Down By the Riverside by Frederic Rzewski (arranged by Keane Southard) for Wind Ensemble

Frederic Rzewski Arranged by Keane Southard

Down By the Riverside For

Wind Ensemble

(1979/2014) (Duration: c. 6 mins.)

Instrumentation: Piccolo Flute 1, 2, 3, 4 Oboes 1+2 English Horn Clarinet in Eb Clarinets in Bb 1,2,3 Bass Clarinet in Bb Contrabass Clarinet in Bb Bassoons 1+2 Contrabassoon Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpets in Bb 1,2,3,4 Horns in F 1,2,3,4 Trombones 1+2 Bass Trombone Euphonium Tuba String Bass Celesta Harp* Timpani Percussion 1: Marimba, Triangle, Suspended Cymbal Percussion 2: Vibraphone, Tambourine, Chimes, Suspended Cymbal, Drum set Percussion 3: Xylophone, Chimes, Bass Drum Percussion 4: Tam-tam, Glockenspiel *If necessary, the Harp part may be played on Piano

Transposed Score

Rzewski "Down By the Riverside" from SQUARES/NORTH AMERICAN BALLADS Copyright © 1978 by Zen-On Music Company Ltd. This arrangement for wind ensemble copyright © 2014 by Zen-On Music Company Ltd. All Rights Reserved Used by permission of European American Music Distributors Company, U.S. and Canadian agent for Zen-On Music Company Ltd.

Program Notes: Down By the Riverside for Wind Ensemble is a transcription of a piano piece by Frederic Rzewski, the third of his Four North American Ballads of 1979 where each is a kind of modern-Bachian chorale-prelude on an American work or protest song. “Down By the Riverside” uses the well-known tune of the same name. Rzewski writes “I think of these ‘ballads’ as representing the things I believe in …Nearly everything is derived somehow from the basic tune. In each piece I built up contrapuntal textures in a similar way, using classical techniques like augmentation, diminution, transposition, and compression, always keeping the profile of the tune on some level. The melody may be cut into smaller pieces, stretched, compressed, transposed into other tonalities, and stacked up against itself, but if you look for it, it is always present. These tunes, and tunes like them, seem to have a special appeal to the human ear. You can change and distort them, subject them to all kinds of transformations without destroying them, unlike a twelve-tone row. They can act like a kind of tonal ‘cement’ in a musical composition, permitting wide-ranging improvisation without losing a sense of where ‘home’ is.” I fell in love with the piano piece as an undergraduate and performed it on my senior recital in 2008. While learning it, I naturally started hearing different melodies from the piece in my head as being played by different instruments, and the piece was already starting to orchestrate itself! After obtaining permission in 2014, I was finally able to complete this orchestration for Wind Ensemble, which has been commissioned by a consortium of groups led by the Detroit Symphony Orchestra Civic Wind Ensemble—Kenneth Thompson, director. In the original piece, Rzewski indicates that an optional improvisation may be inserted in the middle of the piece, and while I have taken up the offer in my performances as a pianist, I think such an event would not work very well with a large ensemble. However, near the end of the ballad Rzewski also indicates a short improvised cadenza may be inserted, and I have composed and inserted my own (m. 99-101) into this transcription.

Keane Southard 2014

This arrangement was commissioned by a consortium of Wind Ensembles that includes: • The Detroit Symphony Orchestra Civic Wind Ensemble—Kenneth Thompson, director • The University of Central Missouri Wind Ensemble—Scott Lubaroff, Director of Bands • Sydney Conservatorium of Music Wind Symphony—John Lynch, conductor • Middle Tennessee State University Wind Ensemble—Reed Thomas, Conductor

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com

q = 80

Down By the Riverside

Transposed Score

Piccolo

  

Flute 1-2

Flute 3-4

Oboe 1-2

English Horn













 















 















 















 











     p

Clarinet in Eb

Clarinet in Bb 1-2

   



  



 



 soli

     p

  

Clarinet in Bb 3



 

Bass Clarinet in Bb





Bassoon 1-2

 

Contrabassoon

Soprano Saxophone

Alto Saxophone

Baritone Saxophone

Trumpet in Bb 1-2

Horn in F 3-4

Trombone 1-2

Bass Trombone

Euphonium

Tuba

String Bass



mp

n





    



p



p

p



n





         p

mf

       p

             p

mf

Harp



                mp

p

n





    



mp

     















 















   

















  

     

   

     

p









p

 

 q = 80



                    p p mp



                    p p mp

 n





p

mf

                    p p mp

 n



    

with straight mute

1.



p

     

 n

7



p

mf















 















 

















































































q = 80 pizz.





