June 11, 2009
SERVING LOS ANGELES AND SURROUNDING AREAS
Vol. XXX, No. 1131
Plan to Sell Off California Landmarks Questioned
FIRST COLUMN
1st Black Female Rabbi Spent Years Searching BY LISA CORNWELL AP WRITER
CINCINNATI (AP) — Alysa Stanton began quenching her spiritual thirst early, discovering Judaism after a search that began at age 9 and worried her mother only when a man called the house one night asking for her youngest child. Turns out he was a priest Stanton had contacted to ask
questions about Catholicism, part of a road that took her through charismatic Christian and Eastern faiths and finally to a position that experts say makes her mainstream Judaism’s first ordained black female rabbi. “I was considered an ‘old soul’ even when I was young, because my family believed I had See FEMALE RABBI, page 12
AP PHOTO/THE CINCINNATI ENQUIRER, JEFF SWINGER
UP FOR THE TASK — Alysa Stanton, who is believed to be the first black female rabbi in mainstream Judaism, after her ordination at Hebrew Union College in Cincinnati, Ohio, June 6. Stanton will serve as the rabbi of Congregation Bayt Shalom in Greenville, N.C., this summer.
BY SAMANTHA YOUNG AP WRITER
SACRAMENTO (AP) — Gov. Arnold Schwarzenegger wants to put some of California’s biggest landmarks up for sale to help erase a $24 billion budget deficit. Among them: San Quentin State Prison, Los Angeles Memorial Coliseum, the California State Fairgrounds. It is an idea fraught with questions, the biggest being: How can California taxpayers possibly get a good deal in this slumping real estate market? Schwarzenegger, who has also proposed deep cuts in education, health care, welfare and parks, wants to sell off some property outright, sell office buildings and then rent them back from the new landlords, and lease some state land to developers. “Everywhere I go, I hear stories about families selling off their boats and motorcycles to make ends meet. They have garage sales and yard sales,” he told state lawmakers last week, offering his rationale for selling assets. “They know that you don’t have or keep a boat at the dock when you can’t put food on the table.” The governor said California could generate $3 billion from selling seven landmarks and 11 office buildings scattered around the state.
Is L.A. Experiencing a Rebirth of Black Theater? BY DARLENE DONLOE CONTRIBUTING WRITER
Black theater is alive and as well as can be expected in Los Angeles. It’s no secret that the City of Angels is not regarded as a theater town. Its identity, and rightly so, is that of a mecca for both the television and film industries. But, with a number of “black” plays consistently up and running every weekend at local theaters, to the casual observer it could look like there is a resurgence of “black” theatrical productions in Tinseltown. A sampling of more high-profile “black” shows mounted this year include: “Stormy Weather” which broke records at the Pasadena Playhouse; “Crowns,” an Ebony Repertory Theatre production currently playing at the Nate Holden Performing Arts Center; “Stick Fly,” still running at the Matrix Theater; “Bronzeville,” a Robey Theatre Co. production which had a successful stint at The New LATC; “Ceremonies in Dark Old Men,” at the Skirball Cultural Center; “Ain’t Misbehavin,’ ” at the Ahmanson Theatre and “Gospel, Gospel, Gospel” at the Wilshire Ebell Theatre. For every high-profile black play mounted in Los Angeles, there are numerous smaller shows in production throughout the city. But looks can be deceiving. According to several L.A. theater veterans, it may appear like there’s a resurgence of black shows,
‘CROWNS’ — Angela WildflowerPolk and veteran stage and screen actress Paula Kelly, two cast members of “Crowns,” the Regina Taylor play.
but after all — this is Hollywood — it could all be just smoke and mirrors. All agreed there is no resurgence, but there is hope. “When you talk about a resurgence, there has to be something new coming forth,” said “Stick Fly” director Shirley Jo Finney, who also helmed the 2005 drama “Yellowman.” “I don’t see new stories and new writers being introduced — so it’s not resurgence,” she said. “I’m going to say there is an interest and a portal being opened. If you do revivals of work, that is one thing.
