01-28-19

UNDER THE

DOMES Wisdome L.A. Brings a Hint of Burning Man to Downtown With A Festival-Style Art Experience

JANUARY 28, 2019 I VOL. 48 I #4

See Page 11

a waterfall returns after 42 years

photo by Gary Leonard

Page 6

15 places to watch the super bowl in downtown Page 8

THE VOICE OF DOWNTOWN L.A. SINCE 1972

2 DOWNTOWN NEWS

DT

AROUND TOWN

‘Botox Bandits’ Stick Downtown Spa With $4,000 Bill

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olice are searching for two men who a local business owner says skipped out on a $4,000 bill after receiving treatment at a Downtown medical spa last week. Dr. Benny Hau, the owner of Sculpt DTLA, said the men entered the business at 705 S. Olive St. on Monday, Jan. 21, and each received $2,000 worth of Botox injections and other treatments. Hau said that one of the men then asked to use the restroom, which is outside of the business. After a short period, the other individual asked to check on his friend. When Hau asked a receptionist to check on the two, the men allegedly pushed her down and fled without paying. “They manhandled her and physically pushed her aside and ran off,” Hau said. He added that information on forms filled out by the suspects was later found to be false, but the incident was caught on surveillance video that was posted to the spa’s Facebook page. Hau described the suspects as a black male in his late 20s and a white man in his mid-30s.

Anyone with information or who can identify the suspects is asked to contact police at (877) 527-3247.

TWITTER: @ DOWNTOWNNEWS

Weigh in on Two Major Transit Projects

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his week, the Metropolitan Transportation Authority is hosting a pair of Downtown meetings related to big transit projects.

On Tuesday, Jan. 29, the topic is the Link Union Station project, which involves a proposal to reimagine part of the historic rail hub, with work including new run-through tracks, platforms and signals for Metrolink and Amtrak trains coming into the station.

The meeting, which involves public comment, is at 6 p.m. at Metro headquarters, at One Gateway Plaza. The following day, the topic is the West Santa Ana Branch Transit Corridor, a 20-mile light rail line that would link Artesia to Downtown Los Angeles. The event is from 5-7 p.m. at the Nishi Hongwanji Buddhist Temple (815 E. First St.) in Little Tokyo. Metro is seeking to determine where in Downtown the line would end; current options for the terminus include Union Station or a spot near Eighth and Flower streets. The project is expected to break ground in 2022 and be finished by 2028. More information on the projects is at metro.net.

Free Admission to Downtown Museums

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collection of Southern California museums are offering a weekend of free admission, and some Downtown institutions are getting in on the action. SoCal Museums, which

Why does this little burger stand attract over a million people a year?

JANUARY 28, 2019

consists of marketing departments from various Southern California cultural outlets, announced that more than 40 museums will fling open their doors and remove the cash registers on Saturday-Sunday, Feb. 2-3. The lineup includes seven Downtown museums, among them MOCA, the Japanese American National Museum (Saturday only) and the Natural History Museum (Sunday only). “It’s a special weekend that invites Southern Californians and others to branch out and explore museums they may have never before visited, or to return to familiar spots,” Jennifer Caballero, the SoCal Museums president, said in a prepared statement. Other museums that are always free are also on the roster, including The Broad and the California African American Museum. The offer is good for general admission and does not apply to special ticketed exhibitions. More information is at socalmuseums.org/free.

Video Game Developer Buys Broadway Building

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he recently renovated Pettebone Building in the Historic Core has a new owner.

The development firm RYDA announced last week that it sold the five-story structure at 510 S. Broadway to the South Korean video game developer NHN Global for $22 million. The Pettebone Building was erected in 1905 and got its name from the lamp-making Pettebone Company that was based there. RYDA bought the edifice in 2015 and launched a renovation of the building, turning upper levels into 45,000 square feet of creative office

space and adding a 3,000-square-foot rooftop deck. NHN Global will relocate its headquarters to the building, leaving its current home in Koreatown. Andrew Tashjian and Michael Gooch of Cushman and Wakefield represented RYDA in the sale, while Carl Pierose of Industry Partners represented NHN Global.

Sports Summit Announced For Downtown

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he City West-based Los Angeles Sports Council and the Southern California Committee for the Olympic Games last week announced the creation of a big new event: The inaugural Los Angeles Sports Summit will take place in Downtown this summer. The conference, scheduled for June 24-26 at the Omni Hotel on Bunker Hill, will bring together different segments of the sports world to discuss everything from innovation to mega-events to fantasy sports.

“Los Angeles is the place for sports — teams, leagues, owners, venues, events and players — so it’s only natural that we convene a yearly conference that brings them all together,” Sports Council President David Siegel said in a prepared statement. A highlight of the three-day event will be the presentation of the L.A. Region Sports Economic Impact Report, which will provide insight on the sports industry’s financial heft. The last report was conducted in 2013, according to Sports Council Chair Tony Sciarrino, prior to the arrival of the Los Angeles Rams and Chargers, Continued on page 16

We want to hear from you about the future of the L.A. Zoo!

Public Scoping Meetings for the Los Angeles Zoo Vision Plan Environmental Impact Report

Find out at the landmark location near Downtown. Home of the original Chili-burger.

Quality and value since 1946:

Chili Hamburger .............. $3.15 Chili Cheeseburger ........... $3.65

Please join the City of Los Angeles at upcoming Scoping Meetings to provide comment on the scope of the Environmental Impact Report (EIR). The EIR will analyze environmental impacts of the proposed L.A. Zoo Vision Plan, including construction and operation of upgrades to zoo facilities and infrastructure at the L.A. Zoo over the next 20 years.

Thursday, February 7, 2019 6 p.m. – 8 p.m.

Saturday, February 9, 2019* 11 a.m. – 1 p.m.

Los Angeles Zoo Witherbee Auditorium 5333 Zoo Drive Los Angeles, CA 90027 Meeting content will be identical, so feel free to attend the meeting that best suits your schedule.

Free parking is available on-site.

Here are ways to provide comment on the scope of the L.A. Zoo Vision Plan EIR. Scoping period is January 24 to March 11, 2019.

• In person: Attend a Public Scoping Meeting to provide verbal or written comments.

• In writing: Amanda Amaral L.A. Bureau of Engineering Environmental Mgmt. Group 1149 S. Broadway, Ste 600, MS 939 Los Angeles, CA 90015-2213 Amanda.Amaral@lacity.org

Please go to the City’s webpage to view and download the Notice of Preparation and Initial Study: https://eng.lacity.org/ los-angeles-zoo-vision-plan

Many Imitate, But None Compare!

*Those who sign in are invited to enjoy the Zoo free of charge after Saturday’s meeting.

JANUARY 28, 2019

DOWNTOWN NEWS 3

DOWNTOWNNEWS.COM

Jan Perry to Run for County Supervisor

Jan Perry represented the Ninth District on the Los Angeles City Council for 12 years. Last week she launched a campaign for the Second District seat on the County Board of Supervisors. The election is in March 2020.

Former Downtown Councilwoman Seeks to Succeed Mark Ridley-Thomas

By Jon Regardie ormer City Councilwoman Jan Perry, who played a key role in both driving the Downtown Los Angeles renaissance and in guiding the community’s response to homelessness, is hoping to return to elected office. Last week, she announced her candidacy for a County Board of Supervisor’s post.

On Tuesday, Jan. 22, Perry launched a campaign to fill the Second District seat that will be vacated when Mark Ridley-Thomas is termed out in 2020. In entering the race, Perry is running against City Council President Herb Wesson, whom she had a notable confrontation with during her tenure on the council.

Perry represented the Ninth District on the Council from 2001-2013, when she left office due to term limits. For much of her tenure the district included a large portion of Downtown, and she helped shepherd numerous projects that led to the residential upswing and cultural revival in the Central City. According to a statement announcing her candidacy, she helped bring $52 million in net new tax revenue to the community. She has also launched a website, janperry2020.com.

Perry was also known in Downtown for her efforts to address homelessness, including working to foment the creation of low-income housing projects and other service facilities, among them an expansion of the Downtown Women’s Center. She helped create 1,000 affordable units in the Ninth District — a territory that includes South Los Angeles — according to the statement.

Other projects Perry worked on include the South L.A. Wetlands, a nine-acre park at 5413 Avalon Blvd. funded in part by a voter-approved water bond that Perry authored. The park

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opened in 2012.

