Showers over Peaks and Vales for Orchestra

Page 1

Keane Southard

Showers over Peaks and Vales For

Orchestra

(2013) (Duration: c. 10-11 mins.)


Instrumentation: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones (3. Bass Trombone) Tuba Timpani Percussion 1: Tam-Tam, Glockenspiel, Whip, Large Bass Drum (w/perc.2), 3 Suspended Cymbals (w/perc.2), Hi-Hat, Geophone (ossia: Maracas), 4 Tomtoms Percussion 2: Vibraphone, 3 Suspended Cymbals (w/perc.1) [Bow required], Large Bass Drum (w/perc.1), Xylophone, Snare Drum, Rainstick Harp Piano Violin I Violin II Violas Cellos Double Basses (some with low C extension)

Score in C


Program notes: Showers over Peaks and Vales for Orchestra was written beginning in 2012 and completed in May 2013 while living in Campos dos Goytacazes, Brazil. I consider this my first real work for full orchestra (my Titanium and Mercury for Large Orchestra two years earlier was an orchestration of a piano piece.) Since I was a kid, I have dreamed about writing for the orchestra, but it has only been after years of studying scores and pieces that I have felt comfortable and qualified to write for this large ensemble. Prior to this piece, I had written almost everything but an orchestra piece, including pieces for string orchestra, chamber orchestra, wind ensemble, concert band, chorus and orchestra, a concerto for piano and chamber orchestra, and a full orchestra version of a piano piece. The title refers to the musical elements of the work. The piece begins and ends with a ‘shower’ of violins, be them like showers of rain or meteors. The ‘peaks and vales’ refer to the main motive used in the work, which rises and falls, usually by glissando (sliding) and ending back on the beginning note. This, both visually and aurally, creates a kind of little hill. The inverse of this, falling and then rising, is also used extensively and naturally forms a little valley. The use of the word ‘vale’ instead of more common word ‘valley’ is also a little tribute to my sister, this being her name. Keane Southard 2013

Performance instructions: 1. Tenuto marks (-) over notes indicate more weight/stress on the note and does not indicate space to be placed in between that note and the next (unless the tenuto is combined with a staccato). 2. There should be several Double Basses with the low C extension. Anytime a note requiring the extension is written (notes below the low E), basses without the extension should play the note an octave higher or the upper part if it is divisi. 3. Unless otherwise indicated, the damper pedal (for the piano) should be used discreetly to allow for maximum clarity. 4. Glissandi in this piece are very important. All glissandi should last the entire duration and move at a steady velocity (except for as noted in the beginning and ending unmetered sections in the violins.) If anything, glissandi should be over-emphasized. 5. Ideally, the opening unmetered section should not need any help from the conductor to be coordinated, but should work by the violins counting and observing who and when the other violinists are playing around them, as noted in the instructions in their parts. However, cues from the conductor may be helpful if this proves to be difficult to coordinate for the violins on their own. 6. Ideally, the opening violin figures (which end around rehearsal letter B) are played with

practice mutes on. If practice mutes for all of the violins can not be obtained, then all violins should instead use regular mutes instead. (This opening should not be played with a mix of practice and regular mutes. All violins must use the same kind of mute in order to produce a uniform timbre.)

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com


Showers over Peaks and Vales Score in C Flute 1-2

 

Oboes 1-2

Clarinets in Bb 1-2

Bassoons 1-2

Horn in F 1-2

 

Horn in F 3-4

Trumpet in C 1-2

Trombone 1-2

Bass Trombone

Tuba

Timpani

Percussion 1

Percussion 2

Harp

 

Keane Southard

for Orchestra

 

  

 

Piano

10-20"

2-5"

3-8"

5-10"

15-20"

5-10"



Slow, Freely entire figure should last between 10-20" sul tasto Solo

 

  

con sord.

*

glis s.

(begin each gliss. very slowly and accel. to end)

 

 

glis s.

  

ppp p ppp mp (do not let open string ring during rest)

Slow, Freely, each player at own tempo, uncoordinated with others (begin anytime between 2-5" after solo violin has completed figure the first time)

sul tasto

Violin I

*

(begin each gliss. very slowly and accel. to end)

   gli ss.     con sord.

glis

s.

  

ppp p ppp mp (do not let open string ring during rest)

Slow, Freely, each player at own tempo, uncoordinated with others (begin anytime between 5-10" after your stand partner has begun playing)

gli altri div. a 2

sul tasto

*

con sord. gli ss.

 

(begin each gliss. very slowly and accel. to end)

 

 

glis s

.

  

ppp p ppp mp (do not let open string ring during rest)

Slow, Freely, each player at own tempo, uncoordinated with others (begin anytime between 3-8" after you see that all the first violins are playing)

sul tasto

.*

con sord gli

 

 

 

gli ss.

  

ppp p ppp mp (do not let open string ring during rest)

Slow, Freely, each player at own tempo, uncoordinated with others (begin anytime between 5-10" after your stand partner has begun playing)

Violin II div.

sul tasto

 

 

Violoncello div.

 

(begin each gliss. very slowly and accel. to end)

 

 

gli ss.

  

ppp p ppp mp (do not let open string ring during rest)

 Viola div.

*

con sord. glis s.

Double Bass

ss.

(begin each gliss. very slowly and accel. to end)

 * Ossia: practice mute (prefered over regular mute)

©2013


 h = 38 A

2

2

 Fl. 1-2 

3

4

5

6

7

8

B

9

10

11

12

13

14

15

16

 

17 a2

3

mf Ob. 1-2

Cl. 1-2

 a2

 

3

Bsn. 1-2

Hn. 1-2

mf

 

con sord.

       

con sord.

   

C Tpt. 1-2

Tbn. 1-2

      

p

 

p

n

p

Hn. 3-4

n

      p

      p

n

 

 

n

n

         

n

p

   1.

f

 

Tam-Tam



     

B. Tbn.

Tba.

 h = 38  A

Timp.

Perc. 1

Perc. 2

Hp.

Pno.

D C B / E F# G A



p

  h = 38

A

B



p

l.v. (top staff only)

  



p

 

 

       mp

 

 

  

     

 

If you are in the midst of the figure, complete it before resting.

If you are in the midst of the figure, complete it before resting.

 

 

If you are in the midst of the figure, complete it before resting.

 



  

mp

mp

 mp div.

    Db. 

 

 

 

         

mp (no hairpins for bottom part)

  

 

mp

n

         



  

n

 

 n





        

 

n

 



 

 

mp

p

mp

mp

mp

    

 

n

  



mp

 



mp



 

       

mf 3

If you are in the midst of the figure, complete it before resting.

