John Foulds Arranged by Keane Southard
April-England for
Wind Ensemble
(1926/2015/2019) (Duration: c. 7 mins.)
Instrumentation: Piccolo 3 Flutes 2 Oboes English Horn Clarinet in Eb 3 Clarinets in Bb Bass Clarinet in Bb 2 Bassoons Contrabassoon Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone 3 Trumpets in Bb 4 Horns in F 2 Trombones Bass Trombone Euphonium Tuba Double Bass Celesta Harp Timpani Percussion 1: Glockenspiel Percussion 2: Marimba Percussion 3: Triangle Percussion 4: Crash Cymbals, Suspended Cymbal, Snare Drum, Large Bass Drum
Transposed Score
This arrangement was created thanks to kind permission from Graham Hatton (Hatton and Rose Publishers).
Program Notes: One morning in 2010 while waking up to the radio, my half-awake ears heard an orchestral work that I instantly fell in love with. Luckily I was able to catch the name of the piece and composer, which happened to be John Foulds' April-England, and thus began my fascination with this composer and his music. It is unbelievable to me that Foulds and his music were virtually forgotten for the majority of the 20th century. In particular, this piece is truly an early 20th century masterpiece that I know performers and audiences would love to play and hear, and although it pales in comparison with Foulds' own versions (it was originally written for piano,) I wanted to create a transcription in order to share this great piece with wind ensembles. I created this in 2015 and revised it in 2019. Foulds wrote that “Such moments as those of the Solstices and Equinoxes always seem to be particularly potent to the creative artist, and no less significant the place in which he happens to be at the time,” and he dated the score of the original piano version as 21 March 1926, the first day of spring. He identified the opening triadic theme as “connected with the impression of April” and the stately melody that follows it (at rehearsal “A” in my transcription) with England. The beautiful middle section is based on a repeated ground bass as joyous counterpoint builds over it leading to an overwhelming climax. Keane Southard 2019
Performance Instructions: In my experience with the music and scores of John Foulds, I have noticed that sometimes his metronome markings don’t seem to fit the musical material, and at worst makes the music unplayable and unclear (and recordings show that performers and conductors seem to agree with me.) With this being said, I think adjusting tempi reasonably is perfectly acceptable for his works. I have changed several of his metronome markings from his orchestral version for this arrangement, but have noted the original markings in footnotes where applicable.
Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com
Piccolo
Flute 1-2
Flute 3
Oboe 1-2
Tempo comodo ma con galezza q = 88
f dolce
Clarinet in Eb
Clarinet in Bb 1-2
Clarinet in Bb 3
Bass Clarinet in Bb
p
p
mf
p
mf
mf
mf
ff
p
p
f
f dolce
ff
sturdy
mf
Contrabassoon
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Trumpet in Bb 1-2
Trumpet in Bb 3
mf
p
mf
mf
Tempo comodo ma con galezza q = 88 p
con sord.
con sord.
p
p
p
mf sturdy
A
pp
pp
Horn in F 1-2
Horn in F 3-4
p
Harp
Timpani
Tempo comodo ma con galezza q = 88
D C Bb / Eb F G A
f
ff
Marimba (Percussion 2)
A
Percussion 4
p
p
mf
Glockenspiel (Percussion 1)
Triangle (Percussion 3)
mf
Tempo comodo ma con galezza q = 88
p
mf
mf
with medium mallets
A
mf
mf
f
pizz.
mf
Celesta
p
non staccato
non staccato
p
Double Bass
p
p
1.
p
Tuba
Euphonium
Bass Trombone
Trombone 1-2
mf
Bassoon 1-2
mf
p
mf
mf
1.
mf
ff
f dolce
ff
mf sturdy
A
ff
f dolce
ff
f dolce
John Foulds Arr. Keane Southard
f English Horn
April-England
©2019
2
16
Picc.
