2’07
2’36 2’14
3’22 1’55
3’15 2’34
CD 26 3’40 2’23
Sonata No.10 in A 19 I. Andantino 20 II. Allegro
2’55 2’12
Sonata No.11 in G minor 21 I. Andante 22 II. Allegro
3’15 3’01
Sonata No.12 in D 23 I. Andantino 24 II. Moderato
4’11 2’49
Massimo Gabba at the Organ of the Parish Church of San Bononio, Pozzengo
CD 26 Total time: 69’40 Recording: 18 August 2014, Parish Church of San Bononio, Pozzengo, Italy Recording producer, sound engineer & editor: Federico Savio 2015 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/26
500 YEARS OF
ORGAN MUSIC
CD 27
František Xaver Brixi 1732–1771
František Xaver Brixi
1 2 3
Organ Concerto No.6 in G I. Moderato II. Adagio III. Allegro assai
6’59 3’49 4’44
4 5 6
Organ Concerto No.3 in D I. Moderato II. Adagio III. Presto
4’48 3’14 3’19
7 8 9
Organ Concerto No.1 in C I. Allegro II. Adagio III. Presto
4’28 2’03 3’07
10 11 12
Organ Concerto No.5 in F I. Allegro moderato II. Adagio III. Allegro assai
5’39 5’32 4’29
Christian Schmitt at the Weimbs organ (2005), Pfarrkirche Sankt Marien, Zeltingen-Rachtig
European Chamber Soloists Nicol Matt conductor
CD 27 Total time: 52’19 Recording: May 2006, Pfarrkirche Sankt Marien, Zeltingen-Rachtig, Germany Producer & engineer: Reinhard Geller 2006 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/27
500 YEARS OF
ORGAN MUSIC
CD 28
Padre Antonio Soler 1729–1783 1 2
1° Concierto in C I. Andante II. Minué
5’59 3’35
3 4 5
2° Concierto in A minor I. Andante – Allegro II. Tempo de Minué
7’13 3’02 5’25
6 7
3° Concierto in G I. Andantino II. Minué
3’09 7’43
8 9
4° Concierto in F I. Afectuoso – Andante non largo II. Minué
3’57 8’05
10 9
5° Concierto in A I. Cantabile II. Minué
3’11 6’18
8 9
6° Concierto in D I. Allegro – Andante – Allegro – Andante II. Minué
4’22 9’15
Padre Antonio Soler
Maurizio Croci & Pieter van Dijk at the Zanin organs ‘Cornu Evangelii’ & ‘Cornu Epistolae’ (1993), Church of Giacomo Maggiore del Carmine, Imola
CD 28
Total time: 71’20 Recording: 28–30 November 2007, Church of San Giacomo Maggiore del Carmine, Imola, Italy Producers: Maurizio Croci & Pieter van Dijk Recording engineer: Andrea Chenna Music direction and editing: Andrea Dandolo Tuning: Marco Fratti DDD 2011 & 훿 2016 Brilliant Classics
STEMRA
95310/28
500 YEARS OF
ORGAN MUSIC
CD 29
Joseph de Torres 1670–1738 1 2 3 4 5 6 7 8 9 10 11
Libro que contiene onze partidos del Maestro Don Joseph de Torres Batalla Partido de Segundo Obra de Mano Derecha Obra de Séptimo Tono Bajo Obra de Lleno de Séptimo Tono Obra de Primer Tono Bajo Partido de Primero Alto Fuga Obra Partido de Sexto Tono Canción (from the ‘Libro de Cifra de Oporto’)
6’54 5’48 6’46 5’18 3’40 5’50 5’20 4’38 4’50 3’18 1’43
Bruno Forst at the Joseph Llopis organ (1792), Parish Church of Santa Quiteria, Elche de la Sierra, Albacete
Joseph de Torres
CD 29
Total time: 54’11 Recording: 28–29 August 2009, Parish Church of Santa Quiteria, Elche de la Sierra, Albacete, Spain Sound engineer, artistic production & digital editing: Pablo Barreiro Music supervision: Mercedes Rubio Condado DDD STEMRA 2014 & 훿 2016 Brilliant Classics
