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From haute couture to high-end dĂŠcor, when it comes to the world of luxury living high price tags and grandiosity are far from all that matter. Quality, personalization, experience, and genuine craftsmanship reign.
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© Photography by Dmitry Laudin
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PUBLISHER’S NOTE
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EDITOR’S NOTE
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ONLINE @ WWW.LOVEHAPPENSMAG.COM
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CONTRIBUTORS
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DESIGN ICONS
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THE DESIGN QUESTIONNAIRE Joshua Rose and Rafael Kalichstein of FORM Design Studio
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BEHIND THE SCENES Inside the Art of Haute Couture
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ON THE EDGE Fur or Faux Pas?
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THE ALLURE OF EXOTIC MATERIALS IN DESIGN
Contents
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THE LEGACY OF JEANNE LANVIN
ON OUR SHELF The Coat Route
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STOP QUESTIONING THE PRICE Luxury Craftsmanship 101
TEMPTED BY DESIGN In the Master Suite
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THE HAUTE CRAFTSMANSHIP EDIT
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DESIGN AFFAIR Lh Lori Morris
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KOKTAILS WITH KOKET at Hotel de Crillon
ART FOR THOUGHT Model Society
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OUR LATEST OBSESSION Quintessentially and Global CEO Annastasia Seebohm
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DESIGN LOVER’S GUIDE to Experiential Luxury
“Haute couture consists of secrets whispered from generation to generation. If, in ready-to-wear, a garment is manufactured according to standard sizes, the haute couture garment adapts to any imperfection in order to eliminate it.” YVES SAINT LAURENT
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INNOVATIVE ART Atelier du Renard
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BRANDS WE LOVE
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LOVE HAPPENS When Beautiful Materials Surround You
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KOKET’S LOOKBOOK
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PUBLISHER’S NOTE
FOUNDER & CEO
In January 2018 Love Happens debuted in Paris and thus began one of my most personal creations yet. A project filled with all the things I love, from bold and sophisticated design to empowering voices. An archive of my journey and passions. A way for me to share stories and treasures from the worlds I cherish most, design and fashion. A place for others to find inspiration and fall in love. With this third volume, my team and I dove into the world of haute craftsmanship and the concept of luxury as an experience, not just a product. I have always loved and found pleasure in things of beauty. However, during the evolution of this third edition, I have truly come to understand the value of delicate and precise craftsmanship. From the skilled seamstresses behind haute couture fashion to the artisans crafting the most exquisite decor, the endless hours poured into creating a piece which is much more art than product takes immense dedication and is a process driven by pure passion. Such artistry is worth every dollar of the resulting luxury price tag! Luxury is no longer just about the end product, however, the experience of its creation or simply an experience resulting in a memory is in high demand. Delivering an unforgettable, empowering and heart-warming experience is essential in the world of luxury living. I have always believed this to be true at KOKET and as we grow I must grow too, learning to lead and inspire my team to live and breath our mission so they can 10
provide the ultimate experience to our clients. With this first 2019 edition of Love Happens, I begin a new year, a year of continued growth. I am looking forward to many things this year, but I am particularly excited about continuing to bring women together in the world of luxury design through my new partnership with the Women’s Luxury Guild. KOKET/Love Happens will be heading up WLG’s global Luxury Design Committee where I will be traveling the world hosting unique and inspiring events designed to mentor, advance, promote and celebrate women within the luxury interior design and furnishings industry. I hope you are inspired by the artistry and craftsmanship of this edition.
With love always, Janet Morais, FOUNDER & CEO @JANETLAKOKET
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F
EDITOR’Snote
rom the striking compositions of black and white photography and the intricate details of a decorative object to the alluring curations of colors, textures, and forms in masterfully appointed interiors, for as long as I can remember I have loved admiring all things beautiful. They inspire me. They delight me. And although I once thought creating them myself was my dream, I have since learned that my true dream is to celebrate and share the beauty created by others. With this third edition of Love Happens and a full year as editor under my belt, I have found a groove. There is still much more to learn, which I, of course, thrive off of. But with a great team of writers (one of whom appeared quite serendipitously and then dubbed me a “badass editing beast” and “editing goddess”—words I never thought I would hear!) and of course the amazing graphic designers who bring Love Happens to life, I feel as though I have come a million miles since our premier issue debuted in January 2018.
And yet the beauty of this job is that although the task of “creating the magazine”, from an operational standpoint, feels closer to mastered—the topics are ever changing and thus there are always new things to discover. Which is exactly what I experienced as I delved into the world of haute craftsmanship in design and couture for this issue. I must be honest, although I understood the art of craftsmanship from my many years in the world of art, furniture, and design, I never really understood haute couture. It seemed foreign and inaccessible, which I now know is part of its allure. But what I missed prior to beginning my research for this issue was that haute couture really is an art form. An artistic expression through textiles and luxurious and exotic materials, just like traditional art and design. And although I
will never personally wear haute couture my new found appreciation for this fantastical art is one I will carry with me forever. Discovering the art of haute couture (pg. 22) and further exploring the world of haute craftmanship and experiential luxury (pg. 108) has been a joy this issue. I have had the honor of connecting with so many wonderfully talented people through our features and I am thrilled to be sharing their stories and creations on the following pages! Enjoy!
EDITOR | EDITOR@LOVEHAPPENSMAG.COM @LOVEHAPPENSBYANNA
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ONLINE
www.lovehappensmag.com MARIA GRAZIA CHIURI
CHRISTIAN DIOR’S FIRST FEMALE ARTISTIC DIRECTOR
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Since its inception in 1947, the Christian Dior brand has flourished as one of the most famous and highly-regarded fashion houses in the world. Maria Grazia Chiuri, Dior’s first-ever female artistic director has made an incredible impact on the brand, using the runway as a platform to spread messages of women empowerment, feminism, and the arts.
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Top Interior Designers MARTIN BRUDNIZKI DESIGN STUDIO Explore the elements of style and practicality entwined in Martin Brudnizki’s eccentric and whimsical aesthetic. This highly sought-after design studio’s devotion to functionality and love of layering diverse materials, textures, and styles are truly masterful!
CELEBRATING AZZEDINE ALAÏA, THE COUTURIER Although no longer on display, London’s Design Museum’s exhibit, Azzedine Alaïa: The Couturier was one for the books and this recap is a must see! Co-curated with the brilliant Monsieur Alaïa before his death in 2017, the exhibition celebrated his incredible career, bridging over thirty years of haute couture.
TOP FASHION MUSEUMS
AROUND THE WORLD
From Milan to Tokyo and New York City to Paris, meet the world’s top fashion museums—the places to indulge your fashion fix and explore beautiful styles and trends throughout time and across a vast range of cultures.
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ZOË HANNAH Zoë is a graduate of the University of Pittsburgh, where she studied nonfiction writing and film. She passionately writes to empower women
RITA RODRIGUES
through storytelling and exposure. To see more of Zoë’s work, check out Love Happens online!
JORDAN DANIEL Jordan is currently a student at the University of Richmond, majoring in Journalism. Her semester abroad in Barcelona gave her a newfound appreciation for travel, culture, and the arts. Her love of fashion is unwavering, and she is a firm believer in all things beautiful and luxurious.
ALEXA JENNELLE
Rita is a fierce business developer who studied
Alexa earned a Bachelor’s in Business Ad-
With a taste for backpacking and a book ad-
ministration at The King’s College in Manhattan after nearly fifteen years of studying Russian ballet. This artistic foundation instilled in her an enthusiastic love of art and
international relations and political science. diction, if she is not in a meeting or planning the next strategy you will find her gathering the team to throw a few challenges at them— something she is particularly passioned about.
literature. She always looks for the deeper meaning in everything and is a firm believer in truth, beauty, and goodness.
NATALIA VILAÇA Natalia is an enthusiastic team member of the
MICHELE MICCICHE
Love Happens Magazine. Having Graduated from George Mason University with a Bachelor’s
JASMÍN NELSON
Michele’s love of travel and fashion,
Degree in Marketing she established a strong
coupled with her passion for writing, has
educational foundation. She is a wife, mother of
JasmÍn (Jazzy) Nelson is a true “Jazzy” of all
two, and KOKET’s public relations director. She is
undoubtedly played a pivotal part in the
trades. This multifaceted mom boss keeps
a firm believer that women can do it all.
makings of the woman she is today. She
busy as a journalist, an independent pa-
aspires to always see the beauty along
ralegal, Life Coach, photographer, and Juris
her path, wherever it may lead. Hav-
Doctorate candidate. When she finds free
ing graduated in May from High Point
time, you’ll most likely spot her doing yoga
University with a degree in Accounting,
and catching good vibes at the beach with
Michele currently works at KPMG.
her son in beautiful California.
TAMAR HELA WHITNEY TALKINGTON Whitney has always found joy in the simple things. Raised by a bull-riding, farmer father, and a “Jersey Girl” mother; she embraces every perspective and is always up for any new, creative challenge that comes her way. 16
Tamar Hela, a California girl who lives in Shanghai, China, is the founder of H.E.L.A. Publishing + Media—a company that helps people tell their stories. She’s also a freelance editor and writer (45 edited novels and 3 published works of her own), loves traveling and reading, and runs health and DIY publishing workshops. www.tamarhela.com
MARTA VIEIRA Marta is the digital marketing director and textiles & soft goods coordinator at KOKET. With a degree in fashion design and digital marketing, she is blessed with an unique eye for beauty and truly embodies it in her everyday life. Fierce and determined, she demands only the best of the best in everything she gets involved in...no matter if it’s at KOKET, at home, or in a glamorous nightclub.
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MARTA VIEIRA Marta is the marketing manager at KOKET. With a degree in fashion design and digital marketing, Marta is blessed with a unique eye for beauty and truly embodies it in her everyday life. Fierce and determined, she demands only the best of the best in everything she gets involved in...no matter if it’s at KOKET,
LISA JARVIS
at home, or in a glamorous nightclub.
518.329.5395
info@lisa-jarvis.com
w w w. l i s a - j a r v i s . c o m WWW.LOVEHAPPENSMAG.COM
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words by: Michele Micciche
OBJECT DESIRE
of
THE LADY ARPELS PONT DE AMOUREUX WATCH An icon for Van Cleef & Arpels and luxury watches in their entirety, the Lady Arpels Pont de Amoureux watch perfectly pairs the immeasurable concept of time with the infiniteness of love. Launched in 2010 as part of the brand’s Poetic Complications Collection, the Lady Arpels Pont de Amoureux watch is a beautifully handcrafted work of art. An 8mm white
gold case encompases round diamonds amounting to 105 stones and 2.94 carrots of elegance embezzled into the poetic justice that is captured with the notion of being in love around the clock. As the two sweethearts wind their way over the sculpted Pont des Arts bridge to the 12 o’clock mark, under the stars they are united, in time and love.
CLASSIC AN ELIE SAAB COUTURE WEDDING GOWN Paving his own path to fashion icon, Elie Saab was never one to follow the pack. His fervent pursuit of his passion proved to be the right choice for this modest Lebanese boy. At age 18 Elie opened his first bridal couture atelier and went from dressing the neighborhood to dressing the inspiration boards of thousands looking for the perfect haute couture wedding gown. Putting in countless hours and using the most exquisite materials — luxurious textiles, lace, gemstones, crystals, pearls, meticulous embroidery. Crafted with fluid and elegance, Elie Saab’s gowns are true classics. Seamlessly blending a beautiful mixture of western and eastern cultures Elie provides unique and breathtaking designs, only fitting for the most memorable day of a bride’s life! 18
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DESIGN STATEMENT MAISON LESAGE Pure elegance and evolving relevance, Paris’ oldest embroidery atelier is quite a feat. Originally founded as Michonet in 1858, a go to for Paris’ elite, Albert and Marie-Louise Lesage purchased the atelier in 1924. Shortly after taking the reins, the Lesage’s attracted designers such as Elsa Schiaparelli with their avant-garde embroidery designs and went on to collaborate with many of fashion’s greats including Givenchy, Dior, Balmain and more. In 2002, longtime client Chanel purchased Lesage, still free to works for other houses, as part of their efforts to preserve craftsmanship. A Design Statement icon through and through, despite the evolving fashion industry, Lesage has managed to show us why handwork embroidery, when done correctly, is a timeless technique that produces unreplicable results.
if
WALLS COULD talk
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The routes of the legendary double C that changed our fashion world for ever, are located on Paris’ Rue Cambon. It was at No. 21 that Gabrielle “Coco” Chanel opened her hat shop “Chanel Modes” in 1910. Not staying undiscovered for long, in 1918 her undeniable talents lead her to the larger space needed to grow her empire — the entire building at No. 31. Although never actually spending nights there, Chanel put down roots in this lavish yet intimate setting atop her boutique. Truly reflective of their inhabitant, each room was filled with crystals, mirrors, and treasures galore. Imagine the tales those walls would tell! It was they who were there as she battled her fear of being alone and mourned the tragic loss of the “love of her life” and muse Captain Arthur “Boy” Capel. It was those walls that bore witness to her creative genius and the evolution of the iconic fashion house we are so blessed to know today.
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The Design
JOSHUA ROSE AND RAFAEL KALICHSTEIN OF FORM DESIGN STUDIO Intro by: Rita Rodrigues
Joshua Rose and Rafael Kalichstein ’s enticing interiors had us wondering how FORM so beautifully harmonizes timeless and current design. So, we posed this issue’s Design Questionnaire to the duo allowing us to take a peek inside their design perspective—and life—and how the two come together to create the most striking spaces.Rafael, a Chinese medical practitioner, integrates Black Hat Feng Shui into his design work, whilst Joshua, an Emmy award-winning designer, brings his experience in visual effects and production design for film and television. The result—an unprecedented perspective on design, evolving the holistic and the pragmatic, never neglecting aesthetics or a client’s desires and personality. Their cosmopolitan and inspirational work thrives from their constant state of challenging each other to take it to the next level, perfecting every aspect of their combined strengths. Imposing no limits but the need to be ‘fantastic’. Keep reading to discover what makes this pair more than dynamic—rather ground-breaking and inspiring!
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Rafi: At any given moment, my greatest regret is likely the last thing I ate — it’s always one bite too many. I have a problem, I think. More philosophically, though, my greatest regret is every utterance of unkindness. It’s never worth it. And it stains. WHAT PROFESSION DOES YOUR ALTER EGO HAVE? Josh: A travel writer. Rafi: Can I just go with Josh’s alter ego? Someone has to verify the facts!