Fl. 1-2
Ob. 1-2
Cl. 3
B. Cl.
Bsn. 1-2
Cbsn.
Sop. Sax.
T. Sax.
1.
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f
p
Tba.
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p
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p
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Tbn. 1-2
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Hn. 3-4
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C
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Eng. Hn.
B
f
Fl. 3
B
non argeggiato vibrare
f
mf
ff
mf
p
C
mf
f
f
mf
p
C
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Tri.
Perc. 4
31
Picc.
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Cl. 1-2
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f
p
Sop. Sax.
A. Sax.
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Perc. 4
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46
Picc.
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
Cl. 3
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
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Tpt. 1-2
a2
Hn. 1-2
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Euph.
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a2
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3.
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Mar.
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Perc. 4
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G§
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gliss.
gliss.
E
f
Crash Cymbals
f
f
f
E
ff
f
f
f
Tri.
55
Picc.
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
B. Cl.
Bsn. 1-2
5
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
1.
mf
mp
1.
p
p
p
mf
mf
ff
mf
p
p
p
Hn. 1-2
Hn. 3-4
p
p
p
Hp.
Timp.
Glock.
Mar.
Tri.
Perc. 4
4.
F
pizz.
mp
Cel.
Db.
p
Tba.
p
Euph.
p
1.
p
p
B. Tbn.
mp
Tpt. 1-2
Tbn. 1-2
mf
Tpt. 3
F
2.
p
Cbsn.
p
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p
Cl. 3
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p
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Suspended Cymbal
with yarn mallets
pp
Cb Ab Fb
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6
65
Picc.
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
p
pp
Cl. 3
f
mf
f
a2
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1.
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f
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Bsn. 1-2
Cbsn.
A. Sax.
T. Sax.
Bari. Sax.
Tpt. 1-2
Tpt. 3
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Tba.
p
solo
p
Cel.
Hp.
3
pp
4.
1.
p
pp
pp
mf
solo 3.
4.
p
p
G Quasi a tempo
(pizz.)
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Poco tranquillo
G Quasi a tempo
non. arpegg. pp
mf
f
mf
p
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pp
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G Quasi a tempo
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Poco tranquillo
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dolcissimo
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p
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mf
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1.
2.
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Sop. Sax.
f
p
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2.
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Poco tranquillo
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Tri.
Perc. 4
Timp.
Glock.
Mar.
p
(Susp. Cym.)
p
p
p
79
Picc.
Fl. 1-2
Eng. Hn.
1.
pp
1.
Cl. 3
mf
B. Cl.
Bsn. 1-2
Cbsn.
A. Sax.
p
pp
1.
1.
Bari. Sax.
ppp
2.
ppp
ppp
2.
2.
pp
pp
p dolce
p
1. solo
p
pp
solo
p
pp
ma non trattenuto (hCalmo = 46-58)*
1.
ppp
pp
pp
1.
pp
p
pp
dolce
pp
ppp
pp dolce
ppp T. Sax.
p
mf
ppp
p
mf
Sop. Sax.
I
pp
pp
pp
dolce
mf
1.
p
ppp
pp
mf
7
p
mp
Cl. 1-2
pp dolce
mf
Eb Cl.
p
Ob. 1-2
mf
mp
Fl. 3
solo
ma non trattenuto (hCalmo = 46-58)* H
Insensibilmente più tranquillo
H
Insensibilmente più tranquillo con sord. 1. Tpt. 1-2 Tpt. 3
mf
p
3.
p dolce
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Db.
Hp.
pp
p
mf dolce
pp
ppp
(pizz.)
(hCalmo ma non trattenuto = 46-58)* p
mf
pp
non arpegg.
p
ma non trattenuto (hCalmo = 46-58)* H
Insensibilmente più tranquillo Timp.
ppp
D C Bb / Eb F G Ab
H
3.
pp
4.
ppp
pp dolce
Insensibilmente più tranquillo
Cel.