Vln. II div.

Vc. div.

 

B

Vln. I div.

mf 3

mp

 

Vla. div.

 

 

  mp

 


C  Fl. 1-2 

Ob. 1-2

Cl. 1-2

Bsn. 1-2

 

18

19

 

20

n

 

f

n

mf

 

23

24

D

25

26

27

28

29

30

31

   

 

22

3

f



21

   

 

    

 

   

 

 

  

  

  

 

mf (no hairpins for 2.)

Hn. 1-2

 

Hn. 3-4

con sord. (straight mutes)

C Tpt. 1-2

       mp 

 

Tbn. 1-2

        n mp 



      mp 



       n mp 



n

      



      



n mp



n mp

n

      mp 

n

B. Tbn.

Tba.

  

  

C  Timp. 

Perc. 1

(Tam-Tam)

  mp



mp

Vibraphone Perc. 2

Hp.



mf

f

 

 

    f

mf

  

   

  

Pno.

  

 

  

f

 

f

     

     

 

   

 

  

 

 

  

 

 

 

 

 

 

mf

 

 

  

  

   

   

 

Vln. I div.

 Vln. II div.

Vla. div.



   

  

       

 

mf

   

  

 

 

   

n

  

n mf

   Db.  mf

 

   

  



senza sord.

  

 



 

    



 



 

 

 

    

 

 



  

 

      

 



mf

  



     

  

 

 

mf

n



 

  

n

 

mf

 

  

 

    

n

mf

mf

   

    

n

 

 

    

 

  

     f

 

mf

n

mf

   

n

  

  

f

 

senza sord.

  

mf

 

      

 



mp

   

mf

mf

senza sord.

 

mf

  Vc. div.

mf

 

 

D senza sord.

  

C  

     f



mp

    f

D

 




E poco rit. 4

A tempo

 

32

Ob. 1-2

Cl. 1-2

Fl. 1-2

Bsn. 1-2

Hn. 1-2

33

34

35

36

37

38

  f

a2

   

 

39

  

n



40

n

  

  mp

  

42

  f

  mp

41



  

n

n

43

  mp

  

 

  

mp

 

remove mutes

Hn. 3-4

 

C Tpt. 1-2

n

Tbn. 1-2

B. Tbn.

Tba.

 

E Timp.

Perc. 1

poco rit.

A tempo

 

Glockenspiel

   

mp (Vibraphone) Perc. 2



Hp.

Pno.

  

 

 

 

 pp

  

  

  

   Vln. I div.

n

  

mp

 

E poco rit.

n

pp

norm.

pp

s.p.

 

  Vc. div.

 n

Db.

  



 

pp

                      p

n

 

 

3

mf

3

p

n

 pp

    pp

  

  

     



 

3

  mp 



 

7





mp

 

mp

   





 



mp

 n

  

 

3

 

 

  n

mp

 

 

 

           

n

n

  

p

3

mf

p

          3

  

f

3

   

n

  



III

mp

 

 

 

n

  

  

mp

mp

    

n

 

10

mp

 

n

3

 

n 3



 

l.v.

D C# B / E F G Ab



 

mp

  mp

mp

mp

  

II  

f

mf

pp

  

gli altri

 

II

I

I norm.      

mp

n

3 soli

 

11

n

Vla. div.

n

 

norm.

s.p.

 



mp

 

 

A tempo norm.

 



7

 

3

5

mp

 

mp l.v.

l.v.

B - Bb

Vln. II div.

   

mp

l.v.

 

   

 



mp





  



pp

n

mp

n

 

  n

mp

n

 

mp

n

 

n



  mp

   


 Fl. 1-2 



G

F

H

h = 28 (q = 56)

poco rit.

poco rit.

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

Cl. 1-2

n

2.

 

 

mp

n

Ob. 1-2

Bsn. 1-2

Tempo I (h = 38)

44

n

mp

 

 

pp

pp

n

n

 

Hn. 3-4

C Tpt. 1-2

Hn. 1-2

Tbn. 1-2

 

 

  pp

B. Tbn.

Timp.

Perc. 1

Perc. 2

Hp.

Pno.

 



 

   

 

F

Vln. II div.

l.v.

H

h = 28 (q = 56)

poco rit.

 

 

 

(Vibraphone) pitch bends 3

 

3

3

mf

poco rit.

Tempo I (h = 38)

3

p

mp

  

       

   

0  

  

  

0 0

0 0

p

p

 

p

            p 3

H

h = 28 (q = 56)

poco rit.

poco rit.

Tempo I (h = 38) 

n

0   0

"crying"

G

  

p

0

n

  

 n

n

 

n p

  

           

"crying"

3

   

3

p

3

 3

    mp

   

3





3

norm.

 

s.p.

pp

n

div. a 2

Vla.

gli altri

  p

p Vc. div.

I II



n

p

 p

Db.

Ab - A F - F#

n

mp

Vln. I div.

3 soli

p

mp

 

F



G

  

n

p

pp

Tba.

 

 

p





 

 

  p

3              

 



p

3             

 

 

pp



pp

  



 

p

3

3

    3

mp

        3

 

mp

  

3

     3

 

s.p.

 

norm.





norm.

 

s.p.

 

 

pp

n

 

pp

 

n

pp

3

 

norm.

pp

    

mp

 

 3

mp 3

3

 

    

3

    p

  

3

3

p

3

"crying"

p



  

"crying"

s.p.

n

 

 

 

5


I

6

 

61

Ob. 1-2

Cl. 1-2





64

 

Hn. 3-4

C Tpt. 1-2

Tbn. 1-2

B. Tbn.

Bsn. 1-2

Hn. 1-2

Tba.

70

71

                 

I  Timp. 

 

Perc. 1





     

(Glockenspiel)

mf l.v.

Perc. 2



 





Pno.

I       ppp

    ppp

ppp

     ppp

Vc. div.

 

 

 

 

 

 

   

 

n

 

n

 

 

 n

 "seagulls" I norm.

norm.

 

   

   

 

 

ppp

pp

  

n

 

 

n



mf

mf



glis

s.

p

 

  

                      

mf

 

 

 

    

 

 

 

pp

   

ppp

pp

ppp

pp

 

 

  

   

 

ppp

pp

    ppp

 

n

 

n

 

 

 

  

n

n

  

 

pp

n

 

n

"seagulls" II

 p

Db.

                     

mf

pp

 

 

 

pp

    

 

 

pp

 

ppp

Vla.

