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curious things about the new sheriff Page 6

digging into the aloud diVIde

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Let There Be LIGHTS Holiday Installations Illuminate Grand Park SEE PAGE 14

photo by Gary Leonard

INSIDE THIS WEEK:

DOWNTOWN HOLIDAY GUIDE SEE PAGES 10-13

HONESTLY?

IT’S BETTER TO GIVE AND RECEIVE

Racking your brains for the perfect holiday gift? We got you covered, see page 12.

THE VOICE OF DOWNTOWN L.A. SINCE 1972

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he proposal to connect Dodger Stadium to Union Station via a 1.25-mile gondola took a step forward last week. On Thursday, Dec. 4, the Metropolitan Transportation Authority announced that it had signed a letter of intent with Aerial Rapid Transit Technologies LLC, the company seeking to build the gondola. Metro and ARTT will now formally negotiate and seek to iron out roles and responsibilities for the privately funded project. ARTT previously said the gondola could transport 5,000 riders per hour to and from the stadium; no cost has been revealed.

ARTT was founded by Drew McCourt, the son of controversial former Dodgers owner Frank McCourt. Metro CEO Phillip A. Washington said the project could play a critical role in reducing traffic around Dodger Stadium. “For the sixth year in a row, the Dodgers have led Major League Baseball in attendance and we want to keep that streak going by finding ways to make it more convenient to reach the stadium,” Washington said.

The hope is to open the project by 2022, according to ARTT Project Manager Martha Welborne.

hree decades ago, the nonprofit Los Angeles Sports Council was created to help attract major, revenue-generating events to Los Angeles. Since that time it has been headed by David Simon. Now Simon is stepping down, and last week the Sports Council’s board announced that the new president will be David Siegel, a 22-year veteran of the Los Angeles Dodgers organization. Siegel, 43, most recently served as vice president of global partnerships, and before that was the team’s VP of ticket sales.

He will start the new job this month. “I am excited and honored for the opportunity to lead the Sports Council and Southern California Committee for the Olympic Games into their next chapters,” Siegel said in a prepared statement. Simon will remain on a part time basis as an advisor to both the Sports Council and the SCCOG. The Sports Council is headquartered on Bixel Street in City West.

Take a Bite at Disgusting Food Museum

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lmost everyone loves food. But what people consider consuming is far more complicated. The topic is now on the table at the A+D Architecture and Design Museum, which on Sunday, Dec.

New Bar in the Works From Bar 107 Team

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he Historic Core’s Bar 107 was a beloved institution — a neighborhood dive bar in a rapidly changing Downtown — until it shuttered in 2015, sparking an outcry. Co-owner Brian Traynam filed plans in 2016 to revive the Fourth Street space, but on Boyd Street in the Toy District, above another Traynam bar, The Escondite. After two years, things appear to be moving forward, with Los Angeles City Council committees weighing in on an

application for alcohol sales at 414 Boyd St. Co-owner Brian Houck said the new space would not use the Bar 107 name.

The council’s Planning and Land Use Management Committee approved the application on Nov. 20. The project would have two components, with a main bar on the second floor above The Escondite, and a tiki-themed bar on the roof on the building. Paperwork filed with the city in 2016 said the former space would be 4,000 square feet and the rooftop would be 2,000 square feet.

Long-Awaited Chinatown Park Breaks Ground

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onstruction of an $8.5 million half-acre park in Chinatown began last week, after almost a decade of setbacks. Downtown-based AHBE Landscape Architects, which won a contract with the city to design the park, posted a photo on its social media accounts on Tuesday, Dec. 4, showing construction crews working at the L-shaped site at Yale and Ord streets. Planning for the park began in 2010. Although funding was secured in 2014, complications in acquiring the land halted the process.

Construction is expected to take about one year, and once completed the park will include a children’s playground and fitness equipment. Due to the steep landscape, the park will be split into levels connected by a set of trails.

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9, gave part of its Arts District space over to a pop-up museum. The Disgusting Food Museum, explores cultural differences among cuisines across the world.

The museum details 80 dishes, including surstromming (fermented herring from Sweden), cuy (roasted guinea pig from Peru) and casu marzu (maggot-infested cheese from Sardinia). Adventurous visitors will have the opportunity to smell and taste some of the foods. The Disgusting Food Museum originates out of Sweden and is organized by the same team that brought the Museum of Failure to Los Angeles last year. The museum is open through Sept. 17 and hours are Wednesday-Friday from 2-8 p.m. and weekends from noon-7 p.m. Tickets starts at $15.

Additional information is at, naturally, disgustingfoodmuseum.com.

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Dodger Stadium Gondola Moves Forward

New Leader for L.A. Sports Council

DECEMBER 10, 2018

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DECEMBER 10, 2018

DOWNTOWN NEWS 3

DOWNTOWNNEWS.COM

Night on Broadway Canceled

Night on Broadway, which had been scheduled for Jan. 26, 2019, has been canceled.

More than 250,000 people attended this year’s event.

Announcement Continues Struggle for José Huizar

By Nicholas Slayton he trouble continues for 14th District City Councilman José Huizar. Last week, his office announced that Night on Broadway, which quickly emerged as a cultural staple of the Central City, will not take place next year.

Huizar’s office is the principal organizer of the happening, which last year drew more than 250,000 people. The event, which closes 10 blocks of the historic corridor to auto traffic, had been scheduled for Jan. 26.

The move, announced on Tuesday, Dec. 4, continues an extended period of turmoil for Huizar. He has been sued for retaliation and harassment by two former employees, and on Nov. 7 his City Hall office and Boyle Heights home were searched by the FBI. On Nov. 21 his wife, Richelle Huizar, withdrew her candidacy in the 2020 election to succeed him on the council.

Huizar’s office made no mention of those travails in canceling Night on Broadway, nor gave any other explanation as to why the festival was called off.

