Keane Southard
A Day of Sunshine A
Cantata for
Chorus and
Orchestra Text by Henry Wadsworth Longfellow
(2009) (Duration: c. 15 mins.)
Instrumentation: Piccolo 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet in Bb 2 Bassoons 4 Horns in F 2 Trumpets in C 2 Tenor Trombones Bass Trombone Tuba Timpani Percussion 1: High Triangle, Glockenspiel, Suspended Cymbal, Congas, Egg/Cylinder Shaker, High Woodblock, Metal Wind Chimes, Crash Cymbals Percussion 2: Large Bass Drum, Crash Cymbals, Cabasa, Sandblocks, Glockenspiel Harp Sopranos Altos Tenors Basses Organ (if possible, may be omitted) Violin 1 Violin 2 Viola Cello Bass
Transposed Score Performance instructions: 1. All trills written are played between the given note and the note a step above it, where the higher note is designated with an accidental (or natural sign) that appears directly above the trill. 2. A portamento differs from a glissando in that a portamento is a quick slide to the next note at the end of the duration of the note, whereas a glissando is a slide from note to note at a constant velocity. A note followed by a glissando should not be held any longer than any other pitch within the glissando but should be only a starting point for the glissando. When a note is both the end of a glissando and the beginning of another, the note should only act as a change of direction and should not be held longer than any of the notes within the glissando. 3. All artificial harmonics are designated with the stopped pitch as a regular notehead and the node to be touched a perfect fourth above the note with a diamond notehead. The note produced should be two octaves above the stopped pitch and is not notated in the score. 4. Tenuto marks (-) over notes indicate more weight/stress on the note and does not indicate space to be placed in between that note and the next (unless the tenuto is combined with a staccato). 5. The work may still be performed without the organ part if a pipe organ is not available in the performance space, but the organ should be included if possible.
Program notes: A Day of Sunshine for Chorus and Orchestra was begun in June of 2009 and completed in December of the same year. The work is written for and dedicated to the Longfellow Chorus of Portland, Maine and Charles Kaufmann, director. I joined my college's chorus in my first year in college, after not singing since I was a young boy. I will forever be thankful that the first work I sung in was Ralph Vaughan Williams's beautiful and powerful “Sea Symphony”, which I completely fell in love with and spurred my continued interest in works for chorus and orchestra. I later also sung in Bach's “St. Matthew Passion” and “Mass in B minor”, as well as William Bolcom's massive “Songs of Innocence and of Experience”. My work sets three poems of Henry Wadsworth Longfellow, namely, “Daybreak”, “A Day of Sunshine”, and “Sundown”. The entire work is named after the middle poem, as the three poems combine to tell the story of an entire day. In “Daybreak”, we follow a joyful wind that awakens the world to the new, promising, and beautiful day, but its final line hints that all may not be as perfect as it seems. The middle movement, “A Day of Sunshine” is entirely a song of thanks for being alive and the gift of life in the beauty of the natural world. Again the wind returns to uplift the feelings and words of the singers. Since moving to Boulder, Colorado in the middle of working on this piece, the amazing imagery and lines of poetry in this poem have taken on special meaning for me. I will now always associate the lines “Whose steep sierra far uplifts,/Its craggy summits white with drifts” with hiking in Rocky Mountain National Park and being amongst some of the most beautiful natural creations the earth has made. Ever since singing in the “Sea Symphony”, I realized how powerfully a chorus and orchestra could illuminate these words. Whitman's lines “Finally shall come the poet worthy that name,/The true son of God shall come singing.” are unimpressive sitting on a piece of paper, but when Vaughan Williams liberated them into the voices and instruments for his Symphony, I was so moved by its power. I hope that I have accomplished the same thing in this song, especially during the lines “Blow winds! and waft through all the rooms/The snowflakes of the cherry blooms!/Blow winds! and bend within my reach/The fiery blossoms of the peach!” I hope that when hearing my setting of these lines listeners will feel like they are standing on the top of a mountain looking over the world, as if the wind would lift them of their feet and sweep them back into being a real part of the beautiful natural world that we came from. The final line asks, and challenges, the listener to do just that. The final poem, “Sundown” depicts the sun's beautiful disappearance at the end of the day. It reminds us that not all is perfect; that we still must take the good with the bad. We still have so much work to do and progress to make in creating a beautiful world and life for all. Nevertheless, we should be thankful for the beautiful day we have been blessed with today. I am extremely grateful to the Longfellow Chorus and Charles Kaufmann for the opportunity to write this work and have it performed. I must say that I have never had a performance of a work for full chorus or full orchestra, and my first for either is for them together! I really wonder how many composers can say that! Keane Southard 2009
Text:
Like keys of some great instrument. And over me unrolls on high The splendid scenery of the sky,
1. Daybreak
Where through a sapphire sea the sun Sails like a golden galleon, Towards yonder cloud-land in the West, Towards yonder Islands of the Blest, Whose steep sierra far uplifts Its craggy summits white with drifts. Blow, winds! and waft through all the rooms The snow-flakes of the cherry-blooms! Blow, winds! and bend within my reach The fiery blossoms of the peach! O Life and Love! O happy throng Of thoughts, whose only speech is song! O heart of man! canst thou not be Blithe as the air is, and as free?
A wind came up out of the sea, And said, “O mists, make room for me.” It hailed the ships, and cried, “Sail on, Ye mariners, the night is gone.” And hurried landward far away, Crying, “Awake! it is the day.” It said unto the forest, “Shout! Hang all your leafy banners out!” It touched the wood-birds folded wing, And said, “O bird, awake and sing.” And o’er the farms, “O chanticleer, Your clarion blow; the day is near.” It whispered to the fields of corn, “Bow down, and hail the coming morn.” It shouted through the belfry-tower, “Awake, O bell! proclaim the hour.” It crossed the churchyard with a sigh, And said,“Not yet! in quiet lie.” 2. A Day of Sunshine O gift of God! O perfect day: Whereon shall no man work, but play; Whereon it is enough for me, Not to be doing, but to be! Through every fibre of my brain, Through every nerve, through every vein, I feel the electric thrill, the touch Of life, that seems almost too much. I hear the wind among the trees Playing celestial symphonies; I see the branches downward bent,
3. Sundown The summer sun is sinking low; Only the tree-tops redden and glow: Only the weathercock on the spire Of the neighboring church is a flame of fire; All is in shadow below. O beautiful, awful summer day, What hast thou given, what taken away? Life and death, and love and hate, Homes made happy or desolate, Hearts made sad or gay! On the road of life one mile-stone more! In the book of life one leaf turned o’er! Like a red seal is the setting sun On the good and the evil men have done,— Naught can to-day restore!
Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com
A Day of Sunshine for Chorus and Orchestra
Transposed Score
Henry Wadsworth Longfellow
I. Daybreak
q = 100
Keane Southard
Bass Clarinet in Bb
Bassoons 1-2
Piccolo
Flutes 1-2
Oboes 1-2
Clarinets in Bb 1-2
1.
p
1. 3
p
p
3
1.