 

pp

  

Vln. II div.

 

p

6

High Suspended Cymbal with bow

 



l.v.

 

Vln. I div. a 3

mf

      

mf

                



l.v.

Hp.

mf l.v.

p



6

Medium Suspended Cymbal with bow

67



69

66



68

65



63

Fl. 1-2

62



 

gliss

  

.

n

  

 

   

 

 

 

 

 


 Fl. 1-2 



 q = q (q = 76) J

    

72

     73

1.







    

 

74

             

75

           

            

f

Ob. 1-2

1.

    

    

 

                          

                          

    

                        

f 1.

Cl. 1-2

                   

                     

f

Bsn. 1-2

    

 

f

Hn. 1-2

 

 

senza sord.

  f

Hn. 3-4

C Tpt. 1-2

Tbn. 1-2

 



3.

 f



f 

















 

senza sord.

 



f

B. Tbn.

 



  



f

Tba.

Timp.

Perc. 1

Perc. 2

Hp.

Pno.

 



J

 



 

 

Vln. I div. a 3

 

Db.

 

ff

 q = q (q = 76) 

 























































































f



norm.

norm.

f

 f

f

f

 

   

(no cresc.)

C# - C

 

Large Bass Drum with heavy felt beater

   





 

  f





 

  f



  

   f



 

  

 

 

f

Vc. div.

J

Vln. II div.

Vla. div.

ff

 

 q = q (q = 76) f

f

7


8

2.    2.                                                                                  1.  

Ob. 1-2

2.    2.                                                                                1.  

Cl. 1-2

Bsn. 1-2

Hn. 1-2

  

Tbn. 1-2

B. Tbn.

Timp.

  

  

 



 



 





 

 

 



  

Perc. 2

Hp.

Pno.

                  

  

      ff

(senza sord.) a2

  

 

 



 (Large Bass Drum)

 

 

 

 

 

    

  

  

f

 

K

 





 

 





B - Bb



  

 



K

        

          



        

         



       

        





           

          

  



 

             

        

  

p

f



p

f



p





 

f

  p

f

  p

f

        

  



















 

  

















 

  





















 

 



  

 

 

 

ff

   

  

Db.

Vc. div.

 



              





ff

 

80

a2        

 

Vla. div.



 

Vln. II div.

                            79

 

 

   

Vln. I div. a 3

p

Perc. 1

 

C Tpt. 1-2

 

 

 

   

Hn. 3-4

Tba.



K

77

  2.  78 2.                                                                           Fl. 1-2       1.  76

   

        

 




Fl. 1-2

 



81

Ob. 1-2

82



83

84

85



L q = 96 89 87 accel.         88                    9                                                                  ff

86

a2

                         

ff

Cl. 1-2

         

a2

ff

Bsn. 1-2

Hn. 1-2

 

 



 

  

   

   

                              

  

 

   ff

Hn. 3-4

C Tpt. 1-2

Tbn. 1-2

 



 

  

  

  

  

  

 senza sord.

       ff 

Tba.

 Timp.  Perc. 1





 



 

 





 

 

 

 

 

  

 

      ff

 





ff

B. Tbn.

ff

ff

 q = 96 

  

 

ff

                   

     

L

accel.

 

                                                       

Xylophone with hard wood mallets Perc. 2

Hp.







         

ff

         ff

ff

 q = 96



                

            

 

                           

   

   

ff

 

 

gliss.

accel.

n

 

gliss.

 

gliss.

 n

         

         

         



 

 

 

 









 

 

 

 



 

 

 

 

 

  

 

 

ff

 

 

   

  

 

 

   





ff

               

 

 

    

 

 

gliss.



 





 

 

 

 

ff

ff

ff

 n

 

ff

ff

 n

ff

        

 



 

L

ff

        

          

                                                         



Vln. II div.

D C Bb / E F# G A

 

Db.

Vc. div.

Vla. div.

Vln. I div. a 3

Pno.

gliss.

 n

  


90

                      

  10     Fl. 1-2     

           

Ob. 1-2

Hn. 1-2

    

Perc. 1

 





f









sffz

p

q = 112  

 



  

    

    

Whip

 

     

7

f

         6 5

f

         5

5

f

       

f

      fff

q = 112    

f

sffz

    

f

p

  

  

  p

Db.

unis.

  p

 

 

  

ss gli

 F# - F

.

              

ff f

                 fierce! 

                  

f fierce!

                  fierce! 

f

    

                  fierce! 

fff

f

    

fff

     

     

                    

div. a 3

fff

f

fff

    

    





f





f

fff



  



 

 

f

 

 fff

 

 fff

fierce!

                    f fierce!                   

                 fierce! 

                     

f



fff

fff



f

    

 



fff





fff

     

fff

p

f

         

Bb - B

        

3

 

5

           f

 

fff

f

  

fff

  6          

ff

fff

 

f

  

 

  

ff

 

2.

f fierce!

Vc. div.

M

p



  





Vla. div.



 

1.

                 

Vln. II div.

ff

     

              

 

f

 

f

 

 

Vln. I div. a 3

     

  

fff

 

        3 3

fff

              Perc. 2    

Pno.

f



fff

(Xylophone)

Hp.

M Timp.



p

Tba.

96

     

B. Tbn.

95

1.

        

fff

 

Tbn. 1-2

94

    

   

       

C Tpt. 1-2

93

fff

  

   

Hn. 3-4

92

fff



   

q = 112

91      

                    

Cl. 1-2

Bsn. 1-2

  

M

 

 fff

 

f fierce!

                    

 fff

 

f fierce!

         3 ff

f

fff

sim.








97

 Fl. 1-2 

98

N

99

     

100

101

f

Ob. 1-2

     

f

Bsn. 1-2

Hn. 1-2

Cl. 1-2

 3

 

3

3                 

 

3

        3     

            3

f

3

3

3

3

3

3

Tba.

 

Timp.

Perc. 1

Perc. 2



1.

Pno.









 







 

      

  

 

ff 3 fff

     3

 

    

ff 3 fff

mf

                 3

           3

3

       

    

3             

       

     

3                fff 3               

3

mp

11

        



             

mf

3

mp

    

      

    

    

  

 

  

   

3

mp

N

  

to straight mutes

3



 

3

f

ff

fff

  

 

 

  

  

 

  

 

   

     

      3

(Xylophone)

mf

ff



Medium and High Susp. Cym. with snare stick

 f

p

O 

Hi-Hat with snare stick closed (+) unless otherwise indicated (o)

        

f (not too tightly closed)

 mf

ff

 

 div. a 2

 fff

 

 

      

 

fff

a2       

3

fff

f

 

 

sim.