“I am running because I believe every family in the Second District should have a pathway to economic prosperity,” Perry said in the statement. “I see tremendous potential in our communities, if we are creative and tenacious, we can attract good-paying jobs, build affordable housing, ensure every child in the district receives a quality education and has access to social services that can help them meet their full potential.”

Perry ran for mayor in 2013, but finished fourth in the primary. She endorsed Eric Garcetti in the runoff, and after Garcetti became mayor, he appointed Perry to serve as general manager of the city’s new Economic and Workforce Development Department. The department focuses on job and business development efforts.

Perry stepped down from her EWDD role at the end of last year and now serves as executive director of the Infrastructure Funding Alliance, a statewide group that seeks to propel different levels of government to create environmentally and fiscally responsible infrastructure projects.

Perry enters the race nearly two months after Wesson announced his candidacy. The two had a contentious battle in 2012, as the 15 council territories were shifted in a process known as redistricting. Wesson oversaw the process that resulted in Downtown neighborhoods including Bunker Hill, South Park and Little Tokyo being pulled from the Ninth and instead inserted into José Huizar’s 14th District.

At a luncheon hosted by the Los Angeles Current Affairs Forum on Jan. 14, Wesson said that he has no current plans to step down from the council presidency while he runs for County Supervisor.

“I intend on serving as president until I can’t give that job

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the attention that it deserves,” he said at the event at The Palm restaurant.

He went on to say that former Council President John Ferraro stayed in the council leadership post while he ran for mayor. That was in 1985.

The day after Perry announced her candidacy, the Wesson campaign sent out a statement saying he has already raised $500,000.

The race has a unique asterisk. Last week, Ridley-Thomas announced his candidacy for the 10th District Council seat that Wesson is vacating. Ridley-Thomas previously served on the council and represented the Eighth District.

The primary is next March, and if no one wins a majority of the vote, the top two finishers will advance to a November runoff.

The Second District encompasses a 162-square-mile swath of Los Angeles and has about 2 million residents. It contains portions of Skid Row, and also encompasses Culver City, Inglewood, Lawndale, Compton, Carson and other areas. regardie@downtownnew.com

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4 DOWNTOWN NEWS

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EDITORIALS

TWITTER: @ DOWNTOWNNEWS

JANUARY 28, 2019

TAKE MY PICTURE GARY LEONARD

Don’t Eliminate Pershing Square Stop From Rail Project

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roposed mass-transit projects uniformly spark consternation from the impacted community. That’s natural with multi-billion dollar developments that will necessitate years of construction and result in shifting commuting patterns for tens of thousands of people.

So it’s no surprise that a group of Downtown Los Angeles stakeholders is speaking out over an element related to the upcoming West Santa Ana Branch Transit Corridor, a $4.6 billion light rail line that will connect Southeast L.A. County with Downtown. The local players are displeased that, at a December meeting, the Metro board voted to eliminate a potential Pershing Square terminus from consideration.

Metro has reasons for the move, but the Downtown stakeholders charge that the step was premature and that there has been a lack of transparency in the decision-making process. They want a Pershing Square stop to still be on the roster of stations being considered.

This page agrees. We are not saying that Pershing Square must ultimately be chosen as the northern terminus of the 20-mile line, but the early removal and the uproar from people who say they were surprised raises eyebrows. Multiple levels of Los Angeles government have a history of making controversial moves between Thanksgiving and Christmas, when people’s attention might be focused on other matters. It is informally known as the “holiday hustle.”

Did Metro try to pull the hustle with the West Santa Ana Branch?

An agency spokesman told Los Angeles Downtown News that Pershing Square was removed from consideration because of anticipated ridership numbers and cost effectiveness, particularly in comparison with another proposed stop at Eighth and Flower streets (a terminus at Union Station is also being considered). Additionally, he cited design issues.

Those could prove valid reasons to eliminate Pershing Square, but we don’t think the time has come for that step. Various routes in Downtown are still being explored, and a Pershing Square stop could funnel riders into an area with a high concentration of jobs and homes. We see many reasons to continue to examine the proposal, and few benefits to closing the door for good at this time, particularly considering that construction will not begin until 2022.

We would like Metro to give a Pershing Square stop another legitimate look. While some individuals are quick to criticize Metro, we have seen the agency complete numerous excellent projects. It has a cadre of smart problem solvers, and they should have the opportunity to dig into the challenges related to Pershing Square.

We also suggest that the displeased Downtowners continue to raise their voice and to show up at public meetings, including one scheduled for Wednesday, Jan. 30, at 5 p.m. at the Nishi Hongwanji Buddhist Temple (815 E. First St.). They must lobby hard and provide watertight reasoning for their proposal.

In the end there may be better options for the WSAB than Pershing Square. At this point, though, it is too early to know that for sure.

La Placita Olvera

Fifth Annual Walk for Life

S I N C E 19 7 2

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January 19, 2019

DT

COMMENTS

Regarding the editorial “Firehouse Arts Center Should Serve Kids and Adults” Thank you Downtown News for hitting the nail square on the head in both understanding and conveying the exact position of our Skid Row community! Both kids and adults need access to this abandoned city-owned property. There’s no such thing as community without both kids and adults. And with the large number of adult artists already in Skid Row, combined with the therapeutic aspects of the arts, multi-generational uses is a no-brainer!

—“General” Jeff Page Regarding the columns “One Strike, and We’re All Out,” and “Teachers’ Strike Means More Havoc, and More Cowbell,” by Jon Regardie Thank you. This is a great summary. I’m living in Palmdale and had been wondering what’s going on down there.

—Susan Cobb One of the major issues is people hate taxes because the money is going to neighborhoods where the majority of the population does not value education. If the money isn’t there, there needs to be a rethink about what education means to these neighborhoods. I feel EDITOR: Jon Regardie STAFF WRITER: Nicholas Slayton, Sean P. Thomas CONTRIBUTING WRITERS: Tom Fassbender, Jeff Favre

Los Angeles Downtown News 1264 W. First Street, Los Angeles, CA 90026 phone: 213-481-1448 • fax: 213-533-6990 web: DowntownNews.com • email: realpeople@downtownnews.com

Archbishop Jose Gómez

ART DIRECTOR: Brian Allison ASSISTANT ART DIRECTOR: Yumi Kanegawa PHOTOGRAPHER: Gary Leonard CLASSIFIED ADVERTISING MANAGER: Catherine Holloway ACCOUNT EXECUTIVES: Catherine Holloway, Michael Lamb, Leann Hernandez OFFICE MANAGER: Claudia Hernandez

sorry for the working-class folks who can’t afford child care. How many people will lose their jobs because of this strike?

—Nik Buckingham The district has lied about funding before. That’s why UTLA President Alex Caputo-Pearl doesn’t believe the district. Plus, Supt. Beutner wants to try to make LAUSD into a portfolio-style district. That aligns with Eli Broad’s idea of making half the schools in the district charters.

Charter schools do not serve the whole community, they have no accountability and statistically they aren’t better than LAUSD Magnet schools.

—Gregory J. Amani Smith

Hey You! Speak Up! Downtown News wants to hear from people in the community. If you like, or dislike, a story or editorial, let us know. Or weigh in on something you feel is important to the community.

Participation is easy. Post a comment online at the bottom of any story, or go to downtownnews.com, scroll to the bottom of the page, and click the “Letter to the Editor” link. For guest opinion proposals, email regardie@downtownnews.com.

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JANUARY 28, 2019

DOWNTOWN NEWS 5

DOWNTOWNNEWS.COM

A View From the Typhus Zone

THE INJECTING SPECIALISTS

MODEL

A New Downtown Resident Wrestles With The Outbreak of a Worrying Disease

By Brittany Kamerschen live in the “Typhus Zone” and I thank you for writing the Dec. 17 article “Typhus, Trash and Trouble” (by Sean P. Thomas). I have been following this story since it broke in early October and I appreciate the coverage you are bringing to the issue.

I

MY DOWNTOWN I moved to Downtown Los Angeles last summer from San Francisco. Before living in L.A., I always thought the homelessness situation in the Bay Area was pretty bad, but sadly, I have found that Los Angeles is hosting and enabling an array of human addictions and mental health issues, and in many cases is turning its head away from the criminal activity that hides amongst the blocks of tents throughout Skid Row. It is an absolute disgrace to see that just a few blocks south of the big skyscrapers and new Downtown development, there exists a community living in filth. I find it unfathomable that it takes a disease from the 15th century to bring some attention to these issues.

to help and trying to reconcile the situation, I volunteered at the Midnight Mission to help serve Saturday breakfast. I was able to see my neighbors up close. Some were very grateful to have a meal, but many people were high from drug use or showed signs of mental illness. It was incredibly disheartening and uncomfortable to see the lost hope, anger and confusion, and the smell of human feces that permeated the serving hall.