Resurgence means new stories.” Theater veteran Israel Hicks, who has been doing productions since 1969 and is currently directing “Crowns” for the Ebony Repertory Theatre (ERT), agreed. “I don’t see resurgence,” he said. “I hear there is one, but I don’t see it. Looking around the country, it’s not happening like that. If it was, we’d see more actors, directors and playwrights. We can’t survive simply by using the old material. We have to write about today from a different perspective. It’s going to change during the writing.” ERT founder and producer Wren T. Brown said he was “hopeful” there was resurgence because resurgence speaks to volume. “I’m not seeing the volume in Los Angeles or around the country,” Brown said. “However, I know there are countless voices. I think there is a tremendous opportunity for a rebirth. We are achieving in so many ways that we have even more stories to tell. We as a people have broadened our discussion.” “As someone who has worked in theater, black theater has always been incredibly strong,” said Sheldon Epps, artistic director of the Pasadena Playhouse. “The audience has always been there. When something is offered that is of quality and appeal, that audience will come out and see the plays and See BLACK THEATER, page 10
In most cases, however, it would take a few years to complete the sales, doing nothing for California’s immediate budget crisis. Moreover, selling in the middle of a recession and a downturn in real estate is a questionable proposition. “Fundamentally, this is the wrong time to do this,” said Robert Griswold, a real estate author and member of the planning commission in San Diego. “The market is down and is now in the favor of people looking to buy these properties and not in the favor of the state.” Fred Aguiar, Schwarzenegger’s secretary of consumer services, defended the proposal, saying many of the properties cannot be compared to ordinary commercial or retail space because they are unique and often sit on prime land. He said potential buyers have already inquired about the sites, though he would not identify them. “These are some very valuable properties,” Aguiar said. “When you start a bidding process on valuable properties, I think a lot of people will be surprised at the kind of prices they will fetch.” The state estimates that San Quentin Prison — situated on 488 picturesque acres on the San Francisco Bay — could bring in $1 billion in today’s market. It is widely assumed that any buyer would be
interested primarily in the land and might tear down all or some of the 1880s prison to make way for condos or some other development. It is unclear, however, where California’s death row would be housed, and how long it would take to move the prison’s 5,150 inmates — a process that could cost many millions of dollars and eat into any proceeds from San Quentin’s sale. The state has not put a price tag on the Los Angeles Memorial Coliseum but estimates any sale of the 86-year-old stadium could take two to three years. The expectation is that a buyer would continue to operate the stadium, which can seat more than 100,000 people and was the site of the 1932 and ’84 Summer Olympics. Democratic state Sen. Rod Wright said lawmakers should be careful about holding a fire sale of valuable landmarks. “When New York was in the middle of a crisis, they never considered taking out Central Park,” Wright said. “It would be like the Romans trying to sell the Trevi Fountain or the French trying to sell the Arc de Triomphe, or the British trying to sell London Bridge. Those are landmarks.” (Actually, the British did sell London Bridge, which was shipped to the United States See LANDMARKS, page 5
NEWS IN BRIEF THE SOUTHLAND Chief Bratton Hopeful Consent Decree Will End (AP) — Police Chief William Bratton said June 4 he was optimistic that a federal judge would end an agreement with the U.S. Justice Department that has governed policies of the Los Angeles Police Department since 2001, when the force was emerging from several years of scandal and corruption. Police department attorneys were scheduled on June 8 to ask U.S. District Judge Gary Feess to allow the so-called consent decree to expire on June 16. But Feess postponed the hearing until next week, June 15. Bratton said he hopes the judge acknowledges how far the department has come in the last eight years but remains cautious about his expectations. The city agreed to allow oversight of the police department by federal monitors after the Justice Department threatened to sue the city over a pattern of police misconduct. Two high-profile cases from the 1990s included the beating of Rodney King and the Rampart division corruption scandal in which officers beat, shot and framed suspects, dealt drugs and covered up their crimes. The judge could extend the decree by two years if Feess finds
the department does not meet three conditions: financial disclosure for officers in gang and narcotics units, video cameras in patrol cars, and a computer system to track complaints against officers.
THE STATE California Legislators Reject Education Cuts SACRAMENTO — Legislative budget committees are refusing to end state college financial aid or cut most state funding from Hastings College of the Law. Rejecting Gov. Arnold Schwarzenegger’s two proposals means lawmakers will have to find $235 million to trim elsewhere in the budget. Legislators must quickly close a $24.3 billion budget hole before the state runs out of money. But Senate Budget Committee chairwoman Denise Ducheny, a Democrat from San Diego, says the state can’t drop the Cal Grant program that will help 77,000 lowand moderate-income students enter college this year. San Francisco Democratic Sen. Mark Leno said ending aid to San Francisco-based Hastings law school is unfair because it is deeper than cuts facing other University of California programs. Information from: The Sacramento Bee, www.sacbee.com. See BRIEFS, page 6