WHAT IS YOUR PRESENT STATE OF MIND? Grateful and content (we are in French Polynesia, so it follows…!) WHAT IS YOUR IDEA OF PERFECT HAPPINESS? Perfect happiness is a moment when you realize that everything is as it is meant to be. Time slows and one accepts one’s place and condition without judgement.
THE PROJECT YOU WILL NEVER FORGET. Catelli’s Restaurant in Sonoma, CA (Geyserville, to be precise). Working with such daring and trusting clients to bring together a space that, over many years, will live in so many peoples’ memories...that we will never forget!
WHAT IS YOUR GREATEST EXTRAVAGANCE? Time with our family, preferably when mixed with travel and a truly excellent glass of wine. YOUR COCKTAIL OF CHOICE. If really great Italian/French wine doesn’t count as a cocktail, a Campari Spritz at happy hour or, a little later, a Grey Goose martini, up, 3 olives — a little dirty. Always a little dirty. WHICH WORDS OR PHRASES DO YOU MOST OVERUSE? Josh: “I’m just saying...” Rafi: “FABulous” WHAT DO YOU CONSIDER YOUR GREATEST ACHIEVEMENT? Our daughter is, by far, our greatest achievement. IF YOU WERE TO DIE AND COME BACK AS A PERSON OR A THING, WHAT WOULD IT BE? Josh: I would come back as a manta ray or an eagle. Rafi: I would come back as a brilliant scientist — I would want to be working in environmental change. WHAT IS YOUR GREATEST REGRET? Josh: The pain I caused my closest friends in the arrogance of my twenties. Luckily, they stuck with me, but I wish I could take it back.
WHAT IS YOUR DESIGN FETISH? Josh: Not to overuse Rafi’s overused word, but...fabulous stone. It’s a winner, every time. Rafi: Connections and light. I’m a sucker for a quiet (but dramatic) moment. THE MOST TIMELESS DESIGN. The most timeless design honors the past, lives in the moment, and considers the future. YOUR FAVORITE DESIGNER. We are crushing on the work of Yabu Pushelberg at the moment, but there are so many. Charlotte Perriand, among others, is one of our faves.... WWW.LOVEHAPPENSMAG.COM
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YOUR FAVORITE DECADE. Josh: The 70’s (1970’s, that is!). Rafi: There is something great to be said for each of the decades leading up to the ‘90s, but...perhaps right now is most exciting to me. YOUR CONTEMPORARY MUSE OR INSPIRATION. Travel is always our muse. The more you see, touch, and taste, the better equipped your imagination is to create something new. YOUR HISTORICAL MUSE OR ICON. Our “What would Jesus do?” kind of question is answered differently in each design moment by the individual character of the project or product we are working on. Sometimes it’s a designer whose spirit we are conjuring (Barragan or Oscar de la Renta). Sometimes it is a place or a time (“what is the truly Parisienne thing to do in this moment?”). Everything is a reaction to a given set of circumstances in the pursuit of making the world a more beautiful place. THE DESIGN FAUX PAS YOU CAN TOLERATE MOST. See our design motto.
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THE DESIGN FAUX PAS YOU CAN TOLERATE LEAST. Again, see our design motto. YOUR DESIGN MOTTO. In the words of Carlo Molino, “Everything is permissible (as long as it is fantastic.” WHAT WILL FORM’S LEGACY BE? Our goal in interior design is to create chic, timeless, and livable spaces. May that outlast us by many, many years. WHAT’S NEXT? We are soon to announce a collaboration with an industry titan with whom we are developing a very exciting furniture, lighting, and accessory collection (launching 2019). Keep your eyes peeled—it’s going to be sensational. WHAT 3 WORDS COME TO MIND WHEN YOU THINK OF KOKET? Glamour. Decadence. Luxury. LOVE HAPPENS WHEN….you open your heart (and there is chocolate nearby).
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BEHIND THE
SCENES Inside the Art of Haute Couture words by: Anna Bimba
Bodices intricately covered in jewels, layers of delicate tulle skirts, ornate metallic threads embroidered on yards of flowing silk, plumes of snow-white Ostrich feathers—somewhere between wearable art and performance art lies the dramatic, mysterious, and inspiring fantasy world of haute couture fashion. By definition, haute couture—French for “high sewing”—is the creation of exclusive custom-fit clothing which is meticulously crafted by the industry’s most skilled artisans using a combination of traditional and innovative techniques and high-quality, expensive, and often unusual materials. In order to call a garment haute couture, a brand must adhere to the legal rules and regulations of the French trade association, Fédération de la Haute Couture et de la Mode and receive designation by its sub-set the Chambre Syndicale de la Haute Couture. And yes, like all rare and exquisite works of art, especially ones that take 1000’s of hours to create, haute couture comes at a price—often being valued from five to six figures per piece. With only approximately 4,000 haute couture clients around the entire world, most people will never buy or wear a piece of true couture. So why is it relevant?
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F
rom the brand’s perspective, Haute Couture Collections are in a sense marketing tools. Often these collections bring in little to no revenue, but their spectacular allure draws attention creating publicity as well as perception and understanding of brand image.
But haute couture is definitely far more than just a marketing stunt! For the fashion house designers, the ateliers filled with hundreds of artisans and craftsmen who bring their visions to life, and for the elite who collect the works of art, haute couture is a true form of high artistry—an expression of creative skill and imagination. Through haute couture, designers and artisans strive for beauty and perfection, indulge luxury tastes, and make dreams reality for admirers and clients alike.
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WHERE DID IT ALL BEGIN? In Paris of course, the capital of fashion and art! The idea of haute couture began in the late-18th century with milliner Rose Bertin. Known as the dressmaker to Queen Marie Antoinette, Bertin was dubbed by the press as the “Minister of Fashion” and was perhaps the first truly celebrated fashion designer. Bertin is widely credited with having brought high fashion to the forefront of popular culture through her outrageous dresses and hairdos adorned with exquisite details. Later in the 19th-century came Charles Frederick Worth regarded now by many as the father of haute couture. Although Worth was of English heritage he worked in Paris for the majority of his career. In 1858 Worth founded the first true Couture House, the House of Worth. First to really involve his clients in the design process, use live models to promote his garments, and sew branded labels into his clothing, Worth is often credited with revolutionizing the business of fashion and raising the status of dressmaking so that the designer-maker also became the arbiter of fashion trends.
THE RULES OF HAUTE COUTURE At the origins of the governing body of French fashion, the Fédération de la Haute Couture et de la Mode (founded in 1973), lies the Chambre Syndicale de la Haute Couture. The above-mentioned Charles Worth founded the Syndicale,
originally named the Chambre Syndicale de la Confection et de la Couture Pour Dames et Fillettes, in 1868 as an association to protect couture designs from being copied. In 1945 after deciding to make “Haute Couture” a legally registered designation the association took on its current name. Each year a dedicated jury determines which companies can receive the coveted haute couture designation. To qualify, members must meet the following requirements: • Design made-to-order clothing for private clients, with one or more fittings • Use an atelier (workshop) that employs at least fifteen full-time staff • Have at least twenty full-time technical workers, in at least one of their ateliers • Present a collection of no less than twenty-five original designs—both day and evening ware—to the public every fashion season, during Paris Haute Couture week in January and July of each year. A Note: The original criteria determined in 1945 required fifty original designs, but in 2001 the Syndicale relaxed their criteria slightly lowering this number to twenty-five and also taking liberties to grant the official designation even if one of the criteria is not met.
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THE SHOWS
THE MEMBERS - LES GRANDS COUTURIERS
In the world of fashion, Paris’s biannual Haute Couture weeks in January and July are the most important dates on the fashion calendar!
Those meeting the Chambre Syndicale de la Haute Couture’s elite standards each year are known as les grands couturiers. Thirty-seven names were on the Fall/Winter 2018/19 Haute Couture week calendar, a prestigious group made up of “official members”, invited “guest members” and foreign grands couturiers who do not show in Paris, known as “correspondent members”. Although many members have been on the roster since the beginning, more and more names flux in and out as guests each season, continuing to keep the art alive.
Internationally renowned fashion houses like Chanel and Dior, as well as newer, less-well-known brands such as the Ulyana Sergeenko and Guo Pei, take to the runway to present their painstaking artistic creations to exclusive hand-selected audiences of editors, buyers, and private clients. And these aren’t just your average runway sets. From elaborate magical fabricated gardens and prestigious museums to breathtaking villas on Italy’s Lake Como, the settings are artistic masterpieces in and of themselves—rounding out the performance side of the art of haute couture.
ATELIERS - THE ARTISANS BEHIND HAUTE COUTURE Behind the scenes at every great couture house—from Chanel, Yves Saint Laurent, and Dior to Elie Saab, Balmain, and Schiaparelli—is a skilled team of artisans who bring the designers sketches to reality. The couturiers could not exist without their craftspeople, they are just as much artisans of fashion as the designers themselves. Each fashion house has its own ateliers filled with masterful seamstresses, however, the staggering number of details in each couture garment calls for the use of specialized ateliers to fabricate, construct, and execute highly specific elements of each work of art. If the gown calls for embroidery then in comes the meticulous handiwork of the 130-year-old Maison Lesage. Or perhaps its perfectly appointed florals that are needed, then master corsage-maker since 1896, Guillet is on call. From Desrues costume jewelry and buttons and Lemarié’s “plumes-for-garments” to Lognon’s iconic pleats, Paris is filled with fascinating micro-businesses which are crucial to the haute couture design process. Preserving the heritage of these artisans’ crafts, helping them innovate, and combine tradition and creativity are essential to the maintenance and evolution of haute couture. Although these specialized ateliers live in the shadow of their glamorous couture partners, they are by no means undervalued. Events such as LVMH’s Les Journées Particulières and Venice’s Homo Faber as well as foundations like the Michelangelo Foundation and the Fédération de la Haute Couture et de la Mode strive to celebrate and support master artisans of all kinds. Chanel is the largest haute couture house and in a grand and honorable fashion, they have also gone to great lengths to
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help preserve the crafts of their couture atelier partners. Currently, they have procured and invested in twenty-two ateliers, ten of which are métiers d’art or specialized ateliers, with the rest being production sites. Each atelier operates independently doing work for Chanel as well as other brands. And every December Chanel honors the ateliers with a Métiers d’Art collection dedicated solely to showcasing their extraordinary skills.
ences than products. So, it makes sense they are drawn to the idea of working one-on-one with a designer to create something entirely custom if their bank account allows it! Haute couture can also be seen at major red-carpet events, which in today’s age have become the perfect stages for displaying the art of haute couture for all to see. Brands have even been known to leverage this public spotlight by paying actresses to wear their gowns. In 1997 Nicole Kidman was reportedly paid $2 Million to wear a stunning chartreuse silk haute couture gown by Christian Dior with intricate chinoiserie-inspired embroidered details. If you aren’t uberly wealthy and connected enough, or perhaps you’re wary of the idea of fashion as an investment, but still want to see haute couture live, you are in luck. Crossing the boundary from garment to art form, many haute couture pieces make their way to museums around the world where they are displayed for all to experience the magic of their billowing silks, intricate laces, exotic leather forms, jewel-studded accents and beyond!
BUT WHO ACTUALLY BUYS HAUTE COUTURE? At their hearts, haute couture clients are art lovers who have the finances to invest in masterpieces. Some only buy occasionally, others are lifelong collectors like Lebanese-born French socialite Mouna Ayoub who, according to an article by Thomas Adamson/Associated Press, is believed to own the largest haute couture collection encompassing more than 10,000 items.
Although the number of official haute couture houses has dwindled over the years and many have reported that the art may be dying, this is far from true. Through the love of the art by those who design from their hearts and painstakingly create by hand to those who collect or just admire from afar, the art of haute couture lives one!
During the heyday of haute couture in the late 1940s early 50s when there were over one hundred names on the Syndicale’s roaster, society ladies like Babe Paley and actress Grace Kelly were top couture customers. In the 90s, along with Mouna Ayoub, came to the scene one of the most vocal haute couture buyers, Swedish-born philanthropist, socialite, and former wife of Texan-billionaire Suzanne Saperstein. Today’s haute couture client is likely from America, Russia, China, or the Middle East. They range in age from late 20s all the way into their 80s, with many millennials (between 25-35) now becoming one of the biggest client segments, according to Vogue. Take Wendy Yu, the daughter of China’s largest wooden-door manufacturer and a long-term couture client who has yet to hit 30. For millennials like Yu, purchase decisions are tied much more closely to experiWWW.LOVEHAPPENSMAG.COM
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N Edge Fur or Faux Pas? A debate that’s been brewing for decades: fur and fashion. Trigger warning: over one billion rabbits are victims to the fur trade every year. Just rabbits. If you add up the exotic felines, creatures used for leather, and fluffy-floofs like mink and chinchilla, you’ll find that number sitting right around fifty million. Influencers such as Rihanna, Anna Wintour, Kim and Kanye, Jay-Z and Bey have all been seen strutting fur in one form or another. While they receive massive amounts of grief from PETA and similar foundations, it has not deterred them from dressing to their taste. Lady Gaga said it best when she proclaimed, “I have truly always stayed away from skinned fur… But this does not mean my morals are rigid and that I won’t bend at the sight of an absolute art piece of a coat… You see a carcass, I see a museum pièce de résistance”. Currently, it is super trendy to be anti-fur. Top designers and brands such as Diane von Furstenberg, Michael Kors, Tom Ford, Gucci, Armani, Burberry, and Versace have recently retired fur from their collections. Gucci’s Marco Bizzarri even went so far as to call fur in fashion “outdated”. Considering the copious amounts of fur featured during New York’s 2018 fall fashion week, who is to say?
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Limited edition fur collection Inner Sunset by Marion Chopineau. @ Photography by Annabelle Tiaffay
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CURRENTLY, IT IS SUPER TRENDY TO BE ANTI-FUR. GUCCI’S MARCO BIZZARRI EVEN WENT SO FAR AS TO CALL FUR IN FASHION “OUTDATED”. CONSIDERING THE COPIOUS AMOUNTS OF FUR FEATURED DURING NEW YORK’S 2018 FALL FASHION WEEK, WHO IS TO SAY?
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bviously, no company wants to offend or insult its clientele by using carcasses for profit. Word of mouth plays a huge part in these brands’ images and nobody wants to come across as inhumane or barbaric. Up-and-coming millennials are making waves, their obsequious opinions spreading like wildfire with the help of social media.