95310/29
500 YEARS OF
ORGAN MUSIC 11 12 13
Concerto in C minor RV766 for violin, organ, strings and continuo (msc GB-Lam) I. Allegro 2’36 II. Largo 1’19 III. Allegro 2’18
14 15 16
Concerto in F RV767 for violin, organ, strings and continuo (msc GB-Lam) I. Allegro 3’11 II. Larghetto 1’56 III. Allegro 2’12
17 18 19
Concerto in C RV554 for violin, cello, organ, strings and continuo (msc I-Tb, Foà) I. [Allegro] 4’22 II. [Adagio] 3’26 III. [Allegro] 3’29
Antonio Vivaldi 1678–1741
Antonio Vivaldi
1 2 3
Concerto in D minor RV541 for violin, organ, strings and continuo (msc I-Tn, Giordano) I. Allegro 3’21 II. Grave 2’29 III. [Allegro] 2’01
4 5 6
Concerto in F RV542 for violin, organ, strings and continuo (msc D-Dl) I. [Allegro] 3’56 II. [Largo] 2’37 III. Allegro 7’02
7 8 9 10
Sonata in C RV779 for violin, oboe, organ and chalumeau (msc D-Dl, a Violino, Oboè e Organo obbligati et anco se piace il Salmoè) I. Andante 3’45 II. Allegro 4’06 III. Largo cantabile 2’05 IV. Allegro 4’19
CD 30
Roberto Loreggian at the Organ (17th–century) of the Oratorio di San Bovo, Padua
L’Arte dell’Arco Federico Guglielmo solo violin and concert master Stefano Zanchetta violin · Massimo Piva viola · Francesco Montaruli cello Alessandro Sbrogiò violone · Andrea Mion oboe · Luca Lucchetta chalumeau
CD 30
Total time: 60’40 Recording: 26–28 September 2007, Sala superiore (Capitolo della Confraternita), Oratorio di San Bovo, Padua, Italy Producer and editor: Fabio Framba Recording engineer: Marco Lincetto 2010 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/30
500 YEARS OF
ORGAN MUSIC 10 11
Toccata in B Flat WörA12 [Allegro] [Presto]
3’44 3’46
12 13
Toccata in B Flat [Moderato] [Allegro]
6’20 3’47
14 15
Sonata in C Andante Grazioso [Moderato]
4’25 2’08
16 17
Sonata in A minor Ripieno [Spiritoso]
2’43 2’25
18 19
Sonata pastorale in B Flat Andante [Moderato]
3’20 3’35
Domenico Alberti 1710–1746 1 2
3 4
5 6
7 8 9
Sonata in G minor Allegro [Spiritoso] Sonata in D minor/major [Andante] Allegro Sonata pastorale in G Andante Presto Sonata IV Allegro Andante Four variations
3’43 3’40
2’21 4’04
7’01 4’08
1’50 3’24 2’24
CD 31
Manuel Tomadin at the F. Dacci organ (1773), Marano Lagunare, Udine
Domenico Alberti
CD 31
Total time: 69’01 Recording: 5 November 2013, Marano Lagunare, Italy Tuning: Francesco Zanotto & Francesco Zanin Assistant: Beppino Delle Vedove Mastering & editing: Manuel Tomadin 2015 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/31
500 YEARS OF
ORGAN MUSIC
CD 32
Wolfgang Amadeus Mozart 1756–1791 1 2 3 4 5 6
Suite in C K399: I. Overture Andante in F K616 Adagio and Allegro in F minor K594 Adagio in C K356 Church Sonata in C K336 Piece in F K33b
7 8 9
From the London Sketchbook Rondo in F K15hh Allegro in F K15a Rondo in D K15d
10 11
Adagio and Rondo in C minor K617 Fantasia in F minor K608
