CHRISTOPHER KRAMBIAS PORTFOLIO
INDEX 1. Jewlerry Design for Sister 1.1 Pendant Concept
2. Herring Island Indigenous Gallery 2.1 Site Analysis 2.2 Research and Development for Settlers Space 2.3 Research and Development for Indigenous Space 2.4 Plans Secctions and Elevations
3. Wyndham City Gateway
3.1 Site Analysis 3.2 Research on Parametrics 3.3 Research on Pollution 3.4 Research on Innovative Social Projects which Changed Peoples Behaiviour 3.5 Abstraction of Endangered Spicies 3.6 Models 3.7 Research on Function 3.8 Parametric Process 3.9 Inflating Model 3.10 Plan, Section and Elevations
4. Melbourne Mystery Theatre 4.1 Site Analysis 4.2 History of Sherlock Holmes 4.3 Study of Edinburgh Medical School 4.4 Medical School inspired development 4.5 Contemporary Architectural Precedents 4.6 Plans, Sections and Elevations
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Jewlerry Design for Sister During the 2013-14 Christmas break I set myself the task of designing a set of pendants for my sister. My sister and I have been extremely close friends our entire lives. I felt that buying a present or giving her money for the upcoming christmas was not a sufficient symbol of how close we where so I decided to make her something instead. She has owned a pendant bracelet for as long as I have known, but she has never bought any pendants to attach to it so it seemed appropriate to design three pendants which she could attach to the bracelet.
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1.1 Pendant Concept 1.1.1 Teddy and Kounelo.
Growing up my sister and I had a toy bunny called kounelo and a toy bear called teddy which we would argue over constantly. If she had them in her room I would steal it and vice-versa. These toys are both long lost but my sister and I still laugh about how we argued. I decided to re-create these toys in the form of pendants so that I could finally give these old toys to her.
Image of toy bunny.
Line drawing of 3d bunny.
3d print of bunny.
Image of toy bear.
Line drawing of 3d bear.
3d print of bear.
I recreated two old childhood toys in the form of pendants.
1.1.2 Brother Symbol The nordic symbol for brother was taken and modelled as the final pendant.
Image of brother symbol.
Line drawing of brother symbol.
3d print of brother symbol.
A symbol for brother was modelled in 3d and used as one of the pendants.
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Herring Island Indigenous Gallery Herring Island, Melbourne Design a small gallery space including reception bathrooms and seating area for Herring Island. In 1770 Lieutenant James Cook claimed the East coast of Australia and the destruction of Indigenous Australians fifty thousand year old way of life began. Within weeks of the first arrival a wave of European diseases began to spread across the continent, starvation was rife and murder of indigenous peoples who did not comply with European desires was not uncommon. Indigenous Australians native to where Melbourne is located now (called the Warrundjeri people) were especially hard hit by this epidemic with populations decreasing around 80%. The intention of this space is tell the story of Australia’s colonisation not only through the artwork presented inside the Arts Centre but also through the building. The site, Herring Island, is the perfect place for this. It is a sanctuary in urban Melbourne where people can truly feel as though they are in the Australian bush lands.
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2.1 Site Analysis
Site Area
Main path
Port Location of Herring Island in comparison to Melbourne CBD
Sun path
Ferrie
Site Analysis.
Location of site on Herring Island. Herring Island
Image of Herring Island
Image of Site
Image of Dock
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2.2 Research and Development for Settlers Space 2.2.1 Separating the centre into two parts Since Australia’s colonisation a 40000 year way of life has changed forever. Australia changed from the place where indigenous people could roam freely and practice their culture and into a European colony. As such the arts centre will be separated into two parts, one to represent Indigenous Australians and one to represent European settlers.
Indigenous Australians signing treaty with Bateman.
Governor Arthur Phillip hoisting British flag over colony.
Diagram of arts centre being split into two parts.
The arts centre will be separated into two parts, one to represent Indigenous Australians and one to represent European settlers.
2.2.2 Delugan Meissl, Festival Hall, 2012, Erl, Austria
Meissi’s Festival Hall is extremely successful at juxtaposing itself to its natural landscape. The jagged, metallic form with no window penetrations seems completely foreign in this place. The Endeavour was the first exploratory European ship to arrive at Australian soil and is an appropriate symbol for the colonisation of Australia. Its form will be abstracted and used as the form for the Colonialist space. The ideas of these two precedents were combined to form a jagged, ship like form for the Colonialists space.