7 































mp

mf

      















 

















mf

         

mf

 Timpani  

D C# B / E F# G A mp



q = 80

 

mf





  

p

mf

 



Percussion 1

mf p

         

mf

Celesta

    



mp

    





                 p p



    







mp



mf

      



                 p p

    

        

p

mf







  

Horn in F 1-2

p

      

     





Trumpet in Bb 3-4

        





 

Tenor Saxophone

mf







mp



mf

    



                 p p

 

Contrabass Clarinet in Bb

Frederic Rzewski arr. Keane Southard 7



mp

mf

         

mf



mp

mf

       

mf



 

mp

mf

       

mf

 

mp

mf

      

mf







 

mp

mf

      

mf



mp

mf

       

 

 

mf



 7













Marimba w/ medium   yarn  mallets          

    

p

mp

Percussion 2

















Percussion 3

















Percussion 4

















Rzewski "Down By the Riverside" from SQUARES/NORTH AMERICAN BALLADS Copyright © 1978 by Zen-On Music Company Ltd. This arrangement for wind ensemble copyright © 2014 by Zen-On Music Company Ltd. All Rights Reserved Used by permission of European American Music Distributors Company, U.S. and Canadian agent for Zen-On Music Company Ltd.



2







 









 









 













 













   

























Fl. 1-2

Fl. 3-4

Ob. 1-2

Eng. Hn.

Eb Cl.

 

Cl. 1-2

     



p

 

Cl. 3

                      p

mf





  

B. Cl.



 

Cb. Cl.

 

  



mf













 



Cbsn.

Sop. Sax.

A. Sax.

 



    











 







    





T. Sax.





       

  



     

  



          mf p

  

p

mf



                















Cel.

Hp.

Timp.

Perc. 1



n

  

mf















                     p p mp

n



with straight mutes



mp

n











    







with straight mutes

soli



    

  

     mp

  

n

p

mf

mp





               

p

 n

                    p

mf

    





  

    

 



  

                 





    

                        

 



mf

soli

 n

 n

p

mf

p

mp

mp

mf





















































      



 

mf

mf

          mf

mf

mp

          mf

11

mp

mf

mf

mf

mp

         

          mf

mp

mf

        













 















mp

mf

      



mf

  

  mf





 

 

mf

mp

mf

 

                                           

(Marimba)

mp

         

mf



p

mf

mp

       

p

mp



mp

mf

         

mf



       11                                      p

mp

p

mp

mf

mp

         

mf  



mf





   p



mp

pp

mf



mf

pp

p



mp

S. Bass



mp





    

p

Tba.

 

n

n



 

Euph.



mf p



                     p p mp





 

B. Tbn.



n

mp

Tbn. 1-2





mf





n

n                          p p mp

  



                mp

p

p

                   





mp

n

p



  

Hn. 3-4

  mf









11

  

Hn. 1-2

 



 p

mp

p

p 1.

p



 

p

mf

  



  



p

n



mf

      Bari. Sax.                   p p mp

Tpt. 3-4





 

 

  

p

 



  



 



p





mf

Bsn. 1-2



n

 p

mp





n

               



 



p

p

n



p

     



 p

  

mf

mp

Tpt. 1-2

11

   8

Picc.



mp

mf

        



mf



                                            p

mp

p

mp

Perc. 2















Perc. 3















Perc. 4















3

   14

Picc.

Fl. 1-2

Fl. 3-4

Ob. 1-2

15











 



 











 









 





f



   

 



 



   

 



f



   

    













 



Hn. 3-4

Tbn. 1-2

B. Tbn.

Euph.

Tba.



Cel.

Hp.

Timp.

Perc. 1



 



 





 

 

 







 



n







n













 





                 







 

 

 



mp



mp

f

a2

p

  









   



















p

f

      

solo

mf

 



                     



p

n











remove straight mutes



























 

 





































   







 



 

 



 



 



 



 



 



 



 



p

p





 mp

   





mf







 mp

   



mf







mf











mf

   

mp

   





mf







 

mp

 





mf  







 

mp

 





mf





  

 





mf



mp

 



mf





 

15                                              

(Marimba)

p

      

mp

Vibraphone w/ medium yarn mallets

 







 



mp

 





mf







   



p

mp

 

  

 

 











                       p

  



Perc. 3













Perc. 4













f







p





mf  

    

 





mp

 

                                              mp







p



  

p

mf









mf



mp

 



mf

   

  

 mf



mp

   



mf

    

 





f





15 

mf

 

 

  

 mp mf









p





  



n



                    p mp p

n

  

mf





15



  

                   

 



 

p

Perc. 2



 

n                                                    p mp p n p



p

mf

p

mf



mp







n

                 

p

      

solo



 







p

f





p

    

n





 

 

p



mp

f

remove straight mutes







 

mf

   

mp

 

f



 

mp

S. Bass

mp



                      p mp p

 

Hn. 1-2



    

 

 



  



  

Tpt. 3-4



p

mp



 

T. Sax.



f

mf

    

A. Sax.

Tpt. 1-2



 

Sop. Sax.