5’00 7’41 12’28 4’12 5’04 1’29
1’25 1’15 1’37 12’53 11’09
Ivan Ronda at the Sandri organ, Church of Maria Vergine Immacolata, Gallo di Grinzane Cavour, Cuneo
Wolfgang Amadeus Mozart
CD 32
Total time: 64’21 Recording: 24 April 2014, Church of Maria Vergine Immacolata, Gallo di Grinzane Cavour, Cuneo, Italy Sound engineer, editing & mastering: Federico Savio Editorial consultant: Graeme Kay DDD STEMRA 2015 & 훿 2016 Brilliant Classics
95310/32
500 YEARS OF
ORGAN MUSIC
CD 33
Joseph Haydn 1732–1809 1 2 3
Organ Concerto in C Hob.XVIII:1 Moderato Largo (cadenza: Anton Holzapfel) Allegro molto
8’10 7’59 7’26
4 5 6
Organ Concerto in D Hob.XVIII:2 Allegro moderato Adagio molto (cadenza: Anton Holzapfel) Allegro
9’32 11’04 6’21
7 8
Flötenuhr 1789 Hob.XIX:11 (Andante) Hob.XIX:16 (Fuga: Allegro assai)
1’29 1’32
9 10 11
Organ Concerto in C with strings Hob.XVIII:5 Allegro moderato Andante Allegro
5’22 3’17 3’54
Anton Holzapfel
Joseph Haydn
at the Hencke organ (1750), Pfarr- und Wallfahrtskirche Maria Kirchbüchl, Höflein an der Hohen Wand
dolce risonanza Florian Wieninger conductor
CD 33
Total time: 66’14 Recording: July and October 2007, Pfarr- und Wallfahrtskirche Maria Kirchbüchl, Höflein an der Wand, Austria Recording producer, balance engineer & mastering: Jens Jamin 2008 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/33
500 YEARS OF
ORGAN MUSIC
CD 34
Padre Davide da Bergamo 1791–1863 1 2 3 4 5 6 7 8 9 10 11 12
Sonatas and Symphonies Sinfonia in D Suonata in E Sinfonia in E flat Suonata in B flat Sinfonia in D Suonata in F Sinfonia in C Suonata in E flat Sinfonia in D Suonata in A Sinfonia in E Suonata in G
7’17 5’16 7’12 4’04 6’32 4’48 5’56 4’04 6’03 5’03 5’59 5’02
Marco Ruggeri at the Giudici organ (1853-5), Parish Church of Villa di Serio, Bergamo
Padre Davide da Bergamo
CD 34 Total time: 67’25 Recording: 25 November 2013, Parish Church of Villa di Serio, Bergamo, Italy Recording producer, editing & mastering: Federico Savio 2014 & 훿 2016 Brilliant Classics
DDD STEMRA
95310/34
500 YEARS OF
ORGAN MUSIC
CD 35
Felix Mendelssohn 1809–1847 1 2 3 4
Sonata No.2 in C minor Op.65 No.2 I. Grave II. Adagio III. Allegro maestoso e vivace IV. Fuga
2’02 3’52 1’56 3’50
5 6
Sonata No.3 in A Op.65 No.3 I. Con moto maestoso II. Andante tranquillo
8’38 2’59
7 8 9 10
Sonata No.4 in B flat Op.65 No.4 I. Allegro con brio II. Andante religioso III. Allegretto IV. Allegro maestoso e vivace
3’49 3’09 3’47 4’16
11 12 13
Sonata No.5 in D Op.65 No.5 I. Andante II. Andante con moto III. Allegro maestoso
1’26 3’16 4’47
14 15 16
Sonata No.6 in D minor Op.65 No.6 I. Choral mit Variationen II. Fuga III. Andante
Felix Mendelssohn
10’54 3’02 3’25
Giulio Piovani at the Mascioni organ, Church of San Giovanni Evangelista, Alessandria
CD 35 Total time: 65’17 Recording: 15 & 16 March 2013, Church of San Giovanni Evangelista, Alessandria, Italy Recording producer, sound engineer & editor: Federico Savio 2014 & 2016 Brilliant Classics
