Los Angeles Art Show 2005

For additional information, contact K.R. Martindale Show Management at 310.822.9145 www.laartshow.com

List of Participating Galleries

Participating Museums

The Ames Gallery The Anderson Galleries, LLC Bobbie Greenfield Gallery Cernuda Arte Cline Fine Art David Cook Fine Art De Ru’s Fine Arts Denenberg Fine Arts Douglas Frazer Fine Art Gallery Eckert Fine Art Elins Eagles-Smith Gallery Forum Gallery Galerie Michael Galerie Rienzo Gallery C George Stern Fine Arts Gerald Peters Gallery The Greenwich Gallery, LLC Guarisco Gallery Hayden & Fandetta Rare Books Herbert Palmer Gallery Ikon Ltd. Fine Art Jack Rutberg Fine Arts Jonathan Novak Contemporary Art Jörg Maass Kunsthandel Kelley Gallery Lawrence J. Cantor & Company Louis Stern Fine Arts Mark Sublette Medicine Man Gallery Marsha Child Contemporary Mitchell Brown Fine Art Montgomery Gallery, LLC Morseburg Gallery Nedra Matteucci Galleries Pan American Art Gallery Papillon Gallery The Redfern Gallery Rehs Galleries, Inc. Richard Norton Gallery Robert Henry Adams Fine Art, Inc. Roughton Galleries Schiller & Bodo European Paintings Skot Foreman Fine Art Spanierman Gallery, LLC Sullivan Goss An American Gallery Tasende Gallery Thomas McCormick Gallery Thomas Nygard Gallery Timothy Yarger Fine Art Trigg Ison Fine Art, Inc. Trotter Galleries Vallejo Gallery Walker Fine Art William A. Karges Fine Art

Autry National Center Irvine Museum LACMA MOCA Museum of Latin American Art San Diego Museum of Art

October 14–17, 2004 Presented by the Fine Art Dealers Association, Benefiting the Art Museum Council of LACMA

Los Angeles Art Show 2004 Sponsors

Allegria American Art Review Anheuser Busch Architectural Digest Art & Antiques Art Forum Art in America Art Nexus Art Now Gallery Guide Art Scene Art Talk Artnet.com Arte al Dia ASID Designer Selections Askart.com Bodyography Bravo Cucina CandleDelirium Citrine Coca-Cola Company Cooke’s Crating Donald J. Pliner E. & J. Gallo Winery Evian Ferrari Maserati Beverly Hills Fireman’s Fund Insurance Company FredaLA.com Frederick R. Weisman Art Foundation HintMint Hotel Casa Del Mar Hotel Oceana I. Cugini It’s A Wrap Jenn-Air JetBlue Airways Jim Waterbury Gallery John and Pete’s Fine Wines and Spirits Kelly Paper Kevin Aucoin Beauty KKJZ fm 88.1/ KUOR 89.1 K-Mozart

L.A. Press LA International L.A. Packing LA.com Le Merigot Hotel Locanda Del Lago Los Angeles Dodgers Los Angeles Master Planner LU Bisquits Maria’s Italian Kitchen Mark’s Garden Michael Stars Millennium Hotels and Resorts Napa Valley Grille Ocean Avenue Seafood Pacific Design Center Pane e Vino Plein Air Magazine POM Wonderful RéVive Robb Report Shutters on the Beach Southwest Art Magazine Starbucks Stolichnaya Vodka Tadashi Shoji & Associates Taschen The Art Newspaper The Catalog of Antiques and Fine Art The Hartford The International Guide The Magazine Antiques Tra di noi Travelers Life & Annuity Venice Magazine

Los Angeles Art Show 2004 Welcome

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The Los Angeles Art Show, celebrating its tenth year, is considered one of the most prestigious annual expositions in the United States. This year’s show will include an equal representation of Modern/Contemporary and Classical art, with something for everyone—from the beginner to the most advanced collector. More than 3,200 significant paintings, sculptures, drawings and prints will be offered for sale, all vetted for provenance and authenticity through the show’s organizer, the Fine Art Dealers Association.

Opening Night Gala Thursday, October 14, 2004 Patron Donor Reception from 6 to 7pm Gala from 7 to 10pm Benefiting the Art Museum Council of LACMA General Show Hours Friday, October 15, 2004, noon to 8pm Saturday, October 16, 2004, noon to 7pm Sunday, October 17, 2004, noon to 6pm For information, please visit www.laartshow.com or call K.R. Martindale Show Management at 310.822.9145

Los Angeles Art Show 2004 Barker Hangar Floor Plan

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Los Angeles Art Show 2004 Table of Contents

Table of Contents

Page

Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Booth Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 The Anderson Galleries, LLC . . . . . . . . . . . . . . . 6 The Ames Gallery . . . . . . . . . . . . . . . . . . . . . . . 8 Bobbie Greenfield Gallery . . . . . . . . . . . . . . . . . 9 Cernuda Arte . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Cline Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . . 12 David Cook Fine Art . . . . . . . . . . . . . . . . . . . . 14 De Ru’s Fine Arts . . . . . . . . . . . . . . . . . . . . . . 16 Denenberg Fine Arts . . . . . . . . . . . . . . . . . . . . 18 Douglas Frazer Fine Art Gallery . . . . . . . . . . . . 20 Eckert Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . 22 Elins Eagles-Smith Gallery . . . . . . . . . . . . . . . 24 Forum Gallery . . . . . . . . . . . . . . . . . . . . . . . . . 26 Galerie Michael . . . . . . . . . . . . . . . . . . . . . . . . 28 Galerie Rienzo . . . . . . . . . . . . . . . . . . . . . . . . . 30 George Stern Fine Arts . . . . . . . . . . . . . . . . . . 32 Gallery C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Gerald Peters Gallery . . . . . . . . . . . . . . . . . . . 35 The Greenwich Gallery, LLC. . . . . . . . . . . . . . . 36 Guarisco Gallery . . . . . . . . . . . . . . . . . . . . . . . 38 Hayden & Fandetta Rare Books . . . . . . . . . . . 40 Herbert Palmer Gallery . . . . . . . . . . . . . . . . . . 42 Ikon Ltd. Fine Art . . . . . . . . . . . . . . . . . . . . . . . 44 Jack Rutberg Fine Arts . . . . . . . . . . . . . . . . . . . 46 Jörg Maass Kunsthandel . . . . . . . . . . . . . . . . . 47 Jonathan Novak Contemporary Art . . . . . . . . . 48 Kelley Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Lawerence J. Cantor & Company . . . . . . . . . . 52 Pan American Gallery . . . . . . . . . . . . . . . . . . . 53 Louis Stern Fine Arts . . . . . . . . . . . . . . . . . . . . 54 Mark Sublette, Medicine Man Gallery . . . . . . . 56 Marsha Child Contemporary . . . . . . . . . . . . . . 58 Mitchell Brown Fine Art . . . . . . . . . . . . . . . . . . 60 Montgomery Gallery, LLC . . . . . . . . . . . . . . . . 62 Morseburg Gallery . . . . . . . . . . . . . . . . . . . . . . 64 Nedra Matteucci Galleries . . . . . . . . . . . . . . . . 66 Papillon Gallery . . . . . . . . . . . . . . . . . . . . . . . . 68 The Redfern Gallery . . . . . . . . . . . . . . . . . . . . 70 Rehs Galleries, Inc. . . . . . . . . . . . . . . . . . . . . . 72 Richard Norton Gallery . . . . . . . . . . . . . . . . . . 73 Robert Henry Adams Fine Art, Inc. . . . . . . . . . 74 Roughton Galleries, Inc. . . . . . . . . . . . . . . . . . 76 Schiller & Bodo European Paintings . . . . . . . . 78 Skot Foreman Fine Art . . . . . . . . . . . . . . . . . . 79 Spanierman Gallery, LLC . . . . . . . . . . . . . . . . . 80 Sullivan Goss An American Gallery . . . . . . . . . 82 Tasende Gallery . . . . . . . . . . . . . . . . . . . . . . . . 84 Thomas McCormick Gallery . . . . . . . . . . . . . . 86 Thomas Nygard Gallery . . . . . . . . . . . . . . . . . . 88 Timothy Yarger Fine Art . . . . . . . . . . . . . . . . . . 90 Trigg Ison Fine Art, Inc. . . . . . . . . . . . . . . . . . . 92 Trotter Galleries . . . . . . . . . . . . . . . . . . . . . . . . 94 Vallejo Gallery . . . . . . . . . . . . . . . . . . . . . . . . . 96 William A. Karges Fine Art . . . . . . . . . . . . . . . . 98 Walker Fine Art . . . . . . . . . . . . . . . . . . . . . . . 100

Artist Index . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 Fine Art Dealers Association Statement . . . . 102 President’s Letter . . . . . . . . . . . . . . . . . . . . . . 103 LACMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Art Museum Council . . . . . . . . . . . . . . . . . . . . 108 Museum Letters . . . . . . . . . . . . . . . . . . . . . . . 112 Endorsement Letters . . . . . . . . . . . . . . . . . . . 116 Official Letters . . . . . . . . . . . . . . . . . . . . . . . . 121 Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 Symposiums . . . . . . . . . . . . . . . . . . . . . . . . . 126 Selected Brewery Artists . . . . . . . . . . . . . . . . 128 Vignettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Articles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 K.R. Martindale Show Management . . . . . . . 137 Supporters . . . . . . . . . . . . . . . . . . . . . . . . . . . 138 Opening Gala Patron Donors . . . . . . . . . . . . 210

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Los Angeles Art Show 2004 Booth Index

List of Participating Galleries

Booth

The Ames Gallery . . . . . . . . . . . . . . . . . . . . . . B19 The Anderson Galleries, LLC . . . . . . . . . . . . . C38 Bobbie Greenfield Gallery . . . . . . . . . . . . . . . B30 Cernuda Arte . . . . . . . . . . . . . . . . . . . . . . . . . B21 Cline Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . B22 David Cook Fine Art . . . . . . . . . . . . . . . . . . . . A15 De Ru’s Fine Arts . . . . . . . . . . . . . . . . . . . . . . C45 Denenberg Fine Arts . . . . . . . . . . . . . . . . . . . C39 Douglas Frazer Fine Art Gallery . . . . . . . . . . . C44 Eckert Fine Art . . . . . . . . . . . . . . . . . . . . . . . . B23 Elins Eagles-Smith Gallery . . . . . . . . . . . . . . . D60 Forum Gallery . . . . . . . . . . . . . . . . . . . . . . . . B33 Galerie Michael . . . . . . . . . . . . . . . . . . . . . . . . A6 Galerie Rienzo . . . . . . . . . . . . . . . . . . . . . . . . A14 Gallery C . . . . . . . . . . . . . . . . . . . . . . . . . . . . D56 George Stern Fine Arts . . . . . . . . . . . . . . . . . B32 Gerald Peters Gallery . . . . . . . . . . . . . . . . . . . B25 The Greenwich Gallery, LLC . . . . . . . . . . . . . . A7 Guarisco Gallery . . . . . . . . . . . . . . . . . . . . . . . . A8 Hayden & Fandetta Rare Books . . . . . . . . . . . B17 Herbert Palmer Gallery . . . . . . . . . . . . . . . . . D51 Ikon Ltd. Fine Art . . . . . . . . . . . . . . . . . . . . . . D54 Jack Rutberg Fine Arts . . . . . . . . . . . . . . . . . . . A1 Jonathan Novak Contemporary Art . . . . . . . . C34 Jörg Maass Kunsthandel . . . . . . . . . . . . . . . . C33 Kelley Gallery . . . . . . . . . . . . . . . . . . . . . . . . . D50 Lawrence J. Cantor & Company . . . . . . . . . . . A16 Louis Stern Fine Arts . . . . . . . . . . . . . . . . . . . D62 Mark Sublette Medicine Man Gallery . . . . . . . B20 Marsha Child Contemporary . . . . . . . . . . . . . D58 Mitchell Brown Fine Art . . . . . . . . . . . . . . . . . . A12 Montgomery Gallery, LLC . . . . . . . . . . . . . . . . D57 Morseburg Gallery . . . . . . . . . . . . . . . . . . . . . D48 Nedra Matteucci Galleries . . . . . . . . . . . . . . . D63 Pan American Art Gallery . . . . . . . . . . . . . . . . C41 Papillon Gallery . . . . . . . . . . . . . . . . . . . . . . . A18 The Redfern Gallery . . . . . . . . . . . . . . . . . . . . . A9 Rehs Galleries, Inc. . . . . . . . . . . . . . . . . . . . . B26 Richard Norton Gallery . . . . . . . . . . . . . . . . . . C40 Robert Henry Adams Fine Art, Inc. . . . . . . . . . C36 Roughton Galleries, Inc. . . . . . . . . . . . . . . . . . A10 Schiller & Bodo European Paintings . . . . . . . D46 Skot Foreman Fine Art . . . . . . . . . . . . . . . . . . D55 Spanierman Gallery, LLC . . . . . . . . . . . . . A2 & A4 Sullivan Goss An American Gallery . . . . . . . . D55 Tasende Gallery . . . . . . . . . . . . . . . . . . . . . . . C35 Thomas McCormick Gallery . . . . . . . . . . . . . . B28 Thomas Nygard Gallery . . . . . . . . . . . . . . . . . B24 Timothy Yarger Fine Art . . . . . . . . . . . . . . . . . D52 Trigg Ison Fine Art, Inc. . . . . . . . . . . . . . . . . . D49 Trotter Galleries . . . . . . . . . . . . . . . . . . . . . . . A11 Vallejo Gallery . . . . . . . . . . . . . . . . . . . . . . . . . A5 Walker Fine Art . . . . . . . . . . . . . . . . . . . . . . . D53 William A. Karges Fine Art . . . . . . . . . . . . . . . . A3

Participating Museums Autry National Center . . . . . . . . . . . . . . . . . . . 112 Irvine Museum . . . . . . . . . . . . . . . . . . . . . . 108 LACMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 MOCA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Museum of Latin American Art . . . . . . . . . . . . 110 San Diego Museum of Art . . . . . . . . . . . . . . . . 109

Packing & Shipping General Show LA Packing . . . . . . . . . . . . . . . . . . . . . . . 209–210

Publications Art In America . . . . . . . . . . . . . . . . . . . . . . . . .

ArtNexus . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Art Now . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Arte al Dia . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Plein Air Magazine . . . . . . . . . . . . . . . . . . . . .

The Art Newspaper . . . . . . . . . . . . . . . . . . . . .

The International Guide . . . . . . . . . . . . . . . . .

133 132 131 130 128 126 125

Restaurants General Show Restaurant and Bar (Fri–Sun) Locanda Del Lago . . . . . . . . . . . . . . . . . 200–203

Symposiums Free with event admission.

Located in the front tent.

Other Participants AMC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 ArtCat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134 Artwork offered under 5,000 . . . . . . . . . . . . . . 211 Bel-Air Hong Kong . . . . . . . . . . . . . . . . . . . . . 122 Brewery Exhibit . . . . . . . . . . . . . . . . . . . . . . . . 220 FADA.com . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Gift Bags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Jenn-Air . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200 JetBlue Airways . . . . . . . . . . . . . . . . . . . . . . . 129 KKJZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 Patrons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138 Press . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139 Restaurants & Bar . . . . . . . . . . 116–118, 200–210 Tadashi Shoji & Associates . . . . . . . . . . . . . . . 123 Thomas Pratt . . . . . . . . . . . . . . . . . . . . . . . . . 107 Venice Art Walk . . . . . . . . . . . . . . . . . . . . . . . 124 Vignettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

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The Anderson Galleries, LLC

Booth C38

The Anderson Galleries, LLC is dedicated

The Anderson Galleries is located at

to showing museum quality 19th and 20th

354 N. Bedford Drive in the heart of

paintings by historically signifigant Euro-

Beverly Hills. We are next door to

pean artists. Outstanding Impressionist,

Sotheby’s auction house and only two

Post-impressionist, Barbizon School,

blocks west of Rodeo Drive. The Regent

Salon, Academic and Genre works are

Beverly Wilshire, Beverly Hilton and

shown throughout the year.

Peninsula Hotels are minutes away.

Gallery hours: 10:00 AM to 6:00 PM, Mon–Sat.

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Los Angeles Art Show 2004

Participating Gallery

p7

Artists: William Bouguereau Charles Camoin Camille Corot Henri Lebasque Henri Le Sidaner Gaston La Touche Daniel Ridgway Knight Gustave Loiseau Maximilien Luce Henri Martin Claude Monet Henri Moret Pierre Auguste Renoir Alfred Sisley Louis Valtat

Left:

Center:

Right:

Gaston La Touche (French, 1854–1913)

Gustave Loiseau (French, 1865–1935)

William Bouguereau (French, 1825–1905)

Les Jumeaux (The Twin Sisters), 1890

Le clos de M. Janson, Le Vaudreuil, Eure, c. 1925

Le Goûter (The Snack), 1895, Oil on canvas,

Oil on panel, 30 x 31 inches (37 x 38 inches framed)

Oil on canvas, 19 x 24 inches (28 x 32 inches framed)

45 x 27 5/8 inches (53 x 35 inches framed),

Signed and dated lower left: Gaston La Touche 90

Signed lower right: G. Loiseau

Signed and dated lower right: W-Bouguereau 1895

The Ames Gallery

Booth B19

Works by contemporary, visionary,

2661 Cedar Street

self-taught and outsider artists including

Berkeley, CA 94708

Eddie Arning, Jim Bauer, Dorothy Binger,

T: 510.845.4949

Jack Fitch, Julio Garcia, Wilbert Griffith,

F: 510.845.6219

Harry Lieberman, Dwight Mackintosh,

E: info@amesgallery.com

Alex Maldonado, A.G. Rizzoli, Jon Serl,

www.amesgallery.com

Barry Simons, Donald Walker, and others.

Staff: Bonnie Grossman, Director

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Early handmade Americana including carved canes, tramp art, quilts and whimseys.

Ned Young Chinese Juggler, c. 1915 Wood (root) carving, 12 x 8 x 3 inches

Bobbie Greenfield Gallery

Booth B30

p9

The Bobbie Greenfield Gallery has been a

Warhol Foundation and The Louise

Bergamot Station

dealer of contemporary art in Los Angeles

Nevelson Estate. Our inventory also

2525 Michigan Avenue, B6

for the past 29 years. The gallery special-

features works by Charles Arnoldi,

Santa Monica, CA 90404

izes in works on paper, both drawings and

Guy Dill, Jim Dine, Sam Francis, Helen

T: 310.264.0640

prints, by American Masters of the 1960’s

Frankenthaler, David Hockney, Ellsworth

F: 310.264.0740

through the present. We work with The

Kelly, Roy Lichtenstein, Ed Ruscha and

E: art@bggart.com

Robert Motherwell Estate, The Andy

Frank Stella.