Bari. Sax.



       



n                                                    p p n



   

f

 p



mp

   

   

mf

p





mp







f

mp

Cbsn.

 

 

 

                 

p

n

 

mp









f

mp



 

mp



mp

f

mp









p

Bsn. 1-2

 



 

Cb. Cl.

 

     

mp

 

B. Cl.





 

Cl. 3



  

   

Cl. 1-2





 

Eb Cl.



 

mp

Eng. Hn.





4

Lo stesso tempo, ma con rubato e flessibile; quasi una fantasia

19   19

Picc.

Fl. 1-2

Fl. 3-4











     

Eb Cl.

1.



f

                                a2

      

solo



f



f

mp









          





solo

      

f

f





Cl. 1-2



26       





      









p







 























B. Cl.



 







    

   

 

                

  

      

 

3

3





f

3

mp









mf

3



























1. solo                





p

 

   

  p

 

poco rit.



mf



f

A tempo

p

Cl. 3

Cb. Cl.

  

1. solo



f

 

poco rit.

p

mp



Eng. Hn.



p



Ob. 1-2



                              



 

mp

f



  















f

Bsn. 1-2

 



         mp 1. solo



f

f

  

Cbsn.









Sop. Sax.

A. Sax.

T. Sax.

Bari. Sax.







  

   

1. solo

Hn. 1-2









 

p



Tbn. 1-2

without mute         

     

f

   















 

 

    



Tba.



















f











      p





solo

3   p







 



1. solo

    

mp

     

3

3

     





















poco rit.





pp

 







   

  





 

   pp





sfz

a2

p



A tempo



f

p



poco rit.

              

2. solo (without mute)

pp

sfz





















mp





 p

f











                    solo

mp

f







 

  f

   

 







mp

26 poco rit.





A tempo





Timp.





   





















 





 





 



(Marimba)

    f







 













    mp

  

    

f

Lo stesso tempo, ma con rubato e flessibile; quasi una fantasia

19 Perc. 1



D Cb Bb / Eb F# G A

f

f









 

poco rit. arco

mp



Hp.

p





solo

   p



mp

   

1. solo

p

f

Cel.



mp



f



               



 



p



Lo stesso tempo, ma con rubato 19 e flessibile; quasi una fantasia

S. Bass

solo



 

solo



Euph.



f

  

p

26

p



f

B. Tbn.

     



f

Hn. 3-4



f



 

  

f

                              p

soli

              sffz mf

Lo stesso tempo, ma con rubato e flessibile; quasi una fantasia

  

Tpt. 3-4

  

solo

f

19 Tpt. 1-2

     

f

f

  

  p

f

   



p



 



  

 













26 poco rit.

A tempo



Perc. 2



















Perc. 3



















Perc. 4

















Tam-tam



mp

poco rit.

 

5

 Picc.  27

Fl. 1-2

Fl. 3-4

Ob. 1-2

A tempo

















    ff





 

f







































pp









                 













             mf













f

ff



  







solo















a2 soli



        ff





 

ff



    



 

 

pp







 









      





ff

     

f





   





pp



  

1.

 p













Bari. Sax.







 solo



      



   



pp











p

 









  

 

     





n

f





n

f



pp

T. Sax.

pp



         

  

 





f



f solo

1.

p

mp

mp



 pp

            mf



f



f





pp







    





  pp

n



ff

f

 

f



f

                     

p



pp



mp

        



f

1.           







      





          

p

               

pp

A. Sax.

ff



  

Sop. Sax.

f





Cbsn.

ff

 



Bsn. 1-2

ff





Cb. Cl.

f



pp

B. Cl.

ff



f

                     

pp

Cl. 3

ff





Cl. 1-2

f

riprendere          

poco rit.



 

                    

pp

Eb Cl.

ff

A tempo

poco rit.

          

 

pp

Eng. Hn.



   

30













p

mp































pp

mp

30 Tpt. 1-2

 

A tempo

poco rit.







Hn. 1-2







A tempo



poco rit.

                 

1. solo

 

ff











mp









      



   





f

2.























































mp











Euph.





























 



A tempo

S. Bass

  

Hp.

Timp.





f

ff

f



 



ff















   



A tempo

 





f



     

solo



mp

p



 







































   

 

 f







A tempo



poco rit.



riprendere

   

mf

mp

Db C Bb / Eb F G Ab











 pp





























A tempo

poco rit.



riprendere











          









     



















Xylophone w/ hard mallets







l.v.



p

       

30 poco rit.