     

 

     

 

    

 

  

    

 

3

  

     

                 

    

 

   

mf

  

   

   

mf

  

   

mf

  

   

mf

  

O

fff

 fff

 

 fff

  

    

  

    

  

   

 

 

unis.





f

 

   

mf

106

ff

 

Db.

    

O

105

ff 3

fff

3

 B - Bb

    

Vc.

 

mp

 

f



Vla. div.

ff 3 fff

Large Bass Drum with hard felt beater

Vln. II div.

 

ff

  



Vln. I div. a 3

3

mf

N

 

f

  

Hp.

      

     

104

  

                  

3

f

B. Tbn.

3

3

 

                

f

Tbn. 1-2

103

mf

f

C Tpt. 1-2

3

    f

  

Hn. 3-4

3

       

102



mf

mf

  



  

sim.

  

  

  

   

   

  

  

3

    3

ff

pizz.



pizz.

 

ff

f



f


12

    

   

   

                 3

    

   

     

107

 Fl. 1-2  

f

3

f

Bsn. 1-2

Hn. 1-2

       

    

Cl. 1-2

109

 

mf

f

                           3

          3

f

 

        

Tbn. 1-2

mf

mf



Perc. 2

Hp.

mf



     

 

p

 



             

f





            

        

       

  

                             

f 1.



f

 

1.

3          3

  

ff

ff

remove mutes

a2

 

ff

3

ff

 

P

pizz.

pizz.

 

pizz.

pizz.

 

pizz.

3

pizz.

Vc. div.

Db.



arco





arco





arco











pizz.



pizz.



pizz.



  

      

  

      

   

      

f

f

       f

           

3

P





         

arco

f

    

 

arco         3

          

arco

 

        

    mf

arco

    mf

      arco

     

arco

f

mf

    mf

    mf

ff

3         ff

arco

mf Tutti div. a2



f

ff

3

    

1st Desk

      

Tutti div. a2

arco

mf

      

arco

f

mf

1st Desk

      

arco          

            

mf

 

mf

arco

mf

   

         

arco

mf

arco

f

ff

f

 

   

mf

             

         

Snare Drum with snare stick

3

f

pizz.

      f 

         

Vla. div.

3

f

f

      

f

 

f

ff

ff

3

2.

ff

   mf

f

                mf

f

p

       

f

       

mf

      

f

           

     

3

mf

f

mf

                     mf

     

   

D C# B / E F# G# A

Vln. II div.





Large Bass Drum with heavy felt beaters

Vln. I div.



(Hi-Hat)

 

Pno.

          

    

3

      

   

3

 Timp.  

Perc. 1

mf

114

         

      

con sord. (straight mutes)

      

    

B. Tbn.

Tba.

3

 

113

mf

C Tpt. 1-2

3

f

112

f

3

f

P

3

f

Hn. 3-4

111

f

mf

 

 

110

f

f

 

Ob. 1-2

108

    mf


                          Fl. 1-2  115

3

ff

116

3

           

Ob. 1-2

Cl. 1-2

3

3

3

3

    

ff

Hn. 1-2

 

 

119

120

121

       

       f ff  senza sord.        

3

fff

3

fff

3

fff

C Tpt. 1-2

3

         

f

ff

    

 

f



f

 Timp. 

Perc. 1

    



      

 

Pno.

Vln. II div.

3 

p

3

 f

Q 

 

p

 

    

 

 

p

3

mp





   

3

fff  3           



    3

3

3

3

3

sfffz



     

fff



3

3

3

 



     3



3



      

fierce!

sim.

           

                                sim.

f

fierce!

   

f

 

fff

Q



fff

    

f

fff

fierce!



     



sim.

       

                          sim.

f

3

3

   3

  

3

ff



 

  



    



 

ff



 

ff



3

unis.

Db.

f

ff

  

3

3              3 3 3

Vc.



Geophone (ossia: Maracas) swirled

ff

f

         



      ff

Vla. div.

       ff

       ff

 

ff

           ff

fff

       

ff

ff

              

Vln. I div.

 

     

3 Susp. Cym. with snare stick

  

p

f

D C B / E F# G A

ff

3

 

ff

f

f

Hp.



3





f

ff



Large Bass Drum with hard felt beater

Perc. 2

 

3

  

3

p

   

a2

3

  

f

ff

f

B. Tbn.

13

1.

fff

      

Tbn. 1-2

Tba.

            

f

Hn. 3-4

Q

118

ff

  



117

                        ff

Bsn. 1-2



fierce!

fff



fff

3



fff

3       

fff

sim.

 f












14 Fl. 1-2

122

 

123

a2

124

a2 Ob. 1-2

a2 Cl. 1-2

Bsn. 1-2

 Hn. 1-2 

2.

f



Tbn. 1-2

B. Tbn.

Tba.

Timp.

Perc. 1

Perc. 2

 

p

3

p

ff

p

ff

p

ff

 

f

 

f

 

mp

3

 3

mp

3



p

 

ff

 

 ff



 ff

ff

 

ff

 mp

p

 



p

 

 

ff

 3





mf

   

  

p

3

ff

"Shh" sound with mouth into instrument with mouthpiece removed

 

 

 

 

Rainstick



(Geophone or Maracas)

  

3

mp 1.

R 



p

3

f

  

p

 3

2.

p

mp

1.

  

 

p

"Shh" sound with mouth into instrument with mouthpiece removed

127

p

"Shh" sound with mouth into instrument with reed removed

Pno.

3

Hp.

3

C Tpt. 1-2

f

 3

p

Hn. 3-4

126

R

125

"Shh" sound with mouth into instrument (fingering the pitch indicated but more "shh" sound than pitch)

     

f

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

R                                                                                        

Vln. I div.

  

                                                                                            

                                                                           Vln. II div.

                                                                                           

                                                                                                fierce!  sim.

f

Vla. div.

                                                                                 sim.

f fierce!

              sim.                             f

Vc. div.

fierce!

              sim.                            f

Db.

fierce!


128

 Fl. 1-2 

Ob. 1-2

Cl. 1-2

Bsn. 1-2

Hn. 1-2

129

f

Timp.

Perc. 1

3



Pno.

"Shh"

p

ff



 



 

p

ff

  



3

3

 

   

 

3

 

ff

 

 

     

 

 

  

 

p



p

 

 

ff



  

 

mf

 

"Shh"

 

ff

 

p

p (Rainstick)

f

ff

(Geophone or Maracas)



ff

 p

ff

p

p

"Shh"



  

p

3

Perc. 2   

Hp.

 ff

3

mp

Tba.