1.
p3
3
p
3
Horn in F 3-4
Trumpets in C 1-2
Horn in F 1-2
Trombones 1-2
Bass Trombone
Tuba
Timpani
ppp
Alto
Tenor
Percussion 1
Percussion 2
Harp
Soprano
Bass
Organ (if possible)
Pedals
8'
Violin I
Violin II div.
pp
div.
mp
non div.
pp
2
3
4
5
ppp
3
ppp 3
con sord. sul tasto
div. at the tip
mp
pp
Double Bass
Violoncello
q = 100
Viola div.
3
3
con sord. sul tasto
ppp
6
3
3
3
3 3
1
©2009
7
3
8
3
3
3
3
9
10
2 Picc.
Fl. 1-2
p
2.
Ob. 1-2
p
3
Hn. 3-4
C Tpt. 1-2
2.
p
1.
p 3
3
p
1. p
A
3
2.
3
p
2.
3
3
p
Hn. 1-2
2.
Bsn. 1-2
p
B. Cl.
3
3
Cl. 1-2
1.
p 3
3
p
3
p
p 3
1.
pp
Tbn. 1-2
B. Tbn.
Timp.
S.
Tba.
Perc. 1
Perc. 2
Hp.
T.
A.
B.
mp
pp
A
wind
A
wind
f
A
wind
A
Org.
Vla. div.
came
up
came
up
wind
came
3
3
3
3
13
3
3
3
3
3
3
3
3
pp
pp
15
mp
up
mp
14
3
A
3
12
3
11
3
3
3
3
3
Db.
Vc.
up
Vln. II div.
came
Vln. I
Ped.
f
f
f
16
17
Picc.
6
f
3
mf
3 2. 3
Fl. 1-2
f
Ob. 1-2
Cl. 1-2
B. Cl.
3
3
6
2.
6
f
6
f
3
1.
f
1.
f
2.
6
f
Bsn. 1-2
f 3 3 f
3
3
Tbn. 1-2
B. Tbn.
Hn. 1-2 Hn. 3-4 C Tpt. 1-2
Tba.
Timp.
Perc. 1
Perc. 2
S.
D C# B / E F# G Ab
out
of
the
sea
out
of
the
sea
out
of
the
of
the
Vln. I
Vla. div.
gliss.
mp
And
said,
"O
mists,
make
And
"O
And
said,
"O
mists,
make
And
said,
mists,
"O
make
mists,
make
3
3
3
3
3
3
20
3
3
3
3
3
19
18
3
f
3
3
f
said,
3
Vc.
sea
mp
Vln. II div.
sea
out
Ped.
f
B.
Db.
Large Bass Dr.
High Triangle
T.
Org.
f
A.
f
Hp.
21
3
3
22
4 Picc.
p
f
f
3
Fl. 1-2
6
2.
f
3
3
3
6 2.
ff
3
1.
ff
3
1.
Ob. 1-2
Hn. 1-2
f
3
1.
f
6
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3
2.
ff
2. 3
3
ff
3
ff
3
2. 1. 3 3 3
3
3
3
3
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f
f
6
f
6
f
Bsn. 1-2
2.
B. Cl.
f
Cl. 1-2
ff
ff
ff
Tbn. 1-2
B. Tbn.
Hn. 3-4 C Tpt. 1-2
Tba.
Timp.
Perc. 1
Perc. 2
S.
(High Triangle)
room
Ped.
for
ff
gliss.
me."
me."
me."
3
3
unis. natural6
f
6
f
ff
3
unis.
f
6
ff
3
ff
3
ff
23
6
24
3
25
3
26
ff
ff
f
ff
3
senza sord. natural
f
unis.
3
ff
6
unis.
3
Db.
Vln. I
Vc.
Vla. div.
Vln. II div.
me."
room
Org.
for
for
f
for
f
room
room
B.
Large Bass Dr.
Glockenspiel.
f
T.
A.
f
Hp.
3
3
3
ff
3
3
ff
27
Picc.
Fl. 1-2
Ob. 1-2
Cl. 1-2
B. Cl.
Bsn. 1-2
Hn. 1-2
accel.
B
5
q = 120
1.
p
mp
1.
mp
a2
1.
mp
p
p
mp
p
1.
mp
p
Hn. 3-4
C Tpt. 1-2
Tbn. 1-2
B. Tbn.
S.
Tba.
Timp.
Perc. 1
Perc. 2
Hp.
mp
It hailed
A.
mp
It hailed
T.
B.
mp
It hailed
Org.
Ped.
Vln. I
Vln. II
8' Strings
accel.
p
{
the ships,
and cried,
the
"Sail
ships,
and
cried,
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ships,
and cried,
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the ships,
and
cried,
"Sail
mar
-
-
-
-
i - ners,
on,
Ye
f
Ye
mar
-
the
night
is
the
night
is
mf
the
night
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on,
f
on,
on,
the
mp
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i - ners,
mf
the
night
is
mp
gone."
mp
gone."
mp
gone."
mp
gone."
B
q = 120
I
p
p
II Vla.
Vc.
Db.
3
3
3
3
p p mf pp
28
29
30
31
32
33
p
p
34
35
36
6 Picc.
5
f
Ob. 1-2
Cl. 1-2
B. Cl.
f
2.
5
2.
mf
5
mf 1.
1.
1.
5
mf
mf
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C
mf
5
5
2.
mp
5
2.
5
5
1.
mf
5
mp
p
Bsn. 1-2
1.
mp
Hn. 1-2
Hn. 3-4
5
5
pp
5
5
p
5
Tbn. 1-2
B. Tbn.
Perc. 1
Perc. 2
p
cresc.
cresc.
p
Hp.
S.
mf
And
mf
And
T.
B.
Org.
Ped.
Vln. I
mf
mp
hur
-
hur
And
hur
ried
land
-
hur
ried
land
-
-
-
-
ried
land
ried
land
-
-
ward
far
a
ward
far
a
ward
far
a
ward
far
a
p
-
pp
cresc.
p
f
way,
Cry - ing,
p
f
way,
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Cry - ing,
C
non div.
non div.
p
mp
mp
p
non div.
37
38
39
5
p
5
mp
5
5
cresc.
pp
Db.
f
way,
-
-
Cry - ing,
p
-
Susp. Cymb. w/yarn mallets
f
way,
And
mf
5
Vc.
Vla.
5
Vln. II
f
A.
5
cresc.
5
5
cresc.
p
5
5
cresc.
5
5
cresc.
p
Timp.
5
cresc.
p
5
cresc.
5
cresc.
cresc.
5
2.
Tba.
5
p
5
p
5
C Tpt. 1-2
5
mp
5
mf
5
5
5
cresc.
p
cresc.
40
5
5
5
5
41
5
Picc.
ff
5
5
5
5
5
5
7
rit.
7
6
6 5
5
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5
5
fff fff
ff
Fl. 1-2
5
’
5
5
fff
7
5
6
7 7
ff
cresc.
Ob. 1-2
f
5
5
cresc.
5
5
5
5
5
5
5
5
5
5
5
5
cresc. 5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
Hn. 1-2
Hp.
S.
5
5
5
5
5
5
5
5
fp
(Susp. Cymb.)
7
7
6
5
5
5
f
6
3
f 3
f 3
f 3
7
mf
mf
mf
mf
mf
ff
ff
-
ff
T.
-
"A
-
"A
-
{
wake!
wake!
ff
it
is
the
it
is
the
is
the
it
is
it
wake!
2,4,8 + Mixture
wake!
ff
ff
mf
f
3
3
f
6
5
"A
Ped.