1. solo
I
I
I
Tri.
Perc. 4
Glock.
Mar.
* Foulds' Orchestral Version: h = 58
8 Picc.
92
J
mf
Fl. 1-2
Fl. 3
1. solo
Ob. 1-2
Eb Cl.
Cl. 1-2
B. Cl.
Bsn. 1-2
Cbsn.
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A. Sax.
Bari. Sax.
Tpt. 1-2
Tpt. 3
Hn. 1-2
Hn. 3-4
1.
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Db.
Cel.
Hp.
9
p
p
f
p
pp
mf tenero
mf tenero
1.
p
p
mf mf
mp
p
calmo
p
J
a2 mf
mf
3 3 3
3 3 3
senza sord. a2
mf
f
a2
a2
p dolce
J
p
J
mf
3
mf
Tri.
Perc. 4
Glock.
Mar.
with soft mallets
p
Timp.
f dolce sostenuto
f
mf
mp
3
f dolce sostenuto
p
3
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3
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p
mf espress.
3
mf espress.
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3
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mf espress.
3
3
a2
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p
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pp
T. Sax.
mp
f
mf
Cl. 3
3
mf
3
p dolce
Eng. Hn.
3
mf
3
Picc.
104 f
3
3
3
3
3
Cl. 1-2
3
3
3
3
3
3
3
3
3
3
3
Cl. 3
B. Cl.
3
3
3
3
3
3
f3
Cbsn.
T. Sax.
Tpt. 1-2
Tpt. 3
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
3
3
3
3
3
Tba.
Db.
3
3
3
3
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3
3
3
3
3
3
Hp.
Timp.
Glock.
Mar.
3
3
3
3
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p
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3
3
3
3
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3
3
3
3
3
3
3
3
3
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ff
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3
3
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3
3
mf
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3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
f
3 3 3 3
gliss.
f
pp
mf
f
ff
ff
Tri.
Perc. 4
with hard mallets
f
mf
3
3
mf
3
3 3
3
3 3
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p
3
f
3 3
3
f
3
3
3
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3
3
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3
3
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3
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3
3
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Bsn. 1-2
Sop. Sax.
3
f
3
3
f
3
3 3 3 3
f
Eb Cl.
3
f
Eng. Hn.
3
a2
Ob. 1-2
3 3 3 3 3 3 3 3 3 3 3 3
f
Fl. 3
3
3
3
3
Fl. 1-2
10 Picc.
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
Cl. 3
B. Cl.
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
111 K
f
f
ff
a2
5
5
ff
f
mf
mf
f
f
mf
Hn. 3-4
mf
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Db.
Cel.
3
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3
3
3
3
3
3
mf
arco
mf
5
6
5
5
5
6
5
5
5
6
5
5
6
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3
3
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3
3
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3
5
5
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5
5
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3
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2.
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4.
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pizz.
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f
3
3
3
3
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3
3
3
3
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f
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(with hard mallets)
Mar.
5
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1.
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5
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3
5
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5
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5
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5
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a2 ff
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K Tpt. 1-2
Hn. 1-2
5
ff furioso
Tpt. 3
5
ff
5
ff
f
f
3
3
Tri.
Perc. 4
L q = 72*
Picc.
6
ff
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
3
fff
6
3
3
3
ff
6
6
fff
Cl. 3
B. Cl.
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
6
3
Bari. Sax.
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Db.
Timp.
Glock.
Mar.
a2
f
dolce cantabile
ff
f
1.
mp
mf
prominente
mf
mf
a2
mf
p sostenuto
3
3
L q = 72*
3
3
ff
mf
3
3
p sostenuto
p sostenuto
L q = 72*
3
mf
f
with medium mallets
3
p
Tri.
Perc. 4
* Foulds' Orchestral Version: h = 50
ff
a2
dolce cantabile
L q = 72*
f
Hp.