3

mp

 

mp

B. Tbn.

p

15

133

1.

Tbn. 1-2

132

2.

mp

C Tpt. 1-2

131

"Shh"

 

Hn. 3-4

130

p

 

ff

 

p

 

 

 

 

 

 

  

 

 

 

  

 

 

 

                                                                                             Vln. I div.

                                                                                                                                                                                           

Vln. II div.

                                                                                                                                                                                        

Vla. div.

                                                                                                                           

Vc. div.

Db.

                                               

                                                                                          




134

 "Shh" Fl. 1-2  

S

135

136

p

ff

 

Hn. 1-2

 



 

Hn. 3-4

2.

f

Tbn. 1-2

Hp.

Pno.



 

 













 



   

 



 





 ff

"Shh"

 

 

 

 

 

ff

ff

ff

 

ff

ff

p

 

 

  

p

p

  

(Geophone or Maracas)

 

fff

S

  

mf

ff

  

 



(Rainstick)

Perc. 2

 

"Shh"

 

mf

p

a2

fff

 

mf

 Timp.  

Perc. 1

a2

 

mf

B. Tbn.

Tba.

p

mf

C Tpt. 1-2

"Shh"

p

fff

f

 

 

  

 

 

 

 



  

 

 

p



p

p

 

 

 

 

 

fff

        

  

fff

      

 



Bsn. 1-2

ff

p

p

p

"Shh"

 

Cl. 1-2

fff

"Shh"

ff

139

p

p

138

p

"Shh" Ob. 1-2

137

"Shh"



16

 

fff

  

S                                                                                                 cresc.

                                                                        

Vln. I div.

cresc.

                                                                      cresc.

Vln. II div.

                                                                           cresc.

           Vla. div.



           



                                  cresc.

                                                                                                   cresc.

                                                                     cresc.

Vc. div.

                                                                            cresc.

Db.






140

141

 Fl. 1-2 

Ob. 1-2

Bsn. 1-2

Cl. 1-2

T

       

142

 

      

         

ff

 

 





ff

B. Tbn.

 Timp. 

Perc. 1

Perc. 2

Hp.

Pno.

Vla. div.

Vc. div.













 

 

   

  

 

 

         

 



 

 

3

 

 

 

3

 

 3

ff

 

 

 





Susp. Cym. with snare stick

sim.

   

  

  

 

 

 

 

 

 

 

glis s.



gliss.



 

 

 



 

   

  

  

  

 IV T       ff

  

IV         ff IV        ff

 

   

  

  

  

  

  

  

  

  

  

  

  

   

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

   

  

  

  

   

  

  

  

  

   

  

  

  

  

 

 

 

 

 

 

 

 

 

 

IV        ff

  

  

  

  

                 

III      

  

 

 

 

 

 

                       

III      

 

 

 

 

 

 

        ff

  

  

  

  

  

  

       ff 

   

   

   

              

   

  

  

   

  

  

  

  

  

  

  

   

  

   

 

    

  

  

  

   

 



   

a2

               

Db.



 

3              

  



 

                                  

ff

 

 

glis s.

ff

 

 

ff

               

Vln. II div.

 

    

 

       

Large Bass Drum with hard felt beater



    

         

 

Vln. I div.

 

                                  

 

    



ff

ff

f



T

17    

ff

 

  

ff

3



ff

Tba.

         

ff 3

ff

Tbn. 1-2

 

ff

C Tpt. 1-2

a2

ff

 

Hn. 3-4

144

ff

ff

Hn. 1-2

143



 

  

 

ff

ff

ff

  

 

 

 

 


Ob. 1-2

5

Cl. 1-2

Bsn. 1-2

Hn. 1-2

     5

5

5  5                              5

 

 

 

  

  

  

  

 

 

 

 

 

 

 

 

 

 

 

  

  

       

 

     

  

    

       

   

  

ff



 

B. Tbn.

p

ff

 

 

  Timp.  

 

(Susp. Cym.)

 

 sim.         

sim.

   

     

                

      

                    

 3        3      

 

  

  

  



  

  

 

3

 

 

 

 

 

 

Hp.

Pno.

 

   

 

 

U 

 

  

  

   

  

  

    

  

  

  

  

  

  

  

  

  

  5        

  

  

      

  

  

  

  

  

  

  

 

 

  5        

  

  

      

  

  

  

  

  

  

  

  

  

  5        

  

  

      

  

  

  

  

  

  

  

   

 

 

  5        

  

  

      

  

  

  

  

  

  

  

(III)

 

 

       

 

 

   

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(IV)

   

(IV)

  

5

(III)

  

 

 

       

 

 

5

    

   

   Db.   

   

   

 

   

   

 

 

  

  

  

     

  

   

  

  

      

  

  

  

  

  

  

   

  

  

   

 

 

 

 

 

 

   

 

            3

ff

     ff      

  

 



Db C B / E F G Ab

(IV)

Vc. div.

   

Vla.

 

    

Vln. II

(IV)

Vln. I

 

   

ff

4 Tomtoms with snare sticks

3 Susp. Cym. with snare stick

   

3

 

     

 

(Large Bass Drum)

Perc. 2

 3      

3

3

 3      

3 3                                 ff       a2 a2                  

p

Perc. 1

 

  

    

Tbn. 1-2

           

3

  

  

p

3

            

  

      

 

  

 

C Tpt. 1-2

150            

a2

 

3

                                    

 

Hn. 3-4

Tba.

                                  5 5

 149           

147 148 U                                                 

146

F - F# Ab - A

   



145                                     Fl. 1-2   5 5 5 5



18

    

   

    

   

   

U

 

 

 

 

p

ff

p

ff

 

 

 

 

p

ff

p

ff

 

p

 

ff

  p

 

ff

 

 

 

 

p

ff

p

ff

 

 

 

p

 

ff

p

ff

 

 

 

 

p

ff

p

 

  

  

 

  

 

  

  

div.

ff

3


 152       151                    7 

 accel.   154   2.        p fff                  6   3                      3         p          fff

(q = 45)

molto rit.

 Fl. 1-2  

 

Ob. 1-2

 

Cl. 1-2

   

3 6                

a2

Bsn. 1-2

 Hn. 1-2   

 

   

Hn. 3-4

       5

   3

    

C Tpt. 1-2

Tbn. 1-2

B. Tbn.

Tba.