5
fp
6
fp
fp
A.
Org.
"A
B.
fff
5
5
fp
6
5
5
6 7
fff
fp
7
5
5
5
5
5
5
5
5
B. Tbn.
Perc. 2
5
Tbn. 1-2
Perc. 1
5
C Tpt. 1-2
Timp.
5
5
Hn. 3-4
Tba.
5
5
Bsn. 1-2
5
5
5
fff B. Cl.
6
5
5
fff
ff
Cl. 1-2
7
5
the
4,8,16
ff
Vln. I mf
Vln. II
ff 5
5
5
5
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5
5
5
fff
5
5
5
5
5
5
5
5
5
5
5
5
f
Vla.
5
cresc.
Db.
5
5
5
42
5
’
5
5
43
5
5
rit.
div. fff
fff
fff
fff
5
5
5
6 5
7
5 6 7 5
6
7
5
44
7
6
5
45
8 Picc.
q = 80
3
Bsn. 1-2
Hn. 1-2
Hn. 3-4
C Tpt. 1-2
ff
ff
ff
Tbn. 1-2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
a2
ff
ff
Hp.
mf
f
3
f
ff
Ped.
q = 80
Vln. I
Vln. II
Vla.
mp
Congas w/hands
f
f
jazz fall
jazz fall
f
f
3
f
Cabasa
gliss.
f
sf
f
f
It
day."
It
day."
Org.
f
day."
B.
f
f
day."
S.
T.
mf
A.
3
ff
a2
p
Crash Cymb.
a2
mf
3
a2
3
ff
3
ff
a2
B. Cl.
D
Cl. 1-2
q. = 100
Ob. 1-2
Fl. 1-2
accel.
Db. Vc.
46
said
un - to
the for - est, "Shout!"
fp
said
un - to
the for - est
(t)
(t)
f
sf div. pizz. sf . gliss. div. liss ggliss. gliss.
div. pizz.
f
3
q. = 100 D
3
47
gliss.
{ mf
simile sf sf simile simile
f f
48
49
"Shout!"
3
gliss.
accel.
gliss.
fp
f
Hang
f
Hang
50
51
poco rit.
Picc.
Fl. 1-2
Ob. 1-2
Cl. 1-2
f
Bsn. 1-2
Hn. 1-2
B. Cl.
f
C Tpt. 1-2
Tbn. 1-2
B. Tbn.
f f
jazz fall
f
f
Perc. 1
2.
f
jazz fall
f
f
Timp.
jazz fall
ff
fff
3
ff
Hn. 3-4
Tba.
9
(Congas w/hands)
ff
ff
Perc. 2
Hp.
S.
(Cabasa)
all
ban - ners out."
ban - ners out."
f
It
touched
the
f
It
touched
the
wood-bird's
wood-bird's
fold - ed
fold - ed
Vla.
52
gliss.
ff
wing,
And said, "O Bird, a - wake and
wing,
54
a - wake and
a - wake and
ff
And said, "O Bird, a - wake and
ff
53
ff
Vc.
Vln. II
Db.
your lea - fy
Ped.
Vln. I
your lea - fy
T.
A.
Org.
all
B.
non div. ff non div. ff ff
55
poco rit.
non div.
ff
ff
56
10 Picc.
A tempo
E
Fl. 1-2
Ob. 1-2
Cl. 1-2
B. Cl.
Bsn. 1-2
Hn. 1-2
f
mp
f
f
Tbn. 1-2
gliss. gliss.
gliss. gliss.
f
C Tpt. 1-2
Hn. 3-4
a2
f
a2
B. Tbn.
mf
Tba.
n
gliss.
f
mf
mf
Timp.
f
Perc. 1
Perc. 2
f
f
f
S.
B.
gliss.
And
o'er
f
f
f
And
mp T.
Vln. I
Vln. II
Vla.
gliss.
ff
ff
Your
A tempo
cresc.
f cresc.
ff
clar - ion
ff
clar - ion
div.
sf
sf
57
simile
E
sf div. sf
mf
ff
Your
f
blow; the day
blow; the day
is
is
f
gliss.
near
gliss.
near
f cresc.
gliss.
f
cresc.
f
ff
the farms, "O chan- ti cleer,
f
Db.
ff
the farms, "O chan- ti cleer,
o'er
f
Vc.
near
Ped.
sing."
f
sing."
Org.
f
ff
ff
(Cabasa)
A.
(Congas w/hands)
Hp.
ff
mf
gliss.
gliss.
simile
58
ff
ff
near
ff
59
gliss.
ff gliss.
ff
60
unis.
f cresc.
f cresc.
f cresc.
61
poco rit. Picc.
ff
a2
Fl. 1-2
Ob. 1-2
a2
Cl. 1-2
ff
gliss.
ff
Bsn. 1-2
Hn. 1-2
ff
a2 mf
Hn. 3-4
a2
mf a2
C Tpt. 1-2
mf
Tba.
Timp.
Perc. 1
fff
fff
fff
fff
1.
3.
s glis
.
s glis
.
ff
ff
ff
gliss.
f
f
gliss. gliss.
f
B. Tbn.
ff
Tbn. 1-2
fff
ff
B. Cl.
fff
ff
fff
ff
A tempo
ff
mp
ff
fff
Hp.
S.
fff
fff
A.
T.
B.
fff
fff
poco rit.
A tempo
gliss.
fff
ff
arco unis.
Vln. II
gliss.
gliss.
Vc.
div.
Db.
div.
div.
gliss.
fff
62
fff
63
11
div.
fff
fff
ff
Vla.
arco unis.
Vln. I
Ped.
fff
Org.
Crash Cymb.
ff
(Congas w/hands) fff
Perc. 2
non div.
64
65
q = 58 F
12 Picc.
Cl. 1-2
Bsn. 1-2
Hn. 1-2
Hn. 3-4
C Tpt. 1-2
Tbn. 1-2
B. Tbn.
Tba.
Timp.
Perc. 1
S.
mp
p
(Congas w/hands)
Hp.
(Crash Cymb.) Perc. 2
p
Fl. 1-2
B. Cl.
Ob. 1-2
mp mp
mf
p
legato
mp
It whis -pered to the fields of corn,
A.
p
It
T.
B.
It
8' Flute
whis -pered to
p
q = 58
legato
mp
"Bow down, and hail the
com - ing
morn."
whis -pered to the fields of corn,
mp
"Bow down, and hail the
corn,
mp
"Bow down, and hail the
It
the fields of corn,
legato
whis-pered to the fields of
"Bow down,and hail the
ppp
Ped.
Org.
p
legato
com - ing
morn."
com - ing morn."
F
Vln. I
Vln. II
legato
Vla.
Vc.
Db.
66
pp
pp
legato
legato
pp
p
p
legato
p
p
pp
67
68
69
70
71
72
Picc.
mp
Fl. 1-2
3
3
C Tpt. 1-2
Tbn. 1-2
B. Tbn.
a2
6
Hp.
p
Vc.
Db.
p
mf
mf
It
mf
shou-ted through the bel
mf
{ mf
mp
mp
tower,
-
fry
tower,
-
fry
-
fry
f
tower,
"A -
f
tower,
"A -
cresc.
wake,
wake,
unis.
3
f 3
3
3
f
3
3
3
3
O
bell!
cresc.