“Our office continues to support community events, including seven holiday events throughout Council District 14 this holiday season. Night on Broadway will be better served by moving it to 2020,” Rick Coca, Huizar’s director of communications, said in a statement. “In the meantime, our office is staying focused on our work serving the con-

T

Tech Pioneer Jim Gilliam Dies Early Downtown Resident Created the Tech Company NationBuilder

Jim Gilliam founded NationBuilder in 2009 in Downtown Los Angeles, inspired by his own experiences in online activism and organizing.

photo by Gary Leonard

stituents of Council District 14.”

The news was met with disappointment by many in Downtown. Patti Berman, president of the Downtown Los Angeles Neighborhood Council, said that Night on Broadway helps area merchants and restaurants, introducing locals and people from across Los Angeles to new spots.

“The people who live here for the most part really enjoy it. There’s great entertainment,” Berman said. “It’s a big boost. You hear that from people. It gives them an incentive to live here and we’re losing that.”

Night on Broadway was launched in 2015 as part of Huizar’s Bringing Back Broadway initiative, and was known for activating the street’s collection of historic theaters. It offered live music, indoor and outdoor performances, art installations, chess boxing and a Ferris wheel.

The street was filled with food trucks, and the number of attendees climbed each year. Admission was always free.

Huizar, who has not been charged with any crime, has yet to publicly address his troubles, which include being stripped of his City Council committee assignments by Council President Herb Wesson. nicholas@downtownnews.com

Great Friends

photo courtesy NationBuilder

By Nicholas Slayton im Gilliam, a technology entrepreneur and activist who founded the Downtown Los Angeles-based company NationBuilder, died on Nov. 23 after a battle with cancer.

He was 41.

With NationBuilder, now located at 520 S. Grand Ave., Gilliam helped start a tech boom in Downtown, and in recent years companies have relocated to the Central City from communities such as Santa Monica and Hollywood.

Gilliam had moved to the Old Bank District in 2001. In a Continued on page 20

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EDITORIALS

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DECEMBER 10, 2018

TAKE MY PICTURE GARY LEONARD

Firehouse Arts Center Should Serve Kids and Adults

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n 1996, residents of the city of Los Angeles approved Proposition K, which set aside $25 million a year for three decades to create, improve and maintain parks and other facilities for children. The roster of 123 designated projects included a former firehouse in Skid Row. The development, dubbed the Engine Company 23 Jr. Arts Center, would transform the 1910 building, making it a destination for youth from Downtown and beyond.

The project has taken 22 years to roll forward, and only now is the planning picking up. This should have happened years ago, and it is disappointing if not surprising that a Skid Row project is in the last third of efforts to move ahead. There have long been children in the neighborhood who could have benefitted from this endeavor.

The time lag has coincided with change in surrounding communities, and now some Skid Row activists are pushing for a shift in the project’s scope — given the general limited resources in the neighborhood, they want the Jr. Arts Center to provide options not just for children, but for adults, too.

This is a reasonable request, and one this page supports. Downtown Los Angeles is the epicenter of homelessness in L.A. County, with the crisis seeming to worsen each month. In addition to a need for permanent housing, job training and mental health counseling, among many other things, there should be cultural resources, and places for the thousands of adults in the neighborhood to spend their day beyond the streets and sidewalks. The firehouse at 225 W. Fifth St. could be part of the solution.

This isn’t a simple fix, and will require know-how and perseverance from those skilled in bureaucrat-ese. The need for finagling is not a bad thing — Prop. K, like other ballot measures, needed to be strongly and clearly written so that funds are not siphoned away because of a politician’s whim. In this case, one shouldn’t seek to flip the project from a youth arts center to a destination reserved solely for adults.

The best move, which is currently being discussed, involves programming that serves an intergenerational audience. There are many paths to explore — potentially classes and other efforts could be provided for adults during the school day, with youth served after 2 or 3 p.m. There must be summer sessions and weekend schedules, and the options — whether visual, performing arts or something else — should be selected with community input.

The city Department of Cultural Affairs will play a lead role in the project, and much of what must occur now involves determining programming and the target audience; that in turn will influence the physical design of the project. Some public meetings have already been held and more are scheduled; we urge those overseeing the proceedings to move quickly, as conditions in the neighborhood are not getting any better.

Recent reporting by Los Angeles Downtown News shows that a record number of children and families are now in Skid Row. They need cultural resources, but so do adult residents of the neighborhood.

There should be a solution in the former firehouse.

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COMMENTS

Regarding the column “Huizar’s in Trouble. Cue the Vultures,” by Jon Regardie This column states, “having your constituents… spend hours pondering your (Huizar’s) potential misdeeds is bad for your career.” Well, we the people of Skid Row don’t have to ponder — we can state facts. This year, a typhus outbreak happened and is currently and apparently spreading all across DTLA, yet Huizar has done nothing to protect his constituents — not a town hall meeting with health experts, not a social media video and/or press conference addressing the concerns/offering solutions. Additionally, in November, Huizar was a no-show at a town hall meeting that was put on by the Skid Row Neighborhood Council Formation Committee and held in Skid Row and featured Dr. Jonathan Sherin, the director of the County Department of Mental Health. Countless constituents all across DTLA have been complaining for years for Huizar to do something about the widespread mental illness. Other political officials were in attendance and/or had staff in attendance to represent them.

—“General” Jeff Page What I am pondering is the collateral damage. This guy appears quite cooked. Will Mr. Huizar point fingers at past 14th District hombres? Will other current council members be fingered by this guy in an effort to get a EDITOR: Jon Regardie STAFF WRITER: Nicholas Slayton, Sean P. Thomas CONTRIBUTING WRITERS: Tom Fassbender, Jeff Favre

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lighter sentence? I would bet others will fall.

—Scott Meyers Regarding the article “Convention Center Expansion Plan Rolls Forward, With $100 Million in Incentives,” by Nicholas Slayton I worked in the hotel industry in Downtown L.A. from 1982 to 1994, and the challenges are the same today as they were in the ’80s: Pershing Square is a problem, there is a large homeless population, and above all, the Convention Center has never been big enough. Somebody has been selling snake oil to the citizens for over 30 years, and now one option will be an extra “Destination Charge” of $25 per night at the proposed J.W. Marriott expansion. Be careful with the cash cow, or the consumers may look for better pastures and not in California, which is known all over as being crazy expensive.

