95792 HUMMEL EDITION CD1 Sonata No.1 in C Op.2a No.3 1 I. Allegro spiritoso 2 II. Adagio 3 III. Rondo Sonata No.4 in C Op.38 4 I. Adagio Maestoso – Allegro mod(era)to 5 II. Adagio con molto espressione 6 III. Finale: Prestissimo 7 Fantasina in C on themes from Le nozze di Figaro Op.124
7’30 4’20 5’56 14’16 9’22 6’44 6’36
Costantino Mastroprimiano fortepianos Urbano Petroselli after Anton Walter, c.1790 (1–6) Érard ‘en forme de clavecin’, 1838 (7) Total time: Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–6) April 2017, Verbania, Italy (7) CD2 Sonata No.2 in E flat Op.13 1 I. Allegro con brio 2 II. Adagio con grand espressione 3 III. Finale. All(egr)o con spirito Sonata No.5 in F sharp minor Op.81 4 I. Allegro 5 II. Largo con molt’espressione 6 III. Vivace
54’50
9’00 6’44 8’49 9’21 9’00 9’20
Costantino Mastroprimiano fortepianos Urbano Petroselli after Anton Walter, c.1790 (1–3) Érard ‘en forme de clavecin’, 1838 (4–6) Total time: Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3) CD3 Sonata No.3 in F minor Op.20 1 I. All(egr)o moderato 2 II. Adagio Maestoso – 3 III. Presto – Ancor più presto Sonata No.6 in D Op.106 4 I. Allegro moderato ma rissoluto 5 II. Un scherzo all’antica: Allegro non troppo 6 III. Larghetto a capriccio 7 IV. Finale: Allegro vivace
52’21
9’10 6’56 4’51 12’57 4’17 5’34 7’15
Costantino Mastroprimiano fortepianos Urbano Petroselli after Anton Walter, c.1790 (1–3) Érard ‘en forme de clavecin’, 1838 (4–7) Total time: Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3) April 2017, Verbania, Italy (4–7) CD4 Fantasie for piano in G minor Op.123 on themes by Hummel & Sigismond Neukomm 1 Introduzione 2 The Hunter’s Song
51’08
1’09 2’20
3 Marcia 4 The Bloodhound 5 The Roaming Mariners world-premiere recording Fantasie for piano in E flat Op.18 6 Lento – Allegro con fuoco 7 Larghetto e cantabile 8 Allegro assai 9 Presto 10 Rondo quasi una fantasiafor piano in E Op.19 6 Bagatelles for piano Op.107 11 III. La contemplazione Fantasia for piano in C WoO 8, S.190 ‘Recollections of Paganini’ 12 Caprice 13 Quartetto 14 Rondo 15 Campanella 16 Fantasina in C on themes from Le nozze di Figaro Op.124
2’55 2’45 3’04
8’04 8’37 4’26 2’15 8’22 9’03 3’20 3’05 1’40 1’41 5’43
Madoka Inui piano Total time: Recording: 26–28 July 2005, Studio 3, ORF Funkhaus, Vienna CD5 Amusement Op.108 1 I. Allegro moderato 2 II. Andante cantabile 3 III. Rondo: Allegretto 4 Rondo brillant in G Op.126 5 Introduction and Variations on a German song Op. posth. 2 Viola Sonata in E flat Op.5 No.3 6 I. Allegro moderato 7 II. Adagio cantabile 8 III. Rondo con moto
68’37
5’34 3’37 4’48 17’03 13’50 8’02 5’03 6’31
Luigi Bianchi violin (1–5) Stradivari ‘Colossus’, 1716 viola (6–8) Michael Boller, Mittenwald 1778 (Luigi Ghezzi Collection, Rome) Aldo Orvieto piano Total time: Recording: 17–19 May 1998, Dynamic’s, Genoa, Italy CD6 1 Grand Potpourri National (Giuliani’s Op.93)
64’33
23’54
Claudio Maccari terz guitar Giovanni Togni fortepiano 2 Potpourri Op.53
11’09