73
74
p
unis.
f non div.
f
75
the
pro - claim
the
pro - claim
the
3
3
3
3
3
3
3
the
3
3
3
f
cresc.
pro - claim
bell!
3
O
3
pro - claim
bell!
wake,
O
bell!
mf
8, 16 '
O
unis.
mp
"A -
wake,
f
D# C# B / E F# G# A
f
3
f
"A -
cresc.
mp
fry
4,8 Flutes Mixture
-
shou-ted through the bel
3
shou-ted through the bel
3 3 mf 3
It
shou-ted through the bel
mf
mf
mf
mf
Vla.
Vln. I
Vln. II
Ped.
mf
p
6
7
3
3
76
13
3
3
3
3
It
Org.
3
3
3
3
It
B.
3
com - ing morn."
T.
3
3
S.
A.
3
3
f
mp cresc.
3
f
5
p
Perc. 2
3
Perc. 1
3
7
Timp.
3
f
mp
Hn. 3-4
Tba.
B. Cl.
Hn. 1-2
3
cresc. 7
Cl. 1-2
Bsn. 1-2
mf Ob. 1-2
f
77
14 Picc.
ff
B. Cl.
Bsn. 1-2
Hn. 1-2
n
3
3
Hp.
3
3
3
3
3
to mute
legato
pp
a2
n
pp
p
mp
con sord.
mp
con sord.
1.
p
p
p
n
ff
n
n
ff
p
p
p
It
ff
n
n
sigh,
crossed the church- yard with a
sigh,
sigh,
sigh,
ff
n
ff
n
ff
n
n
ff
ff
78
n
79
And said, "Not
G
And said, "Not
poco rubato
And said, "Not
mp
mp
And said, "Not
crossed the church- yard with a
Vc.
mp
Vln. I
Vla.
a
Vln. II
mp
hour."
Ped.
p
crossed the church- yard with a
It
hour."
hour."
T.
It
A.
pp
ff
Db.
p
pp
n
p
pp
to mute n
pp
n
hour."
Org.
S.
B.
p
f
legato
p
f
Perc. 2
3
B. Tbn.
3
3
ff
f
Tbn. 1-2
3
f
Perc. 1
3
C Tpt. 1-2
Timp.
3
Hn. 3-4
3
f
Tba.
ff
Cl. 1-2
n
ff
Ob. 1-2
G
n
ff
Fl. 1-2
poco rubato
non div.
p
p
div.
p
unis.
p
80
81
82
83
15
Picc.
Fl. 1-2
rall.
a2
mp
Ob. 1-2
p
Bsn. 1-2
Hn. 1-2
pp mp
remove mute
S.
mf
f
f
n
n
pp
mf
yet!
in
qui - et
mf
A.
yet!
pp
in
qui - et
n
lie."
n
lie."
yet!
mf
mf
T.
B.
B. Tbn.
Hp.
n
Tbn. 1-2
Perc. 2
C Tpt. 1-2
Perc. 1
attacca
remove mute mp
Hn. 3-4
Timp.
ppp
mp
Tba.
ppp
B. Cl.
p
ff 1.
mp
Cl. 1-2
yet!
Org.
(as soft as possible)
Ped.
ppp
Vln. I
mp
mp
Vla.
mp
Db.
pp
pp
84
85
div.
pp
n
div.
pp
div.
rall. n
unis. pp mp
Vc.
pp
pp
Vln. II
n
div.
pp
pp
pp
86
ff
ff
ff
ff
ff
87
88
89
90
91
92
93
attacca
p
p
p
unis.
p
p
94
95
q = 58
Henry Wadsworth Longfellow
Flutes 1-2
Oboes 1-2
Clarinets in Bb 1-2
Bass Clarinet in Bb
Bassoons 1-2
Piccolo
II. A Day of Sunshine A
Keane Southard
q=104
1.
mp
2.
Horn in F 3-4
Trumpets in C 1-2
Trombones 1-2
Bass Trombone
Horn in F 1-2
Tuba
Timpani
Egg/Cylinder Shaker Percussion 1
Percussion 2
Harp
Soprano
p
mp O gift of God!
mp
O per - fect
day
p mp
p
Alto
O gift of
God!
mp
O per - fect
day
p O gift of God! O per fect p
Tenor
mp
Bass
mp
p
O gift of God!
Organ (if possible)
p
p
work
mf
Where- on shall no man
work
mf
work
mf
day
Where- on shall no man
work
but
p
but
p
play;
p
play;
mp
Where - on it
nough for me,
is
e -
q = 58
A q=104
9
10
pizz.
mp
Double Bass
play;
but
p
play;
but
mp
Violoncello
Where- on shall no man
Where- on shall no man
mp
O per - fect
Viola
day
Violin I Violin II
mf
Sandblocks
Pedals
mp
mp
2
3
4
5
pizz.
mp
6
7
8
17 Picc.
Ob. 1-2
Cl. 1-2
B. Cl.
Fl. 1-2
Bsn. 1-2
Hn. 1+2
1.
f
2.
mp
mf
lip gliss.
mp
f
S.
1.
f
senza sord.
mf
to straight mute
mf
Susp. Cymb. w/snare stick)
Congas w/ mp snare stick)
f
mp
f
mf
3 3 mf
B.
ff
mf
to
be!
ff
mf
to
be!
ff
mf
but
to
be!
mf
Not to be
do - ing
but
to
be!
unis.
Ped.
ff
but
T.
B
Vln. I
unis.
unis.
Vln. II
Vla.
Vc.
f
f
11
A.
Db.
f
but
Org.
gliss.
(Sandblocks)
Hp.
Perc. 1 (Egg/Cylinder Shaker)
Perc. 2
p
a2
f
p
f
Timp.
f
mp
B. Tbn.
f
Tbn. 1-2
C Tpt. 1-2
Tba.
f
Hn. 3+4
B
12
arco
f
f
13
f
14
mf
mf
15
16
17
18 Picc.
Fl. 1-2
Ob. 1-2
Cl. 1-2
2.
Bsn. 1-2
Hn. 1+2
5
1.
mf
1.
mp
f
1.
f
B. Cl.
C
mf
1.
2.
Hn. 3+4
C Tpt. 1-2
Tbn. 1-2
B. Tbn.
Tba. Timp.
Perc. 1
3
Hp.
S.
D C# B / Eb F# G# A
A.
(Sandblocks)
Perc. 2
(Egg/Cylinder Shaker)
fff
mf
High Woodblock w/ snare stick
3
3
Through ev -ery
fi - bre
mf
of
my
brain,
mp
Through ev - ery
T.
B.
Org.
Ped.
Vln. I
f
f
mp
div.
Vln. II
mp
mp
Vc.
Db.
unis.
Vla.
f
18
I
f
ff
II
19
I
f
ff
ff
f
20
gliss.
ff
21
C
mp
II
gliss.
gliss.
ff
div.
mp
22
23
19 Picc.
mp
Fl. 1-2
Ob. 1-2
Cl. 1-2
1.
mf
Bsn. 1-2
1.
1.
Perc. 1 (Congas w/ snare stick)
brain,
mf
Through ev- ery
f
nerve, through ev
-
ery
vein,
f
I feel the e - lec - tric
mp
mf
thrill,
thrill,
the touch
thrill,
f
the touch
Of life, that
f
Of life, that
f
the touch
f
nerve through ev - ery vein,
Of life, that
f
the touch
Of life, that
mf unis. pizz.