DDD STEMRA
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500 YEARS OF
ORGAN MUSIC
CD 36
August Gottfried Ritter 1811–1885
August Gottfried Ritter
1 2 3 4 5
Sonata No.1 in D minor Op.11 I. Allegro – Andante – Adagio II. Andante III. Allegro – Adagio IV. Andante con moto V. Allegro – Andante – Adagio
3’07 3’00 3’39 1’43 1’39
6 7 8
Sonata No.2 in E minor Op.19 I. Rasch und entschlossen – II. Ruhige Bewegung – Lebhafter III. Rasch und feurig – Ernst
2’41 6’00 5’14
9 10 11 12 13 14
Sonata No.3 in A minor Op.23 I. Rasch II. Recit III. Nicht schleppend IV. Rasch V. Entschlossen VI. [Rasch] – Adagio
3’04 2’28 4’52 1’06 2’43 6’59
15 16
Sonata No.4 in A Op.31 I. Ruhig und heiter II. Theme (‘Het Wilhelmus’) & Variations: Frisch und kräftig
6’06 12’44
Massimo Gabba at the Sandri organ, Santuario Maria Ausiliatrice, Aprica
CD 36 Total time: 67’15 Recording: 20 & 21 September 2013, Santuario Maria Ausiliatrice, Aprica, Italy Recording producer, sound engineer & editor: Federico Savio 2014 & 2016 Brilliant Classics
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CD 37
Robert Schumann 1810–1856
Robert Schumann
1 2 3 4 5 6
6 Studies in canonic form for pedal-piano Op.56 6 pieces in canonic form No.1 Nicht zu schnell No.2 Mit innigem Ausdruck No.3 Andantino No.4 Innig No.5 Nicht zu schnell No.6 Adagio
2’26 4’02 2’07 4’24 2’38 3’57
7 8 9 10
4 Sketches for pedal-piano Op.58 No.1 Nicht schnell und sehr markiert No.2 Nicht schnell und sehr markiert No.3 Lebhaft No.4 Allegretto
3’11 4’16 5’39 2’58
11 12 13 14 15 16
6 Fugues on the name B-A-C-H Op.60 No.1 Langsam No.2 Lebhaft No.3 Mit sanften Stimmen No.4 Mäßig, doch nicht zu langsam No.5 Lebhaft No.6 Mäßig, nach und nach schneller
6’27 6’56 3’24 4’34 2’27 9’43
Roberto Marini at the Mascioni organ, Abbey of San Tommaso apostolo, Pontevico
CD 37
Total time: 69’16 Recording: 27 April 2011, Church of Santi Tommaso e Andrea apostoli, Pontevico, Italy Recording producer, sound engineer, editing & mastering: Federico Savio Editorial consultant: Graeme Kay 2014 & 2016 Brilliant Classics
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CD 38
Franz Liszt 1811–1886 1 2
Prelude and Fugue on the name B-A-C-H Prelude Fugue
3
Variations on ‘Weinen, Klagen, Sorgen, Zagen’
23’47
4 5
Fantasia and Fugue: ‘Ad nos, ad Salutarem undam’ Fantasia Fugue
25’36 11’45
4’40 11’30
Hans-Jürgen Kaiser at the Ladegast organ, Schwerin Cathedral
Franz Liszt
CD 38 Total time: 77’28 Recording: August 1997, Schwerin Cathedral, Schwerin, Germany Recording producer: Reinhard Geller 2009 & 2016 Brilliant Classics
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CD 39
Vincenzo Antonio Petrali 1830–1889 1 2 3
Sonata in D Adagio per Voce Umana Sonata in D
7’30 4’29 5’50
4 5 6 7 8 9
6 Versetti per il Gloria in D Verse No.1 Verse No.2 Verse No.3 Verse No.4 Verse No.5 Verse No.6
2’09 2’41 2’07 1’38 4’32 2’59
10 11 12 13 14