Festival Hall exterior.
Jagged nature of Festival Hall.
Jagged diagram.
2.2.3 Captain Cooks exploratory ship, The Endeavour
Drawing of the Endeav-
Shape of the Endeavour
Diagram of ship.
Final form for colonialists space.
The form of the colonialists space abstracts the shape of the exploratory ship, the endeavour, by making it sharp and pointed like Meissl’s festival hall. This
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2.2.4 Daniel Libeskind, Holocaust, 2001, Berlin, Germany Libeskinds Jewish Museum is arguably one of the greatest spaces in the world which represents the genocide of a particular race. Libeskind forces users down a single path through his building instead of allowing them to meander around as is done in most Museums. As users pass through the building they enter in and out of a large void but because of the buildings zig-zag shape they never fully experience the void. This is done to represent all which can never be exhibited when it comes to Jewish-Berlin history because of the massive loss of Jewish life in this place.
Holocaust museum plan
Holocaust museum interior.
Jewish Museum Plan.
Tadao Ando on the other hand, took on similar principles, he forces users down a single entrance way which is extremely narrow so that they enter the building at its centre and experience it in its grandest state. After passing through the narrow entry, dark the grandness of this space is exaggerated.
Path of users.
2.2.5 Tadao Ando, Church of Light, Ibaraki, Japan
The planning of the colonialists space incorporates the themes of these two architects concepts. Users are forced through to crouch through a small entrance as they enter this building. Proceeding this they are lead through a narrow gallery with only room for single file so that users feel as though this space is completely foreign to its surroundings.
Church of Light entrance.
Church of Light plan.
Path of users
Forcing users to crouch through a small entrance and pass in a single line through the narrow halls of the gallery makes users feel claustrophobic and is done to evoke the sense that this part of the building and what it represents does not belong in this natural landscape.
2.3 Research and Development for Indigenous Space 2.3.1 Indigenous Australian huts
Indigenous Australian gunya.
Indigenous Australians would often make impermanent houses out of to live in called Gunya. These Gunya were normally domed in shape and made of natural materials. The form of the indigenous takes inspiration from this, it is an abstracted dome made out of timber. The shape is abstracted by bending it outward in plan so as to create a better link with the landscape.
Gunya faces inward.
Indigenous space bent outward.
Final form for Indigenous space.
The form of the indigenous space is an abstracted version of a gunya. The gunya shape is bent outward in plan so as to create a better link with the landscape.
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2.3.2 European disease Introduction of European diseases like measles and smallpox are considered to have resulted in two thirds of deaths amongst indigenous people upon Australian colonisation. The spotted nature of the diseases is an appropriate symbol for this pivotal factor of Australia’s colonisation.
Image showing the effects of smallpox.
Image showing the effects of measles.
Spotting of form.
The effect of measles and smallpox on Australia’s indigenous population is represented through spotting the space.
2.3.3 Gordon Matta Clark projects
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Matta Clarke’ project: Splitting, 1974
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Splitting Indigenous space.
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Matta Clarke’ project: the Conical intersect 1975
Clarke spent his creative life severing and creating punctures through buildings. His work created heavy interest as people were allowed a new perspective on built spaces where they could experience its outside as well as all interior spaces at once. There is a sense of destruction these holes and incisions through buildings which could be mimicked in the form of the Indigenous space to bring to the surface the destruction of their traditional ways of life.
Splitting Indigenous space.
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Splitting Indigenous space.
Removing elements from indigenous space.
Parts of the indigenous space are split and removed to create the same destructive senses as in Gordon Matta-Clark’s projects.
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2.4 Plans, Elevations and Sections
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Wyndham City Gateway Design a gateway for Wyndham city using parametric tools. The intention of this project was to use parametric tools to create a gateway into Wyndham city. This research begins with an analysis of what parametric design is but to summarise: Parametric design is a broad term used to describe the use of computer tools to inform a design. How these tools are used is up to the designer. The idea is to target polluting drivers by mocking them as they pass by the gateway. The gateway will take the form of an abstracted local endangered species. As a polluting vehicle passes by the installation will wilt and die. This is done to increase motorists awareness of the effects of driving polluting vehicles. The parametric aspect comes into play in the function of the installation. No program exists to track the exact moment a vehicle passes by the installation so that it wilts at the exact moment it needs to. So a computer algorithm was developed in order to do this.