Over the past five months I have found myself in conversations with Angelenos who state that the issues of Skid Row have a long history in L.A. The common and overall attitude I continue to meet is that local government and police allow this area to be what it is and contain and manage it within the area.

I sigh and shake my head and think more has to be done.

Every day I have to cautiously watch my every step because the streets and gutters are littered with piles of garbage, human waste, hypodermic needles and other detritus that invites the rodents and pets carrying the fleas that spread typhus. Elena

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Therefore, I am compelled to share my perspective as a new resident living in a loft near Fourth and San Pedro streets. When I realized I could get sick just from stepping outside my door to go on a short walk to the nearest coffee shop, I started paying attention to what was really being done to resolve the core cause of the typhus outbreak. And I quickly realized that there is not much being done to remove the tents and mounds of garbage that accumulate.

Shortly after the news of the typhus outbreak appeared, I was shocked to see that one block on San Pedro Street was cleared of tents and the sidewalks were cleaned. It was nice seeing the sidewalk for the first time. It felt safe to actually drive down the street and not have to worry about a pedestrian darting out in front of your car. However, that did not last long, and within two weeks the tents returned, the garbage started to accumulate, and even more tents started to spread east toward Third Street.

Skid Row is in a deplorable state. Wanting

Stern, a spokeswoman for the city Bureau of Sanitation, stated in the article, “Close coordination is critical in these joint city cleanings/treatments because of the human element and public safety.” I respond by asking, why does it take an outbreak of typhus for officials to take some action on public safety? Is not the current basic filth enough?

If the city can be home to the 2028 Olympics, then it can certainly find and fund better efforts for the so-called typhus zone.

I agree with Estela Lopez, executive director of the Industrial District Business Improvement District, when she stated in the article, “They are treating the symptoms without addressing the cause.” So I ask: What is the city doing to solve the root problem?

The trash is never ending here. I think the city dump has a better handle on trash maintenance than the streets in the typhus zone and Skid Row. Brittany Kamerschen is a creative writer, playwright and poet.

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6 DOWNTOWN NEWS

JANUARY 28, 2019

A Downtown Waterfall Is Flowing for the First Time in 42 Years Repairs Finally Made to Fort Moore Pioneer Memorial

By Sean P. Thomas he sight may not seem special at first glance, but those who walk or drive by a stretch of Hill Street connecting Chinatown and the Civic Center will witness something that has not appeared for 42 years: a waterfall.

On Dec. 13, members of the Los Angeles County Arts Commission quietly flipped a switch and the water began flowing at the Fort Moore Pioneer Memorial in Downtown Los Angeles. The move received little fanfare, but it marked the first liquid activity since a drought prompted officials to turn off the water in 1977.

“This has been years and years in the making,” said Clare Haggarty, deputy director of collections for the Los Angeles County Arts Commission’s Civic Arts Program, which helped lead the overhaul of the monument.

“It had become a desolate no-man’s land.”

Located at 451 N. Hill St., across the street from the under-construction LA Plaza Village apartment complex, the Fort Moore monument was dedicated on July 3, 1958. The project, which took 10 years to design, plan and build, commemorates the Mormon Battalion and the New York Volunteer American military forces that first raised the United States flag in the recently acquired California territory on July 4, 1847. The monument is one of 10 memorials across the country dedi-

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cated to the battalion.

The monument’s terra cotta relief was designed by German sculptor Henry Kreis and depicts the flag raising. It contains three other images that represent Spanish ranchos, prairie schooners (a type of mid-century stagecoach used by settlers), and industrial innovations that made Los Angeles suitable for incoming settlers.

A 1977 drought led the County to shut off the waterfall. In the wake of that move, Haggarty said, the monument fell into a state of disrepair. It was neglected and became a gathering place for homeless individuals, skateboarders and taggers.

In 2014, the County Board of Supervisors approved $4.1 million to restore the monument. In May 2017, the City Council chipped in an additional $500,000.

Restoration work began in earnest that year. The County Public Works department took the lead, with the County Arts Commission brought in to ensure the repairs were in line with city historic monument guidelines.

Repairs included completely redoing the tile work behind the waterfall, replacing the waterfall pools and retrofitting the piping to allow for adjustable water flow. Haggarty said that allows them to conserve resources when necessary.

“If you want the full Niagara Falls effect, you can turn it up,” Haggarty said.

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photo by Sean P. Thomas

On Dec. 13, the waterfall at the Fort Moore Pioneer Memorial monument was turned on for the first time since 1977. It had been shut off amid a drought, and soon fell into disrepair.

The Downtown-based company California Pottery and Tile Works was tasked with kilning close to 300,000 tiles for the restoration.

CEO Sean McCleen said that workers cut the tiles by hand into one-by-two-inch pieces before delivering them to the construction site.

He was struck by the state of disrepair.

“It was pretty much falling off,” McCleen said. “They had attempted repairs a few years ago and the repairs looked terrible so it all had to be completely cleaned off.”

Another challenge, Haggarty said, was the age of the monument. She noted that some of the minerals and chemicals that went into the original clay no longer exist or are not used in construction anymore, which made matching the colors difficult.

“There was a lot of trial and error,” Haggarty said.

Now some people are noticing the brightened monument and the flowing water. That includes Chinatown resident Tim Healy, who was walking by the spot last week.

“Now it looks great. But to be honest, I’ve never thought that there was anything wrong with it,” Healy said on a Tuesday after-

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noon. “It looked kind of run down, but so do a lot of other places. I didn’t know it was actually a waterfall.”

While crews worked on the project, they unearthed a time capsule that had been buried during the monument’s 1958 commemoration. It held notes and designs from Mabel Davis, a Los Angeles Mormon woman who worked for 25 years to get the monument approved. Photographs, newspapers from the day of the commemoration, city budgets and other historical items were also found.

Haggerty said the work on the site is not completely finished, and upcoming improvements will include restoring a portion of the monument in front of the historic flagpole.

She said that once the repairs are done the county plans to hold an event, which will include the burial of another time capsule. The Arts Commission plans to seek input on what should go into the capsule.

Haggarty said the hope is that once the project is complete, the space can host receptions and other public programs. sean@downtownnews.com

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JANUARY 28, 2019

DOWNTOWN NEWS 7

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It’s My LAnniversary!

Reflecting on 25 Years of Living in Los Angeles

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By Jon Regardie few days before Thanksgiving in 1993, I landed at LAX with a few suitcases and some cardboard boxes. I had left my East Coast home behind. Lured by professional aspirations and the temperate cli-

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THE REGARDIE REPORT mate, I figured I would try Los Angeles. Maybe I’d stay a few months. Maybe it would be a few years.

I arrived just weeks after an enormous wildfire devastated Malibu, and in the early months as I familiarized myself with the region, I drove through that community, stunned at plots where mansions had burned and only chimneys remained. Then, at 4:31 a.m. on Jan. 17, 1994, I was awoken from a deep sleep by my bed pitching back and forth. When the shaking subsided I wandered out into the street in front of my Silver Lake apartment, the lights from nearby homes gone dark and car alarms sounding from every direction. Having never experienced an earthquake, I was uncertain about what I had endured.

“Was that a big one?” I innocently asked a neighbor.

“Yes, Jon,” he responded, and I’ve convinced myself that he tried not to laugh.

“That was a big one.”

That, of course, was the magnitude 6.7 Northridge earthquake. The 25th anniversary of the temblor that brought down a portion of the 10 Freeway and killed 58 people was a couple weeks ago.

For some reason, the early combination of blazes and seismic activity didn’t scare me away from the city. Neither did later economic recessions, auto gridlock, more wildfires, mudslides, rising crime rates and overall skyrocketing prices.

Instead I stayed, and late last year I hit a quarter century in the city. I can’t figure out where all the years went, but here I am,

marking my 25th LAnniversary.

Gridlock and Rent I was given a lot of advice before I arrived in Los Angeles. Much of it concerned automobiles, including “Get a convertible” (which never happened) and “Live near where you work” (which did). The best tip came from a writer friend who told me, “You’re going to get stuck in traffic. When you do, you can get angry, or you can say, ‘I’m stuck in traffic,’ and know there’s nothing you can do about it, so relax.”