—Jorge Bar-Percivale

Hey You! Speak Up! Downtown News wants to hear from people in the community. If you like, or dislike, a story or editorial, let us know. Or weigh in on something you feel is important to the community.

Participation is easy. Post a comment online at the bottom of any story, or go to downtownnews.com, scroll to the bottom of the page, and click the “Letter to the Editor” link. For guest opinion proposals, email regardie@downtownnews.com.

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DOWNTOWN NEWS 5

Tech Firm to Get Free Office Space On Bunker Hill Landlord Brookfield’s ‘Launchpad’ Contest Will Give Start-up a Home for Two Years

image courtesy Brookfield

Brookfield Properties will give a young tech firm a free office in the Wells Fargo Center for two years. The space will be able to hold up to 20 employees.

By Nicholas Slayton t’s a truism in real estate that you pay for location, and that is particularly the case for the legions of businesses that occupy fancy office buildings on Bunker Hill. But one lucky tech company will secure an unusual opportunity: two years of free rent in a high-profile skyscraper.

Prominent Downtown landlord Brookfield Office Properties has launched a contest called Launchpad, and the winning company will get gratis office space for up to 20 employees in the Wells Fargo Center. The offer includes free furnishings.

The idea is to bring in a young company that would not normally be able to afford a Class A office tower, according to Brookfield Leasing Director Marin Turney.

The office will be in the building at 333 S. Grand Ave., and will be part of the space operated by the coworking firm Convene. The winner will get free Internet and other workplace amenities including a snack bar. It measures approximately 3,000 square feet, according to Brookfield.

Brookfield did not provide an estimated value of the space, or what it would rent for if it went on the market.

“We understand the limitations for a growthstage company,” Turney said. “This is really a test case for us, to see if we can get a start-up community interested.”

The contest began Nov. 15 and applications are being accepted through the end of the year. A winner is expected to be announced in January.

The contest comes as Brookfield continues its $65 million renovation of Wells Fargo Center. Much of the work is focused on the central atrium. Rechristened “Halo,” it will feature new dining and tenant amenities, open space and more outdoor seating.

The program is a smart move for Brookfield, according to Steve Marcussen, executive director with the brokerage firm Cushman and Wakefield and an expert on the Downtown office market (Marcussen works with tenants that lease space in Brookfield’s properties). He noted that landlords are trying to bring more tech and media companies to Downtown, but even with the development boom, space these companies can afford is limited.

“They’re looking to appeal to this group of tenContinued on page 20

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Eight Curious Things About New Sheriff Alex Villanueva No One Knows What to Expect From the Guy Who Came Out of Nowhere to Head the Nation’s Largest Sheriff’s Department

By Jon Regardie ast week, Angelenos bore witness to something extraordinary. For once, it didn’t involve Downtown City Councilman José Huizar.

On Monday, Dec. 3, thousands of people gathered in a faded auditorium on the campus of East Los Angeles College for

the rank-and-file, he had a hefty war chest and most of the important endorsements.

He grabbed 48% of the vote in the June primary, narrowly missing a majority, and easily exceeded Villanueva’s 33%. But in the runoff, Villanueva flipped the script, beating McDonnell 53%-47% and eclipsing him by some 140,000 votes.

This is the ultimate Cinderella story, if Cinderella wore tan and green and carried a gun to the prince’s ball.

L

THE REGARDIE REPORT the swearing in of Alex Villanueva as the 33rd Sheriff of Los Angeles County. If you just said “Who?” you’re not alone — almost no one outside the Villanueva family had heard of the 55-year-old even seven months ago.

Like all top law enforcement jobs, L.A. County Sheriff is as much about politics as it is public safety. Yet unlike his predecessors, relatively little is known about Villanueva.

The citizenry will get a handle on him as he gets a grasp on the monumental job of overseeing a frequently troubled department with 18,000 sworn and civilian employees.

About the only thing you can say for certain at this point is that, under Villanueva, things will be different. Whether that is for better or worse remains to be seen. For now, here are eight curious things about the new sheriff in town.

Except He Should Be Here: Even after the primary, Villanueva was a vast underdog going into the runoff, at least according to all the political elite and media types who think they know stuff.

Give Villanueva oodles of credit for seeing vulnerability and forging a path to victory. He appealed to Latino voters and made a crafty strategic move by clearly identifying himself as a Democrat, even in a nonpartisan race. photo by Gary Leonard That counted big in an election where oppoAlex Villanueva was sworn in as the 33rd Sheriff of Los Angeles County last week. It was a hefty jump for someone nents of President Donald Trump turned out who had never before reached a rank higher than Lieutenant. in force.

Perhaps McDonnell never saw the threat He Shouldn’t Be Here: To become Sheriff, literally been 104 years since a sitting Sher- and coasted, but ultimately, the person who 800.900.5788 I to aerioconnect.com Broadband an I Voice I WiFiThat’s I HDTV win. election. about the last wins deserves Villanueva had to knock off incumbent Jim iff fumbled McDonnell. The process sounds simple, but time the Dodgers won the World Series.

While McDonnell had rankled some of He’ll Melt With You: I’m fascinated by the incumbents don’t lose in Los Angeles. It had

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songs played at political events. Frequently there’s a lyrical message about unity or overcoming odds. Every so often a politician completely misunderstands a musician’s message, such as those who blast Bruce Springsteen’s “Born in the USA” at campaign rallies.

But I’m flummoxed by British new wave band Modern English’s “I Melt With You” playing right before Villanueva’s oath of office ceremony started. I have so many questions!

Did Villanueva himself choose this? Did he fall in love with the 1982 song when it was used in a montage sequence in the film Valley Girl?

Or, did Villanueva misunderstand the message? A key lyric in the song is, “The future’s open wide,” which could connect to his LASD reform agenda. But when I fell down a Google hole, I learned that singer Robbie Grey said the song is actually about a couple making love as a nuclear bomb drops. They melt together — ick! I’m pretty sure sex and nukes are not ideal Sheriff’s Department fodder.