Sonata in F Sonata per la Consumazione Sonata in C per l’Offertorio Sonata in F per l’Offertorio Sonata finale
7’06 3’55 4’48 3’11 4’13
Marco Ruggeri at the Serassi organ (1862), Parish Church of Gottolengo
Vincenzo Antonio Petrali
CD 39 Total time: 57’20 Recording: June 2007, Parish Church of Gottolengo, Brescia, Italy Recording producer, editing & mastering: Franco Maria Bottoni 2015 & 2016 Brilliant Classics
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CD 40
Johannes Brahms 1833–1897 1 2
Chorale Prelude and Fugue on ‘O Traurigkeit’ WoO7 Chorale Prelude Fugue
2’40 5’49
3
Fugue in A flat minor WoO8
7’58
4 5
Prelude and Fugue in G minor WoO10 Prelude Fugue
3’54 4’28
Christian Schmitt at the Link organ, Stadtkirche of Giengen an der Brenz
Johannes Brahms
6 7 8 9 10 11 12 13 14 15 16
11 Chorale Preludes Op.122 No.1 Mein Jesu, der du mich No.2 Herzliebster Jesu No.3 O Welt, ich muss dich lassen No.4 Herzlich tut mich erfeuen No.5 Schmücke dich, o liebe Seele No.6 O wie selig seid ihr doch, ihr Frommen No.7 O Gott, du frommer Gott No.8 Es ist ein Ros entsprungen No.9 Herzlich tut mich verlangen No.10 Herzlich tut mich verlangen No.11 O Welt, ich muss dich lassen
5’10 2’23 2’37 1’34 2’23 1’29 5’37 2’14 2’13 2’33 3’43
Nicholas Danby at the Organ of the Church of the Immaculate Conception, Mayfair, London
CD 40
Total time: 57’24 Recordings: 1982, London (6–16); April 2007, Giengen an der Brenz, Germany (1–5) Recording producers: Nicol Matt (1–5); Simon Lawman (6–16) Sound engineers: Reinhard Geller (1–5); Bob Auger (6–16) 2009 (1–5) & 2016 Brilliant Classics Licensed from CRD Records, UK (6–16)
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CD 41
César Franck 1822–1890 1 2 3 4 5 6
Six Pièces Fantaisie Op.16 Grande Pièce symphonique Op.17 Prélude, Fugue et Variation Op.18 Pastorale Op.19 Prière Op.20 Final Op.21
12’17 22’41 10’21 9’09 13’36 11’03
Adriano Falcioni at the Mascioni organ (1961), Basilica of Santa Maria degli Angeli (Church of the Porziuncola), Assisi
César Franck
CD 41 Total time: 79’21 Recording: 29–30 April 2011, Basilica of Santa Maria degli Angeli (Church of the Porziuncola), Assisi, Italy Sound engineer: Luca Ricci DDD STEMRA 2012 & 2016 Brilliant Classics
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CD 42
Charles-Marie Widor 1844–1937 1 2 3 4 5
Organ Symphony No.6 in G minor Op.42 No.2 I. Allegro II. Adagio III. Intermezzo: Allegro IV. Cantabile V. Finale: Vivace
9’03 7’23 6’15 5’41 6’35
6 7 8 9 10
Organ Symphony No.5 in F minor Op.42 No.1 I. Allegro vivace – Più lento II. Allegro cantabile III. Andantino quasi allegretto IV. Adagio V. Toccata: Allegro
10’20 8’02 8’23 4’32 6’10
Joseph Nolan at the Cavaillé-Coll organ, The Madeleine Church, Paris
Charles-Marie Widor
CD 42
Total time: 72’35 Recording: 18–24 May 2011, The Madeleine Church, Paris, France Producer: Adrian Peacock Recording engineer & editor: Andrew Mellor 2012 Signum Records Ltd. 2016 Brilliant Classics Licensed from Signum Records Ltd.
