English dp loci anima les fauvettes

Cinema Les Fauvettes in Paris loci anima December 2015 loci anima

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1937

1900: La Fauvette is a ballroom and then a café-concert hall managed by Ernest Pacra, whose name is up on the bill board.

1903: Permanent cinema theatres do not yet exist, but the number of film projections in café-concert halls is increasing. The magical, colourful AliBaba and the 40 Thieves and Journey to the Moon by Georges Méliès, one of the first cinema successes, are shown at La Fauvette.

1937: The theatre is turned into a 1,000 seat cinema theatre.

1992: La Fauvette is renamed Gaumont Gobelins.

2015: The theatre takes the name Les Fauvettes with a new programme dedicated to restored films.

No. 58 avenue des Gobelins is an address that is steeped in history. A cultural space for more than a century, successively a cafe-concert hall then a cinema, it is a key space in the life of the Gobelins neighbourhood.

The new cinema, Les Fauvettes, stunningly restored by Françoise Raynaud, founding architect of the firm loci anima, reconnects with this unifying spirit at the level of the neighbourhood. In the heart of the Gobelins, Les Fauvettes provides the public with an opportunity to watch (or to watch again) classic films that are emblematic of their era, in versions that have been restored by the Seydoux-Pathé foundation. More than an unusual cinema theatre, Les Fauvettes is unquestionably a groundbreaking complex in cinema theatre architecture. loci anima has given a great deal of thought to the impact of changing social practices and of the technological upheaval in the audio-visual world, on the cinema space. The project ambitiously ushers in a completely new way of using the cinema theatre. With original programming, a light and open space that encourages people to express themselves and to share, and also a lays down a challenge – get people to be together, to talk to each other and exchange ideas in the heart of the city.

The architectural approach is fully in line with this intention. Entering Les Fauvettes is almost like entering an image. Its two facades are completely covered in giant pixels that have been staggered one behind the other so as to form mysterious screens that invite the visitor to venture further into the

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theatre. This digital installation was imagined by Françoise Raynaud and created by the artist Miguel Chevalier.

The screens display the trailers for films that are showing by mixing them using software that was designed especially for this purpose by the artist.

The animated image is audaciously integrated into a public space in Paris, a city which has been notoriously reluctant to embrace this type of practice. So 58 avenue des Gobelins and 4 rue Abel Hovelacq have, since the opening of Les Fauvettes, taken on the look of Broadway or Shinjuku.

Les Fauvettes is turning a new page in the history of in-town cinema theatres by creating a strong link with the neighbourhood in a reciprocal game of visibility.

Although we enter the theatre through the traditional dark corridor, we’re surprised to discover a roomy atrium bathed in light, opening onto a Japanese-style patio. The colour white, wood and glass, omnipresent in the spaces, reinforce this spirit. The patio draws in the eye and encourages people to wander out at the same time as it subtly gives a finishing touch to the spaces that surround it. This greenspace is a stunning light shaft through which we can see as we walk around, contemplating the space. The lift is made from glass in a wooden framework and helps to create the impression of a space in perpetual mutation, the mood of which varies depending on the light and on the weather. But the holes drilled in the walls and the atrium provide a view from the theatre of the flats and other adjacent buildings to which somehow

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or another the theatre is attached, like a climbing plant. Open onto two perpendicular streets (the avenue des Gobelin and the rue Abel Holvacq), the theatre gives the appearance of a passageway, cutting its way through a typical Parisian island.

After having taken in the visitor, the pixels on the façade turn out to be the ends of the wooden beams that decorate its walls. These are what really structure the theatre and support the immense atrium, crisscrossing each other in an ingenious system which accentuates the expansion towards the street.

Breaking firmly with “classical» architecture for cinema theatres, which are most often black boxes from which the spectator is ejected through a backdoor after the film ends, Françoise Raynaud worked with Jérôme Seydoux to imagine a space that evoked emotions, sharing and encounters, using wood, light and plants. Striking a better balance between projection rooms and public spaces, the project really does invite the visitor to spend time in the space, both before and after films are shown. There is a bar serving light snacks and an area for relaxing furnished with comfy sofas, with both of these spaces decorated by Jacques Grange.