Izhar Elias guitar C. Guadagnini, 1812 Michael Tsalka fortepiano J. Böhm, 1820 Grande Sonate in A Op.104 (dedicated to Her Imperial Highness Maria Pavlovna) 3 I. Allegro amabile e grazioso 4 II. Un poco adagio e con espressione 5 III. Rondo: Allegro vivace un poco
10’28 5’44 6’13
Marco Testori cello Costantino Mastroprimiano piano Total time:
57’48
Recording: October 2009, Auditorium BPL, Lodi, Italy (1); 5–6 March & 30–31 August 2015, Museum Geelvinck Hinlopen Huis, Amsterdam, The Netherlands (2); November 2015, Sala ‘Note Romantiche’, Verbania, Italy (3–5) CD7 Flute and Piano Sonata in G Op.2a No.2 1 I. Allegro 2 II. Romanze: Poco andante 3 III. Rondo Flute and Piano Sonata in D Op.50 4 I. Allegro con brio 5 II. Andante 6 III. Rondo pastorale Flute and Piano Sonata in A Op.64 7 I. Allegro con garbo 8 II. Menuetto moderato 9 III. Rondo: vivace 10 Grand Rondeau brillant in G Op.126 Trio in A Op.78 for flute, cello and piano 11 Introduction: Cantabile 12 Thema: Quasi allegretto 13 Variation 1 14 Variation 2 15 Variation 3 16 Variation 4 17 Variation 5 18 Variation 6 19 Variation 7: Finale – Rondo
6’09 4’42 4’48 7’06 2’43 4’53 4’53 4’52 4’18 15’25
3’28 0’53 1’16 1’14 0’47 1’41 1’00 2’38 2’43
Lise Daoust flute Elizabeth Dolin cello (11–19) Carmen Picard piano Total time: Recording: February 1995, Église Saint-Alphonse-de-Rodriguez, Quebec, Canada CD8 Trio in E flat Op.12 1 I. Allegro agitato 2 II. Andante 3 III. Finale: Presto Trio in F Op.22 4 I. Allegro moderato 5 II. Andante con variazioni 6 III. Rondo alla turca: Vivace Trio in G Op.35 7 I. Allegro con brio 8 II. Tempo di minuetto 9 III. Rondo: Vivace e scherzando Trio in G Op.65 10 I. Allegro con spirito 11 II. Andante grazioso 12 III. Rondo: Vivace assai e scherzando
75’31
6’48 7’19 4’42 4’19 5’15 3’56 5’48 4’26 4’09 6’11 5’52 3’49
Daniela Cammarano violin Luca Magariello cello Alessandro Deljavan piano Total time: Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy
62’42
CD9 Trio in E Op.83 1 I. Allegro 2 II. Andante 3 III. Rondo Trio in E flat Op.93 4 I. Allegro con moto 5 II. Un poco larghetto 6 III. Rondo: Allegro con brio Trio in E flat Op.96 7 I. Allegro con spirito 8 II. Andante quasi allegretto 9 III. Rondo alla russa: Allegro vivace
12’16 7’56 9’58 9’03 8’03 6’40 7’01 4’10 6’14
Daniela Cammarano violin Luca Magariello cello Alessandro Deljavan piano Total time: Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy CD10 Quintet in D minor Op.74 1 I. Allegro con spirito 2 II. Menuetto o scherzo: Allegro 3 III. Andante con variazioni 4 IV. Finale: Vivace Quintet in E flat minor Op.87 5 I. Allegro e risoluto assai 6 II. Menuetto – Allegro con fuoco 7 III. Largo 8 IV. Allegro agitato
71’26
14’57 5’54 8’29 8’29 9’47 5’51 2’06 5’13