On the contrary, these same millennials that make up massive segments of the consumer market are all about artistic passion, freedom of expression and all-natural everything (dye free, gluten free, farm raised, etc). They want all humans to be treated equally and want nothing to do with the stigma of slaughtering animals for their fur. This is a moral image being heavily projected by this upcoming generations–they
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are motivated, driven, and twisted by peer-pressure every minute of the day, be it through the internet or their real life “squad”; but what happens when you tear at their heartstrings by mixing real, dead animals with jaw-dropping artistic talent? Cue Marion Chopineau, the brilliant mind who uses hair stylist techniques to cut, snip and chop elaborate designs and beautiful images into a variety of textiles. She takes a simple pelt and works her magic to visibly bring the history and heritage between these animals and our ancestors to life. Her designs are undoubtedly one-of-a-kind and are absolutely astonishing to see with your own eyes. Imagine if she crafted with faux fur–the quality, authenticity and the entire concept behind the artwork would be extinguished.
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WHAT SIDE OF THE FENCE YOU ARE ON IS YOUR CHOICE. BOTH PARTIES AT PLAY WILL CONTINUE TO CREATE NEW AND IMPROVED WAYS TO WIN THE BATTLE.
Embroidery + Fur for Christian Lacroix by Marion Chopineau
While we’re delving into art and design, have you noticed the popularity of fabulous furry furniture on the rise? While fashion designers seem to be phasing fur out, furniture designers have incorporated furs into their collections in ways never imagined. And for some reason, nobody seems to have any beef with this. Who doesn’t love a soft sheepskin rug under their feet? From accent pillows and fur covered bean bags, to that mop-top pouf that seems to be cloned in every home décor store, it’s evident that fur will always be in style.
to win the battle. Activists will support faux fur companies and through their messages and funding, the quality of faux fur will continue to improve and mimic the real deal–but will never quite match that same level of luxury. Animal farmers and poachers who depend on these animals as means of income will push for ‘humane’ and safe ways to put the animals down. Nothing will go to waste, as the entire animal has a plethora of uses, but certain people will still be upset about the death toll.
What side of the fence you are on is your choice. Both parties at play will continue to create new and improved ways
A debate that’s been brewing for decades, and still no end in sight.
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THE ALLURE OF EXOTIC MATERIALS IN DESIGN words by: Jordan Daniel
Striking in scarcity and appearance, exotic materials enhance any living space they touch by creating powerful design statements. From posh and priceless to unique and modest, exotic accents are prized to show taste, style, and individuality. Although exotic materials are often thought of as rare and expensive, especially in lavish design, sometimes the most interesting and beautiful are the most inexpensive. Seashells are by no means considered to be of the highest value or expense, but their display in this grotto bathroom, and surely the time it took to hand place each one, creates an alluring curiosity that feels nothing less than exotic. A staple when it comes to exotic materials, marble adds a heightened sense of luxury to any space. Whether the common, yet none-the-less striking, basic White Carrara, or the rare Sarancolin marbles from the French Pyrenees that were famously used in the Palace of Versailles, marble makes an everlasting noble statement. From semi-precious gemstones, iridescent nacre, and natural feathers to onyx, copper and ebony wood, exotic materials enrich any interior dazzling onlookers through their compelling and eye-catching distinction.
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A stunning amethyst table by FK Concept in a private residence in Mayfair London designed by Obsidian London. © Photography by Marco Joe Fazio
Sprawling noir marble and an iron sculpture in Moncler’s Madison Avenue store designed by Gilles & Boissier. © Photography by Eric Laignel
Seductive Tiffany blue Amazonite stone in a private residence in Northwest London designed by Trilbey Gordon Interiors. A striking green onyx kitchen designed by Liaigre. © Photography by Marc Seelen
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A glowing onyx bar in the Jungle Bar at the private London club Annabel’s designed by Martin Brudnizki. © Photography by James McDonald
Handmade silk flowers, pink onyx basins, and pink marble flooring in the ladies’ powder room at the private London club Annabel’s designed by Martin Brudnizki. © Photography by James McDonald
A grotto bathroom enveloped in a mosaic of seashells designed by Singkiang. © Photography by Paula Laniado
KOKET’s exquisite natural feather faced Divine Armoire.
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The legacy of
JEANNE
LANVIN When you hear the name Lanvin, you might think of your comfy pair of white leather tennis shoes. Maybe your mind is called to the warm, cheerful perfume on your wrist. Perhaps you think of your favorite Lanvin runway look from this year’s NYFW.
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or some, a legacy is a long-standing, icon of success—and Maison Lanvin falls into this category undoubtedly. Jeanne Lanvin founded the French fashion house in 1889, just a few years after completing her apprenticeship as a milliner. Today, Lanvin is the fashion house with the longest history of its kind, with nearly 130 years under its belt. For others, though, a legacy is more than just longevity and success. A legacy is the echo of a person’s actions felt continuously after they are gone. A legacy is what happens when a woman sets her sights on something and achieves it with care and ambition.
In the case of Lanvin, the legacy is more than just the success of the business—from Jeanne’s hat designs flying off the shelves in 1889 to Alber Elbaz’s 2002 reinvention of the brand in honor and memory of Jeanne herself. Lanvin has been through a lot in the past few years, and just recently began talks of another new creative director. But this period of trials for the Lanvin brand is only tangential to the legacy of the woman who worked in the fashion house 38
until her very last day on Earth. Jeanne Lanvin’s legacy is the current state of the Lanvin brand, of course, but the woman’s actions reverberate in the world of fashion to this day—the real definition of a legacy. It is easy to get caught up in the hyper-modern world of fashion that we live in today, where suddenly anything is possible in the world of haute couture. Looking back at the roots of haute couture is important in reflecting on how far fashion has come—and at the very root of haute couture is the legacy. Jeanne Lanvin. Jeanne began at the ‘top’—literally. As a milliner, she crafted hauntingly delicate bonnets and caps for the Paris elite. She quickly exhibited great skill and, more importantly, a brilliant eye for design. Perhaps she was stitching a massive silk flower onto a widebrimmed hat when she realized her passion for the individual. She opened a hat shop at 22 in 1889 Paris—an unthinkable feat those days—and crafted the essential accessories for women all over France.
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THROUGHOUT HER LIFE, JEANNE REMAINED SOMEWHAT RESERVED AND QUIET. YOU WON’T FIND MANY PICTURES OF HER DANCING AT JAZZ CLUBS OR STRUTTING THE RUNWAY. BUT LIKE ANY TRUE LEGACY, THERE ARE TRACINGS OR HER EVERYWHERE. 40
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As hats flew off the shelves and Jeanne became busier and busier with requests for bespoke commissions, she had a huge professional break—in 1893, she secured the perfect Paris location for her fashion house, Lanvin Modes.
Jeanne put her head down and worked hard for the rest of her life. From the age of 22, when she opened her shop, she did not stop working—she was often absent at important celebrity outings.
It wasn’t long before prestigious women were regularly dropping Lanvin’s name to impress, but the name took on a new meaning when she met her muse.
However, it doesn’t seem that her absence had to do with her work ethic necessarily; she simply didn’t favor celebrity and liked her private life to remain private. Who says fashion designers are always dramatic?
Jeanne Lanvin is surely one of the matriarchs of haute couture, but she was also the mother of the beautiful young girl who became her muse. You might recognize her from the iconic Lanvin logo of a woman and her daughter—that girl represented Jeanne’s daughter, Marguerite. When Marguerite was born in 1897, about five years after the fashion house Lanvin Modes was founded, Jeanne began to play dress up with her own daughter. She felt Marguerite deserved the absolute best and most beautiful, and personally ensured that she knew it. Jeanne designed and stitched beautifully decadent designs for her daughter, a dainty vision often seen in white dresses and delicate shoes. Even as Lanvin grew a bigger and more prestigious fashion house over the coming years, Jeanne’s mind was always on Marguerite. She often forewent fashion events and glitzy parties to spend time with Marguerite. Soon, Marguerite herself directly inspired one of Lanvin’s most successful ventures at the time—children’s clothing. Beginning with her line inspired by Marguerite’s lovely clothes, Jeanne would continue to expand her business into women’s clothing, sportswear, perfumes, runway couture, fabrics, bespoke men’s clothing, and more. While Jeanne seamlessly shifted from milliner to designer, the world took note. She was inducted into the French fashion council, Chambre Syndicale de la Couture, in 1909. Lanvin remains a member of the prestigious council today.
By the mid-1930s, Jeanne and her daughter had conquered the fashion world. Jeanne spoke at conferences and designed bespoke pieces for important women. She created designs for artwork, again laying the base of haute couture. The fashion house became one of the most successful of its time and was incredibly important in the implementation of art deco style into fashion. Lanvin began creating couture items for high-profile individuals, as well as for artistic reasons. She designed one dress that was shown as the exhibit itself, each seam sewn just for that model. In the world of fashion, people were completely taken with Lanvin and almost immediately recognized it as the legacy it is today. At the heart of the company’s legacy is the once-milliner, fashion designer, haute couture legend, Jeanne. Throughout her life, Jeanne remained somewhat reserved and quiet. You won’t find many pictures of her dancing at Jazz clubs or strutting the runway. But like any true legacy, there are tracings of her everywhere—notes she took while traveling prolifically around the world, detailed descriptions of patterns and colors she liked, photographs of her and Marguerite posing. You can see her in Lanvin still, with the deep blues and bright oranges that have come back into style in recent years. Jeanne’s legacy is about so much more than success—she is a woman who innovated voraciously and built an empire, all without losing the integrity of her art.
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words by: Whitney Talkington
WHEN YOU HEAR THE WORD LUXURY, WHAT COMES TO MIND? SOMETHING TANGIBLE LIKE A YACHT, THAT DESIGNER BAG YOU’VE BEEN EYEING, OR A HOME LARGER THAN YOUR WILDEST DREAMS? PERHAPS A PLETHORA OF BRAND NAMES WITH BOUTIQUES ON 5TH AVENUE AND IN PLACE VENDÔME. DROP THESE STEREOTYPES. LUXURY HAS MANY FACES, EACH DISPLAYING COMFORT AND EXTRAVAGANCE IN ITS OWN WAY; AND AT THE VERY CORE OF SUCH LUXURY, LIES SUPERLATIVE CRAFTSMANSHIP. CRAFTSMANSHIP AT THE LUXURY LEVEL COMES AT A COST. BEFORE YOU TURN AWAY AND ASSUME A PRODUCT IS ONLY PRICEY BECAUSE OF THE BRAND LABEL OR COUNTRY OF ORIGIN, THINK ABOUT HOW THAT REPUTATION CAME TO BE. CONSIDER THE HERITAGE BEHIND THE PRODUCT, THINK ABOUT WHERE ALL THE DIFFERENT PARTS WERE SOURCED, AS WELL AS THE INTENSIVE LABOR THAT GOES INTO CREATING THESE PRODUCTS ON A DAILY BASIS. WOULDN’T YOU BE OFFENDED IF SOMEONE ASKED FOR A DISCOUNT ON SOMETHING THAT TOOK YOU MONTHS TO SOURCE, DESIGN AND CREATE? TAKE A MOMENT TO EMBRACE THE DIFFERENT ASPECTS OF LUXURY—AFTER ALL, IT’S DESIGNED TO BE LIVED IN, NOT LOOKED AT.
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© Photography courtesy of Covet Foundation www.covetfoundation.com
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TAKE A MOMENT TO EMBRACE THE DIFFERENT ASPECTS OF LUXURY—AFTER ALL, IT’S DESIGNED TO BE LIVED IN, NOT LOOKED AT.
HAND VS. MACHINE Without a doubt, the most important tool in luxury craftsmanship is the human hand. Nothing else comes close to providing such a significant sense of pure value and self-expression. Craftsmen for luxury brands are skilled masters of their trade. The raw talent they possess coupled with intensive training from masters before them results in the unparalleled reputable quality you have come to expect. While the hands of these craftsmen may be rough, dirty, and seemingly in need of an emergency manicure; those very same hands carve, stitch, and create immaculate, intricate details no machine could ever replicate. More so artisans than craftsmen, these hardworking men and women put their entire mind, body, and spirit into bringing their creations to life.
Eternity III / Sconce
HERITAGE MATTERS Every company has something that makes them stand out from the crowd. Luxury craftsmen follow a long line of heritage, where rare and unique crafting techniques are transferred from one generation to the next withstanding the test of time. From the cobbler down the street working diligently to design the perfect pair of shoes, to atelier seamstresses embroidering delicate details on gowns. From the men and women carefully carving and shaping designs into sand, to those filling those same sand molds with molten metals only to destroy them, unveiling the true beauty within. Each of these positions relies on special and often ancient techniques that can only be perfected in the hands of a dedicated craftsman. While materials, ideas, and designs may waiver, the history behind the hard work tells the tale of the true labor involved in bringing luxury to life.
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PERFECTION TAKES TIME While human hands are the best tool for creating luxury pieces, there is another hand at play when it comes to perfecting them. In the words of Voltaire, “Perfection is attained by slow degrees; it requires the hand of time”. Master watchmakers spend copious amounts of time ensuring the smallest of cogs and screws are perfectly placed, perfectly plated, and perfectly functional. There is no other way to achieve the highest level of quality. Consider the world of haute couture—a single evening gown could easily take over eight hundred hours to complete as thousands of tiny beads are individually strung and hand-stitched to its fabric. Luxury furniture follows suit, with creation times that vary drastically depending on the complexity of the desired piece. A single craftsman could spend countless hours sanding and carving individual scales into a piece of wood to instill the resemblance of an anaconda, or meticulously painting intricate designs onto the finest porcelain their colleague shaped with care the week before. Good things come to those who wait.
THE MAGIC OF MATERIALS All luxury products start with the highest quality materials. Period. Each material is strategically selected and tailored for a specific function or desired effect. From cashmere and precious stones to platinum and gold, materials used to create luxury products spare no expense, and quality is never compromised. These materials are carefully mined, meticulously inspected, and treated for with painstaking attention. Occasionally, natural or rare materials come with slight variations no human can alter or prevent, making the finished product even more unique, original and desirable. In the words of Dejan Stojanovic, “To accomplish the perfect perfection, a little imperfection helps.”