This original space is the perfect setting for an original project, as Les Fauvettes shows great films that have impacted on their times, regardless of the era, in versions that have been restored by the Seydoux-Pathé foundation. This foundation has worked on the soundtracks and images of over 3,000 films shot using silver film in order to restore them as faithfully

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as possible to their original texture.

The restored films are also converted into digital format to ensure that they will be enjoyed for a long time to come. It is now possible to discover or to rediscover these films on the big screen, in the most comfortable conditions possible. In order to be able to meet this challenge, Les Fauvette has five theatres (compared with the seven of the Gaumont) and in each of these theatres the number of seats has been reduced, going from 475 to 199 seats in the big theatre, providing the spectator with a comfortable space featuring very large seats. The sloped incline of the theatres mean that the screen is visible from every seat.

Although the seats are still red as in Gaumont theatres, the architect has worked with the lighting to give them more soul.

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Les Fauvettes

Interview with Françoise Raynaud, architect founder of loci anima architecture

The Les Fauvettes project was an exceptional construction work.

FR Les Fauvettes involved the total transformation of a space that had previously housed the former Gaumont Gobelins cinema theatre, on an enclaved block in Paris. The challenge was to create more space and to make the space comfortable, turning Les Fauvettes into a space that people wanted to spend time in and to return to. First of all, we had to rethink and rebuild the theatres in line with current standards. We enlarged the screens and the spaces between the rows, reducing the number of seats from 1146 to 646. In the theatres, only a halo of red light brings out the colour of the seats. The interior spaces were decorated by Jacques Grange, using two colours – red and black, reflecting the colours used in the projection rooms. Nothing else, just the films!

The walkways, entries and exits were completely redesigned. No more dark corridors where filmgoers are ejected after the film ends because at Les Fauvettes, the walkways are well lit and all connect to the green space at the heart of the building. I wanted to create a space which embodied the concept of “our film heritage”, a space that creates a link between the past and the future, between generations, a place where people live and share. This cinema theatre was designed in such a way as to invite people to stop and take the time to talk to each other. In the age of social networks and at a time when direct contact between people is increasingly rare, spaces for exchanging and sharing experiences seem to be all the more necessary. From this point of loci anima

view, it’s a new concept for a cinema theatre.

Your work embodies a heightened sensitivity for the natural elements.

FR I imagined this cinema theatre geometrically around the green centre of the interior patio. This garden is the epicentre of a system which was the guiding force behind our project and which is extended in the design of all of the spaces by natural materials such as wood, stone and glass. The space evokes a “nest” made from wooden joists that surround a garden, with the interior extending the exterior, and the border between indoors and outdoors intentionally erased. Light streams in thorough the glass roofing, bathing the areas surrounding the patio. It is this light which makes up the real matter in the spaces.

The most striking feature of Les Fauvettes must be the two digital lit up facades.

FR Artists and architects share a long history that has been marked by both understanding and antagonism. In order to imagine the facade of this new concept for a cinema theatre, it seemed important to me to work on blurring the boundary between art and architecture and to create a contemporary display.

You enter the complex through a pixelised LED wall. The symbolism of the entrance, by passing through a screen, borrows directly from the world of film, the ritual of passing between the real and the virtual. Miguel Chevalier, a pioneer in virtual and digital art, uses information technology as a means of expression in his work. He struck me as the perfect person to work on this project. The digital wall that he made is an artwork in itself which contributes to the renewal of Paris as a city.

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Miguel Chevalier, the French artist specialising in digital and virtual art, creator of the work “Metamorphosis” for the Les Fauvettes cinema theatre.

“What attracted me was the blending of old and modern, of heritage with the hyper-contemporary. Working on a project related to the cinema was a new experience for me although I am used to thinking up my creations in accordance with the function of architecture, at the heart of spaces that are abundantly rich in terms of history.

The Les Fauvettes project does just that – places the digital in the centre

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of a cultural space whose purpose is to transport cinema-goers to different eras. The architect Françoise Raynaud (who designed the two facades) and I both liked the idea of playing with the trailers of films. Using software especially developed for the project, the projections are de-structured in real time, essentially transformed, to create an abstract work that is unique each time you look at it. The aim is to arouse spectators’ curiosity and embark them on a journey even before they enter the theatre”.