Nepomuk Fortepiano Quintet Franc Polman violin Elisabeth Smalt viola Jan Insinger cello Pieter Smithuijsen double bass Riko Fukuda fortepiano Total time: Recording: 5–7 July 2009, Westvestkerk, Schiedam (1–4); 20–22 February 2006, Doopsgezinde Kerk, Deventer (5–8), The Netherlands CD11 Septet in D minor Op.74 for piano, flute, oboe, horn, viola, cello & double bass 1 I. Allegro con spirito 2 II. Menuetto o Scherzo 3 III. Andante con variazioni 4 IV. Finale: Vivace Septet in C ‘Military’ Op.114 for piano, flute, clarinet, trumpet, violin, cello & double bass 5 I. Allegro con brio 6 II. Adagio 7 III. Menuetto: Allegro 8 IV. Finale: Vivace Aya Okuyama (1–4) · Alessandro Commellato (5–8) fortepiano Jacob Bertsche, c.1817 (restored Robert Brown, Salzburg) Solamente Naturali (on period instruments) Sharman Plesner violin (5–8) · Miloš Valent viola (1–4) leader Lucie Dušková flute · Eduard Wesly oboe · Robert Sebesta clarinet
60’58
14’05 6’09 8’31 8’14
11’12 8’25 5’12 5’52
Jean-Luc Machicot natural trumpet · Rudolf Linner natural horn Michal Stahel cello · Tibor Nagy double bass Total time: Recording: November 2007, Studio of the Slovak National Radio, Bratislava, Slovakia CD12 Piano Concerto No.2 in A minor Op.85 1 I. Allegro moderato 2 II. Larghetto 3 III. Rondo: Allegro moderato Piano Concertino in G Op.73 4 I. Allegro moderato 5 II. Andante grazioso 6 III. Rondo Introduction & Rondo brillant in F ‘Le Retour à Londres’ Op.127 7 I. Introduction (Largo) 8 II. Allegretto vivace
67’42
16’19 4’28 11’04 8’19 3’40 4’21
3’40 11’19
first recordings on period instruments Alessandro Commellato fortepianos Joseph Böhm, Vienna 1825 Ignace Pleyel, Paris 1837 Solamente Naturali (on period instruments) Didier Talpain Total time: Recording: November 2009, August–September 2010, Studio of the Slovak National Radio, Bratislava, Slovakia CD13 Concerto for piano, violin & orchestra in G Op.17 1 Allegro con brio cadenza: J.N. Hummel 2 Andante con variazioni (Andante con moto) 3 Rondo cadenza: A. Commellato
63’16
14’28 9’55 8’20
Alessandro Commellato fortepiano Böhm. Vienna 1825 Stefano Barneschi violin Giacinto Santagiuliana, 1830 Orchestra da Camera Milano Classica (on period instruments) Didier Talpain Piano Concerto No.3 in B minor Op.89 4 Allegro moderato 5 Larghetto – Finale: Vivace
18’04 19’38
Hae-won Chang piano Budapest Chamber Orchestra Támás Pál Total time: Recording: 11–13 January 2018, L’Auditorium – Seregno (Monza & Brianza), Italy (1–3); 29–30 May 1987, Budapest, Hungary (4–5)
70’37
CD14 Piano Concerto No.4 in E ‘Les Adieux’ Op.110 1 I. Allegro pomposo e spirituoso 2 II. Andante con moto 3 III. Rondo: Allegro moderato ma con brio
14’11 6’45 10’57
Hans Kann piano Hamburg Symphony Orchestra / Heribert Beissel 24 Etudes for piano Op.125 4 No.1 5 No.2 6 No.3 7 No.4 8 No.5 9 No.6 10 No.7 11 No.8 12 No.9 13 No.10 14 No.11 15 No.12 16 No.13 17 No.14 18 No.15 19 No.16 20 No.17 21 No.18 22 No.19 23 No.20 24 No.21 25 No.22 26 No.23 27 No.24
0’57 1’23 1’47 1’58 2’04 2’18 1’26 2’04 0’54 1’59 1’21 1’06 1’15 1’42 1’28 2’08 0’57 1’04 1’02 1’03 1’45 4’11 1’18 2’15
Mary Louise Boehm piano Total time: Recording: 1973, Südwest Tonstudio, Stuttgart (1–3); 1974 (4–27) CD15 Bassoon Concerto in F WoO 23 S.63 1 I. Allegro moderato 2 II. Romanza: Andatino e cantbile 3 III. Rondo: Vivace Introduction, Theme and Variations in F Op.102 4 I. Introduction: Allegro 5 II. Theme and Variations: Allegretto Clarinet Quartet in E flat WoO 5 S.78 6 I. Allegro moderato 7 II. La seccatura: Allegro molto 8 III. Andante: Andante 9 IV. Rondo: Allegretto