Vln. II
mf pizz.
Vla.
mf
Vc.
Db.
mf
I feel the e - lec - tric
pizz.
Vln. I
Ped.
f
Through ev - ery
Org.
mf
f
I feel the e - lec - tric
my
3 3
S.
of
mf
f
fi - bre
B.
mp
1.
T.
A.
Hp.
(Sandblocks)
3
mp
(Egg/Cylinder Shaker)
Perc. 2
Timp.
mf
a2
C Tpt. 1-2
mf
Tba.
mp
Hn. 3+4
mf
2.
B. Tbn.
mp
Tbn. 1-2
mp
mf
a2
B. Cl.
Hn. 1+2
a2
24
25
26
27
28
29
20 Picc.
mp
Fl. 1-2
Cl. 1-2
B. Cl.
Bsn. 1-2
Hn. 1+2
7
2.
7
1.
1.
seems
al - most
too
much.
seems
al - most
too
Glockenspiel
cut through texture
mp
pp
f
(shh)
seems al - most too much.
too
al - most
much.
seems
f
pp
pp
mp
I
hear
the
wind
a - mong
the
pp
trees
f
(shh)
mp
much.
D
Vln. I
Vln. II
Vla.
Vc.
Db.
30
Play - ing ce -
Ped.
senza sord.
pp
T.
pp
(Sandblocks)
A.
pp
mp
3 Perc. 2
Org.
ff
(Congas w/ snare stick)
B.
1. mp
pp
(Egg/Cylinder Shaker)
S.
ff
B. Tbn.
Hp.
Tbn. 1-2
Perc. 1
C Tpt. 1-2
Timp.
ff
7
mp
7
D
ff
Hn. 3+4
Tba.
a2
7
mp
7
mp
Ob. 1-2
31
32
arco
mf
f
mf
33
34
Picc.
f
1.
Ob. 1-2
21
mp
Fl. 1-2
mp
mp
mp
Hn. 1+2
p
p
Tbn. 1-2
Tba.
mp
2.
mp
1.
Perc. 2
pp
(open)
pp
S.
simile
(Glock.)
p
p
mp
les - tial
Org.
Ped.
Vln. I
Vc.
Db.
see the
bran - ches
f
f
p
f
ff mp
Like keys of
some
mp
Like keys of
some
mp
sym - pho nies;
Like keys of
some
mp
down - ward bent,
2, 4, 8
some
great in
-
stru - ment.
stru - ment.
great in
-
And o - ver
mf
f
stru - ment.
great in -
mf
f
great in -
f
And o - ver
f
stru - ment.
mp
8, 16
mf
arco
arco
35
36
37
38
39
40
p
Vla.
f
f
Vln. II
Like keys of
mp
I
Oo
B.
Oo
T.
mp
A.
mp
f
remove mute
mp
f
mp (open)
con sord.
mf
mp
f
Hp.
mp
pp
Timp. Perc. 1
mp
pp
mp
B. Tbn.
C Tpt. 1-2
2.
mp
f
mp
Hn. 3+4
B. Cl.
Bsn. 1-2
Cl. 1-2
mp
f
p
mf
mf
22 Picc.
Fl. 1-2
Ob. 1-2
Cl. 1-2
B. Cl.
Bsn. 1-2
Hn. 1+2
mf
mf
1.
mf
1.
mf
2.
mf
C Tpt. 1-2
a2
1.
mp
1. senza sord.
pitch bend
mf
mf
mf
Hn. 3+4
Tbn. 1-2
1.
a2
a2
mf
mf
mp
B. Tbn.
Tba.
p
Timp.
p
Perc. 1
Perc. 2
Hp.
S.
mf
me
un - rolls
on
Sails like
mf
The splen-did
me
T.
B.
un - rolls
on
Vln. I
mf
Where
mf
sce - ner - y
of
the
through a
sap-phi - re sea
the sun
mf
sky,
mf
41
mf
pizz.
arco
mf
42
43
Sails like
sky,
arco
Db.
the
Vc.
of
44
45
a
mf
mf
a
Vla.
sce - ner - y
Vln. II
high
Ped.
The splen-did
Org.
mf
high
A.
46
E Picc. 6
Fl. 1-2
Ob. 1-2
23
f
1.
f
a2
f
f
B. Cl.
Bsn. 1-2
Cl. 1-2
a2
C Tpt. 1-2
Tbn. 1-2
Tba.
gliss.
gliss.
1.
a2
Perc. 1
Perc. 2
sfz
le - on,
gol - den
gal
-
le - on,
gal
-
le - on,
gal
-
le - on,
gol - den
gliss.
f
f
Towards
f
Towards
gliss.
yon - der
cloud - land
yon - der
cloud - land
f
Towards
yon - der
Is - lands
the
in
the
of
the
West,
f
West,
f
Towards
yon - der
Is - lands
of
the
gliss.
E
47
f
f
arco
48
Blest,
f
8,16,32
f
Blest,
f
in
f
Vc.
Vln. I
Vla.
f
Vln. II
sfz
f
Ped.
-
gol - den
mf
mf
T.
f
gal
A.
Db.
f
gol - den
Org.
S.
B.
f
pp
f
Hp.
pp
f
f
pp
Timp.
2.
sfz
f
f
f
f
f
f
pitch bend
B. Tbn.
Hn. 3+4
mf
Hn. 1+2
2.
f
49
50
51
24 rit. Picc.
Fl. 1-2
Ob. 1-2
Cl. 1-2
B. Cl.
Bsn. 1-2
Hn. 1+2
Hn. 3+4
C Tpt. 1-2
Tbn. 1-2
a2
a2
1.
2.
f
mf
sfz
sfz
Org.
Whose steep
f
si
-
Vla.
Db.
er - ra
far
f
crag - gy
up- lifts
far
pp
pp
sum - mits
white with
ff
sum - mits
f
white with
drifts.
drifts.
ff white with
drifts.
f
ff
Its
crag - gy
sum - mits
white with
drifts.
D C# B / Eb F# Gb A
ff
up- lifts
sfz
rit.
Vc.
er - ra
Vln. I Vln. II
-
Whose steep
Ped.
si
f
pp
Large Bass Dr.
f
Its
a2
f
f
f
pp
S.
f
f
pp
f
a2
sfz
pp
f
B.
a2
mf
1.
f
f
4.
pp
T.
f
A.
a2
f
2.
2.
Tba.
Hp.
Perc. 2
1.
Perc. 1
1.
B. Tbn.
Timp.
a2
1.
52
53
54
55
56
q = 92 Picc.
F
rit.
1. 2. 2.
6
ff
fff
ff
2. 1. 2.
B. Cl.
6
ff
Hn. 3+4
C Tpt. 1-2
ff
ff
ff
ff
ff
Org.
Ped.
Blow!
Vla.
Vc.
ff
Db.
fff
ff
ff
ff
ff
ff
57
58
Blow,
F
59
fff
fff
fff
fff
60
q = 100
fff
ff
ff
ff
ff
rit.
Blow,
Vln. II
fff
Blow!
fff
q= 92 Vln. I
pp
fff B.
Blow,
fff
fff
Blow!
Blow,
fff
T.
fff
. gliss
fff
Blow!