 

 

 

 



  

   

 

  

  



         

  

               3



 

6

              



    

  

 

Perc. 2

 

 

fff



Pno.

 

molto rit.

       

Vln. II div.

3

    

    Vc. div.

Db.

  unis.

 



3

p

 

 

 

5



 



 

p



p

 

p

f

        

  

5

   

  

f

3

     

   

   

 

fff

(q = 45) q = 72 ss. 

 

5

gliss.



    3

3

5



s. glis



p

 

. iss

fff

            

.

fff

 gl

l i ss

 3

 

 

3

 

3

p

 

3            



 

fff

 

fff

 

 

  

p

 

3

"seagulls"



p

fff

3 6               6

"seagulls"



 

p

6

3

                  

p

fff

g

 

3

5





     

accel. 

 5

                  

mf

5

gliss.

fff



     

3

fff

 

gli

p

  



  

   

3

6

  

p

                  Vla. div.

p

   

  

  

3

  

3

6



   



fff



   

3

Vln. I div.

3



3                         

    

19

accel.

(3 Susp. Cym.)



  

 

fff

ff

155

        

  

f

 

p

  

     

   

 

Tam-Tam



 1.    

3

 

 



   

fff

fff l.v.

Hp.

  



f



       

(q = 45) q = 72

molto rit.

Perc. 1

 

3

3

 

 

 

3

6



 

             

 

fff

3

         

       

 





   

  

   

fff

  

153              

fff

fff

3

       

  3      3      3    3     3     fff         5      5          

  

 

3      

 Timp.   

       

fff

 

  

q = 72

 

 gliss.

ff

 

p

gliss.

ff

p



 

p


V q = 96 20

 Fl. 1-2 

156

157

158

159

W

160

Ob. 1-2

Cl. 1-2

 

Hn. 3-4

C Tpt. 1-2

Bsn. 1-2

Hn. 1-2

Tbn. 1-2

 

1.

mf

B. Tbn.

Tba.

V

q = 96

 Timp. 

Perc. 1

Perc. 2

Hp.

Pno.

W



Hi-Hat with snare stick



                         

     

    

  

               

   

     

  

               

       

  

mf

                  



not closed too tightly

                    

    

 

  

 

        

V

q = 96  Vln. I 

like an improvisation

mf

 

 

Solo

Solo

   

like an improvisation

  

mf

Vln. II

W

vary dynamics as desired

3

                     5

3

 

3

           5



3

5

       

vary dynamics as desired

 

    

     3

5

5              3

Vla.

gli altri

hold and strum like a guitar

pizz.

   f

Vc.

Db.

  mf

 


 Fl. 1-2 

161

162

163

X

Ob. 1-2

Cl. 1-2

Bsn. 1-2

1.

 

 

mf

 

Hn. 3-4

C Tpt. 1-2

Hn. 1-2

 

Tbn. 1-2

 

 

 



 

 



   

 





f

 

2.

 Timp. 

Tba.



(Hi-Hat) Perc. 1

Perc. 2

Hp.

Pno.









X





  

             

 

 

(Solo) 7

   Vln. I        

3

  

       

  

 

 

    

       

    

               

   

      

   

7 7     5                                     

       



 

   

3

3

   

     

X     

7

7

     

       



 

mf

Vln. II div.



mf

  

                7

5

Vla.

  

 

3

3

  

                  5

  

7

  

  



   

  



  

 

  

6

 

hold and strum like a guitar



 

  

 

 

  

mf Vc. div.

  

mf

Db.



 

 

 

 

  

 

 

       

f



 



 



gli altri



Solo



  

3







mf

B. Tbn.

21

164

 


22

 Fl. 1-2 

165

166

167

Y

168

Ob. 1-2

Cl. 1-2

Bsn. 1-2

Hn. 1-2

 



 

 

 

  



   

 

 



                     

f

Hn. 3-4

C Tpt. 1-2

  

Tbn. 1-2

Timp.

Perc. 1

Perc. 2

Hp.

Pno.

 



 

 

  

  

   

  

1.

f

 



(Hi-Hat)









Y

 





          

 

 

         

   

      

 



5

Vln. I

              

     

       

 

 

          

 

f

   

  

   

 

 

 

           Y gliss.                  3 5 6

 

 

  f

ff



                        

     

   

mf

Solo

 

      

B. Tbn.

Tba.

                f

 

 

             

f

div.

IV-III-II-I I-II-III-IV sim.

  Vln. II div.

                   



 

IV-III-II-I I-II-III-IV sim.

 

 

f

Vla. div.

 

Vc. div.

  

 

 

 



 

  

  

    





 

 



 

   

                 

 

 

 



  

  



  

  

  

  

  

   

  

   

3

  

   3



 



 





 

   

 

 

   

 

  



  



 

 

 

 

        

   



             



 

pizz.









 

Db.

  



f



    

               



     

 

    


"Jet whistle"

169

 Fl. 1-2 

170

171

23

172

 sfffz

Ob. 1-2

Z

a2

 

 

f

Cl. 1-2

Bsn. 1-2

Hn. 1-2

Hp.

Pno.

 

 





    

 

        

      

                 

      

                   

   

 

     

     

 

 

B. Tbn.

Perc. 2



 

 

f

                       

Tbn. 1-2

Perc. 1

 

2.

 

      

C Tpt. 1-2

Timp.

            

Hn. 3-4

Tba.

           



f

       



 

     

    

    

     

     

  



  

   



 



 

2.

mf

  

 

mf

  

 

(Hi-Hat)

 





Z

 











    

 

              

         

     

               

 

   

   

 

 

         

 

               



   

     

 

  

     

  



       



  

 

Z                                                                    Vln. I div.

                                                  

                



f

Vln. II div.





f

Vla. div.

Vc. div.

Db.

  

  

  

   

 

  

 

sim.

 

sim.

  

 

 

 



 

  

 

    

 

  

   

  

  

   

 



  

 

  

 



 

     

     

        

  

        

  

     

   



 

     

  







 

 

 







 



  

  







 









  

  

 

  

 

 







  

 


"Jet whistle" 24

173

 Fl. 1-2 

Ob. 1-2

Cl. 1-2

Bsn. 1-2

Hn. 1-2

Perc. 2

Hp.

   

 

 

 

  

1.

  

    

     

      

   

    

    

    

    

     

       

 



    

    

     

    

     

 

 

 

 

3

3



 











  6    



     

  

     

  

       



  

      

                  Vln. I div.

                

 Vln. II div.