I’ve chosen to relax, though these days Waze offers an alternative.

It’s hard to fathom today, but when I arrived the Los Angeles housing market was incredibly soft. Friends who had already settled in the city said the best way to get an apartment was to drive through neighborhoods you like and look for “For Rent” signs. That’s how I found a Silver Lake studio for $425 a month and, a few years later, an Echo Park two-bedroom for $525. No, I’m not missing a digit. No, that wasn’t the price per roommate with five of us squeezed into the unit.

In a quarter century I’ve learned a lot about Los Angeles, including that, contrary to perceptions outside the city, it’s not dominated by Hollywood and the entertainment industry. You can swim in that pool if you choose. You can also easily ignore it.

I have found the city’s political scheme endlessly fascinating, though I know this puts me in the minority of Angelenos. I’ve seen the tenure of Mayors Richard Riordan (the right guy for the time), Jim Hahn (yawn), Antonio Villaraigosa (so much squandered potential) and now Eric Garcetti (the jury’s still out, and his accomplishments could be undermined by his beyond-L.A. ambitions).

I’ve witnessed the city’s curious sports scene and the way people identify with their teams. I watched Staples Center take shape, saw the Lakers win championships, Continued on page 10

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JANUARY 28, 2019

15 Places to Watch the Rams (W)in the Super Bowl Downtown Is Full of Bars With Drink Specials and Big TVs Showing the Game

By Nicholas Slayton s everyone already knows, the Rams will play in the Super Bowl on Sunday, Feb. 3. It’s the franchise’s first appearance in the big game since 2002 (when they played in St. Louis) and the first time the Los Angeles Rams have competed for the Lombardi Trophy since 1979.

Downtown bars and restaurants are going all out, with a bevy of specials and big screens to catch the game being played in Atlanta. Here are 15 of the places where you can watch.

Kickoff is at 3:30 p.m., so be sure to arrive early to secure a good seat.

BALDORIA 243 S. San Pedro St. Specials: It’s happy hour prices all night, plus $3 beers and $7 old fashioneds. In a dangerous move considering Jared Goff and Tom Brady are playing, the bar is offering $2 shots every time either team scores in any capacity.

Game Plan: The Little Tokyo pizza parlor is known for bottled cocktails and shared dishes, so bring a group. Baldoria is also throwing a Super Bowl Bingo game, with food and drink prizes. The game will be shown on a wall thanks to a projector, so sight lines should be clear.

ARTS DISTRICT BREWING CO. 828 Traction Ave. Specials: Not announced at press time.

Game Plan: The Traction Avenue destination boasts a projector that shows football games on a wall in the back of the space.

The brewery offers around a dozen beers brewed in-house, as well as other selections. If the Maroon 5 halftime show isn’t your thing, there are 10 Skee-ball lanes, plus darts and other games.

BEELMAN’S PUB 600 S. Spring St. Specials: Enjoy select $6 house wines and $4 draft beers.

Game Plan: Although it’s a Carolina Panthers bar during the regular season, Beelman’s isn’t shying away from the Rams. The Historic Core joint will have six TVs and food choices including a $14 chili dog, along with vegetarian options such as a $16 Impossible “chili” burger.

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Downtown’s busiest dive bar, the Down and Out, sports 10 TVs, plus a 170-inch projection screen.

photo by Gary Leonard

BIG WANGS 801 S. Grand Ave. Specials: Not announced at press time.

Game Plan: One of Downtown’s busiest sports bars, with 29 TVs, Big Wangs will likely be packed. If there’s a place to show up in Rams face paint, this Financial District joint with indoor seating and a patio is it. Expect bar fare such as wings and burgers, cocktails and plenty of beer.

BRACK SHOP TAVERN 525 W. Seventh St. Specials: Reserve in advance for a table package — groups of up to four get 30 wings plus a pitcher of Heineken, or those with five to seven people get two pitchers and 60 wings.

Game Plan: Brack Shop expects to fill up quickly, so arrive early, as unreserved tables are first-come, first-served. The game will be shown on seven televisions. The bar has a full cocktail list and there are meals for carnivores and vegetarians alike.

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Game Plan: The upscale brewpub has an indoor-outdoor set-up with a large patio, along with 12 televisions. In addition to game-day fare such as burgers, there are heartier options including steaks.

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CASEY’S 613 S. Grand Ave. Specials: Happy hour prices go all day on Sunday, so $8 pints of Guinness and $5 Jameson pickle backs will be available during the game.

Game Plan: The cavernous underground Irish pub sports 13 televisions, so you won’t miss a second of the game. Casey’s also has a number of bar games, from table tennis to darts, in case it’s a super blowout.

CRANE’S 810 S. Spring St. Specials: Happy hour prices during the game, and table reservations come with a pitcher of beer and In-N-Out burgers.

Game Plan: Crane’s is a Steelers bar in the regular season, so choose your words about the boys in black and yellow carefully. The subterranean space — a former bank vault — is compact, but the bar has three televisions and a full spirits menu. Crane’s also has a few Rams’ rally towels, in case you feel like waving something around.

DOWN AND OUT 501 S. Spring St. Specials: The bar hasn’t announced its full list of specials yet, but expect $20 buckets of Bud Light, $5 bottles of domestic beer and Bud Light and shot combos.

Game Plan: The Historic Core dive is generally packed on football Sundays, so expect a really big crowd. The DnO has 10 large TVs and hearty fare. If you can’t grab

a spot close to the bar, don’t worry — there’s a 170-inch projection screen, so you’ll be able to see Sean McVay and his perfect hair yelling calls.

THE ESCONDITE 410 Boyd St. Specials: As part of its brunch deal, The Escondite is offering $4 Bloody Marys, mimosas and micheladas (until 4 p.m.). Other specials were not announced at press time.

Game Plan: The Toy District destination has six TVs, including some outdoors. The Escondite is known for its burgers.

Big Wangs has more than two dozen TVs, almost all of which will be showing the Super Bowl.

HANK’S 840 S. Grand Ave. Specials: Not announced at press time.

Game Plan: If you want to watch the game without dealing with rambunctious or I’mso-cool crowds, then the venerable Hank’s is the place for you. The dive bar at the base of the Stillwell Hotel is a narrow space with a handful of TVs. The regulars will show up and the beer will be cold.

photo by Gary Leonard

IMPERIAL WESTERN BEER COMPANY 800 N. Alameda St. Specials: Pitchers of select beers will be available for $10.

Game Plan: Downtown’s newest brewery is cavernous, so there is plenty of room for even large groups to watch the game on the eight televisions. The $10 pitchers include a raffle ticket, with growlers of beer being given away every time a team scores a touchdown.

PRANK 1100 S. Hope St. Specials: At every commercial break the bar will offer rotating cocktails for $3-$5. So that’s another reason to get excited by Super Bowl commercials.

Game Plan: The South Park bar is showing the game on a seven-foot projection screen, so you can watch whether you sit at the counter or outside.

PREUX AND PROPER 840 S. Spring St. Specials: Happy hour runs 4-9 p.m. on Super Bowl Sunday, with $1 wings and oysters.

There are also a pair of $45 pitchers of cocktails, one themed to the Rams, and the other to the Patriots.

Game Plan: If you can’t get to Atlanta, try

this Southern-inspired restaurant for an upscale take on the cuisine. The brunch menu runs until 4 p.m., and after that it’s a high-end version of Southern classics, with Dungeness crab hush puppies or biscuit dough pizza. There are four TVs spaced throughout the two-floor establishment.

TOM’S URBAN 800 W. Olympic Blvd.

Specials: Not announced at press time, but, if past big games are any indication, expect cheap buckets of beer and appetizers.

Game Plan: The L.A. Live sports bar boasts a staggering 75 TVs, and one can guess that almost all will be tuned to the game. It’s also big enough that Patriots fans can safely congregate. nicholas@downtownnews.com

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LANNIVERSARY, 7 and saw people celebrate those championships by setting fires in the streets. I was here as the Kings captured a pair of Stanley Cups and as the Dodgers lost big game after big game after big game. I saw Clippers owner Donald Sterling flame out spectacularly, and watched as L.A. went two decades without an NFL team, only to suddenly get one more team than it needs.

I’ve also seen the public transit system take shape, the new rails lines offering an antidote to geographical seclusion. Still, I admit to having developed a sort of Eastside bunker mentality. Whether because of traffic, stubbornness or other factors, now my definition of going to the Westside is passing Alvarado.