Cel.
f
fff
Tpt. 1-2 Tpt. 3
6
mp
ff 3 6 fff ff 6 6
ff
3
3
ff
T. Sax.
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6
prominente
3
3
3
6
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3
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11
3
a2
3 6
Cl. 1-2
3
fff
a2
6
118
12
122
Picc.
Fl. 1-2
Ob. 1-2
Eng. Hn.
Eb Cl.
a2
Cl. 1-2
Cl. 3
3
6
6
3
3
mf 3
3
3
6
6
3
3
3
6
6
6
3
3
6
6
6
3
3
6
1.
3 3
3
6
6
3
f
3
6
3 3
3
1.
f
3
mf
3
f
3
mf
3
3
mf
3
3 3 3 3 3 ff
f dolce
mf 6
mf
fff
3
f
Fl. 3
6
f
mf B. Cl.
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
3 6 6
f
3
3
mf
3
3
Euph.
Tba.
Db.
Cel.
Timp.
Glock.
Mar.
6
mf
6
6
mf
3
3
mf marcato
mf marcato
mf marcato
(pizz.)
mf
ff
mf marcato
mf
mf
3
p
3
3
f
p
Hp.
p
p dolce
B. Tbn.
6
Tbn. 1-2
6
mf
p dolce
Hn. 3-4
mf 6
mf
Tpt. 1-2
Hn. 1-2
mf dolce
Tpt. 3
1.
mf
mf
3
p
mf
Tri.
Perc. 4
M accelerando insensibilmente poco a poco sino al 127
Picc.
6
f
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
Cl. 3
B. Cl.
f
a2
f
f
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
f
5
f
5
1.
f
5
pp
pp
6 6
5
f
a2
p
5 5
mf
f
mf
1.
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5
p
6
pp
f
6
p
6
mp
6
mf
p
mf
mp
6
p
6
6
p
6
6
6
6
mp
p
6
f
mf
6
6
mf
f
p
f
6
6
6
6
6
f
mf
M accelerando insensibilmente poco a poco sino al Tpt. 1-2 p
mf
f
p
Hn. 1-2
p
Hn. 3-4
p
Tpt. 3
p
Tbn. 1-2
B. Tbn.
Tba.
Db.
Hp.
mf
E§ Db
f
f
Eb
f
p
(pizz.)
f
mf
f
mf
f
mf
mf
M accelerando insensibilmente poco a poco sino al
Cel.
f
p
Euph.
mf
p
6
M accelerando insensibilmente poco a poco sino al
Tri.
Perc. 4
Timp.
Glock.
Mar.
p
f
6 6 6 6 6 6 6
brillante
f
6
Cbsn.
p
2.
p
Bsn. 1-2
6 6
f
13
p
p
mf
f
mp
14
131
Picc.
5
Fl. 1-2
5
mf
p
p
fluttertongue
mf
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
Cl. 3
B. Cl.
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
mf
2.
mf espress.
pp
mp espress.
mp espress.
Hn. 3-4
B. Tbn.
Euph.
Tba.
3.
4.
Cel.
Hp.
Timp.
Glock.
Mar.
1.
f
mf
f
fluttertongue con sord.
p
mf
f
mf
f
p
p
norm.
mf
mf
mp
f
Tri.
Perc. 4
f
f
5
mf
f
mf
p
norm.
p
p
f
5
fluttertongue
p
p
p
con sord.
p
5
p 2.
norm.
p
f
p
5
p
mp
mf
mf
(pizz.) Db.
p
Tbn. 1-2
f
pp
mp espress.
Hn. 1-2
f
mp
Tpt. 3
mp espress.
1.
f
f
p
f
p
f
f
Tpt. 1-2
norm.
f
fluttertongue
Fl. 3
solo
p
Picc.
N 138 13
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
5
p
Cl. 3
mp
mf
3
3
3
3
norm.
5
f
a2
p
f
3
3
3
f
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
3
3
Tpt. 3
Hn. 1-2
N
senza sord.