AT THE END OF THE DAY, WHEN YOU PURCHASE A LUXURY PRODUCT—WHATEVER IT MAY BE; YOU ARE NOT JUST RECEIVING THAT PRODUCT AT FACE-VALUE, BUT RATHER INVESTING IN A COMPLETELY CUSTOMIZED, FUNCTIONAL WORK OF ART MADE WITH THE FINEST QUALITY MATERIALS AND A WHOLE LOT OF LOVE. WWW.LOVEHAPPENSMAG.COM
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BY KOKET CREATIVE DIRECTION
Sofia Silva / Janet Morais PHOTOGRAPHY & VIDEO
Sofia Silva / Sofia de Sousa / Bruno Couto PRODUCTION / STYLING
Sofia Silva / Rute Estrela DRESS MAKER
Rosa Martins Vilar MODEL
Sara Teixeira MAKE UP
Mariana Reis FACTORY & PRODUCTION PREGGO
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KOKET UPHOLSTERY WOOD STRUCTURE WWW.LOVEHAPPENSMAG.COM
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KOKET PROTOTYPE / PREGGO FABRIC DETAIL
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Image of Covet Foundation
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SERPENTINE SCONCE / PREGGO FABRIC
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THE CASTING TECHNIQUE
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SPELLBOUND CABINET / PREGGO FABRIC
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DESIGN AFFAIR LH
LORI MORRIS
words by: Natalia Vilaça
Our obsession with Lori Morris and her Toronto-based design firm, House of LMD, began in 2014 and has since grown into an outright designer crush! Lori’s designs embody luxury and glamour, each leaving us beautifully fulfilled, yet forever wanting more. We can’t get enough of her seductive sophistication and avant-garde edge. So, for this edition of Design Affair we decided to share a selection of some of our favorite interiors from her stunning portfolio. Lori Morris is far from your typical designer. Not only does she provide an unparalleled luxury experience to each of her clients, but she is also a master at bringing each of their individual visions to life. For over 30 years she has been creating original and timeless designs. Each project is its own star. The only common thread across Lori’s portfolio is her commitment to making each space unique, fabulous, and beyond her clients’ dreams. Known for her opulent designs and “sexy French” style, which of course we adore, another thing we admire about Lori’s work is that quality is never second to glamour. Each House of LMD interior features the most exquisite materials and finishes, meticulously planned with a deep appreciation for craftsmanship. Bestill our hearts! It’s easy to see why we love and continue to fall in love with all things Lori! Her fabulosity and “no rules” attitude embody the very essence of KOKET and Love Happens!
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Lavender Dreams Lori creates feelings and this oceanside condo on the coast of Palm Beach is no exception. The client’s love of violet is showcased here in this stunning lilac jewel box to blend seamlessly with the watery tones of the sea and sky.
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51 Shades of Grey Custom designed LMD laser cut marble floors set the stage for this layered architectural feat composed of mirrored walls and LMD’s signature layering of sumptuous furs, velvets and silks. Metals cross a hard line making this space as glamourous as it is comfortable.
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THE DESIRE TO CREATE IS ONE OF THE DEEPEST YEARNINGS OF THE HUMAN SOUL.
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She’s a Boss in Pink Pink paradise speaks more for this Boss Lady work space as a place for lavish retreat. Layer me up with sumptuous details and drape me in velvet!
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Blond Ambition This summer retreat gushes gorgeous with a palette of supple charcoal velvet infused with sparkling silver and blond wood. Not just another gorgeous LMD face, the space serves a dual purpose perfect for intimate dining or connect the live edge tables to host large gatherings with your best friends and family.
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KOKTAILS WITH KOKET AT HÔTEL DE CRILLON words by: KOKET
On a hot summer morning in Paris, bedlam hit the flagship store. Devotees from around the world are impulsively shopping, and Rue du Faubourg Saint-Honoré is alive with excited chatter and street style divas. Hand bags are being purchased in multiples by the uber-wealthy Chinese, the shoe department is under siege by the Russians, while Eastern women are discreetly buying entire collections. Four floors up, however, the atmosphere of wild consumption is replaced by one of dedication and perfection. A mere forty-eight hours remain until the haute couture show begins, and the atelier is filled with close to fifty seamstresses, known as les petites mains [the small hands], delicately adding the finishing touches to the Fall/Winter 2019/20 collection. Two women are working on a pleated dress, skillfully manipulating the fabric into pleats with thumbs and forefingers, then sewing each one meticulously by hand. Gia unwraps a dress that has returned from the master embroidery house Lesage, while Alice, the première [supervisor], stitches tiny glass beads onto an exquisite floor-length gown. Countless adjustments have been made to ensure a perfect fit on this masterpiece for one of the “house’s” haute couture clients. 66
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“ AS WITH ALL HAUTE COUTURE, THE WOMAN INSIDE THE ARTWORK IS ALWAYS THE FINISHING TOUCH; BECOMING A CRUCIAL PART OF THE OVERALL DESIGN AESTHETIC.”
“Gia, on y va!! Elle nous attend!! [Gia, let’s go! She is waiting!],” Alice exclaimed. Gia, a tall thin outspoken and shameless assistant with long dark thick bangs and an undeniably natural talent, has shadhours watching, listening, learning, and occasionally napping on the atelier floor during show season. Evidence of such, when she stands, her all-black attire is covered with colorful threads. Her leisure filled days at the Syndicale are over, now she must spend years under the première before she has the authority to even sew a button on her own.
“Me voilà! [Here I am!]” Gia arrives in noir (Paris’s color of choice), leather pants and a ribbed turtleneck on a sweltering summer day. Fashion first. Carrying the seamstress case and notes she meets Alice and the pair head off to their private fitting with the “client”. As they climb out of a black, heavily tinted car, a well-dressed doorman escorts them into the hotel foyer. Gia’s bangs are now glued to her forehead, her bra is soaking, turtleneck skin tight and leather pants tightly affixed to her derriere. Alice saunters confidently into the lobby of Paris’s most luxurious Hôtel de Crillon, while Gia gasps for fresh air as she walks with a rubber rubbing sound following her.
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lice looks at her and says, “Tu te comporte [You better behave],” as she knows Gia will attract attention to them one way or another.
They are led into a reception room and served bubbly champagne at a low marble table paired with sumptuous velvet chairs. The hotel gleams with the shimmer of a newly renovated space—there isn’t a corner in this room not covered in sleek glamour. Alice, a seasoned première, has sewn last-minute beads onto runway dresses and spent months designing sumptuous looks for high-powered clients. She is the mastermind of the dramatic and luxurious, known for her world-class craftsmanship that comes from hours spent in the Paris atelier. Others who work at the fashion house rarely see her, but they often hear raucous laughter—undoubtedly the outcome of the seamstress gossiping with her notoriously humorous assistant, Gia.
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perienced a lot, but this was going to be one for “le book” thought Gia as she begins to slowly unzip the large garment bag, ever careful not to tear the intricate pieces of the most delicate tulle. The women are in the midst of conversation, but the sound of the zipper immediately grabs Juliette’s attention.
“Don’t show me yet—or, take it out first, and then show me! Or, put it on me blindfolded and then reveal it!” Alice, without judgment, proceeds to blindfold the client with a thick silk ribbon from her seamstress case, as Gia begins her second round of severe perspiration. Alice quickly examines the gown, looking for any possible flaws in the bright blue beading or hem of the neckline, but she knows—at this point in the process, it is the woman that completes the look. As with all haute couture, the woman inside the artwork is always the finishing touch; becoming a crucial part of the overall design aesthetic. The dress begins to take shape as it settles onto Juliette’s body, complimenting her every curve.
The hotel concierge approaches, and leans toward them politely—“Elle est prête [She is ready], I’ll escort you upstairs, mademoiselles.” “Atelier d’Artistis, how appropriate,” says Gia as she attempts to unglue her clothing from her body in hopes that the scent she is trailing is Chanel No. 5 and not patchouli and leather. The Suite is doused in delicate shades of cream and champagne, with a spectacular floor-to-ceiling view of the Eiffel tower, and a striking young woman in a painfully simple outfit—au natural!—as the centerpiece. Alice greets her with a soft smile and a loving look at her graceful physique and porcelain-like skin. La cliente, Juliette, dips her head a bit as she twirls for the seamstress, her thick black hair falling over her face. Gia has accompanied Alice on many fittings, and she has ex-
She waxes on about her preference for handmade anything, especially if it has been made just for her. She tells Alice and Gia about the bespoke KOKET furniture that adorns her homes and how the brand designs chairs tailored to her body. Gia bursts out laughing. Alice drops her needle. And Juliette stops and drops her arms. “What?” Juliette, who is blindfolded in the custom couture dress, asks with a tinge of fear in her voice. Alice glances at Gia for her to explain the behavior in fear that Juliette may think it is a result of a possibility ill-fitted dress. Gia, with a bit of hesitation, reveals the real reason behind the laughter. “Well, in my case, due to my fashion-forward love for the next prêt-à-porter style of the upcoming season, I would need waterproof fabric on the custom furniture.” Juliette bursts out laughing and pulls the ribbon from her eyes, thinking Gia has peed in her leather pants. “For every reveal, I keep my eyes covered. I savor that moment when I take the blindfold off and see something beautiful for the first time— but today I have to remove it and just laugh,” giggles Juliette.
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lice’s face warmed from frozen to a wide grin. “Bonne tombé du vêtement [A perfect fit],” she says as they all laugh harmoniously.
The dress was stunning, and Gia confesses she had not wet her pants but in fact, she was melting underneath her black fall garde-robe in mid-august. As they usually do after a fitting, the women find their way to the nearest bar—the hotel’s exquisite Les Ambassadeurs, known for the three “C’s” cocktails, champagne, and caviar! The perfect place to unwind after the heated roller coaster ride of events that just took place. “She reminds me what haute couture is really about,” Alice says to Gia. “She reminds me that couture is about the people, not fabric, beads, or events. It is about creating a work of art that starts with the person, and ends with the dress and the events in the dress.” “Gia, you are a breath of fresh air,” she goes on, “a new generation of couturier’s, the beginning of a nouvelle époque [new era].” They order another cocktail, this time something new, and reminisce about their favorite pieces they have created and the adventures they have had together. Alice who was once reluctant about the new generation of apprentices, looks over to the next table and notices a little boy sipping chocolate chaud with his parents. Aware of his surroundings, he looks up at Alice and smiles. In a historical setting of French grandeur, the atmosphere was now renovated by new wealth ideas where there was a clear balance between conservation and transformation. Alice for the first time was seeing the same happen with haute couture. A world once filled with undisclosed identities and works of art was now being reinterpreted by a vibrant generation of apprentices and liberal clients. What does the future of couture and craftsmanship hold for the little boy sipping chocolate chaud on a hot summer day? Perhaps he’s another Gia in the making.
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BESPOKE
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ON OUR SHELF The Coat Route: Luxury & Obsession on the Trail of a $50,000 Coat words by: Alexa Jennelle
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he Coat Route, by Meg Lukens Noonan, is a novel that traces the story behind a $50,000 bespoke coat and, in the process, unwittingly, weaves together a piece of art in its own right. As Meg set out to tell the story of bespoke tailor John Cutler’s and commissioner, Keith Lambert’s creation, she also managed to overturn an enchanting subculture of high-end fashion in the process. The Coat Route takes readers into a world full of colorful personalities, impeccable style, and traditions struggling to stand the test of time. Behind a seemingly simple coat is a beautiful story composed of a handful of the finest artisans and materials coming together to create an intricate tale of tradition, laissez-faire economics, and, above all, relationships in the pursuit of art and excellence. Meg, a self-proclaimed fashion novice with a long-standing career as a journalist, immediately makes you feel at ease in her storytelling. Her perspective is fresh, unadulterated, and marked with a genuine warmth for the people and traditions involved. As a reader you’ll travel with Meg to the remote pastures of the Andes in pursuit of vicuña wool, push your way through a herd of tailors and sheep on Savile Row, wait in the dimly lit
and chic fashion houses of Florence for the world’s best silk designer, Stefano Ricci, and traipse through a sunny-filled Sydney with world-class, bespoke tailor John Cutler. The first-hand accounts with these otherworldly characters are filled with personal anecdotes and observations that make you feel truly immersed in a world that has been closed off to the mainstream public until now. Aside from the lively and adventurous feel of this story, the underlying attribute of this novel is its ability to turn a seemingly superficial account of an unaffordable coat into a weighty and momentous explanation of human nature. Meg’s ability to shed a purifying light on the dying art and practices involved makes this an essential book for our generation. From the vicuña on the brink of extinction to a dwindling wool trade in England, Meg not only captures the hardships faced by a changing economy, but also beautifully highlights the resiliency of the people in preserving these long-held traditions. From this perspective, John Cutler and Keith Lambert are easily portrayed as keepers of a dying culture, one that, while slow-paced and elite, has much to offer to a world obsessed with fast and cheap fashion. In this way, our “throw-away” culture could stand to take a page from The Coat Route and rethink the way we think about fashion.
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Baptiste Bohu | Shanghai, Baptiste Bohu creates
elegant, comfortable interiors that are both timeless and contemporary. Inspired by Art Deco, French classicism, and modern design, the acclaimed designer unites different eras to produce unique, serene interiors that elevate the meaning of luxury. Baptiste Bohu’s talented team of designers and project managers make the studio a design powerhouse that never lacks in style. Located north of Shanghai, the Jiyanghu Apartment’s master suite achieves the perfect harmony of chic sophistication and playful flirtation. Fun, lively accents compliment the sleek gold tones and bold black finishes displayed in this lavish space.
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TEMPTED by In the Master Suite
DESIGN words by: Jordan Daniel
While many say the heart of the home is in its living room, the bedroom is where the true magic happens: sleep and relaxation. Sleep vastly influences how we look, feel, and perform. When we wake up feeling refreshed and rejuvenated, we acquire the mindset and motivation necessary to tackle our days like the true badasses we are. Love Happens believes there is no better way to achieve well-earned beauty rest than in a beautiful master suite. A place for escape, rest, and romance, the master bedroom extends an at-home getaway where luxury and leisure unite in perfect harmony. In this edition of Tempted by Design, inspire sweet dreams with sweet surroundings fashioned by some of our favorite top interior designers. Master bedrooms should embody one’s personality and lifestyle without sacrificing elements of style, flair, and most importantly, luxury. Embolden your individual design style with captivating interiors that combine contentment and extravagance to create an idyllic master suite guaranteed to entice. Indulge your wild side with vivacious colors and bold, layered patterns, or keep it calmly serene with neutral, chic tones and understated, elegant finishes.
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KOKET | Portugal, Indulge your lust for extravagant design
with KOKET. Driven to inspire, KOKET’s sumptuously chic aura will make your master suite the design highlight of your home. Lavishly serene, KOKET’s composed designs combine the best of glamour and relaxation. The Forbidden II Bed’s seductive curves are perfectly contrasted by the art deco inspired angles of the antiqued mirror Tamara II Nightstands. The Vamp II Sofa’s unbroken lines and luscious upholstery are enigmatic yet alluring, creating an element of sensuality every master bedroom hopes to achieve. This inspiring suite combines striking metallics with delicate, tantalizing pieces of furniture.