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3.1 Site analysis. Sun Path
Petrol Station
Installation Location Proximity from Melbourne CBD.
Farm Land Path of motorists entering Wyndham Direction to Wyndham
Site analysis.
Proximity from Wyndham council.
Perspective of site.
Perspective of site.
Perspective of site.
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3.2 Research on Parametrics 3.2.1 Patrik Schumacher, Parametricist Manifesto, London, 2008
Parametricists Manifesto.
Schumacher set out to define what parametrics was in his book the Parametricist Manifesto. He gave a list of requirements in all parametric architecture:
Nordpark Cable Railway.
Nordpark Cable Railway.
Avoid rigid forms (lack of malleability). Avoid simple repetition (lack of variety) All forms must be soft. All systems must be differentiated (gradients). and interdependent (correlations). All functions are parametric activity scenarios. All activities communicate with each other.
Schumacher attempted to define what parametrics was in his book the Parametricist Manifesto.
3.2.2 Michael Hansmeyer, Subdivided Columns, 2010
Subdivided Columns.
Hansmeyers research on parametrics explored more than Schumachers definition of it:
Subdivided Columns.
Subdivided Columns.
Hansmeyers Subdivided columns explored aspects of parametricism which extended farther than what Schumacher defined it as.
3.2.3 Daniel Davis Lecture
Instances of James Dana’s Crystal Drawings.
Stadium model by Luigi Moretti.
Daniel Davis claimed that parametrics was a design movement still to young to properly define, the movement was still developing and changing.
Daniel Davis.
He looked at digitally folding cubes (an impossible task in real life) in order to create a series of detailed columns. These forms were so detailed that they would have been impossible for a person to draw or even imagine because their level of detail went beyond what the naked eye could see. So, in this case with parametric design the architect becomes an orchestrator of digital tools, unable to envisage the end state it is the computer which comes up with the final form.
During semester students were given a talk by guest lecturer Daniel Davis on his opinions about what parametric architecture is. He explained that we should not look for a definition it for as the movement is still growing and developing, if we were to define it now we may limit how far it stretches. He even got into a public debate with Schumacher where Schumacher became so frustrated he called Davis a ‘twat’.
It seems that even though Patrik Schumacher attempted to define parametric architecture this concepts stretches far further than his definition of it. From the massive disparity between his definition and Hansmeyers exploration of it plus Daniel Davis opinion about the topic, it seems that parametrics is a concept which is still too infant to define. It is in short the use of computer tools to fuel design which means that for the first time in history design can stretch farther than human imagination. How far this stretch will take us is still unknown as computers are becoming more and more powerful and what we can do with them is ever changing. At this point the decision was made to explore the potentials of parametricism in a completely new direction. I wanted to create an computer algorithm which could do something which other programs could not thus adding to the discourse of parametric architecture. But at this point I didn’t know what exactly that would be.
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3.3 Research on Pollution 3.3.1 Car Pollution Car pollution attributes to 50% of Carbon Emissions in Victoria and 45% of hydrocarbon emissions. So the decision was made to focus on car pollution as the designs only users would be motorists
Image of car pollution.
Image of car pollution.
Image of car pollution.
Decision made that the gateway would focus on car pollution
3.3.2 Local Endangered Species At this point the decision was made to produce an appropriate form for the installation. A series of 5 endangered species in the region where used as they would make an appropriate symbol for the effects of car pollution Black Eared Minor.
Jancus Bassianus.
Macropus Robustus.
Eucalyptus Aggregata.
Chelondina Ionglcollis.
Five endangered species selected to inspire the form of the gateway.
3.4 Research on Innovative Social Projects which Changed Peoples Behaviour. 3.4.1 Anatas Mockas, Mime Project, Bogata, 1999
Mime Project.
Mime Project.
Mime Project.
Idea of mocking polluting drivers to make them think twice about their choice of vehicle was found when researching Anatas Mockas ‘Mime Project’.
Research was done on effective social projects and one by Anatas Mockus the 1999 Mayor of Bogata was found. Mockas hired 450 mimes to make fun of people who J-walked in the city. He realised that if he targeted peoples pride rather than their pockets he would decrease the chance they would break the law. The project was enormously successful, under Mockas traffic related fatalities dropped by 50%. At this point the decision was made to use a similar method in this design. Drivers of extremely polluting cars would be mocked as they drove past my installation making them think twice about owning a polluting car.