He May Be a Hip-Hop Fan: Perhaps Villanueva digs new wave, but I suspect that when he rolls through Los Angeles in the morning, he’s listening to 92.3 FM. I make that assumption because the master of ceremonies at Villanueva’s swearing in was Big Boy, who hosts the popular morning show on the hip-hop station.

This is as unlikely as Villanueva winning the race in the first place. But there was Big Boy on stage, making the crowd laugh, recounting a visit Villanueva made to the station during the campaign, and introducing speakers including County Supervisor Janice Hahn and ex-State Senate President Pro Tem Kevin de León.

Tapping Big Boy as your emcee isn’t in the typical political playbook, but as we’re seeing, little that Villanueva does is typical.

He’s Probably L.A.’s Least Qualified Sheriff Ever: Unlike most people who get the six-pointed Sheriff ’s star pinned to their chest, Villanueva didn’t ascend over decades to the top ranks of the department before waging a victorious campaign for the seat.

His predecessor McDonnell didn’t follow that path either, but he won after a long career in law enforcement, including time as chief of the Long Beach Police Department.

Villanueva spent decades in the Sheriff’s Department, but he plateaued at Lieutenant (he claims he was denied promotions for speaking out against previous leaders). While Lieutenant’s not nothing, it’s also only midway up the LASD ladder, with the rank falling below Sheriff, Undersheriff, Assistant Sheriff, Cuddly Sheriff (I made that one up), Division Chief, Area Commander and Captain. Going from Lieutenant to Sheriff would be like the Lakers suddenly firing Luke Walton and elevating Kentavious Caldwell-Pope, a qualified but unspectacular role player, to coach.

This isn’t to say Villanueva can’t handle the gig, but he arrives lacking the command-level experience of most people in the position.

He’ll have to rely on his leadership team.

His Team Is Totally New: Villanueva ran on a mantra to “reform, rebuild and restore” the department, and he didn’t waste time. He

DOWNTOWN NEWS 7

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vacuumed away McDonnell’s top-level staff on day one and installed a new management team. That includes Bob Olmsted, a former LASD Commander who ran against and lost to McDonnell back in 2014, who is now an Assistant Sheriff. Ray Leyva, who like Olmsted was a veteran of the department but had retired, gets the cool-sounding title of Undersheriff.

It’s common in every industry for a new leader to import his or her bench. Still, Villanueva’s move creates the opportunity for both immense change and immense trouble: On the one hand he’ll be surrounded by cohorts eager to institute his agenda. On the other hand, he just axed people with decades of experience and institutional knowledge who could make his job much easier.

He’s Primed for Big Moves: McDonnell was widely credited for upgrading the LASD. This was vital, as he took over a department marred and scarred by former Sheriff Lee Baca and Undersheriff Paul Tanaka, who were both sentenced to prison terms stemming from a corruption scandal.

There’s a belief that additional reform is needed. Villanueva has called for it, and the department has an unseemly history of jailhouse violence, questionable treatment of minorities in certain communities, and cliques where deputies get matching tattoos and engage in sometimes-thuggish behavior. The cliques have monikers than can sound gang-like, including the Vikings, the Jump Out Boys, the Banditos and the Regulators. In June there were new reports about a deputies’ clique at the Compton station.

At his swearing in Villanueva vowed change and promised to mold a department that is responsive to the community rather than politicians. He’ll have a honeymoon period, but then people will expect results.

He’s an Unknown Quantity: Self-styled reformers frequently reach office by kicking against the system. But dealing with established institutions is different than campaigning.

A challenge for Villanueva could be working with the County Board of Supervisors, and while the five-member panel can’t fire the Sheriff, the supes have control over the department’s budget and can make life easier or harder. The new Sheriff will need to play ball.

There will also be outside scrutiny he may not like. On the day before his swearing in, the Los Angeles Times published the editorial “Bad Idea From the New Sheriff,” about Villanueva’s potentially removing a pair of department constitutional policing advisors whom McDonnell had hired. The new guy will get far more public and media attention than he ever received before, and he’ll learn that he can’t always control the narrative.

Some would-be reformers have fared well once elected. Others, and former City Attorney Carmen Trutanich comes to mind, clashed repeatedly with power players, and their potential was muted. There is no defined path to success.

What comes next will be fascinating. Yes, there’s a new sheriff in town, but time will tell if the star status extend beyond the badge on his chest. regardie@downtownnews.com

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DECEMBER 10, 2018

Digging Into the ALOUD Divide Rancor Continues Over the Departure of Program’s Leaders, While Library Foundation Tries to Move Forward

By Sean P. Thomas f you ask Los Angeles Library Foundation President and CEO Ken Brecher what the nonprofit’s signature speaker series, ALOUD, needed, it was a change.

According to Brecher, after 25 years of bringing authors and bibliophiles together at the Central Library’s Mark Taper Auditorium, ALOUD was going through a period of stagnation. That premise, and what he asserts was resistance to significant change, propelled him on Aug. 27 to terminate the positions of Louise Steinman, ALOUD’s curator since the series was launched, and Associate Director Maureen Moore.

As has been well chronicled, the move sent shockwaves through the Los Angeles literary scene. A petition calling for transparency and a public explanation for the move was signed by more than 900 people, including dozens of writers who had appeared at ALOUD events. Steinman had earned a hefty amount of cultural cachet over a quarter century, and many people came to her defense.

The outcry grew even louder when word spread that the pair had been walked out of the library by security guards immediately after being informed that their positions were being eliminated. Moore was six months pregnant at the time.

After a long period of silence, Brecher is speaking publicly.

He talked with Los Angeles Downtown News during a recent interview in the LAFL’s offices on the third floor of the Central Library in Downtown Los Angeles.

Brecher maintains that the decision was made to move on from Steinman and Moore’s leadership because ALOUD was failing to grasp the energy that Downtown’s new, growing population was bringing. He said the two sides “weren’t aligned.”