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ARRCC | Cape Town, ARRCC is an acclaimed multi-
disciplinary studio that specializes in interior architecture, interior design and dÊcor that redefines and reinforces laidback luxury, perfect for a master suite. ARRCC’s ability to create smart spaces and authentic emotive experiences is attributed to its team’s highly personal work ethic, ceaseless curiosity, inherent intuition and obsession with challenging boundaries. Delightfully surprising and unmistakably innate, this master suite design is sexy yet sophisticated while achieving an inviting component of comfort and amenity. ARRCC combines striking gold and silver decor with soft, neutral fabrics, masterfully uniting extravagance and modesty.
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Lori Morris - House of LMD | Toronto, Designer, entrepreneur,
and businesswoman, Lori Morris is proudly celebrating the 31st year of her design firm, Lori Morris – House of LMD in Toronto. She is a force in the design world, working with an exclusive clientele across North America including New York, Miami, and San Francisco. Leading an extensive team of professionals in-house and abroad, Lori’s design philosophy has evolved into her own signature LMD style – ‘Sexy French’. As Lori’s business continues to grow, she is in the process of presenting her highly anticipated online store. Lori creates feelings and this oceanside condo on the coast of Palm Beach is no exception. The client’s love of violet is showcased here in this stunning lilac jewel box to blend seamlessly with the watery tones of the sea and sky.
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Studia 54 | St. Petersburg, Studia 54 prides itself on creating the perfect interior, embodying the client’s imaginative vision, unique personality, and particular lifestyle. The Russian-based luxury design firm surpasses clients’ expectations, going above and beyond to deliver their exact desires. Named after the elite, cult club “Studio 54,” the design bureau creates premium interiors from luxury hotels to residential buildings. Turn your wildest master bedroom dreams into a mere reality with this elite design firm. Similar to the New York City nightclub, Studia 54’s gorgeous master suite combines the whimsical and the practical, creating a daring yet elegant aesthetic to love. 84
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Desart Décor | Moscow, Known to inspire all clients’ taste
for design, Desart Décor creates interiors that reflect personality and lifestyle. Founded by renowned designer Diana Tarakanova in 2009, the design firm strives for individuality in each unique space, the master suite being no exception. Desart Décor crafts extravagant living spaces that emphasize the client’s persona, aura, and aesthetic. This rendering presents the beauty in subtlety through neutral tones while displaying elements of vivacity through beautiful, blue accents and upholstery. Delicate yet striking, the Eternity Sconces by KOKET embolden the space’s sense of luxury and tie together the lavish and the livable.
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Ramzy Alaa | Egypt, Ramzy Alaa’s crème de la crème cham-
ber is understated yet extravagant. The space unites modest shades of beige and cream with eclectic, grandiose furnishings to create a stunning master bedroom. Inspired and intrigued by classic art, the acclaimed designer crafts a space that conveys contemporary design reminiscent of ancient architecture. Ramzy Alaa’s Egyptian roots embolden his passion for color and culture, while his love of art captivates his clients, stirring their intellectual and creative thoughts while indulging their desire for relaxation and rest. Distinct in style and approach, Ramzy Alaa fuses the best of modern and timeless to create pure yet lively spaces anyone will love.
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Art of thought words & interview by: Tamar Hela
Content warning: Due to the sensitive content and partially nude or nude images that may be graphic to some—or cause some to be triggered—please use discretion when reading this article. 90
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Top Left: 1. Demetrius Fordham 2. Dmitry Laudin 3.Trey Squire 4. Axiaelitrix 5. Carl Grim 6. Erica Mueller 7. Trey Squire 8. Terry King 9. Gary Samson 10. Natalia WWW.LOVEHAPPENSMAG.COM Drepina 11. Andrey Stanko 12. Lone Morch 13. April Mckay 14. Trey Squire 15. Schotzart 16. Dmitry Laudin 17. Jay Rickard 18. Adriano Padella 19. Carl Grim
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n a culture that exploits human beauty, it’s rare to see images of nudity that are inclusive, respectful and artistic. I recently discovered Model Society, a global community of models, photographers, and artists who create images of humanity as exceptional works of art.
Looking at Model Society’s publications, I saw a range of body types presented with depth and dignity. Seeing the human form revealed in this way had me wonder, ‘why do nude images provoke such strong reactions?’ Why do people often respond with feelings that range from attraction and wonder to judgment, jealousy, disgust or shame? In American culture, there is a stark contrast. Images of violence are mainstream, yet female nipples are forbidden in public. Even a simple image of a mother breastfeeding her child can spark an opinion war. When I lived in Spain for a stint, I noticed that nudity wasn’t a big deal. It was more common to see a topless woman on TV or at the beach than it was to see the graphic violence that is rampant in American media. One morning watching a fashion show, I was shocked to see models’ nipples through sheer tops and dresses. The otherwise taboo nipple, seemed like fair game in fashion. As I watched these women proudly walk the runway, I thought they looked fierce and fabulous; I found them quite empowered, actually. As I reflected on nudity and wrestled with the controversy, I decided to reach out to David Bollt, Founder of Model Society, to explore some of these issues and learn more about what Model Society stands for.
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© Photography by Trey Squire
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© Photography by Trey Squire
Tamar Hela: What led you to launch the Model Society community and magazine? David Bolt: We created Model Society to restore human beauty to its rightful place as a work of art. Throughout art history, the beauty of the human form has been celebrated by the arts. But in the modern world, it is widely regarded as obscene. Figurative fine art has been lost between the cracks of mainstream and porn. We want to propagate a vision of humanity as something to enjoy with appreciation and wonder.
TH: So, why do you feel it’s important to display the human body in this type of art form? DB: Considering all the negative ways humanity is often portrayed…in the news, in movies and on TV, it seems essential that we have an opportunity to see humanity—in all of its aspects—as a work of art. We believe that you can’t be cruel or unkind to that which you experience as beautiful. This is needed now more than ever. 94
TH: Do you think that this type of art can truly help mainstream society get over the social stigmas and biases about the body in nude form—sexualization, shame, comparison, insecurities, etc.? DB: As I see it, Model Society is an appeal to sanity in an insane world. I think many of us have been exposed to toxic messages that have distorted how we see ourselves and one another into something shameful. We’ve seen countless examples of people having healing experiences as a result of this art. It can be transformative for adults to enjoy an innocent and natural experience of being positively impacted by beauty. The simple, but profound truth is that the human body is the vehicle through which we experience our lives. Every aspect of our life is expressed through a human body. When we have an opportunity to see ourselves and others in a respectful light—free of cultural narratives and associations—it can be transformative. We believe that if we all could see ourselves and others as miraculous, the world would be a more loving place.
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TH: What separates these types of artwork from something truly pornographic? What’s the difference and how do you draw the line? DB: Personally, I think the difference between art and porn is pretty clear, once you know what you’re looking for. Art is intended to elevate and inspire. Without passing judgment, I think it’s fair to say that porn is simply intended to sexually stimulate. Great art strives to open our hearts and minds so we can see ourselves and one another with wonder and appreciation. Once you’ve gotten a taste of high-quality figurative fine art, the difference is obvious. It’s only in the context of a confused culture that nudity implies a link between art and porn. Our community has a shared set of values and ideals. We have curated a massive gallery of over 120,000 images, and throughout our history we’ve deleted fewer than 100 total images that were not a good fit. © Photography by Demetruis Fordham
“ THE SIMPLE, BUT PROFUND TRUTH IS THAT THE HUMAN BODY IS THE VEHICLE THROUGH WHICH WE EXPERIENCE OUR LIVES.”
TH: You have a magazine, but also a website and the community associated with it. How do you envision the evolution of the online community? What do you really want it to achieve and why?
TH: Would you say there are any unintended consequences for this type of artwork?
DB: Our creative community continues to grow and attract professionals and inspired hobbyists from all walks of life. Collectively, our members are bringing figurative fine art out from the shadows to serve as a healthy influence in culture. We see Model Society Magazine as an opportunity for the public to discover and be touched by these incredible talents. Figurative fine art is an emerging art movement that more and more people around the world are coming to discover and enjoy.
DB: In this divided and wounded world, any act of beauty, kindness, or love has the potential to be misunderstood and responded to with hostility or harm. To make a positive impact, the best all of us can do, is have faith in our best intentions and then choose to express ourselves. I can’t say there won’t be any negative reactions, but overwhelmingly I trust our creative community to be a positive influence in people’s lives.
Moving forward, we’re continually developing tools to empower creatives to collaborate and reach a global audience. We’re also building on-ramps for more people to experience themselves as models and photographers/artists. Our mission is to reach millions and open the doors for anyone to experience themselves as a beautiful work of art. We want to support this niche community in transforming itself into a mainstream phenomenon. WWW.LOVEHAPPENSMAG.COM
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TH: What sort of responses and feedback have you had since establishing the site and magazine?
TH: Why do you think so many of us have a hard time celebrating and appreciating the human body for what it is?
DB: The overwhelming majority of feedback is grateful and enthusiastic. We get messages from people whose encounters with Model Society have helped them heal their self-image and overcome body or sexual shame. We’ve had many people dive in and join the modeling community as an act of self-empowerment.
DB: Most people rarely have a shame-free experience of human beauty; our natural human desire to appreciate beautiful bodies has been stained by cultural messages.
People around the world are embracing human beauty. Many are actively asserting their right to be regarded as beautiful and using this art form to broadcast a positive message to others. We’re energized every day by the feedback and support we receive.
We all want to be accepted as we are, but our experience of beauty comes primarily through advertising designed to manipulate us and make us feel inadequate. Many of us are simply wounded by a world that’s telling us we’re not beautiful enough, or good enough. This can make an otherwise innocent experience of beauty something painful.
“ MANY OF US ARE SIMPLY WOUNDED BY A WORLD THAT’S TELLING US WE’RE NOT BEAUTIFUL ENOUGH, OR GOOD ENOUGH. THIS CAN MAKE AN OTHERWISE INNOCENT EXPERIENCE OF BEAUTY SOMETHING PAINFUL.” TH: Do you think this type of art will someday be able to be posted on social media without anyone having any qualms about it—or saying it’s pornographic? DB: Let’s be honest, the human body can be a delicate subject. I don’t know about someday, but at least for now, I don’t think it belongs in most public spaces. Many people just aren’t ready. That’s why Model Society exists as a place where people can choose for themselves the right time to experience human beauty as art. Besides, while mainstream social media rejects nudity, in many ways it embraces obscenity. Facebook and Twitter allow vast amounts of cruel, divisive, and unkind content. These platforms seem to be poorly equipped to filter out harmful and dehumanizing messages. Given this environment, I think it’s a good thing that nudity is not allowed on these platforms. There’s little hope the subject would be generally treated with respect. In contrast to what we see on social media, Model Society offers a curated a vision of humanity as something sacred and beautiful. We do not allow disrespectful, humiliating, or dehumanizing content. We created our platform as a safe place to explore humanity as art. 96
TH: In one of your blog posts, you mention the “cultural war on surface beauty” versus beauty on the inside. Can you explain what that means and how it relates to the mission of Model Society? DB: It’s been refreshing over the last several years to see an expanding vision of beauty that includes a full range of shapes, sizes, ages, and colors. But there’s also been a backlash against youthful, symmetrical and athletic figures, as if they are to blame for feelings of shame and inadequacy. Some people express anger at a type of beauty they feel is unattainable. We believe that a healthy vision of human beauty is one that includes all of us. At Model Society everybody is celebrated as normal and natural. Those who may seem unfairly perfect are just as human as any of us.
Reclaim your experience of human beauty, visit Model Society at: modelsociety.com and modelsocietymagazine.com
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his interview had me wonder: will we ever learn to love our bodies and recognize them as beautiful? I find the images and stories at Model Society to be inspiring and beautiful, so it’s puzzling to me that they can’t be posted on social media without being censored. The truth is that we all have bodies, we are sexual creatures, and, in my opinion, we’re all perfectly imperfect. We have flaws, scars and perhaps some extra pounds we want to shed or muscles we want to gain. And yet, our bodies are the most incredible things we’ll ever have. We don’t give them enough credit and we often take for granted what they are capable of. We sometimes overlook that our bodies house our very beings. Even if Model Society can help culture accept the human body as a work of art, real change begins within each one of us. In order to heal old narratives of shame, I think there is an opportunity for us to write new stories of beauty and grace for ourselves.
© Photography by Dmitry Laudin
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our latest
OBSESSION Quintessentially and Global CEO, Annastasia Seebohm
If you are looking for meaningful experiences and unparalleled access to the world of luxury then look no further. Elite concierge and lifestyle management service Quintessentially is at your service. And if you want to be inspired to reach for your dreams, meet Quintessentially’s Global CEO Annastasia Seebohm. Read on and you will quickly discover why Quintessentially and Annastasia are our latest obsession!
words & interview by: Anna Bimba
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ounded in 2000, by then-university students, Aaron Simpson, Ben Elliot, and Paul Drummond, Quintessentially began as the world’s first premium lifestyle management service. Selling clients on their ability to “give the gifts of both time and access” and “fulfill its members’ every request and desire” 24/7/365. From daily concierge services for the cash-rich, time-poor class, Quintessentially’s lifestyle managers quickly became known as “elite fixers”, tracking down limited-edition luxury goods, securing tables at exclusive restaurants and tickets to sold-out shows. The company’s scope of services broadened as requests for outrageous things such as an immaculate recreation of Batman’s ‘bat cave’ and sourcing Australian desert sand for a British summer beach party rolled in. Today Quintessentially offers a wide range of services from impeccable unlimited daily support (think leaky plumbing or a last-minute babysitter) and support during life’s significant moments (think wedding planning, securing school places and real estate purchases) to catering to the new luxury-experience-driven economy (think masterclasses, health & wellness, and a “survival vacation” (read on for more on this!)) I first encountered Annastasia when she took the stage at a women’s luxury conference. I was immediately drawn to her authentic openness, clear passion for her job, fearlessness and natural grace. I had heard of Quintessentially before and when she spoke about overseeing the luxury brand’s international network of 65 global offices and 1,500 lifestyle managers and expert specialists with a human approach, showing passion and emotion, I was instantly inspired and wanted to learn more. So, of course, I contacted her and asked her some questions about Quintessentially, her role at the company, and her passion for mentoring and empowering other women!
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What is your favorite most outrageous request made by a member?
Lh: What are the top 3 benefits of becoming a member of Quintessentially?