3
p
3
p
1.
Hn. 3-4
Tbn. 1-2
senza sord.
p
Euph.
Timp.
Glock.
Tri.
Perc. 4
f
p
D C Bb / Eb F G A
N
B§
ten.
3
ff
f
ff
ff arco
fff
11
5
gliss.
f
p
(with medium mallets)
f
f
f
ff
fff
Snare Drum
fff
Tempo giusto, non agitato (h = 52-60)*
mf
mf
f
ten.
fff
D C Bb / Eb F G Ab
3
Tempo giusto, non agitato 5 (h = 52-60)*
ten.
ff
ff
A§ E§
3
ff
h
3
f
mf
h
ff
mf
h
f
pp
Mar.
fff
ff
3
f
3
fff
3
ff
f
fff
f
h
3
Tempo giusto, non agitato (h = 52-60)* ten.
bisbigliando
fff
mf
fff
f
N
Hp.
p
5
3
3
mf
Cel.
3
Db.
B. Tbn.
Tba.
5
fff
mf
fff
3
p
p
p 3.
p
3
fff
mf
5
fff
3
3
f
fff
5
f
Tpt. 1-2
5
3
f
5
fff
3
f
fff
mp espress.
a2
15
5 5 5 fff
3
f
f
ff
fff
f
5
3
f
B. Cl.
fff
p
5
3
f
mp
3
f
3
f
3
fluttertongue
3
mf dolce espress.
3
3
mf dolce espress.
mp
Cl. 1-2
3
mf dolce espress.
Tempo giusto, non agitato (h = 52-60)*
3
* Foulds' Orchestral Version: h = 60
Picc.
Fl. 1-2
Fl. 3
Ob. 1-2
5
5
5
3
Eb Cl.
Cl. 1-2
Cl. 3
B. Cl.
3
Cbsn.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
5
Tba.
Db.
Cel.
Timp.
3
3
Mar.
Tri.
5
3
3
3
ff sempre
ff sempre
3
3
3
3
3
3
ff sempre
ff prominente
3
3
poco meno
3
3
3
poco meno
3
a2
ff prominente
a2
ff prominente
gliss.
r.h. gliss.
gliss.
gliss.
p
f
r.h.
3
gliss.
O
f
p
3
f
3
sostenuto molto
O
gliss.
3
p
p
p
f
poco meno
l.h.
l.h.
poco meno
ff sempre
l.h.
f
l.h.
3
r.h. gliss.
ff sempre
ff sempre
O
3
3
ff sempre a2
6
5
3
6
ff sempre
3 3
5
6
3
a2
3
6
6
6
5 5 5 5 5 5 5 5 5 5
(Snare Drum) Perc. 4
5
3
3
3
3
ten.
3
ten.
6
ff sempre
3
3
3
3
ten.
3
p
Glock.
6
5 5
3
ten.
ten.
3
5
Hp.
3
O
3
5
5
3
Euph.
ten.
B. Tbn.
5
3
Tbn. 1-2
5
3
3
5
5
5
ten.
Hn. 3-4
5
3
3
3
Hn. 1-2
5
5
ten.
3
5
Tpt. 1-2 Tpt. 3
5
5
5
5
5 5 5 5 5 5 5
3
Bsn. 1-2
3
3
Eng. Hn.
p
f
143
16
148
Picc.
Fl. 1-2
Ob. 1-2
Eb Cl.
Cl. 1-2
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
Bari. Sax.
6
6
Allargando grandioso
5
ff
3
5
espress.
3
fff a2
fff
Timp.
Glock.