A.
6
fff
gliss.
. gliss
. gliss
s. glis
.
fff S.
s glis
ff
glis s.
. gliss
ff
.
Hp.
s glis
(Large Bass Dr.)
glis s.
ff Perc. 2
6
fff
.
glis s
Metal Wind Chimes
gliss .
Perc. 1
fff
s.
glis s.
B. Tbn.
fff
gliss .
ff
glis
Tbn. 1-2
fff
ff
6
fff
ff
Timp.
6
fff
gl i ss.
Cl. 1-2
Tba.
6
ff
1.
Hn. 1+2
6
6 6 6 6 1. 2. 2. 1.
Ob. 1-2
Bsn. 1-2
25
1.
Fl. 1-2
q = 100
61
26 Picc.
ff
6
3
3
ff 3
6
ff
6 6
Ob. 1-2
ff
Cl. 1-2
6
B. Cl.
6
6
6
6
6
6
6
6
6
6
Hn. 3+4
C Tpt. 1-2
Tbn. 1-2
B. Tbn.
Timp.
Perc. 1
Perc. 2
Hp.
S.
winds!
A.
winds!
winds! B.
T.
Vln. I
and
waft
through
all
waft
through
waft
through
the
the
all
the
all
the
rooms
pp
ff
pp
62
rooms
rooms
rooms
6
ff
all
pp
Db.
through
Vc.
waft
Vla.
and
Vln. II
and
Ped.
and
winds!
Org.
6
6
6
ff
Tba.
6
ff
6
6
6
6
ff
Hn. 1+2
3
6 6 6 6 6 6 6 6 6 6 6 6
Fl. 1-2
Bsn. 1-2
ff
ff
ff
63
64
27 Picc.
6 3
ff 3
6 6 6 6 6 6 6
6
Fl. 1-2
6
6 6 6 6 6 6 6 6 6 6
Ob. 1-2
6
6
B. Cl.
Hn. 1+2
6 6 6 6 6 6 6 6
Cl. 1-2
Bsn. 1-2
6
ff
Hn. 3+4
6
6
p
Tbn. 1-2
B. Tbn.
C Tpt. 1-2
Tba.
Timp.
Perc. 1
Perc. 2
Hp.
S.
Blow,
A.
B.
Blow,
Vln. I
Db.
snow - flakes
The
snow - flakes
snow - flakes
of
the
cher
of
the
cher
of
the
of
the
cher
blooms!
ry -
blooms!
ry -
-
ry -
blooms!
blooms!
65
-
ry -
-
cher
-
Vc.
snow - flakes
The
Vla.
winds!
Vln. II
The
winds!
Ped.
The
winds!
Blow,
Org.
winds!
Blow,
T.
div.
unis.
66
67
div.
6
28 Picc.
G
Fl. 1-2
Ob. 1-2
ff
Cl. 1-2
B. Cl.
Bsn. 1-2
Hn. 1+2
6
6
6
6
Tbn. 1-2
B. Tbn.
6
6
6
6
6
6
6
3
p
a2
mf
3
mf
C Tpt. 1-2
mf
p
Hn. 3+4
6
6
6
6
6 ff
6
6
ff
1.
6
6 6 6 6 6 6
2.
3
3
3
mf
Tba.
Timp. Perc. 1
Perc. 2
Hp.
S.
p
mf
ff
6
6
6
6
Blow,
Blow,
winds!
winds!
G
and
and
winds!
8,16
and
Blow,
and
Db.
Vc.
Vln. I
6
winds!
ff
Vla.
6
Vln. II
6
Blow,
Ped.
6
T.
Org.
A.
B.
ff
ff
68
unis.
69
70
29 Picc.
ff
6 6 6 6 6 6 6 6 6 6 6 6
Fl. 1-2
Ob. 1-2
ff
6 6 6 6 6 6 6 6 6 6 6 6
Cl. 1-2
B. Cl.
Bsn. 1-2
Hn. 1+2
Tba.
Timp.
Perc. 1
Perc. 2
S.
3
3
3
mf
mf
mf
6
6
with
-
with
6
6
with
with
-
in
-
in
in
-
my
in
6
reach
6
my
reach
my
reach
my
reach
Blow,
Blow,
Blow,
71
6
Blow,
6
Vln. I
Vc.
6
Vla.
6
Vln. II
6
bend
bend
Ped.
6
T.
bend
Db.
A.
Org.
bend
B.
Hp.
mf
B. Tbn.
mf
Tbn. 1-2
mf
C Tpt. 1-2
Hn. 3+4
72
73
30 Picc.
molto rall.
6 6 6 6 6 6 6 6 3 6
Fl. 1-2
6
6 6 6
6 6 6
3
3
3
3
mf
3
mf
mf
p
6
winds!
fi
The
fi
The
fi
The
fi
-
-
-
ery
blo
ery
blo
ery
-
ery
blo
blo
-
ssoms
-
-
ssoms
of
the
of
ssoms
of
ssoms
-
the
of
peach!
peach!
peach!
74
mf
peach!
the
the
Vc.
6
The
Vla.
Vln. II
6
winds!
Ped.
6
6
D# C# B / E F# G# A
6
6
6
gl iss .
s.
6
T.
Db.
winds!
Vln. I
6 6 6
A.
Org.
winds!
B.
6
B. Tbn.
S.
6
Hp.
6
Perc. 2
6
Tbn. 1-2
Perc. 1
C Tpt. 1-2
Timp.
Hn. 3+4
Tba.
B. Cl.
Hn. 1+2
gli s
Cl. 1-2
Bsn. 1-2
Ob. 1-2
molto rall.
gliss.
gliss.
div.
75
76
gliss.
gliss.
gliss.
unis.
H
Picc.
q = 80
ff
Fl. 1-2
ff
a2
ff
Bsn. 1-2
Hn. 1+2
C Tpt. 1-2
Tbn. 1-2
a2
f
f
a2
f
6 6 6
f
6 6 6
6
f
Tba.
6 6 6
6 6 6
6 6 6 6 6
f B. Tbn.
6 6 6 6
6 6 6
Hn. 3+4
a2
Perc. 1
Timp.
Perc. 2
S.
gli gli ss. ss.
Hp.
ff
B.
Org.
Ped.
O ff
Life
and
Love!
O
Life
and
O
Life
and
ff
O
Life
and
ff
Vln. II
Vla.
Vc.
ff
Db.
6
6
6
6
6
6
6
6
ff
77
hap
-
py
O
hap
-
py
-
O
hap
-
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
78
6
hap
6
6
6
O
Love!
ff
6
Love!
ff
O
ff
Love!
q = 80
H
Vln. I
ff
ff T.
A.
31
ff
B. Cl.
ff
Cl. 1-2
6
6 6 6
6 6 6
Ob. 1-2
py
py
6
6
6
6
6
6
6
6
6
6
6
6
79
32 Picc.
6
Ob. 1-2
6 6 6
Fl. 1-2
6 6
6
B. Cl.
6 6 6
6
Bsn. 1-2
6
6 6
6 6 6 6 6
6
Cl. 1-2
6 6 6
6 6 6 6 6
6
Hn. 3+4
C Tpt. 1-2
Tbn. 1-2
B. Tbn.
Hn. 1+2
Tba.
Perc. 1
Timp.
Perc. 2
Hp.
