Bodoni Book

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BODONI


Contents Contents

Introduction Introduction 介紹介紹 Background Background 背景背景 Characteristic Characteristic 待牲待牲 Applications Applications 應用應用

目錄 目錄

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BODONI 1798 B

odoni, referred to as a Modern typeface, was designed by the Italian typographer Giambattista Bodoni. At the end of the eighteenth century, a fashion grew for typefaces with stronger contrast between thicks and thins, unbracketed serifs, and a strong vertical stress. Bodoni,被稱為現代字體,是由意大利印刷 商的Giambattista Bodoni 設計。在十八世 紀末,一個時尚的增長與字體和厚變薄,括號 的襯線,具有較強的垂直應力之間的對比度更 強。


上面的圖片是在薩盧 佐,Bodoni的家鄉一條 小街上。

Giambattista Bodoni has been called “the king of typographers and the typographer of kings.” Internationally known and respected in his own time, this Italian type founder, designer, and printer was one of those rare people whose life seems to run according to plan. He was also one of the few people Giambattista Bodoni被稱為“排印的國王和 國王的印刷工人。”國際知名和尊重他自己的 時間,這種意大利式的創始人,設計師,和打 印機是那些罕見的人,他們的生活似乎按計劃 運行中的一個。他也是少數人在排版之一。

The old printing press in the 18th century 在18世紀的舊印刷機。


背景 Background Background 背景

Bodoni Bodoni has has become become the standard the standard by which by which all other all other Modern Modern typestyles typestyles are are judged. judged. LikeLike most most typefaces typefaces originally originally designed designed for forletterpress letterpressprinting, printing,Bodoni’s Bodoni’s design design traits traits are are directly directly attributable attributable to technological to technological advancements advancements of the of the time. time. Paper Paper stock, stock, which which hadhad previously previously been been quite quite coarse coarse andand which which forced forced typetype designs designs to be to be somewhat somewhat heavy heavy andand monotone monotone in design, in design, hadhad improved improved markedly markedly in in the the 1700s. 1700s. In In addition, addition, copperplate copperplate engraving engraving became became a popular a popular printing printing method. method. ThisThis encouraged encouraged typetype designs designs thatthat were were imitative imitative of the of the �ine�ine lineslines the the engraver’s engraver’s burin burin could could create. create.

Bodoni Bodoni 已經成為所有其他現代 已經成為所有其他現代 typestyles typestyles 被 被 判斷的標準。最喜歡的字體最初設計用於凸版 判斷的標準。最喜歡的字體最初設計用於凸版 Bodoni Bodoni 的設計特點是可直接歸屬於該 的設計特點是可直接歸屬於該 印刷, 印刷, 時間的技術進步。紙股票,這以前一直很粗, 時間的技術進步。紙股票,這以前一直很粗, 這迫使型設計是有些沉重和單調的設計,曾在 這迫使型設計是有些沉重和單調的設計,曾在 1700年顯著提高。此外,銅版雕刻成為一個受 1700年顯著提高。此外,銅版雕刻成為一個受 歡迎的印刷方法。這種鼓勵式的設計,是模仿 歡迎的印刷方法。這種鼓勵式的設計,是模仿 的細紋雕刻的刻刀可以創造的。 的細紋雕刻的刻刀可以創造的。 Bodoni Bodoni 的設的設 計特點是可直接歸屬於該時間的技術進步。紙 計特點是可直接歸屬於該時間的技術進步。紙 股票,這以前一直很粗,這迫使型設計是有些 股票,這以前一直很粗,這迫使型設計是有些 沉重和單調的設計,曾在1700年顯著提高。此 沉重和單調的設計,曾在1700年顯著提高。此 外,銅版雕刻成為一個受歡迎的印刷方法。這 外,銅版雕刻成為一個受歡迎的印刷方法。這 種鼓勵式的設計,是模仿的細紋雕刻的刻刀可 種鼓勵式的設計,是模仿的細紋雕刻的刻刀可 以創造的。 以創造的。


Baskerville Baskerville is classi�ied is classi�ied as a as transitional a transitional type- typeface, positioned face, positioned between between the old the style old typefaces style typefaces of of Caslon, Caslon, and the andmodern the modern stylesstyles of Bodoni of Bodoni & Didot. & Didot.