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CD 43
Félix Alexandre Guilmant 1837–1911 1 2 3 4
Sonata No.4 in D minor Op.61 I. Allegro assai II. Andante III. Menuetto: Allegretto IV. Final
4’42 4’26 4’37 5’02
5 6 7 8 9
Sonata No.5 in C minor Op.80 I. Allegro appassionato II. Adagio con molt’ espressione III. Scherzo: Allegro IV. Recitativo V. Choral et Fugue: Allegro
5’46 8’35 6’27 1’35 9’04
10 11 12
Sonata No.6 in B minor Op.86 I. Allegro con fuoco II. Méditation: Andante quasi adagio III. Fugue et adagio
7’27 5’25 8’17
Adriano Falcioni at the Vegezzi-Bossi organ (1897), Sacro Cuore di Gesù Church, Cuneo
Félix Alexandre Guilmant
CD 43 Total time: 72’24 Recording: 25–28 October 2013 & 6–8 October 2014, Sacro Cuore di Gesù Church, Cuneo, Italy Artistic direction: Maurizio Paciariello DDD 2015 & 2016 Brilliant Classics
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CD 44
Max Reger 1873–1916 1 2 3 4
Chorale Fantasias Ein feste Burg ist unser Gott Op.27 Freu’ dich sehr, o meine Seele Op.30 Wie schön leucht’t uns der Morgenstern Op.40 No.1 Straf’ mich nicht in deinem Zorn Op.40 No.2
12’36 17’48 17’50 14’10
Wouter van den Broek at the Organ of the Onze-Lieve-Vrouwekerk, Breda
Max Reger
CD 44 Total time: 62‘29 Recording: 1989/1990, The Onze-Lieve-Vrouwekerk, Breda, The Netherlands & 2016 Brilliant Classics
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Edward Elgar 1857–1934
CD 45
Georgi Alexandrovich Mushel 1857–1934
1
Cantique Op.3*
3’44
2 3 4 5
Sonata in G Op.28* I. Allegro maestoso II. Allegretto III. Andante espressivo IV. Presto: Comodo
9’00 4’22 6’11 6’47
6 7 8 9 10 11 12 13 14
Vesper Voluntaries Op.14* Introduction I. Andante II. Allegro III. Andantino IV. Allegro piacevole – Intermezzo: Adagio, come prima V. Poco lento VI. Moderato VII. Allegretto pensoso VIII. Poco allegro – Coda: Adagio come prima
15 16 17 18 1’26 1’24 1’50 2’19 2’16 1’37 2’00 2’10 3’55
19
Samarkand Suite† I. Qasida to the Master Builders of Ancient Samarkand II. On the Deserted Hills of Afrasiyab III. The Flowering River Valley of the Zeravshan IV. In the Twilight of the Shakhi Zinda Necropolis V. Samarkand in the Light of the Rising Sun
4’23 6’50 3’12 4’57 5’26
Daniel Justin* Benjamin Saunders† at the Grand Organ of Leeds Cathedral
Edward Elgar · Georgi Alexandrovich Mushel
CD 45
Total time: 74’05 Recordings: 26 November 2012 (15–19) & 18 May 2014 (1–14), Leeds Cathedral, Leeds, UK Recording engineers: Craig Golding & Bhupinder Chaggar (1–14); Andrew Mellor & Craig Jenkins (15–19) DDD 2013 (15–19), 2015 (1–14) & 2016 Brilliant Classics
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CD 46
Maurice Duruflé 1902–1986
Maurice Duruflé
1 2 3
Prélude, Adagio et Choral varié sur le thème du ‘Veni Creator’ Op.4 Prélude Adagio Choral varié
7’37 6’42 5’39
4 5 6
Prélude sur l’Introït de l’Épiphanie Op.13 Fugue sur le thème du Carillon des Heures de la cathédrale de Soissons Op.12 Scherzo Op.2
2’29 3’25 6’15
7 8
Prélude et Fugue sur le nom d’Alain Op.7 Prélude Fugue
6’17 4’55
9 10
Méditation Op.Posth. Hommage à Jean Gallon
3’47 2’09
11 12 13