A Community’s Comeback Among the spectacular things I’ve witnessed in a quarter century has been the comeback of Downtown Los Angeles.

When I arrived the Central City had a deserved reputation as a place that hosted hundreds of thousands of workers during the day, then shut down at 5 p.m. I’d see the rats the size of puppies on the streets after dark, but few people.

There were some after-dark and weekend options, but not many. There were speakeasies and loft parties in the Arts District, and I saw Beck perform outdoors on the site that would become SCI-Arc. I’d drive into Downtown for a show at the grimy punk haven Al’s Bar, hoping my car window would be intact when I returned.

I still remember one afternoon, before the turn of the millennium, when a brash New Yorker named Tom Gilmore called and told me to meet him at Fourth and Main streets, which at the time was a hardscrabble intersection that sometimes attracted drug dealers. Gilmore pointed to the trio of buildings he had just acquired and detailed his plan to build market-rate apartments. “People say the neighborhood is lousy,” he told me. “Well, I just bought the neighborhood.”

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tional developers sniffed the profit potential and raced into the community, though many were battered by the Great Recession. Still, we’ve witnessed the rebirth of an urban core.

The nightlife and culinary options from Chinatown to the Arts District to Grand Central Market and beyond are astounding for anyone who remembers the dead zone of the ’90s. Today the grocery scene is thriving, but as recently as

2007 the opening of the Ralphs at Ninth and Flower streets was treated as the supermarket Second Coming.

Other things have barely changed. About a year after I arrived someone drove me through Skid Row, and I was shaken by the filth and the nighttime warming fires burning in garbage cans. Back then homeless individuals set up inside cardboard boxes rather than the tents that are common today.

The boxes went on for blocks.

The homelessness crisis seems worse than it was a quarter-century ago, and also has spread well beyond Skid Row. For worse or better this is no longer just Downtown’s challenge, but one for the entire region.

Bookended by Blazes In 25 years I’ve found much to love about the city. Even with the broiling summer days sparked by global warming the weather is irresistible. The entertainment, cultural and food options are endless. Beaches, mountains and deserts are all a reasonable drive away. Los Angeles is dazzlingly diverse, and my son and daughter are exposed to so much more than I was growing up.

I met my wife, who was raised in New York, while living in Echo Park, and today we still can’t believe that we have a pair of California kids. Or that we’ve become entrenched Angelenos.

I’m astounded by so much of what I have seen and experienced in Los Angeles, while also knowing that there is so much I haven’t seen and may never experience here. The city may take from you in many ways (traffic, taxes, etc.), but it will also give and give if you let it.

The weeks around my recent LAnniversary coincided with the most deadly and damaging wildfires the state has ever seen. My time here has been bookended by blazes. Fortunately the silver anniversary of the Northridge quake was seismically unspectacular.

It hasn’t always been easy, but after a quarter century, I can’t imagine living anywhere else. regardie@downtownnews.com

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IN MY EARLY YEARS IN LOS ANGELES THERE WERE SOME AFTER-DARK AND WEEKEND OPTIONS IN DOWNTOWN, BUT NOT MANY. I’D DRIVE INTO THE ARTS DISTRICT FOR A SHOW AT THE GRIMY PUNK HAVEN AL’S BAR, HOPING MY CAR WINDOW WOULD BE INTACT WHEN I RETURNED.

G N I rtsiannmdent R A SP Enterta photo by

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Gilmore’s Old Bank District set the stage for Downtown’s unprecedented residential revival, and his project dovetailed with catalytic developments including Walt Disney Concert Hall and Staples Center. In Gilmore’s wake local and then na-

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DOWNTOWN NEWS 11

photo by Hugo Barth

photo courtesy Wisdome L.A.

JANUARY 28, 2019

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photo by Nicholas Slayton

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A e L. n With a w o t n Wisdom w o Man to D Experience g n i n r u B rt -Style A Festival

By Nicholas Slayton owntown Los Angeles, and in particular the Arts District, has seen its share of “experience” focused pop-ups. Projects such as the Museum of Ice Cream and Happy Place drew thousands to colorful installations. Whether the appeal was the happening itself or a resulting Instagram post depends on who you ask.

Wisdome L.A. aims to be more than just an oversized photo booth. The project’s five large geodesic domes loom over the Arts District as crisp, blemish-free orbs.

They stand out in an industrial area covered in colorful murals and signs.

Wisdome L.A. opened at 1147 Palmetto St. last month. The creative team previously brought smaller versions to festivals such as Coachella and Burning Man, and that aesthetic continues in Downtown, with elements of Eastern mysticism and an

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open-minded focus on the “collective experience.”

But the production team has a more grounded business plan, and sees the space as a hybrid immersive art gallery, concert venue and event space.

“We are an art exhibition. We have music, art, dance,” said Sean Ahearn, vice president of the company Fulldome Pro, which is behind the project. “We’re just trying to make a community attraction. It’s the Arts District for God’s sake.

Let’s be artsy.”

The company has a three-year lease on the 35,000-squarefoot space, and Ahearn said the team is now testing what works and what gets people interested. Currently Wisdome features an exhibition of artist Android Jones’ work, titled Samskara.

Wisdome is open Thursdays-Sundays and Ahearn expects people will spend one to two hours wandering the domes and the site. Coffee, tea and wine are for sale.

Tickets start at $25, and can go up to $50-$100 for special events. Experimental shows have drawn 150-200 people, while pop-up activities such as Beyond the Wall, a Pink FloydContinued on page 13

TWITTER: @ DOWNTOWNNEWS

12 DOWNTOWN NEWS

JANUARY 28, 2019

Prison Songs on a Downtown Stage REDCAT Hosts Wooster Group’s Stripped-Down ‘Negro Folklore Songs’

By Sean P. Thomas n 1964, folklorist Bruce Jackson traveled to a collection of segregated agricultural prisons across Texas. His mission was to record the work songs and stories of African-American prisoners.

Jackson, who today is 82 and a professor at the University at Buffalo, compiled the recordings into the 1965 album Negro Folklore From Texas State Prisons. It includes poems, hymns and spirituals recited by inmates as they worked the fields in the sweltering Texas heat.

Nearly 55 years later, New York-based avant-garde theater troupe the Wooster Group is interpreting the words and experiences found in the recording and taking them to audiences. The album is the spark for a stripped-down show titled The B-Side: Negro Folklore From Texas State Prisons, A Record Album Interpretation.

The performance lands at REDCAT in Downtown Los Angeles this week. There are five evening performances on Wednesday-Sunday, Jan. 30-Feb. 3. Tickets start at $30.

The performance is the brainchild of New York-based Eric Berryman, a writer and actor who has appeared in numerous film and stage productions. During an interview with Los Angeles Downtown News, he recalled

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coming across a vinyl recording of the album while preparing for a separate show on the folk hero John Henry. Berryman said he began to question why he didn’t approach Negro folklore in the same way he did other music from the era.

“What initially attracted me to the music was that I just thought it was really beautiful and good music,” Berryman said. “I began to wonder why I wasn’t appreciating it or listening to it as if it was, say, an old blues or jazz album from the 1920s, ’30s or ’40s.”

Berryman had seen Wooster Group’s 2014 production Early Shaker Spirituals: A Record Album Interpretation, which built on hymns recorded in 1976 by the Sisters of the Shaker Community in Sabbathday Lake, Maine (the performance landed at REDCAT in 2016).

That prompted him to contact Wooster Group founder Kate Valk.

Valk said she was amazed by the material.

She asked Berryman how the Wooster Group could support his vision.

“That’s how it all began. It was totally from Eric’s design to honor this material, to work in the same way that he saw in one of the Wooster Group performances,” Valk said. “He wanted the same practice that we used to make Early Shaker Spirituals.”

The B-Side premiered in September 2017

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(l to r) Philip Moore, Eric Berryman and Jasper McGruder interpret the folk music, poems and words of prisoners from Texas in a performance coming to REDCAT this week.

It was put together by New York’s Wooster Group.

photo by Bruce Jackson

at the Performing Garage in New York. This marks its West Coast premiere.

While the Shaker recordings are religious in origin, the songs heard on Jackson’s album have ties to a darker segment of American history. Most have roots in pre-Civil War and Antebellum South hymns, and often were sung by slaves (and later free men) who worked on Southern cotton plantations and in Caribbean sugar fields. The songs were passed down through generations, finding a particular hold in segregated Southern prisons.

“This music is folk music. It really can be categorized as such,” Berryman said. “But the difference between this and other forms of music is it doesn’t need an audience. It’s ac-

tually for the group that is performing it.”

