Streetcar
Williams
found
images and rhythms that are still part of the way we think and feel and move...In this play as in no other, williams was able to do his particular
thing,
to
take
the
Stanley [with heaven-splitting violence]:
fragments of his divided self and turn them into the dratis personae of an ideal conflict.”
– Jack Kroll, Newsweek (1973)
STELLL LAAAHH HHHHH!
[The low-tone clarinet moans. The door upstairs opens again. Stella slips down the rickety stairs in her robe. Her eyes are glistening with tears and her hair loose about her
STELLL LLLLLLLLL
streetcar named desire | tennessee williams
“In
LLLLLLLLLLLL
LAAAH
ELLL AAHH HHHHHHHHH HHH!STELLAAAHHHHHHHHHHH! throat and shoulders. They stare at each other. Then they come together with low, animal moans. He falls to his knees on the steps and presses his face to her belly,
curving a little with maternity. Her eyes go blind with tenderness as she catches his head and raises him level with her. He snatches the screen door open and lifts her off her fat and bears her into the dark flat.]
STELLL LAAAHH HHHHH!
STELLL LAAAHH HHHHH!
streetcar named desire | tennessee williams
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.