Robert Motherwell Three Figures, 1989 Lithograph , 55 1/2 x 40 inches, Edition of 80 Š Dedalus Foundation, Inc / Licensed by VAGA, NY

Cernuda Arte

Booth B21

Cernuda Arte specializes in Cuban art

3155 Ponce de Le贸n Boulevard

from the Colonial, Early Republic,

Coral Gables, FL 33134-6825

Vanguardia, Modern masters, and

T: 305.461.1050

contemporary artists of exceptional talent.

F: 305.461.1063

The gallery, directed by Ram贸n Cernuda

E: rcernuda@bellsouth.net

who is considered the foremost authority

www.cernudaarte.com

in the U.S. in this field, provides a wide

Staff: Ram贸n Cernuda, Director;

range of services including consultation,

Nercys Ganem, Vice Director;

appraisal, consignment, sales and pur-

Julie Marie Fuller, Gallery Manager;

chases of artworks. We offer our clients

Luisa Lignarolo, Assistant Manager

the accumulation of our knowledge and experience backed by our integrity and honesty.

p 10

Los Angeles Art Show 2004

Participating Gallery

p 11

Artists: Demi Humberto Castro Sandro de la Rosa Miguel Florido Flora Fong Ismael Gómez Peralta Vicente Hernández Wifredo Lam Manuel Mendive Amelia Peláez René Portocarrero Tomás Sánchez Alfredo Sosabravo Ania Toledo Ramón Vázquez

Left:

Center:

Right:

Leopoldo Romañach (1862–1951),

Ramón Vázquez (1972),

Wifredo Lam (1902–1982),

Mujer Desnuda, ca. 1930, oil on canvas, 19 x 27 inches

El Tour de Force, 2004, oil on canvas, 39 X 31 inches

Mujer en Azul, ca. 1950, oil on canvas, 37 x 28 inches

Cline Fine Art

Booth B22

p 12

Cline Fine Art specializes in art from the

135 West Palace Avenue

4200 North Marshall Way

Americas, with a focus on twentieth

Santa Fe, NM 87501

Scottsdale, AZ 85251

century modernism and a selection of

T: 505.982.5328

T: 480.941.1811

accomplished contemporary artists.

F: 505.982.4762

F: 480.941.1812

From abstraction to the narrative, the

E: info@clinefineart.com

gallery presents curated exhibitions for

www.clinefineart.com

experienced and emerging collectors in

Staff: Geoff Cline; Kristen Cline;

a variety of media, including painting,

John Addison

works on paper and sculpture.

Los Angeles Art Show 2004

Participating Gallery

p 13

Artists: Garo Antreasian Milton Avery Valerie Beller Oscar Bluemner Philip Curtis Arthur Dove Phillis Ideal Elaine de Kooning Robert Longhurst Jim Magee Joseph Stella Beth Ames Swartz Trini Karl Umlauf Melissa Zink

Left:

Top:

William Lumpkins (1909–2000)

John Marin (1870–1953)

Bottom:

Untitled #38, 1986,

Vermont Country – Autumn, 1927,

Flo Perkins (b.1951)

Acrylic on paper, 45 x 45 inches,

Watercolor on paper, 14 x 17 inches,

Pintimidation, 2004,

Signed and dated lower right

Signed and dated lower right

Blown glass and wood, 14 x 20 x 20 inches

David Cook Fine Art

Booth A15

p 14

The gallery specializes in quality American

1637 Wazee Street

Staff: David Cook, Owner;

paintings, drawings, and prints from the

Denver, CO 80202

Linda Cook, Norm Anderson,

late 19th to the mid 20th centuries.

T: 303.623.8181

Carrie Wassemiller, Ashley Walter

An emphasis is placed on regional, tradi-

F: 303.623.4817

tional, modern and abstract works from

E: info@davidcookgalleries.com

Colorado, New Mexico, and California.

www.davidcookfineart.com

Los Angeles Art Show 2004

Participating Gallery

p 15

Artists: Charles Partridge Adams Kenneth Miller Adams Josef Bakos Maurice Braun Charles Ragland Bunnell John Fabian Carlson Andrew Dasburg Fremont Ellis Carl Lindin Walter Mruk Edgar Alwin Payne Boardman Robinson (Sven) Birger Sandzen

Left:

Center:

Right:

Boardman Robinson (1876–1952)

Edgar Alwin Payne (1883–1947)

Maurice Braun (1877–1941)

New York Street Scene

Clouded Slopes With Riders

Untitled (Trees and Hills, California)

c. 1930, oil on board, 24 x 30 inches

c. 1935, oil on board, 10 x 12 inches

c. 1925, oil on canvas, 16 x 20 inches

Booth C45

p 16

DeRu’s Fine Arts enjoys an unparalleled

9100 Artesia Blvd

1590 South Coast Highway

reputation among art lovers, serving the

Bellflower, CA 90706

Laguna Beach, CA 92651

discriminating collector for thirty-five years

T: 562.920.1312

T: 949.376.3785

with outstanding examples of Early

F: 562.920.3077

F: 949-376-9915

California Impressionist and American art.

E: derusgal@aol.com

E: lagunaderus@aol.com

DeRu’s also serves as a major advisor in

Staff: Dewitt C. McCall, III and

www.derusfinearts.com

the assembly and preservation of the

Kenneth F. Jones, Owners; Debra Flores,

www.fada.com

collections of museums and many private

Bellflower gallery and Kathleen Updyke

www.artnet.com/derus.html

and corporate collections.

Barrett, Laguna Beach gallery, Associates

Los Angeles Art Show 2004

Participating Gallery

p 17

Artists: Dana Bartlett John Gamble A.G. Rider Franz Bischoff Anna Hills Jack Wilkinson Smith Maurice Braun Paul Lauritz Elmer and Marion Wachtel Benjamin Brown Edgar Payne William Wendt Frank Cuprien Granville Redmond Orrin White

Center: Left:

Anna A. Hills

Right:

Edgar Payne (1883–1947)

Vespers Hour, San Juan Capistrano Mission,

Hanson Puthuff (1875–1972)

San Juan Capistrano, Oil on canvas, 28 x 34 inches

Oil on canvas, 20 x 24 inches

Clouds of Springtime, Oil on canvas, 28 x 36 inches

Denenberg Fine Arts, Inc.

Booth C39

Denenberg Fine Arts, established in

417 North San Vicente Boulevard

Boston in 1965, moved to West Hollywood

West Hollywood, CA 90048

in 2002. The gallery deals eclectically in a

T: 310.360.9360

wide range of museum-quality American

F: 310.360.9160

& European fine art from the 16th to the

E: gallery@denenbergfinearts.com

20th century, with a focus on International

Staff: Stuart Denenberg,

Modernism (1900–1950).

Beverly Denenberg

p 18

Los Angeles Art Show 2004

Participating Gallery

p 19

Artists: George Abend John Alexander Leonard Baskin Merton Clivette Arthur Dove Alberto Giacometti Arshile Gorky Edward Hagedorn Henri Matisse Ralph Barton Perry Pablo Picasso Pierre Auguste Renoir John Saccaro Helen Seibert John Stewart

The Collector: Surrealism was the thread which ran through the whole of Edward James’s long life. He came into a large American timber and mining fortune when he was 25, and as evidenced by the fact that the Prince of Wales became Edward’s godfather when King of England, he had access to the highest of high society.

The eccentric James moved about the planet—from his 6000 acre West Dean Estate in Sussex, to the Hollywood Hills and Malibu. In California, he saved the Simon Rodia Towers. He eventually moved to the heart of Mexico, where from 1949 he built an incredible estate named Xilitla in the densest and most remote corner of the jungle.

Despite inherited wealth, social position, and education at Eton and Oxford, James became a minor poet, and a central member and important patron of the Surrealists, with friends such as writers and artists Breton, Carrington, Dali, Eluard, Freud, Huxley, Magritte and Man Ray. James once owned this painting by Morris whom he described to Leonora Carrington as “a real friend of mine and developing into an excellent painter.”

Left: John Floyd Morris (American)

The Artist:

Surrealist Landscape: Tortoise and Tower, c. 1943,

John Floyd Morris was one of the key Surrealists patronized by the legendary Edward James. During the War, Morris

Oil on canvas, 30 x 36 inches

had worked as an official artist for the United States Army, serving on the Pacific front. His work is rare.

Douglas Frazer Fine Art

Booth C44

p 20

Gallery specialties include: Paintings and

PO Box 432

prints of Hawaii, Polynesia, the Pacific

Medina, WA 98039

Northwest and Japan. Artworks may be

T: 425.455.4417

viewed on line at either of the two

F: 425.455.4431

websites and by appointment in Seattle,

E: frazerfineart@msn.com

Washington or Mountain View, California.

www.frazerfineart.com www.theartofjapan.com Staff: Doug Frazer and Richard Waldman

Los Angeles Art Show 2004

Participating Gallery

p 21

Artists: David Howard Hitchcock Lionel Walden Genevieve Springston Lynch Fernando Amorsolo John M. Kelly Ambrose Patterson Utamaro Hiroshige Kuniyoshi Kunisada Yoshitoshi Hasui Yoshida Koson Shinsui

Center:

Right:

Left:

John M. Kelly (1877–1962)

Hiroshi Yoshida (Japan 1876–1950)

Chris Campbell, Contemporary

Leimakers, c. 1935, Oil on board, Signed lower left,

Grand Canyon, 1925, Color Woodblock Print,

Hawaii, 2002, Oil on Canvas, 60 x 52 inches

10 1/2 x 13 7/8 inches

14 5/8 x 9 3/4 inches

Eckert Fine Art

Booth B23

Established in 1995, Eckert Fine Art

390 12th Avenue South

carries an extensive and rapidly changing

Naples, FL 34102

inventory of the best Modern and

T: 239.261.1100

Contemporary art. The gallery offers both

F: 239.261.0711

original and limited edition artworks in a

E: eckertfineart@mindspring.com

wide range of media including painting,

www.eckertfineart.com

sculpture, and works on paper.

Staff: Jane Eckert, Henry Eckert, Terry Eynon, Kevin Van Gorp, Barbara Carman

p 22

Los Angeles Art Show 2004

Participating Gallery

p 23

Artists Jean-Michel Basquiat Hal Buckner Christo Eric Forstmann Sam Francis Don Gummer Robert Indiana Diana Levinson Roy Lichtenstein Joan Miro Darryl Pottorf Robert Rauschenberg Larry Rivers Julian Stanczak Boaz Vaadia

Left:

Center:

Right:

Robert Rauschenberg (American, b. 1925)

Henry Moore (American, 1898–1986)

Don Gummer (American, b. 1946)

Unraveled Epoch (Urban Bourbon), 1995

Mother & Child: Curved, 1983

Common Good, 1995

Acrylic on bonded aluminum, 49 x 37 inches

Bronze with green patina, 23 1/2 x 12 5/8 x 12 1/4 inches

Bronze with cement base, 73 x 60 1/2 x 58 inches

Elins Eagles-Smith Gallery

Booth D60

p 24

Elins Eagles-Smith Gallery focuses on the

Artists, California Impressionists, The

49 Geary Street # 520

exhibition of contemporary American and

Society of Six, The San Francisco Bay

San Francisco, CA 94108

international paintings and sculpture by

Area Figurative Group, and the Abstract

T: 415.981.1080

mid-career artists. In addition we organize

Expressionist Movement of the east and

F: 415.981.1206

changing exhibitions as well as inventory

west coast. Elins Eagles-Smith Gallery is a

E: eesgallery@eesgallery.com

artwork from significant historical move-

member of the San Francisco Art Dealers

www.eesgallery.com

ments such as the American Abstract

Association.

Staff: Mel Elins, Kim Eagles-Smith

Los Angeles Art Show 2004

Participating Gallery

p 25

Artists: Jennifer Bain Theophilus Brown Gary Bukovnik Burgoyne Diller Joe Draegert Sam Francis Jan Gauthier August Gay Selden Connor Gile John Goodman William Henry Percy Gray Jerome Kirk Ricardo Mazal John McCormick Bob Nugent

Center:

Right:

Left:

August Francois Gay, (French/American) 1890–1948

Theophilus Brown (American, born 1919)

John McCormick

The Robert Louis Stevenson House, c. 1926

Ventura Flower Fields, 1967

Almost Summer, 2004, Oil on linen, 60 x 60 inches

Oil on board, 12 x 16 inches, Signed lower right

Oil on wood panel, 20 x 20 inches

Forum Gallery

Booth B33

p 26

Forum Gallery has been a leader in

8069 Beverly Boulevard

745 Fifth Avenue

the field of modern and contemporary

Los Angeles, CA 90048

New York, NY 10151

figurative art since 1961. The gallery

T: 323.655.1550

T: 212.355.4545

was started by Bella Fishko, and is

F: 323.655.1565

F: 212.355.4547

a founding member of the Art Dealers

E: forumgallery@sbcglobal.net

E: gallery@forumgallery.com

Association of America. Forum Gallery

www.forumgallery.com

www.forumgallery.com

represents the estate of Raphael Soyer, and is the exclusive representative of Odd Nerdrum, William Beckman, Robert Cottingham, and Christian Vincent. Forum Gallery has placed works in many museums and private collections throughout the world.

Los Angeles Art Show 2004

Participating Gallery

p 27

Artists: Steven Assael William Beckman Davis Cone Robert Cottingham Paul Fenniak Xenia Hausner Sean Henry Michael Leonard Alan Magee G. Daniel Massad Charles Matton Richard Maury Odd Nerdrum Tula Telfair Christian Vincent

Left:

Center:

Right:

Guillermo Munoz Vera

Milton Avery

Susan Hauptman

Peras, 1998

Portrait of Arnold Blanch, 1950

Self-portrait as Prima Donna Bitch, 2000

Oil on canvas mounted on panel, 37 1/2 x 60 inches

Oil on canvasboard, 16 x 12 inches

Charcoal, pastel and gold leaf on paper, 54 x 40 inches

Galerie Michael

Booth A6

Galerie Michael specializes in fine

430 North Rodeo Drive

European paintings, drawings and prints

Beverly Hills, CA 90210

from the 17th century to the present. The

T: 310.273.3377

collection features an important selection

F: 310.273.0879

of works by Rembrandt, Monet, Renoir

E: art@galeriemichael.com

and the Impressionists, Toulouse de

www.galeriemichael.com

Lautrec and La Belle Époque, as well as

Staff: Michael Schwartz, President;

the Modern Masters such as Picasso,

Julie Jackson Ukra, Director;

Matisse and Chagall. Galerie Michael’s

Richard Rice, Lynn Marks,

specialty is artists of the Barbizon School

Robert Avellano, Virginia Repasky,

and is recognized as having one of the

Cecil Calban, Staff;

most extensive collections of 19th century

Alexander Mertens, Curatorial

paintings in the world.

p 28

Los Angeles Art Show 2004

Participating Gallery

p 29

Artists: Rembrandt van Rijn Narcisse-Virgile Diaz de la Peña Jules Breton Léon L’hermitte Camille Corot Mary Cassatt Jean-François Raffaëlli Pierre-Auguste Renoir Claude Monet Alphonse Mucha Manuel Robbe Henri de Toulouse-Lautrec Pablo Picasso Marc Chagall Henri Matisse Fernand Léger

Center:

Right:

Left:

Pablo Picasso (1881–1973)

Pierre Auguste Renoir (1841–1919)

Jules Breton (1827–1905)

Buste de Femme d'aprés Cranach le Jeune, 1958

Le Chapeau Épinglé, 2ème planche, 1898,

Les repos des faneuses, 1873, Oil on canvas,

Linocut in colors on Arches wove paper,

23 9/16 x 19 1/8 inches, Lithograph in eleven colors

34 1/4 x 53 1/2 inches, Signed and dated

25 1/2 x 20 7/8 inchesSigned “Picasso” in blue crayon

on laid paper, Signed “Renoir” on the stone, lower left

“Jules Breton courrieres 1873” lower left

lower right, Numbered “26/50” in pencil lower left

and lower right

Booth A14

p 30

For works of art by Impressionists and

With a focus on excellent service,

20 East 69th Street

Modern French Masters, look to Galerie

extensive research, and the highest

New York, NY 10021

Rienzo on Madison Avenue. Robert

quality of paintings, Galerie Rienzo is the

T: 212.288.2226

Rienzo, the exclusive New York

source for a single French 20th century

F: 212.988.1539

representative for Bernard Buffet and

painting or for guidance on starting or

E: madisonart@aol.com

Jean Jansem, is also an authority on

building an entire collection. Galerie

www.galerierienzo.com

Cassigneul, Camoin, Matisse, Valtat,

Rienzo is open Tuesday through Saturday,

Staff: Robert Rienzo, Marlene Rienzo.

Dufy, and other “School of Paris� painters.

and by appointment.

Los Angeles Art Show 2004

Participating Gallery

p 31

Artists: Aizpiri Bombois Brasilier Buffet Camoin Cassigneul Dufy Frank-Will Gen-Paul Genin Jansem Lorjou Laurencin Lebasque Maclet Renoir Utrillo Vlaminck “The School of Paris”

Left:

Center:

Jean Jansem (1920– )

Bernard Buffet (1928–1999)

Right:

Reclining Ballerina

Le Sacre-Ceur de Montmartre, Oil on canvas,

Bernard Buffet,

Oil on canvas, 35 x 51 inches

28 x 21 inches

Portrait- Charles IX, Oil on canvas, 51 x 35 inches

George Stern Fine Arts

Booth B32

p 32

For over 30 years, George Stern Fine Arts

Conrad Buff, and Robert Frame. George

8920 Melrose Avenue

has specialized in California

Stern was the founding president of the

West Hollywood, CA 90069

Impressionists and American Scene

Fine Art Dealers Association and is cur-

T: 310.276.2600

painters. We have a large inventory of the

rently a board member of FADA and the

T: 800.501.6885

finest examples of paintings from 1880

Art Dealers Association of California.

F: 310.276.2622

through 1940 and beyond. George Stern

E: gsfa@sternfinearts.com

Fine Arts is involved in educating the pub-

www.sternfinearts.com

lic on the historical development of these

Staff: George Stern, Owner;

artists and the connoisseurship of collect-

Irene Stern, Director; Danny Abiri, Sales;

ing. We have published books on artists

Julie Hopkins, Administrator;

such as Arthur Dominique Rozaire,

Oscar Ramos, Maintenance.