“That was hard for me,” Brecher said while sitting at a wide glass table, dressed in a navy blue checkered blazer. He was joined by LFLA Vice President of Development and External Affairs Rebecca Shehee and Director of Communications Leah Price.

“I would have loved to have done it just with the group that was already here. That was my goal up until the last moment,” he added.

Brecher would not discuss the manner of Steinman and Moore’s dismissal. Steinman, who has made only a few public comments in recent months, told Downtown News she was in state of shock following the termination.

“I chose to work for a non-profit, not a corporation, for a reason,” Steinman said in an email. “There is no need for this kind of ‘termination’ in the non-profit sector. It’s cruel and it’s damaging to both parties.”

New Hire Brecher is attempting to move forward. On Oct. 10, the LFLA issued a statement saying it would wrap ALOUD under

I

a single organizational programming umbrella. On Oct. 17, it announced the hiring of Jessica Strand, former Associate Director of Public Programming at the New York Public Library, as its first Director of Public Programs.

Still, the outcry has continued. There have been protests at multiple ALOUD events, with attendees standing and holding aloft signs. Some people have called for Brecher to resign.

In the interview, Brecher said that about four and half years ago, he came to the conclusion that something had to change with ALOUD. He said a pair of studies were conducted, one by New York-based consultant Pat Dandonoli and another in-house survey. They suggested, he said, that the LAFL find a way to spread beyond Downtown, and look at other venues as well as weekend events. Most ALOUD happenings take place on weekday evenings.

“It’s very easy for people who are in Downtown or who work in Downtown to think that this is the center of Los Angeles and in many ways it is,” Brecher said. “But it’s not all of Los Angeles.”

Shehee said that on average, 50 of the Mark Taper Auditorium’s 227 seats — about 20% — are empty during an ALOUD event.

A typical ALOUD evening features an author, poet, journalist or other subject who reads from his or her work, then participates in an interview with a chosen moderator. Although numerous events are fully reserved online, Brecher said the consultants described the interview style as outdated.

Steinman disagrees that ALOUD was stagnating, pointing toward new angles and speakers she had incorporated.

“Far from stagnating,” she said, “ALOUD was more of a fast-moving stream, seeking out new voices, experimenting with new formats, bi-lingual programs and new community partnerships.”

Steinman pointed to recent events with Native American author Tommy Orange, African American researcher and poet Ashaki Jackson, and the Visualizing Language: Oaxaca in L.A. project, an exhibition at the Central Library featuring a mural

by Oaxacan artists collective Tlacolulokos.

One of Steinman and Moore’s most vocal supporters has been Rubén Martinez, an author and professor of English and the Fletcher Jones chair in literature and writing at Loyola Marymount University. Martinez, who appeared at ALOUD events in the past, penned an open letter in the Los Angeles Review of Books on Oct. 18 calling for Brecher’s resignation.

In the letter he asserted that Brecher “displayed astonishing arrogance, ignorance and carelessness” by terminating the positions of Steinman and Moore.

Money Matters According to Brecher, donations for ALOUD were starting to dry up. Without providing specifics, he said that ALOUD

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Ken Brecher, president of the Library Foundation of Los Angeles, a nonprofit that was formed to support the Los Angeles Public Library, has faced criticism since he terminated the positions of ALOUD heads Louise Steinman and Maureen Moore.

had lost $670,000. Shehee clarified that the losses were over a “number of years.”

According to an LAFL audit posted on its website, which covers finances for the fiscal year ending on June 30, 2018, the foundation had $7.9 million in expenses, with $1.9 million spent on the “Engaging the Imagination” program, which includes public series such as ALOUD. The Foundation has $48 million in assets.

According to Price, the cost of operating ALOUD has increased from $300,000 in 2010 to $550,000 in 2017. There are approximately 35 Central Library events each year.

With the changing times and economics, Brecher said he asked Steinman to have up to six ticketed ALOUD events each year in venues such as the Aratani Theatre in Little Tokyo. In May ALOUD brought former FBI Director James Comey to that site. According to Brecher, 665 books were sold at the event, compared to an average 47 book sales at a traditional Central Library events.

This step would allow ALOUD to compete with other ticketed speaker series, he said.

“If we could do six major off-sites a year, the Judy Blooms

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of the world, the James Comeys of the world — if we could do six of those, we could pretty much sustain the program,” Brecher said. “That’s what I asked for, but again we weren’t aligned. That wasn’t happening.”

Steinman disputes that assertion. If there was any question of varying views, Steinman says she was unaware of it.

“I really have no idea what Ken is talking about,” Steinman said in an email. “We were always working to better the program and were happy to work with anyone at the Foundation to make it better.”

The current situation has also drawn attention to Brecher’s salary. His base pay increased almost $70,000 in a two-year period, and in the fiscal year that ended June 30, 2017, he earned a total of $487,582. His salary exceeds the pay of both City Librarian John Szabo ($236,649) and Mayor Eric Garcetti ($248,141).

Brecher said that his and other Library Foundation salaries that eclipse $200,000 are set by the LAFL board, which he said uses other comparable organizations as a measuring stick. Library Foundation board chair Gwen Miller could not be reached for comment about pay levels.

Steinman confirmed that the LFLA development team informed her of deficits in the Foundation’s unrestricted funds, some of which supported ALOUD, but said that a plan to help close the gap was never fleshed out.

“We presented some big, bold new ideas and offered to participate in fundraising,” Steinman said. “Beyond wanting more ticketed events with marquee authors, Ken never specified what he wanted and dragged his feet. I still don’t know what he wanted.”

Vision for the Future The situation with ALOUD has sparked extensive conversation in the Los Angeles literary community. It comes at a time when authors face greater financial challenges than ever due to the digital revolution and frequently declining book sales.

Tom Lutz, editor of the Los Angeles Review of Books, who has worked with both the Library Foundation and Steinman

DOWNTOWN NEWS 9

DOWNTOWNNEWS.COM

in the past, said that there is a level of concern in branching out to larger venues.