  

solo

     



Perc. 3

 pp













Perc. 4

f





Perc. 2



solo

30 poco rit.

f











f



p

Perc. 1

  



pp

Cel.



1.

mp

ff





p



B. Tbn.

Tba.

riprendere

    

mp

a2



  



a2

ff



Tbn. 1-2



pp

Tpt. 3-4

Hn. 3-4





ff

p

f

Triangle



 pp

 Chimes

  pp



43

Poco piú mosso (q.=60) 

Tempo I (q=80) 

37

6

poco accel.

  36

Picc.











     

1. solo



poco rit.

   

 



 





    

 









Fl. 3-4



















Ob. 1-2

















































Eng. Hn.



Eb Cl.





n

 

Cl. 1-2

mp espress.

mf











 









ppp

 



 



 





f

              



p



 

2.





Fl. 1-2





                 

a2



f



 



          

  

   

                  

        

f

f





















B. Cl.























Cb. Cl.











































Sop. Sax.









































T. Sax.







 



 





















Poco piú mosso (q.=60) 



 







pp



pp

 





Tpt. 3-4





Hn. 1-2

 

Tpt. 1-2

Hn. 3-4



    





   f



   f

    



mf











Tempo I (q=80) 

37

poco accel.

    

mf

 





mf

 

f





pp



A. Sax.

Bari. Sax.



  

a2



f

Cbsn.

   





Bsn. 1-2

   

f



Cl. 3

  

43

poco rit.





































































            

a2

f



Tbn. 1-2



B. Tbn.



Euph.

Tba.

n





































 



















  solo   



mp











S. Bass

Cel.

Hp.

Timp.









    

  

pizz.

  





         





 

    

poco rit.

   



  

    

mp











    

  

            p







                  

    

 

 

       

 

      

mp

           

  

mp

p



  

Perc. 1

















pp

        p



Perc. 3

Perc. 4

 











p

pp



pp













 

arco







 

 









             mp

pp

(Chimes)



Glockenspiel w/ brass mallets

Tempo I (q=80)

  

pp

pp



poco rit.

       

 



f









   

fp

 





 



                p





(Triangle)

Tempo I (q=80) 

 



Susp. Cymbal w/ yarn mallets



pp

  

  

  

  

  p





pp

mp

Xylophone w/ hard mallets







pp



    

43



Vibraphone motor on medium Perc. 2



 

                  

Poco piú mosso (q.=60) 



f

f

37

poco accel.



43

Poco piú mosso (q.=60)









37

poco accel.

  









       p











ppp

     







     f





    

7

    45

Picc.

Fl. 1-2

Fl. 3-4

Ob. 1-2

     

accel.

A tempo





  



































1.



 









mf

     



mf







 



 

solo



Cl. 1-2



 



         



      

















     

mf



 

Cb. Cl.





















   

   



Tpt. 3-4

Hn. 1-2

Hn. 3-4

  

        



   ff    























solo

             mp mf 

 

 



 

pp







 









       

  f  











  

pp

  

        

Tba.

  

mf



    f



   



 

              



     

    



 



   



  



 

 















ff































 f

     











 

 

 

 















   f



 







    f



     

   f



    













    





       





        



solo



      



ff

without straight mutes



ff

without straight mutes



         f 3.













a2                      ff f

senza sord.







               f ff impetuoso

 

























     



ff



ff

impetuoso





                    f

            











f

impetuoso





       



ff

 

 



     



    



ff

ff

A tempo

   























   



ff





solo

f

(Susp. Cym.)

 

 

Ab - A§



      





 



    

 

f

  

impetuoso

  



soli     

                 impetuoso      





 







 

           









ff









      mf

ff



            











Bass Drum

f

(Glockenspiel)





w/ snare stick



f

p





f

                 f



  

2.

 

ff

a2





f



                impetuoso      f



                



(Xylo.)

Perc. 4



ff

              f impetuoso

senza sord. a2







f



                    f ff impetuoso

Tambourine

Perc. 3



f

 

A tempo

accel.

Perc. 2



                     f impetuoso

ff











a2

f









               

  

 



   



ff



                  







 

accel.

Perc. 1







ff



  



remove straight mute



pp

Timp.

   



   



f







            







  







f



con sord.

 

Hp.

     

A tempo

 pp

 



1. solo









1. with straight mute

Euph.

Cel.



 











   



soli



f

pp

S. Bass

       





ff

con sord.

B. Tbn.







f

ff

Tbn. 1-2



ff

accel.

Tpt. 1-2



      

mf

Bari. Sax.

f

    

ff

solo

f



T. Sax.

ff

       

ff



A. Sax.



1.

f



Sop. Sax.

     



soli





Cbsn.