Los Angeles Art Show 2004

Participating Gallery

p 33

Artists: Franz A. Bischoff Jessie Arms Botke Conrad Buff Alice Chittenden Colin C. Cooper Paul De Longpre John Frost August Gay Selden Gile Percy Gray Clarence Hinkle Thomas Hunt Stanton Macdonald-Wright Jean Mannheim Edgar Payne Agnes Pelton Hanson Puthuff Granville Redmond A.G. Ride William Ritschel Arthur D. Rozaire Donna Schuster Millard Sheets Marion Wachtel William Wendt

Left:

Center:

Right:

Guy Rose

Edgar Payne

William Wendt

Carmel Valley

Boats of the Audienne

Be it ever so Humble

Oil on canvas, 21 x 24 inches

Oil on canvas, 25 x 30 inches

Oil on canvas, 25 x 30 inches

Gallery C

Booth D56

p 34

Gallery C is a fine art gallery, specializing

lished artists, the curatorial philosophy

1225 Hermosa Avenue

in original work by contemporary

remains steadfast: Gallery C is a venue for

Hermosa Beach, CA 90254

California artists. Showing painting,

what is exciting and fresh in the California

T: 310.798.0102

sculpture, mixed media and installation,

art scene, supporting the artists whose

F: 310.798.0039

Gallery C is devoted to presenting its

work represents not only the urban

E: info@galleryc.com

clients with quality art of high integrity.

California aesthetic but also describes

www.galleryc.com

Featuring both emerging and well estab-

global contemporary movements.

Gerald Peters Gallery

Booth B25

Gerald Peters Gallery, New York,

24 East 78th Street

specializes in painting and sculpture of the

New York, NY 10021

19th and 20th centuries, including works

T: 212.628.9760

by artists of the American West as well as

F: 212.628.9635

works by the Hudson River, Impressionist,

www.gpgallery.com

p 35

and Modernist schools. Our inventory also includes contemporary art and selected works by important 20th century European masters.

Henri Matisse (1869–1954) Jeune femme, 1936 Charcoal on paper , 24 x 15 7/8 inches

The Greenwich Gallery, LLC

Booth A7

The Greenwich Gallery has dealt in

2 Greenwich Avenue

American and European paintings from

Greenwich, CT 06830

the 19th and 20th Century for over fifteen

T: 203.622.4494

years, our strength is our extensive and

F: 203 622 7561

diverse inventory.

E: contact@greenwichgallery.com

We are also a foremost dealer in

www.greenwichgallery.com

American and European sculpture,

Staff: Abby M Taylor, Partner; Vincent

specializing in exceptional pieces from

Vallarino, Partner; Shannon Cruickshank,

late 18th through the 20th Century.

Client Services; Gillian Ruehl, Administrator; Brett T Holster, Sculpture

p 36

Los Angeles Art Show 2004

Participating Gallery

p 37

Left:

Center:

Right:

Marie Vorobieff Marevna (Russian, 1892–1984)

Alfred Boucher (French, 1850–1934)

Henry Moret (French, 1856–1913)

Les Deux Amies, 1930

Volubilus

Barques de Pêche, Bretagne

Oil on canvas, 32 x 36 inches, Signed lower right

White marble, 20 x 17.5 x 8.4 inches,

Oil on canvas, 18 x 32 inches,

Inscribed on verso with date and artist’s Paris address

Signed: A. Boucher

Signed lower right, 1906, Titled on verso

Guarisco Gallery

Booth A8

Catering to the needs of beginning and

2828 Pennsylvania Avenue, NW,

established collectors alike, Guarisco

Washington, DC 20007

Gallery offers an extensive selection of

T: 202.333.8533

important 19th- and early 20th-century

T: 800.426.3747

paintings and sculptures from every major

F: 202.625.0834

American and European school, including

E: guariscogallery@mindspring.com

Romantic, Barbizon, Academic, Victorian,

www.guariscogallery.com

Belle Epoque, Impressionist, and

Staff: Laura Guarisco, Director;

Modernist. Subject matter ranges from

Jane Studabaker, Director; Joe Panarelli,

sporting art, marines, and Orientalist

Registrar; Susan Ross, Curator

images to still life paintings, landscapes, portraits, and charming genre scenes.

p 38

Los Angeles Art Show 2004

Participating Gallery

p 39

Artists: Albert André Jules Breton Ernest de Chamaillard William Henry Clapp Georges Vicat Cole Edward Cucuel Montague Dawson James Enneking Georges d’Espagnat Victor Gilbert Henri Lebasque Fernand-Marie Le Gout-Gerard Maximillien Luce Henri Martin Jean-Baptiste Olive Hermann Max Pechstein Pierre Auguste Renoir Theodore Ribot William Sonntag Louis Valtat

Light:

Center:

Right:

Ernest de Chamaillard (1862–1930)

Abel Bertram (1871–1954)

Henri Lebasque (1865–1937)

La Vallé Treboul, c. 1895, Oil on canvas,

In the Flower Garden, c. 1910, Oil on canvas,

Le Cannet, Nue assise dans le jardin, c. 1935,

43 x 53 inches framed

29 x 31 inches framed

Oil on canvas, 16 1/2 x 14 1/4 inches framed

Hayden & Fandetta Rare Books

Booth B17

p 40

Hayden & Fandetta Rare Books,

Members of:

Post Office Box 1549

international private dealers based in

Antiquarian Booksellers’ Association of

New York, NY 10101-1549

New York City, specialize in books about

America, International League of

T: 212.582.2505

antiques, interior design, and gardens

Antiquarian Booksellers, Art and Antique

E: haydenandfandetta@msn.com

and flowers. Color plate books, illustrated

Dealers League of America, CINOA

Staff: John-Peter Hayden, Jnr.,

books, and Art Deco books with striking

David J. Fandetta

dustwrappers are also kept in stock.

A bookbinder/conservator is on staff to offer clients complete bookbinding and restoration services.

TECOLOTE, The Ranch Home of Sir David and Lady

Barbara, Tecolote, and the world's first steam yacht,

Yule. An Album by Bert Clark Thayer. Tall folio. 86 origi-

the S. Y. Nahlin. An esteemed society and horse flesh

nal monotone photographic plates. Full brown goat

photographer, Thayer depicts life at Tecolote, scenes

and gilt. The Yules were known for their prestigious

of Santa Barbara in the 1920s, as well as rare shots of

Hanstead Stud in England, their lavish ranch in Santa

the Yules' friend, Western artist Edward Borein.

Los Angeles Art Show 2004

Participating Gallery

p 41

Above:

Bottom, Left:

Bottom, Right:

Edward Borein (left), Sir David Yule (right)

Edward Borein in front of his Santa Barbara studio

Thayer signature on fly leaf

Herbert Palmer Gallery

Booth D51

Herbert Palmer Gallery celebrates its forti-

9003 Melrose Ave

eth year in Los Angeles, exhibiting works

Los Angeles, CA 90069

of master American, European and Asian

T: 310.278.6407

artists, particularity early Modernist

F: 310.550.0758

works. As an art historian, Herbert Palmer

E: mail@herbertpalmergallery.com

has been able to discover and exhibit

www.herbertpalmergallery.com

innovative Contemporary artists like Ed

Staff: Herbert Palmer, Director;

Ruscha and Bridget Riley. The gallery pro-

Susan Becker, Assistant to the Director

vides a consultation and appraisal service.

p 42

Los Angeles Art Show 2004

Participating Gallery

Artists:

There is a great joy in discovering an

Herbert Bayer

American landscape painter whose art

Hans Bellmer

sings about the land in which we live.

Oscar Bluemner

In a sense, Jack Stuppin continues

Christo

Marsden Hartley's vision—wandering in

Pier Guzzi

the realm of sea, sky and the Sonoma

Allen Jones

patchwork of golden mountains. His

André Masson

paintings are romantic landscapes, which

Henry Moore

exemplify, the “eternal recurrence” of a

Wolfgang Paalen

restless California terrain. The Sonoma

Niki de Saint Phalle

County Museum has recently shown a

Man Ray

one-man show of Stuppin's latest work.

Kurt Seligmann Jean Tinguely Abraham Walkowitz Dody Warren Edward Weston

Left:

Right:

Carl Robert Holty

Jack Stuppin

Cup of the Sea, 1947

Fog, Golden Hill, 2003

Oil on canvas, 30 x 38 inches

Oil on canvas, 44 3/4 x 60 1/8 inches

p 43

Booth D54

For almost a decade, Ikon Ltd. Fine Art

2525 Michigan Avenue, G4

has assisted clients in the acquisition and

Santa Monica, CA 90404

resale of modern and contemporary art.

T: 310 828 6629

In addition to organizing shows of both

F: 310 828 4041

works on paper and original works by

E: ikonltd@earthlink.net

post-war and contemporary artists in all

www.ikonltd.com

media, we maintain an extensive inventory

Staff: Kay Richards, Director;

of both prints and unique works by such

Greg Abramson, Assistant Director

artists as:

p 44

Los Angeles Art Show 2004

Participating Gallery

p 45

Artists: Andy Warhol Jean Michel Basquiat Keith Haring Ed Ruscha Roy Lichtenstein Sam Francis Vik Muniz John Baldessari Robert Rauschenberg Damien Hirst Richard Prince Nan Goldin

Center: Left:

Andy Warhol

Right:

Jean Michel Basquiat

Heart, 1983,

Vik Muniz

Untitled (Pecho), 1983

Acrylic polymer on canvas, 8 x 8 1/4 inches,

Vanitas, 1999,

Mixed media on Board, 30 x 40 inches, Signed verso

Signed verso

Toned gelatin silver print, 24 x 20 inches

Jack Rutberg Fine Arts

Booth A1

p 46

Founded in 1979, Jack Rutberg Fine

Kollwitz, Calder, and other significant

357 North La Brea Avenue

Arts features important Modern and

20th century artists. Major exhibitions

Los Angeles, CA 90036-2517

Contemporary European, American

have included surveys of German

T: 323.938.5222

and Latin American artists. The gallery

Expressionism, California Modernism,

F: 323.938.0577

represents the estates of Hans Burkhardt,

and Los Angeles Contemporary Art.

Oskar Fischinger, and Francisco Zuniga,

E: jrutberg@jackrutbergfinearts.com www.jackrutbergfinearts.com

as well as contemporary artists Patrick Graham, Ruth Weisberg, and Jerome Witkin. Important solo shows have included Tapies, Gorky, Rouault, Weber,

Jerome Witkin (b. 1939) Keep Me In Your Heart For Awhile, 2003–04 Oil on Canvas, 72 1/4 x 56 inches, Signed and Dated Lower Right

Jรถrg Maass Kunsthandel

Booth C33

p 47

Jรถrg Maass specializes in German

Rankestrasse 24

32 Thompson Street, Ground Floor

Expressionist prints and works on paper

10789 Berlin, Germany

New York, NY 10013

by Max Beckmann, Erich Heckel, E.L

T: 49.30.211.5461

T: 212.334.3486

Kirchner, Kathe Kollwitz, Edvard Munch,

F: 49.30.218.1197

F: 212.334.3588

Emil Nolde and others. We also deal in

E: joerg@kunsthandel-maass.de

E: info@germanexpressionism.com

Photography and works by internationally

www.kunsthandel-maass.de

www.germanexpressionism.com

known Modern and Contemporary artists including Jasper Johns, Picasso, Sigmar Polke, Gerhard Richter and Cindy Sherman.

Gerhard Richter (German, b. 1932) Komposition, 1989, Oil on card, 8 1/4 x 11 5/8 inches

Jonathan Novak Contemporary Art

Booth C34

Since 1978, Jonathan Novak has been

1880 Century Park East Suite 100

an important source for contemporary

Los Angeles, CA 90067

American and European art. With a wide-

T: 310.277.4997

ranging inventory consisting of paintings,

F: 310.277.4881

drawings, sculpture and graphics, one

E: jnca@novakart.com

may find significant examples by interna-

www.novakart.com

tionally recognized artists. Jonathan

Staff: Jonathan Novak, Xiliary Twil,

provides his clients with expert advice

Janelle White, Pedro Caceres,

in the purchasing, collecting, and selling

Maegan Shanahan, Christine Haynes.

of fine contemporary works of art.

p 48

Los Angeles Art Show 2004

Participating Gallery

p 49

Artists: Fernando Botero Joseph Cornell Jim Dine Jean Dubuffet Richard Estes Sam Francis Ralph Goings David Hockney Don Jacot Roy Lichtenstein Henri Matisse Robert Motherwell Joel Shapiro Donald Sultan Wayne Thiebaud Andy Warhol

Left:

Center:

Jim Dine (American, Born 1935)

Don Jacot (American, Born 1949)

Right:

After the Harvest, 2003, Oil on canvas,

What Makes You Tick, 2003, Oil on linen,

David Hockney (British, Born 1937)

49 x 168 1/4 inches

28 x 40 inches

Henry, 1972, Crayon on paper, 17 x 14 inches

Kelley Gallery

Booth D50

Established in 1986, The Kelley Gallery

696 E. Colorado Blvd. Suite #4

specializes in original vintage paintings

Pasadena, CA 91101-2122

produced from 1850 through 1950.

T: 626.577.5657

From early California artists and the

www.mkelleyart.com

American Scene to Pre-Raphaelite and Symbolist works, the gallery handles a broad spectrum of painting styles and subjects. We cater to the independent and progressive-minded collector looking for the unique, the unusual, and the exceptional.

p 50

Los Angeles Art Show 2004

Participating Gallery

p 51

Artists: Benjamin Brown Bert and Meta Cressey Wiliam Cahill Phil Dike Charles Keck Joseph Kleitsch Emil Kosa, Jr. Gabriel Max Barse Miller Phil Paradise Hanson Puthuff Guy Rose Channel Townsley John William Waterhouse

Center: Left:

Phil Paradise (1905–1997)

Right:

Emil Kosa, Jr. (1903–1968)

The Ice Cream Vendor, 1935,

Charles F. Keck (1913–2003)

Big Top, Oil on canvas, 24.5 x 28 inches

Watercolor on paper, 23 x 17 inches

Hitchin’ a Ride, Oil on canvas, 16 x 20 inches

Booth A16

p 52

Specializing: 19th, early 20th Century

960 North La Brea Avenue

American & European paintings.

Los Angeles, CA 90038 T: 866.239.5530 F: 866.239.5530 E: ljc@fineoldart.com www.fineoldart.com

Fernando Tirado y Cardona (1862–1907) El Violinista, Oil on panel, 12 5/8 x 8 1/2 inches

Pan American Art Gallery

Booth C41

p 53

Pan American Art Gallery was established

Members of:

3303 Lee Parkway, Suite 101

in 1994 in Dallas, Texas. Specializing in art

DADA

Dallas, Texas 75219

of the Americas, we bring together early

Dallas Art Dealers Association

T: 214-522-3303

modern and contemporary masters from

F: 214-521-3577

Canada, the U.S., the Caribbean and

E: info@panamericanart.com

Latin America.

www.panamericanart.com

Pan American Art Gallery features contemporary and traditional works, as well as folk art, photography, sculpture and ceramics. The gallery houses one of the world’s largest collections of Cuban, Haitian and Jamaican art.

Victor Manuel Garcia (1897–1969) Portrait with Flower, ca. 1930, Oil on canvas, 19 x 14 inches

Booth D62

Louis Stern Fine Arts is highly involved in

9002 Melrose Avenue

the secondary market with special con-

West Hollywood, CA 90069

centration in Impressionist, Post-

T: 310.276.0147

Impressionist and Modern art. The

F: 310.276.7740

gallery’s exhibition program has featured

E: gallery@louisstern.com

important mid-twentieth century west

www.louissternfinearts.com

coast abstract painters. The gallery repre-

Staff: Louis Stern, Marie Chambers,

sents a select group of contemporary

Melissa Pope, Tracy Serur

artists and the estates of Alfredo Ramos Martinez, Lorser Feitelson and Helen Lundeberg.

p 54

Los Angeles Art Show 2004

Participating Gallery

p 55

Artists: Karl Benjamin Pierre Bonnard Lorser Feitelson Judith Foosaner Helen Lundeberg János Mattis Teutsch John McLaughlin Cecilia Z. Miguez Henry Moore Leonard Nimoy Pablo Picasso Alfredo Ramos Martinez Hugó Scheiber Rufino Tamayo Jacques Villon

Center: Left:

Henry Moore (1898–1986)

Right:

Karl Benjamin (b. 1925)

Reclining Figure Cloak, 1967, Patinated bronze,

Helen Lundeberg (1908–1999)

Untitled, 1957, Oil on canvas, 20 x 40 inches

edition 3/9, 8 1/4 x 18 x 8 5/16 inches

Wetlands II, 1983, Acrylic on canvas, 50 x 35 inches

Mark Sublette, Medicine Man Gallery

Booth B20

p 56

Contemporary Paintings, Sculpture and

7000 East Tanque Verde

200 Canyon Road

Fine Antique American Indian Art.

Tucson, AZ 85715

Santa Fe, NM 87501

Specializing in the life works of Maynard

T: 800.422.9382

T: 866.894.7451

Dixon, Maria Martinez, Taos Society

T: 520.722.7798

T: 505.820.7451

of Artists and other early painters of

F: 520.722.2783

F: 505.820.2750

the Southwest. Navajo Textiles, Pueblo

Staff: Dr. J. Mark Sublette, President;

E: art@medicinemangallery.com

Pottery, Native American Baskets,

Michael Ettema, Director Santa Fe;

www.medicinemangallery.com

Kachinas, Old Pawn Jewelry, and Spanish

Francis Livingston, Visiting Artist

www.mariapottery.com

Colonial furniture.

Los Angeles Art Show 2004

Participating Gallery

p 57

Artists: Maynard Dixon Taos Society Francis Livingston Jeff Aeling Glenn Dean Ed Mell Ray Roberts Peggy Kroll Roberts Howard Post John Moyers Terri Kelly Moyers Gregory Hull Louisa McElwain Jason Situ Star Liana York Veryl Goodnight

Left:

Center:

Maynard Dixon (1875–1946)

Jeff Aeling

Right:

The Cloud, Coachella Valley 1940

Towering Cumulus South of Galisteo,

Francis Livingston

Oil on Board, 10 x 14 inches

Oil on Panel, 48 x 36 inches

Wazee Club, Oil on Panel, 20 x 20 inches

Booth D58

p 58

Marsha Child Contemporary exhibits

220 Alexander Street

distinguished fine art from around the

Princeton, NJ 08540

world, with special emphasis on the work

T: 609.497.7330

of established contemporary masters

F: 609.497.7330

and gifted emerging artists from Eastern

www.mchildcontemporary.com

and Central Europe. We take pride in

Staff: Marsha Child, Angharad Jones

exhibiting paintings, drawings, fine prints, sculpture and photographs that are as substantive in content as they are exceptional in execution.