Suite Op.5 I. Prélude II. Sicilienne III. Toccata
8’01 6’00 8’21
Adriano Falcioni at the Grand Organ of Leeds Cathedral
CD 46 Total time: 71’44 Recording: 18–21 March 2012, Leeds Cathedral, Leeds, UK Recording engineers: Andrew Mellor, Richard Sutfcliffe & Craig Jenkins 2013 & 훿 2016 Brilliant Classics
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CD 47
Jehan Alain 1911–1940
Jehan Alain
1 2
Litanies JA119 Intermezzo JA66bis
4’26 5’40
3 4 5
Trois Danses JA120A Joies Deuils Luttes
5’59 11’25 4’02
6 7
Choral cistercien pour une Élévation JA134 Deuxième Fantaisie JA117
1’52 7’35
8 9 10
Suite pour orgue Introduction et variations JA69 Scherzo Choral
2’53 3’10 3’39
11 12
Choral dorien JA67 Choral phrygien JA68
5’22 3’19
13 14 15
Trois Minutes Un cercle d’argent JA30 Romance JA31 Grave JA32
1’13 1’06 2’29
Jean-Baptiste Robin at the Organ of the Church of Saint-Étienne-du-Mont, Paris (1–6) & the Organ of the Church of Sainte-Radegonde, Poitiers (7–15)
CD 47
Total time: 72’00 Recordings: 29 October 2008, Church of Saint-Étienne-du-Mont, Paris, France (1–6); 2–3 October 2010, Church of Sainte-Radegonde, Poitiers, France (7–15) Sound recording: Olivier Thuault Recording engineer: Étienne Grossein Organ tuning and maintenance: Bernard Dargassies DDD STEMRA 2011 & 2016 Brilliant Classics
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CD 48
Hendrik Andriessen 1892–1981 1 2 3 4 5 6 7 8
Premier Choral Sonata da chiesa Deuxième Choral A Quiet Introduction Troisième Choral Offertorium Quatrième Choral Theme and Variations
10’13 12’11 11’10 4’44 10’44 4’53 12’03 8’02
Benjamin Saunders at the Grand Organ of Leeds Cathedral
Hendrik Andriessen
CD 48 Total time: 74’03 Recording: 18 May 2014, Leeds Cathedral, Leeds, UK Recording engineers: Craig Golding & Bhupinder Chaggar 2015 & 훿 2016 Brilliant Classics
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CD 49
Olivier Messiaen 1908–1992 1 2 3
4 5 6 7
Le Banquet céleste Diptyque Apparition de l’Église éternelle
7’08 10’15 9’11
L’Ascension Majesté du Christ demandant sa gloire à son Père Alléluias sereins d’une âme qui désire le ciel Transports de joie d’une âme devant la gloire du Christ qui est la sienne Prière du Christ montant vers son Père
7’24 6’09 4’44 10’27
Willem Tanke at the Adema/Schreurs organ, Cathedral of Saint Bavo, Haarlem
Olivier Messiaen
CD 49
Total time: 55’22 Recording: 6–17 June 1994, Cathedral of Saint Bavo, Haarlem, The Netherlands Recording producer: Jos van der Linden Digital remastering, editing & processing: Martijn Alsters & René van Commenée 2007 & 훿 2016 Brilliant Classics
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CD 50
Arvo Pärt b.1935 1 2 3 4 5 6
Cantate Domino Annum per annum Mein Weg hat Gipfel und Wellentäler Pari intervallo Trivium Spiegel im Spiegel
3’59 11’54 8’27 5’27 7’37 8’11
Thomas Leech at the Grand Organ of Leeds Cathedral
Arvo Pärt
CD 50 Total time: 45’50 Recordings: 30–31 March, 1 April & 18 May 2014, Leeds Cathedral, Leeds, UK Recording engineers: Craig Golding & Bhupinder Chaggar 2015 & 훿 2016 Brilliant Classics
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