   

mf

B. Cl.

Bsn. 1-2







ff

f

    

ff

Cl. 3

   





solo Eb Cl.

a2

f

      

solo





a2



mf

Eng. Hn.

 







8

59 54   54

Picc.







Fl. 1-2

Fl. 3-4

Ob. 1-2



     



B. Cl.

ff





 

 



  

f



 



6













  

 

f





 





 

  

Bari. Sax.







 

   

 



   

Tpt. 1-2

  soli

  

Hn. 1-2

ff

f









(without straight mutes)

a2



          





     







          





      







       











         

























     

         



ff

     

       

               

Tbn. 1-2

p

f

                   

B. Tbn.

p

f



Euph.

Tba.







p





    mf

3

      f

3       







 





     

            



f





         





      ff





 a2     











 

          







       



6

f





Hp.

Timp.

Perc. 1



fff

fff

ff





fff

       

 

         



fff

           

 







ff



 







 





f

54





Marimba









Perc. 2

                  mp

p

w/ hard mallets

              



Perc. 3













       

f

6



 

Perc. 4







      

   

ff





ff

59

      

’

fluttertongue a2 ff

a2

a2

      

    

    

   



ff

 

fff

 



fff

         fff

Tam-tam



ff







      

 con sord.

p



norm.



   p

       



















f

 

norm.

ff

ff fluttertongue

   

59

       

’

ff

            3

pp l.v.

 

3

3

3

3









 

59

 

p





ff fluttertongue



Susp. Cym w/ snare stick



con sord.

        f







ff

fluttertongue





  

ff

ff

    



fluttertongue



        



p with straight mute 3. norm.

to straight mutes

       

f





ff

    

f

norm. with straight mutes

to straight mutes

         

D C# B / E F# G# A#

   

ff

(Glockenspiel)



fff

 Chimes



Xylophone w/ hard mallets

            

fff

f

(Tamb.)

a2

ff

 









    

fff

D Cb Bb / E F# G A#









f

         ff 



f

p

f

Cel.





glis s.

S. Bass

arco





54 pizz.

ff

        



f

              ff

fff



     

ff

f

a2





ff

fluttertongue





  

f

ff

     ff 3

  

f





f

3

p







        

ff

 

fff







f

ff

fff



fluttertongue        f ff       

ff

fff

f



f



ff

fluttertongue          ff

ff

a2 1.



ff

a2

ff

fff

3

f

ff

       

3

ff

f

ff



ff

f

ff

       



f

ff

fff

f

p



      



         p



fff

       

     

 

3





fff







fff

ff

   

ff





ff

ff

                 3 f



    

            

fff

3

ff



ff



     

        





   

fff

3



      



   

        

   





fff



    

f

ff

fff





ff

f

Hn. 3-4



f



ff

  a2           

ff

fff



ff



Tpt. 3-4



ff

f

54  

3



f





3

ff



      



fff











ff



 n



     





pp

         

a2



a2

f

  







fff

              3

  

     mp f

a2



solo (norm.)    1.              





ff



’

   



ff

   



   



fff



ff

f



T. Sax.

ff

  







A. Sax.

  

3





Sop. Sax.





     

      



fluttertongue 2.

ff

fff

3

ff

f

Cbsn.

f

   



             

  a2

3

ff

3

    mp  f

fff

a2                

ff

  



       



ff



fff

ff





3

3

f



     



   



fff

          

       







  ff

      f



Bsn. 1-2



a2          

f

Cb. Cl.



f

    

Cl. 3



ff

    

Cl. 1-2

      

    



a2

6

f



ff

       

1.







Eb Cl.

          

6

f



     



Eng. Hn.

      



fluttertongue

’

 w/ yarn mallets



 

p

 ff

 









Triangle

 

pp













9

norm.















 

















 





















Fl. 3-4



Ob. 1-2



Fl. 1-2





   

71







pp

67







 

           





61



        

 Picc. 

solo



ppp





















 





 











1. solo 





                         

ppp

 2.



ppp





 

  

   

















                    

1. solo   pp

Eng. Hn.





Eb Cl.







Cl. 1-2













B. Cl.



























Cb. Cl.

































Cl. 3

  

 1.

 



ppp

       





1. norm.

Bsn. 1-2



pp

 











   norm.

Cbsn.



pp Sop. Sax.

A. Sax.





















 































ppp





2.



















            



ppp











 

























remove straight mutes







remove straight mutes

































 

2.

 



















       

67 

             



    

pp

     pp

pp

pp

p

pp



ppp

ppp















pp



pp

 71



   

 

 



















  























ppp

3. con sord.

  

p

with straight mutes

pp

con sord.

ppp

Tbn. 1-2



























B. Tbn.



























Euph.













































Tba.



con sord.









 







norm.