Annastasia Seebohm: We recently arranged for a member and his son a “survival vacation.� It was a birthday present to the son, to spend intensive time together. The desire was to use the break as an opportunity to bond and learn new skills. We gladly accepted the challenge and arranged for them to go to Fiji and train with an ex-Army survival specialist for a couple of days. They learned to fish, find fresh water, build a fire, make a camp and live off the land. After learning these skills, we helicoptered them to an uninhabited Fijian island. They both had to jump out into the water and swim to shore. The island had of course been prepared in advance to facilitate their survival quest in a safe way. Needless to say, they experienced the best adventure ever!
AS: Time, experiences & community. Lh: How do most of your clients find out about you? And once they know of you, how do they apply? Walk us through what an interested party can expect from your application process. AS: Word of mouth & referrals is the most significant way potential members apply. Once connecting with us, we then can conduct an assessment of lifestyle needs to develop an understanding of who they are and how our service can really be of value. After completing this process with our servicing team, if the service is applicable to them, they are matched to a lifestyle membership level and are on-boarded.
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Lh: What brought you to Quintessentially? AS: While in college I read an interview in Vogue with our co-founder Ben Elliot and thought “Gosh, I wish I would have had that idea!” It really is a brilliant concept and I thought they were absolutely innovative market leaders. It was a very exciting proposition and after a few years in the marketplace, I basically pursued Quintessentially until they gave me a job! Lh: After just 6 years at Quintessentially, in February 2018, you were named Global CEO, what do you believe is key to your success thus far? How do you plan to continue growing and evolving with the company? AS: My success at Quintessentially, which I am very grateful for, I can contribute to having an incredible team, steering with a big picture mindset, and leading with a human approach to business as well as throwing in a serious dose of hard work! For me, personal growth is a daily focus. As an example, we started a mentorship program and I am learning more from my mentee than I am probably teaching her! Staying close to the frontline, having an open door policy, as well as learning from experts we bring in to develop key areas of our business will ensure that we stay ahead of the curve.
Lastly, being fearless. I try not to be afraid to seek out advice from other leaders and those individuals that inspire me—as much new knowledge and experience as I can get helps. I am always ready to try something new and take chances, even if they might not work out I’ll learn something from it. Fear is supposed to move us forward! Lh: On a daily basis your schedule must be quite rigorous, could you walk us through a typical day in the life of Annastasia Seebohm? AS: I travel most weeks so I’m in and out of hotels and airports. I look at the day and week ahead. I always start the day with a skim of the news, a double espresso and a catch up on emails with a quick 10-minute meditation too. I work across various time zones so often take conference calls in transit and will speak daily with my team in our hubs in Dubai, London, New York, LA, and Hong Kong. My days always involve client and partner meetings and calls too. I prefer a working lunch either with my team in the office or a chance to try a new restaurant with a client in whichever city I might be in.
Lh: In your role as Global CEO you are responsible for managing Quintessentially’s 250,000 discerning clients, 65 offices and 1,500 employees. What are your top 3 keys to being a successful female leader in this highly demanding role? AS: First of all, being organized and thinking ahead are paramount. I am resolute on an organized schedule as it maximizes my time and also often allows me to multi-task. I work closely with my EA and my Quintessentially Lifestyle Manager who both ensure my life in and out of the office runs smoothly. They, in turn, work together—my Lifestyle Manager will assist with recommending the best and most efficient travel plans, helping to book new and interesting restaurants for me to take clients and members to, and ensuring a real sense of connectivity. My EA, on the other hand, works with me on all business matters. I speak a lot about having a very human approach to business, which I really believe in. For me, ensuring my employees can share ideas and feedback is so important, after all, having an engaged and happy team is what makes a business successful. I strive to be flexible, ready to communicate in person and always open to collaboration WWW.LOVEHAPPENSMAG.COM
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Most of my evenings are spent out at events, dinners, exhibitions, etc. Many of these are at truly interesting cultural events and wonderful experiences I feel lucky to attend! Weekly I try to workout at least three times—a yoga session or the invaluable Kayla Itsines app. If I can be in bed by 11 pm I’m happy and I’m usually asleep in minutes.
TWO TOP TIPS: 1. I plan all my outfits for the week in advance—even to the degree of putting post-it notes on them when I travel to save time and ensure I know what I’ll be wearing when! 2. I always check in on how efficient I am being and try to maximize my schedule to be an effective leader. I highly recommend the Harvard Business Review article The Leader’s Calendar. It allowed me to make more conscious decisions about my diary!
Lh: You are also in charge of the Quintessentially Foundation USA. Why is philanthropy important to you? AS: I am so excited to officially launch the Quintessentially Foundation in the US. Philanthropy has become an integral part of our business and everyday life. I think making time and opportunity to give back is so important—not only from a desire and obligation to be a good citizen but to show the next generation what a difference helping others can really make. We ensure all our employees have chances to learn more about philanthropy and get involved in charitable projects—whether it’s a bike ride from Paris to Monaco, or a day serving food at a homeless shelter. Our Quintessentially Foundation is the heartbeat of our business, it goes hand in hand with so much of what we do and is something we will only continue to grow. Lh: Tell us about how you mentor and empower other women and why this is so important to you? AS: It is so important for women to have role models in and out of the workplace, and I have been very lucky to have had some fantastic female mentors who really helped shape and inspire each part of my career. 104
We have a strong mentorship program at Quintessentially, formed with the help of many of our employees, and have both amazing females and males at board level within the company who are always willing to share their learnings and advice. For me, communication is everything—we hold monthly mentor meetings, champion several female networks, and constantly urge our employees to support and learn from other successful female workers. I am also a brand ambassador for Electric Woman which connects women to their true, confident and powerful selves, and to tribes of like-minded women who support each other. They enable women to live the life they desire through 1-1 coaching, workshops, and retreats which I am hugely passionate about! I always strive to show other women who may be interested in Management or CEO roles just how inspiring and fulfilling it can be. Lh: Do you have any personal mantras? AS: The more you read, the more you know. I am a fanatical reader and especially business books. In my first week in the role, I gifted all of my management team one of my favorite business books called Scaling up by Verne Harnish. I find reading gives me more purpose, passion, ideas and also is a good use of time in airports! Lh: Forbes dubbed you “The Queen of Luxury”—what are your thoughts on this title? AS: It was a very flattering article, but I’m not sure what to say about being named the “Queen of Luxury.” For me, luxury is about how one spends their time whether through learning, meaningful experiences, curious conversations or giving back. My goal at Quintessentially is to provide a contemporary luxury lifestyle through our services that inspires individuals and ignites communities. After all, luxury is most powerful when it is shared. Lh: Can you tell us anything exciting about future plans for Quintessentially? AS: I am so excited for what’s to come at Quintessentially and all that we are already doing! We are seeing now more than ever that time is the most precious commodity, and are helping members to make the most of that time and enjoy the best things life has to offer.
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Our business has shifted from more traditional and transactional lifestyle requests into meaningful experiences, giving back and belonging to a community of likeminded individuals. We are creating more bespoke, personalized adventures, events and travel experiences than ever before, as well as highly stylized and curated content catered to the passion points of our members. As community is also key to our future plans, we are excited to move our virtual community of discerning individuals into a series of member popups all around the world! As well as ensuring we continue to expand our offices into all key markets—with our new office in Monaco just having launched being a great example of this!
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INNOVATIVE ART Atelier du Renard interview and words by Alexa Jennelle
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ew 21st-century artisans have added to the breadth and scope of interior design as Atelier du Renard. Magali Renard, founder, and director of the French-based design studio is a true visionary.
Offering stunning creations which are unprecedented in the interior design market, Magali’s work has attracted luxury clients around the globe, including the likes of Saudi princesses and the Queen of Qatar. Her fine, hand-embroidery for furniture and structural applications is all custom made, born out of a deep passion for beautifying spaces. Magali’s artistic vision has transformed her brand into haute couture for interior design, a concept that has attracted the keenest eyes within luxury living.
Magali greatly admired her grandmother—describing her as a woman “bursting with elegance, beautiful like a jewel in the middle of the sober, smooth and square architecture [of Royan]”. For Magali’s 8th birthday, her grandmother hand-stitched and embroidered an entire wardrobe for her doll, a moment and gift which Magali attributes to partially inspiring her career.
“a deep desire to create with her hands and to offer wonder and pleasure to the eyes”
Magali Renard grew up in Royan, a seaside resort town on France’s Atlantic coast. It was amidst this city’s architecture 106
and by way of her grandmother that her passion for beauty, design, sewing, and embroidery first blossomed.
From a young age, Magali was drawn to creating and working within luxurious spaces. Trained at the École Nationale Supérieure des Beaux-Arts de Lyon, Magali worked as an artistic director in interior design for over seventeen years before deciding she needed a change. She yearned to give herself the luxury of taking her time to create, to dream, to
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Very quickly I realized that leather would take possession of my soul. I realized that an alliance of leather and embroidery in interior design didn’t exist. The page was blank for me to write. So with pleasure, this is what I set out to do.
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focus on truly bespoke designs. It was then, in 2009, that Magali conceptualized Atelier du Renard from a deep desire to “create with [her] hands…and to offer wonder and pleasure to the eyes”. When I asked Magali what inspired her to focus her artistic abilities on embroidery, she replied, “During my seventeen years of work surrounded by decoration, I accumulated, saw, hung, glued, cut out thousands of images that inspired me. With each new project, I realized that certain images were recurring. I couldn’t resolve to detach myself from it. There were always images of embroidery.” Today, Magali and her team at Atelier du Renard work with an assortment of materials, such as woven fabrics, silk, and suede, for their interior applications, however, leather has always been Magali’s favorite. “Very quickly I realized that leather would take possession of my soul. I realized that an alliance of leather and embroidery in interior design didn’t exist. The page was blank for me to write. So with pleasure, this is what I set out to do.” The use of leather in her hand-embroidery designs quickly became Atelier du Renard’s signature aesthetic and the brand’s innovative edge, pushing the boundaries of interior design.
principles of “beauty, comfort, equality, and well-being”, the pillars of design, according to Magali and her team. All of her projects strive to uphold these traditional design virtues. Magali starts her projects by rooting herself in very traditional themes, yet what emerges from her work is fresh, exciting, and new. This is the constant work of the artist, to always be developing and transcending the elements and practices of the past while remaining rooted in rich tradition. Magali is truly special in this way. When it comes to success, Magali contributes it to the ability to first “master your own heart”, which is something that evidently shines through in her work. Magali and her installations at Atelier du Renard are beautiful examples of this artistic pursuit and devotion in motion. Atelier du Renard stands as a testament that luxury design can continue to be both classic and innovative and that there is no limit to the imagination of the artist.
Atelier du Renard’s clients have deep pockets and a deep love for opulent spaces. Magali is often given the freedom to transform a space without being limited financially. Allowing her team the liberty to ensure that each piece created is a one-of-a-kind installment. This made-to-order quality is what Magali likes to refer to as ‘bespoke embroidery for furniture and walls’. The design process is a very special and spiritual time for Magali. She draws inspiration from a variety of sources, but her main source is nature. Magali approaches her designs from an Eastern rather than Western perspective. “I have a habit, in many of my mural or headboard projects, to begin my preparatory drawings by referring to Chinese prints. I like the poetry and emotion that emerges from them. My research always revolves around themes in nature. In the West, we have a habit of placing the subject of the work in the center, while in Asia the painting continues beyond the edges of the format. That’s what I endeavor to work towards again and again.” Atelier du Renard was born and continues to flourish on the WWW.LOVEHAPPENSMAG.COM
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DESIGN LOVER’S GUIDE TO EXPERIENTIAL LUXURY words by Jasmín Nelson
There’s no time like the present to live your best life in the lap of experiential luxury as 2019 opens its opulent, opportunistic doors to lovers of beautiful things. The sparkle and splendor of adventure await for the balanced consumer who lives and loves life beautifully. Wallet size need not apply. Gone are the days of yesteryear where the finer and fancier things in life only meant the latest Balenciaga bag and red bottoms. Today, luxury holds a new meaning and the acquisition of appreciating the little things, embracing memorable moments, and valuing the luxury of time and experiences are the new rich and famous. It’s a digital world we live in but there’s a genuine shift from online to the real world. There’s a reason why the saying Y.O.L.O (you only live once) is a popular acronym and we’re certain it doesn’t quite have anything to do with living your best, picture on social media life. Millennials have revolutionized and reshaped what it means to feed your luxurious needs physically, emotionally, and intellectually while enriching one’s whole being…and we want in! We’ve peeled back the layers of experiential luxury and set our sights on several companies who embody this lifestyle. Amidst today’s society lies a globalization of people who crave authenticity at its core through meaningful connections, experiences, and quintessential indulgences. With this, comes the exploration of the best in breathtaking places, products, and services to permeate and please our senses. From the fresh feels of lavish design to the sights of sophisticated art all intricately working together to create an experience synonymous with everything that is alive, well, and an exquisitely existent you. There are several ways to get busy living, loving, and enjoying life and we’ve already packed our suitcases. Lucky for us, some sweet travel businesses have got our back, bags, and bliss on tap! Hope you packed your shades, future forecast calls for luminous adventures ahead. BRB, on an experiential luxury living spree! Cheers lovelies!