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3.5 Abstraction of Endangered Species 3.5.1 Pablo Picasso, Bull, 1945
Pablo Picasso’s abstraction method.
Pablo Picasso famously abstracted the form of a bull by trying to define the dominant parts of the bulls geometry and re draw them. With each drawing more elements are removed until Picasso was satisfied that only the main parts of the bull remained. What is interesting is that even though the final image is far less detailed than the first it is still clear that this is an image of a bull, indicating Picassos success in this undertaking. A similar method was used on the five endangered species to abstract them and make them more sculptural.
3.5.2 Deconstruction
Black Eared Minor.
Jancus Bassianus.
Macropus Robustus.
Eucalyptus Aggregata.
Chelondina Ionglcollis.
Pablo Picasso’s abstraction method is repeated on the five endangered species to make them more sculptural.
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3.6 Models
Physical models.
Physical models.
Physical models.
Physical models.
Physical models.
Sculptural were modelled and the preferred one was selected. The Juncus Bassaris.
3.7 Research on Function 3.7.1 Air Dancers
Air Dancer.
Air Dancer.
Air Dancer.
Air Dancer.
Physical models.
Proceeding this we move into the next stage of design where we started thinking about one of these forms to mock polluting drivers. The decision was made that the Juncas Bassianus would wilt and die as a polluting driver passed by. The solution to how this would work would be a development of Air dancers. Air dancers are pumped full of air to keep them upright but when they are deflated they quickly collapse and the way they function would adapt perfectly to work for this installation.
The Jancus Bassaris would wilt and die like a deflating air dancer when polluting drivers would pass by.
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3.8 Parametric Process 2.7.1 Visual ‘Waves’ At this point we will move back into thinking about how parametrics could be used to attribute to this work. There is no program or system which could inflate or deflate the form at the exact moment a polluting vehicle drove past. So the decision was made to create one using computer tools. Sound Waves.
Sound Waves.
Sound Waves.
There are computer tools which can detect movement in a camera and represent the movement as lines on an x and y plane. This works in the same way that sound waves are detected.
A computer algorithm was developed to do this. There are computer tools which can detect movement in a camera and represent the movement as lines on an x and y plane. This works in the same way that sound waves are detected. When the lines become large enough it means a moving object has appeared in the camera and a signal is sent to the air pump to deactivate so that the installation deflates at the exact moment a vehicle is moving past.
Visual Waves.
Visual Waves.
Visual Waves.
Visual Waves.
Visual Waves.
When the lines become larger, a moving object has appeared.
Parametric System.
By developing an algorithm which performed an action which no other computer program could do this project attributed to the discourse of parametrics and proved that parametric architecture is a new design form developing and growing so fast that it cannot be defined.
Parametric System.
Once the lines are large enough a signal is sent to the turn off the pump for enough time for the vehicle to pass.
2.7.2 Model with attached pump.
Physical model with pump.
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3.9 Plan, Section and Elevations.
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Melbourne Mystery Theatre 677 Bourke St, Melbourne Design a theatre centre dedicated to Sherlock Holmes, the ‘Conan Doyle Mystery Theatre’ divided into three spaces, a 250 seat cinema, a 250 seat black box theatre and a 500 seat proscenium theatre. Sherlock Holmes is a fictional detective who solves crimes through his powers of deduction. He was created by Arthur Conan Doyle in 1887. In my research for inspiration for the theatre I will looked into the history of the Holmes series and found that the character Sherlock Holmes was based of Conan Doyles college professor Joseph Bell. Joseph Bell worked at the university of Edinburgh old medical school for his entire career so I decided to base my building off this building. The idea was to recreate the place where the original Sherlock Holmes was born. The school was Northern Italian Renaissance style so this building is based my building off principles of this design stream.
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4.1 Site Analysis
Sun Path
Motorists
Pedestrians
Site
3.1.2 Surrounding Building Heights Existing Building
3.3.1 Base Shaft Capital
3.1.3 Street Views
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4.2 History of Sherlock Holmes 4.2.1 Joseph Bell, Edinburgh Medical School Professor, 2 December 1837 – 4 October 1911
Sherlock Holmes. Arthur Conan Doyal.
Joseph Bell.
Joseph Bell was the teacher of Arthur Conan Doyal and the inspiration for Sherlock Holmes.