71’42
11’21 7’48 7’41 3’17 10’47 9’45 6’40 7’10 6’33
Claudio Gonella bassoon (1–3) Diego Dini-Ciacci oboe (4–5) Orchestra Internazionale d’Italia / Diego Dini-Ciacci (1–5) Fabrizio Meloni clarinet · Andrea Pecolo violin · Luca Ranieri viola · Mario Finotti cello (6–9) Total time: Recording: 29–30 July 1996. Teatro Alaleona – Montegiorgio, Macerata, Italy (1–5); 18 February 1997, Sala Maffaeina, Verona, Italy (6–9)
71’04
CD16 Trumpet Concerto in E WoO 1 S.49 1 I. Allegro con spirito 2 II. Andante 3 III. Rondo
9’16 4’28 3’18
Virtuosi Saxoniae Ludwig Güttler trumpet & conductor Mandolin Concerto in G S.28 4 I. Allegro moderato e grazioso 5 II. Andante con variazioni 6 III. Rondo
9’11 5’02 5’50
Edith Bauer-Slais mandolin Vienna Pro Musica Orchestra Vinzenz Hladky Rondo for piano in G ‘La galante’ Op.120 7 I. Introduzione: Larghetto e cantabile 8 II. Rondo: Allegro grazioso
3’02 5’17
Martin Galling piano Violin Concerto in G (completed G. Rose) 9 I. Allegro risoluto 10 II. Adagio 11 III. Rondo cadenza: G. Rose
15’21 2’53 9’08
Alexander Trostianski violin Russian Philharmonic Orchestra Gregory Rose Total time: Recording: 14–30 September 2004, Studio 5, Russian State TV and Radio Company KULTURA, Moscow, Russia (9–11) CD17 1 Te Deum in D for choir & orchestra WoO 16 S.70 edited by Allan Badley for Artaria New Zealand/Schott Music Missa Solemnis in C for soloists, choir & orchestra WoO 12 S.74 Dresden version (1806), edited by John Eric Floreen 2 Kyrie 3 Gloria 4 Credo 5 Sanctus 6 Benedictus 7 Agnus Dei 8 Alma Virgo Op.89a Offertorium in F for soprano, choir & orchestra Ed. Symetrie/Lyon based on the Haslinger edition/Vienna (1827) Andrea Cajová soprano · Zuzana Dunajcˇanová alto Ondrej Šaling tenor · Rastislav Uhlár bass Chorus Alea chorus master Branislav Kostka Solamente Naturali (on period instruments) Miloš Valent violin (5) · Eduard Wesly oboe (8) Didier Talpain
73’19
11’25
6’28 6’25 9’54 3’46 7’19 7’01 6’49
Total time: Recording: September 2007, Studio of the Slovak National Radio, Bratislava, Slovakia CD18 Der Durchzug durchs rote Meer WoO 11 S.33 Oratorio for soloists, choir & orchestra Part 1 1 Intrada 2 Aus der Tiefe unsers Elends 3 Recitative: Und immer schwerer lastet das Joch der Sklaverei 4 Aria: Ich, eurer Vater Gott 5 Der Herr hat unser Geschrei erhört 6 Es macht der Herr durch unsern Mund, dir König, seinen Willen kund 7 Recitative: Verblendet war des Königs Sinn 8 Aria: Ich schwebe auf des Todes Fittich Part 2 9 Recitative: Ein groß Geschrei ging aus 10 Der Herr hat unser Trübsal geseh’n 11 Recitative: Sie zogen aus, gewaffnet durch die Wuste 12 Aria: Und Moses streckte aus die Hand 13 Recitative: Es warf das Meer die Toten ans Gestade 14 Jehova ist ein Kriegesheld
59’12
7’32 3’36 1’13 5’11 3’25 1’53 2’47 2’39 1’30 5’55 1’19 5’44 0’33 7’46