Mar.
poco meno
mf
r.h.
gliss.
gliss.
p
Perc. 4
mf
mf
mf
(A Tempo)
3
mf
ffz
f
ffz
ffz
f
ffz
ffz
ffz
(A Tempo)
(A Tempo)
f
f
Crash Cymbals
ff
f
ff
f
mf
f
3
ffz
Allargando grandioso
fff Tri.
r.h.
l.h.
f
ffz
Allargando grandioso
3
ffz
ffz
fff
mf
3
ff sost.
mf
ffz
ff sost.
ff sost.
ffz
6
ffz
6
fff prominente
a2
poco meno
Hp.
ff espress.
ffz
ff
Cel.
ffz
ff
sost.
Db.
ffz
fff marcatissimo
Tba.
fff marcatissimo
fff
ff
1.
f
6
6
ffz
f
ffz
Euph.
Allargando grandioso
3
fff marcatissimo
mf 1.
ffz
f
3
fff
ffz
ff espress.
f
ffz
fff
fff
fff
17
6
fff
6 6 6 3 3 6
sost.
3
3
fff
3
3
6
ffz
sost.
B. Tbn.
6 6 6 3 3 6
Tbn. 1-2
ffz
3 3
6 6 6 6 5
3
6
ffz
fff
3
6
6
Hn. 3-4
(A Tempo)
ff
fff
3
espress.
3
Hn. 1-2
fff
Tpt. 1-2 Tpt. 3
fff
T. Sax.
6
6
B. Cl.
6
Cl. 3
Eng. Hn.
3
Fl. 3
p
Solenne (h = 40)
morendo 18 Picc.
Fl. 1-2
Fl. 3
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
P 154
B. Cl.
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
mf
3
T. Sax.
Bari. Sax.
3
mf 2.
6
3
p
p
3
p
mf
mf
Tpt. 1-2
Tpt. 3
Hn. 1-2
mf
Tbn. 1-2
Euph.
Tba.
3
p
3
3
B. Tbn.
3 3
ten.
pp
p
pp
p
pp
pp
p
pp
p 3
pp
pp
ten.
ten.
3
3 3
p
Glock.
Mar.
ten. ossia:
ppp
ppp
ten. pp ten.
ten.
ppp ten.
ppp
ten.
ten.
ten.
ppp
ten.
ten.
pp
pp
ten.
ten.
ten.
pp
mf
ten.
pp ten.
pp
mf
p
ten.
ten.
ten.
ten.
ten.
ten.
Solenne (h = 40)
pp
pp
morendo
morendo
mf
p
Tri.
Perc. 4
pp
pp
p
P p
pp
p
morendo Timp.
ten.
pp
pp
3
P
Hp.
pp 3.
morendo
Cel.
ppp
ten.
pp
morendo
pp
p
Solenne (h = 40)
pp
p
Db.
ten.
ten.
pp
6
ten.
pp
3
ten.
1. ten.
3
3
ten.
pp
ten.
pp
mf
Hn. 3-4
p
ten.
pp
pp
morendo P
ppp
pp
3
pp
3
mf
6
3
p
p
mf
mf
6
pp 3
6
1.
p
p
3
mf
6 6
p
mf
mf
Cl. 3
morendo
Solenne (h = 40)
ppp
pp
ppp
Large Bass Drum
pppp
pp
166
Picc.
Fl. 1-2
Fl. 3
A. Sax.
Tpt. 1-2 Tpt. 3
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Hp.
Timp.
ppp
p
p
1.
a2
mf
f
p
ppp
con sord.
con sord.
p
p dolce
p
Tempo del comincio (q = 88) p dolce p
p
p
tornando grandamente alla Q
f
a2
f
soli
p
f
p
Mar.
Tri.
Perc. 4
f
p
f
R
senza sord.
f
p
a2 f
f
Q
p
Q
f
f
p
cresc.
(q = 88)
p
R
Tempo del comincio (q = 88)
R
ppp
pp
f
Tempo del comincio
p lasciar vibrare
a2
f
tornando grandamente alla
p
tornando grandamente alla
soli 3.
mf
Glock.
f
p
a2
f
f
ppp
f
mf
ppp
f
f
a2
p
p
mp
mp
f
f
p
ppp
p
p
19
R
p
p
pp
mf
mf
1.
ppp
Cel.