During my research of the origins of this mystery series I came across Joseph Bell. Bell was a professor of medicine at the medical school where Conan Doyle studied and had the abilities to deduce a person’s illness as well as other qualities about them too such as their trade or where they were from just by looking at them. For example if a man walked a certain way and had particular tattoos Bell knew that this person was a sailor and knew where they had travelled because of their tattoos. Conan Doyle realised that if a detective possessed these deductive qualities they would be very good at their job and thus created Sherlock Holmes. So in many ways the original Sherlock Holmes was Joseph Bell
4.3 Study of Edinburgh Medical School 3.3.1 Robert Rowand Anderson, the Old Edinburgh Medical School, Edinburgh, Scotland, 1876-86
Perspective of medical school.
Plan of medical school.
Joseph Bell spent most of his working years in the Old Edinburgh Medical school teaching and researching medicine. In my mind this place is where the original Sherlock Holmes grew and I wanted to recreate this space in my theatre complex.
Elevation of medical school.
Joseph Bell worked his entire career in the University of Edinburgh old medical school so in many ways this school is where the original Sherlock Holmes came to be.
3.3.1 Northern Italian Renaissance
Ryrie Building (plazzo building).
Palazzo Salviati (palazzo building)
The building adopted Northern Italian Renaissance style and as such the design for the Conan Doyal Theatre will follow Northern Italian Renaissance principles. These buildings were inspired mostly by a palazzo frontage.
Original sketch of medical school.
The building adopted Northern Italian Renaissance style, incorporating design influences from Venice and Bologna, which is most prominently introduced through the palazzo frontage - an architectural style of the 19th and 20th centuries based upon the palazzi (palaces) built by wealthy families of the Italian Renaissance. The term refers to the general shape, proportion and a cluster of characteristics, rather than a specific design. As such I decided to follow Italian Renaissance principles to inspire this design.
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4.4 Medical School inspired development
4.4.1 Not Considering Building Extension
The building was completed in two parts. The main part of the building was built in the 1870s and the McEwan Hall was an extension added on in the 1890s. The extension was built toward the end of Joseph Bells career and as such will not be part of the focus for the building inspiration. Perspective of medical school including McEwan Hall.
MceWan Hall not included in study.
MceWan Hall not included in study.
The MceWan Hall will not be used to inspire the theatre as it was an extension to the medical school introduced toward the end of Joseph Bells career.
4.4.2 Abstracted Rectangular Prism
In most examples of classical architecture we find the building follows a rigid box like shape. In the case of the Edinburgh medical school this shape is somewhat abstracted with the introduction at one end. This form was used to inspire the form of the Mystery Theatre which takes on the shape of a skewed 3d version of this elevation.
Elevation of medical school. Medical school elevation.
Diagram of building form. Diagram of building form.
Skewing form.
Creation of form. Final Form of Building
The form of the theatre takes on an abstracted version of the form of the Medical School.
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4.4.3 Brickwork Patterns
Strozzi Palace brick pattern.
Brick pattern taken from Strozzi Palace.
Theatre block pattern.
Block pattern placed on form.
The brick patterns of classical buildings generally follow a pattern which is both irregular and regular. Consider the pattern of the medical school: the blocks are spaced evenly in the vertical direction but unevenly horizontally. As such a similar pattern was followed in the Mystery Theatre although in this case the blocks are enlarged to abstract the renaissance pattern. A brickwork pattern was taken from the popular Palazzo building Strozzi Palace and analysed as elevations of the Old Medical School did not have the brick pattern drawn on.
The brick patterns of palazzo buildings follow an irregular pattern horizontally and a regular pattern vertically. As such an similar block pattern was developed and placed onto the Theatre. The pattern was placed at a larger scale to abstract this concept further.
4.4.4 Base Shaft Capital CAPITAL
CAPITAL
SHAFT
SHAFT
BASE
BASE
In Renaissance architecture as well as most classical styles adopted a column inspired form for their designs where the building is separated into three parts: a base a shaft and a capital. In response to this the Mystery theatre is separated into three parts.
CAPITAL SHAFT BASE Medical school base shaft and capital.
Theatre base shaft and capital.
Elevation showing base shaft and capital.
Most classical buildings are separated into a base shaft and capital. The theatre uses changes in materiality to do the same.
4.4.5 Enlarging Windows
Strozzi Palace window pattern.
In many renaissance buildings the span of the window openings become larger toward the top of the building for structural purpose. This building adopts a similar principle, where most of the windows are situated toward the top of the building, where the public spaces like the restaurant and foyer for the main theatre are.