67 pizz.   



ppp

p

S. Bass







ppp

Cel.





solo



Hn. 3-4

 



Hn. 1-2













2.  

pp cresc. poco a poco





Tpt. 3-4







ppp



ppp



with straight mutes

Tpt. 1-2



ppp

p

ppp

 

         

solo

ppp



T. Sax.

Bari. Sax.

 



p

ppp





1.







                













71





cresc. poco a poco













(pp)







































pp



Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4







  pp l.v.

          

F§ - F# C§ - C#

DCB/EFGA















 

















 



ppp

cresc. poco a poco

 

 



 

 

(pp)

 

 

 



 

 

 



 



  

 

  

 

   



 



 



 

pp



 

 (Susp. Cym.) w/ yarn mallet





(Triangle)

 

pp



67





Drum Set



 





pp

(Hi-hat)







 









 





71

 









ppp cresc. poco a poco

 (Kick-drum)

 

   

 

(pp)

















































  

10

  Picc.  72





 

Fl. 3-4

Ob. 1-2

Eng. Hn.

Eb Cl.





 



B. Cl.

Cb. Cl.

 



   



pp









solo                        



p







 

 

 





p

  1.                     solo









 





















mp

















 



 



                  

 

 

p cresc. poco a poco

  

 





  

   

 

     

pp

        



     



    







mp

  

  



  

 







   







mp

              



                mp



mp

  

















mp cresc. poco a poco



   mp

  

  

 







cresc. poco a poco









 

 

 

 



mp



 

    

        



 





   solo

                

    

 

mp













  















 















 













 

























































































 

























 







 

 

 

 



p

              



  79

 

senza sord.













75 





(p)



                        



p



   





 











   

   1.



 











79

 

 

 





 

   

 

 





 

 

  

  

 

   

 

  

 

  

 

  

 

 

 

 

 

 



      













  

 

(mp)

 

75









 

 

 

 





  

   

 

 





p





(mp)

pp

 





(p)

  

75

p



mp

 



mp

   





  

   

   

    

solo



4. solo

mp









  





         p cresc. poco a poco



mp



 



     





p

 

2. solo

           

p



  

2. solo



(Drum Set)

Perc. 4

p

                     

 

p

mp





S. Bass

Perc. 3



solo        





Euph.

Perc. 2

      

  3. solo                 

 1.





B. Tbn.

Perc. 1

2. solo





Tbn. 1-2

Timp.







Hn. 3-4

Hp.





Hn. 1-2

Cel.





Tpt. 3-4

Tba.



solo



T. Sax.

Tpt. 1-2

79



A. Sax.

Bari. Sax.

p

 



  

Sop. Sax.

                    

pp



Cbsn.





 



Bsn. 1-2









pp

Cl. 3



1. solo





solo   2.                   

Cl. 1-2



                

solo

mp

 

Fl. 1-2



75

   

  

   

  

  

      

  

   

  

  

79

   

 

 

  

  

  

(p)

Marimba w/ hard mallets



   

      

mf



  

  

  

(mp)







































11

    

  Picc.  80

   

 

Fl. 3-4

 

Ob. 1-2

 

Cl. 3

B. Cl.





Bsn. 1-2



 

    



                mf









   

mp













  

 

 

 

  

 

 

 



   



 



  



A. Sax.



T. Sax.

Bari. Sax.























      







mp

  





                          

                                       

       







               



f

         

   

2.  

  











 

  

 

mf

  



mf













             

mf

 f

cresc. poco a poco

  

 







 



 



  

 





 

 

   f











  

 

 





cresc. poco a poco

cresc. poco a poco



f





1.     f







 

 



            



cresc. poco a poco



f



mf

    



                



f

mp





1.

mf

mf

      







mf

       

     

   

solo

mf

Tpt. 1-2

2.







1.







mf





mf

    2.                                  

          





a2









   





 

        



f





 





mp

Sop. Sax.





solo





1.

mf







mf





mf

           





         a2           mp

 

83      

                  mf

 





Cbsn.







1.



  

Cb. Cl.

  

            

 







 

Cl. 1-2



        

mp

     

Eb Cl.





 

Eng. Hn.

     

                  

 

Fl. 1-2

  





     

cresc. poco a poco

83





  





      

     

         

without straight mutes 1.



f

Tpt. 3-4

Hn. 1-2

Hn. 3-4

Tbn. 1-2

B. Tbn.

Euph.

without straight mutes

 



 



 











































 senza sord.









norm.





      







 









Timp.

Perc. 1



    senza sord.

























  1.















mf a2     

  

       senza sord.

  a2     mf

      

     









































cresc. poco a poco arco



     mf



     

cresc. poco a poco

83 

    



    

     

senza sord.









 

Hp.

 

  

solo



(mf)





mf

mf

mf

Cel.





mf

S. Bass





 

mf

 Tba.  



