8被歸類為一個過渡性的 8被歸類為一個過渡性的 字體,定位 字體,定位 Caslon Caslon 的老式的老式 字體之間,與現代風格的 字體之間,與現代風格的 Bodoni Bodoni &菲爾曼狄多的。 &菲爾曼狄多的。

in the in the typography. typography. In 1776, In 1776, Bodoni Bodoni left left Rome Rome to visit to visit En- England, gland, presumably presumably to meet to meet JohnJohn BaskerBaskerville,ville, a man a man whose whose work work Bodoni Bodoni greatly greatly admired. admired. But But Bodoni Bodoni never never crossed crossed the the English English Channel. Channel. His His triptrip waswas delayed delayed by illness. by illness. Then, Then, while while he was he was recuperatrecuperating,ing, the the Duke Duke of Parma of Parma persuaded persuaded himhim to to manage manage the the ducal ducal printing printing house. house. It was It was herehere thatthat Bodoni Bodoni earned earned the the reputation reputation of being of being the the greatest greatest printer printer of his of time. his time. 年,年, Bodoni Bodoni 離開羅馬前往英國,大概 離開羅馬前往英國,大概 1776 1776 是為了滿足約翰·巴斯克維爾,一個人的工作 是為了滿足約翰·巴斯克維爾,一個人的工作 Bodoni Bodoni 從來沒有越過英吉 從來沒有越過英吉 Bodoni非常欽佩。但 Bodoni非常欽佩。但 利海峽。他的行程被推遲了疾病。於是,他一 利海峽。他的行程被推遲了疾病。於是,他一 邊休養,帕爾馬公爵說服他來管理公爵的印經 邊休養,帕爾馬公爵說服他來管理公爵的印經 Bodoni Bodoni 贏得了作為他那個時 贏得了作為他那個時 院。正是在這裡, 院。正是在這裡, 代最偉大的打印機的口碑。 代最偉大的打印機的口碑。

Giambattista Giambattista had been had working been working in church. in church. 詹巴蒂斯塔一直工作在教堂裡。 詹巴蒂斯塔一直工作在教堂裡。


Characteristic

特性

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz Bodoni Regular

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz Bodoni Italic

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz

Bodoni Bold

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JJ J c c O It is characterized by: - extreme contrast in weight - unbracketed hairline serifs - small x-height - vertical stress

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雖然不是很可讀的小尺寸,波多尼帶來 了一個驚人的視覺質量的文本。它是在 更大的PT用得較多。大小。這還需要更 為慷慨的間距比大多數類型的,即使在 較大的尺寸。

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它的特點是: ﹣ 重量極端對比 ﹣ 括號的發際線襯線 ﹣ 較小的X高度 ﹣ 垂直應力

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While not very readable in small sizes, Bodoni lends a striking visual quality to text. It is used more in bigger pt. size. It also requires more generous spacing than most types, even in larger sizes.


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TheThe uppercase uppercase G has G has a small a small spur,spur, which which is a is very a very distinct distinct feature feature of this of this font.font. 大寫G有一個小的骨刺,這是該字體的一個非常 大寫G有一個小的骨刺,這是該字體的一個非常 鮮明的特點。 鮮明的特點。

TheThe bowl bowl in the in the upper upper casecase J is Jvery is very pe- peculiar. culiar. When When compared compared withwith Didot, Didot, we we see see thatthat the the bowl bowl of the of the J goes J goes below below the the baseline. baseline. 碗在大寫J是非常奇特的。當與狄多比較,我們 碗在大寫J是非常奇特的。當與狄多比較,我們 可以看到,碗的J去基線以下。 可以看到,碗的J去基線以下。


TheThe uppercase uppercase W has W has veryvery characteristic characteristic serif. serif. TheThe centre centre barsbars of W of cross W cross eacheach other other on the on the top.top. OneOne can can easily easily identify identify Bodoni Bodoni withwith thisthis feaure. feaure.

大寫的W具有非常有特點的襯線。 大寫的W具有非常有特點的襯線。 W的中心桿 W的中心桿 相互交叉的頂部。人們可以很容易識別波多尼 相互交叉的頂部。人們可以很容易識別波多尼 這個特色。 這個特色。


R

RR

Baskerville

The leg of Bodoni’s R draws its inspiration from that of Didot. Bodoni的R的腿從Didot獲得靈感。

Bodoni

Unlike Baskerville, which has a more straight leg, Bodoni’s R curves downward vertically. Unlike Didot, the leg also lines up with the bowl more closely.

不像Baskerville,其中有一個更直腿,Bodoni的R的關係曲線垂直向下。不像Didot,腿部 線條也與碗更加緊密。

Didot


Main characteristic of Bodoni is the large contrast of the thickness of its strokes. Bodoni exaggerates Baskerville’s thick and thin strokes even further. Bodoni的主要特點是它的衝程的厚度大的反 差。Bodoni誇大巴斯克維爾的厚與薄中風甚至 進一步。

Exaggerated terminals

誇張的終端

Obcp Large contrast in thickness of strokes 反差大的厚度

Relatively long ascenders; slightly short 比較長伸;略短的下伸


Applications Applications

應用 應用




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