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Ishita Kulkarni Costume Designer
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Work Samples 2019 --
Hello!
I am Ishita Kulkarni a Costume designer based in Mumbai, India. I enjoy process based work and challenging story telling through garments in form of Films, Theatre, Dance and performances. Apart from costume design, I nurture interest in Sports, Arts & Crafts of India, Theatre, Wildlife, Photography & Travel.
Mauli Directed by Aditya Sarpotdar
Worked as an Assistant costume designer on this project. Predominantly handling the costumes for secondary cast and the entire crowd sequences. Creating authentic sequences from the Vari and adding the rugged rural essence to the crowds was an exciting challenge.
Marathi feature film Project Duration May 2018 - September 2018
Habbadi Directed by Nachiket Samant
I worked as an assistant costume designer on this project. I was majorly responsible for the sourcing and appropriate ageing of the costumes. Getting the right rural essence and portraying through little details on screen was a challenging task at hand. Creating a meagre wardrobe for the protagonist child who came from an underprivileged background was a daunting task.
Marathi feature film Project Duration May 2018 - September 2018
Gulabjaam A marathi Food film Directed by Sachin Kundalkar
Worked as an Assistant costume designer on this project. It was a film based on two polar opposite people who become friends because of their love for cooking and authentic Maharashtrian food. It was fun creating the costumes and highlighting their different approaches to life.
Project Duration February 2017 - June 2017
The Rose & the Nightingale by Oscar Wilde Costume for Live Performance
Performance is a painful visual imagery of Nightingale’s journey of creating the rose. The Nightingale symbolises a passionate artist and his/her process of creating a masterpiece and its aftermath. By the end of the performance you are left questioning the thought behind every artistic creation than the creation itself.
MA Costume Design London College of Fashion Final Project (2015-2016)
Material & Skills incorporated: Plastazote foam Form transformation
The Visit by Friedrich Durrenmatt Costume for Film
The film attempts to map the emotional journey of the lead character Claire, from being a young girl trapped in societal norms to an old bitter revenge seeking lady. Costume creates a bridge between emotional vulnerable state and its physical repercussions on the body.
MA Costume Design London College of Fashion Second unit (2015)
Materials & Skills incorporated: Fibreglass Fortuny pleating Dyeing
Tribes Back to white Street Theatre
Performance was visualised as a chorus of devils, who are viciously looking for weak and fragile souls to trap and drag down to eternal hell but who are also narrating their own story of metamorphosis from angels to demons. The costume strives to extend the body shape through live transformation of the garments and focuses on the expressivity through the face or lack of it.
MA Costume Design London College of Fashion Collaborative Unit (2015)
Materials & Skills incorporated: puff binder (puff painting) mask making
Tragic life and death of Doctor Faustus by Christopher Marlowe Costume for Live Performance
MA Costume Design
Core of this performance lies in parallel established world of Bhopal gas leak of 1984, which highlights the pivotal idea of bureaucratic irresponsibility leading to manmade apocalypse. In above pictures, character is devil, who is the catalyst of death and destruction in form of blast, smoke and acid, encompassing space like smoke and spreading like acid.
Skills incorporated: Dyeing Corsetry
London College of Fashion First unit (2014)
Automobiles Man and his Inventions
This collection is an amalgamation of traditional and modern techniques, to narrate the relationship between Man and his inventions. It reflects on the intricacy and craftsmanship of human inventions and throws light on how their own creations are becoming the reason for their destruction.
B.Sc. Clothing & Textiles (2013) M.S. University, Baroda
Skills incorporated: Cutwork Machine embroidery Wire work & Corsetry Stencil & Screen printing
deep traditional values in clothing. But at the same time dupatta being of synthetic material, extensive use Kutchleft me of machine embroidery in their garments Extra weft peacock pattern & Documentation confused and fumbling forResearch the reasons that why so..?
in progress.
Land of Crafts
B.Sc. Clothing & Textiles (2013) M.S. University, Baroda
Documentation Kutch: Land Of Crafts
Kutch is the melting pot of several tribes andcraft their artistic creations, which createsHere a Skillsto incorporated: huj I dropped by Bhujodi, which seemed to be the bubbling capital of Kutch. I got see all the unique platform for artisans. Research & Documentation My endeavour to further these crafts broadened my vision fromin merely Photography in the craft center. But Ajrakh what fascinated me moststudy was the weavers weaving theperceiving front courtyard of their house. in process. them as pieces of art to a lineage of tradition, culture and intricate storytelling. n indispensable furniture of their homes. Here not only I got to see the weavers in action weaving shawls, but
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arkali
Poshak Ghaghara & Choli
A trendy collection of unique ensembles Angarakha
B.Sc. Clothing & Textiles (2012) M.S. University, Baroda
Kalidar kurta
to this from ensemble by taking very of a different of colors Use and of block printed pired the dance festival Gujaratpallet i.e. Navratri. fabrics in the of laces oncostumes the bottom of This ensemble is anform inspiration from of Marathas and Mughals who were the warrior tribes from India. Poshak a of experimental afor result oftheseamless of the Skills incorporated: inspiration this garment was costumes. toblending mix traditional clothing ofwoven two completely different region and yet make It collection isadouble breasted pattern kalis below the bustwhich which isisinspired from Mughal Whereas intricate )and few mirrors on the flare of the skirt to add some bling, as it will is have beautiful effect whenwith worn atensembles, nightDesign under hailing from Gujarat and left the back open. A pop of color by Indian crafts, lace istextiles, taken from a sari which is traditionally Maharshtrian alongindian with pearl jewelry. and time periods. garment styles hailingthem from different regions Designing and Styling look as one. e dance festival. d hems of the dress. The cut and silhouette Kalidar Kurta comes from Lucknow, Uttarembroidery Pradesh. And the intricate hand painting on The aconcepts of recycling and Enhances up cycling are adopted to impartcalled sustainability to these Hand hwhich a plain golden blouse which is finished with princess line. And beautiful Bandhani dupatta. the is traditionally Mughal. the yoke called Madhubani comes from Madhya Pradesh state of India.painting contemporary garments. Hand
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Prints & Impressions Traditional techniques Modern interpretations
These are few selected samples created by using traditional techniques of resist dyeing to impart visual texture. Experimented by resisting the fabric by using different objects and dyeing it multiple times to create textures which are unique and difficult to replicate. (Green print is created by using a pencil, whereas yellow and orange marble texture is obtained by resisting fabrics of different densities.)
B.Sc. Clothing & Textiles (2012) M.S. University, Baroda
Skills incorporated: Shibori Batik Tie and Dye
Embroidery Threads Of Communication Hand embroidery
Kashidakari, Kashmir
(Top) Jardozi ,(Bottom) Phulkari,Punjab
Embroideries of India are beautiful pieces of art, but also carriers of history, mythological stories, traditions and culture. Understanding the making process of embroideries gave an in-depth knowledge of geographical influences and their functionality. Above are some samples made during study period.
B.Sc. Clothing & Textiles (2011) M.S. University, Baroda
Kantha,West Bengal
Skills incorporated: Hand embroidery
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Fashion Illustration
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Further by using different mediums of colours it helps in imparting the physical texture of fabric and taking design closer to the visual image.
B.Sc. Clothing & Textiles (2011) M.S. University, Baroda
Skills incorporated: Pencil colour Rendering, colour mediums Photoshop
Photography
Photography is my hobby but also a crucial skill set which assists me in research, documenting work, framing and visualisation.
Thank you
Ishita Kulkarni
kulkarniishita891@gmail.com +91 9867272897