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DESIGN LOVER’S GUIDE p i h s n a m s t f a r of haute c
LEARNING THE ART ECOLE LESAGE SEMINARS
Take a seat, sign up, and get your needle and thread design juices flowing at the Ecole Lesage Seminar table where theory and practical knowledge will open your world to Les Métiers d’Art. This treasured gem awaits for students of all ages with a passion for fashion. Experience haute couture and ready-towear training at this prestige school with a hands-on approach through the historical and economic aspects of artistic crafts as well as an intro to Maison Lesage’s exquisite embroidery. There’s so much more than what meets the jeweled eye. www.ecolelesage.fr
L’ECOLE DES ARTS JOAILLIERS Supported by Van Cleef & Arpels
Sure, all that glitters isn’t gold but the L’Ecole des Arts Joailliers (The School of Jewelry Arts) brings themed coursework of your choice to make for one golden opportunity to explore your passion for the art and gain some seriously shiny knowledge in becoming an enlightened amateur. Learn about universal gemstones and the history of jewelry as you receive a hands-on experience in French or English. Be sure to check out their calendar as their programs may be coming to a city near you. Oui, Yes, please! www.lecolevancleefarpels.com
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KOKET ARTISANS’ STUDIO VISITS Step into a world of haute craftsmanship with a visit to KOKET’s artisans’ studios, and witness this luscious collection of statement casegoods and upholstery come to life. Each bold and artistic KOKET design is created to inspire love and empowerment at the hands of master artisans who use ancient techniques to handcraft each detail with the utmost precision and care. If you love the art of furniture this experience is for you, and we’re not just saying that because they’re our publisher! Feel free to sit pretty (literally) and see the magic for yourself. Mesmerization by way of mineral medleys and lux metallics sold separately. www.bykoket.com
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FOR ANTIQUES One-stop shop until you drop with the Antiques Diva, the world’s largest antique sourcing service. Offered in 15 countries, this custom planned company takes tourists and trade professionals on full-service buying tours as they are masters of all things antique. If you’re buying specific pieces, filling the whole antique enchilada or need navigation in shipping and trade services in any city’s antique districts and flea markets, they’ve got you covered knowing the best, secret sources. How diva-worthy? This is not your grandma’s attic but she’s definitely welcomed to shop to her antique heart’s desire! Sign up for exclusive info on the Diva blog and happy buying! www.antiquesdiva.com
FOR ART ART BASEL If you’re an art lover, Art Basel is a must experience as its world-leading shows offer VIP services, gallery applications, and history to inspire your peepers without necessarily breaking your pockets. Experience and gain art world insight with the driving force, which has provided platforms for galleries and artists from around the world. From prints to sculptures, what an artistic Basel, Miami Beach, and Hong Kong sight to see. www.artbasel.com
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THE WORLD
MILANO FASHION TOUR Walk this way towards the one and only Milan, the fashion capital of the world with a unique Milano Fashion Tour. Learn fashion secrets from the pros, book a private and personal shopping experience or schedule a tailored tour. Get a feel for the “Italian lifestyle” in one of the most beautiful cities in the world as you witness design masterpieces. Their experiences far exceed reading any “Made In Italy” tags as MFT breathes life into what that really means. Customize your journey to fit your needs, tastes, and personal heart’s desire. For an MFT favorite ask about Atelier Sangalli, Italian designer Federico Sangalli’s first flagship store in the magnificent Fashion District. With three floors of handmade magic the atelier stays true to its past using pedal sewing machines while embracing the now through the use of optical fiber and innovative fabrics. Love and Made in Milan! www.milanofashiontour.com
LE CONNOISSEUR Tailored itineraries, bespoke events, and unique private visits to exceptional places, oh la la! Le Connoisseur is the luxury travel agency offering both traditional and extraordinary services. Explore local tours and exceptional experiences as they share their savoir-faire and authentic view of the Paris lifestyle. No worries, they’ll bring the behind the scenes visits and vino you just bring the positive vibes. www.le-connoisseur.com TOURS INTERNATIONAL: LONDON FASHION WEEK A Get ready to become head over heels for an exclusive catwalk, previewing 250 season designer collections before they hit shops! You’ll be the first in the know to see all the latest threads with additional VIP Corporate Hospitality Guest Club package perks. Offered with breakfast and bubbly with exclusive seating to the show so you can eat, drink and not miss a London Fashion Week beat. Cheers! www.tours-international.com WWW.LOVEHAPPENSMAG.COM
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EXPERIENCES
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BLUE MARBLE PRIVATE Welcome to the extraordinary world of Blue Marble, where contacts in all corners of the globe are at your traveling fingertips. If you’re going to travel, why not meet like-minded adventurers, artists, and explorers along the way? Blue Marble gives you an opportunity to do just that and so much more by creating a memorable and meaningful travel experience. Enjoy your favorite parts of the planet from Canada to Portugal while hanging with equally planet passionate people. Head to Mexico, Morocco or the Mediterranean and meet a companion, win-win. www.bluemarbleprivate.com
BLACK TOMATO EXPERIENCES You say tomato, I say toe-mah-toe. Actually, it’s Black Tomato, the experience-maker for romantic honeymoons to unusual adventures. Whatever you fancy, this travel agency is on hands to help you plan it all. Forget faceless booking engines online; create that perfect and precise experience for the traveler in you. www.blacktomato.com
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LUXURY EXPERIENCESerge st yle conci NEUE EXPERIENCE
Well, well, well what do we have here? The Neue Experience, inspired by the great icons of our time provide once in a lifetime experiences to those who seek all things in life of luxury, beauty, art, and culture. Gain exclusive insights and limited edition product from the trusted Neue Luxury Omni-channel media platform. Take a walk on the red carpet with rare opportunities to attend glamorous award ceremonies and sit pretty with platinum-level seating and all access to an ultimate insiders experience. If that’s not enticing enough, perhaps a private presentation within the Presidential suite amongst the elite will do. Here’s to the makers, thinkers, artisans, and partners who celebrate all things extraordinary with an all-access pass to a life desired, this one’s for you. www.neueluxury.com/experience
BLUEFISH One fish, two fish, redfish, bluefish. The Bluefish personalized travel concierge service is for the VIPS and executives who require luxury and adventure. So, no, this isn’t your favorite childhood book type of experience but they DO bring in the big fish, as in the rich and famous that is. This is strictly for the grown and sexy, the celebrities, the athletes and the individuals interested in living life to the fullest. As the go-to for provocative and premier lifestyle and travel services, their elite status has captured the likes of Forbes and the Wall Street Journal. So, yeah, they’re kind of a big deal. If you’re looking for unique, once in a lifetime memories, you’ve found it with Bluefish, minus the snobby party crashers. www.thebluefish.com 118
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QUINTESSENTIALLY The world’s leading luxury lifestyle group goes all out for its members. Quintessentially redefines luxury living with expert cultural knowledge so you can elevate and enjoy the things you love. Score tickets to the hottest events, stay at 5-star hotels and secure priority restaurant reservations to create the most in meaningful experiences. Lifestyle managers available 24/7 will plan and personalize any package you desire aiming to make the impossible, possible. The best life has to offer, just got better. www.quintessentially.com
PURE ENTERTAINMENT GROUP Looking for a high-quality concierge servicing high net worth individuals and corporate companies around the world? Welcome to Pure Entertainment Group, one of the premier luxury concierges in the world. Trust their team of experts to organize, plan and book all things luxury for the most discerning clients. With strict confidentiality, they respect the privacy of their clients, and, operating with their insider expertise in the travel, entertainment and luxury lifestyle industries, they work with you until your perfect experience has emerged. Discover, experience a journey of endless opportunities and enjoy yourself. www.purentonline.com
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e CONNOISSEUR’S Take your taste buds to another level with a world of exquisite and endless delight as you sit at the best table at the finest restaurant experiencing something delectably different. Connoisseur’s takes you on a fine dining, foodie frenzy of gourmet goodness. Inviting you to sit back, relax, and anticipate an array of the most appetizing colors, textures, aromas, and tastes that you could ever experience. Appreciate beautifully prepared plates with an impressive repertoire of recipes to leave your taste buds still tingling at memories no Instagram culinary feed could ever enhance. www.connoisseurs.me
CELLAR TOURS Come one wine enthusiast, come all to the lovely Cellar Tours and escape from the every day with the premier provider of private luxury foods and wine tours. Relax and ride with your private driver, stay in the most elegant hotels, and taste the good grape life at intimate wine tastings at the world’s finest wineries. Check out charming villages and dramatic coastlines as you take in the captivating scenery. With so many awesome touring activities to choose from, there’s sure to be one to fit your fancy. www.cellartours.com
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W VERBIER’S ‘HAUTE CUISINE The Ultimate Gastronomic Experience’
Come hungry for Haute Cuisine as W Verbier brings all the foodie feels with talented chefs from key fine dining locations around the world to create a mind-blowing gastronomic experience. Enjoy this unforgettable event-to-be-at which includes themed dinners with live music and live cooking classes to discover exceptional secrets and tastes over a glass of wine perfectly suited to each dish. www.wkitchen-verbier.ch/en/hautecuisine
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We love
IN THE ISSUE AND OUR CURRENT OBSESSIONS OUR FAVORITE BRANDS, LAID OUT JUST FOR YOU. THIS EXCLUSIVE LIST FEATURES ALL THE BRANDS WE LOVE RIGHT NOW AND ALL THE BRANDS YOU’VE SEEN THROUGHOUT THE MAG. SHOP BRANDS WE LOVE ON THE DIGITAL VERSION OF THE NEXT ISSUE OF LOVE HAPPENS. words by Hojung Lee
SILVIA FURMANOVICH Each collection shares a story. Through every jewelry piece, Silvia communicates the same sense of extraordinary wonder that compelled her to design in the first place. Deftly balancing tradition and innovation, her experiences inspire the working of ivory, coral, turquoise, wood, and precious stones that unfold into unique and enduring pieces. www.silviafurmanovich.com 122
FERNANDA LAMELAS A romantic at heart, Fernanda Lamelas has made it her mission to capture eternal moments. Inspired by the beauty and heritage of Portugal and the surrounding world, a trained architect, Fernanda translates her watercolor paintings into the most beautiful handkerchiefs. Crafted in painstaking detail, Portuguese artisans bring her visions to life in 100% silk scarves. www.fernandalamelasarts.com
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LESAGE INTERIEURS In the service of beauty, savoir-faire and an ancient yet living craft, Lesage Interieurs offers the interiors industry the most exquisite hand embroidered textiles. Based in India and named after partner Jean-François Lesage, son of the legendary French haute couture embroiderer François Lesage, each work of art is hand-stitched by the finest craftsman— the result: richness fit for royalty! www.lesageinterieurs.com
OLIVIER BERNOUX Sensual and elegant, through his luxury accessories Olivier Bernoux creates “weapons of mass seduction.” With intricate woodcuts, exotic leathers, jersey knit silks, and simple yet eye-catching color palettes in each collection, Bernoux is on a mission to enhance a woman’s silhouette. She won’t be showing off, but everyone will notice. www.olivier-bernoux.com
CLÉ DE PEAU BEAUTÉ Clé de Peau Beauté uniquely combines Japan’s cutting-edge science and aesthetics with modern French elegance. Ranked the #1 beauty brand in Japan, Clé de Peau Beauté offers the most luxurious makeup and skincare—and perhaps the most exquisite anti-aging cream in the world, La Crème, made from more than 50 revolutionary ingredients including precious silk and pearls. www.cledepeaubeaute.com
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RENE CAOVILLA From heels showered in delicate embellishments to sensual cashmere over-the-knee boots, Rene Caovilla crafts luxury footwear with passion and excellence. Art and artisanship blend together in every single design. Expressing the divinity of every woman and processing at the highest level of meticulousness, these shoes are worth the price! www.renecaovilla.com
GIANLUCA PACCHIONI The term ‘Homo faber’ conceptualizes the ability of humankind to control fate through the use of tools around them. This embodies Gianluca Pacchioni, a master metal-craftsman who creates stunning sculptural furniture. Capturing the seductive way objects can be beautiful in their uncertainty, he lovingly embraces a combination of imperfection and finesse in his work. www.gianluca-pacchioni.com
DEA LUXURY LINENS Brimming with comfort and elegance, slide into the Italian luxury linens of Dea. As a child, Dea Mantellassi grew up among laces and embroideries, cultivating a life-long passion for high-quality linen. Combining traditional artisan production with automated technology, the company carefully selects premium woven fabrics and precious threads to produce the most luxurious linens. www.deaitaly.it 124
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LIVY LINGERIE Born by founder Lisa Chavy as an expression of modern women: multiple, independent, smart, connected, sexy, ambitious, daring...alive!, LIVY is a premium fashion lingerie label for today’s woman! From Paris sexy chic, to NYC graphic to LA chill, LIVY offers styles for all facets and lifestyles. Don’t turn the page, scroll for new ones—this is the creator’s matra! www.li-vy.com
BLEU COMME GRIS With delicate femininity for girls and a delicious Riviera vibe for boys, Blue comme gris designs timeless luxury clothing for children ages 0 to 14. Renowned for her elegant designs, founder Vanessa Marropodi selects only the highest quality French materials, silks, and jacquards. Subtle, yet undeniably sophisticated, this chic Parisian brand will have your child looking their finest from their casual daily wear to their most formal ensembles. www.bleucommegris.com
LISA JARVIS - JEWELRY FOR FURNITURE “I see cabinet doors and drawer faces as open canvasses awaiting attention and creativity,” says Lisa Jarvis, whose extraordinary, hand cast, solid brass hardware has expanded the visual impact of interiors across the country. Add custom capability, and it’s easy to see why, with Lisa’s breakthrough line, hardware is no longer an afterthought. www.lisa-jarvis.com
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© Embroidery for Givenchy by Marion Chopineau. Photography Courtesy of Marion Chopineau
VISUAL PRODUCTION CREDITS LET’S GET SOCIAL PAGE 3: Beautiful woman in sequin and feather dress, Photo by Lambada / iStock by Getty VOLUME 3 PAGE 4 - 5: Composition by Sofia Silva TABLE OF CONTENTS PAGE 6: Body of Water, Photo by Dmitry Laudin PAGE 7: Jeanne Lanvin © Patrimoine Lanvin, Paris / Courtesy of Lanvin; Interior Design by Baptiste Bohu / Photo Courtesy of Baptiste Bohu; Les Ambassadeurs at Hôtel de Crillon, Paris / Courtesy of Hôtel de Crillon PUBLISHER’S NOTE PAGE 8: Janet Morais - Founder & CEO, Photo by Sofia Silva PAGE 9: Savoir Faire Composition by Sofia Silva EDITOR’S NOTE PAGE 10: Anna Bimba - Editor, Photo by Giuliana Farray ONLINE PAGE 12: Maria Grazia Chiuri, Paris Fashion Week Womenswear Fall / Winter 2017/2018, Photo by Pascal Le Segretain / Getty Images PAGE 13: Annabel’s London, Interior Design by Martin Brudnizki, Photo by James McDonald; Azzedine Alaia Exhibit, Photo by Mark Blower / Courtesy of London Design Museum; The Christian Dior Museum, Photo by Falombini / iStock by Getty DESIGN ICONS PAGE 16: “Lady Arpels “Pont des Amoureux” 38mm Poetic Complication timepiece set in 18K white gold with diamond bezel by Van Cleef & Arpels. Price upon request, Available at Van Cleef & Arpels, www.VanCleefArpels.com, Photo Courtesy of Van Cleef & Arpels; Elie Saab: Runway - Paris Fashion Week - Haute Couture
© Photo by Brandon Barré / Courtesy of Lori Morris - House of LMD
Fall Winter 2018/2019, Photo by Pascal Le Segretain / Getty Images for Elie Saab PAGE 17: Maison Lesage, Embroidery School: Press Day - Paris Fashion Week - Haute Couture Fall/Winter 2015/2016, Photo by Francois Durand / Getty Images; Coco Chanel, 1968, in her apartment at 31 Rue Cambon, Paris, Photo by Pictorial Press Ltd / Alamy Stock Photo THE DESIGN QUESTIONNAIRE - JOSHUA ROSE AND RAFAEL KALICHSTEIN OF FORM DESIGN STUDIO PAGE 18: Joshua Rose and Rafael Kalichstein, Photo by Russel Taylor / Courtesy of FORM Design Studio PAGE 19: Living Room, Photo by Ellen Smiler / Courtesy of FORM Design Studio; Living Room, Photo by Marc Angeles / Courtesy of FORM Design Studio PAGE 20: Vanity Courtesy of FORM Design Studio PAGE 21: Catelli’s Restaurant, Photo by Drew Kelly / Courtesy of FORM Design Studio
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BEHIND THE SCENES: INSIDE THE ART OF HAUTE COUTURE
ART FOR THOUGHT: MODEL SOCIETY
PAGE 23: A model backstage before the Zuhair Murad show as part of Paris Fashion Week Haute Couture Fall/
PAGE 89: Top Left - Ageless Beauty, Photo by Demetrius Fordham; Body of Water, Photo by Dmitry
Winter 2015/2016 at Palais de Tokyo on July 9, 2015 in Paris, France, Photo by Gareth Cattermole / Getty
Laudin; Vincent Greer II, Photo by Trey Squire; Desert Queen, Photo by Axiaelitirx; Joceline Brook Hamilton
Images
& Katycee, Photo by Carl Grim; The Embody Project, Photo by Erica Mueller; Brian Murray, Photo by Trey
PAGE 24: A model is helped with her dress backstage before the Elie Saab show as part of Paris Fashion
Squire; Unflinching, Model - Brianna, Photo by Gary Samson; Model - Rosa Brighid, Photo by Terry King;
Week - Haute Couture Fall/Winter 2014-2015 at Pavillon Cambon Capucines on July 9, 2014 in Paris, France,
Aesthetics of Melancholy, Photo by Natalia Drepina; Photo by Andrey Stankorgb; Photo by Schotzart; Photo
Photo by Gareth Cattermole / Getty Images
by Lone Morch; Masculine Nature, Model - Buff Leo, Photo by April McKay; Model - Sherod Olgltree, Photo
PAGE 25: Chanel seamstresses put the final touch to the Chanel Haute Couture Fall-Winter 2006/07
by Trey Squire; Chiara, Natural Happy Woman, Photo by Carl Grim; Photo by Adriano Padella; Model - Josh
Fashion collection during Paris Fashion Week in the Chanel workshop above rue Cambon on July 5, 2006 in
Humble, Photo by Jay Rickar; Body of Water, Photo by Dmitry Laudin
Paris, France, Photo by Francois Durand / Getty Images
PAGE 91: Self Discovery and Liberation, Model - Sherod Olgltree, Photo by Trey Squire
PAGE 26: A model walks the runway during the Elie Saab Haute Couture Fall/Winter 2016-2017 show as part
PAGE 92: Self Discovery and Liberation, Model - Brian Murray, Photo by Trey Squire
of Paris Fashion Week on July 6, 2016 in Paris, France, Photo by Pascal Le Segretain / Getty Images
PAGE 93: Ageless Beauty, Photo by Demetrius Fordham
PAGE 27: A model,dress detail, walks the runway during the Elie Saab Haute Couture Fall/Winter 2016-2017
PAGE 95: Body of Water, Photo by Dmitry Laudin
show as part of Paris Fashion Week on July 6, 2016 in Paris, France, Photo by Pascal Le Segretain / Getty Images; A model, belt detail, walks the runway during the Elie Saab Haute Couture Fall/Winter 2017-2018 show
OUR LATEST OBSESSION: QUINTESSENTIALLY AND GLOBAL CEO, ANNASTASIA SEEBOHM
as part of Haute Couture Paris Fashion Week on July 5, 2017 in Paris, France, Photo by Pascal Le Segretain /
PAGE 96 - 97: Annastasia Seebohm, Photo by Nikola Gudovic / Courtesy of Quintessentially
Getty Images
PAGE 98 - 103: Photos Courtesy of QuintessentiallyW
ON THE EDGE: FUR OR FAUX PAS?