“Once you’re in the best-selling commercial world, you tend to be in a less diverse world,” Lutz said. “I’m not sure why the library would want to compete for those audiences when we have someone doing it as a commercial venture. The library is not a commercial venture.”

Brecher is seeking to move forward with new hire Strand.

During the interview, he pulled out a piece of paper that outlined four goals for the Library Foundation. The list included the line, “Much of ALOUD’s core programming will remain intact.”

Brecher said the full scope of the changes will be released in mid-January.

Amidst the hubbub, many have questioned why Steinman and Moore were dismissed in the manner they were, particularly given the pair’s role in the community. Martinez told Downtown News said that an apology aimed at Steinman and Moore would go a long way toward mending relations between the 900 people who signed the petition and the LFLA. “That was upsetting,” Martinez said. “Brecher’s public statements recently never address the main point that we were making all along.”

Steinman said that there is concern that ALOUD, a program she has helmed for a quarter century, has suffered in recent months.

“It’s clear that people feel like something has been taken from them, and despite the Foundation saying ALOUD isn’t going away, the program has been dealt a blow that was totally avoidable,” she said.

Brecher called the public conversation “healthy” and said it is spurned by a desire to ensure the program lives up to its high standards.

“I understand their passion,” Brecher said. “I think that their passion is coming from the desire to ensure that the Library Foundation does not in any way cut back on its commitment

photo by Gary Leonard

Louise Steinman founded the ALOUD speaker series in 1993, hosting intimate conversation with authors, journalists, and others at the Central Library’s Mark Taper Auditorium.

that was presented for almost 20 years by the ALOUD program, and I share that passion.”

ALOUD’s 2019 calendar has not yet been released. Many will be watching to see whether the crowds, and the protesters, show up. sean@downtownnews.com

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DECEMBER 10, 2018

Downtown Holiday GUIDE Getting Into the End-of-the-Year Action Eight Great Events in the Central City

By Jon Regardie he year is nearly over, but on the cultural front, things are as busy as ever in Downtown Los Angeles. In particular, the community is full of holiday-oriented happenings.

Below, Los Angeles Downtown News runs down some of the top options to enjoy before the year comes to an end.

T

Cold Front, Part 1: Outdoor types are heading to Pershing Square, where the 7,200-square-foot Bai Holiday Ice Rink is open every day through Jan. 21. Admission is $9 (plus $5 for skate rental) and a batch of special events are scheduled, including DJs every Thursday evening. Don’t miss the Silent Skate Party on Dec. 19 (skaters get earphones with music piped in) and curling lessons on Dec. 15 and Jan. 12 from 8-9 a.m.

At 532 S. Olive St. or holidayicerinkdowntownla.com.

Cold Front, Part 2: Another ice skating option is the L.A. Kings Holiday Ice rink in Microsoft Square at L.A. Live. The attraction is full-on family friendly, and there’s a giant Christmas tree in the middle of the rink. The $20 admission includes skate rental (it’s $15 for seniors and kids 6 and under). The rink is open almost every day through Jan. 6 and there are three timed sessions each day. Check the website for “Supper & Skate” specials.

At 800 W. Olympic Blvd. or lalive.com.

History for the Holidays: This historic heart of Los Angeles, El Pueblo, comes alive during the holidays. Dec. 16-24 brings Las Posadas, a nightly candlelit procession down Olvera Street that re-creates the journey of Mary and Joseph to Bethlehem.

Each evening includes a piñata breaking at 6:30 p.m. and ends with a free performance of the Mexican comedy La Pastorela.

At 125 Paseo de la Plaza or facebook.com/elpueblola.

Popping Up for the Holidays: Get the holiday spirit in an Instagram friendly way at Fa La Land, a temporary immersive environment at Row DTLA in the Industrial District. Visitors pass through assorted rooms, including an old-fashioned North Pole, a fluorescent forest, Candyfornia and the Jingle Bell Toy Factory. The website also promises visitors a “private audience with the Big Man himself,” which we think is Santa. Tickets are $37 and entry is timed. Fa La Land runs through Jan. 6.

At 787 S. Alameda St. or falaland.com.

Decked Out: Every year, Walt Disney Concert Hall plays host to the L.A. Phil’s Deck the Hall series. The tradition picks up again on Dec. 19, with the 12-man, Grammy-winning, a cappella choir Chanticleer. On Dec. 21, the venue will swing with the Arturo Sandoval Big Band. The following days are jammed, with the L.A. Phil Holiday Sing-Along on Dec. 22, and a Continued on page 13

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HIGHLIGHTS, 10 screening and sing-along of White Christmas on Dec. 23.

At 111 S. Grand Ave. or laphil.com.

Bouncing With Brian: Former Stray Cat Brian Setzer thinks the holidays really rock, and he’s out to prove it as his Brian Setzer Orchestra brings the Christmas Rocks tour to the Microsoft Theatre on Dec. 22. Setzer first gained fame with the three-member rockabilly act, but in ensuing decades he’s gone on to excite crowds with a holiday spectacle.

The 19-member orchestra will whip out a selection of holiday tunes, and will also dip into some rockabilly oldies.

At 777 Chick Hearn Court or axs.com.

A Gift for You: A Downtown tradition returns on Christmas Eve, as the 59th annual L.A. County Holiday Celebration takes place from 3-6 p.m. at the Dorothy Chandler Pavilion. Considered L.A. County’s “gift” to local residents, the happening features dozens of local music, dance and theater groups, each doing a short set. Highlights include Hawaiian music and hula choreography from Daniel Ho & Halau Keali’i o Nalan, and the wheelchair ballroom dance troupe Infinite Flow.

Admission is free, but is on a first-come firstserved.

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The Salute to Vienna concert returns to Downtown this year. The celebration featuring Strauss waltzes and champion ballroom dancers lands at Walt Disney Concert Hall on Dec. 30.

30, when Walt Disney Concert Hall will be the site of the Salute to Vienna New Year’s Concert. Get ready for a lineup of singing and dancing featuring Johann Strauss waltzes and melodies from beloved operettas. Performers from the National Ballet of Hungary will be on stage, as will some champion ballroom dancers.