Los Angeles Art Show 2004

Participating Gallery

p 59

Artists: Georges Mazilu Valeriy Skrypka Piotr Woroniec Ilona Zaremba Jean-Pierre Sauve Kalvis Zuters Piet Peere Manuela Holban Ricardo Barros Lieuwe Kingma Laime Eglite

Center:

Right:

Left:

Ilona Zaremba

Piotr Woroniec

Valeriy Skrypka

Map, 2004,

Chairs, 2004

Paper Bird, 2000, Oil on Belgian linen, 54 x 36 inches

Diptych, encaustic on panel, 36 x 48 inches

Carved wood, 14 x 8 x 11 inches

Booth A12

p 60

Quality American paintings and fine prints

7105 East Stetson Drive

with an emphasis on American painters

Scottsdale, AZ 85251

who worked the West between 1880–

T: 480.421.9475

1950. Distinguished inventory of Taos and

F: 480.421.9450

Santa Fe painters, as well as Eastern

E: mitchellbrown@qwest.net

schools, California Plein Air painters and

www.mitchellbrownfineart.com

fine contemporary paintings and sculp-

Staff: Jeffrey M. Mitchell, President;

ture. Over 30 years of personalized sales,

Janet Mitchell, Vice President;

purchase and curatorial services.

Gillian M. Blitch, Director

Los Angeles Art Show 2004

Participating Gallery

p 61

Artists: O.E. Berninghaus Ernest Blumenschein Carl Oscar Borg E. I. Couse Maynard Dixon W. Herbert Dunton Nciolai Fechin Gilbert Gaul E. Martin Hennings Robert Henri Nellie Knopf Bert Phillips J. H. Sharp Birger Sandzen Walter Ufer

Left:

Center:

Right:

Leslie Lee (1871–1951)

Zivko Zic

Gottardo Piazzoni (1872–1945)

Market Woman, Oil on canvas, 40 x 30 inches

Vase with Flowers, 1992, Oil on board, 13 x 16 inches

Kentfield, California, 1914, Oil on board, 6 x 8 inches

Montgomery Gallery, LLC

Booth D57

p 62

Montgomery Gallery is one of the leading

Memberships of:

406 Jackson Street

international art galleries in the western

The Art Dealers Association of America,

San Francisco, CA 94111

United States dealing in 19th and 20th

Antique Dealers Association of America,

T: 415 788 8300

century European and American works

CINOA,

F: 415 788 5469

with a special focus on the art of California

San Francisco Art Dealers Association,

E: info@montgomerygallery.com

and unique Old Master paintings. The

American Appraisers Association,

www.montgomerygallery.com

gallery offers an array of services including

The Jackson Square Art & Antiques

Staff: Peter M. Fairbanks, President;

consultation, appraisal, consignment and purchase of artwork.

Dealers Association

Elisabeth Peters, Principal and Director of American Art; Liza B. Catubig, Gallery Manager and Registrar; Ellen S. Hoover, Department of European Art/Consultant

Los Angeles Art Show 2004

Participating Gallery

p 63

Artists: Borg Boudin Corot Couse Frost Keith Key Lebasque Le Sidaner Martin Miller Monet Narjot Pissarro Potthast Sisley Utrillo Vuillard N.C. Wyeth

Left:

Right:

Henri Martin (French, 1860–1943)

Right:

Les Arbes au bord du Ruisseau

Edward Henry Potthast (American, 1857–1927)

Oil on canvas, 35 x 31 inches,

A Family Outing, c. 1915-1920

Signed l/l: Henri Martin

Oil on artist board, 12 x 16 inches,

Signed l/l: E. Potthast

Morseburg Gallery

Booth D48

Founded in 1958, Morseburg Galleries

9089 Santa Monica Blvd.

is one of Southern California’s most

West Hollywood, CA 90069

established fine art galleries. Our inventory

T: 310.273.5207

includes historic plein-air paintings; 19th

F: 310.273.5208

Century European works and a selection

E: morseburgart@earthlink.net

of paintings by some of America’s finest

www.morseburgalleries.com

traditional painters. Our West Hollywood

Staff: Jeffrey Morseburg,

location, with its book-lined atelier, is hung

Howard Morseburg III, Michael Chylinski,

“salon style” with a selection of works

Lynette Treffinger

from our broad inventory.

p 64

Los Angeles Art Show 2004

Participating Gallery

Artists: Warren Chang Michelle Dunaway D.J. Cleland-Hura David Gallup Yingzhao Liu Maureen Hyde Jeremy Lipking Andy Park Sergio Sanchez Alexandre Orlov Robert Semans Alexey Steele Ryan Wurmser Sunny Apinchapong Yang

Left:

Right:

Ryan Wurmser

Theodore Robinson (1852–1896)

Asleep

Les Nympheas, Grez-sur-Loing, 1878

Oil on linen, 30 x 40 inches

13 x 9 5/8 inches

p 65

Nedra Matteucci Galleries

Booth D63

Nedra Matteucci Galleries, founded in

1075 Paseo de Peralta

1972, specializes in important nineteenth

Santa Fe, NM 87501

and twentieth-century American art.

T: 505.982.4631

The Taos Society of Artists, artists of the

F: 505.984.0199

American West and masters of American

E: inquiry@matteucci.com

Impressionism and Modernism are

www.matteucci.com

featured. Included in the collection are

Staff: Nedra Matteucci, Harry McKee,

works by internationally recognized

Alex Hanna

contemporary painters and sculptors.

p 66

Los Angeles Art Show 2004

Participating Gallery

p 67

Artists: Oscar E. Berninghaus Felipe Castañeda Fremont Ellis Nicolai Fechin Leon Gaspard Glenna Goodacre Childe Hassam E. Martin Hennings Clark Hulings Frank Tenney Johnson Georgia O’Keeffe Dan Ostermiller Edgar Payne Alice Schille Joseph Henry Sharp Eric Sloane

Center: Left:

Dan Ostermiller (b. 1956)

Right:

E. Martin Hennings (1886–1956)

Preening Whitetail, Bronze,

Clark Hulings (b. 1922)

Along the Canyon Road, Oil on canvas, 30 x 30 inches

15 x 13 1/2 x 21 inches, Edition of 20

French Kitchen Garden, Oil on canvas, 25 x 24 inches

Papillon Gallery

Booth A18

Papillon Gallery specializes in European

8010 Melrose Ave

and American paintings and sculpture

Los Angeles, CA 90046

from the period 1890–1950, with empha-

T: 323.655.4468

sis on the School of Paris. Modernist

F: 323.655.1163

figurative works that capture the ambiance

E: papillong@aol.com

of the period are our particular focus. Our

www.papillongallery.com

book “Modern Figurative Paintings: The

Staff: Martin Wolpert, Jeffrey Winter;

Paris Connection” documents many of the

Brooke Doyle, Assistant

artists we handle.

p 68

Los Angeles Art Show 2004

Participating Gallery

p 69

Left:

Above:

Below:

Elie Anatole Pavil

Robert Giron

Federico Beltran-Masses

L’Atelier, c. 1925, France, Oil on canvas,

Le Couple Moderne, Dated 1925, France,

Femme dans le Châle Espagnol, c. 1925, Spanish,

32 x 39 inches, Signed

Oil on canvas, 27 x 31.5 inches, Signed

worked in France, Oil on canvas, 45 x 77 inches, Signed

The Redfern Gallery

Booth A9

p 70

The Redfern Gallery should not be missed

1540 South Coast Highway

at Montage Resort and Spa

by anyone interested in fine art.

Laguna Beach, CA 92651

30801 South Coast Highway

Specializing in American Impressionism

T: 949.497.3356

Laguna Beach, CA 92651

with an emphasis on paintings by the early

F: 949.497.1324

T: 949.715.6193

California Plein Air Artists (1890–1940),

E: mail@redferngallery.com

Staff: Barrie Egan, Director

the walls are filled with carefully selected

www.redferngallery.com

museum quality paintings. Complimenting

Staff: Ray Redfern, Owner;

the historical paintings are glorious works

Roberta Haltom, Director;

by present day plein air painters reflecting

Karl Ring, Sales Associate

the majesty of the early Impressionists.

Also on display is a fine collection of sculptures by notable artists. The Redfern Gallery continues to be a leading source for private, corporate and museum collections and is at your service whether you are buying, selling or just researching that special painting.

Los Angeles Art Show 2004

Participating Gallery

p 71

Artists: Franz Bischoff Maurice Braun Jesse Arms Botke Alson Clark Colin Campbell Cooper John Gamble Bruce Nelson Edgar Payne Hanson Puthuff Granville Redmond William Ritschell Guy Rose Donna Schuster Jack Wilkinson Smith William Wendt

Left:

Center:

Right:

Granville Redmond, (1871–1935)

Bischoff, Franz (1864–1929)

Rose, Guy (1867–1925)

Blue Lupine and Poppies

Sand Dunes and Rocky Coast

In the Musee Gardens, Tours, c. 1910

Oil on Canvas, 16 x 20 inches

Oil on canvas, 24 x 34 inches

Oil on canvas, 29 x 24 inches

Rehs Galleries, Inc.

Booth B26

p 72

Rehs Galleries, Inc. is one of the world’s

Members of:

5 East 57th Street

leading dealers of important Academic

Fine Art Dealers Association (FADA) —

New York, NY 10022

art. The gallery specializes in French,

Howard Rehs, current President

T: 212.355.5710

British and American artists who exhibited

Art & Antique Dealers League of America

C: 917.690.7766

at the Paris Salon and the Royal Academy

C.I.N.O.A.

F: 212.355.5742

from 1860–1920. Currently the gallery

Appraisers Association of America

E: info@rehs.com

is preparing the catalogue raisonné’s

www.rehs.com

of Daniel Ridgway Knight (1839–1924), Julien Dupré (1851–1910) and Emile Munier (1840–1895).

Joseph Caraud (1821–1905) The Pet Canaries, Oil on panel, 23 1/2 x 17 3/4 inches, Signed and dated 1875

Richard Norton Gallery Richard Norton Gallery specializes in

612 Merchandise Mart Plaza

American and European Impressionist

Chicago, IL 60654

and Modern paintings, drawings and

Monday–Friday 9–5

sculpture from the nineteenth and early

T: 312.644.8855

twentieth centuries. Artists include works

F: 312.644.8856

by: Albert Bloch, Karl Buehr,

E: info@richardnortonnortongallery.com

Hananiah Harari, Carl Holty, J. Jeffrey

www.richardnortongallery.com

Grant, Albert Krehbiel, Marie Laurencin, Jan Matulka, Pauline Palmer, Birger Sandzen and Abel George Warshawsky.

Gregory Orloff (Am., 1890–1981) The Actress, ca. 1925, Oil on canvas on masonite 36 x 28 inches

Booth C40

p 73

Robert Henry Adams Fine Art, Inc

Booth C36

Robert Henry Adams Fine Art, Inc

715 N. Franklin Street

specializes in American modern art

Chicago, IL 60610

created between 1910 and 1970.

T: 312.642.8700

Our emphasis is on paintings, drawings

F: 312.642.8785

and sculpture by historically important

E: info@adamsfineart.com

American Modernist, Regionalist

www.adamsfineart.com

and Abstract Expressionist artists.

Staff: Sandra Michels Adams, President;

Located in downtown Chicago, the

David Lusenhop, Director;

gallery mounts regular exhibitions

Melissa Azzi Paradis, Assistant Director;

and publishes catalogues.

Jonathan Liss, Registrar

p 74

Los Angeles Art Show 2004

Participating Gallery

p 75

Artists: Gertrude Abercrombie Aaron Bohrod John Steuart Curry Edwin Dickinson Carl Holty George Josimovich John Marin Laszlo Moholy-Nagy Archibald Motley, Jr. Dale Nichols David Smith H.C. Westermann

Left: H.C. Westermann (Am. 1922–1981)

Center:

Right:

See America First, 1968,

Fairfield Porter (Am. 1907–1975)

George Josimovich (Am. 1894–1986)

Watercolor on paper, 10 5/8 x 13 3/4 inches,

Untitled (Farm Scene), ca. 1935,

Nude Reading (In Stockings), 1928,

Signed lower right

Oil on canvas, 18 x 24 inches, Initialed lower left

Oil on canvas, 28 1/4 x 32 1/4 inches

Roughton Galleries, Inc.

Booth A10

Roughton Galleries, Inc has been in

3702 Fairmount Street

business since 1972. We specialize in

Dallas, TX 75219

important 19th and early 20th century

T: 214.871.1096

American and European paintings.

T: 866.273.3797

Register on our web site for ArtAlert! and

E: brian@roughtongalleries.com

receive gallery updates and view pricing

www.roughtongalleries.com

information. Roughton Galleries is a member of the Fine Art Dealers Association and the Dallas Art Dealers Association.

p 76

Los Angeles Art Show 2004

Participating Gallery

p 77

Lwft:

Center:

Paul-Desire Trouillebert (1829–1900)

J. Bond Francisco (1863–1931)

Right:

Au bord d'une mare dans la forét,

Mojave Shadows, Arizona,

Hovsep Pushman (1877–1966)

Oil on canvas, 25 3/4 x 32 inches

Oil on canvas, 22 x 28 inches

An Armenian Girl, Oil on panel, 31 1/2 x 23 1/2 inches

Schiller & Bodo European Paintings

Booth D46

p 78

Schiller and Bodo specializes in French

Members of:

19 East 74th Street

paintings from the Academic,

C.I.N.O.A.

New York, NY 10021

Realist, Barbizon and Post-Impressionist

PADA (Private Art Dealers Association)

T: 212 772-8627

traditions. In addition, we handle select

F: 212 535 5943 fax

paintings from the varied European

E: schiller.bodo@verizon.net

schools from 1860–1960. Artists in our

www.schillerandbodo.com

inventory include Bonheur, Bouguereau, Breton, Corot, Courbet, Daubigny, Diaz, Japy, Lebasque, Lhermitte, Puigadeau, Martin, Richet, Rousseau.

Please visit us online.

Gustave Courbet (French, 1819–77) Vallee de la Loue, Pres d’Ornans Oil on canvas, 31 1/2 x 37 7/8 inches, Signed and dated lower left: Gustave Courbet ‘67

Skot Foreman Fine Art

Booth C42

With locations in both New York & Atlanta,

315 Peters Street, SW

Skot Foreman Fine Art represents well

Atlanta, GA 30313

established American, Latin American and

T: 404.222.0440

European Contemporary. (All mediums).

www.skotforeman.com

p 79

Staff: Skot Foreman, Director; Joely Davis, Assistant

Purvis Young On the Shoulders of Our Ancestors Paint on corrugated board, 62 x 48 inches

Spanierman Gallery, LLC

Booth A2 & A4

For more than fifty years, Spanierman

45 East 58th Street

Gallery, LLC has been dedicated to

New York, NY 10022

dealing in the finest nineteenth and early

T: 212.832.0208

twentieth-century American paintings

F: 212.832.8114

and sculpture.

E: info@spanierman.com

The Gallery is distinguished for its support of research in American art, and has published a number of very important monographs.

www.spanierman.com Staff: Gavin Spanierman, Gina Greer

p 80

Los Angeles Art Show 2004

Participating Gallery

Left:

Right:

John Singer Sargent (1856–1925)

Joseph Raphael (1869–1950)

Portrait of Edith French, c. 1901

The Old Mill Pond (Belgium), c. 1918,

Oil on canvas, 24 x 18 inches,

Oil on canvas, 27 x 37 inches,

Signed with initials upper right: J. S. S.

Estate stamp on verso

p 81

Booth C42

p 82

Sullivan Goss—An American Gallery

1266 Coast Village Road

Seven East Anapamu Street

presents an exciting selection of 19th,

Montecito, CA 93108

Santa Barbara, CA 93101

20th and 21st century American art,

T: 805.969.5122

T: 805.730.1460

with a particularly fine offering of works

F: 805.969.0220

F: 805.730.1462

by California artists.

E: sales@sullivangoss.com www.sullivangoss.com

Los Angeles Art Show 2004

Participating Gallery

p 83

Artists: Ken Bortolazzo Harry Carmean Colin Campbell Cooper , NA (Estate) Lockwood De Forest, Sr. ANA (Estate) Richard Haines (Estate) Steve Huston Dan Lutz (Estate) Nell Brooker Mayhew (Estate) Ben Messick (Estate) R. Kenton Nelson Hank Pitcher Jack R. Smith Sally Storch Nicole Strasburg Howard Warshaw (Estate)

Left:

Right:

Albert Bierstadt (1830–1902)

Center:

Colin Campbell Cooper (1856–1937)

Saint Anthony’s Falls, c. 1888,

Richard Haines (1906–1984)

Lily Pond, Balboa Park, San Diego 1916

Oil on canvas, 30 x 50 inches

Columbus Day, 1959, Oil on canvas, 32 x 24 inches

Oil on canvas, 20 x 24 inches

Tasende Gallery

Booth C35

p 84

Contemporary and Modern sculpture,

8808 Melrose Avenue

820 Prospect Street

drawings and paintings from

West Hollywood, CA 90069

La Jolla, CA 92037

internationally renowned artists.