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NE facade on Gobelins Avenue 92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

LES FAUVETTES - 58 AVENUE DES GOBELINS - PARIS 13 PRESSE BOOK

92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

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92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

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92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

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Cinéma actuel /

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Section B - Before renovation

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Les Fauvettes

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Section A - After renovation LES FAUVETTES - 58 AVENUE DES GOBELINS - PARIS 13

92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

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Section B - After renovation 92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

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Rue Abel Hovel

92, rueFAUVETTES Rochechouart 75009 Paris France AVENUE | T:+33 1 43 87 04 97 | F:+33 1GOBELINS 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com PLAN R-1 LES FAUVETTES - 58 AVENUE DES GOBELINS - PARIS 13 LES - - 58 DES - PARIS 13

92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

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92, rue Rochechouart 75009 Paris - France | T:+33 1 43 87 04 97 | F:+33 1 42 93 59 54 | Email: laa@loci-anima.com | www.loci-anima.com

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VERRIERE

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Charpente bois verriere Poteau bois

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Project details : Cinema Les Fauvettes Project: Cinema Les Fauvettes Location: 58 avenue Gobelins, Paris 13e, France Programme: 5 cinema theatres, 646 seats Floor area: 1 722 sp. m Cost: 6,5 M€ Calendar: Delivery: 2015 november, Construction duration : 20 months Client: Les Cinémas Pathé Gaumont Architect: loci anima (Françoise Raynaud) Project manager: Vincent Laplante Construction assistant: Clémence Marguet Project manager (studies): Xavier Maunoury Decorator: Jacques Grange Project manager: Alain Dejonghe Facade artist: Miguel Chevalier Engineering: Structural engineers, Khephren ; HVAC engineers, Alto ; Facades

and timber structure engineers, Bollinger & Grohmann ; Acoustic engineers, Putz; Quantity surveyor, Michel Forgue ; Landscape architect, D’ici là, Moex Getrap; Security, Casso et associes Quantity surveyor: Michel Forgue Construction companies: GO, LBC ; Timber facades, Solairlux ; Waterproofing, MBE CVC, SET ; Electricity, Amica ; Metalwork, Métalbat ; Carpentry, Batimob ; Partitions and painting, Sicorap ; Timber flooring, Intersol ; Bleacher, SEA ; Fabric, HTI ; Ceramics, Sylvie Lopez ; Landscape, L’Orangerie Photographer: Jean-Pierre Porcher

Cinema Les Fauvettes 58, avenue des Gobelins 75013 Paris France +33 (0)1 45 63 73 04 cinemalesfauvettes.com

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Les Fauvettes

loci anima Franรงoise Raynaud created loci anima, a firm that balances architecture, urbanism and innovation, in 2002 in Paris. The work she does is singular, spiritual, reflects her convictions and her ethics centred on a holistic vision and the continual desire to bring people and genres together. Her spaces create links between people and nature, the human and the animal, the human and plant life in buildings designed to be living entities. Because each project presents the opportunity to introduce a new concept that will embody her vision and because the sky is the limit, the firm has been awarded projects in New Zealand, in Spain and in Vietnam and is currently developing a new concept for a high-rise building in Manhattan, New York City.

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Françoise Raynaud Partner architect Principal & founder Françoise Raynaud has built and worked around the world - Japan, China, Malaysia, Korea, New Zealand, Spain, the USA...

Françoise Raynaud, a freethinking architect, put together an international team when she set up her firm loci anima (the soul of the space) in 2002. Since then, she and her team have constantly fought against received ideas and systems. She isn’t motivated by the idea of constructing a corpus of works, but by the creation of living architecture, buildings that are efficient, practical, intelligent and recyclable.

She then worked for Jean Nouvel, building several sensitive projects in Asia (Japan, Korea and China).

There she took on board the precepts of Feng Shui which were in line with her ideas as they are based on harmony in the construction of spaces.