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DT

Grand Park comes to colorful life after dark with Winter Glow. Nineteen light sculptures and installations, many with an interactive component, are placed throughout the park.

Admission is free and it runs through Dec. 25.

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ATTRACTION GETS IN THE HOLIDAY SPIRIT WITH 19 LARGE LIGHT INSTALLATIONS

By Nicholas Slayton os Angeles County has a number of options for winter light displays, including impressive illuminated wonderlands at the L.A. Zoo and Descanso Gardens. These are usually ticketed events, and a family of four can easily drop around $60 for admission.

This year, Grand Park is getting in on the action, and people who trek past City Hall or the Music Center can step into a colorful alternate reality. Intricate, bright concoctions dot the 12-acre destination. The result is a neon-filtered holiday celebration, and admission is free.

The colorful landscape is called Winter Glow. It launched Dec. 1 and offers 19 large, often interactive works of art. Running through Christmas, it transforms the space into an otherworldly blend of color and twisting designs. Winter Glow is open daily from sunset to 10 p.m.

The idea came from the Angelenos who set up holiday lights at their home and on their block, according to Grand Park Interim Director Julia Diamond. She noted that many people in the city walk or drive to a street or neighborhood known for particularly impressive displays. In some cases this creates an after-dark gridlock in otherwise quiet communities as vehicles slowly navigate by and people stop to take photos.

Continued on page 16

photos by Gary Leonard

L

DECEMBER 10, 2018

DOWNTOWN NEWS 15

DOWNTOWNNEWS.COM

Restaurant Buzz A New Quaint Coffee Shop, Rossoblu Rises Again, and Some Award Winners

By Sean P. Thomas ossoblu Returns: In September, a small kitchen fire knocked out the acclaimed Fashion District Italian restaurant Rossoblu. What was originally expected to be a short repair period lingered on for more than two

R

months, but last week the restaurant reopened. Steve Samson, the chef and owner of the establishment at the City Market South complex, acknowledged that the repair process was “arduous.” In a prepared statement he said, “Our valued guests will soon experience some changes we made when they come to dine with us. Our heartfelt gratitude to everyone for their support, patience and kindness.” The restaurant is open every night for dinner and for brunch on weekends.

At 1124 San Julian St., (213) 749-1099 or rossoblula.com.

The Mighty Has Fallen: Husband-and-wife culinary power couple Quinn and Karen Hatfield’s Second Street restaurant The Mighty quietly closed its doors on Nov. 16, after just about a year in operation. Located in the former home of Pitfire Pizza, on the same block as the Indian gastropub Badmaash, the Hatfields told Eater Los Angeles that they plan to focus on their other restaurants, the Sycamore Kitchen and Odys + Penelope. The Hatfields could not be reached for comment. News of the closure was first reported by Eater.

A Lean, Mean, Coffee Machine: Simplicity is key at a quaint coffee shop that debuted in the Jewelry District this month.

Installation Coffee, which built its name by selling bottled cold-brew coffee drinks, opened its first brick-and-mortar shop on Dec. 1. The coffee joint is squeezed into a miniscule 300-square-foot space, which owner Ben Usen says keep prices low. The Seventh Street business has just one other employee, and a small eight-ounce cup of coffee runs $2; a cold brew is $3. Installation Coffee also offers pastries. It is open from 7 a.m.-4 p.m. on weekdays and 8 a.m.-4 p.m. on Saturday. Usen said that there are plans to extend hours in the future.

At 421 W. Seventh St. or (213) 628-3270.

photo by Jon Regardie

Meat eaters who also like theater and opera can visit Upstage Burger, which debuted in a food truck-inspired space on the Music Center campus.

Making a List: The Los Angeles Times’ annual rundown of the top restaurants in Los Angeles landed this month, and Downtown is well represented. The 101-eatery list, the

photo by David Kitz

Installation Coffee, a quaint cafe on Seventh Street, opened this month.

It takes a minimalist approach to coffee making, with only a handful of beverage options.

first after the passing of food critic Jonathan Gold, features 19 Downtown options, from superstar newcomers to smaller favorites. Husband-and-wife team Ori Menashe and Genevieve Gergis’ sibling restaurants Bestia and Bavel made the roster, as did chef Ray Garcia’s Broken Spanish and the eclectic Grand Central Market. Other local spots that made the cut include Howlin’ Rays, David Chang’s Majordomo, Continued on page 16

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WINTER GLOW, 14 Winter Glow lets the park get in on the action, and also provides an opportunity to serve people for longer than the traditional concert or cultural celebration.

“When we produce an event, we bring all of the infrastructure, and often they only last a day or two,” Diamond said. “With these installations we can serve a broader audience for longer, and can appeal to people who are interested in that kind of experience.”

Thirteen of the works in Winter Glow were designed and built in house by the Grand Park team. They range from a collage of LED-lit serapes to a light show at the Arthur J. Will Memorial Fountain. There, visitors can customize the display through touch screens, launching spurts of water from the fountain and activating sections of the bulbs.

Grand Park has also brought in local arts groups, most headquartered near Downtown. The Boyle Heights-based Aphidoidea Design Center created “A Spark of Light.” Set up on the lawn at the eastern end of the park, it has a series of lights springing out from a central hub, like rays from an ember. The installation involves a collection of sensors, according to Aphidoidea member Jesus Eduardo Magaña, so when people touch or manipulate the rays, the lights change colors or grow brighter.

“It’s an activation, so we were thinking it has to do with light, but what’s the essence of light?” Magaña said. “That was our point of departure. Then we started looking at what it would look like if you were inside the spark.”

Winter Glow also seeks to put a modern twist on seasonal decorations, Diamond said. The display is part of the park’s winter holiday celebration, which includes three other pieces of art, two large illuminated Christmas trees and a menorah.