Medical school window pattern.
Theatre window pattern.
There is a pattern in palazzo frontages to place the larger windows toward the top, the theatre mimics this pattern by placing more windows toward its capital.
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4.5 Contemporary architectural precedents. 4.5.1 Renzo Zechetto, The Broad Stage Theatre, Santa Monica, 2008
In order to bring this building into the modern day I researched a few successful theatre spaces to understand what had made them so great. I first came across the Broad Stage. Through emails with the Broad Stage management I discovered that the complex houses 50-60 shows per season in black box theatre alone. Broad stage plan.
Broad stage elevation.
Broad stage perspective.
The Broad Stage is a successful theatre in Santa-Monica and worth studying to improve the Conan Doyal Theatre.
4.5.2 Circulation visible from road
Broad Stage of foyer from road.
Theatre view of foyer from road.
Theatre perspective showing people circulating in theatre
The Broad Stage places all of the circulation spaces so that they are visible from the road, this gives the sense that the building is constantly busy and making people want to go there. This is done by placing them around the periphery of the building and using a glass façade around the foyer spaces. The Mystery theatre will do the same.
The Broad places circulation spaces and a glass façade toward nearby roads so that the building constantly seems active. The Conan Doyal Theatre does the same.
4.5.4 Beacon effect One of the Broad Stage’ greatest successes is its use of light to draw people toward it. The glass box at the top of the building projects a lot of light when the building is active. This means the entire building literally becomes a beacon which attracts people toward it. Broad Stage beacon effect.
Theatre beacon effect.
Theatre beacon effect.
The glass façade facing Bourke Street and white interiors means that the theatre projects a lot of light outward. The result is that at night the theatre acts as a beacon drawing people toward it.
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4.5.4 Balcony seats We find further successes in the plan of this building where the architect has managed to squeeze 400 seats to within 12 metres of the stage so that the theatre goers can fully experience the actors expressions. This was done by introducing balcony seats into the theatre. Broad Stage balcony seats.
Distance from stage without balcony seats.
Distance from stage with balcony seats.
Introducing balcony seats brings the audience closer to the stage giving them a better experience of the actor’s expressions.
4.5.5 ARM, Southbank Theatre, Melbourne, 2008
Melbourne Theatre Company day perspective.
Melbourne Theatre Company night perspective.
Mystery Theatre day perspective.
During semester at Melbourne University RMIT lecturer and project director at ARM Peter Bickel gave a talk on the Southbank theatre. What was most interesting was the contrast in aesthetic of this building between day and night. The change was so vast when the streets were dark and the buildings lights were on that it was almost as though a completely new building was being brought to the site every night. The Mystery theatre adopts the same principle where light is used to give a large contrast between the day and night aesthetic of the building. At night, light is projected onto the building and because of the pixelated block form, light and shadow bounces throughout the facade, bringing upon it a new aesthetic.
Mystery Theatre night perspective.
The aesthetic of the Conan Doyal theatre completely changes at night when light is shun on it light the light bouncing off the white blocks becomes much more dramatic.
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4.6 Plans Sections and Elevations
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5
4
A115
A115
A115
Level 7
PRODUCED BY AN AUTODESK STUDENT PRODUCT
30000
Level 6 26000
Level 5 21000
Level 4 15000 Level 3 12000
Level 2 8000
Level 1 4000
Ground Floor and Site Plan 0
North
South
West
2
1
3 1 : 500
1 : 500
1 : 500
5
4
A115
A115
Restaurant Kitchen
Restaurant Level 7 30000
Workshop Main Theatre
Level 6 26000
Back Stage Stage
Main Theatre Level 5
Office Building
Former Exchange Building
Black Box Theatre
Rehersal Space
21000 Black Box Theatre
Lift Well Level 4 15000
Black Box Makeup
Level 3 12000
Office
Bar Spencer Street
Cinema Foyer
Godfrey Street
Cinema
Level 2
Southern Cross
8000 Changing Room
Cinema Foyer
Bar
Level 1 4000 Main Foyer Loading Bay Fire Escape Ground Floor and Site Plan 0
Section 1 4
Section 2 5
1 : 500
1 : 500
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRODUCED BY AN AUTODESK STUDENT PRODUCT
PRODUCED BY AN AUTODESK STUDENT PRODUCT
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