T. Sax.
Db.
ppp
Sop. Sax.
Cbsn.
mf
Bsn. 1-2
B. Cl.
ppp
Cl. 3
Cl. 1-2
a2
Eb Cl.
Tempo del comincio (q = 88)
Eng. Hn.
Tba.
Q
Ob. 1-2
Bari. Sax.
tornando grandamente alla
20
182
Picc.
f
Fl. 1-2
sf
sf
Ob. 1-2
ff
Eng. Hn.
ff
sf
Cl. 1-2
sf
Cl. 3
Bsn. 1-2
Cbsn.
ff
f
ff
ff
A. Sax.
T. Sax.
f
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
ff
sf sf
sf
sf
ff
ff
ff
ff
f
sf
ff
ff
ff
f
ff
ff
f
f
sf
ff
f
f
mf
f
ff
S
Tempo giusto
f
accel.
f
soli
mf
f
f
mf
soli
f
f
arco
ff
p
ff
f
a2
f
f
f
f
sf
ff
1.
sf
f
pizz.
f
f
f
p
sf
sf
sf
f
f
f
mf
mf
f
sf
2. sf
sf
ff
sf
sf
ff
f
ff
sf
ff
f
sf
sf
ff
sf
ff
sf
ff
ff a2
accel.
sf
sf
S Tempo giusto
ff
sf
sf
sf
ff
Db.
ff
senza sord.
Hn. 1-2
ff
Tpt. 1-2 Tpt. 3
sf
ff
Sop. Sax.
Tba.
ff
ff
B. Cl.
Bari. Sax.
Eb Cl.
ff
ff
sf
ff
Fl. 3
f
f
pizz.
mp
S
Cel.
Hp.
Timp.
Mar.
Tri.
Perc. 4
accel.
Tempo giusto
accel.
S
with wood sticks
f
Glock.
f
non arpegg.
A§
Tempo giusto
mp
f
Snare Drum mp
sfz
f
mf
196
Picc.
Fl. 1-2
Fl. 3
ff
fff
ff
fff
a2
ff
ff
ff fff ff ff
fff
ff
a2
Ob. 1-2
Eng. Hn.
Eb Cl.
Cl. 1-2
Cl. 3
B. Cl.
Bsn. 1-2
Cbsn.
Sop. Sax.
A. Sax.
T. Sax.
Bari. Sax.
ff
fff
ff
ff
fff
ff
ff
fff
ff
a2
ff
fff
fff
fff
fff
Tbn. 1-2
Euph.
Tba.
Db.
Cel.
fff prominente
Timp.
ff
ff
a2
a2
fff prominente
f
Mar.
Tri.
Perc. 4
ff
arco
p
f
f
a2
ff a2
ff
ff
ff
ff
T poco più pesante
T poco più pesante
p
(Snare Drum)
f
f
ff
ff
ff
ff
ff
a2
a2
ff
fff
T poco più pesante
ff
E§
fff
f
f
Glock.
fff
fff
ff
ff
fff prominente
fff
ff
fff
fff
fff fff a2 fff
a2
fff
ff
ff
Hp.
f
B. Tbn.
ff
fff
f
Hn. 3-4
fff prominente
f
Hn. 1-2
fff
Tpt. 1-2
Tpt. 3
fff
21 T poco più pesante
f
mf
22
207
Picc.
a2
Fl. 1-2
Fl. 3
Eng. Hn.
Cl. 1-2
Cl. 3
fff
a2
fff
A. Sax.
mf
Tbn. 1-2
Cel.
Hp.
Timp.
Glock.
Mar.
Tri.
Perc. 4
ff sempre
gliss.
ff
gliss.