     



     



     



     

     

  

  

     

       

               

 









  

  

 

3

               

  







 

 

 

 

  

  

3

3

  

     



3

 

3

       

3

 

  6   

 3



3





3

 

 

 







   







 



3

3

 

  



3



a2



3





 

  

3

  

3

3

  

3

  

   





 3

 

 

ff

                                             

Vla. div.

 

  

  

  

   

   

   

 

  

  

  

  

  

  





 Vc. div.

Db.

   



(Hi-Hat)

   

  

           

 

 

  

     

Pno.

  



sfffz

 

    

 

    

B. Tbn.

 

a2

175

   

     

Tbn. 1-2

Perc. 1

   

C Tpt. 1-2

Timp.

    

Hn. 3-4

Tba.

174

 



 

  

 

  

 



 

 

  

 

  

 





            



3





3



  





3









3

3



   





3





  


25

AA

Fl. 1-2

176

 

Ob. 1-2

177

 

 

 

 

  

 

 

 

 

f

        Bsn. 1-2       Hn. 1-2

      p 

Hn. 3-4

   p

2.

 

Perc. 1

Perc. 2

Hp.

 

  

           

    

     mf

   

     

    

    

       

   

    mp

     

    

     

     mf

   

     

     

 

 

 

 

 

 

  

f

 

  

 

  

 

 

  



 

 

 



 

 

 

 

  



 







     

ff

  

 

     

  

   

       



  

 

    

  

     

     



  

  

     

                                   AA

ff

Vln. I div.

               

               

ff

 

ff Vln. II div.

 

f

 

 



 

 

  



 





 



     

Pno.

  

    

  





   

 

(Hi-Hat)

    mp

AA   

  

     

f

Timp.

  

    

f

Tba.

    

f

f

B. Tbn.

  

  

Tbn. 1-2

   

 

 

C Tpt. 1-2

   f

Cl. 1-2

178





ff





 











 









 

 

 



    



    



  

                          

     

  

     

           

               















  

  

      

  

 

  

         

  

   

   

 

 

  

  

     

   

  

  

  

  

  

  

  

  

  



  

  



  

  



  

  







  

      

               

  Vla. div.

       

  

  







     

      

  

         

  

  

f Vc. div.

  

 

f

Db.

 

f

 



 

 

 


"Jet whistle" 26

  

Ob. 1-2

a2

179

 Fl. 1-2  

BB

a2 

sfffz

180



ff

Cl. 1-2

  

a2



Bsn. 1-2

Hn. 1-2

  

 



   



          

    

   

     f

      

f

Hn. 3-4

 

C Tpt. 1-2

  

Tbn. 1-2

B. Tbn.

Tba.

Timp.

Perc. 2

Hp.

  

 

    

 

Db.

   

  

  

     

  

    

     

     

 

    

     

     

  

  



 

  

 

  





f













 

  

  



 

  

 

  













               





               



            



 

     



      





  





 









 

 

3

3

3

3

  

  

  

 

   

  

 

      

  



      

        

 





   

         

 

















             

 

 

     

 

 

 

 

        

         

 

 

               























  



     



     



     



                  

  

    

       

              

   

       

   

     

ff



ff



   

       

  

  



  

  



  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

ff

 



ff







  

                              

ff

  

               

  

              

                                



BB

 

  

     

 

 

      

    

 

gliss.





     

ff

gliss.

 

 

Vc. div.



Xylophone with hard wood mallets

     

   

Vln. II div.

 

 

       

 

Vla. div.



  

 

D C# B / E F# G A



Vln. I div.

  

ff

  

ff

 



  

BB









f

 



     

 

ff

 

                



ff

     ff                  

     

  

     

Pno.

  



     

          

  

ff

  

  





ff

    

        

 

(Hi-Hat) Perc. 1

     





 

              

ff a2

181








Fl. 1-2

  

Ob. 1-2

Cl. 1-2

Bsn. 1-2







183

     



182



   



   



 

       











CC     a2          

 

 

 

   

      

  

     

     

      

Hn. 3-4

    

  

 

  

      

   

     

    

      

  

Tbn. 1-2

B. Tbn.

Tba.

Timp.

Perc. 1

    

  

 

  

    



(Xylophone)

Perc. 2



Hp.

    



  Vln. I div.

 

     

Vc. div.

    

 

 

 

  



 

  

  



  



 

 



 

 

 



 

        

      



   

 

 

      

 

  

        

ff

ff

 

ff







         

        

 

 





ff









    

  

    



 

 

  27





ff

CC

 

               



      

        

       





    

        







 

          

    





      

 

 



 

 

      

  

 

 

       

 

       

 

   

 



 



 



 



  



  



 

 

 

 





        

  

  

    

                   

  

  

  

        

  

  

  

  

  

  

  

  







  

 







     

  

  



  

 

   



  

 

   





  

 



  

  



    

   

 

 

CC

 





              

  

    

     

 

 

 

  

 

 

  

  

  







184

        

 

 



 

ff

     

    

                



     

   

              

  

 

       

 

Vla. div.

 

 

Vln. II div.

Db.



  

    

Pno.

 (Hi-Hat)

 







  







 



 



   

 



             



     

 



   

    

Hn. 1-2

C Tpt. 1-2

ff







 

        

         

 

 

        

       

      

       



     



    

 

    

 

    



                                     

  

                    

           

           

  

                    

           

           

  



 

  

   



 

  

  

 










28

Fl. 1-2

 

Ob. 1-2

             





185

               

    

         



186

 



             





           





187



 

   

          (!)

Cl. 1-2

Bsn. 1-2

Hn. 1-2



B. Tbn.

  





 

 





 

   

    

     



 

Perc. 1

               





(Xylophone)

Perc. 2



Hp.

 

               

  

  

   

 

 

     

 

   

        

 

 

  

 

              







 

    







     

     





 

 

 

 

 





5

 

3

 

 

 

 

 

 

    







     



3



 

     





 

gliss.

  

 

gliss.



 

 

      

    

  

 

 

fff



   

       

                

 

    



 



fff

 

              



     

 

 

              

Vln. I div.

     

     

 

     



 

    

3



 

 

     

3

 

 

   



            



 



3

               

     

 

    

Pno.



               

   

(Hi-Hat)





f

f







 





     

 



    

       

 



     

 





   



   

          

         



 



    

     

 

 

Tbn. 1-2

    

        

 





   



    

C Tpt. 1-2

Timp.

                 



   

Hn. 3-4

Tba.













 

Vln. II div.

  

Vla. div.

Db.



