T: 310.276.8686

T: 858.454.3691

F: 310.276.8576

F: 858.454.0589 E: tasende@aol.com www.artnet.com Staff: Jose Tasende, President; Mary Beth Hynes, Director; Betina Tasende, Director—Los Angeles; Aitor Tasende, Gallery Manager

Los Angeles Art Show 2004

Participating Gallery

p 85

Artists: Fletcher Benton Anthony Caro Lynn Chadwick Eduardo Chillida Jose Luis Cuevas Niki de Saint Phalle Mark di Suvero Markus Lüpertz Giacomo Manzú Roberto Matta Henry Moore Andres Nagel Louise Nevelson Wayne Thiebaud Barbara Weldon

Left:

Center:

Right:

Mark di Suvero

Markus Lüpertz

Markus Lüpertz

Nex Two, 1987

Etrurierin, 2001

Nach Marées—Abendlicht, 2002

Corten steel, unique, 77 x 72 x 55 inches

Painted bronze, Edition 3/6, 37 x 9 inches

Oil on canvas, 63 x 78 inches

Thomas McCormick Gallery

Booth B28

The Thomas McCormick Gallery features

835 W. Washington Blvd.

both modern and contemporary art,

Chicago, IL 60607

focusing primarily on painting, works on

T: 312.226.6800

paper and sculpture. We represent the

F: 312.226.6588

estates of numerous mid-century

E: gallery@thomasmccormick.com

American painters with an emphasis on

www.thomasmccormick.com

abstract expressionism. The gallery also

Staff: Thomas McCormick; Mary Beyer;

shows both established and emerging

Jessica Moss

contemporary artists.

p 86

Los Angeles Art Show 2004

Participating Gallery

p 87

Artists: Mary Abbott Wendy Alexander Janice Biala Fritz Bultman Perle Fine Albert Kotin Jan Matulka Fred Mitchell Robert Motherwell Melville Price Robert Richenburg John Sabraw John Santoro Yvonne Thomas Vidvuds Zviedris

Left:

Center:

Alice Neel (1901–1984)

Perle Fine (1905–1988)

Right:

Bathing in a Furnished Room, 1927,

The Big Splash (aka Tantrum I), 1959,

Melville Price (1920–1970)

Watercolor and pastel on paper, 12 x 9 inches

Fold over collage, 22 x 28 inches

Maze Series, 1948, Oil on paper, 24 x 36 inches

Thomas Nygard Gallery

Booth B24

p 88

Established in 1976, the Thomas Nygard

Member of:

135 East Main Street

Gallery specializes in 19th and 20th

The Art & Antique Dealers of America

Bozeman, MT 59715

Century American art with an emphasis

T: 406.586.3636

on historical art of the Northern Plains. We

F: 406.587.8279

also display important paintings of the

E: info@nygardgallery.com

Taos Society Of Artists, Rocky Mountain,

www.nygardgallery.com

Hudson River and California Schools.

Staff: Thomas Nygard, President;

We offer our clients service in appraisals,

Curtis Tierney, Director; Rayanne Nitsche,

painting restoration and conservation,

Anna Doehring, Matt Cameron

and custom framing.

Los Angeles Art Show 2004

Participating Gallery

p 89

Artists: Oscar Edmund Berninghaus Edward Borein Maynard Dixon Henry Farny Nicolai Fechin Grace Carpenter Hudson Frank Tenney Johnson W.R. Leigh Thomas Moran Winold Reiss Frederic Remington Carl Rungius Charles M. Russell Joseph Henry Sharp Donald Teague

Center: Left:

William Robinson Leigh (1866–1955)

Right:

Oscar Edmund Berninghaus, ANA (1874–1952)

Canyon of the Yellowstone

Henry Merwin Shrady (1871–1922)

Overland Mail, 1946, Oil on canvas, 35 x 40 inches

Oil on canvas, 32 x 22 inches

The Empty Saddle, Bronze, 10 1/4 inches high

Timothy Yarger Fine Art

Booth D52

p 90

Timothy Yarger Fine Art was established

Timothy Yarger Fine Art Beverly Hills

Staff: Tim Yarger, Director;

in 1986 and exhibits modern and

329 North Beverly Drive

Michael Golden, Associate Director;

contemporary painters, printmakers,

Beverly Hills, CA 90210

Jeanne Harris, Assistant to the

and sculptors. Established in Beverly Hills

T: 310/278-4400

with an additional location in Bangkok,

F: 310/278-6771

Thailand, the gallery specializes in

E: tim@yargerfineart.com

20th Century Modern Masters and

www.yargerfineart.com

contemporary artists including Peter

Director/Associate Art Consultant; Judy Lambert, Art Consultant/ Gallery Manager; Sam Khayat, Art Consultant; Bryson Strauss, Associate Art

Alexander, Pierre Marie Brisson,

Timothy Yarger Fine Art Bangkok

Hei Myung Hyun, Ray Turner, Judy Pfaff

Suite 11, Ground Floor

and Curtis Phillips.

2/4 Wireless Road

Consultant/Oral Historian; Robert Constant, Executive Vice President/Chief Financial Officer;

The Promenade Decor

David Chavez, Logistics Manager;

Bangkok, Thailand 10330

Elizabeth Yochim, International

T: 02.655.0882 E: belle@yargerfineart.com www.yargerfineart.com

Exhibitions; Belle Phavichitr, Managing Director Bangkok

Los Angeles Art Show 2004

Participating Gallery

p 91

Artists: Pablo Picasso Marc Chagall Joan Miro Henri Matisse Pierre-Auguste Renoir Peter Alexander Sam Francis Ray Turner Judy Pfaff Pierre Marie Brisson Hei Myung Hyun Curtis Phillips Linda Touby Marilo Carral Robert Farber

Left:

Top:

Bottom:

Peter Alexander (b. 1939)

Hei Myung Hyun (b. 1943)

Ray Turner (b. 1958)

Menlo, 1991

Cherry Blossom, 2004

Provenance, 2003,

Acrylic on canvas, 30 x 35 inches

Mixed media, 50 x 60 inches

Oil on canvas, 40 x 60 inches

Trigg Ison Fine Art Inc.

Booth D49

p 92

Trigg Ison Fine Art Inc. is a world-class

on the Art Deco/Modernist movement.

511 North Robertson Blvd

fine art gallery, located in the heart of the

We enjoy an international reputation for

West Hollywood, CA 90048

art and design district on Robertson

our discriminating selection process in

T: 310.274.8047

Boulevard in West Hollywood, California.

procuring only the most unique examples

F: 310.274.8076

We specialize in fine paintings and

of original works of art.

E: info@triggison.com

sculptures conceived and executed

www.triggison.com

between 1900-1950, with an emphasis

Staff: Trigg Ison, Dave DiMartino

Los Angeles Art Show 2004

Participating Gallery

p 93

Artists: Albert Gleizes Andre’ Lhote Inez Wetzel Tamara DeLempicka Jean Crotti Raphael Delorme Jean Lambert-Rucki Jan Frans DeBoever Jacqueline Marval Ron Blumberg

Left:

Right:

Ines Wetzel

Jos Leonard

Center:

The Poet, Oil on Panel, Germany, Signed, Dated 1929,

Danseuses, Watercolor and Ink on Paper

Theodoor-Joseph Verschaeren

Exhibited: Montreal Museum of Fine Art, Illustrated:

Belgium, Monogrammed/Atelier Stamped, Dated 1922,

Serenade, Oil on Canvas, Belgium, Signed, Dated

“The 1920’s: Age of Metropolis”, 39 1/2 x 39 1/2 Inches

23 1/2 x 17 Inches

1936, 37 x 38 Inches

Booth A11

p 94

Established in 1980, Trotter Galleries has

On San Carlos near 7th

consistently maintained our reputation as

P.O. Box 3246, Carmel, CA 93921

a source for the beginning as well as the

T: 831.625.3246

advanced collector by providing quality

F: 831.625.1456

work of prominent early California artists.

E: trottergalleries@comcast.net

Located in downtown Carmel, we offer

www.fada.com/trotter.html

a fine selection of paintings, with an

www.artnet.com/trotter.html

emphasis on artists active in the Carmel/

Staff: Terry and Paula Trotter

Monterey area 1875-1950.

Los Angeles Art Show 2004

Participating Gallery

p 95

Artists: Armin Hansen Granville Redmond William Ritschel Guy Rose E. Charlton Fortune Selden Connor Gile Mary DeNeale Morgan John Gamble Maurice Braun Percy Gray S. C. Yuan Edgar Payne Thomas McGlynn Franz Bischoff William Wendt

Left:

Right:

Upper Right:

Selden Connor Gile (1877–1947)

Granville Redmond (1871–1935)

Will Sparks (1862–1937)

On The Yacht Harbor, 1927, Oil on canvas,

California Field of Poppies and Lupine, c. 1925

This work is one of an important complete series of 37

30 x 36 inches, Signed and dated lower right

Oil on canvas, 20 x 30 inches, Signed lower left

mission paintings by Will Sparks from 1933–1937.

Booth A5

p 96

The Vallejo Gallery specializes in offering

1610 West Coast Highway

period maritime paintings from the past

Newport Beach, CA 92663

three centuries. Established in 1972,

T: 949.642.7945

we continue to present one of the largest

F: 949.631.3161

collections of fine quality marine art pos-

E: vallejogallery@earthlink.net

sessing historic and artistic significance

www.vallejogallery.com

to the world.

Staff: Joseph T. Vallejo, Director; Robert J. Piatti, Manager & Researcher; William W. Lowe, Assistant to the Director

Los Angeles Art Show 2004

Participating Gallery

p 97

Artists: Edward Moran James E. Buttersworth William A. Coulter Anthony Thieme Henri Lebasque Jonas Lie Thomas Somerscales Jane Peterson Francis Augustus Silva Alfred Stevens Guy C. Wiggins Maurice F.H. DeHaas Antonio Jacobsen Maurice Braun Alfred Thompson Bricher

Below: Left:

Above:

Montague Dawson (1895–1973)

Henry Moret (1856–1918)

John & Frederick Tudgay (1841–1921)

Arrival of Queen Mary at South Hampton,

Doëlan, Basse Mer, 1903,

Ship Rose Standish Off Beachy Head, 1864,

on Her Maiden Voyage, c 1936,

Oil on canvas, 25 x 32 inches, Signed LR

Oil on canvas, 24 x 36 inches, Signed LR

Oil on canvas, 18 x 36 inches, Signed LL

William A. Karges Fine Art

Booth A3

p 98

One of the preeminent art dealers in

427 N. Canon Drive

Dolores & 6th

California, William A. Karges Fine Art

Beverly Hills, CA 90210

Carmel, CA 93921

specializes in early California and

T: 310.276.8551

T: 831.625.4226

American paintings. With galleries in

F: 310.276.7980

F: 831.625.8850

Carmel and Los Angeles, Karges Fine

E: kargesla@pacbell.net

E: info@kargesfineart.com

Art carries one of the most varied,

Staff: Whitney Ganz, Angela Solie

Staff: Patrick Kraft, Josh Hardy

high-quality, historically significant inventories of paintings available on the West Coast. The gallery is especially known for its superior level of scholarship and museum quality publications.

Los Angeles Art Show 2004

Participating Gallery

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Artists: Franz Bischoff Maurice Braun Alson Clark Maynard Dixon John Frost John Gamble Percy Gray Armin Hansen Thomas Hill Joseph Kleitsch Edgar Payne Granville Redmond Guy Rose Marion Kavanaugh Wachtel William Wendt

Right: Left:

Center:

William Wendt (1865–1946)

Herman Herzog (1832–1932)

Granville Redmond (1871–1935)

Where Nature’s God Hath Wrought,

Gathering the Rye, Oil on canvas, 18 x 24 inches

Early Spring, Oil on Canvas, 12 x 14 inches

Oil on canvas, 25 x 30 inches

Walker Fine Art

Booth D53

Gallery established in 1965. Gallery

478 West Broadway

personnel Talia K. Smith, Rock J. Walker.

New York, NY 10012

Specializing in modern, contemporary

T: 347.563.2100

and Latin American masters. Walker Fine

F: 212.744.7445

Art presents an outstanding collection

E: rockartusa@msn.com

of works by such artists as Chagall, Dali,

www.artnet.com

M.C. Escher, Francis, Knapp, Magritte, Saul, Stella and Wesselmann.

Tom Wesselmann (1931–) Study for Sunset Nude with Matisse Apples on Pink Table Cloth, 2003 Ink and colored pencil on 100% rag tracing paper, 3 7/8 x 5 7/8 inches

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Los Angeles Art Show 2004 Artist Index

A.G. Ride . . . . . . . . . B32, C45 Aaron Bohrod . . . . . . . . . . C36 Abraham Walkowitz . . . . . D51 Agnes Pelton . . . . . . . . . . B32 Aizpiri . . . . . . . . . . . . . . . . A13 Alan Magee . . . . . . . . . . . B33 Albert André . . . . . . . . . . . . A8 Albert Gleizes . . . . . . . . . D49 Albert Kotin . . . . . . . . . . . B28 Alberto Giacometti . . . . . . C39 Alfred Sisley Louis Valtat . C38 Alfred Stevens . . . . . . . . . . A5 Alfred Thompson Bricher . . A5 Alfredo Ramos Martinez . D62 Alfredo Sosabravo . . . . . . B21 Alice Chittenden . . . . . . . . B32 Alice Schille . . . . . . . . . . . D63 Allen Jones . . . . . . . . . . . D51 Alphonse Mucha . . . . . . . . A6 Alson Clark . . . . . . . . . A3, A9 Ambrose Patterson . . . . . C44 Amelia Peláez . . . . . . . . . B21 André Masson . . . . . . . . . D51 Andre’ Lhote . . . . . . . . . . D49 Andres Nagel . . . . . . . . . . C35 Andrew Dasburg . . . . . . . A15 Andy Warhol . . . . . . D34, D54 Ania Toledo . . . . . . . . . . . B21 Anna Hills . . . . . . . . . . . . C45 Anthony Caro . . . . . . . . . . C35 Antonio Jacobsen . . . . . . . . A5 Archibald Motley, Jr. . . . . . C36 Armin Hansen . . . . . . A3, A11 Arshile Gorky . . . . . . . . . . C39 Arthur D. Rozaire . . . . . . . B32 Arthur Dove . . . . . . . . . . . C39 August Gay . . . . . . . D32, D60 Barbara Weldon . . . . . . . . C35 Barse Miller . . . . . . . D50, D57 Ben Messick (Estate) . . . . C42 Benjamin Brown . . . C45, D50 Bert and Meta Cressey . . D50 Bert Phillips . . . . . . . . . . . A12 Birger Sandzen . . . . A12, A15 Boardman Robinson . . . . . A15 Boaz Vaadia . . . . . . . . . . . B23 Bob Nugent . . . . . . . . . . . D60 Bombois . . . . . . . . . . . . . . A13 Boudin . . . . . . . . . . . . . . . D57 Brasilier . . . . . . . . . . . . . . A13 Bruce Nelson . . . . . . . . . . . A9 Buffet . . . . . . . . . . . . . . . . A13 Burgoyne Diller . . . . . . . . D60 Camille Corot . . . . . . A6, C38, D57 Carl Holty . . . . . . . . . . . . . C36 Carl Lindin . . . . . . . . . . . . A15 Carl Oscar Borg . . . . A12, D57 Carl Rungius . . . . . . . . . . B24 Cassigneul . . . . . . . . . . . . A13 Cecilia Z. Miguez . . . . . . . D62 Channel Townsley . . . . . . D50 Charles Camoin . . . . A13, C38 Charles Keck . . . . . . . . . . D50 Charles M. Russell . . . . . . B24 Charles Matton . . . . . . . . . B33 Charles Partridge Adams . A15 Charles Ragland Bunnell . A15 Childe Hassam . . . . . . . . D63 Christian Vincent . . . . . . . B33 Christo . . . . . . . . . . . B23, D51 Clarence Hinkle . . . . . . . . B32 Clark Hulings . . . . . . . . . . D63 Claude Monet . . . . . . A6, C38

Colin C. Cooper . . . . A9, B32, C42 Conrad Buff . . . . . . . . . . . B32 Curtis Phillips . . . . . . . . . . D52 Dale Nichols . . . . . . . . . . C36 Damien Hirst . . . . . . . . . . D54 Dan Lutz (Estate) . . . . . . . C42 Dan Ostermiller . . . . . . . . D63 Dana Bartlett . . . . . . . . . . C45 Daniel Ridgway Knight . . . C38 Darryl Pottorf . . . . . . . . . . B23 David Hockney . . . . . . . . . C34 David Howard Hitchcock . C44 David Smith . . . . . . . . . . . C36 Davis Cone . . . . . . . . . . . B33 Demi . . . . . . . . . . . . . . . . B21 Diana Levinson . . . . . . . . B23 Dody Warren . . . . . . . . . . D51 Don Gummer . . . . . . . . . . B23 Don Jacot . . . . . . . . . . . . C34 Donald Sultan . . . . . . . . . C34 Donald Teague . . . . . . . . . B24 Donna Schuster . . . . . A9, B32 Dufy . . . . . . . . . . . . . . . . . A13 E. Charlton Fortune . . . . . A11 E. I. Couse . . . . . . . . A12, D57 E. Martin Hennings . A12, D63 Ed Mell . . . . . . . . . . . . . . . B20 Ed Ruscha . . . . . . . . . . . . D54 Edgar Alwin Payne . . . A3, A9, A11, A15, B32, C45, D63 Eduardo Chillida . . . . . . . C35 Edward Borein . . . . . . . . . B24 Edward Cucuel . . . . . . . . . . A8 Edward Hagedorn . . . . . . C39 Edward Moran . . . . . . . . . . A5 Edward Weston . . . . . . . . D51 Edwin Dickinson . . . . . . . C36 Elmer and Marion Wachtel C45 Emil Kosa, Jr. . . . . . . . . . . D50 Eric Forstmann . . . . . . . . . B23 Eric Sloane . . . . . . . . . . . D63 Ernest Blumenschein . . . . A12 Ernest de Chamaillard . . . . A8 Felipe Castañeda . . . . . . . D63 Fernand Léger . . . . . . . . . . A6 Fernand-Marie Le Gout-Gerard A8 Fernando Amorsolo . . . . . C44 Fernando Botero . . . . . . . C34 Fletcher Benton . . . . . . . . C35 Flora Fong . . . . . . . . . . . . B21 Francis Augustus Silva . . . . A5 Francis Livingston . . . . . . B20 Frank Cuprien . . . . . . . . . C45 Frank Tenney Johnson . . B24, D63 Frank-Will . . . . . . . . . . A3, A9, A13, B32, C45 Fred Mitchell . . . . . . . . . . B28 Frederic Remington . . . . . B24 Fremont Ellis . . . . . . A15, D63 Fritz Bultman . . . . . . . . . . B28 G. Daniel Massad . . . . . . B33 Gabriel Max . . . . . . . . . . . D50 Gary Bukovnik . . . . . . . . . D60 Gaston La Touche . . . . . . C38 Genevieve Springston Lynch . .