Listening Session In the performance, actors Jasper McGruder and Philip Moore join Berryman on a set designed to resemble Berryman’s Harlem apartment. As they listen to the album via earpieces, they recite portions to the audience.

Valk, who is directing the show, said that Wooster Group founding member Elizabeth LeCompte designed The B-Side as a listening session for both the performers and the audience. That means that instead of the trio attempting to replicate the likely movements of the prisoners, audiences hear Berryman belt out the songs as he leans over a chair,

JANUARY 28, 2019

watching the record spin on a turntable.

“We’re not pretending to be these men,” Valk said. “We’re not pretending to know what they went through. It is Eric and McGruder and Moore who are portraying themselves. We’re not pretending to be in the same context as these men.”

The lack of overly theatrical motions helps place the focus on the music, according to REDCAT Executive Director Mark Murphy, who first brought Wooster Group to Downtown in 2004. The troupe now uses REDCAT as a sort of second home, appearing in Los Angeles almost every year.

“In a way, the minimalist approach to the staging of it really puts the focus on the songs itself, as opposed to upstaging the songs with a lot of distracting stage craft,” Murphy said. “The act of listening becomes a process that heightens all the senses. It’s sort of a less-ismore experience. There is an authenticity and respect for the songs as artwork themselves and a sincerity of sorts.”

The songs vary in form, from lyrics sung by a single man to numbers featuring impressive harmonization designed to keep time for an entire work group. They range from about one minute to a little over

five minutes and bear illuminating titles such as “Raise ’Em Up Higher,” “Just Like a Tree Planted by the Water” and “Forty-Four Hammers.”

They are sung by prisoners with nicknames like Lightning, G.I. Jazz, Snuffy, and Bacon and Porkchop.

Berryman uses snippets of Jackson’s book Wake Up Dead Man: Hard Labor and Southern Blues to provide context during the performance, and film footage from Afro-American Worksongs in a Texas Prison is also utilized.

Berryman said that performance isn’t designed to sway opinion, nor is it intended to be academic. Rather he said, the aim is simply to remind audiences that someone made it.

“Sure, I would want everyone to love this kind of music, but ultimately, I don’t care if you love it or hate it,” Berryman said. “But I want you to know it existed.”

Berryman noted that the performance is limited in scope to a particular prison system in Texas. He said he would be interested in seeing subsequent performances that touch on similar material from other regions.

The B-Side: Negro Folklore From Texas State Prisons runs from Jan. 30-Feb. 3, at REDCAT, 631 W. Second St., (213) 237-2800 or redcat.org.

DOMES, 11 themed music and projected art event, sold out with approximately 500 attendees.

Visitors are free to roam around the Wisdome complex, and there are fire pits and chairs outside the individual domes. Part of the idea is to capture the relaxed festival atmosphere, according to George Aistov, Wisdome L.A.’s art producer.

Once visitors enter the domes, they follow a path. First up is a neon-lit hall of mirrors arranged in a shipping container. The short walkway then spills into what the team calls the “Dome of Reflection,” which is filled with more mirrors and art that shifts in appearance depending on what angle people see it from. The next dome holds a collection of Android Jones’ art, which mixes New Age imagery with geometric patterns.

A third dome features interactive elements, with neon-lit dice-like structures where people can test out virtual reality headsets built around Jones’ work.

The final dome is the largest, measuring 90 feet in diameter. Here, massive projections are cast along the ceiling, creating a 3D effect. The images swirl and spin into different shapes, reminiscent of a kaleidoscope, though they are less abstract and more Buddhas and dragons. It’s kind of like a next-generation laser light show that runs 20 minutes and then repeats.

The dome also has low-slung couches where people sit — or lay back — and stare up at the show. The images are complemented by music that is half Indian bhangra and half bass-heavy EDM. Aistov said that the aim is to experience art in

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multiple mediums.

“The whole idea is to show people where art is heading,” Aistov said. “It’s taking them to a new, different direction. There are movies, art and galleries all in one. Our domes are like camps from Burning Man.” In addition to Samskara, there are occasional pop-up events, such as the recent Beyond the Wall.

The plan is to mount short-run shows and bring artists to the space, offering them production tools in the domes.

Ahearn said Wisdome is self-funded — “there’s no sheikh in Dubai or billionaire dot com guy,” Ahearn said with a laugh. He said that unlike other experience-focused pop-ups that have appeared in Downtown, the content is supposed to change regularly.

Ahearn noted that at many pop-ups, “You don’t need to go back. I’ve seen it once, I’m done. Here there should be a reason to come back. I’m hoping our attraction is our flexibility.”

Aistov said another goal is to create a shared experience, one that allows the production team and outside artists to create new shows and play with mediums.

“If it was just a DJ party in a dome, meh. We want something more immersive than that,” he said.

“And we’re trying to make it easy for artists. They and we don’t have to spend millions of dollars for setup. We can say, here’s our space.”

Ahearn said that in the coming months the team hopes to bring in different shows and artists for residencies, where each night of the week brings a different experience.

Wisdome L.A. is at 1147 Palmetto St. or wisdome.la. nicholas@downtownnews.com

Choreographer Jérôme Bel brings together dance professionals and amateurs of diverse backgrounds to create a joyous communal celebration both on stage and off.

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MONDAY, JAN. 28 The Moth Grandslam The Regent Theater, 448 S. Main St. or spacelandpresents.com 8 p.m.: The true-story competition returns, this time with the theme of “Lost and Found.”

TUESDAY, JAN. 29 The Gothic Book Club with John Palisano The Last Bookstore, 453 S. Spring St., (213) 488-0599 or lastbookstorela.com.

7:30 p.m.: This month the club discusses Ray Russell’s “Haunted Castles.” Wear black.

WEDNESDAY, JAN. 30 Valerio Olgiati at SCI-Arc 960 E. Third St., (213) 613-2200 or sciarc.edu.

7 p.m.: The architect discusses his approach to contemporary design.

Is America Enabling Autocrats to Run the World?

National Center for the Preservation of Democracy, 111 N. Central Ave. or zocalopublicsquare.org.

7:30 p.m.: Zocalo Public Square presents a round table of reporters and experts discussing the resurgence of dictators around the world, and asks if the United States is in part responsible.

THURSDAY, JAN. 31 We Want to Negotiate: The Secret World of Kidnapping, Hostages and Ransom Mark Taper Auditorium, Central Library, 630 W. Fifth St. or lfla.org.

7:30 p.m.: The head of the Committee to Protect Journalists, along with a former kidnapping victim, explore the dangers and procedures of that terrible situation.

FRIDAY, FEB. 1 Josh Johnson Rush Hour Concert Union Station, 800 N. Alameda St. or unionstationla.com/happenings.

4 p.m.: Jazz performer Johnson helps you start your weekend with live music.

ROCK, POP & JAZZ

Blue Whale 123 Astronaut E.S. Onizuka St. Suite 301, (213) 620-0908 or bluewhalemusic.com.

Jan. 28: Adam Levy, David Piltch, Jake Reed.

Jan. 29: Amber Navran, Danae Greenfield.

Jan. 30: Josh Nelson, Alex Terrier.

Jan. 31: Mike Gurrola Quartet.

Bootleg Bar 2220 Beverly Blvd., (213) 389-3856 or bootlegtheater.org.

Jan. 28: Justus Proffit wraps up his residency. Say goodbye with a pun.

Jan. 29: William Fitzsimmons brings that unique singer-songwriter sound from the far-away land of Illinois.

Jan. 30: Balto. The band, not the famous dog.

Jan. 31: Singer Paige Stark is not related to Ned, Sana, Arya or Tony.

Feb. 1: Parker Gispert of The Whigs plays solo.

Continued on next page

BY SEAN P. THOMAS

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It’s opera time, but not the kind you are expecting. Instead, it’s Saturday Morning at the Opera, a program that provides an opportunity to grab the kids but leave the fancy clothes at home. Presented by Los Angeles Opera, the happening at the Dorothy Chandler Pavilion on 10 a.m. on Saturday, Feb. 2, will be built around an hour-long, interactive performance of Wolfgang Amadeus Mozart’s The Magic Flute. The opera tells the story of Prince Tamino as he attempts to rescue the Queen of Night’s daughter Pamina. The morning event will also include free art and music-making workshops for the little ones before the performance. At 135 N. Grand Ave., (213) 972-8001 or laopera.org.