                                            

   

  

  



   

   Vc. div.



    

  

  

    

  

  

  

    



  

  

  

  

  

  

      

  

  



 



  



 



                   

  

                                            

 

  

  

  

  

  

  

  

  

  

  

 





  

  

  

  

   

  

     

  



  

   





return to normal playing position

return to normal playing position

 

 3

 3



3



 



 


  

DD  Fl. 1-2  



    



fff

Hn. 1-2

fff





   

10

   

 

Cl. 1-2

Bsn. 1-2

    

 

Ob. 1-2

188



10

fff

fff



  



10

   



 

 

  



   

 

 

fff

fff

 

 

  

10

  

 

     



10

   

 



 





  

 



 



  

 



  



 

 



  

  

   

Tbn. 1-2

189

  

  

   

C Tpt. 1-2

      

10

 

29

     

fff

Hn. 3-4

 

fff

 

  

B. Tbn.

fff

Tba.



fff

DD  Timp.  

 

  



 

 

fff

Perc. 1

Tam-Tam

(dampen quickly and fully!)











 

 

 

 

fff

  

Large Bass Drum with hard felt beater

Perc. 2

fff



 

Hp.

gliss.

 

 

Pno.

gliss.

  

  





 

 

arco

 

 

 

 

10

 

       fff

 

10

fff

 

 

10

  

10

   10

 

 

 

 

gliss.











 

 

 





  

fff

  



 

 

  







fff

gliss.



  

 

 

 

 

 

10

 10

 

10

  10

 

 

10

 

 10

  

fff

fff

arco

 10

fff

Vln. II div.

Db.

fff

 

Vc. div.

fff

 

Vla. div.



fff

DD    Vln. I div.



fff







 


30 Fl. 1-2

 



191

  

               

a2



Cl. 1-2

a2

    



Hn. 1-2

Perc. 1

3

 

  

  

  

 

 

 

   

fff

  

   



 q = 76    

  

 

(Tam-Tam)



  

rit.

  



  

 



  

 



3

  





           p

  





fff

p



  



3

  

  

B. Tbn.

 

         

 

fff

Tbn. 1-2

  

p





192

 

C Tpt. 1-2

Timp.

 

Hn. 3-4

Tba.

  



3

10

Bsn. 1-2

 3

10

              

 

 3

10

Ob. 1-2

 q = 76

rit.

190                 









  

 

   

 193  

        





   





   

       

 

   

 

   

 

           

   





 



  

 

   

   

     

f

    

(Large Bass Drum) Perc. 2



Hp.

 

gliss .

Pno.

  Vln. I div.

 

Vln. II div.





gliss .

          

 

    

rit.

*q = 76

 

3     3

     

        

The following figure (at rehearsal mark "EE") may begin anytime during these three previous bars if preferred so that they would be practically inaudible until "EE" but already ongoing.

The following figure (at rehearsal mark "EE") may begin anytime during these three previous bars if preferred so that they would be practically inaudible until "EE" but already ongoing.

*

The following figure (at rehearsal mark "EE") may begin anytime during these three previous bars if preferred so that they would be practically inaudible until "EE" but already ongoing.

fff

 

G - G#

  3          3

   

Snare Drum with snare stick

     

*

       3

The following figure (at rehearsal mark "EE") may begin anytime during these three previous bars if preferred so that they would be practically inaudible until "EE" but already ongoing.

*

      

10

           

  3

10

            

   

 

           

10

fff

 

 

  

     

High Susp. Cym. p with medium yarn mallets

    

           

       

                    

10

            

10

Vla. div.

          

10

 Vc. div.

Db.

  

     

 

 

 p

 p

 p



 



 

    

 

  

    

 

  

    

 

  

   

 

fff

fff

fff









 

  

 

  



 

   

   

   

       


 EE    Fl. 1-2 

ffff

tacet

 

 

ffff

tacet

ffff

tacet

Ob. 1-2

Cl. 1-2

Bsn. 1-2

Hn. 1-2

  ffff  

 

ffff

   ffff     ffff   

Hn. 3-4

C Tpt. 1-2

Tbn. 1-2

ffff

B. Tbn.

Tba.

 

31

tacet

tacet

tacet

tacet

tacet

tacet

ffff

 

tacet

EE ffff    Timp.   tacet Perc. 1

ffff (Tam-Tam)

   

ffff (Snare Drum)

Perc. 2

Hp.



tacet

 

ffff

tacet

ffff

tacet

    

    

Pno.

ffff

  

20-30"

10-13"

10-13"

10-13"

Slow, Freely, each player at own tempo uncoordinated with others, entire figure should last between 10-20" sul pont. (begin each gliss moderately con sord. fast and rit. to end) (poco accento) like a distant flare

EE

 Solo 

tacet

   

gliss.

p

   

pp pp



gliss.

p

When all other violins have stopped, complete the figure (if you are in the midst of it) and then play it one final time by yourself before resting

  

3-8"

 

ppp

Slow, Freely, each player at own tempo uncoordinated with others, entire figure should last between 10-20" sul pont. (begin each gliss moderately con sord. fast and rit. to end) (poco accento) like a distant flare

Vln. I

   

gliss.

p

   

pp pp



gliss.

p

After this cue, complete the figure and then tacet

   ppp

Slow, Freely, each player at own tempo uncoordinated with others, entire figure should last between 10-20" sul pont. (begin each gliss moderately con sord. fast and rit. to end) (poco accento) like a distant flare

gli altri div. a 2

   

gliss.

p

   

pp pp



gliss.

p

After this cue, complete the figure and then tacet

   ppp

Slow, Freely, each player at own tempo uncoordinated with others, entire figure should last between 10-20" sul pont. (begin each gliss moderately con sord. fast and rit. to end) (poco accento) like a distant flare

   

gliss.

p

   

pp pp



gliss.

p

After this cue, complete the figure and then tacet

   ppp

Slow, Freely, each player at own tempo uncoordinated with others, entire figure should last between 10-20"

Vln. II div.

(begin each gliss moderately sul pont. fast and rit. to end) con sord. (poco accento) like a distant flare

Vla. div.

  

 

 

Vc. div.

gliss.

p

pp pp

ffff

tacet

ffff

tacet

    

  



p

gliss.

After this cue, complete the figure and then tacet

   ppp

tacet

ffff

 

tacet

ffff

2 Soli

Db.

gli altri

ffff/ pp

   

ffff

(gli altri: tacet)

(2 Soli)

 

 

 



End only after all others have finished and you are the last instrument still playing.

 

n


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