C44 Genin . . . . . . . . . . . . . . . . A13 Gen-Paul . . . . . . . . . . . . . A13 George Abend . . . . . . . . . C39 George Josimovich . . . . . C36 Georges d’Espagnat . . . . . A8

Georges Mazilu . . . . . . . . D58 Georges Vicat Cole . . . . . . A8 Georgia O’Keeffe . . . . . . . D63 Gertrude Abercrombie . . . C36 Giacomo Manzú . . . . . . . . C35 Gilbert Gaul . . . . . . . . . . . A12 Glenn Dean . . . . . . . . . . . B20 Glenna Goodacre . . . . . . D63 Grace Carpenter Hudson . B24 Granville Redmond . . . A3, A9, A11, C32, C45 Gregory Hull . . . . . . . . . . . B20 Gustave Loiseau . . . . . . . C38 Guy C. Wiggins . . . . . . . . . A5 Guy Rose . . . . . . . . . . A3, A9, A11, D50 H.C. Westermann . . . . . . C36 Hal Buckner . . . . . . . . . . . B23 Hank Pitcher . . . . . . . . . . C42 Hans Bellmer . . . . . . . . . . D51 Hanson Puthuff . . . . . . . . . A9, B32, D50 Harry Carmean . . . . . . . . C42 Hasui . . . . . . . . . . . . . . . . C44 Hei Myung Hyun . . . . . . . D52 Helen Lundeberg . . . . . . . D62 Helen Seibert . . . . . . . . . . C39 Henri de Toulouse-Lautrec . A6 Henri Le Sidaner . . . C38, D57 Henri Lebasque . . . . . . A5, A8, A13, C38, D57 Henri Martin . . . A8, C38, D57 Henri Matisse . . . . . . A6, C34, C39, D52 Henri Moret . . . . . . . . . . . C38 Henry Farny . . . . . . . . . . . B24 Henry Moore . . C35, D51, D62 Herbert Bayer . . . . . . . . . D51 Hermann Max Pechstein . . A8 Hiroshige . . . . . . . . . . . . . C44 Howard Post . . . . . . . . . . B20 Howard Warshaw (Estate) C42 Hugó Scheiber . . . . . . . . . D62 Humberto Castro . . . . . . . B21 Ilona Zaremba . . . . . . . . . D58 Inez Wetzel . . . . . . . . . . . D49 Ismael Gómez Peralta . . . B21 J. H. Sharp . . . . . . . . . . . . A12 Jack R. Smith . . . . . . . . . C42 Jack Wilkinson Smith . . . . A9, C45 Jacqueline Marval . . . . . . D49 Jacques Villon . . . . . . . . . D62 James E. Buttersworth . . . . A5 James Enneking . . . . . . . . . A8 Jan Frans DeBoever . . . . D49 Jan Gauthier . . . . . . . . . . D60 Jan Matulka . . . . . . . . . . . B28 Jane Peterson . . . . . . . . . . A5 Janice Biala . . . . . . . . . . . B28 János Mattis Teutsch . . . . D62 Jansem . . . . . . . . . . . . . . . A13 Jason Situ . . . . . . . . . . . . B20 Jean Crotti . . . . . . . . . . . . D49 Jean Dubuffet . . . . . . . . . C34 Jean Lambert-Rucki . . . . . D49 Jean Mannheim . . . . . . . . B32 Jean Tinguely . . . . . . . . . . D51 Jean-Baptiste Olive . . . . . . A8 Jean-François Raffaëlli . . . . A6 Jean-Michel Basquiat . . . B23, D54 Jean-Pierre Sauve . . . . . . D58 Jeff Aeling . . . . . . . . . . . . B20

Jennifer Bain . . . . . . . . . . D60 Jerome Kirk . . . . . . . . . . . D60 Jesse Arms Botke . . . A9, B32 Jim Dine . . . . . . . . . . . . . . C34 Joan Miro . . . . . . . . . . . . . B23 Joan Miro . . . . . . . . . . . . . D52 Joe Draegert . . . . . . . . . . D60 Joel Shapiro . . . . . . . . . . . C34 John Alexander . . . . . . . . C39 John Baldessari . . . . . . . . D54 John Fabian Carlson . . . . A15 John Frost . . . . . A3, V32, D57 John Gamble . . . . . . . A3, A9, A11, C45 John Goodman . . . . . . . . D60 John M. Kelly . . . . . . . . . . C44 John Marin . . . . . . . . . . . . C36 John McCormick . . . . . . . D60 John McLaughlin . . . . . . . D62 John Moyers . . . . . . . . . . B20 John Sabraw . . . . . . . . . . B28 John Saccaro . . . . . . . . . . C39 John Santoro . . . . . . . . . . B28 John Steuart Curry . . . . . . C36 John Stewart . . . . . . . . . . C39 John William Waterhouse D50 Jonas Lie . . . . . . . . . . . . . . A5 Jose Luis Cuevas . . . . . . C35 Josef Bakos . . . . . . . . . . . A15 Joseph Cornell . . . . . . . . . C34 Joseph Henry Sharp . . . . B24, D63 Joseph Kleitsch . . . . . A3, D50 Judith Foosaner . . . . . . . . D62 Judy Pfaff . . . . . . . . . . . . . D52 Jules Breton . . . . . . . . . A6, A8 Julian Stanczak . . . . . . . . B23 Kalvis Zuters . . . . . . . . . . D58 Karl Benjamin . . . . . . . . . D62 Keith . . . . . . . . . . . . . . . . D57 Keith Haring . . . . . . . . . . . D54 Ken Bortolazzo . . . . . . . . C42 Kenneth Miller Adams . . . A15 Key D57 Koson . . . . . . . . . . . . . . . C44 Kunisada . . . . . . . . . . . . . C44 Kuniyoshi . . . . . . . . . . . . . C44 Kurt Seligmann . . . . . . . . D51 Laime Eglite . . . . . . . . . . . D58 Larry Rivers . . . . . . . . . . . B23 Laszlo Moholy-Nagy . . . . C36 Laurencin . . . . . . . . . . . . . A13 Leon Gaspard . . . . . . . . . D63 Léon L’hermitte . . . . . . . . . A6 Leonard Baskin . . . . . . . . C39 Leonard Nimoy . . . . . . . . D62 Lieuwe Kingma . . . . . . . . D58 Linda Touby . . . . . . . . . . . D52 Lionel Walden . . . . . . . . . C44 Lockwood De Forest, Sr. C42 Lorjou . . . . . . . . . . . . . . . . A13 Lorser Feitelson . . . . . . . . D62 Louis Valtat . . . . . . . . . . . . A8 Louisa McElwain . . . . . . . B20 Louise Nevelson . . . . . . . C35 Lynn Chadwick . . . . . . . . . C35 Maclet . . . . . . . . . . . . . . . A13 Man Ray . . . . . . . . . . . . . D51 Manuel Mendive . . . . . . . . B21 Manuel Robbe . . . . . . . . . . A6 Manuela Holban . . . . . . . . D58 Marc Chagall . . . . . . . A6, D52 Marilo Carral . . . . . . . . . . D52 Marion Kavanaugh Wachtel A3

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Marion Wachtel . . . . . . . . B32 Mark di Suvero . . . . . . . . C35 Markus Lüpertz . . . . . . . . C35 Mary Abbott . . . . . . . . . . . B28 Mary Cassatt . . . . . . . . . . . A6 Mary DeNeale Morgan . . . A11 Maurice Braun . . . . . . . . . . A3, A5, A9, A11, A15, C45 Maurice F.H. DeHaas . . . . . A5 Maximilien Luce . . . . . . . . C38 Maximillien Luce . . . . . . . . . A8 Maynard Dixon . . . . . A3, A12, B20, B24 Melville Price . . . . . . . . . . B28 Merton Clivette . . . . . . . . . C39 Michael Leonard . . . . . . . B33 Miguel Florido . . . . . . . . . B21 Monet . . . . . . . . . . . . . . . . D57 Montague Dawson . . . . A8, A5 N.C. Wyeth . . . . . . . . . . . D57 Nan Goldin . . . . . . . . . . . . D54 Narcisse-Virgile Diaz de la Peña . . . . . . . . . . . . . . A6 Narjot . . . . . . . . . . . . . . . . D57 Nciolai Fechin . . . . . . . . . A12 Nell Brooker Mayhew (Estate) .

C42 Nellie Knopf . . . . . . . . . . . A12 Nicolai Fechin . . . . . B24, D63 Nicole Strasburg . . . . . . . C42 Niki de Saint Phalle . C35, D51 O.E. Berninghaus . . . . . . . A12 Odd Nerdrum . . . . . . . . . . B33 Orrin White . . . . . . . . . . . C45 Oscar Bluemner . . . . . . . . D51 Oscar E. Berninghaus . . . B24, D63 Pablo Picasso . . . . . . A6, C39, D52, D62 Paul De Longpre . . . . . . . B32 Paul Fenniak . . . . . . . . . . B33 Paul Lauritz . . . . . . . . . . . C45 Peggy Kroll Roberts . . . . . B20 Percy Gray . . . . . A3, A11, B32 Perle Fine . . . . . . . . . . . . B28 Peter Alexander . . . . . . . . D52 Phil Dike . . . . . . . . . . . . . D50 Phil Paradise . . . . . . . . . . D50 Pier Guzzi . . . . . . . . . . . . D51 Pierre Bonnard . . . . . . . . . D62 Pierre Marie Brisson . . . . D52 Pierre-Auguste Renoir . . . . A6, A8, A13, C38, C39, D52 Piet Peere . . . . . . . . . . . . D58 Piotr Woroniec . . . . . . . . . D58 Pissarro . . . . . . . . . . . . . . D57 Potthast . . . . . . . . . . . . . . D57 R. Kenton Nelson . . . . . . . C42 Ralph Barton Perry . . . . . C39 Ralph Goings . . . . . . . . . . C34 Ramón Vázquez . . . . . . . B21 Raphael Delorme . . . . . . . D49 Ray Roberts . . . . . . . . . . . B20 Ray Turner . . . . . . . . . . . . D52 Rembrandt van Rijn . . . . . . A6 René Portocarrero . . . . . . B21 Ricardo Barros . . . . . . . . . D58 Ricardo Mazal . . . . . . . . . D60 Richard Estes . . . . . . . . . C34 Richard Haines (Estate) . . C42 Richard Maury . . . . . . . . . B33 Richard Prince . . . . . . . . . D54 Robert Cottingham . . . . . . B33 Robert Farber . . . . . . . . . D52

Robert Henri . . . . . . . . . . . A12 Robert Indiana . . . . . . . . . B23 Robert Motherwell . . . . . . B28, C34 Robert Rauschenberg . . . B23, D54 Robert Richenburg . . . . . . B28 Roberto Matta . . . . . . . . . C35 Ron Blumberg . . . . . . . . . D49 Roy Lichtenstein . . . . . . . B23, C34, D54 Rufino Tamayo . . . . . . . . . D62 S. C. Yuan . . . . . . . . . . . . A11 Sally Storch . . . . . . . . . . . C42 Sam Francis . . . . . . B23, C34, D52, D54, D60 Sandro de la Rosa . . . . . . B21 Sean Henry . . . . . . . . . . . B33 Selden Connor Gile . . . . . A11, B32, D60 Shinsui . . . . . . . . . . . . . . . C44 Sisley . . . . . . . . . . . . . . . . D57 Stanton Macdonald-Wright . . .

B32 Star Liana York . . . . . . . . B20 Steve Huston . . . . . . . . . . C42 Steven Assael . . . . . . . . . B33 Tamara DeLempicka . . . . D49 Taos Society . . . . . . . . . . B20 Terri Kelly Moyers . . . . . . B20 The School of Paris . . . . . A13 Theodore Ribot . . . . . . . . . A8 Theophilus Brown . . . . . . D60 Thomas Hill . . . . . . . . . . . . A3 Thomas Hunt . . . . . . . . . . B32 Thomas McGlynn . . . . . . . A11 Thomas Moran . . . . . . . . . B24 Thomas Somerscales . . . . . A5 Tomás Sánchez . . . . . . . . B21 Tula Telfair . . . . . . . . . . . . B33 Utamaro . . . . . . . . . . . . . . C44 Utrillo . . . . . . . . . . . . A13, D57 Valeriy Skrypka . . . . . . . . D58 Veryl Goodnight . . . . . . . . B20 Vicente Hernández . . . . . . B21 Victor Gilbert . . . . . . . . . . . A8 Vidvuds Zviedris . . . . . . . . B28 Vik Muniz . . . . . . . . . . . . . D54 Vlaminck . . . . . . . . . . . . . . A13 Vuillard . . . . . . . . . . . . . . . D57 W. Herbert Dunton . . . . . . A12 W.R. Leigh . . . . . . . . . . . . B24 Walter Mruk . . . . . . . . . . . A15 Walter Ufer . . . . . . . . . . . . A12 Wayne Thiebaud . . . C34, C35 Wendy Alexander . . . . . . . B28 Wifredo Lam . . . . . . . . . . . B21 Wiliam Cahill . . . . . . . . . . D50 William A. Coulter . . . . . . . . A5 William Beckman . . . . . . . B33 William Bouguereau . . . . . C38 William Henry Clapp . . . . . . A8 William Henry Percy Gray D60 William Ritschel . . . . . . . . B32 William Ritschel . . . . . A9, A11 William Sonntag . . . . . . . . . A8 William Wendt . . . . . . . A3, A9, A11, B32, c45 Winold Reiss . . . . . . . . . . B24 Wolfgang Paalen . . . . . . . D51 Xenia Hausner . . . . . . . . . B33 Yoshida . . . . . . . . . . . . . . C44 Yoshitoshi . . . . . . . . . . . . C44 Yvonne Thomas . . . . . . . . B28

Los Angeles Art Show 2004 FADA Statement

Fine Art Dealers Association The Fine Art Dealers Association was founded in 1990 as a non-profit membership organization of respected and established dealers from across the United States. Our members are dedicated to promoting and maintaining the highest degree of professionalism, scholarship and integrity in all business conducted with colleagues, institutions and the art buying public. Membership in FADA is highly selective and by invitation only. Each member has expert knowledge of the artists or periods in which he or she specializes and maintains a corresponding inventory. In addition to demonstrating a commitment to enriching the cultural lives of their communities, members share their expertise through significant exhibitions, informative catalogs, and by offering quality works of art whose authenticity is unconditionally guaranteed.

FADA’s Tenth Annual Los Angeles Art Show is a world-class event that increases the national awareness of our organization and advances the standards of the profession into the twenty-first century. To reflect the truly regional character of our membership, Southern California and the greater Los Angeles area are the perfect venue for an event of this kind. Sophisticated, diverse and the permanent home of many of the country’s foremost collectors, Los Angeles now supports the finest art fair on the West Coast.

Attendees of this year’s Art Show will have an opportunity to view, admire and purchase a dynamic range of American and European art, from old masters to cutting-edge contemporary, including photography.

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Los Angeles Art Show 2004 Greetings From President

Welcome!

I am sure that many of you are aware that this year is the LA Art Show’s 10th anniversary.

Thinking back through our history I can remember when a small group of us (16 in all) presented our first show in Pasadena. It was an exciting time and even though only a few hundred people attended, we all believed that we were on the threshold of something very important. Now, 10 years later, the Fine Art Dealers Association (FADA) has created one of the most important and diverse art shows in the country—featuring 54 dealers and spanning over 200 years in the history of art.

Many hours of planning and hard work went into this year’s show and there are a number of people who need to be thanked. Kim Martindale & Erin Hurff, along with the rest of the K.R. Martindale Show Management staff, have worked long and hard on every aspect of the show, taking care of every detail to make sure that the show runs smoothly for both the exhibitors and the visitors—as always, thank you! Second, there is FADA’s Board of Directors—Jay Caldwell, Tom Nygard, Brian Roughton, Gavin Spanierman, George Stern (the proud new grandfather of Noah), Louis Stern, and myself—all of whom have devoted many hours of their time to this project.

Our Gala Opening will benefit the Los Angeles County Museum of Art (LACMA); one of the leading museums in the Western United States. FADA gives special thanks to Andrea Rich, President and Director of LACMA; the Art Museum Council (AMC); Jill Fink, AMC Chariman; Beth Rosenbloom, Executive Vice President; Judi Grushcow, co-chair; Michele Paley co-chair; and the following members of the LACMA staff: Christopher Clinton Conway, Anne-Marie Woods, Michael Ryan, Laurel Zeno, Joshua Petker, Sarah Gilfillan, Aileen Fraser, Jon Weisman, Gantry Jackson and Bettina Korek.

As in years past, the help and sponsorship of Architectural Digest is greatly appreciated—thank you Beth Mahoney and Wendy Landau, Amy Soule, and Beth-Ann Finerman for all your time and support.

To Paige Petrone (Venice Magazine), Alison Deknatel and Alexia Haidos of Double A Public Relations, and Geneveive Morrill (Pacific Design Center) we are glad you are all on board and thank you for all your support and efforts promoting of the Los Angeles Art Show.

Additional thanks to Jean-Marc Durviaux, Jill Finley, and John Wiese at Distinc Design for the show’s graphic design; James Waterbury Oriental Carpets who has loaned, as in the past, the oriental carpets; Peter Lovello Design; Chansoth Migletz; Ruthe London; Autry National Center; Museum of Contemporary Art; Museum of Latin American Art; San Diego Museum of Art; and Irvine Museum.

A special thank you goes to all of our exhibitors. FADA truly appreciates all the efforts you have extended to create this exciting and unique show—we wish you all great success.

Finally, to all our visitors thank you for coming and enjoy the show.

Peace!

Howard L. Rehs, President Fine Art Dealers Association

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Los Angeles Art Show 2004 LACMA Statement

LACMA The largest encyclopedic art museum west of the Mississippi, the Los Angeles County Museum of Art (LACMA) is the home for a permanent collection of 100,000 works showcasing humanity’s highest achievements— from ancient Mesopotamia to 21st-century Mexico—and reflecting all of the world’s cultures. With its world-class special exhibitions and children’s, educational and cultural programming, LACMA has carved out a distinctive role as the people’s museum within Los Angeles, centrally located on an inviting campus.