Everyone loves Los Lobos, and this week Louie Perez, a founding member of the East Los Angeles-based rock act, is coming to Downtown. On Thursday, Jan. 31, Perez will appear at LA Plaza de Cultura y Artes to chat about topics including his nearly 40 years in the music industry. Pérez will speak with Abelardo de la Peña Jr. of LA Plaza, and one topic will be the musician’s new book Good Morning, Aztlán: The Words, Pictures and Songs of Louie Pérez. The event begins at 7 p.m. and, following the discussion, Pérez will grab his guitar for an acoustic performance alongside musicians César Castro, Xochitl Flores and Raul Perez.

Copies of the book will be for sale and proceeds will go to the nonprofit bookstore and cultural center Tía Chucha Centro Cultural. At 501 N. Main St., (213) 542-6259 or lapca.org.

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Are you ready for some serious gui guitar action? Christie Lenée Lenée, who is described by the Grammy Muse Museum as “Michael Hedges meets Joni Mitchell and Dave Matthews Band,” will display her acoustic fingerwork before an intimate crowd at the L.A. Live museum’s performance space on Monday, Jan. 28. The concert begins at 7:30 p.m. and is dubbed “Great Guitars: Christie Lenée.” Expect to hear snippets of her award-winning compositions and five studio albums. Need more convincing? Lenée is fresh off a first place finish at the 2017 International Fingerstyle Guitar Championship. So yeah, she’s pretty good. At 800 W. Olympic Blvd. or grammymuseum.org.

If you happen to be rushing to catch a train at Union Station this week and hear a few sultry tunes, don’t be confused — it’s completely normal and you are in the right place. Saxophonist and composer Josh Johnson is holding a rush hour concert in the transit hub’s waiting room on Friday, Feb. 1. Organized by Metro Art Los Angeles, Johnson is splitting time from touring as the musical director for Grammy-nominated soul singer Leon Bridges. The free event is the first of what promises to be many rush hour concerts in 2019, and will run from 4-6 p.m.

At 800 N. Alameda St. or unionstationla.com.

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Dance professionals and amateurs will share the stage in Parisian choreographer Jérôme Bel’s latest piece, which just happens to be coming to Downtown this week. In Jérôme Bel: Gala, which is making its West Coast premiere at The Theatre at Ace Hotel at 8 p.m. on Saturday, Feb. 2, Bel brings together 20 dancers of varying skill sets, ages and abilities — including some who use wheelchairs — and who are often excluded from traditional dance programs. Presented by the UCLA Center for the Art of Performance in association with Ford Theatres, the event promises to be unexpected and uplifting. At 929 S. Broadway, (310) 825-2101 or cap.ucla.edu.

Send information and possible Don’t Miss List submissions to calendar@downtownnews.com.

photo courtesy Christie Lenée

Experience the Labyrinth: A Walking Meditation Peace Awareness Labyrinth and Gardens, 3500 W. Adams Blvd., (323) 737-4055 or peacelabyrinth/events Jan. 26 and Feb. 23, 1 p.m.: Experience peace with an afternoon of guided meditations and labyrinth walks at the beautiful Peace Awareness Labyrinth & Gardens, a spiritual oasis in Los Angeles.

DON'T MISS LIST

photo courtesy Metro Art Los Angeles

SPONSORED LISTINGS

photo by Josefina Tomassi

EVENTS

JANUARY 28, 2019

THE

photo by Taso Papadakis

DT

CALENDAR LISTINGS

TWITTER: @ DOWNTOWNNEWS

photo courtesy LA Plaza de Cultura y Artes

14 DOWNTOWN NEWS

JANUARY 28, 2019

Feb. 2: Cowgirl Clue, The Aquadolls and more play the 10 Years of Redacted show.

Feb. 3: Dylan Rodrigue has a record release show.

The Escondite 410 Boyd St., (213) 626-1800 or theescondite.com.

Feb. 1: Jeremiah and the Red Eyes.

Exchange LA 618 S. Spring St., (213) 627-8070 or exchangela.com.

Jan. 31: Habstrakt.

Feb. 1: Bro Safari, which sounds scary.

Feb. 2: W&W. Los Angeles State Historic Park 1245 N. Spring St. or lashp.org.

Feb. 1: Afrobeat greats Fela Kuti & Egypt 80 bring their rhythm to Downtown. L.A.’s own Allah-las open.

Moroccan Lounge 901 E. First St., (213) 395-0610 or themoroccan.com.

Jan. 28-29: Two nights of Ryan Beatty.

Jan. 30: Indie rock and uptempo songs from Indoor Pets.

Jan. 31: According to his bio, Role Model somehow manages to blend “R&B, world music, neo soul, surf rock, dream pop, synth pop, avant garde, and more.”

Feb. 1: Archers of Loaf’s Eric Bachmann plays solo.

Resident 428 S. Hewitt St. or residentdtla.com.

Jan. 31: Austria’s Lia blends sonic atmospheres with digital art.

Feb. 2: Nonstop ’90s mashups at Bootie L.A. The Novo 800 W. Olympic Blvd. or thenovodtla.com.

Feb. 1: St. Paul’s big upbeat indie rock group Hippo Campus.

Feb. 2: Get your electronic dance music fix from The Knocks.

The Redwood 316 W. Second St., (213) 680-2600 or theredwoodbar.com.

Jan. 28: Dry High Diva.

Jan. 29: The Mike Livingston Duo. Jan. 30: Death on the Radio and Tarah Who? wrap up their January residencies.

Jan. 31: Lael Neale, Butch Bastard, Cyrus Gengras.

Feb. 1: Shakedown L.A. Feb. 2: Jose and DJ Beast spin music for the Goth and industrial-themed Purgatory night.

The Regent 448 S. Main St. or spacelandpresents.com.

Jan. 31: Cursive, Summer Cannibals, Campdogzz. For the record, Summer Cannibals does not look like the name implies.

Feb. 1: It’s “Brew Haha,” a comedy drinking show game. Be careful.

Feb. 2: It’s the latest installment of the Rock ‘n’ Roll Flea market. Admission is free to the 11 a.m. bazaar, but the memories are priceless.

DT

CLASSIFIEDS

To place a classified ad in the Downtown News please call 213-481-1448 Deadline for classified display and line ads are Thursday at 12pm.

FOR RENT

All submissions are subject to federal and California fair housing laws, which make it illegal to indicate in any advertisement any preference, limitation, or discrimination because of race, color, religion, sex, sexual orientation, marital status, national origin, ancestry, familial status, source of income or physical or mental disability. We will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are available on an equal opportunity basis.

FOR RENT

CONDOMINNIUM/FURNISHED CONDO 1BD. Parking amenities, view, central air/heat, water/gas paid. $1950 Mo. Mid Wilshire/Korea Town. Call 213385-3474

LEGAL NAME CHANGE Superior court of California, County of Los Angeles ORDER TO SHOW CAUSE FOR CHANGE OF NAME CASE NUMBER: 19TRCP00009 Petitioner (name of each) JODY PFAFFMANN, 6457 West 81st Street, Los Angeles, CA 90045 filed a petition with this court for a decree changing names as follows: Present name: a.

JODY PFAGGMANN Proposed name: a.

JODY MICHELE

DOWNTOWN NEWS 15

DOWNTOWNNEWS.COM

THE COURT ORDERS that all persons interested in this matter appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. Any person objecting to the name changes described above must file a written objection that includes the reasons for the objection at least two court days before the matter is scheduled to be heard and must appear at the hearing to show cause why the petition should not be granted. If no written objection is timely filed, the court may grant the petition without a hearing.

Notice of hearing Date: 03/15/2019 Time: 8:30 AM Dept.: B Room: 340 The address of the court is: Superior Court of California, County of Los Angeles, 825 Maple Avenue, Torrance, CA 90503.

Branch Name: Southwest A copy of this Order to Show Cause shall be published at least once each week for four successive weeks prior to the date set for hearing on the petition in LA DOWNTOWN NEWS, 1264 West 1st Street, Los Angeles, CA 90026 of gen-

eral circulation, printed in this county.

Prepared by: Sherri R. Carter Executive Office/Clerk.

Deputy: M. Loretto Superior Court of California, County of Los Angeles 825 Maple Avenue Torrance, CA 90503 Branch Name: Southwest Date: January 17, 2019 Hon. Ramona See Judge of the Superior Court Pub. 1/28, 2/4, 2/11 and 2/18/2019.

CIVIL SUMMONS Summons (DISOLUTION OF MARRIAGE WITHOUT CHILDREN) Maria E. Pfister 505 W. Baseline Road, #1032 Tempe, AZ 85283 Petitioner Pro Se Katie DeYoung AZCLDP NO. 81226 IN THE SUPERIOR COURT OF THE STATE OF ARIZONA IN AND FOR THE COUNTY OF MARICOPA NO. FN2018-092100 In the matter of: MARIA E. PFISTER, Petitioner and SAUL DE JESUS aka SAUL ACEVEDO, Respondent, FROM THE STATE OF

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Hundreds of listings of fun and interesting things to do in Downtown Los Angeles can also be found online at ladowntownnews.com/calendar: Rock, Pop & Jazz; Bars & Clubs; Farmers Markets; Events; Film; Sports; Art Spaces; Theater, Dance and Opera; Classical Music; Museums; and Tours.

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counting the day you were served. If this Summons and the other papers were served on you by a registered process server or Sheriff outside the State of Arizona, your Response must be filed within THIRTY (30) CALENDAR DAYS from the date you were served, not counting the day you were served. Service by a registered process server or the Sheriff is complete when made. Service by Publication in complete 30 days after the date of the first publication.

4. You can get a copy of the court papers filed in this case from the Petitioner at the address at the top of this paper, or from the Clerk of the Superior Court at the address listed in Paragraph 2 above.

5. Requests for reasonable accommodations for persons with disabilities must be made to the office of the Judge or Commissioner assigned to the case five days before your scheduled court date .

6. ADA Notification. Requests for reasonable accommodation for persons with disabilities must be made to the court by parties at least (3) working days in advance of a scheduled court proceeding.

7. Interpreter Notification.

Requests for an interpreter for persons with limited English

Email: Send a brief description, street address and public phone number. Submissions must be received 10 days prior to publication date to be considered for print.

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Gourmet Fast Casual Restaurant Since 1973 7 Days-7am to 10pm • FREE Parking • We Cater 1657 W. 3rd St. at Union Ave. • 213-483-8885

ARIZONA TO: SAUL DE JESUS 18603 E. Colima Road, Apt. E Rowland Heights, CA 91748 1. A lawsuit has been filed against you. A copy of the lawsuit and other court papers are served on you with this Summons.

2. If you do not want a judgment or order taken against you without your input, you must file an Answer or a Response in writing with the Court and pay the filing fee. If you do not file an Answer or Response, the other party may be given the relief requested in his or her Petition or Complaint. To file your Response or Answer, take or send the Answer or Response to the Office of the Clerk of the Superior Court, 201 W. Jefferson Street, AZ 85003-2205, along with the appropriate filing fee. Mail a copy of your response or Answer to the other party at the address listed on the top of this Summons.

3. If this Summons and the other court papers were served on you by a registered process server of the Sheriff within the State of Arizona, your Response or Answer must be filed within TWENTY (20) CALENDAR DAYS from the date you were served, not

EMAIL: Calendar@DowntownNews.com

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proficiency must be made to the office of the judge or commissioner assigned to the case by parties at least ten (10) judicial days in advance of a scheduled court proceeding.

SIGNED AND SEALED THIS DATE: JANUARY 2, 2019 CLERK OF THE SUPERIOR COURT: Chris Derose DEPUTY CLERK: H. Gearhart Pub. 1/14, 1/21, 1/28 and 2/4.

HELP WANTED

Advertising Sales L.A. Downtown News, in the heart of Los Angeles, has an immediate opening for an experienced ad sales professional to sell print and digital products for LA Downtown News from our downtown office. You will have the opportunity to also sell into our other media properties, including the Pasadena Weekly, Arroyo Monthly, The Argonaut, Playa Vista Direct, San Diego City Beat as well as their respective digital platforms. Duties include selling to and servicing clients, creating advertising campaigns, pursuing leads and presenting to local businesses and advertising agencies.

We are looking for a proven professional with a minimum of two years of media sales experience, a track record of achievement and a desire to be part of one of the most exciting markets on the West Coast - Downtown Los Angeles!

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We offer salary + commission & bonus opportunities, health insurance, 401K participation, and a fun and stimulating work environment. If your skills are a good match please contact us for an interview. Come be a part of our growing team!

Please send an email introducing yourself and why you are a perfect fit for the position along with your resume to Lake@DowntownNews.com

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16 DOWNTOWN NEWS

The Central City Crime Report

TRILOGY

Downtown...It’s Not Just Big Business Anymore!

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Apartment Amenities: Breathtaking Views Spacious Floorplans Central Air & Heating Balconies / Urban Patios (Most Units) Deep Soaking Tubs Luxury Stainless Appliances & Finishes Sky Level 27th Floor Penthouse Units: Complimentary Wi-Fi & Basic Cable Waterfall Countertops Bosch Appliances Nest 3rd Generation Thermostats Up to 2 Parking Spaces Included On-Site: Dry Cleaners / Dental Office / Restaurants

By Nicholas Slayton n the Central City Crime Report, we survey a recent week in public safety. All information is provided by the LAPD’s Central Division.

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Two unidentified individuals, one armed with a pistol, robbed a pedestrian at 18th Street and Broadway on Dec. 30.

They took the victim’s jewelry and fled.

The owner of a Mercedes-Benz left the car unlocked in a Grand Avenue parking garage. When the owner returned on Dec. 31, money and other items were missing.

Two people began arguing at Seventh and Los Angeles streets on Dec. 30. One hit the other with a broom. The victim called the police.

An unidentified individual grabbed clothes from a Broadway store on the evening of Dec. 30 and tried to leave without paying. A security guard attempted to stop the theft, but was kicked in the chest.

Around 2 a.m. on Dec. 31, unidentified individuals broke into a Second Street business by tearing down a wall. They stole TVs, camera equipment and video game systems.

PROMENADE TOWERS 123 South Figueroa Street 213-617-3777 www.THEPROMENADETOWERS.com

Community Amenities: Expansive Outdoor Patio with BBQ Grills Heated Pool & Spa 24 hr. Manned Lobby Fitness Center Parking Garage

On-Site: Convenience Store / Café / Beauty Salon / Private Fitness Training Apartment Amenities: Floor-to-Ceiling Windows City Skyline Views Solarium and/or Balconies

Three people approached a man at Fifth Street and Gladys Avenue on the morning of Dec. 31 and abducted him at knifepoint. They drove the man to a bank, made him get money from the ATM, then took the cash and fled.

Two people approached a pedestrian in a parking lot at Flower Street and Olympic Boulevard on New Year’s Eve and pushed the person to the ground. The assailants took money from the victim and fled.

Shortly after 2 a.m. on Jan. 1, a person was grabbing a meal at a food truck at 11th and Hill streets and wished someone else a happy new year. The other person grabbed the person’s chain and fled in a car.

Two people got into an argument on the Red Line late on Jan. 1. When the train arrived at the Seventh Street/Metro Center station, one person grabbed the other’s bicycle and fled.

MUSEUM TOWER 225 South Olive Street 213-626-1500 www.THEMUSEUMTOWERAPTS.com

Community Amenities: 24 hr. Manned Lobby Resident Concierge Heated Pool & Spa Fitness Center / Yoga Studio Outdoor Patio Gas BBQ Grills Recreation Room State-of-the-Art HD Theater Rooftop Patio with Views

JANUARY 28, 2019

Apartment Amenities: City and Mountain Views Luxury Appliances & Finishes Central Air & Heating Balconies (Most Units) Basic Cable *All Amenities Under Renovation

RESIDENCES STUDIO • ONE BEDROOM • TWO BEDROOMS PENTHOUSE UNITS • CORPORATE HOUSING

AROUND TOWN, 2 and the construction of their stadium in Inglewood. Information and registration is at lasportssummit.org.

Downtown Hospital Launches $215 Million Expansion

S

outh Park’s California Hospital Medical Center broke ground last week on a 150,000-square-foot, four-story tower. The building will house neonatal intensive care, labor and postpartum departments on the upper levels, while the ground floor will hold an expanded trauma center. The tower, which is part of an overall $215 million expansion of the hospital at 1401 S. Grand Ave., broke ground on Thursday, Jan. 24. The project seeks to expand and modernize the hospital as Downtown grows and changes. The new trauma center will allow for a 51% increase in the number of beds.

The money come from a combination of funds from Dignity Health, a loan, and outside donors. The work, which includes a 500-space parking structure, is partly in response to the need to meet seismic requirements that older hospital buildings did not reach. The four-story building is expected to open in 2020.