S.
Org.
Vln. I
throng
Of
thoughts,
whose
on
throng
Of
thoughts,
whose
on
throng
Of
thoughts,
whose
throng
Of
whose
on
thoughts,
Vln. II
Vla.
Vc.
6
6
6
6
6
6
6
Db.
6
6
6
6
6
6
6
ly
speech
is
ly
speech
is
on
ly
speech
is
-
-
-
-
ly
speech
is
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
80
Ped.
T.
A.
B.
81
Picc.
Fl. 1-2
molto rall.
33 (q=40)
1.
12
a2 6
12
ff
Cl. 1-2
1.
a2 6
Bsn. 1-2
Hn. 3+4
C Tpt. 1-2
Hn. 1+2
Tbn. 1-2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Hp.
S.
Susp. Cymb. w/yarn mallets
p
Large Bass Dr.
p
ff
D C# B / Eb F# G# A
6 6 6 6
12
ff B. Cl.
ff
a2
1. 6 ff
Ob. 1-2
gliss. gliss.
song!
A.
song!
T.
B.
song!
song!
Org.
Ped.
Vln. I
Vln. II
Vla.
Vc.
Db.
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
molto rall.
82 83
(q=40)
34
I q = 66 Rubato Picc.
molto rall.
q = 40
attacca
fff
fff
Fl. 1-2
fff
Ob. 1-2
fff
Cl. 1-2
fff
B. Cl.
fff
Bsn. 1-2
fff
Hn. 1+2
fff
Hn. 3+4
fff
C Tpt. 1-2
fff
Tbn. 1-2
fff
B. Tbn.
Tba.
fff
fff
Timp.
Perc. 1
fff
fff Perc. 2
Hp.
S.
fff
of
man!
heart
heart
fff
canst thou
of
canst thou
Blithe
not
not
as
the
air
as
air
be
Blithe
be
Blithe
as
is
air
is
air
is
as
is
the
the
as
as
and
and
and
and
as
ffff free?
free?
ffff free?
as
and
the
and
as
free?
ffff
free?
ffff
as
free?
q = 66 Rubato
fff
be
man!
not
canst thou
of
man!
Vln. I
molto rall.
q = 40
pp
85
86
87
88
89
90
91
92
fff
fff
84
Db.
attacca
fff
fff
Vc.
Blithe
heart
O
Vla.
be
B.
Vln. II
not
of
O
I
canst thou
heart
fff
Ped.
man!
O
fff
Org.
O
T.
fff
fff
A.
pp
q = 40
III. Sundown
Henry Wadsworth Longfellow
Piccolo
Flutes 1-2
Oboes 1-2
Clarinets in Bb 1-2
Keane Southard
expressionless
a2
pp
expressionless
Bass Clarinet in Bb
Bassoons 1-2
a2 p
pp
a2
pp
expressionless
a2
expressionless
Horn in F 3-4
Trumpets in C 1-2
Horn in F 1-2
Trombones 1-2
Bass Trombone
Tuba
Timpani
Percussion 1
Percussion 2
High Triangle
p
p
Glock. w/hard yarn mallets
Soprano
mp
pp
Harp
p expressionless
Bass
pp
pp
pp
p
expressionless
On - ly the weath'r - cock on the spire
low;
p
expressionless
On - ly the weath'r - cock on the spire
p
expressionless
On - ly the tree - tops redd'n and glow:
p
expressionless
Of the
On - ly the tree - tops redd'n and glow:
Organ (if possible)
Pedals
Of the
q = 40
Violin I
div.
div.
pizz.
mp
pp
expressionless
low;
p
The sum -mer sun is sink- ing
Tenor
a2
p
mp
non. arp.
The sum -mer sun is sink- ing
Alto
pp
Violin II
pp
Viola
arco
mp
Violoncello
pizz.
mp
Double Bass
pizz.
mp
n
p
arco
n
p
n
2
3
n
arco
pizz.
mp
n
p
pizz. mp
arco
n
p
4
5
n
p
pizz.
7
8
n
mp
mp
pizz. mp
mp
6
arco
arco
n
A
36
Maestoso q = 72
rall.
Fl. 1-2
Cl. 1-2
Bsn. 1-2
Hn. 1-2
mp but full
a2
mp but full
Perc. 1
pp
1.
mp but full
(High Triangle)
mp but full
pp
Hp.
S.
(Glock.)
mp
T.
B.
flame of
fire;
pp
pp
in
All is pp
in
All is pp
in
All is
in
3
O
beau - ti - ful,
aw - ful sum-mer day,
3
O
beau - ti - ful,
aw - ful sum-mer day,
mf
sha -dow be - low.
mf
3
O mf
beau - ti - ful,
O
beau - ti - ful,
aw - ful sum-mer day,
sha -dow be - low.
mf
sha -dow be - low.
aw - ful sum-mer day,
3
gli altri pizz.
solo (arco) gli altri pizz.
n
sha -dow be - low.
mf
n
pizz.
solo (arco)
solo arco mp
mp
9
10
tutti arco
p
arco
3
3
3
tutti arco
mf
12
13
14
15
3
mp but full
11
mf
tutti arco
mp
mf
gli altri (pizz.) p solo arco
p
mp
mf
gli altri (pizz.) p
mp
pizz.
tutti arco
mp
mp
ff
Maestoso q = 72
p A
p
Db.
roll before beat
Vln. I
Vc.
rall.
Vla.
Vln. II
Ped.
fire;
neigh - b'ring church is a
Org.
flame of
p
neigh - b'ring church is a
All is
A.
pp
p Perc. 2
mp but full a2
mp but full
Timp.
mp but full
1.
expressionless
Tba.
pp
B. Tbn.
mp but full
Tbn. 1-2
C Tpt. 1-2
mp but full
Hn. 3-4
mp
Ob. 1-2
B. Cl.
Picc.
16
17
37
Fl. 1-2
Ob. 1-2
Picc.
f p f
Cl. 1-2
p
mf
mp
sub. p B. Cl.
Bsn. 1-2
Hn. 1-2
Tbn. 1-2
B. Tbn.
mf
sub. p
mf
mp
mf
mp
mf
mp
mf
pp
pp
mf
S.
3
f
3 3
3
3
3 3
3
3
3
3
What
A.
mp
What
T.
B.
Org.
Ped.
pp
3
mf
has
thou
has
thou
has
thou
What
has
thou
giv
-
mf
giv
-
-
-
-
en,
-
en,
3
3
what
3
tak - en
a -
3
tak - en
a -
3
tak - en
a -
3
tak - en
a -
f
gliss.
gliss.
way?
f
way?
f
way? f gliss.
way?
p
f
p
p
f
p
p
f
p
mf
gliss.
3
3
3
mf
3
mf
mp
19
gliss.
18
mp
mp
mf
mp
f
mp
mf
gliss.
gliss.
f
f
f
gliss.
f
20
3
3
3
what
mf
what
gliss.
3
3
3
what
en,
giv
en,
mf
giv
-
gliss.
f
mp
mf
sub. p
Db.
p
Vc.
Vla.
mp
What
Vln. I
Vln. II
pp
pp
mp
3 3 3 3
Hp.
p p
pp
mf
Large Bass Dr.