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Los Angeles Art Show 2004 LACMA

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LACMA Board of Trustees 2004–2005 Andrea L. Rich President and Wallis Annenberg Director William Hayden Ahmanson William Howard Ahmanson Wallis Annenberg Frank E. Baxter Suzanne Deal Booth Donald L. Bren Eli Broad Iris Cantor Mrs. Edward W. Carter Robert A. Day Janet Dreisen Jeremy G. Fair Enrique Hernandez, Jr. John F. Hotchkis Judith G. Jones Mrs. Dwight M. Kendall Mrs. Harry Lenart Abby J. Levy Robert Looker Ms. Monica C. Lozano Robert F. Maguire III William A. Mingst Mrs. Wendy Stark Morrissey Peter Norton John P. Puerner Mrs. Stewart Resnick Nancy Daly Riordan Robert Simonds Michael G. Smooke Donald Tang Sandra W. Terner James A. Thomas Christopher V. Walker Walter L. Weisman

Senior Trustees Mrs. Lionel Bell Dr. George N. Boone Mrs. William M. Carpenter Camilla Chandler Frost Stanley Grinstein Robert H. Halff Life Trustees Mrs. Howard Ahmanson Robert H. Ahmanson Robert O. Anderson Daniel Belin Julian Ganz, Jr. Joseph B. Koepfli Eric Lidow Mrs. Lillian Apodaca Weiner

Los Angeles Art Show 2004 LACMA

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Los Angeles Art Show 2004 LACMA

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Los Angeles Art Show 2004 AMC

Art Museum Council of LACMA The Art Museum Council, founded in 1952, is LACMA’s longest standing support organization, becoming active while the museum was part of the original Museum of History, Science and Art (established in Los Angeles’ Exposition Park in 1910).

Since 1956, the Council, today comprising more than 250 active members, has contributed more than $8 million to the purchase of over 100 works of art for the museum’s permanent collection.

Through its widely popular Art and Architecture Tour, held each year in April, the Council provides an opportunity for participants to view some of Los Angeles’ most important private collections and architectural gems.

A variety of other fundraising activities have enabled the Council to help underwrite major exhibitions, such as Central European AvantGardes: Exchange and Transformation, 1910–1930 in the summer of 2002. This year, the Council is the Presenting Sponsor of Renoir to Matisse: The Eye of Duncan Phillips, an exhibition of masterworks from Washington D.C.’s world-renowned Phillips Collection.

In addition, Council members operate the successful Art Rental and Sales Gallery at LACMA, providing a forum for emerging Southern California artists and the opportunity for museum members to rent and purchase art for their homes and businesses.

Council members are required to complete a year-long provisional orientation and training program and to participate in fundraising events and staffing of the Art Rental and Sales Gallery.

Through these varied activities, Council members demonstrate their ongoing dedication to the enrichment of LACMA and the facilitation of its mission.

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Los Angeles Art Show 2004 AMC

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AMC Board of Directors 2004–2005 Jill Fink Chairman Judi Grushcow and Michele Paley LA Art Show Chairmen Executive Board Terry Bell Ann Costello Patty Kraus Barbara Lashenick Janine Lichstein Gail Rachelefsky Beth Rosenbloom Ruth Lynn Sobel

Board of Directors Brenda Abramson Maxine Barens Kate Baumann Lana Bergstein Bette Baker Breen Linda Covette Mitzi Cutler Carol Fainer Edie Fischer Tracy Flatow Nancy Freedman Brenda Fritz Florence Gorlin Alison Greenberg Dorsey Griffey Diana Gutman Janis Hague Barbara Iorillo Wendy Kelman Sharyn Klein Marti Koplin Nancy Koven Ellen Korney Carole Lazar Rita Levin Anita Levine Dottie Lewis Sue Meltzer Connie Nagler Bobbi Nastro Sandra Peters Nancy Renberg Judy Richman Barbara Rosenblum Susan Savin Sherie Schneider Geri Sherman Gloria Sherwood Donna Venick Peggy Shapiro Terri Smooke Geri Sherman Janey Sweet Donna Venick Phyllis Wayne Jan Weimer

Los Angeles Art Show 2004 AMC

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LA Art Show Gala Committees Judi Grushcow Co-Chair Michele Paley Co-Chair Jill Fink AMC Chairman Beth Rosenbloom Exec. Vice-Chairman, Fundraising Brenda Abramson Anne Adelson Gail Baril Kate Baumann Miki Baumgarten Terry Bell Janet Berger Lana Bergstein Bette Breen Ann Costello Linda Covette Mitzie Cutler Margy Eberhardt Natalie Englekirk Vicki Faerstein Carol Fainer Tracy Flatow Nancy Freedman Brenda Fritz Caryl Golden-Gerson Advisor Alison Greenberg Diana Gutman Advisor

Janis Hague Karen Hand Amy Higgins Barbara Iorillo Barbara Lashenick Carole Lazar Susan Levich Marilyn Levin Susie Levin Anita Levine Janine Lichstein Ann-Rose Kaplan Nancy Kaye Sharyn Klein Ellen Korney Patty Kraus Connie Nagler Bobbi Nastro Jan Magdovitz Sharyl Overholser Melissa Pennington Joan Price Nancy Renberg Judy Richman Ina Rogal Susan Savin Harriet Scheir Allison Schenck Rita Schwartz Geri Sherman Advisor Gloria Sherwood Terri Smooke Ruth Lynn Sobel Sande Thayer Julie Waxman Meryl Wecksler Jan Weimer

Los Angeles Art Show 2004 AMC

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Los Angeles Art Show 2004 Museum Letter

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Los Angeles Art Show 2004 Museum Letter

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Los Angeles Art Show 2004 Museum Letter

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Los Angeles Art Show 2004 Museum Letter

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Los Angeles Art Show 2004 Endorsement

October 2004 Dear Patrons and Sponsors, Architectural Digest is pleased to sponsor the LA Art Show for the sixth year. We are very proud of our partnership with the Fine Art Dealers Association— and that the funds raised at this event will support the Art Museum Council of the Los Angeles County Museum of Art. Architectural Digest’s coverage of the art and antique world has become critically important to our readers, who are passionate about filling their homes with the finest art and antiques.

I would like to invite you to experience the design seminars sponsored by Architectural Digest on Saturday, October 16. One of the Los Angeles area’s top interior designers, Greg Jordan, will discuss his experiences designing around art and antique collections. Additionally, Fireman’s Fund Insurance Companies will offer expert advice on the best ways to care for and protect art and antique collections.

Enjoy the Show!

Best,

Amy R. Churgin Vice President and Publisher

The Condé Nast Publications Inc. • 4 Times Square • New York, NY • 10036 • Tel 212 286-2500 • Fax 212 286-6790 NEW YORK • LOS ANGELES • SAN FRANCISCO • ATLANTA • CHICAGO • DETROIT • BOSTON • DALLAS • HONOLULU • LONDON • MILAN • HONG KONG

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Los Angeles Art Show 2004 Endorsement

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Los Angeles Art Show 2004 Endorsement

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Los Angeles Art Show 2004 Endorsement

October 2004

Dear Patrons and Sponsors, Pacific Design Center is pleased to sponsor the Tenth Annual LA Art Show for the third year. The LA Art Show galleries and Pacific Design Center are the pinnacle resources for the interior design community.

This years LA Art Show beneficiary, the Art Museum Council of LACMA, the Los Angeles County Museum of Art, is a tremendous collaboration and extremely beneficial to the Los Angeles community.

We are most pleased with our collaboration and look forward to a long term relationship.

Sincerely,

Genevieve Morrill

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Los Angeles Art Show 2004 Endorsement

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Los Angeles Art Show 2004

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Los Angeles Art Show 2004 Official Letter

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Los Angeles Art Show 2004 Official Letter

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Los Angeles Art Show 2004 Official Letter

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Los Angeles Art Show 2004 Music

Music of the Los Angeles Art Show Opening Night Gala musical performance by

Friday-Sunday musical performances by

Sy Grossman Quartet featuring the Legendary Sam Most on Flute Jazz

Andres Condon Acoustic Guitar/Songwriter Findings Singer/Songwriter Acoustic Rock Sara Leib Jazz/Songwriter Chris Loken Classical Piano Cooper Thomson Singer/Songwriter Acoustic Skylar Thomson Singer/Songwriter Pop/Country/Cross Over …And others

For more information on performers, please visit www.laartshow.com www.findingsmusic.com

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Los Angeles Art Show 2004 Symposiums

Fine Art and the Greater Picture Friday, October 15, 2pm Gina Sofia Martelli, ASID CID

Paintings Conservation at LACMA Friday, October 15, 6pm Virginia Rasmussen, Paintings Conservator, LACMA

In today’s troubled and chaotic world, now more than ever, we must be aware of how fine arts, and our surroundings as a whole have such an impact on our moods, our emotional and physical well being and ultimately the quality of our lives.

From the cleaning of old master paintings to helping to prepare exhibitions; conservators play an integral role in the life of a museum. Conservator Virginia Rasmussen will present a behind-thescenes look at the work and world of paintings conservation at the Los Angeles County Museum of Art.

This symposium is sponsored by the Pacific Design Center and ASID Designer Selection Service

Frida Kahlo: A Mirror of Mexico Friday, October 15, 4pm Gregorio Luke, Director, Museum of Latin American Art Frida Kahlo is one of the most famous Latin American artists and an icon for the feminist movement. Born in Mexico, in 1907, Frida lived a life full of health problems including a childhood disease, a partial amputation of her leg and a gruesome bus accident that led to many operations and constant pain. Wife of the famous Mexican muralist Diego Rivera, Frida drew upon her own tragic experiences to create some of the most original and powerful paintings of the 20th century.

This symposium is sponsored by the Museum of Latin American Art

This symposium is sponsored by LACMA

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Los Angeles Art Show 2004 Symposiums

Protecting and Caring for Collections Saturday, October 16, 1pm Kathy Poppers

The Art of Anatomy Sunday, October 17, 1pm Dean Edell M.D.

Kathy Poppers, ASA, will provide tips on protecting and caring for fine art collections. Poppers, a senior member of the American Society of Appraisers, is the principal of Fine Art and Appraisal Services in Newport Beach, and for more than 20 years has been involved with private and corporate art advisory and collection management services. When acquiring special valuables, the Fireman's Fund Insurance Companies® recommends securing a professional from the American Society of Appraisers' tested, trained and accredited specialists. Knowing the value of proper insurance protection is equally important and it's a lesson best learned before loss happens.

Traditionally when the human body has been depicted in art, the image stops at the skin, as if to say that the body is not beautiful if we penetrate more deeply. The history of anatomical art tells a different story. The collaborations of artists and anatomists have produced some of the most striking images in the history of art.

Because of the subject matter much of this visual splendor has been unseen by art lovers. Hopefully man’s artistic exploration of his deeper self will excite anyone who truly loves the visual arts.

Incorporating Art into One’s Home Saturday, October 16, 3pm Greg Jordan Showing examples of his own work, acclaimed interior designer Greg Jordan will discuss how he incorporates art, antiques and collectibles into his sophisticated yet livable spaces. With a style founded on traditional principles, Jordan’s approach is thoroughly modern—he harmoniously incorporates elements from varied times and cultures. A member of Architectural Digest’s AD 100 top designers and architects, he has offices in both New York and Los Angeles.

Saturday’s symposiums are sponsored by Architectural Digest and Fireman’s Fund Insurance Company

This symposium is sponsored by the Fine Art Dealers Association

The Collector’s Eye: Duncan Phillips and His Collection Sunday, October 17, 4:30pm Mary Lenihan, art historian and museum educator at LACMA The Phillips Collection in Washington, D.C., ranks as one of the world’s outstanding art collections. The first museum in the United States to collect modern art, it is the legacy of the superb eye and collecting savvy of its founder, Duncan Phillips (1886–1966). Phillips was unique among collectors of his time in that he relied on no one to advise him. He trained his eye to recognize quality, and bought paintings that he loved. In this lecture, LACMA art historian and museum educator Mary Lenihan discusses his collection and presents behind-the-scenes stories of his most notable acquisitions.

This symposium is sponsored by LACMA

Please RSVP for lecture attendance (310) 822-9145 Free with event admission For an updated schedule of events, please visit www.laartshow.com

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Los Angeles Art Show 2004 Selected Brewery Artists

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Brewery Art Walk Deep in the a.m. hours, amongst the hush of the I-5 freeway and the eerie sounds of metal to rail screeching through the train yard near Union Station, the electricity of the Brewery swirls in the night air. Illuminated loft studios give way to creation of all mediums and the opportunity to leave one’s vision as a permanent mark for the ages.

The vision of the LA Art Show is to educate the public of the growing art world in Los Angeles. Los Angeles is becoming the synergy to all artistic mediums: visual, theatre, music, dance, etc. The LA Art Show promotes bringing these art forms together in one venue to show the diversity Los Angeles has to offer as well as to give patronage to timeless masters and exposure to future icons of the next century.

This year, The LA Art Show has spot-lighted The Brewery, the largest artist’s colony in the world, located in Downtown Los Angeles.

In a city saturated with talent, the Brewery is home to some of the most revolutionary artists in Los Angeles. With more than three hundred resident artists, emerging as well as established in their careers, the Brewery offers an aperture for the collector to the world of artistic living and to the discovery of creation at its best.

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Los Angeles Art Show 2004 Selected Brewery Artists

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1. Guillermo Bert Leonardo/Plastic Surgery, 2004 Mixed media on books with binders and laser cutter, 18 x 36 inches

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“I’m beginning with the classic and Renaissance images, figures that transcend time. The laser cutting, which gives depth and dimension to the work, creates a sort of X-ray effect, revealing the interior-almost soul-of the image.”

2. Eugenia Butler Structural Lens, 2001 Pigments with colored pencils and pastel on paper, 55 x 43 inches

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“My work is informed by a passionate physical curiosity as to how to see, discover, explicate – even inebriate – the bridge between these edgily glimpsed meta-realities, and ordinary reality – in all its physical glamour.”

3. Barbara Hashimoto 140 Pages, 2004 Ceramic, book, encaustic, dye in maple box, 8 1/2 x 46 x 7 inches 12

“Though the role of materiality is significant, my work is research-based and conceptually driven, addressing themes such as women’s societal roles, cross cultural identity and “…the structures and strategies of power.”

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4. James Hill Modern Couple 4, 2003 Steel with patina on concrete, 10 x 31 x 9 inches “…I have moved to single shapes such as Spark of Life and Modern Couple.

I have found this expression of shape to be very pleasing after the different phases I have been through over the past 20 years of creating sculpture.”

Los Angeles Art Show 2004 Selected Brewery Artists

5. Iva Hladis Engagement Thrift Store Style, 2002 Oil on linen, 66 x 28 inches “Love, loss, isolation, fear, hope…the focus of my work has always been on the trials one faces in life. I revere the deepest emotions in people, the hidden feelings, the inner realities we are sometimes afraid to confront. This is what I offer in my paintings.”

6. Dave Lefner Fit for a King, 2002 Reductive linocut, 43 x 65 inches “In perfecting my art, I’ve worked hard to create in a medium that is the antithesis of today’s modern technology. But working in this relatively obscure art form means I must work twice as hard to not only draw the viewer in with my images, but to also try to explain the process as well.”

7. Mela M. Angled Views, 2003 Acrylic and bees wax on panel, 18 x 19 x 2 inches “Most of my work is not in the conventional square or rectangular painting formats. The shapes help to introduce the illusion of form and space and the perspective of looking at paintings from various angles and positions.”

8. Jim Payne Portraits, 1976 to Present 3-D Photography, Installation “His intent is to document friends, neighbors, and family for a period of 40 years to create a visual record that will reflect geographic, economical, professional, and lifestyle choices.”

9. Genevieve Pepin Carmen, 2004 Ink jet print on archival paper, 36 x 48 inches “This is a film still, taken from personal 8mm home video footage from the 60’s. The footage has been digitized, and brought into the computer. This image was shot from the computer screen by a digital camera and brought back into the computer to be printed.”

10. Nicholas Radell Manzanar Reward 395, 2001 Mixed media metal and neon, 6 x 3 x 5 feet “I strive to achieve a visual balance between very different mediums. For a piece to be successful, I must find a way to make neon, steel, and glass to be equally dynamic and yet independent.”

11. Nathan Rohlander Family Portrait, 2003 Oil on canvas, 40 x 60 x 2 inches “As a figurative painter, my work is about identity and the human condition. My “Shoe Portraits” began in 1998 when I decided to focus on what I consider to be the number one human accessory, shoes.”

12. Amy Runyen Yanira, 2004 Mixed media on board, 30 x 20 1/2 x 1 1/2 inches “As an artist committed to revealing my esteem for the working class poor, my recent works are an homage to those immigrants and under privileged, invisible people of American society.”

13. Pascual Sisto Wholeness and the Implicate Order Video “Today video equals reality. We are giving the video images full trust in a world filled with manipulations. Empty parking lots, corner mall, freeway bridges, cement and concrete, all ingredients in this concentrated micro-cosmos of this humanity we call Los Angeles.”

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Los Angeles Art Show 2004 Vignettes

Gina Sofia Martelli Gina Sofia Martelli has been a professional member of the American Society of Interior Designers (ASID) for 25 years, and is certified to practice interior design in California.

A professional degree from prominent New York School of Interior Design, enhanced by living over 10 years in Paris, Rome, and Milan, developed her unique perspective in European Fine Arts and Antiques.

She acquired an impressive expertise in Classic Design Styles, Fine Arts, and Antiques as Interior Design Director of a prominent east coast Fine Arts and Antiques gallery for 15 years, requiring extensive global travel.

As a designer, she collaborates with clients to create ambiances that fulfill their dreams, excite their passions, and comfort their souls. Her designs transcend time, style, and space with an aura of enchantment.

Through the artistic process of blending scale, texture, color and light, she achieves harmony, balance and order‌ a livable work of art!

Charlie Platero Jr. Interior Designer Charlie Platero Jr. practices residential and commercial design throughout California and the East Coast and soon to be involved internationally. Charlie Platero Jr., Allied ASID combines a fresh, innovative design sensibility with an unwavering dedication to achieving their clients’ vision. Their creative use of classic elements along with the latest technological innovations in home interiors results in elegant designs that are both exciting and efficient. In addition to their residential and corporate projects, Charlie Platero Jr., Allied ASID also has experience in film, television, event design and is an active member of the American Society of Interior Designers (ASID) and currently serves as a Los Angeles ASID Chapter Committee Chairman.

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Los Angeles Art Show 2004 Article

Dennis Doheny William A. Karges Fine Art is proud to exclusively represent the work of Dennis Doheny, widely recognized as one of California’s premiere landscape artists.

Dennis Doheny is a third generation Californian, born and raised in Santa Monica.

After stints in Lake Tahoe and Big Sur, Dennis and his wife moved to Santa Barbara, where they currently reside. Since exhibiting with Karges Fine Art, he has developed a strong national following. Museums, galleries, and art admirers are captivated by Dennis’ beautiful renderings of the West. Doheny’s ability to capture a particular moment in time is reminiscent of earlier schools of painting.