 

 



                                                                                                               

cresc. poco a poco









 

mf



 

 

 

 

 

 



 

 

 

 

 

mp











 

 



  

      





















mf

83



 f



              

(Marimba)





mf

  

(Drum Set) Perc. 2

Perc. 3



  

  

  





Glockenspiel w/ brass mallets Perc. 4



 

p

 

 

   

  

  

  

  

 

  

  

  

  

Ad. Lib. Gospel/Rock beat until m. 99 (Cymb.)

 

(mf)

               

(Snare Drum)

                   

etc...





































            

(Xylo.)

f





12

  Picc.  87

Fl. 1-2

Fl. 3-4

Ob. 1-2

Eng. Hn.

Eb Cl.

Cl. 1-2

Cl. 3

B. Cl.

Cb. Cl.

Bsn. 1-2

Cbsn.

87



 







 a2



   



f

A. Sax.

T. Sax.

Bari. Sax.

Tpt. 1-2

Hn. 1-2

Hn. 3-4



 







91 

  

 



ff





   

1.



   



f

 



   

f cresc.

     



   

      f

      f

           

  



    



 









 

 

  



 

  





 



ff

a2    

  

 

 

 















   



            

 



cresc. poco a poco

f

        

  

  



 

   

 

  

    

 

  







cresc. poco a poco

  

 87 

Hp.

Timp.

Perc. 1

Perc. 2

Perc. 3



 

     

    





 























  

   1.

   

     

a2

   

  



















 



87



ff







  





 







 

 



  1.

  

    









 ff



          

  







91

 

  









  f



 

 

            







 

 

 

 

                      





     

  





    



          





 

    



          





 



 

 



 



 

ff



a2





   









         

a2







ff

   



          





 

    



          





 





 

cresc.

              cresc.









ff

             

    





          

(ff)



























91  

 

 







 















(ff)

              



                                                      













f







                                                                (ff)                       



 







             



  





(ff)









cresc. poco a poco

ff

(Marimba)





  





4.







 

          

ff

                       







 





ff

91









    



ff

(Drum Set)





























(f)

       f







   

 























(ff)



 

                 

ff cresc. poco a poco











 

  

          

ff





(Glockenspiel) Perc. 4





ff

   



       



 





ff

 





     

   

ff cresc. poco a poco



      

  



 

 

 





   

f

 

                          

2.



(ff)



 

           

ff

 

       



 



  

 

      

                                                             (f)   

(f)









         

f

Cel.





               

senza sord.

(f)

S. Bass



 

3.



 



      

ff



f

 



ff



ff

    

       







 Tba.  



   

              



          

f

  



ff



    





                      



87 2.                              

f

Euph.

ff

 

ff

f

(f)





 

ff

B. Tbn.



f

    



3.

ff cresc. poco a poco

 



ff

               





  

   



ff

ff





ff



ff

     

        

    



a2



                

                   



f

      

     2.           



                

  f





ff

a2



                                    

f

Tbn. 1-2

 

1.

f

Tpt. 3-4



  

f

 



                      

      

f

Sop. Sax.



 





 



 

(Xylo.)

       f

ff

f





      



     



ff







13

  



 

 

 



94

Picc.

Fl. 1-2

Fl. 3-4





a2



 





     





     

fff

 

a2





Cl. 3

B. Cl.

 



   











  



Bsn. 1-2





  

  



 

 

 



 

 



 



Bari. Sax.

Tpt. 1-2

 























fff











     

  

     





       

  

 



 

    

             

 

             

                  

             

 



       







                                   

 

 

               

 

 

                 

  







 

 







 



















 

 

 







 



















  

  

  



    



 

  

 



      



 

  

 







 



 

 

 





  

     

 

fff

    



   





   

 









 

  







 

 







   

 









 

  







 

 





 





  













 







 

 

   



(fff)

 

 

(fff)



95    

a2

fff

molto rall.

    

 





 

 

 

                    



  

 

 

  

 



 

 

 





  

 

   

   

   

 

 





   

  

 





   

 









 

  





 

 

       

   

 

 

 

 

   

    

 

 





  









 









 

fff a2

  





    

  

fff

fff

fff



fff



Tba.













Cel.

Hp.

Timp.

Perc. 1

Perc. 2



 

                                











   

 95



 



Perc. 4

 

 







 



 



      

  

  



      





 



      

 

 

   























 













 



 



 

a2

a2

a2







(fff)

 

 

    

 



               

(fff)



cresc. poco a poco







molto rall.

 

  

 

 



  





                   

  

                                       





                                    













 





fff

 





       

(Marimba)



ff





95



















       



fff

 





fff













   

   









 

 

   

(Ad. Lib. fill)

 (Xylo.)



molto rall.