Even though many of the pieces are intricate and high tech, Winter Glow features some surprisingly simple works that use the environment and nighttime setting to their advantage. One is Hannah Stouffer’s “The Net (Neon Network),” which creates a canopy and tunnel of neon lights along the stairs near the fountain, immersing visitors in a wash of color ranging from crisp white to warm purple. In the middle of the park, the “Luminaria Walkways” installation at Hill Street utilizes 100 white paper bags that are filled with sand and LED candles. It is inspired by a tradition from New Mexico.

“One benefit of doing an installation at night is that you can really create atmospheric installations that are evocative, but are not highly complex,” Diamond said.

Some artists took the illuminated idea in unexpected directions. Cassie Zhang, who was commissioned to create a piece, used black light for her installation “Tree Garden.” Zhang carved out woodcuts and painted them in neon paint. When the black lights are turned on, everything gets a vibrant, glowing display.

“I really like plants and trees, and they create this kind of environment that’s really relaxing,” she said. “I thought it would be cool to bring that into the night with the lights.”

Other works include a pendulum-based contraption from the Arts District’s Two-Bit Circus, plus a 16-foot wall of bulbs arranged like a marquee. Another interactive collection of LED lights is at the park’s performance stage near Spring Street, where people can control the show with cameras that track movement and adjust the lights in response.

Diamond said that the goal is to turn Grand Park into one of those blocks where people flock for a lush holiday experience. But in this case, there’s no need to deal with the gridlock.

Winter Glow is open daily from sunset to 10 p.m. through Dec. 25 at Grand Park, 200 N. Grand Ave., (213) 972-8080 or grandparkla.org. nicholas@downtownnews.com

RESTAURANTS, 15 Rossoblu and The Exchange. The list is unranked.

The full list is at latimes.com.

More Awards: The foodie website Eater Los Angeles released its 2018 Eater Awards for Los Angeles on Wednesday, Dec. 5, offering up its take on the must-try restaurants in the city. Downtown had an excellent showing, with Middle Eastern restaurant Bavel nabbing the Restaurant of the Year award, newcomer The Wolves grabbing the Best Design prize and Majordomo being named Sensation of the Year. Simone, Jessica Largey’s Art Deco-inspired dining space in the Arts District, won a readers choice award for Restaurant of the Year.

The list of winners is at la.eater.com.

Enter Stage Right: The major Music Center renovations won’t be complete until next year, but those trekking to the Ahmanson Theatre, Mark Taper Forum or Dorothy Chandler Pavilion are now able to grab a burger before the show without leaving the campus. The restaurant Upstage Burger opened on Nov. 5. The box-like gray edifice sports a food truck aesthetic and serves options including grass-fed burgers and all-beef hot dogs. Upstage also offers beer and wine as well as ice cream and floats. Customers place an order and pick up food from a window.

There is patio seating.

At 135 N. Grand Ave. or upstageburgers.com.

Burger Bonanza: Move over Shake Shack, there’s a new place to chomp down on mouthwatering burgers in Downtown Los Angeles. Cassell’s Hamburgers, the offshoot of chef Christian Page’s Koreatown diner, opened on Oct. 29, filling the former home of Pellicola Pizzeria on Eighth Street.

Located next door to the Golden Gopher, Cassell’s offers breakfast, burgers, sandwiches and shakes.

Beer and wine will be added soon. Known for their excellent burgers, and lauded for their take on the classic patty melt, the Cassell’s Downtown outpost will differentiate itself from the original space with an expanded list of deli options and office-friendly platters. The restaurant is open daily from 11 a.m.11 p.m.

At 421 W. Eighth St., (213) 372-5601 or cassellshamburgers.com.

photos by Gary Leonard

Six of the installations in Winter Glow come from outside artists. Many are interactive, allowing visitors to manipulate the lights.

Arts District Revival: When the train depotinspired cocktail bar Westbound shuttered in May after just two years, many wondered what would become of the gorgeous space at the One Santa Fe complex in the Arts District. On Oct. 20, the answer arrived with the opening of Here & Now. Former Westbound head Sarah Meade partnered with Va’La Hospitality on a space that holds onto much of Westbound’s Art Deco aesthetic while offering a drinks menu that takes inspiration from L.A.’s different historical eras. Cocktails include the Acapulco Blue, a mix with Arette Resposado tequila, Combier Bleu, lime and pineapple mix, and the Noble Savage, a concoction with apple brandy, Sazerac rye, spiced pear and pecan bitters.

Here & Now’s food menu includes pork belly fries, mushrooms and polenta, and the Here & How burger. Hours are Tuesday-Saturday from 4 p.m.-2 a.m. and Sunday from 2 p.m.-midnight.

At 300 S. Santa Fe Ave., (213) 262-9291 or hereandnowdtla.com.

Got any juicy food news? If so, please contact Restaurant Buzz at sean@downtownnews.com.

ROCK, POP & JAZZ

Ace Hotel 929 S. Broadway, (213) 623-3233 or acehotel.com/calendar/losangeles.

Dec. 14: John Butler leads the John Butler Trio for a night of roots rock.

Blue Whale 123 Astronaut E. S. Onizuka St., (213) 620-0908 or bluewhalemusic.com.

Dec. 10-14: Seriously, Steve Coleman and the Five Elements have a long residency.

Dec. 15: David Binney also has his residency.

Dec. 16: Joshua White 5tet.

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photo by Marco Brescial/La Scala

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The war in Syria and the need to protect agricultural biodiversity are threaded together — yes, seriously — in the latest offering from filmmaker and sculptor Jumana Manna. Screening at REDCAT on Monday, Dec. 10, at 8:30 p.m., Wild Relatives is a documentary that melds the stories of farmers fighting oppression, a well-intentioned Norwegian agricultural organization and the intense labor of young seed gatherers in Lebanon. Also on the bill is Manna’s 12-minute short A Sketch of Manners (Alfred Roch’s Last Masquerade). At 631 W. Second St., (213) 237-2800 or redcat.org.

Experience the sweeping power of Johannes Brahms when Los Angeles Philharmonic honorary conductor Zubin Mehta — and decades ago, the music director of the symphony — returns to Walt Disney Concert Hall for a four-performance deep dive into the composer. The music begins on Thursday-Friday, