The Long-Shot Who Wants to Be Mayor : 5
THE
SIGHTS & SOUNDS
Spring OF
A Rundown of 40 Can’t-Miss Concerts, Shows, Events, Exhibits and More Taking Place in Downtown See Pages 7 – 21
Elvis Costello plays at the Theatre at the Ace Hotel on April 2-3.
photo by James O’Mara
MARCH 7, 2016 I VOL. 45 I #10
Big Plan for a Huge Arts District Complex : 6
THE VOICE OF DOWNTOWN L.A. SINCE 1972
2 Downtown News
DT
AROUND TOWN
We Want to See Your Loft
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os Angeles Downtown News is looking for a few good lofts. Yes, that means yours. On April 4, we are publishing the next installment in our “What’s in My Loft?” series, and we’re looking for Downtown residents who are willing to fling open their doors to a reporter and photographer and show off a few of their favorite things. “Loft,” by the way, is a loose term, as inhabitants of traditional apartments and condominiums can also get in on the action (candidates must be willing to be photographed). So if you have a unique or stellar sense of style, or just a bunch of cool household items and are willing to share them with the rest of Downtown, then we want to hear from you. If interested, email a description and photo of your home to dawn@downtownnews.com.
Palmer Reveals Details on 1,500-Unit Project
D
eveloper G.H. Palmer Associates is wellknown for its gigantic, faux-Mediterranean apartment complexes near the 110 Freeway, including the under-construction second phase of the Da Vinci apartments on Temple Street. While company head Geoff Palmer ventured away from the formula for his brick-facade Broadway Palace (also under construction), he’s now back with plans for his biggest freewayadjacent development yet. A project dubbed
TWITTER: @ DOWNTOWNNEWS Ferrante would create approximately 1,500 apartments and 30,000 square feet of groundfloor retail space on a 9.6-acre site at 1000 W. Temple St., along the western edge of the 110 Freeway and across the street from the Edward Roybal Learning Center. The site currently holds a 10-story office building and a fourstory parking structure that would have to be demolished. Ferrante would also have parking for about 2,600 vehicles and 1,680 bicycles, according to documents filed with the City Planning department. Like Palmer’s other Downtown projects, Ferrante would have numerous indoor and outdoor amenities including rooftop decks and pools. No budget has been revealed for the project, but initial documents suggest a 2018 completion date.
March 7, 2016
TAKE MY PICTURE GARY LEONARD
More Sleepless Nights At the Music Center
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ast September, the Music Center kicked off Sleepless, a series of three late-night events at the Dorothy Chandler Pavilion featuring DJs, art installations and a variety of live music. The free happenings were packed. Now a new series of Sleepless has been announced, though the quartet of happenings that start April 1 have a twist: This time admission is $20 in advance and $30 at the door. The price hike comes with a vastly expanded lineup, as the April 1 Sleepless will feature immersive projections, light and music in the backstage portion of the Dorothy Chandler. There will be headphones for silent dancing, musicians and DJs in the plush Founders Room, electronic music from Beasties Boys collaborator Money Mark and more. The event runs from 11:30 p.m.-3 a.m. and is all ages.
Cartoonist
Doug Davis
14th Birthday Celebration
Future Sleepless dates will be in June, September and November. Tickets and additional information are at musiccenter.org/sleepless.
DJ Collective Gets Union Station Residency
T
he Metropolitan Transportation Authority has an oft-overlooked but active arts program. It continues this month, as the transit agency teams up with the DJ collective dublab for a residency that runs every Friday in March from 4-6 p.m. “Music for Train Stations” will
February 29, 2016
feature performances in the waiting room of Union Station (800 N. Alameda St.), amplified by a six-speaker surround-sound system. Each week, rush-hour commuters will get a different dublab DJ along with live performances from acts such as The Tenses, Mark Van Hoen and Stellar Rahim. The project, according to Metro, was inspired by musician and producer Brian Eno’s ambient album Music for Airports, and the goal is to create a relaxing atmosphere amid the stress of commuting. The events are free. Additional information is at metro.net/about/ union-station/events. Continued on page 28
Why does this little burger stand attract over a million people a year?
Find out at the landmark location near Downtown. Home of the original Chili-burger. Quality and value since 1946:
Chili Hamburger .............. $2.60 Chili Cheeseburger ........... $3.10
Metro Gold Line Foothill Extension Now in Service Metro’s Gold Line Foothill Extension o;cially opened March 5, with large crowds coming out to enjoy live music, food trucks and more at the new Arcadia, Monrovia, Duarte/City of Hope, Irwindale and Azusa Downtown Stations. The 11.5-mile rail line extension connects East Pasadena to Azusa and points in between, providing a relaxing and money-saving alternative to driving the busy 210 Freeway. Rediscover Gold at metro.net/moregold. New Line 501 from NoHo to Pasadena Now in Service Look for the all-new Metro bus Line 501, o=ering Express Service from North Hollywood to Pasadena. Save up to 20 minutes on your commute as you ?y down the carpool lane on the 134 Freeway with limited stops and easy connections to partner transit services and Burbank Bob Hope Airport. For detailed timetables or to plan your trip, visit metro.net/line501. Expo Line Phase 2 Opens May 20 Metro recently announced that the Expo Line Phase 2 will o;cially open May 20, 2016. The 6.6-mile extension will stretch from Culver City to Santa Monica. Once complete, the Expo Line will o=er a faster alternative to the congested Santa Monica Freeway, with train passengers being able to travel between Downtown L A and Downtown Santa Monica in approximately 46 minutes. Learn more at metro.net/expo2. Regional Connector Tunnel Boring Machine Contest Construction of the 1.9-mile tunnel connecting the Metro Gold Line to the 7th Street/Metro Center station is expected to begin in Fall 2016. Before work can start, the giant drill known as a Tunnel Boring Machine (TBM) needs a name. Pre-K through high school students are encouraged to help us change its reputation of simply being a big boring machine. Submit artwork and a name for the machine for a chance to win great prizes and make history! Learn more and enter the contest at metro.net/regionalconnector. metro.net @metrolosangeles
Many Imitate, But None Compare!
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March 7, 2016
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Urban Scrawl by Doug Davis
For Now, Think Big With Convention Center
A
n interesting divide has arisen over the future of the Los Angeles Convention Center. While it is EDITOR & PUBLISHER: Sue Laris not generating a lot of attention across the city, GENERAL MANAGER: Dawn Eastin what happens here is vitally important to the local tourEXECUTIVE EDITOR: Jon Regardie ism and convention industry and will impact South Park SENIOR WRITER: Eddie Kim for decades. STAFF WRITER: Nicholas Slayton Everyone agrees that the outdated complex adjacent CONTRIBUTING EDITOR: Kathryn Maese S I N C E 19 7 2 to L.A. Live needs an upgrade and an expansion. The CONTRIBUTING WRITERS: Jeff Favre, Greg Fischer Los Angeles Downtown News two options, to simplify, break down this way: 1) Have 1264 W. First Street, Los Angeles, CA 90026 the city pay for and build a traditional and larger ConART DIRECTOR: Brian Allison phone: 213-481-1448 • fax: 213-250-4617 vention Center that will allow Los Angeles to compete ASSISTANT ART DIRECTOR: Yumi Kanegawa web: DowntownNews.com for the most lucrative trade shows, ones we now often email: realpeople@downtownnews.com PHOTOGRAPHER: Gary Leonard lose to regional rivals such as San Diego and Anaheim, facebook: or 2) Bring in a private partner to pay for (i.e. take on the ACCOUNTING: Ashley Schmidt L.A. Downtown News debt load) and build a complex that accomplishes the CLASSIFIED ADVERTISING MANAGER: Catherine Holloway above aim, but that also creates a hotel, housing, shoptwitter: ACCOUNT EXECUTIVES: Catherine Holloway, Brenda Stevens, DowntownNews I N C E 19 7 2 ping opportunities and more. If the plan, which Scould Michael Lamb Los Angeles News succeeds, the private be worth more Downtown than $2 billion, ©2016 Civic Center News, Inc. Los Angeles Downtown News SALES ASSISTANT: Claudia Hernandez is a trademark of Civic Center News Inc. All rights reserved. 1264 W. First Street, Angeles, CA 90026 company could makeLos a lot of money. The Los Angeles Downtown News is the must-read newsphone: 213-481-1448 • individuals fax: 213-250-4617 Some well-respected with deep knowlCIRCULATION: Danielle Salmon paper for Downtown Los Angeles and is distributed every web: DowntownNews.com • email: realpeople@downtownnews.com Monday throughout the offices and residences of Downtown edge of the city and solid financial acumen have opposDISTRIBUTION MANAGER: Salvador Ingles Los Angeles. ing viewpoints on which path to take. However, DISTRIBUTION ASSISTANTS: Lorenzo Castillo, Gustavo Bonilla One copy per person. facebook: twitter:at this time we urge staff to seriL.A. elected Downtownleaders News and other cityDowntownNews ously consider the more expansive, out-of-the-box approach, including the effort to create on-site housing. It EDITOR & PUBLISHER: Sue Laris PUBLISHER: Sue Laris for going this route, but is tooEDITOR early&to call unequivocally GENERAL MANAGER: Dawn Eastin GENERAL MANAGER: Dawn Eastin it would be a mistake to offer just lip service to the idea. Los AngelesEDITOR: Downtown News wrote about the situleast 20% affordable housing in the residential component. Some city officials who had invested a EXECUTIVE lot of timeEDITOR: in the earlier EXECUTIVE Jon Regardie Jon Regardie WRITER: Eddie ationSENIOR last week. One of Kim the conflicts concerns timing, Who would be the “private” entity in the P3? One assumes process were rankled by Santana’s proposal. That’s understandSENIOR WRITER: Eddie Kim WRITER: Nicholas Slayton and STAFF it’s easy to see why an 11th hour twist has angered AEG would be a contender. The company has a huge play alable, and it’s fair to ask why the channels STAFF of communication were WRITER: Nicholas Slayton someCONTRIBUTING people. EDITOR: Kathryn Maese ready in L.A. Live and proffered the original Convention Center not opened before the report hit. Some individuals must have felt CONTRIBUTING EDITOR: Kathryn Maese CONTRIBUTING WRITERS: Jeff Favre, Fischer The city has been looking at an Greg upgrade for years, goexpansion vision. AEG has a contractSto like the rug was being pulled out from under them. I Noperate C E 19the 7 2 Convention CONTRIBUTING WRITERS: Jeff Favre, Greg Fischer ing back to when it was part of Anschutz Entertainment Center, but any bidding competition would need to be open The big question remains: Will Santana’s plan work, and ART DIRECTOR: Brian Allison Los Angeles Downtown News Group’s Farmers proposal. As the stadium began and fair, with a level playing field for other companies, too. would it be better for the city than just expanding the ConvenASSISTANT ARTField DIRECTOR: Yumi Kanegawa ART DIRECTOR: Brian Allison 1264 W. First Street, Los Angeles, CA 90026 to look less likely, city leaders smartly adopted a pro Again, the key questionphone: is whether or not Santana’s plan tion Center? 213-481-1448 • fax: 213-250-4617 ASSISTANT ART DIRECTOR: Yumi Kanegawa PHOTOGRAPHER: Gary Leonard cess known as Plan B. This involved the city doing (and News reported how a representa Opponents have charged that housing is incompatible on the could succeed. Downtownweb: DowntownNews.com ACCOUNTING: Ashley Schmidt paying for) the expansion and renovation itself. The city on a 2011 P3 proposal in Miami site, and that load-ins and load-outs for PHOTOGRAPHER: big conventionsGary andLeonardtive of a company that worked email: realpeople@downtownnews.com conducted a design competition, down the reported big problems, and raised issues such as the city losing trade shows would create noise and gridlock that make life difCLASSIFIED ADVERTISING MANAGER:whittled Catherine Holloway facebook: contenders last June settled on a concept from the control of the design and facing hidden costs. ficult for residents. However, we think that is a too-cautious apACCOUNTING: Ashley Schmidt ACCOUNT and EXECUTIVES: Catherine Holloway, Brenda Stevens, Michael Lamb L.A.investigation, Downtown Newsbut firmsSALES HMCASSISTANT: and Populous. The $470 million plan would, Those are valid points and they merit proach. Housing already exists at the Ritz-Carlton residences, Claudia Hernandez among other things, resolve issues such as uneven floor knowing thereHolloway are challenges is not atwitter: reason to reject the plan. and the people staying in the 1,001 RitzCLASSIFIED and J.W. Marriott hotelMANAGER: ADVERTISING Catherine CIRCULATION: Danielle Salmon plates in two separate convention buildings. lessons can be learned from what went wrong in Miami. rooms, and in other nearby hotels, seemACCOUNT to survive with ConEXECUTIVES: CatherineMaybe Holloway, DowntownNews DISTRIBUTION MANAGER: Salvador Ingles Brenda Stevens, Michael Lamb If the proposal, as Santana maintains, means that a private in Then, in December, City Administrative Officer Miguel vention Center business. Further, there is existing and underDISTRIBUTION ASSISTANTS: Lorenzo Castillo, Gustavo Bonilla SALES ASSISTANT: Santana, who had been asked to look at how to finance vestor and not the city would take onCenter the debt it is construction housing all around the Convention Center. Claudia Noise Hernandez ©2016 Civic News,risk, Inc. then Los Angeles Downtown News is a trademark of Civic Center News the project, with bombshell: suggested worth exploring. and traffic are part of urban living. ©2016 Civiccame Center back News, Inc. LosaAngeles DowntownHe News is a trademark of Civic Inc. All rights reserved. Center News Inc. All rights reserved. recruiting investors, establishing a public-private part City leaders have approved examining the two with a Additionally, we see this as an opportunity to help address a The Los Angeles Downtown News paths, is the must-read CIRCULATION: Danielle Salmon The Los Angeles Downtown News is the must-read newspaper for Downtown Los Angeles for Downtown Los Angeles disnership “P3”)every to erase city’sthedebt on the projdecision expected in June.newspaper That’s the right choice, but and theisprolack of affordable and is(or distributed Mondaythe throughout officesrisk and residences of DowntownLos Los Angeles housing crisis, including a critical DISTRIBUTION MANAGER: Salvador Ingles tributed every Monday throughout the offices and Angeles. ect, and expanding the scope to include the aforemencess needs to be fair. It would have been better to learn of the and workforce housing. Since city-owned land is at play, there residences of Downtown Los Angeles. DISTRIBUTION ASSISTANTS: Lorenzo Castillo, Oneadditional copy per person. tioned elements. P3 many months ago, but One a late arrival is no reason to ignore it. is a rare opportunity to demand that anyGustavo developer include at copy per person. Bonilla
EDITOR & PUBLISHER: Sue Laris GENERAL MANAGER: Dawn Eastin
S I N C E 19 7 2 Los Angeles Downtown News 1264 W. First Street, Los Angeles, CA 90026 phone: 213-481-1448 • fax: 213-250-4617 web: DowntownNews.com • email: realpeople@downtownnews.com facebook: L.A. Downtown News
twitter: DowntownNews
EXECUTIVE EDITOR: Jon Regardie SENIOR WRITER: Eddie Kim STAFF WRITER: Nicholas Slayton CONTRIBUTING EDITOR: Kathryn Maese CONTRIBUTING WRITERS: Jeff Favre, Greg Fischer ART DIRECTOR: Brian Allison ASSISTANT ART DIRECTOR: Yumi Kanegawa
PHOTOGRAPHER: Gary Leonard ACCOUNTING: Ashley Schmidt CLASSIFIED ADVERTISING MANAGER: Catherine Holloway ACCOUNT EXECUTIVES: Catherine Holloway, Brenda Stevens, Michael Lamb SALES ASSISTANT: Claudia Hernandez CIRCULATION: Danielle Salmon DISTRIBUTION MANAGER: Salvador Ingles DISTRIBUTION ASSISTANTS: Lorenzo Castillo, Gustavo Bonilla
©2016 Civic Center News, Inc. Los Angeles Downtown News is a trademark of Civic Center News Inc. All rights reserved. The Los Angeles Downtown News is the must-read newspaper for Downtown Los Angeles and is distributed every Monday throughout the offices and residences of Downtown Los Angeles.
One copy per person.
March 7, 2016
Downtown News 5
DOWNTOWNNEWS.COM
David Without a Slingshot (Yet) Long-shot Mayoral Candidate Mitchell Schwartz Sets His Sights on Eric Garcetti By Jon Regardie n a Feb. 8 column about the upcoming mayor’s race, I wrote that unless long-shot candidate Mitchell Schwartz starts driving around Los Angeles in the Batmobile or Angelyne’s hot pink Corvette, “he’s going to have a nearly impossible time breaking through.” The next day Schwartz reached out, emailing, “I understand your skepticism about mine or anyone’s chances. Feel like meeting up for lunch one day?”
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THE REGARDIE REPORT Give him points for a thick skin, especially since I titled the column “Garcetti Wins Second Term!” The election takes place March 7, 2017, and the only declared challengers so far are tomato cans no one in L.A. has ever heard of. A couple weeks later we met up at Langer’s, and no, Schwartz didn’t arrive in the Batmobile or Angelyne’s ride. We settled into a booth in the MacArthur Park pastrami palace. In a nutshell, here’s what you need to know about Schwartz: He’s thoughtful, intelligent and running out of a true desire to help a city that sometimes feels like it’s melting into an economically ravaged, homelessness-plagued sludge. He’s no gadfly and the campaign for this married father of three is serious. He genuinely appears to care far more about the state of Los Angeles than the personal power the mayor’s office affords. At the same time, Schwartz seems shockingly out of his league, with a platform and a race strategy that are as wobbly as a plate of Clifton’s Jell-O. Granted his candidacy is in its infancy, but more than anything he seems to be banking on riding a populist swell against politics as usual. He repeatedly criticized Garcetti and cited Los Angeles’ myriad problems and weaknesses, but was unable to articulate what he personally has done that qualifies him to run a city of 4 million people. Some of his ideas are downright goofy — he seriously suggested Garcetti drop out of the mayor’s race, positing that it
would better position him to run for governor or a U.S. Senate seat, posts which everyone who follows this stuff thinks Garcetti is eyeing. Of course, Garcetti quitting the mayor’s contest is even less likely than Tank Girl 2 winning next year’s Best Picture Oscar, and when I say there’s no way Garcetti would ever do that, Schwartz sticks to his guns. As to his campaign, Schwartz acknowledges that he’s the longest of long-shots. “It’s David vs. Goliath, but I don’t have a slingshot yet,” he stated, and that’s a better line than I could come up with. Then he added, “But I’m going to get one.” Campaign Veteran Schwartz is 55. He grew up in Queens, the son of a homemaker and a father who owned a shoe wholesale business. He has three older sisters. He attended Brandeis University and worked in Washington, D.C. in the State Department during the Clinton years. He moved to Los Angeles in 1996 with the goal, I kid you not, of doing sports TV with Steve Barr, who would go on to found Green Dot charter schools. Sports TV didn’t work out, and instead Schwartz made a career in public affairs and public relations, while also regularly playing a hand in presidential elections. He ran Barack Obama’s California campaign in 2008, which shows some real organizational acumen. He has built up environmental cred, including serving for three years as president of the board of the Los Angeles League of Conservation Voters. He’s active in his community and his temple. It’s a good resume, and one upon which a candidate could build a serious City Council campaign. Still, mayor seems like an overreach, and Schwartz doesn’t display anything that indicates he could steer a city facing a surge in crime or respond to a structural deficit that means Los Angeles usually starts each fiscal year more than $100 million in the red. I can’t imagine him
photo by Gary Leonard
Mitchell Schwartz, who ran Barack Obama’s California campaign in 2008, is challenging incumbent Mayor Eric Garcetti in the 2017 election. “I’m not afraid to lose,” he says.
not getting rolled by Council President Herb Wesson or playing hardball with the unions that are such a force in City Hall. That’s not a slam — very few people have the qualifications to do this gig, and even then some of them fail. During our lunch Schwartz kept referencing problems in the city, but the only concrete step he laid out for his mayoralty would be establishing the Office of Transparency and Accountability that Mickey Kantor and Austin Beutner laid out in their 2020 Commission reports. Of course, Wesson, Garcetti and City Hall essentially buried those studies. This leads to an amusing sort of vicious circle. I keep asking Schwartz what he’s done that prepares him to run L.A. He keeps responding that people are fed up, in the city and nationally, and that a mayor doesn’t need a big record in politics or business. He maintains that his candidacy will be about defining a series of issues that reflect voter sentiment, and that he can act Continued on page 28
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6 Downtown News
March 7, 2016
Vast Old Buildings, Huge New Vision
In 2014 New York Citybased developer Atlas Capital Group acquired the massive complex at Seventh and Alameda streets that holds the headquarters of American Apparel. The company has unveiled Row DTLA, its plan to transform the 30-acre site into a collection of stores, restaurants and creative office space.
Row DTLA Would Bring Stores, Restaurants and Office Space to American Apparel Complex By Eddie Kim t is, by now, plainly evident that the Arts District is one of the hottest neighborhoods for development in Los Angeles. Massive housing projects such as the 470-apartment complex under construction at 950 E. Third St. and the Amp Lofts near Seventh Street and Santa Fe Avenue will bring thousands of residents to the once-sleepy community. Planned retail hubs such as At Mateo are rising alongside office buildings like Fourth and Traction (the former Coca-Cola building) and the redeveloped 1912 Ford Building on Seventh Street. A park is being built, museums are settling in, and the onslaught of restaurants and bars seems unrelenting. New York City-based Atlas Capital Group knows all about the activity, and Fourth and Traction is part of its portfolio. But that project is little league compared to its plans for a 30acre site at Seventh and Alameda streets. Over the years there have been numerous proposals for the property, which is best known as the headquarters of American Apparel. Previous owner Evoq had a development plan called Alameda Square, but that ended when a group of investors led by Atlas Capital acquired the company and its portfolio in 2014. Atlas soon began planning it own turnaround for the stagnant campus. While it touts fashion-forward businesses such as American Apparel, Splendid, Ella Moss and GoJane, much
I
of the property’s interior space remains empty. Atlas Capital has brainstormed a new name, Row DTLA, and a fresh vision to fill the seven buildings with 1.3 million square feet of creative office tenants, about 100 stores, more than 20 restaurants, and spaces for community gatherings and public events. No budget has been revealed. “The scale of the project allows us to conceive a whole community in the heart of an emerging area, which, by virtue of its critical mass, can immediately become the hub of activity,” Jeffrey A. Goldberger, principal of Atlas Capital, said in an email to Los Angeles Downtown News. “Unlike in an individual building, we can bring an abundance of amenities to our visitors and tenants.” Old Produce Hub Row DTLA was known as the L.A. Terminal Market in the early 20th century. For decades it served as a distribution hub for produce being shuttled across Southern California. Atlas’ plan involves reactivating the property’s buildings and streets, including new names and themes. “Market Row” runs along a pair of 70,000-square-foot, two-story buildings that would hold office tenants. They would sit adjacent to “The End,” a public square. Nearby “Dock Street” would focus on dining options. “The Narrows” would offer cultural and entertainment-leaning storefronts, while “Center Street” Continued on page 25
image courtesy of Row DTLA
Atlas Capital’s vision includes themed areas. “The End” would be a public square, while nearby “Dock Street” would focus on dining options.
image courtesy of Row DTLA
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7 Downtown News
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E H T
March 7, 2016
& S
T S H D G N I U S O SF
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nts, e v E , s Show town , s t r e Conc e in Down S L AY TO N s s i M S c Can’t Taking Pla N D N I C H O L A 0 4 f own o nd More N R E G A R D I E A d n u JO A R hibits a S O N, N H Ex O NJ KIM,
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RJD2 plays the Teragram Ballroom on April 8.
photo courtesy RJD2
DDIE BY E
zart & P o ä M MAY 19-29 AT WALT DISNEY CONCERT HALL
AY 1 AT THE A MARCH 22-M
photo by Joan Marcus
BOOKFEST MAY 7 AT GRAND PARK
photo by Javier Guillen
A Gentleman’s Guide to Love & Murder has quite a pedigree: With a book by Robert Freedman and music from Steven Lutvak (they both worked on lyrics), it won the 2014 Tony for Best Musical. The production that chronicles one man’s hard-fought effort to advance himself in society through murder lands at the Ahmanson Theatre March 22-May 1. There’s an old timey feel, plenty of physical comedy and songs such as “Poison in My Pocket” and “The Last One You’d Expect.” It all follows Monty Navarro’s attempts to kill the eight relatives who are ahead of him to inherit a family fortune. Along the way, Monty must sort out a tangled web of romantic relationships. At 135 N. Grand Ave. or centertheatregroup.org.
¡LUNCHTIME! WRITERS' MEETUP: EVERY TUES // MAR 15—MAY 10 // NOON—1:30PM DOWNTOWN BOOKFEST: SAT MAY 7 // NOON—5PM
L.A.'s literary places and spaces come to life with a season of free activities, including a DIY typewriter installation channeling Ray Bradbury's genius, a weekly afternoon meetup for writers of all levels, and everyone's favorite celebration of indie authors and publishers. Sponsored in part by:
L.A. Phil Music Director Gustavo Dudamel (shown here) has long expressed love for both Wolfgang Amadeus Mozart and contemporary Estonian composer Arvo Pärt. Works from these seemingly unrelated individuals come together at the Walt Disney Concert Hall on May 19-29. There is a connection beyond just Dudamel liking their music, though: Part’s Miserere and Mozart’s final composition, Requiem, both share words from the oft-sung Latin hymn Dies Irae. But you knew that, didn’t you? There are four opportunities to watch and hear Dudamel lead the Phil in this roughly 90-minute performance on May 19-22. A program called “Mozart & Pärt: The Angels” runs the following week. At 111 S. Grand Ave. or laphil.com.
The life of the mind takes over Downtown’s best park on May 7, when the fourth annual Bookfest arrives. It’s a celebration of the written word and local writers, with readings, performances, family events, crafts, an outdoor bookstore, author signings and much more. It’s all free, and while you’ll likely go home with a tome or two, you can also leave a book at the park’s mini-lending libraries. It’s part of a highly literary spring at Grand Park. Another highlight is The Bradbury Room on March 12, which celebrates typing, the late Los Angeles sci-fi author Ray Bradbury and his masterwork Fahrenheit 451.. Fittingly, it runs from noon-4:51 p.m. At 200 N. Grand Ave. or grandparkla.org.
THE BRADBURY ROOM: SAT MAR 12 // NOON—4:51PM
rt
uide G ’s n a m e l er A Gent d r u M & e v to Lo HMANSON THEATER
March 7, 2016
SIGHTS AND SOUNDS OF SPRING
photo courtesy of Los Angeles Philharmonic
8 Downtown News
Elvis Costello
March 7, 2016
SIGHTS AND SOUNDS OF SPRING
Downtown News 9
April 2-3 at the Theatre at Ace Hotel
oto by Jam es O ’M ara
photo by Alex J. Berliner
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What do you think of Declan MacManus? OK, so that got the cricket response. Mr. MacManus, however, is better known as Elvis Costello, who has been churning out music for nearly 40 years now. The Grammy winning multi-instrumentalist has a two-night stand at the Theatre at Ace Hotel on April 2-3, and it promises to be a delicious reminder of the London icon’s many contributions to popular culture. Expect some new material as well as all the hits, from “Alison” to “Accidents Will Happen” to “Watching the Detectives.” Go ahead, wear the black-framed glasses. At 929 S. Broadway or acehotel.com/losangeles/theatre.
ART OF MOTION SESAME STREET LIVE: MAKE A NEW FRIEND PICTURE MAY 7 AT THE MICROSOFT THEATER COSTUME DESIGN Through April 30 at the FIDM Museum
Costumes play a crucial role in setting a movie’s atmosphere and tone. The Fashion Institute of Design & Merchandising recognizes that, and its on-campus museum showcases some of the top film outfits from 2015. It’s a chance for Angelenos to see duds from the recently crowned Best Costumes Oscar winner Mad Max: Fury Road. There are costumes from a total of 23 films on display, from the late1980s fashions of Straight Outta Compton to the fairytale gown seen in Cinderella. There are also outfits from The Hateful Eight, Crimson Peak, the 1950s suits of Trumbo and even gear from Star Wars Episode VII: The Force Awakens. At 919 S. Grand Ave. or fidmmuseum.org.
You’re down with Grover. You’re tickled by Elmo. But do you know Chamki? You will after you bring your kids to Sesame Street Live: Make a New Friend, which lands at Staples Center for three performances on May 7. The show is filled with Sesame Street characters singing and dancing, and the plot concerns what happens when Chamki, Grover’s friend from India, comes to visit. While Grover plans kayaking and hot yoga (seriously), Chamki wants to do “The Elmo Slide” and have cookies with Cookie Monster. Then again, who doesn’t want to have cookies with Cookie Monster? At 777 Chick Hearn Court, or axs.com and sesamestreetlive.com.
213.627.8166 808 W 7th St., Los Angeles, CA 90017 (Corner of 7th & Flower)
TM/copyright Sesame Street Workshop. All rights reserved.
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SIGHTS AND SOUNDS OF SPRING
MAY ENT EG THE R
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THETYBE H S MIGA T N I G 1 AT
They Might Be Giants are the single most important alt rock band of the last 30 years. Hyperbole? Perhaps, but if you know what that word means and how to properly adjudicate the role of culture in mo dern society, then you’re alr eady on board with this erudit e, slap-happy brand of guitar rock tuned the key of intelligenc to e. The boys from Linco ln, Mass. (by way of Brooklyn) will pop int o Main Street’s The Re gent on May 1, and though they lack tre ndy haircuts, stylish wardrobes and flavo of-the-week custom rguitars, TMBG promi ses a rollicking night out-there alt spiced of with reams of inform ation on topics rangin from palindromes to g James K. Polk. At 448 S. Main St. or the regenttheater.com.
A L L S T A R C H E F C L A S S IC
Bringing hundreds of dogs and cats together would seem to be a recipe for disaster, or at least incessant yapping and mewing. Yet for some reason, the animals (and their human companions) who show up Olvera Street’s annual Blessing of the Animals tend to be surprisingly placid and well behaved. Is a higher power at play? Who knows, but the annual tradition takes place March 26, and festivities run from noon5 p.m. The procession usually starts at 2 p.m., during which hundreds of furry friends get blessed and sprinkled by Holy Water from Archbishop José Gómez. It’s not just dogs and cats — birds, horses and even the occasional snake gets blessed. At Olvera Street or elpueblo. lacity.org.
photo by Sher
AT OLVERA STREET
vin Lainez
ING OF TH S MARCH 26 E ES LS IMA AN
B L
10 Downtown News
MARCH 9-12 AT L.A. LIVE
Classic is no joke The “All Star” in All Star Chef ’s best and most ntry cou — more than 40 of the in Downtown to ving arri are fs distinguished che from March 9-12. cook for thousands of people with appearances There’s plenty of local talent, ) and Jessica yon by Jeremy Fox (Rustic Can wn’s own nto Dow as l wel Koslow (Sqirl), as Centeno (Orsa ef Jos and r) eba (Ric lia Charles Ola ts will be sho & Winston). They and other hot erous L.A. num at nts eve featured in a variety of rant tau Res ed call one ng udi Live venues, incl s riou from luxu Stadium. Expect everything e -typ ival fest multi-course meals to casual f’s booths. As IHOP happenings to an array of che e happy. used to say, come hungry, leav tarchefclassic.com. alls or . Blvd ic mp Oly At 800 W.
photo by Gary Leonard
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from other health & fitness businesses? On Monday, April 11, 2016, Los Angeles Downtown News will publish the second of four Healthy Living Quarterlies. S PA C E & E D I T O R I A L D E A D L I N E : M A R C H 2 8 , 2 0 1 6 PUBLISHES: APRIL 11, 2016
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FRIDAY, MARCH 11, 2016 6–10 PM Enjoy a free evening of art, music and entertainment as Pasadena’s most prominent arts and cultural institutions swing open their doors.
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PARTICIPATING INSTITUTIONS Armory Center for the Arts / ArtCenter College of Design / artWORKS Teen Center / City of Pasadena–City Hall and Side Street Projects / Curatorial Assistance / Jackie Robinson Community Center / Kidspace Children’s Museum / Light Bringer Project @ Day One / Lineage Performing Arts Center / MUSE/IQUE / Norton Simon Museum / Pasadena Conservatory of Music / Pasadena Museum of California Art / Pasadena Museum of History / PUSD at The Shops on Lake Avenue / Shumei Arts Council / USC Pacific Asia Museum
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IN K A M E H T N I N REVOLUTIO
One of Downtown’s most anticipated openings of any mel Gallery r Wirth & Schim se au H at kind occurs March 13, when 13 ch Opening Mar former MOCA Chief Curator Paul Schimmel joins Iwan and Manuela Wirth to open the gallery complex Hauser Wirth & Schimmel. The ambitious debut show, Revolution in the Making: Abstract Sculpture by Women: 1947-2016,, features about 100 works from 34 artists, among them Louise Bourgeois, Lee Bontecou (shown here in her studio), Eva Hesse and Kaari Upson. It’s a massive show in the repurposed Globe Mills Complex, a collection of late 19th and early 20th century warehouses. Think of it as a chance to see art you’ve probably never glimpsed in a gallery that will be a key part of the Arts District for decades to come. The show runs through Sept. 4. At 901 E. Third St. or hauserwirthschimmel.com.
Downtown News 11
photo by Robert Millard
Giacomo Puccini’s legendary Madame Butterfly is, like many great works, about what happens when two disparate worlds collide. In this case, it’s the story of a U.S. Naval officer, Pinkerton, and a geisha who fall in love — but what the young and beautiful Butterfly (AKA Cio-Cio-San) doesn’t realize is that Pinkerton aims to leave her once he finds an American wife. The opera follows Butterfly as she waits with their son for the officer to return, but when he finally does, it’s not the happy reunion she expects. Soprano Ana María Martinez, widely lauded for her previous turns as Butterfly, stars in a production that is new to L.A. Opera. There are six performances from March 12-April 3 in the Dorothy Chandler Pavilion. At 135 N. Grand Ave. or laopera.org.
M A R C H 3 1 - A P R I L 3 AT R E D C AT
TeatroCinema: Historia del Amor REDCAT specializes in avant-garde work from international companies that most Angelenos don’t know. The Chilean ensemble TeatroCinema fits that bill perfectly. On March 31-April 3, the troupe unleashes Historia del Amor, which is far more grim than the title implies. The four performances incorporate digital imagery — think 2D and 3D animation and
computer-generated backgrounds — to help tell the story of a woman’s abduction and her relationship with her kidnapper, who happens to be an English teacher. The show is based on a 1999 novel by French author Régis Jauffret. Historia del Amor is performed in Spanish with English subtitles. At 631 W. Second St. or redcat.org.
photo courtesy of REDCAT
M A R C H 1 2 - A P R I L 3 AT T H E D O R O T H Y C H A N D L E R PAV I L I O N
MADAME BUTTERFLY
SIGHTS AND SOUNDS OF SPRING
photo by Hugo Mu
March 7, 2016
Evolution of the Revolution 12 Downtown News
March 7, 2016
SIGHTS AND SOUNDS OF SPRING
photo courtesy California African American Museum
Go ahead and cue up KRS-One’s “You Must Learn.” Those needing or looking for an immersive plunge into a remarkable heritage can take in the California African American Museum’s Evolution of the Revolution, which opened last month and is on display through June 26. Set designers Lynn Rossi and Nichelle Evans of Surreal Box Cinema collaborated on this multimedia installation that digs into the AfricanAmerican revolutionary path, starting way back in the transatlantic Middle Passage and coming right on up till now. With a mix of large photos, a life-size retro bus (a reference to Rosa Parks) and more, the Exposition Park display will get you thinking. At 600 State Drive or caamuseum.org.
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at with the second r superheroes, wh fo th an: on m sy bu a March is ie Batman v. Superm devil “and the mov are also “D s e’s ix’ er tfl th , Ne les of ge season wntown Los An Do In t. ou from ing n, m tio tasy conven Dawn of Justice co comic book and fan y da the ere to th es e m Th . ernational, co WonderCon ego’s Comic-Con Int . It’s Di n eim Sa ah of An s er of e niz the orga its former hom ing ch dit 7, -2 25 nt h d offers ple y Central City on Marc ego counterpart, an Di n Sa its lay an th ic ience-fiction, cosp less claustrophob on comic books, sc s on ssi cu e im dis d Ja d an an of exhibitions arance by Gilbert ’s film hts include an appe and Rockets; a kid and more. Highlig d rs who create Love he ot ons and br ati e cre th z, eir de th ll an se Hern strators will illu e er wh , e. ley Al ts’ qu t/party Mas erad festival; the Artis nt costume contes gia e th d an s; ion do commiss /wca. St. or comic-con.org At 1201 S. Figueroa
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THROUGH JUNE 26 AT THE CALIFORNIA AFRICAN AMERICAN MUSEUM
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Come Join Us for our Annual St Patrick's Day Lunch March 13, 2016 11:00 am to 4:oo pm Tickets $10.- available at the door.
222 S. Hewitt Street, Los Angeles, CA 90012 (213) 626-2279 — www.sfxcjcc.org — info@sfxcjcc.org
an © 2015 SDCC
HONG KONG STYLE
DIM SUM
May 7 at the Convention Center Superstar DJ Kaskade has played to massive crowds around the world, and holds the distinction of being the first electronic dance music act to headline Staples Center. On May 7 he’ll set a precedent once again, this time at the neighboring Convention Center, which has never hosted a rave-like concert. Kaskade, AKA Ryan Raddon, will be unleashing his biggest progressive house and trance hits, and audiences can expect a barrage of eyeball-searing light displays, ribcage-shuddering bass and more than enough confetti. At 1201 S. Figueroa St. or kaskademusic.com.
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SIGHTS AND SOUNDS OF SPRING Complexions Contemporary Ballet
It’s been four decades since a gaggle of unlikely punks put together their first show at the Bolton Institute of Technology in Manchester, England. The APRIL 15-17 AT THE DOROTHY Buzzcocks have since gained enduring CHANDLER PAVILION fame as substantial anchors of first-wave punk. Without the selfJoining the Alvin Ailey American Dance Theatre is a career destructive showmanship of the highlight for most people. That was just the start, however, Sex Pistols or the lingering curse for Desmond Richardson and Dwight Rhoden. In 1994, of narcissus found in the Clash the pair formed Complexions Contemporary Ballet, and camp, the Buzzcocks came to clap for 22 years they have traveled the world, thrilling and pick their way through lovers’ audiences with a multicultural and sometimes laments strapped with a catchy, unpredictable take on contemporary dance. bare-bones appeal that has aged Complexions lands at the Dorothy Chandler quite well. On May 26, energetic Pavilion for three performances singer/songwriter Pete Shelley of mixed repertory on April and the rest of the crew will deliver 15-17. One of the company’s still-sound-great anthems such as current works is “And So It “Orgasm Addict” and “Ever Fallen in Is,” a large-scale piece danced Love?” The paunchy, balding guys in the en point to the music of Bach. But crowd will pogo with throwback glee. expect the unexpected: Complexions At 1038 S. Hill St. or clubmayan.com. also has “Strum,” in which 14 dancers perform to… (wait for it)… Metallica! At 135 N. Grand Ave. or musiccenter.org.
photo by Rachel Neville Photography
Downtown News 13 photo courtesy USC
M AY 2 6 AT T H E M AYA N T H E AT R E
THE BUZZCOCKS
March 7, 2016
PIATIGORSKY CELLO FESTIVAL
MAY 13-17 AT VARIOUS LOCATIONS Gregor Piatigorsky was one of the finest cellists of all time, playing with wicked technique and emotion that inspired composers such as Stravinsky and Prokofiev to collaborate with him time and time again. The Russian-born musician escaped France during the Nazi occupation and made his way to America, where he taught cello at various schools before settling in at USC. The school now honors him with the annual Piatigorsky Festival, which this year features 26 international cellists in various performances at USC and an ensemble of more than 100 playing at Walt Disney Concert Hall. In addition to the performances, the festival features master classes and lectures that are open to the public. Prepare to experience some of the best cello work in the world. At piatigorskyfestival.usc.edu.
Forget going to a bar and guzzling tequila on Cinco de Mayo. Instead, head to the gorgeous Mayan Theatre on Hill Street, where Lucha VaVaoom once again stages a rollicking party timed to the anniversary of Mexico’s 1862 victory over a much larger French army at the Battle of Puebla. The May 5-6 shows feature Lucha’s trademark combination of masked Mexican wrestlers, comely burlesque dancers and biting comedians. There will be mariachis, Aztec dancers, vintage lowriders and grapplers with names like Magno, the Extreme Tiger and Doctor Maldad. The burlesque artists include May 5-6 at the Mayan Theatre Molly D’Amour and Marawa the Amazing. Yes, there will be beer… and plenty of tequila. At 1038 S. Hill St. or luchavavoom.com.
photo by Krista Kennell/Corbis
March 7, 2016
SIGHTS AND SOUNDS OF SPRING
LUCHA VAVOOM
A Very L.A. Spelling Bee March 19 at the Central Library
In the age of spell check, correctly spelling a multisyllabic word without bungling “i before e except after c” can be a challenge. Remembering all those pesky spelling rules in two languages really stands out. That’s where The Very L.A. Spelling Bee comes in. On March 19 at 10 a.m., people 12 and up get to show off their skills in English, Spanish or both. It comes courtesy of the Los Angeles Public Library and the Library Foundation, and the day includes a dictionary-themed puppet show, word games and even poetry and dictionary readings. Dictionary readings! At 630 W. Fifth St. or lfla.org.
photo courtesy Library Foundation of Los Angeles
MYTHILI PRAKASH AND ADITYA PRAKASH ENSEMBLE April 9 at JACCC The Prakash siblings are not your typical performing arts brother-and-sister duo. Los Angeles-born choreographer Mythili Prakash is known for her skill in Bharata Natyam, a lively and traditional Indian dance that involves complex and fast-paced footwork reminiscent of tap, along with intense body and facial expressions. On April 9 she’ll appear at the Japanese American Cultural & Community Center in Little Tokyo as part of the Aratani World Series, and she’ll be joined by her brother Aditya, who will sing traditional Indian poetry. Once Mythili finishes, Aditya and his band will perform a set that melds jazz, funk and other sounds with traditional Indian music. Think of the performance as a modern view of classical Indian arts. At 244 S. San Pedro St. or jaccc.org.
photo by Inni Singh
14 Downtown News
D O N ’T L O O K B A C K : T H E 1 9 9 0 S AT M O CA
photo by Gary Leonard
MARCH 12-JULY 11 AT THE GEFFEN CONTEMPORARY AT MOCA
DOWNTOWN ART WALK SECOND THURSDAY OF THE MONTH IN THE HISTORIC CORE
The 1990s had it all: grunge mu sic, the movie Titanic, Furbys. But what’s our lasting impression of the decade? MOCA delves into the questio n in a large exhibition at Little Tokyo’s Geffen Contemporary. Don’t Look Back: The 1990s at MOCA, which opens March 12 and runs through July 11, is composed of works from the museum’s permanent collection (including pieces tha t have not been shown since their acquisition) that challen ged and extended ideas of race, pop culture and sexuality. The show is divided into six sections with themes such as “Installation” and “Noir Americ a.” Featured artists include Cather ine Opie, Cady Noland, Paul McCarthy and Mark Dion, who se “When Dinosaurs Ruled the Earth (Toys ‘R’ U.S.)” is shown her e. At 152 N. Central Ave. or moca.o rg.
FATH ER CO M ES H O M E FRO M TH E WA R S, PA RTS 1, 2 & 3 April 5-May 15 at the Mark
Taper Foru
image courtesy of MOCA
m Suzan-Lori Parks is one of the most talented and decorated playwrights in America. She won a Pulitzer in 2002 for Top Dog/Underdog and has received a MacArthur “Genius” grant. Now comes the epic Father Comes Home From the Wars, Parts 1, 2 & 3, which won the 2015 Kennedy Center Prize for Dra ma and arrives at the Music Center’s Mark Taper Forum wit h previews starting April 5. The three-hour show follows a slave who fights in the Civil War — on the Confederate side — and takes inspiration from Homer’s The Odyssey. The re’s a talking dog, too. Jo Bon ney, who directed the play’s New York run, takes the helm again, which is importa nt because in October 2014 the New York Times’ Cha rles Isherwood wrote that Fath er Comes Home “might just be the best new play I’ve seen all year.” At 135 N. Grand Ave. or centert heatregroup.org.
At a time when the Central City is full of billion-dollar projects, it’s easy to forget how, a decade ago, a scrappy Art Walk helped put Downtown Los Angeles on the map, luring people to the community and exposing them not just to artwork, but to a plethora of bars and restaurants. The Art Walk takes place March 10, April 14, May 12 and June 9, and there are still dozens of participating galleries, primarily on Spring and Main between Second and Ninth streets. The works always change, but one constant is the Art Walk Lounge at 634 S. Spring St., where there are maps, a helpful staff and occasional giveaways. Be sure to check the website for parking and other tips. At downtownartwalk.org. photo by Joan Marcus
SIGHTS AND SOUNDS OF SPRING
e i l u J s s i M g n i t Wan MARCH 21-MAY 8 AT TH
F ev r
E LOFT ENSEMBLE
with a number of has made its reputation ble em Ens t Lof t’s tric een horror show. The Arts Dis including an annual Hallow ys, pla y alit qu t bu et dg low-bu different: a musical, which crew is trying something Now, the Second Street g Miss Julie, with a book y 8. The company’s Wantin by Jake Anthony, runs from March 21-Ma a Zehentmayr and music rici Pat m fro cs lyri , rks by John Spa dives into the world of Strindberg’s Miss Julie. It st gu Au m fro s cue its takes o lives a life of hedonism welling Julie Stoddard, wh the wealthy, Hamptons-d plenty of dark drama the high glamour, there’s and seduction. Despite deception. focused on isolation and ensemble.org. At 929 E. Second St. or loft
M A R C H
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nsgate
photo by Ryan Johnson
at the Orpheum Theatre
George Lopez April 29 and May 1
D
en gu e Downtown News 15
Many people know funnyman George Lopez from his old sitcom “The George Lopez Show.” Although it ended in 2007, Lopez still hits the stand-up circuit hard, and has entertained and won over audiences with his observations on family life, race relations and Mexican-American culture. The Los Angeles native descends on Downtown for two performances at the Orpheum Theatre on April 29 and May 1. Expect him to play to his home crowd perfectly, with plenty of wisecracks about L.A.’s grand mash of languages, ethnicities and quirks. At 842 S. Broadway or laorpheum.com.
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Getting a fever is bad. Getting Dengue Fever is good, and you can get your dose on March 26 when the cheeky Los Angeles pop surf rock band hits The Regent. Fronted by Chhom Nimol, a former beauty queen from Cambodia (where the real Dengue Fever is endemic), the six-person group that has been around for more than a decade takes elements of Asian folk music and lays it over pastiche rock. Did we mention that there’s a heavy component of Afro-beat in the band’s retro sound? That’s right — no genre is safe from appropriation when Dengue Fever pops up. At 448 S. Main St. or theregenttheater.com.
© Marc Walker
March 7, 2016
Sarah Neufeld
The L.A. Opera is sta ging its original pr oduction of one of the genre’s most be loved works. La Bo heme tells the tale of six impoverishe d bohemians as th ey chase laughs, lov and friendship thro e ugh the streets of Paris. The score fro Giacomo Puccini ha m s long been laude d for its beauty an emotion, and the d eight performance s from May 12-June at the Dorothy Ch 12 andler Pavilion fea ture superstar sopr Nino Machaidze in ano the lead role of M imi. The June 10 an shows have a spec d 12 ial treat: L.A. Phil M usic Director Gusta Dudamel makes his vo L.A. Opera debut as conductor. At 135 N. Grand Av e. or laopera.org.
nt March 21 at Reside
e through gained a bit of fam Sarah Neufeld has band ck acclaimed alt ro playing violin with e’s leaving sh r, ve arch 21, howe M On e. Fir de ca Ar and Regine Chassagne behind Win Butler, gig lo so a do to s patriot her other AF com spot ht nig sh wi ne ll sti ’s at the Arts District cond is promoting her se Resident. Neufeld als ve re n te lis a ge, and solo album, The Rid e’s Fir de ca Ar m fro oved sounds are far rem e ar rs ad, the numbe indie anthems. Inste with avant-garde l, ta more experimen some references to jam elements and hich makes sense, classical music (w violin). Psychedelic given that she’s on e Eartheater and th singer-songwriter ld Fie t ac act Cont experimental folk e show. th en op tra Orches or At 428 S. Hewitt St. m residentdtla.co
photo by Robert Millard
May 12-June 26 at East West Players
MARCH 24 AT THE COLBURN SCHOOL
La Cage Aux Folles
What happens when the son of a drag-club owner brings home his fiancé and her ultra-conservative family? East West Players, the nation’s oldest operating theater of color, answers that question when it closes its 50th anniversary season with the beloved Tony Award-winning musical La Cage Aux Folles. The show has won acclaim for its lively blend of comedy, family drama and culture clashes, with Georges (who owns the drag club) and his drag queen partner Albin struggling with how much they should bend their personalities and flamboyance to accommodate Georges’ son and his wife-tobe’s family. La Cage Aux Folles will also be the final musical directed by outgoing Producing Artistic Director Tim Dang, who has led EWP for 23 years. At 120 Judge John Aiso St., or eastwestplayers.org. image courtesy of East West Players
Through April 24 at the Japanese American National Museum
Ansel Adams was known for beautiful landscape photography. Two Views, at the Japanese American National Museum, shows a different side of the esteemed photographer — it is full of shots that he took of Japanese Americans held at the Manzanar War Relocation Center, an internment camp, during World War II. The exhibit features 40 Adams images, including “Richard Kobayashi, farmer with cabbages” (shown here). Also on display are 26 prints by another prominent photographer, Leonard Frank, who shot Japanese Canadian subjects in British Columbia in 1942. It is one of two current JANM photography shows. Making Waves, which chronicles the work of Japanese American photography clubs in the 1920s and ’30s, continues through June 26. At 100 N. Central Ave. or janm.org.
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r y of
Cong ress
Oboe player Allan Vogel and flautist David Shostac have been with the Los Angeles Chamber Orchestra for a combined 85 years, wh ich is a staggering achievement considering tha t many classical musicians play for a variety of ensembles during their careers. On March 24, the duo are taking the stage at the Colburn School’s Zipper Hall to celebrate their virtuosic skills and the orc hestra’s support over the decades. The concert, par t of LACO’s Baroque Conversations series, feature s two pieces from the German Baroque composer Georg Philipp Telemann and two more from J.S. Bach. Vogel and Shostac will be accompanied by six other chamber musicians. At 200 S. Grand Ave. or laco.org .
First Fridays m is halfway through The Natural History Museu ays series. The program its 12th annual First Frid , DJs, bands and full brings together scientists lively and scientific a bars in the effort to create ry memory of the ma pri ose evening for those wh trip. This year’s theme museum is a school field April 1, the discussion is cinematic science. On tra e vel, while May 6 has focuses on space and tim perfect for Jurassic Park el a dinosaur-focused pan on June 3, digs into the fans. The final First Friday, ing ntist Bradley Voytek talk undead, with neuroscie e. yps cal apo bie zom le about the possib . .org nhm At 900 Exposition Blvd. or
photo courtesy Natural History Muse
Two Views
phot o cou
t
BAROQUE CONVERSATIONS
photo courtesy of Residen
photo courtesy LACO
n ilio v a P ler d n 2 a 1 h une thy C J 2 y 1 oro Ma the D at
March 7, 2016
SIGHTS AND SOUNDS OF SPRING
um of Los Angeles County
e m e h o B a L 16 Downtown News
seum June at the Natural History Mu h oug Thr nth Mo the of ay Frid First
March 7, 2016
Downtown News 17
SIGHTS AND SOUNDS OF SPRING
Smashing Pumpkins and Liz Phair M arc h 26- 27 at the Th eat re at Ac e Ho tel
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The Smashing Pumpkins helped defin e 1990s rock, with albums such as Siamese Dream and Melon Collie and the Infinite Sadness. Now, frontman Billy Corgan (shown here) and drummer Jimmy Chamberlin are back (along with a couple subs). They’ll stop at the Thea tre at Ace Hotel on March 26-27 for a pair of shows that include acoustic versions of some songs. Whatever the delivery, expect plenty of loud cheers for “Tonight, Toni ght”“1979,”“Today” and other hits. A bonus comes in the form of another ’90s darling, Liz Phair, who’ll open with songs from her breakthrough Exile on Guyville and othe r albums. At 929 S. Broadway or acehotel.com/losa ngeles/theatre.
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18 Downtown News
March 7, 2016
SIGHTS AND SOUNDS OF SPRING
RJD2 APRIL 8 AT T HE
The Day Shall Declare It
TERAGRAM BALLROOM
o co phot
Ramble Jon Krohn, bette r kno RJD2, is a har d musician to wn as categorize. His songs ble nd hip-hop beats with rock-like inst rumentals th at sometimes wander tow ard soul, am bient and electronic g enres. Much of his origin material lack al s vocals, but he is also a frequent colla borator on ra p tracks and likes to build music around gues singers. Reg t ardless of RJD 2’s diversity as a produce r, his music d oes make yo want to groo u ve. Downtow ners will get a chance to do just that when he pla the Teragram ys Ballroom on April 8. At 1234 W. Se venth St. or teragramballr oom.com.
urte sy R JD2
The
Mys
Bathsheba Doran’s two-act play The Mystery of Love & Sex is not an erotic noir thriller set in the Golden Age of private investigators. It is, instead, a clever and contemporary drama focusing on two couples separated by a generational divide as they navigate
Opening May 10 at the Imperial Arts Studio
Picture an Arts District warehouse. Add in text actors who get close to you. Throw s play -act one ’ ams from Tennessee Willi the are e Thos . king Wor el’s Terk s and Stud are Decl l Shal Day The in nts edie ingr c basi from ter thea It, a serving of immersive , cothe company Wilderness. The show hie Sop and ders Saun ie Ann by directed e venu e sam the to rns retu si, olus Bort . where it had a sold-out run last year hly roug the of t mos ng Audiences stand duri our into digs h whic , ance orm one-hour perf balance. beliefs about work and the work/life expect a but set, A closing date hasn’t yet been roughly one-month run. erness.com. At 2051 E. Seventh St. or thisisthewild
photo by Anka Bogacz
x e S & e v o fL o y ter
Through March 20 at the Mark Taper Forum
romance, lust and life. Starting with an awkward, low-budget dinner hosted by a pair of college students, the play spans the course of five years, charting the characters’ self-discovery and sexual experimentation and growth. Believe it or not, there is plenty of humor. The cast boasts Mae Whitman and Sharon Lawrence alongside York Walker and David Pittu. Love & Sex runs through March 20. At 135 N. Grand Ave. or centertheatregroup.org.
photo by Craig Schwartz
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March 7, 2016
Downtown News 19
SIGHTS AND SOUNDS OF SPRING
ROSANNA GAMSON/ WORLD WIDE: STILL/RESTLESS
Downtown, it’s not just big business anymore!
June 2-4 at REDCAT It’s our business to make you comfortable... at home, downtown. Corporate and long term residency Call Now Fo is accommodated in high style at the Towers Apartments. Contemporary singles, studio, one r bedroom and two bedroom apartment homes provide fortunate residents with a courteous full service lobby attendant, heated pool, spa, complete fitness center, sauna and recreation room Move-In Spec with kitchen. Beautiful views extend from the Towers’ lofty homes in the sky. Mountain vistas and ial slender skyscrapers provide an incredible back drop to complement your decor. Far below are a host of businesses s ready to support your pampered downtown lifestyle. With spectacular cultural events nearby, even the most demanding tastes are satisfied. Downtown, it’s not just big business anymore. Visit the Towers Apartments today.
The Rosanna Gamson/World Wide dance-theater company has a long history with REDCAT, and returns for three performances on June 2-4. The Downtown venue will host the premiere of Still/Restless. Inspired by neuroscience and the study of dreaming, the eightperson show combines tender twists and quiet segments with kinetically explosive movements and powerful displays of terpsichorean athleticism. It all takes place to a soundtrack that bounces from 17th century French composer Marin Marais to postrock numbers. Think of it as a dream state come to dancing, energetic life. At 631 W. Second St. or redcat.org.
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March 24-April 24 at the LATC
Greed and song collide in La Olla, a noir-tinged comedy based on the Roman playwright Plautus’ Pot of tre Gold. Yes, seriously. The Latino Thea from Company shifts the scene ancient Rome to a Mexican night club in 1950s Los Angeles. The night club’s guardian spirit wants a pot of gold to go to Phaedria, but instead it winds up in the hands of her clown father Euclio. The show, written by Evelina Fernandez, has its world premiere at the Historic Core’s LATC from March 24-April 24. Expect plenty of song, dance and family love. At 514 S. Spring St. or thelatc.org.
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20 Downtown News
Big Love Taper Play Delves Into What Brings People Together, or Rips Them Apart By Jeff Favre e love lots of people for all kinds of reasons, but being “in love” often brings about an emotional minefield, one that can explode with wonderful highs and devastating lows. It’s the indescribability of both kinds of love that makes the genre one of the hardest to pull off in theater. Love stories tend to feel forced, and the growing passion usually hinges on a few clever exchanges, followed quickly by passionate declarations and manifestations. Playwrights who have trouble getting it right — and there are many of them — should use Bathsheba Doran’s The Mystery of Love & Sex as a primer. With only four characters in two-and-ahalf hours, Doran deftly displays the various forms of love, from daddy-daughter, to best friends, to ex-spouses who retain a deep commitment to each other. The show, which debuted last year at Lincoln Center in New York, recently had its West Coast premiere at Downtown’s Mark Taper Forum. Directed by Robert Egan, Love & Sex is touching and often hilarious, with the right balance of comedy and angst. It runs through March 20. The key to Doran’s investigation into love starts with the foundation of complex roles that defy easy pigeonholing. There’s Southern native Lucinda and her husband, New York Jewish mystery novelist Howard (Sharon Lawrence and David Pittu). They have traveled to have dinner with their college student daughter Charlotte (Mae Whitman) and Jonny (York Walker)
W
CROSSWORD
TWITTER: @ DOWNTOWNNEWS in her dorm. Jonny is Baptist and African American, and he has been Charlotte’s best friend since they were each 9 years old. When Jonny leaves the room, Charlotte’s parents fire questions at her about whether she and Jonny have gone from longtime pals to something deeper. Charlotte dodges much of their interrogation in comical ways, but it turns out the truth isn’t always as easy as yes or no. At nearly 90 minutes, the first act could stand alone as a satisfying (albeit unresolved) work. Fortunately, Doran provides the answers by fast-forwarding five years during the intermission to show where a series of revelations have led. This is not easy material. A lesser cast could get lost in the subtleties, and they would likely lack the sharp comic timing needed to pull off many of the punch lines. This talented quartet works in harmony. There’s no lead, though Charlotte is the centerpiece, and Whitman portrays her with enough charm and vulnerability to remain likable despite some less-than-pleasant moments. Likewise, Pittu’s earnest spirit gives authenticity to Howard’s love for his daughter, which makes their actions at key times more believable. Egan, who was the Taper’s producing director for 20 years, keeps a steady pace during the comic moments, getting to most laughs before the audience can see them coming. He keeps the action concise, allowing the words to remain the focus. Also, during scene changes, he has the cast move the furniture and props on Takeshi Kata’s simple, mostly bare set. This allows the actors to display a bit of silent reflection about the previous scene while the lights are dimmed. Those breathers are welcome in such a packed story, where almost no conflict has a clear right and wrong. It’s a wise choice to keep the number of characters small, even
March 7, 2016
photo by Craig Schwartz
Bathsheba Doran’s play The Mystery of Love & Sex follows two couples and an array of changing relationships.
though several other people who are only mentioned are crucial to storylines. Doran makes it clear that she’s focusing on how these four people love each other, and how their outside relationships influence that love. Perhaps what’s most impressive, though, is that this is an enjoyable comedy that also happens to be a thoughtful love story — or actually several love stories. If there’s one takeaway, it’s that the “in” part of being in love is not nearly as important as the love part. The Mystery of Love & Sex runs through March 20 at the Mark Taper Forum, 135 N. Grand Ave., (213) 628-2772 or centertheatregroup.org.
March 7, 2016
DT
CALENDAR LISTINGS EVENTS
WEDNESDAY, MARCH 9 Antoine Picon at SCI-Arc SCI-Arc, 960 E. Third St., (213) 613-2200 or sciarc.edu. 7 p.m.: The Harvard-based architectural historian delves into the power of words as a tool of expression. THURSDAY, MARCH 10 Art Walk Historic Core or downtownartwalk.org. 5 p.m.: The coming of Art Walk brings yet another opportunity to get out on the street, wander the galleries, visit the bars and meet your friends. Debate Debate Ace Hotel, 929 S. Broadway, (213) 623-3233 or acehotel.com. 8 p.m.: Comedians Moshe Kasher and Jonah Ray provide live commentary to the Republican debate in what amounts to shooting fish in the rotten barrel of democratic electioneering. Radio Imagination: Octavia E. Butler’s Los Angeles Central Library, Mark Taper Auditorium, 630 W. Fifth St., (213) 228-7500 or lfla.org. 7:15 p.m.: The late, great afro-futurist and Los Angeles science fiction figure Octavia E. Butler is the subject of a panel discussion. Her environment and her vision figure largely into the kind reappraisal of the author 10 years after her passing. SATURDAY, MARCH 12 On the Chocolate Trail Central Library, 630 W. Fifth St., (323) 663-5407 or chscsite.org. 10:30 a.m. The Culinary Historians of Southern California hosts Deborah Prinz, who will deliver the lecture “On the Chocolate Trail: Faith-Diffused Chocolate Around the World.” Think of it as proof that chocolate does not begin and end with Hershey’s, and that enjoying the delicious treat once had religious elements. Springtime Reads: The Bradbury Room Grand Park, 251 N. Grand Ave., (213) 972-8080 or grandparkla.org. Noon-4:51 p.m.: Fahrenheit 451, that seminal bit of literary funeral pyre-centered fiction, was penned in an L.A. basement. Today Ray Bradbury’s literary legacy comes to Grand Park where the Bradbury Room will bring us interactive events to commemorate the book. Who Wants to Be President? 777 Chick Hearn Court, (213) 763-6030 or
LAST WEEKS ANSWERS
Downtown News 21
DOWNTOWNNEWS.COM microsofttheeatre.com. 7:30 p.m.: An evening of election prognostication from Bill O’Reilly and Dennis Miller.
ROCK, POP & JAZZ
Ace Hotel 929 S. Broadway, (213) 623-3233 or acehotel.com. March 11, 8 p.m.: Loreena McKinnett is the DIY chieftain of Canada’s avant-garde Celtic music movement. Belasco 1050 S. Hill St., (213) 746-5670 or thebelascotheater.com. March 9, 8 p.m.: Virginia Beach’s finest MC, Pusha T. Blue Whale 123 Astronaut E. S. Onizuka St., (213) 620-0908 or bluewhalemusic.com. March 7: Sal Lozano Group. March 8: Michael Blake’s Tiddy Boom. March 9: Gurrisonic Orchestra. March 10: Elevate: Spoken Word set to Jazz. March 11: Hamilton Price Quartet. March 12: Jonathan Pinson’s Boom Clap. March 13: Carl Stone/Ulrich Krieger/Chas Smith. Bootleg Bar 2220 Beverly Blvd., (213) 389-3856 or bootlegtheater.org. March 7, 8:30 p.m.: March residents Fell Runner were hoping the gig came with squatter’s rights out back of the venue. March 8, 8:30 p.m.: It’s difficult to suss out whether High Highs’ actual hometown is Sydney, Brooklyn or the blogosphere. March 9, 8:30 p.m.: DZ Deathrays bill their raucous sound as “thrash party,” but astute listeners will detect notes of early 2000s pop punk. March 10, 8:30 p.m.: Rejjie Snow lays deliberate rhymes over languid beats in what amounts to a delicious sonic pastry. Yum! March 11, 8 p.m.: Pale R&B purveyor Gnash sounds like he’s one poorly made latte away from losing his patience. March 12, 8:30 p.m.: Vallis Alps’ downtempo grooves owe a debt of gratitude to Tycho. Club Nokia 800 W. Olympic Blvd., (213) 765-7000 or clubnokia.com. March 11, 9 p.m.: If would be refreshing if, just once, a trap artist in the vein of Waka Flocka Flame would write a song about discovering a new work of literature or spending quality time with their family instead of, you know, bragging about selling drugs that destroy communities at every stage from production to consumption. One can dream. Exchange LA 618 S. Spring St., (213) 627-8070 or exchangela.com. March 10: Andy C. March 11: Feed Me March 12: Tur. Mayan 1038 S. Hill St., (213) 746-4287 or clubmayan.com. March 8: A night of unbridled optimism, channeling of the secret and setting of positive intentions for the new lunar year as Cannibal Corpse comes to town. March 9: Against all logic, Shinedown is still making music. Orpheum Theatre 842 Broadway, (877) 677-4386 or laorpheum.com. March 9, 8 p.m.: Regrettably, the Fire Marshall says the capacity of the Orpheum is about 8,000 occupants shy of a 10,000-maniac crowd for tonight’s Natalie Merchant show. Redwood Bar and Grill 316 W. Second St., (213) 652-4444 or theredwoodbar.com. March 7: Gonzophonic. March 8: The Attack, The Plexikill and Baron Bandini. March 10: Sunshine Mind, House of Affection, Betty Petty and Elkhead. March 11: Foster Body, TraPsPs, The Tissues, Dead Panzies and Slack Power. March 12: Mid-Coitus.
March 13, 3 p.m.: Fools on Stools. The Regent 448 S. Main St. or theregenttheater.com. March 11, 8 p.m.: Dance In A Panic features artists curated by Joy Division and New Order member Peter Hook. March 12, 9 p.m.: We’re hoping the 90s mash-up theme at Bootie L.A. means copious plays of Sophie D. Hawkins’ “Damn, I Wish I Was Your Lover.” March 13, 7:30 p.m.: South Florida rapper Pouyais on his “Southside Suicide Tour.” We’re betting that, despite the moniker, there is more than one date. Resident 428 S. Hewitt St. or (323) 316-5311 or residentdtla.com. March 8: The Chamanas & Rudy De Anda are off to SXSW! Say goodbye before they return with a falsely fond impression of Texas. March 12: The Killer Cause benefit features headliners GayC/DC. March 13: Kahdja Bonet delivers a live set to cap off Slow Dance. Seven Grand 515 W. Seventh St., (213) 614-0737 or sevengrand.la. March 8: The Makers are not above removing the 8-ball from the pool table to get your full and undivided attention. The Smell 247 S. Main St. in the alley between Spring and Main or thesmell.org. March 7: Treasure Mammal, Eric Schlappi and Jack Topht. March 8: Rudy de Anda, Friendly Males and Janelane. March 10: Stonefield, Jurassic Shark and Rexx. March 11: Rearranged Face, Mind Meld, The Birth Defects and Zig Zags. March 12: The High Curbs, $umStain and Pookie & The Poodlez. Teragram Ballroom 1234 W. Seventh St. or teragramballroom.com. March 12, 8 p.m.: Electra’s frontwoman Electra Barakos competed on the Greek version of “The Voice.” Opa! Walt Disney Concert Hall 111 S. Grand Ave., (213) 972-0777 or musiccenter.org. March 11-12, 8 p.m.: Super halcyon Swedish singer-songwriter Jose Gonzalez will be predictably even-keeled.
FILM
Downtown Independent 251 S. Main St., (213) 617-1033 or downtownindependent. com. See website for schedule. Grammy Museum 800 W. Olympic Blvd., (213) 765-6800 or grammymuseum.org. March 7, 7:30 p.m.: El Camino Mas Largo chronicles Spanish singer Enrique Bunbury’s 2010 North American tour. You were there, right? IMAX California Science Center, 700 State Drive, (213) 744-2019 or californiasciencecenter.org. Journey to Space 3D brings audience members along on an E-ticket ride of exploration to the red planet. Ewan McGregor is the voice of Humpback Whales 3D. Not that the whales aren’t significant enough in their own right, but Obi-Wan narrating means we’re dealing with serious power brokers here. Power brokers who know a good whale story when they see it. MOCA 250 S. Grand Ave., (213) 621-2766 or moca.org. March 10, 7 p.m.: Artist Carrie Mae Weems presents her feature length effort Coming Up For Air. Regal Cinemas LA Live 1000 W. Olympic Blvd., (213) 763-6070 or lalive.com/ movies. Through March 10: London Has Fallen (11:30 a.m., 12:10, 2:10, 2:50, 4:40, 5:30, 7:10, 8:10, 10:10 and 10:55 p.m.); The Other Side of the Door (12, 2:40, 5, 7:30 and 9:30 p.m.); Whiskey Tango Foxtrot (11:40 a.m., 2:30, 5:20, 8 and 10:50
p.m.); Zootopia (1:20 and 9:50 p.m.); Zootopia 3D (11:20 a.m., 2, 4:10, 4:50, 7, 7:40 and 10:30 p.m.); Gods of Egypt (12:40 and 7:20 p.m.); Gods of Egypt 3D (4:20 and 10:20 p.m.); Triple 9 (12:30, 3:45, 6:40 and 10 p.m.); Deadpool (11:35 a.m., 1:10, 2:20, 4, 5:10, 6:50, 7:50, 9:40 and 10:40 p.m.); Zoolander 2 (1 p.m.); Kung Fu Panda 3 (3:50 and 9 p.m.); Kung Fu Panda 3 3D (1:30 and 6:30 p.m.); The Revenant (12:50, 4:30 and 8:20 p.m.).
THEATER, OPERA & DANCE
An Act of God Ahmanson Theatre, 135 N. Grand Ave., (213) 972-0777 or musiccenter.org. March 8, 9 and 11, 8 p.m. and March 10 and 12, 2 and 8 and March 13, 1 p.m.: The comedy An Act of God comes from the pen of 13-time Emmy winner (and former “The Daily Show With Jon Stewart” head writer) David Javerbaum. Sean Hayes, perhaps best known for his role in “Will & Grace,” plays the Almighty himself in this tongue-and-cheek divinity play. Enjoy the final week. It plays through March 13. Bob Baker’s Sketchbook Revue Bob Baker Marionette Theater, 1345 W. First St., (213) 2509995 or bobbakermarionettes.com. March 12-13, 2:30 p.m.: The Sketchbook Revue promises a cast of marionettes that will alternately delight and terrify. Criers For Hire East West Players, 120 Judge John Aiso St., (213) 625-7000 or eastwestplayers.org. March 9-12, 8 p.m., March 13, 2 p.m.: Filipino funeral singers form the conceptual basis for this comedic tale. It’s about an unlikely prodigy who turns somber mourners into joyful celebrants. Through March 13. Madame Butterfly Dorothy Chandler Pavilion, 135 N. Grand Ave., (213) 9728001 or laopera.org. March 12, 7:30 p.m.: James Conlon conducts this interpretation of Puccini’s classic opera featuring the naval officer Pinkerton and the beautiful geisha who loves him. The Mystery of Love and Sex Mark Taper Forum, 135 N. Grand Ave., (213) 972-0777 or musiccenter.org. March 8-11, 8 p.m., March 12, 1 and 6:30 p.m. and March 13, 1 and 6:30 p.m.: Bathsheba Doran’s smart, four-person play has plenty of s-e-x, but it’s really more concerned with various kinds of love and being in love. Sharon Lawrence, York Walker, David Pittu and Mae Whitman star, while Robert Egan ably directs. Through March 20. Sleepaway Camp Downtown Independent, 251 S. Main St., (213) 617-1033 or downtownindependent.com. March 8, 9 p.m.: Feast on this irreverent stand-up comedy cavalcade takes up residence at the Downtown Independent.
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22 Downtown News
March 7, 2016
Downtown’s Big Luxury Play The 700-Apartment Eighth & Grand, With a Whole Foods on the Ground Floor, Fills Up By Nicholas Slayton alk or drive through the Financial District and it’s hard to miss the Eighth & Grand residential complex. There’s the immensely popular Whole Foods market on the ground floor. There’s the ongoing work to finish portions of the project. Then there’s the sheer scale: It is the largest single housing project ever to open in Downtown Los Angeles. The development from San Francisco-based Carmel Partners has a whopping 700 apartments. Move-ins at the project bounded by Eighth Street, Grand Avenue and Olive Street started at the end of October. The building is being managed by the firm Greystar. Eighth & Grand is huge not just in size, but also in risk. It was announced almost four years ago, as developers in Downtown and other locations were still tiptoeing out of the recession. Since then, there’s been a surge in housing across Downtown, from the Arts District to Little Tokyo to South Park. Dan Garibaldi, Carmel’s managing partner for development and construction, said the response to the project has been positive. Even thought rents average $2,800, Eighth & Grand is nearly half filled, Garibaldi said. He expects full occupancy within a year. Eighth & Grand features studios to threebedroom units, with 500 of them being onebedroom apartments that range from 757-901 square feet. Currently, rents start at $2,210 for
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a studio that begins at 516 square feet. Threebedroom units start at $4,305. The project’s interiors were designed by Commune Design, which also handled Downtown’s Ace Hotel. Units include floor-to-ceiling windows, laminate wood and concrete flooring and quartz countertops in the bathrooms and kitchens. Approximately 80% of the residences have balconies. The building also boasts a four-level underground parking structure with 737 spaces. Building amenities include a 3,370-squarefoot “Sky Lounge” on the top floor, with an open-air deck, bar counter and pool table. There is a rooftop pool surrounded by a garden of succulents. The building’s south face features a mural created by Italian street artist Jacopo Ceccarelli on behalf of the DoArt Foundation. Additional features will come online in the next few months. Jennifer Jackson, regional property manager for Greystar’s Southern California buildings, said residents can take advantage of a free shuttle that runs in Downtown Los Angeles. There is also on-call delivery from the neighboring restaurant Bottega Louie. Several things — some obvious, some less so — set the project apart from other new Downtown residential buildings. One behind-thescenes element is the modular steel frame the developer utilized on the seven-story complex. Continued on page 23
San Francisco-based Carmel Partners began move-ins at the Eighth & Grand project in October. It is known to many for the Whole Foods on the ground floor.
photo by Gary Leonard
Eighth & Grand has 700 apartments. Rents are approximately $4 a square foot.
photo by Gary Leonard
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Although low-rise structures most commonly use wood framing, Carmel opted for a newer technology from the Bay Areabased ConXtech that made the construction process quicker and provided greater fire and weather resilience. Then there’s the 41,000-square-foot Whole Foods, which opened in November and stocks a plethora of organic goods. It also has a vast wine section and an in-house outpost of chef Roy Choi’s rice bowl restaurant Chego. Marketplace Carmel Partners bought the property in the summer of 2012 for $63 million (the project’s budget was not revealed). Since then thousands of Downtown residential units have opened, and thousands more are under construction. The community in particular is seeing a spike in luxury rental complexes where rents surpass $4 a square foot. The rush of housing raises the question of whether these rents can be sustained. Eric Sussman, a lecturer at UCLA’s Ziman Center for Real Estate, expects the prices to remain high, pointing to Downtown’s strong residential infrastructure — jobs, ample public transportation — and long-running lack of residences. He added that the number of luxury complexes being built has an effect on rents, but that those are outweighed by overall demand.
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The project features an outdoor pool and barbeque area. A gym and other amenities will open in the coming months.
Garibaldi echoed Sussman’s take, predicting that rents at Eighth & Grand will not drop anytime soon, even as more upscale housing opens in Downtown. “A lot has been announced but not built yet,” Garibaldi said. “We think that there is a lot of demand, along with a low number of high-quality apartments in the marketplace. We haven’t seen a softening in the market yet.” Chalae Walker, the property manager of the building for Greystar, thinks additional competition from new buildings will help. She said Greystar is constantly shopping the competition with weekly market surveys to make sure its units are priced appropriately. Currently Eighth & Grand management is aiming for 10 leases per week. So far it is meeting the goal, Walker said. Still to Come Two additional phases remain, with about 236 units expected to open in May, and the final apartments coming online in June. The eastern side of the project, which includes much of Eighth & Grand’s public space, is still in development, with work now occurring on the interiors. “What’s good about the building is we have other amenity spaces coming online. Those are going to help us lease the building,” Walker said. Those features include a 5,400-square-foot gym, a screening room and two courtyards in the center of the site with space for gardens and barbecuing. They will be available by May 1, according to Walker. Although Whole Foods is the primary retail tenant, there will be three other spaces. Garibaldi would not reveal tenants, though he said he expects them to be filled soon. “There’s been a lot of interest in those spaces, in part because of the traffic generated by Whole Foods and Bottega Louie,” he said. “We anticipate in the next year those retail spaces will be filled.” If all goes according to plan, so will the residential units above those spaces. nicholas@downtownnews.com
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24 Downtown News
March 7, 2016
The Past, the Present And the Pedways
Some people criticize the pedways in the Financial District and Bunker Hill, saying they remove vitality from the street. Others say it allows pedestrians to avoid being close to exhaustspewing cars.
A Decades-Old System Still Has a Role in Modern Downtown By Greg Fischer ay back in the 1960s, when “modern” was a very sought-after phrase, it was decided that in car-centric Los Angeles it would be wise to move people on a different plane than automobiles. By putting pedestrians and vehicular traffic on different pathways and levels, each would move independently of the other, and each would benefit from the separation. This was the theory. Thus was born the pedway: a mid-block phenomenon that connects buildings above the street. Though it is contrary to modern urban thinking which stresses placing people on the ground level to activate the streets, the system took root in certain portions of Bunker Hill and the Historic Core. As the 1960s became the ’70s, architecture also morphed. Some of the once-iconic Downtown Los Angeles buildings of the ’70s such as ARCO Plaza (today City National Plaza), the Intercontinental Bonaventure (Westin Bonaventure), Weller Court and the Broadway Plaza (The Bloc) came across as less than pedestrianfriendly. Their inward-facing uses appear to ignore walkers. This is changing in certain instances. Former City National Plaza owner Jim Thomas did a great job of activating the plaza of the complex at Fifth and Flower streets. Meanwhile, The Bloc, after being purchased by Wayne Ratkovich, is deconstructing itself into a more
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street-oriented development. Weller Court in Little Tokyo has restored some of the landscaping features and has added some cool artwork as part of a long-term upgrade. In other words, the modern theory, which gives more consideration to the pedestrian, is taking hold in a Downtown that has an influx of residents who frequently want to walk from place to place. Yet amid these changes there’s a question that unites the past and the present: What about the pedway? These elevated walkways serve the same purpose that they always did: to move pedestrians from Point A to Point B. However, in 2016 you see dogs, skateboards, bicycles and other uses not envisioned when the pedway system was born. These structures have proved to be adaptable. The Department of City Planning has a number of specific plans that identify and call out particular features of interest to neighborhoods. Among these is the Bunker Hill Specific Plan, established in June 2013. One map in the document shows a web of linkages marked “Existing Pedway System.” It almost looks like a “How to Navigate Downtown for Dummies” as it details a number of rights-of-way in the area. One recent Sunday, I decided to walk from the Bunker Hill Tower Apartments at Third and Figueroa streets to the Central Library using only the pedways. While I didn’t get lost, taking this relatively short walk proved challenging as
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there is no pedway wayfinding system. There were missteps, retracing of steps and challenges. I finally made it to the foot of the Bunker Hill Steps across from the Library, although I should have left a trail of breadcrumbs. A signage system would do a lot to help. Much of the funding for these pedestrian linkages came from the now-defunct Community Redevelopment Agency. The agency’s tax increment funds allowed the CRA to plug financial gaps in developers’ plans to build connections among the new buildings of the ’70s and ’80s. Yet it wasn’t necessarily a fluid process: As plans to build complexes on Bunker Hill and in the Financial District wound through various iterations, the location of pedways changed. Also, time often led to an increase in construction costs — part of this stemmed from inflation, a real concern in the late 1970s and early ’80s. The CRA came to the
rescue more than once. While the pedway system does separate the pedestrian from the automobile and does remove some of that vitality from the streets of Downtown, it also allows people who walk a greater variety of options to move about — despite urban theory, some individuals prefer to navigate the city above, instead of next to, exhaust-spewing cars. From a distance it is interesting to see people moving from place to place elevated above traffic. At the northernmost pedway intersection along Figueroa Street between Second and Third streets, there is a large disc in the center of the pedway circle. Fittingly, it dedicates the pedway system to the one-time head of the Department of City Planning, Calvin S. Hamilton. Greg Fischer is a Downtown resident and amateur historian.
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Downtown News 25
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ROW DTLA, 6 would host an open-air produce market. Atlas has already replaced the property’s electrical substation and is assessing engineering work for the buildings, said Jerold Neuman, a partner with law firm Liner LLP and a land-use expert who is consulting on the development. It is also nearly finished building a 10-story, 4,000-space parking structure, he said. A paint job from street artist Retna, in his signature hieroglyphic print, adorns the three main buildings’ facades. “This is an underutilized site in a burgeoning market where the north is already changing and there is a marked transition to the south and east,” Neuman said. “It was key to have one of the largest pieces of property in Downtown that
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could be repositioned as a campus for an area that was showing signs of dynamic change.” Improvements will be rolled out piecemeal, and one of the first additions will come on Sundays this summer, with the debut of Smorgasburg, an open-air market for vendors of food, home goods and artisanal products that started in Brooklyn. There is no firm timeline for when Row DTLA will be complete. Beyond the complexity of such a large project, some structures have weird historical quirks. “One of the buildings has a giant vat for some mayo factory or something,” Neuman observed, describing it as, “in effect, a two-story swimming pool.” Despite the challenges, several brokers familiar with the site say it has untapped potential. Derrick Moore, a principal with brokerage Avi-
son Young, noted that the addition of so much parking is a game-changing development for the area. Moore worked on leasing the project between the Evoq-Atlas transfer (he is no longer involved), and said he continues to hear a stream of interest from potential tenants. “There are a lot of great mixed-use projects coming online, but you can’t replicate the historic fabric of the Row DTLA property,” Moore said. “With so many new residents and workers set to come into the area, there is going to be demand for retail.” Office leasing is another challenge. The overall Downtown office vacancy rate stood at 17.6% in the first quarter, according to real estate analysis firm Transwestern. But analyst Michael Soto noted that the figure will shoot up once the market sees the addition of more than
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1 million square feet of office space over the next 18 months. “There are so many ‘creative’ office spaces coming online in the Arts District. The one commonality is that none of them are pre-leased yet,” Soto said. “There are much larger tenants, like Buzzfeed, that looked around but never committed. It’s probably going to take time.” Still, Soto called Row DTLA a “very ambitious” project that could accelerate more development in the budding zone between the Industrial and Arts districts. Moore, meanwhile, imagines that a setting like Row DTLA could attract visitors to the area in a more significant way than a single-building project ever could. “It will be hard, but done right, this could be the centerpiece of the Arts District,” he said. eddie@downtownnews.com
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26 Downtown News
March 7, 2016
A Try for Safe Passage The city has installed infrastructure at 15 Downtown intersections that give people a foursecond lead time over turning cars. It aims to reduce the number of pedestrian-vehicle collisions.
Downtown Intersections Give Pedestrians a ‘Head Start’ to Improve Safety By Nicholas Slayton nyone who has tried to cross a street in Downtown Los Angeles at rush hour knows it can be perilous, as pedestrians and drivers often compete for the same space. An effort unveiled last week strives to protect those on foot. On Tuesday, Feb. 29, 14th District City Councilman José Huizar announced that his office had worked with the Metropolitan Transportation Authority and the Los Angeles Department of Transportation to create 15 “headstart” inter-
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sections. They give people on foot roughly four seconds before turning cars get a green light. The project, funded by Metro, cost approximately $150,000, with most of that being labor-related, though older control boxes at certain intersections were upgraded. The LADOT handled the installation process. “Whenever I’m about to cross the street and see a car about to make a right turn, I’m always looking at the driver and negotiating with the vehicle,” Huizar said. “With these new signals, the pedestrian will be a bit more visible and safer.”
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The new signals are concentrated in the Historic Core and Civic Center, where a Regional Connector station is being built at Second Street and Broadway. Many of the crosswalks are between First, Fifth, Main and Hill streets. The project is part of Huizar’s DTLA Forward initiative, a suite of efforts announced last year to enhance pedestrian safety in Downtown. It dovetails with Vision Zero, a city effort to eliminate traffic fatalities by 2025. Last Thursday, many people on foot were still getting used to what are formally called Leading Pedestrian Intervals. Some carried on normally, trying to get from place to place, but others notably stopped and waited for a green light, even when the signal said it was clear to walk. Lisa Easter, who works for the state of California, praised the effort, but wondered if the signals and the lag time might confuse pedestrians and drivers more than anything else. “People walking on the street might think the signs are broken,” she said. “Or drivers might think they can still safely make right
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turns at red lights.” Susie Wendorff, an attorney who occasionally works in Downtown, said she is familiar with the concept of headstart signals. She thinks that the program could work once more people become aware of it. “I know as a driver it’s dangerous at times at certain pedestrian-heavy intersections,” Wendorff said. “A few moments of a free zone for people walking can’t hurt in terms of safety.” Huizar acknowledged that it will likely take some time for people to get used to the new infrastructure, but that once they do it will improve safety in Downtown. He said that the signals will most impact drivers, and the headstart will give pedestrians less to worry about. “Little by little, I hope that we will see fewer accidents between pedestrians and cars,” Huizar said. As part of the effort, Huizar said LADOT will collect crossing data to determine whether the signals have an effect. It will tally the number of collisions and near-collisions. nicholas@downtownnews.com
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BUILDING HIGHLIGHTS Price Range $1.75 to $3.00 per Sq. Ft. 24 Hour Security On Premises Beautiful 239,000 Sq. Ft. 11 Story Building Conference Room Parking Available
714 W. OLYMPIC BLVD.
LOS ANGELES, CA 90015 213.746.6300 Ext.1455 Fax: 213.765.1910 ghollis@shammasgroup.com
March 7, 2016
DT
CLASSIFIEDS REAL ESTATE RESIDENTIAL
LEGAL
To place a classified ad in the Downtown News please call 213-481-1448, or go to DowntownNews.com Deadline classified display and line ads are Thursday at 12pm. FORfor RENT All submissions are subject to federal and California fair housing laws, which make it illegal to indicate in any advertisement any preference, limitation, or discrimination because of race, color, religion, sex, sexual orientation, marital status, national origin, ancestry, familial status, source of income or physical or mental disability. We will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are available on an equal opportunity basis.
AUTOS & RECREATIONAL
CIVIL SUMMONS LOFTS FOR SALE
TheLoftExpertGroup.com Downtown since 2002
Bill Cooper
213.598.7555 FOR RENT
LOFT/UNFURNISHED
OLD BANK District The original Live/Work Lofts from $1,500 Cafes, Bars, Shops, Galleries, Parking adjacent. Pets no charge Call 213.253.4777 LAloft.com
MARKET LOFTS: 850 SF - Frig, Stove, DW, W/D, quiet balcony. Above Ralph’s Market, close to metro. 310-874-1692
EMPLOYMENT RESTAURANT/HOTEL JOIN THE SPRINGTIME CAFE’ FAMILY. Now Hiring Cashiers, Delivery People and Kitchen Help. Shawn (858) 337-8445 Nima (619) 488-7504
Children’s Performing Group
Sunshine Generation Singing, dancing, performing and fun! For boys & girls ages 3 and up!
SunshineGenerationLA.com 909-861-4433
Is your teen experiencing • School problems? • Conflict at home or with friends? Adolescent support group now forming Ages 13-17 Low fee
Call Marney Stofflet, LCSW
(323) 662-9797
4344 Fountain Ave. (at Sunset), Suite A Los Angeles, CA 90029
SUPERIOR COURT OF CALIFORNIA COUNTY OF LOS ANGELES CASE NO. YD 021506 PLAINTIFF: PHALA YOUNG VS DEFENDANTS: RANDY YOUNG To the person who received this “Request for Order”: if you wish to respond to this “Request for Order”, you must file a “Responsive Declaration to Request for Order” (form FL-320) and serve a copy on the other parties at least at least nine (9) court days before the hearing date unless the court has ordered a shorter period of time. You do not have to pay a filing fee to file the “Responsive Declaration to Request for Order” (form FL-320) or any other declaration including an “Income and Expense Declaration” (form FL-150) or “Financial Statement” (Simplified) (form FL-155). The name and address of the court is: Superior Court of California, County of Los Angeles 825 Maple Avenue Torrance, CA 90503 Case Number: YD021506 Dated: Dec. 28, 2015 Hearing Date: May 12, 2016 Hearing Time: 8:30 Hearing Department: SWH Hearing Room: 180 The name, address, telephone number, and fax number of defendant’s attorney or without an attorney is: Randy Young 28634 Bay Meadows Avenue Moreno Valley, CA 92555 Pub. 02/29, 03/07, 03/14, and 03/21/2016.
Fully furnished with TV, telephone, microwave, refrigerator. Full bathroom. Excellent location. Downtown LA. Weekly maid service.
FOR RENT
the LOFT expert!
TM
AUTO SALES
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Over 1000 vehicles on Sale Now!
Nearly Every Make & Model Visit us online
Downtown since 2002
Bill Cooper 213.598.7555 TheLoftExpertGroup.com DRE # 01309009
Monthly from $895 utilities paid. (213) 627-1151
Controller (F/T): IQ Textile Ind., Inc. is a textile/garment mfr. in Los Angeles, CA. Bach. Deg. in Fin. or Acct. and 5 yrs. of progressive post-bachelor exp. as a financial analyst are req’d. Mail resume: IQ Textile, Attn: Recruitment Dept., 3003 S. Hill St., Los Angeles, CA 90007.
Monthly from $795+ utilities paid. (213) 612-0348
SPACES FOR RENT IN FASHION DISTRICT
Live/Work Space $1.00/sqft. Office Space ......$1.25/sqft. Industrial ............$1.00/sqft. Stores to Rent (213) 622-9513
Very large 3 bdrm. 2 bath, 2 car garage $2500/mo
Bill Cooper 213.598.7555
OLD WORLD Charm. Olympic and Highland. Very large 3 bdrm. 2 bath, 2 car garage. Private fenced yard. All appliances included, Stove, refrigerator, washer and dryer, carpet & drapes $2500/mo. 323-934-5666.
TheLoftExpertGroup.com BRE #01309009
Voted BEST Downtown Residential Real Estate Agent!
HAPPY SPA HOUR
On Select Spa Treatments or Massages $49 each
• LEASING NOW $2,200-$3,350 • PRIVATE PARKING • 12-14 FT. CEILINGS • ARTS DISTRICT
215 W. 5th St. 1209 • DT • SpaDeSuar.com • 213.265.7908
1200 S. Santa Fe • (866) 977-8866 • arthouselofts.com
DOWNTOWN LIVING s9 wn New Downto
LIVING N W O T N D O W in My Loft? DO WN
dtlamotors.com
EMPLOYMENT
Furnished single unit with kitchenette, bathroom. Excellent location. Downtown LA.
Downtown News 27
DOWNTOWNNEWS.COM
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Section Publishes: April 4, 2016 Space Reservation: March 30, 2016 1264 W. 1st St., LA, CA 90026 (213) 481-1448 • FAX (213) 250-4617
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28 Downtown News
AROUND TOWN, 2 Second Street, Broadway Close for Regional Connector Work
T
raffic in the Civic Center just got worse, and conditions likely won’t ease until July. On Feb. 27, three blocks each of Second Street and Broadway were shuttered as the Metropolitan Transportation Authority builds a station for and does additional work for the $1.55 billion Regional Connector project. Second Street between Hill and Spring streets
(east of the Second Street tunnel) has been closed to traffic, as has Broadway between First and Third streets. Metro is doing major utility and other work during the closure. The streets will be closed through the end of July, according to Metro spokesman Rick Jager. After July, there will be additional weekend closures lasting 55 hours, Jager said. The Regional Connector will facilitate and speed up light rail travel throughout the region. The Second and Broadway station is one of three new stations being built in Downtown Los Angeles. The project is expected to be completed in 2020. Additional information is at metro.net/ projects/connector.
MAYOR’S RACE, 5 on them once elected. “To me there are successful campaigns and then there are successful campaigns that lead to successful administrations,” Schwartz tells me. “I will be very clear on the five, six major issues — that when you get in there you will have a mandate to get the stuff done.” The War Chest There’s plenty of criticism to level at Garcetti. Schwartz hits it time and again, charging that the mayor has been absurdly quiet on issues such as education, and that rampant development is adding to congestion and crushing the quality of life in Los Angeles. Then there’s the rising crime rate and worsening homelessness. Those shortfalls could outweigh Garcetti successes such as helping boost the minimum wage and making progress on the restoration of the L.A. River. Garcetti would seem to be vulnerable to a challenge from a well-known candidate such as County Supervisor Mark RidleyThomas, Secretary of State Alex Padilla, businessman Rick Caru-
March 7, 2016
Register to Vote for Downtown’s Neighborhood Council
T
he Downtown Los Angeles Neighborhood Council is entering election season, and the organization is looking for people willing to vote. Unlike in the past, most of the activity can now take place online. Although the candidate filing period closed March 6, voter registration is available through April 28. DLANC is an essential force in Downtown, giving residents, business owners and other stakeholders a voice through elected seats
so or even Wesson. That’s where Schwartz becomes really interesting, and even kind of brave. The abovementioned figures clearly don’t want to tangle with an incumbent with a $2 million war chest, no damning scandal and a history of rocking every race he enters. It makes more sense for any mainstream candidate to wait — possibly until a successful Garcetti run for governor or Senate in 2018. Schwartz seems frustrated at the state of affairs, but gets it. He just has a different approach than others. “I think they look at this as too tough a race and they don’t want to take a chance of losing,” he says. “I’m not afraid to lose. Big deal if I lose. It would stink and I don’t want to, but I’m not afraid to lose.” Intriguingly, Schwartz sees his path to victory as more candidates. His old sports TV buddy Barr has pondered running, and Schwartz hopes he does, believing together they might be able to keep Garcetti under 50% in the primary next March, necessitating a May runoff. Then there’s money, and the $2.2 million that Garcetti raised in the first six months of 2015 is both what has prevented any-
and acting as a middleman between the community and policymakers. While the organization has only advisory power, city officials, developers and others regularly consult DLANC as a way to curry neighborhood support or gain feedback. Even if you are registered for regular city, state and federal elections, you must register separately for neighborhood council balloting. Stakeholders must either live, work or own property within DLANC’s boundaries and be at least 16 years old. Online voting will begin April 14 and in-person polling will take place on May 5. For more information, or to register to vote, visit dlanc. org and click “Election 2016.”
one of note from challenging him, and what probably dooms Schwartz and everyone else. Although the candidate with the most cash doesn’t always win (Jeb Bush recently reminded us of that), any legitimate contender needs to be competitive. Schwartz hopes to raise a million bucks, and to use social media and personal connections to make up the difference. He knows that’s a big ask. “I know campaigns, so I’ll have a good campaign team,” he said. “It’s a question of, can I raise the money, and that’s a big hurdle.” You have to give Schwartz credit. He’s putting himself out there, knowing that if he does somehow gain traction, Garcetti and his chief campaign strategist Bill Carrick have millions of dollars with which to carpet bomb the challenger. They effectively painted Wendy Greuel as a DWP union puppet in the 2013 mayor’s race, and she had a pretty solid political record. It’s frightening to think how they could hit Schwartz. Still, he’s going for it, and promises to make me a “believer.” I’m just not sure where he’s going to get the slingshot. regardie@downtownnews.com
Rediscover Gold. 6 new metro gold line stations are now open.
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For more info, visit metro.net/moregold.