(Drum Set)















(fff)

Perc. 3

 







fff



 

 

 



 



 

 

 

       a2             fff

(fff)

fff

S. Bass

 

  



 

 





 







 

fff

Euph.

      





cresc. poco a poco





 

fff

      











 



      



 











      











 

fff

B. Tbn.

      



 











fff



  

a2

fff

          



 





fff









 





          

fff

fff



 

   

fff



molto rall.





a2

a2

a2

    





cresc. poco a poco





Tbn. 1-2

 



    

  

Hn. 3-4

  



   





Hn. 1-2

 



             

  

  

  

  

 





   

Tpt. 3-4



 

(fff)



  



  







  







fff



cresc. poco a poco



  





fff



fff a2



  







cresc. poco a poco

fff

T. Sax.



 

   

A. Sax.

 

fff

fff

Sop. Sax.

 



 



  



Cbsn.

  



fff





 

 





   

 

 

fff





fff

   

 

Cb. Cl.

 

a2



fff

                     

Cl. 1-2

95





   

Eb Cl.





  

Eng. Hn.

  fff

 

Ob. 1-2



     





 

 



 

(Glockenspiel) fff















  



fff







  



 

         

  

      

  

  







                 

     





14

  

q = 60

99

99

Picc.



 

Fl. 1-2



7

7

    

  

 

 

   





   

B. Cl.

 

Cb. Cl.













   

 

ffff

   



 

ffff





7





5

 

 





   





























 

 



 















Tbn. 1-2









Euph.



accel.

  



 

  



 

ffff

3

 





 





ffff

7

3

ffff

  

    









  



  



  









  



  





ffff





ffff

  



 



   





 

  

 

 



 



 

 



 

5









 















 

 



 



mf





5





 





 





6

6

 



 

 



 

7

 

      

 

      









= 60

7

             

 











 ffff



3

 

Perc. 4





fff

s. gl is

iss . gl

iss .

gli

s. glis

 

3



  



3

6





 





 





ffff

6

       



  

 

     

 

      

6

6

6

6

w/ yarn mallets



    

6

 

q = 88 molto rit.

         

6

3

 

3

 

p











accel.

fff



                                                      5

5

      ff

Tam-tam



s. glis

 

             





.

p

q = 60

ffff

 



s glis





 

 





gl

ss.

. gli ss

gl

ffff



(Marimba)

 

 ffff

 

.





q = 88 molto rit.

(Xylo.) Perc. 3





f

iss





  3                                                                     

Susp. Cym. w/ snare stick Perc. 2







ffff



ffff

p







ffff

 

ffff

 

 



accel.

 

Perc. 1





mf



99



     

f



 



 

 

q= 88 molto rit.

ffff

Timp.



mf

mf











ffff



3

  

ffff

f

  

 

mf



ffff

Hp.



mf



ffff



 







ffff



   





mf

q = 60

99 q





f



 

ffff







7

f



 



B. Tbn.

 

ffff



 

   





 

  



ffff





ffff

Hn. 3-4



 

mf

    

Hn. 1-2

      

ffff

99

 

          

f

     

 

7



ffff

Tpt. 3-4



                          



     

   

 

      



 



  

 



ffff

T. Sax.





mf

ffff

 

A. Sax.

7

  7







6



mf

ffff

Sop. Sax.

7

7

  

 

mf

ffff



Cbsn.

Cel.





7

ffff

ffff



Bsn. 1-2

S. Bass



7

    

3 3

  ffff

  

Cl. 3

Tba.

  

     

                             

7    7                                           7 7

Cl. 1-2

Tpt. 1-2



 

ffff

 

Eb Cl.

Bari. Sax.

7

7

7

7

7

ffff

Eng. Hn.

            

  7                                               

 

Ob. 1-2

7

7

7

q = 88 molto rit.



                                               

ffff

Fl. 3-4

accel.





5

5

5

5



5

5

5

5

ffff

Glockenspiel w/ brass mallets 

   ffff



q = 60  102

 

   102

Picc.

Fl. 3-4

Ob. 1-2

Eng. Hn.

Eb Cl.

Cl. 1-2

Cl. 3

T. Sax.

Bari. Sax.



 









 









 









 

 

    





 

    





mf

mf

mf

 



   

    

  

solo

   

    







mf

    

 

   

f

 





















A tempo



 

  



 

 





 

 







 

pp

mf



pp



mf











pp













n



pp





n 1.





n

f





n

f

    

mf

   

A. Sax.





 

Sop. Sax.







Cbsn.







Bsn. 1-2

 

    

f

 

Cb. Cl.





  

poco rit.







107

allargando



 

B. Cl.

 

  

solo

 

Fl. 1-2

15



















 







fp





 





 