She advocates an architecture that is heavily inspired by nature in its ability to adapt, in possible shifts, in transformation, in appropriation by all.

Buildings are shells that the “human animal” lives in (Eugène Viollet le Duc).

In all of her projects, we find the desire to bring an end to the town/ nature dichotomy. Her architectures are landscapes for living, for inhabiting, for planting. They are architectures that welcome people, plants and animals in cities.

Her love of the elements and of nature have drawn her to other cultures, so-called primitive cultures, which are however, in her view much more respectful and responsible than western societies.

It is these ideas that drew her, once she’d graduated, to Australia and seek out Glenn Murcutt, the visionary architect inspired by Aboriginal culture.

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Office

Jonathan Thornhill Partner architect International development Jonathan has led projects in all 5 continents of the world, ranging from high-rise offices and condominiums to museums and contemporary art centres. All of these projects are marked with the stamp of the highest design quality, technical rigour and sustainable pertinence. Before joining loci anima in 2007, he worked for Jean Nouvel and led projects such as the Leuum museum in Seoul, and latterly for Shigeru Ban on the Centre Pomidou-Metz.

Jonathan has a deep concern for the sense of sustainability in a project, driven by context, be it the immediate surrounding landscape or the geographic position and prevailing climatic conditions. As a student at Manchester Metropolitan University, Norberg-Shultz greatly influenced his ideas about immediate human context, just as Hawking on the quantum context and of what we’re all ultimately made, which as he points out, creates a relationship between animal, vegetal and mineral. He believes that any building is the singularity of these relationships together with the programme.

individual and collective memories.

Materials and objects like people and animals have memories thus creating a meaning for our built environment that can be felt when you touch a building. And it’s at the first single moment of coming into physical contact with a building, through a doorway or at a street corner, that our first impression is the most important.

Since joining loci anima, Jonathan has brought an added sensitivity to the detailed design of their projects, carrying though the conceptual ideas of the project from the inception stages into the execution project phases. Often the source of innovative façade design in response to the ever complexification of the technical and programmatic nature of projects, his idea is to simplify rather than complexify and to find the just and most sustainable and sensitive design possible right down to the last nut and bolt.

Jonathan believes that architecture should be able to reveal the same organic and living idea in our contemporary buildings like the collage of experiences in our own loci anima

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2015 latest projects Alpha Multimedia library Angoulême, France

Location: Angoulême16), France Programme: Media Library, indoor/outdoor garden, amphitheatre, café and restaurant Mission: Complete, including building design and interior design/ furnishings, conception & execution drawings and site supervision Floor area: 5 241 sq. m Cost: 13,8 M€ Delivery: 2015, December Client: Community of Greater Angoulême Agglomeration Architect: loci anima (Françoise Raynaud) Environmental engineers: Alto Landscape architect: Exit Photographer: Philippe Le Roy

Médiathèque Alpha 1 rue Coulomb 16000 Angoulême France +33 (0)5 45 94 56 00 lalpha.org 38

2015 latest projects

Office building In situ Boulogne-Billancourt, France

Location: 57/59 rue Yves-Kermen, Boulogne-Billancourt (92), France Program: Headquarters offices, day-care centre, company restaurant, terraces on the highest levels Floor area: 14 161 sq. m Cost: 32 M€ Delivery: Octobre 2015 Client: SCI Boulogne Ville A4E a. Co promotion Vinci Immobilier, Nexity Architecte: Loci Anima Architecture (Françoise Raynaud) Project director: Jonathan Thornhill Constructin manager: Delphine Lottin Assistant: Cécile Céleste Structural engineers: SNC Lavalin Facades engineers: DVVD Photographer: Jean-Pierre Porcher

Immeuble In Situ 57/59 rue Yves Kermen 92100 Boulogne-Billancourt France loci anima

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92 rue de Rochechouart 75009 Paris, France + 33 (0)1 43 87 04 97 laa@loci-anima.com loci-anima.com

Communication 43 rue de Lancry 75010 Paris, France + 33 (0)9 53 99 97 81 info@aha-paris.com aha-paris.com

Discover Claude Mossessian’s short movie about Les Fauvettes