Perc. 2
Susp. Cymb. w/yarn mallets
p p
mf
p
mp
mf
mf
C Tpt. 1-2
Perc. 1
mp
p mf p mf
mf
p mf mp mf p p mf mp sub. p
Timp.
mp
Hn. 3-4
Tba.
sub. p
21
22
38
Fl. 1-2
Ob. 1-2
f
f
f
mf
Tba.
Perc. 1
mf
to mute
3
3
3
3
B.
3
Vln. I
3
f
p
n
p
n
con sord.
fp
with harmon mute
n
n
f
mp
a2
mp
remove harmon mute
fp
f
remove mute
n
mp
3
mp
and
ff
and
mf
slower arp.
dolce
love
mp
and
f
and
love
and
and
hate,
and
hate,
mp
Homes made
f
mf
death,
hate,
mf
mp
Homes made
n
ff
f
death,
n
hate,
dolce
and
and
n
hap - py
3
or
de - so- late,
3
hap - py
or
de - so- late,
n
n
mp
n
mp
B
mp
mp
dolce
dolce
div.
mf
ff
23
24
unis.
sfz
25
mp
f
n
f
n
mp
f
p
f
n
3
n
27
p
28
29
mp
p
3
mp
f
26
Hearts made
Hearts made
f
mf
Db.
Vc.
f
Vla.
n a2
f
Vln. II
mp
Ped.
and
Org.
3
f
Life
T.
n to harmon mute
Life
pp
S.
A.
pp
3
mp
mp
mf
Hp.
mp
mf
n
n
f
(Susp. Cymb. w/yarn mallets)
n
(Large Bass Dr.)
Perc. 2
mp
mp
n
Timp.
dolce
n
mf
mf
1.
n
f
n
B. Tbn.
dolce
n
mf
Tbn. 1-2
mp
sfz
mf
C Tpt. 1-2
sfz
Hn. 3-4
n
mf
Hn. 1-2
f
1.
B. Cl.
Bsn. 1-2
f
n
Cl. 1-2
Picc.
B
mp
30
Picc.
B. Cl.
Hn. 1-2
Cl. 1-2
Ob. 1-2
p
a2
mf
mp
f
C Tpt. 1-2
mf
a2
senza sord.
Timp.
Perc. 1
a2
f
full
f full
mf
f
f
p
1.
B. Tbn.
a2
f
mp
Tba.
mf
f
f
senza sord.
mf
a2
Tbn. 1-2
p
mp
Hn. 3-4
f full
mf
f full
mp
p
mf
mf mf f a2
f
a2
mp
p
39
C
q = 50
Fl. 1-2
Bsn. 1-2
rall.
pp
f
Glock. w/brass mallets Perc. 2
Hp.
S.
mf
f
mf
f
f
full
In the
T.
B.
A.
sad
or
gay!
sad
or
Org.
Ped.
Vln. I
Vc.
Db.
div.
mp
31
road of life
one mile - stone
f
more! full
road of life one mile -stone more
cresc.
cresc.
p
p
ff
cresc.
cresc.
mp
n
On the
cresc. (by adding stops)
8,16,32
p
Vla.
cresc. (by adding stops)
q = 50
div.
full
f
gay!
p
Vln. II
The
p
rall.
p
p
32
C
f
full
full
f
f
34
f
f
full
full
cresc.
33
ff
35
full
36
37
40 Picc.
Fl. 1-2
Cl. 1-2
f
Ob. 1-2
rit.
Bsn. 1-2
Hn. 1-2
a2 f
Timp.
Perc. 1
f
a2
f
f
p
f
p
Hp.
S.
book of life
B.
one leaf
turned
f
The
T.
A.
book of life one leaf turned o'er!
Like a
Like a
f
full
f
f
f
n
ff
red
seal
ff
red
seal
ff
red
is the
is the
seal
is the
set - ting
set - ting
set - ting
ff
o'er!
f
sun
On the
f
sun
On the
f
sun
On the
red
seal
good
and
good
and
good
and
Vln. II
unis.
Vla.
Vc.
Db.
the e - vil men have
the e - vil men have
is
set - ting sun
the
dim.
ff
ff
ff
the e - vil men have
rit. Vln. I
Like a
ff
o'er!
full
Ped.
f
The book of life one leaf turned
Org.
mf
ff
n
p
dim.
dim.
dim.
dim.
38
39
n
Glock. w/brass mallets Perc. 2
n
f
f
f
full
f
Tba.
B. Tbn.
full
Tbn. 1-2
ff
C Tpt. 1-2
ff
Hn. 3-4
ff
B. Cl.
mp
ff
f
mp
40
41
42
43
Picc.
Ob. 1-2
Cl. 1-2
q = 56
rit.
pp
mp
n
Hn. 3-4
C Tpt. 1-2
n
Perc. 1
Perc. 2
S.
pp
men
Ped.
Vln. I
have
p
to -
p
done
to -
Naught can p
to -
unis.
Vc.
Db.
44
f
pp
ff
pp
ff
pp
pp
ff
Large Bass Dr.
ff
ff
Crash Cymb.
ff
day
re
-
day
re
day
re
re
ff
pp
store! pp
-
store!
pp
-
store!
pp
-
store!
q = 56
ff
8,16,32
3
ff
3
D
(q=32)
div.
n
n
45
n
pp div.
ff
pp
46
47
unis.
ff
pp div. pp
rit.
n
3
3
to - day
Vla.
ff
f
n
Vln. II
pp
3
3
Db C# B / E F G Ab
Naught can
pp
ff
n
p
Naught can
done,
ff
pp
done,
Org.
mf
n
n
pp
ff
pp
mp
a2
ff
n
done,
B.
T.
1.
A.
Hp.
pp
a2
ff
pp
ff
a2
pp
n
pp
n
pp
Timp.
1.
B. Tbn.
3.
pp
Tbn. 1-2
Tba.
n
pp
pp
pp
pp
n
n
n
Hn. 1-2
41
p
n B. Cl.
(q=32)
n
Fl. 1-2
Bsn. 1-2
D
48
pp
49
ff
ff
fff
50
fff
ff
51
52
42
A tempo Picc.
ff
6
3
fff
3
6
fff
Cl. 1-2
fff
3
3
6
3
7
5 7 5 7
5
ffff
5 7 5 7 5
7 7
7
5
ffff
6
7
ffff
5 7 5 3 3 3 6 7 5 3
B. Cl.
3
7
7
5
6
Ob. 1-2
fff
Fl. 1-2
5
ff
5
7
ffff
5 7 7
ffff
7 7
Bsn. 1-2
ff
Hn. 1-2
ff
Tbn. 1-2
B. Tbn.
Tba.
C Tpt. 1-2
ff
Perc. 1
pp
Perc. 2
pp
Hp.
S.
Org.
fff
(cresc. ped)
ffff
fff
53
ffff
ffff
ffff
fff
div.
ffff
fff
Db.
. gliss
A tempo
Vc.
g
glis s.
Vln. I
Vla.
fff
. liss
Vln. II
fff
div.
Ped.
fff
fff
gli ss.
T.
ss. gli
A.
B.
f
gli ss.
Large Bass Dr.
fff
fff
ff
pp
Susp. Cymb. w/yarn mallets
fff
ff
ff
Timp.
fff
ff
fff
ffff
ff
ff
ff
7
5
ff
Hn. 3-4
7
5
ffff
fff
ffff
54
55