His gift of rendering light reminds one of the great Impressionists, yet the dramatic, often heroic aspects of his paintings are more reminiscent of the Hudson River School artists of the 19th Century. He cites the work of William Wendt (1865-1946) as his greatest artistic influence, but Dennis’ paintings remain decidedly contemporary.

During his early years, Dennis spent a great deal of time on his father’s ranch in Santa Barbara. He credits these experiences and his father for providing him with a great appreciation of nature. Dennis also credits his father for introducing him to art. The elder Doheny frequently painted recreatio nally. When he noticed Dennis’ great interest in his work, he began to teach his son the fundamentals of art. Dennis spent much of his adolescence drawing and painting. After graduating from Palisades High School in 1974, Dennis traveled around the world with “World Campus Afloat.” Fascinated by the aesthetic diversity he witnessed on his voyage, Dennis returned to paint his own visual experience of California. Dennis exhibited the resulting work with the Peterson Gallery in Beverly Hills. Galleries in La Jolla, Carmel, and Tahoe City have also handled his paintings.

From 1986 until 1996, Dennis supported his family with a steady career in technical illustration. Coincidence led Dennis to Karges Fine Art, where the gallery Director, Whitney Ganz, and gallery owner, Bill Karges, decided to break their rule of only showing deceased artists to accommodate Doheny’s talent. Over his last seven years Dennis’ audience has grown exponentially.

A number of awards testify to the quality

of Dennis’ work. Most recently he won the 2003 Masters of the American West Award at the Autry Museum of Western Heritage. His exhibition painting, Announcement of Fall, was purchased by that institution. Other awards include first place in the Carmel Plein-Air Painting Competition in May of 1998. Dennis also earned Honorable Mention in the California Art Club’s 89th Annual Gold Medal Exhibition in May of 1999. Additionally, Dennis won the Granville Redmond Memorial Purchase Prize at the first “Spring Salon” in June of 2000. The winning painting of that competition, titled New Dawn, was made the inaugural purchase of the future California Art Academy and Museum. New Dawn was subsequently chosen as the poster image for the Fine Art Dealer’s Association Los Angeles Art Show held at UCLA in September 2000.

To quote the magazine Art-Talk, Doheny’s “landscapes can hang next to William Wendt’s… and hold their own without straining a bit.” When asked about his comparison with Wendt, Dennis has replied: “My work is a little more realistic than the old California painters, but I’m looking for the same thing— a feel for the sense of place. That’s why I like Wendt so much. He had a wonderful feel for that.”

Dennis Doheny’s warm, flowing landscapes create a unique place in the genre of California landscape painting. His exceptional talent allows him to paint the palette and light of a fleeting moment in time with refreshing intensity. Fusing the legacy of early California painting with his own artist’s vision of nature, Doheny produces work that appeals to the 21st Century collector.

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Los Angeles Art Show 2004 Article

Hovsep Pushman (1877–1966) Although Armenian American artist Hovsep Pushman (1877-1966) is but a “foot note” in the book “American Still Life Painting” by William Gerts and Russell Burk, he was a major “footprint” on American art. As one of America’s most successful painters, Hovsep Pushman was honored with medals at the Paris Salons and accolades from his peers.

His contribution to American art is best summed up the 1932 article “Immigrant’s gift to American Art”, The Illuminator, Allen E. Eaton, NY, Russell Sage Foundation: “Hovsep Pushman, an American artist of Armenian birth, is an excellent craftsman and he finds in objects of the East models of form and color which he paints with rare fidelity. No American painter has equaled him in the skill or beauty with which he portrays these striking types” When contemplating the works of Hovsep Pushman, you must take a moment to savor its depth as you were exploring the complexities of great Bordeaux or the mysteries of a beautiful woman. Step closer, close enough to smell the pigment, caress the texture and witness an array of abstract jeweled objects unique to the history of civilization; a bronze chalice from Persia, a Turkish plate or a fiery opalescent vase from Pompeii effortlessly molded by the mystery of light and shadow.

The ever present dying rose is the symbol of our mortality; the apple blossom, new life and wisdom, an open book. He used the oriental male and female figures to represent the ancient legends and epitomize the experience of life. Often he used a sacred horse, a long robed statuette of a woman, a six-armed Deity, the Buddha god of peace, the warrior, and the nude female figure, which is emerging from her veils that are the “Mystery of Life.”

His meticulously arranged objects are place against a contrasting back drop of rare centuries old tapestries, textiles and ancient Tibetan Tsongas to create an atmosphere of nocturnal and contemplative intimacy.

Like his still lifes, Pushman’s figurative works play upon our emotions. He uses color

like the musician, soothing us with exquisite harmonies, enlivening us with dramatic contrast, or melting us almost to tears with tender passages of tone. The art of this gentle art man awakens in us a new thrill of sympathy and that through the medium of a technique whose sole concern is beauty. Into the soft black velvety eyes of an Armenian maid or matron he can throw pathos that is heart rendering, and this without in any way disturbing the pensive, serene loveliness of the woman herself.

In 1919, author Harold Bell Wright wrote a poem to describe a painting the Mr. Pushman had given to him while living at the Mission Inn in Riverside, California. Here are some excerpts from Wright’s poem describing his feelings toward “An Armenian Girl.”

To Hovsep Pushman: An Armenian Girl, 1919 What wondrous magic hath this brush of thine, Thou painter of the truth that doth so deep Beneath the surface of our being lie.

What colors these that thou dost make to voice?

In Loveliness so rare the mystic call Of verities that live so close to God. From whom hast thou the cunning thus to catch, With net of pigments on the palette set, This potent beauty that so shyly lurks In the sweet wilderness of this fair flesh? … I look into those eyes: deep wells they are Of that eternal mystery which God Doth ever hide in lovely womanhood, And, hiding thus, doth still reveal; and from The deepest depth of this that is myself…

Goes forth a something that is more than love— … Find, if thou canst, my artist-friend, in these Rude and halting words of mine a token Of my love for thee and tribute to a Master I would serve gladly and with pride.

“Mission Inn” Feb. 1919 Harold Bell Wright

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Los Angeles Art Show 2004 Article

Joseph Raphael (1869–1950) Joseph Raphael was one of the most accomplished and innovative artists to emerge from California. Over the course of several decades, his art went through an amazing evolution, an artistic journey through many stylistic phases. He worked first in a naturalist vein and then, more spectacularly, as a master of Post-Impressionist and Expressionist strategies. At their finest, his achievements vie with any of those of the best American painters of his day.

Raphael demonstrated an early affinity for art by copying the works of such popular illustrators as Charles Dana Gibson. In 1888, he entered the Mark Hopkins Institute of the San Francisco Art Association. During his four-year course of study, he won a prestigious scholarship, in addition to receiving employment as a teaching assistant.

Raphael was active in the San Francisco area during the 1890s, first as a newspaper illustrator and later as a sign painter. By 1903 he had saved enough money to pursue studies in Paris. He attended classes at the Ecole des Beaux-Arts and at the Académie Julian under Jean-Paul Laurens. During this Parisian interval, he supported himself by creating illustrations for a number of French magazines. The same year Raphael discovered the artist's colony in the charming town of Laren, southeast of Amsterdam, and until 1911, he divided his time between that community and Paris. During his sojourn in Laren he produced work that reflects the sombre, tonal genre scenes of the Hague School artists. Its merit was acknowledged in 1906 when Raphael received an honorable mention at the Paris Salon for The Feast of the Burgomaster. Also in 1906, his oil The Town Crier was purchased from a San Francisco Art Association exhibition and donated to the M. H. de Young Museum.

In 1910, Raphael stayed for eight months in San Francisco, where he exhibited his predominantly figural Dutch series at the Art Association. Following his return to Laren in 1912, he married Johanna Jongkindt and moved to a small cottage in Uccle, a suburb of Brussels. Raphael's Uccle works are characterized by luminous renditions of his bountiful flower and vegetable garden, painted with a light palette and broad divisionist strokes, reflecting his study in Paris. This vibrant style earned the artist the silver medal at the 1915 Panama Pacific International Exposition, where six of his canvases were displayed.

In the teens, Raphael discovered a new outlet for his talents, that of etching. By 1913, his first prints began appearing at the California Association of Etchers. A warinduced shortage of art materials, beginning around 1918, prompted the artist to turn to alternate media, and he began to work in pen and ink, watercolor and woodcut, for which supplies were more available.

Throughout the 1920s and early 1930s, Raphael continued to send oils, etchings, watercolors and woodcuts to exhibitions in California, establishing a continuing reputation in the Bay area in spite of his prolonged absence.

The Depression years were difficult for the Raphael family. In 1934, increasing rent forced them to move to Oegstgeest, a suburb of Leiden, where the artist again had space for a vegetable and flower garden, by now a favorite subject. In 1939, Raphael visited San Francisco, taking along many paintings and prints created during the 1930s. The outbreak of World War II prevented his return to Europe and unfortunately he was unable to see his wife before she died in 1945. Instead, he remained in San Francisco, continuing his successful career with sunlit scenes of Northern California, until his death in 1950.

Although Joseph Raphael spent most of his life in Europe, he is considered one of the foremost exponents of Northern California Impressionism. He is widely acclaimed for his original and vigorous outdoor scenes.

Raphael's work is represented in the collections of the Los Angeles County Museum of Art; the M. H. de Young Museum, San Francisco; the Oakland Museum of California; the San Diego Museum of Art; the Stanford University Museum and Art Gallery; and many other public and private collections.

CIO © The essay herein is the property of Spanierman Gallery, LLC and is copyrighted by Spanierman Gallery, LLC. It may not be reproduced without written permission from Spanierman Gallery, LLC nor shown or communicated to anyone without due credit being given to Spanierman Gallery, LLC.

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Los Angeles Art Show 2004 Article

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Giacomo Manzù & Lynn Chadwick It is probable that Giacomo Manzù was influenced by Donatello, both in his exploration of very low relief and in the feeling of religious imagery. As early as the 1920s, Manzù developed the major themes that would occupy him for a lifetime, creating relief sculptures based on religious narratives and portrait studies noted for their realism.

Manzù’s first commission, decorations for a chapel in Milan, received favorable responses, but it was during the Second World War when he produced the first mature versions of his “cardinals.” What is perhaps his most important work, the official Vatican commission for the portal of St. Peter’s Cathedral in Rome, thrust the artist into the ranks of history’s most eminent sculptors.

His well-controlled hand is also seen in his drawings. Whatever the medium—ink, pencil, chalk or pastel—Manzù’s line perfectly illustrates the form and show him to be a passionate purveyor of the world around him.

This dichotomy of the sacred and profane has contributed to the worldwide appreciation of his work.

Lynn Chadwick came late to sculpture. When he won the Sculpture Prize at the XXVIII Venice Biennale in 1956, he was 41 and had been a full-time sculptor for barely 6 years.

Chadwick came of age as an artist after World War II, when a mood of existential anxiety converged with traditions of humanistic representation and Modernist abstraction. His route to sculpture was through architectural design and construction. He attached great importance to the fundamental structure of his work. His first attempts consisted of suspended constructions, which allowed them to find their own natural equilibrium. Chadwick eliminated the kinetic elements from his sculpture but continued to use construction and assemblage methods rather than carving or modeling.

From the playful but acutely observed Teddy Boy and Girl series of the 1950s, the Beasts of the 1960s, to the seated, standing or striding figures of the 1970s and 1980s, Chadwick’s preoccupation with specific formal problems and themes becomes apparent. However modern his techniques might have been, his concern was the sculptor’s traditional one of giving life and expression to a three-dimensional object.

Top to bottom: Giacomo Manzù, Donna Distesa, 1976 Tempera on paper, 14 1/8 by 20 inches Lynn Chadwick, Beast (Sitting Lion), 1990 Bronze, 17 inches high Lynn Chadwick, Teddy Boy and Girl, 1955 Bronze, 75 inches high

Los Angeles Art Show 2004 Article

Jim Dine — A personal expression “In 1959, Dine began his lifelong obsession with the themes of the self, the body, and memory through a variety of mediums — painting, performance, mixed-media assemblage, and sculpture. Apparent in nearly all Dine’s early works are his use of everyday objects as surrogates for the body, a focus on iconic imagery, and an interest in evoking or naming things through the written or spoken word in conjunction with their visual equivalents.

Dine arrived in New York City from Cincinnati in 1958 and quickly established himself within the avant-garde art scene.

The Judson Gallery, which opened at the beginning of 1959 in the basement of the Judson Memorial Church in Manhattan’s Greenwich Village, provided him with the first forum to show his work in New York and, in 1960, the opportunity to create his first environment, The House, and to stage his first performance piece, The Smiling Workman.

During this period, Dine began combining painting and objects (found objects or storebought items) to create collage-paintings and assemblages that are highly emotional and personal in content. With their vigorous brushstrokes, these works echo the Abstract Expressionists’ concern with the process of painting as a means of articulating the self.

Dine also began to address his identity and physicality through images of thickly painted palettes (or actual palettes affixed to canvases) and oversize color charts, which suggest the basic artifacts of his profession and the presence of the artist. Such references to the self became more direct in 1964 in a series of assemblages featuring images of men’s suits and in another series based on an illustration of a bathrobe that Dine saw in a newspaper advertisement.

A typical example of a bathrobe Dine painted in 1964 shows the robe as sharply delineated and decorated with physical objects (a chain, a watch) and seems to anticipate inhabitation by the artist’s body.

Dine went further in exploring his ideas about objects in a series of painted, three-dimensional sculptures of tools, furniture, and boots that he began making during a two-year hiatus from painting, starting in 1966. The cool objectivity of the Pop art movement, with which such pedestrian imagery was irrevocably linked, contrasted with the intimate articulations of Dine’s work and provoked art historian Alan

Solomon’s 1967 essay about Dine, “Hot Artist in a Cool Time.” Today in time, Dine has continued his exploration of figure and form.

Examples of his Hearts, Bathrobes, “wife as muse” and the ever-present Venus continue as reoccurring themes in Dine’s work.

Jonathan Novak Contemporary Art represents Jim Dine for southern California exhibiting examples of drawings, paintings, sculptures as well as prints.

Excerpts courtesy of the Guggenheim Museum and Kara Vander Weg, Project Curatorial Assistant

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Los Angeles Art Show 2004 Special Thanks

Kim Martindale of K.R. Martindale Show Management Would like to thank the following for their contributions:

Andrea Rich President and Director Christopher Clinton Conway Anne-Marie Woods Sarah Gilfillan Joshua Petker Bettina Korek Michael Ryan Laurel Zeno Aileen Fraser Jon Weisman Gantry Jackson LACMA Jill Fink Beth Rosenbloom Judi Grushcow Michele Paley And all of the Art Museum Council FADA Board Members Fine Art Dealers Association Beth-Ann Finerman Wendy Landau Beth Mahoney Amy Soule Architectural Digest Paige Petrone Venice Magazine Genevieve Morrill Pacific Design Center Charlie Platero Jr. Gina Martelli Designer Vignette Symposium

Dean Edell M.D. Greg Jordan Mary Lenihan Gregorio Luke Kathy Poppers Virginia Rasmussen Symposiums Jean Marc Jill and John Distinc Design Alison and Alexia double A Public Relations Richard, Aaron, Chris, and Roy Paper Chase Printing, Inc. Matt Abbey Event Services Chansoth Migletz Erin Hurff Jentges Production Services Jim Waterbury Lisa Lefner Peter A. Lovello Ruthe London Vetting Committee Participating: Beverage Companies Galleries Museums Musicians Publications and Media Restaurants Sponsors Barker Hangar Staff The crew, friends, and family As well as the advertisers

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The Autry has moved Yellowstone to LA… Visit Drawn to Yellowstone: Artists in America’s First National Park through January 24, 2005.

91 historic paintings featuring Albert Bierstadt, Thomas Moran, Frederic Remington, Birger Sandzén.

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Left page: Thomas Moran (1837—1926), Golden Gate, Yellowstone National Park, 1893, oil on canvas.

Buffalo Bill Historical Center, Cody, WY; 4.75 Right page: Masters of the American West 2004 Thomas Moran Memorial Award for Painting Presented to Mian Situ.

Toy Maker of Ross Alley, San Francisco, 1906. Given in recognition of exceptional artistic merit for painting.

… and soon will be filled with fresh paint.

Do not miss Masters of the American West Exhibition and Sale February 5— March 6, 2005.

75 artists exhibiting recent works including Dennis Doheny, Bob Kuhn, Mian Situ, Morgan Weistling.

Limited time only at the Autry

Museum of the American West 323.667.2000 • www.autrynationalcenter.org Where the 5 and 134 meet in Griffith Park

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Los Angeles Art Show 2004 Supporter

The Irvine Museum The Irvine Museum is dedicated to the preservation and display of California art of the Impressionist Period (1890–1930). The Irvine Museum embraces a principal role in the education and furtherance of this beautiful and important regional variant of American Impressionism that has come to be associated with California and its remarkable landscape.

Location:

18881 Von Karman Avenue Ste. 100 (Ground Level) Irvine, California 92612 Information and Directions: (949) 476-2565 Offices: (949) 476-0294 Open: Tuesday through Saturday, 11 a.m. to 5 p.m.

Free Admission and Free Parking

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Opening Night Gala Sponsor List $5000 Platinum Sponsor Hilary and Neil McLean Lynda and Stewart Resnick $2500 Gold Sponsor Mr. & Mrs. Steven Nagelberg $1000 Silver Sponsor Terry and Lionel Bell Laura Deibel Jill and Jonathan Fink Caryl Golden and Dr. Jim Gerson Judith and Steaven K. Jones Michele Paley and Len Blonder Geri and Jim Sherman Tom and Janet Unterman $500 Bronze Sponsor Mrs. Allan Adler Gail and George Baril Kate and William Baumann Diane and Ken Bishop Richard and Ann Costello Mr. and Mrs. Howard Deshong, Jr. Margy and Jerry Eberhardt Nancy and Gary Freedman Cindy Frey Erika Glazer Judi and Alan Grushcow Janice and Charles Holland Ellen and Michael Korney Nancy Koven and Carter Omens Dr. Oscar and Trudy Lemer Anita and Saul Levine Abby and Alan D. Levy Janine and Henry Lichstein Lee and Saundra Minshull Mr. and Mrs. Jerry Muchin Shari Rezai Nancy and Arthur Rosenbloom Susan and Morris Savin Dory and Isaac Soffer Mark Sturza Jason and Maribeth Toth Carol and Nelson Zand Susan and Ed Zolla

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