Israelitin/Mädchen: Simone Kermes soprano · Miriam/Eine Frau: Veronika Winter soprano Aaron/Ein Jüngling/Würgeengel: Hans Jörg Mammel tenor Moses: Ekkehard Abele bass · Israelit/Ein Mann: Wolf Matthias Friedrich bass Rheinische Kantorei Das kleine Konzert Hermann Max Total time: Live recording: 22 September 2004, Knechtsteden Abbey, Dormagen, Germany CD19 Mathilde von Guise Op.100 revised Weimar version (1821) Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty 1 Overture in E flat (Andante – Allegro molto) Act I 2 Recitative and aria in A flat: Chi mai saprà spiegar Beaufort (Adagio sostenuto – Allegro moderato) 3 Terzettino in A: Con lui solo parlerò Baroness · Beaufort · Nicolò (Allegro comodo) 4 Pezzo concertato with choir in A: Il ciel le dia felicità! Chorus (Allegro con spirito – Allegro moderato – Tempo di marcia – Allegro vivace) 5 Duet and trio in D: Mi fà felice amor Mathilde · Beaufort · Valentino (Allegro con brio – Adagio e cantabile) 6 Finale in E flat: O ciel! Che sento? (Allegro – Allegretto – Allegro – Larghetto – Allegro vivace) Act II 7 Duet in G: Tuo amor sol per mè Claudina · Valentino (Allegro molto) 8 Scena and aria in B flat: O ciel, che intensi mai? Mathilde (Allegro spiritoso – Larghetto sostenuto – Allegro moderato) 9 Trio in E: Rifletter ben fà d’uopo Mathilde · Beaufort · Duke
51’12
6’17 7’40 2’06
8’46
4’40
11’04
2’32
8’33
5’28
(Allegro imposante – Sempre più vivo) world-premiere recording Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky Chorus Alea chorus master Branislav Kostka Solamente Naturali (on period instruments) leader Miloš Valent Didier Talpain Total time: Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia CD20 Mathilde von Guise Op.100 revised Weimar version (1821) Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty 1 Scene and aria in D: Riuscito sono al fin Duke (Allegro con spirito – Larghetto – Allegro – Larghetto dolce – Allegro) 2 Trio in B flat: Il cor brillar mi sento Mathilde · Baroness · Beaufort (Allegro giusto) 3 Finale in D: Viva il nostro buon Signor (Allegro con brio – Vivace) Act III 4 Vaudeville in G: Venite tutti quanti Claudina · Nicolò · Valentino · Chorus (Allegro) 5 Romanza in D: L’ombrosa notte, vien Mathilde (Larghetto) 6 Duet in A minor: O ciel! Resistere non posso Mathilde · Beaufort (Allegro moderato – Larghetto – Allegro vivo) Hymn in F: Padre nostro, gran Signor Chorus (Adagio assai) 8 Pezzo concertato with choir in C: Pria che spunti il nuovo Beaufort · Chorus (Allegro – Più presto) 9 Finale in D: Son finiti tutti i guai (Allegro vivace) Appendix 10 Overture in C Vienna version (1810) (Grave – Allegro con spirito) 11 Pastorale sul palco in D for 2 clarinets and 2 horns in a stage performance this would precede the Finale of Act II
57’15
5’36
5’39
6’48
3’00 3’29
5’33
1’08 4’38 1’20
7’34 0’31
world-premiere recording Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky Chorus Alea chorus master Branislav Kostka Solamente Naturali (on period instruments) leader Miloš Valent Didier Talpain Total time: Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia
45’25