INNOVATIVE ART: ATELIER DU RENARD
PAGE 29: Limited edition fur collection Inner Sunset by Marion Chopineau, Photography by Annabelle Tiaffay
PAGE 104 - 107: Photos Courtesy of Atelier du Renard
/ Courtesy of Marion Chopineau PAGE 30: 1990s UK Lynx Magazine Advert, Photo by The Advertising Archives / Alamy Stock Photo
DESIGN LOVERS GUIDE TO EXPERIENTIAL LUXURY
PAGE 31: Embroidery + Fur for Christian Lacroix by Marion Chopineau, Photo Courtesy of Marion Chopineau
PAGE 109: Woman walking on street in New York city at sunset, Photo by Nick Starichenko / Shutterstock PAGE 110: Maison Lesage embroidery school press day as part of Paris Fashion Week Haute Couture Fall/Win-
THE ALLURE OF EXOTIC MATERIALS IN DESIGN
ter 2015/2016 on July 8, 2015 in Paris, France, Photo by Francois Durand / Getty Images; Medusa Collection
PAGE 33: Composition by Sofia Silva & Sofia Cunha - Noir marble and an iron sculpture in Moncler’s Madison
necklace, Photo Courtesy of L’ECOLE, School of Jewelry Arts
Avenue store designed by Gilles & Boissier, Photo by Eric Laignel / Courtesy of Gilles & Boissier; Office fea-
PAGE 111: Photo Courtesy of KOKET
turing KOKET’s Divine Armoire; Pink ladies’ powder room at Annabel’s London designed by Martin Brudnizki,
PAGE 112: Toma Clark Haines, The Antiques Diva, Photo by OllmannFoto; Untitled by Al Loving, 1982, Photo
Photo by James McDonald / Courtesy of Martin Brudnizki Studio
Courtesy Art Basel
PAGE 34: Amethyst table by FK Concept in a private residence in Mayfair London designed by Obsidian
PAGE 113: Light My Night in the dark room at Federico Sangalli’s Milan, Italy, Photo Courtesy of Milano
London, Photo by Marco Joe Fazio; Noir marble and an iron sculpture in Moncler’s Madison Avenue store de-
Fashion Tour; Photo Courtesy of Le Connoisseur; Tours International - Model on runway, Photo by Catwalk
signed by Gilles & Boissier, Photo by Eric Laignel / Courtesy of Gilles & Boissier; Green onyx kitchen designed
Photos / Shutterstock
by Liaigre, Photo by Marc Seelen / Courtesy of Liaigre; Tiffany blue Amazonite stone in a private residence in
PAGE 114: Aerial view of Misool, Photo by Bruno Hopff / Courtesy of Blue Marble Private
Northwest London designed by Trilbey Gordon Interiors, Photo by Kate Martin
PAGE 115: Astor luxury Villa rental Amalfi Coast Sorrento, Italy, Photo Courtesy of Blue Marble Private; Black
PAGE 35: Pink ladies’ powder room at Annabel’s London designed by Martin Brudnizki, Photo by James Mc-
Tomato - Tongabezi Lodge Look Out view lake sunset Zambia, Photo Courtesy of Black Tomato
Donald / Courtesy of Martin Brudnizki Studio; Onyx bar in the Jungle Bar at the private London club Annabel’s
PAGE 116: A general view of the red carpet at the screening of ‘BlacKkKlansman’ during the 71st annual Cannes
designed by Martin Brudnizki, Photo by James McDonald / Courtesy of Martin Brudnizki Studio; Seashell
Film Festival at Palais des Festivals on May 14, 2018 in Cannes, France, Photo by Tristan Fewings / Getty
bathroom designed by Singkiang, Photo by Paula Laniado; Office featuring KOKET’s Divine Armoire
Images; Private Dinner in Florence, Photo Courtesy of Bluefish PAGE 117: Photo Courtesy of Quintessentially; Photo Courtesy of Pure Entertainment Group
THE LEGACY OF JEANNE LANVIN
PAGE 118: Connoisseur’s - Photo by Zoltan Tasi / Unsplash; Cellar Tours - Photo by Roberta Sorge / Unsplash
PAGE 37: Jeanne Lanvin © Patrimoine Lanvin, Paris / Courtesy of Lanvin
PAGE 119: Sweet Grapes from Valais and La Chasse Dear Tartar, Photos Courtesy of W Verbier
PAGE 38: Design presented at the Golden Gate International Exposition, San Francisco, 1939 Gouache design by Jeanne Lanvin, © Patrimoine Lanvin, Paris / Courtesy of Lanvin
BRANDS WE LOVE
PAGE 39: Lanvin Fall / Winter 2018, Photo by Sabine Villiard
PAGE 120: Silvia Furmanovich Begonia Leaf clutch set in 18k gold and dravite tourmalines, Photo Courtesy of Silvia Furmanovich; Neptuno Scarf by Fernanda Lamelas
STOP QUESTIONING THE PRICE: LUXURY CRAFTSMANSHIP 101
PAGE 121: Lesage Interieurs Bee © Lesage Interieurs / Courtesy of Lesage Interierurs; Diva Fan by Olivier
PAGE 41: Photo Courtesy of Covet Foundation
Bernoux / Courtesy of Olivier Bernoux; La Crème by Clé de Peau Beauté / Courtesy of Shiseido Co., Ltd.
PAGE 42 - 43: Photos Courtesy of Brhands Foundation, www.brhandsfoundation.com
PAGE 122: Galaxia Sandal Strass 105 by Rene Caovilla; Pacchioni Tables by Gianluca Pacchioni / Photo Courtesy of Gianluca Pacchioni; Manarola Collection by Dea Luxury Linens / Photo Courtesy of Dea
THE HAUTE CRAFTSMANSHIP EDIT
PAGE 123: Bengal Bra by LIVY / Photo Courtesy of LIVY; Robe Couture Wine by Bleu comme gris; Lattice
PAGE 45 - 51: Creative Direction by Sofia Silva & Janet Morais; Photos by Sofia Silva, Sofia Cunha & Bruno
Pull by Lisa Jarvis / Photo Courtesy Lisa Jarvis
Coutu; Production & Styling by Sofia Silva & Rute Estrela; Dress made by Rosa Martins Vilar; Model - Sara Teixeira; Make-up by Mariana Reis; Factory & Production by Preggo Upholstery
LOVE HAPPENS WHEN...BEAUTIFUL MATERIALS SURROUND YOU PAGE 124 - 125: 1. Givenchy Haute Couture FW 2018/2019. Photo by Pascal Le Segretain/Getty Images
DESIGN AFFAIR - LH
LORI MORRIS
PAGE 52 - 63: All Photos by Brandon Barré / Courtesy of Lori Morris - House of LMD
| 2. Anemone Flower Wood Cuffs with Opals and Diamonds by Silvia Furmanovich | 3. Grande Leone Africa Wood Sculpture by Bartolozzi and Maioli Bottega D’arte | 4. Stools by Jonathan Zawada | 5. Decodiva Cocktail Table in Satin Brass and Marble by Koket | 6. Marquetry Leaf Bracelet with Emeralds by Silvia Furmanovich | 7.
KOKTAILS WITH KOKET AT HÔTEL DE CRILLON
Christian Dior Haute Couture F/W 2011/2012. Photos by Pascal Le Segretain/Getty Images | 8. Pale Pink and
PAGE 65: Women sitting on bar, Photo by ImageSource / iStock by Getty Images
Mismatched Marble Decorate Tel Aviv Cafe by Meir Guri | 9. Vivre Chandelier with Agate Stones by Koket |
PAGE 66 - 67: Tailor with Client, Photo by Luliia Lsaieva via Getty Images
10. Valentim Quaresma Sculpture. Photo by João Carlos | 11. Dc1731 Detail by Vincenzo de Cotiis Gallery | 12.
PAGE 68 - 69: Les Ambassadeurs bar Hôtel de Crillon, Paris, Photo Courtesy of Hôtel de Crillon
Matelassé Wall Covering by De Castelli | 13. Detail of the Iris Van Herpen Syntopia Couture Collection. Photo by Morgan O´Donovan
ON OUR SHELF: THE COAT ROUTE PAGE 72: The Coat Route book cover / Courtesy of Meg Lukens Noonan; Bespoke Vicuňa Overcoat, Photo
KOKET LOOKBOOK
Courtesy of J.H. Cutler
PAGE 129: Tom Ford Ready to Wear Spring 2019 PAGE 132: Balmain Ready to Wear Spring 19; Saint Laurent Ready to Wear Spring 19; Armani Privé, Haute
TEMPTED BY DESIGN
Couture, Fall 2018
PAGE 74 - 75: Photos Courtesy of Baptiste Bohu
PAGE 134: Tom Ford Ready to Wear Spring 2019
PAGE 76 - 77: Photos Courtesy of KOKET
PAGE 136: Tom Ford Ready to Wear Spring 2019; Elie Saab Haute Couture Fall 20 18
PAGE 78 - 79: Rendering by ARRCC
PAGE 138: Marc Jacobs Ready to Wear Spring 2019; Marc Jacobs Ready to Wear Spring 2019; Prada Sandal
PAGE 80 - 81: Photos by Brandon Barré / Courtesy of Lori Morris - House of LMD
PAGE 140: Gucci Macramé Leather Jacket and Skirt
PAGE 82 - 83: Renderings by Studia 54
PAGE 142/43: Aquazzura Shoe; Gucci Rajah Brooch in resin
PAGE 84 - 85: Renderings by Desart Décor
PAGE 144: Christian Louboutin Shoe; Dior Shoulder Bag
PAGE 74-75: Rendering by Ahmed Mady
PAGE 147: Giorgio Armani Automne Collection 2018/2019; Couple Rug, Rug Society; Ring Boarding 80’s,
PAGE 76-77: Photos Courtesy of Ramzy Alaa
Bulgari PAGE 148: Givenchy S/S 2019
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On the following pages KOKET’s daring design aesthetic and innate desire to seduce and entice its devotees with its highly desirable empowering statement pieces is perfectly illustrated through a series of inspirational mood boards and product features! Composed of dramatic case goods, luscious upholstery, exquisite lighting and decadent furs, the KOKET collection mesmerizes with its magical mineral medley, lux metallics, vibrant jewel tones and exotic peacock feathers.
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KOKET offers custom design solutions which allow you to tailor our pieces to meet your specific design requirements. Our head designer will work with you to ensure all your needs are met, and our skilled team of artisans will turn your ideas into reality.
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