6
a2
f
marcato
marcato
marcato
marcato
f
f
f
6
molto rall.
ff
ff
Eb
marcato
f marcato
f
ff
ff
ff sempre
marcato
ff
ff sempre
f
f
molto rall. a2
ff sempre
Db.
Euph.
ff marcato
ff sempre
B. Tbn.
Tba.
marcato
ff sempre
ff sempre
ff marcato
ff
Hn. 3-4
ff sempre
f
ff sempre
f
mf
fff
ff sempre
ff marcato
fff
ff sempre
ff sempre
fff
molto rall.
Hn. 1-2
Tpt. 1-2 Tpt. 3
T. Sax.
Sop. Sax.
a2
fff
Cbsn.
a2
Bsn. 1-2
B. Cl.
Bari. Sax.
fff
fff
Eb Cl.
Ob. 1-2
ff
molto rall.
f
A tempo brillante possibile
Picc.
U q = 132* 217
ff
Fl. 1-2
Fl. 3
ff
ff
ff
ff
ff
B. Cl.
Cbsn.
Sop. Sax.
T. Sax.
ff
Tbn. 1-2
ff
B. Tbn.
Euph.
ff
mp staccatissimo
mp staccatissimo
ff
mp staccatissimo mp staccatissimo
ff
mf
f
f
mf
f
Timp.
mf
f
Mar.
Tri.
Perc. 4
f
f
f
f
Db Gb
D§ G§
gliss.
ff
A tempo brillante possibile
U q = 132*
f
Glock.
f
A tempo brillante possibile U q = 132* ff
Hp.
Db.
Cel.
mp staccatissimo Tba.
ff
ff
mf
f
ff
ff
ff
ff
ff
ff
mf
ff
f
ff
ff
ff
ff
mp staccatissimo
ff
mf
Hn. 3-4
ff
ff
ff
ff
ff
ff
ff
ff
ff
A tempo brillante possibile U q = 132* Tpt. 1-2
Hn. 1-2
ff
Tpt. 3
ff
ff
mp staccatissimo
A. Sax.
mp staccatissimo
Bsn. 1-2
Bari. Sax.
ff
ff
ff
Cl. 3
ff
mf
mf
ff
ff
Cl. 1-2
ff
Eb Cl.
ff
Eng. Hn.
Ob. 1-2
23
f
f
* Foulds' Orchestral Version: q = 152
mf
f
p
mf
f
(Snare Drum)
p
24
V
228
Picc.
3
fff
Fl. 1-2
Fl. 3
Cl. 1-2
Cl. 3
Bsn. 1-2
Sop. Sax.
A. Sax.
Bari. Sax.
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Tba.
ff
fff
fff ff
ff
sf
ff
sf
V
Cel.
Timp.
fff
Hp.
sf
sf
1.
solo
Mar.
V
with hard mallets
fff
Tri.
Perc. 4
f
ff
fff
sf
allargando
Crash Cymbals
ff
ff
ff
fff
ff
fff
allargando
fff
ff
sfz
ff
sf
ff
fff
sfz
fff
fff
solo
mf
sfz
7
fff
fff
solo
sfz
7 7 gliss.
ff
Glock.
ff
pizz.
fff
ff
sfz
solo
ff
marcato
marcato
allargando
f
Db.
ff
f
ff
marcato
ff
fff
ff
ff
sf
marcato
sfz
ff
sfz
sfz
sfz
sfz
ff
sf
sfz
ff
V
ff
sf
fff
fff
sf
3
sfz
a2
ff fff
a2
sf
3
sf
sf
sf
ff fff a2
sf
sf
Tpt. 1-2 Tpt. 3
3
fff
fff
sf
fff
T. Sax.
sf
a2 ff fff sf
ff
Cbsn.
sf
fff
ff
ff
B. Cl.
a2
fff
Eb Cl.
sf
fff
sf
sf
a2
Eng. Hn.
sf sf a2 sf sf fff fff
Ob. 1-2
3
allargando
fff
fff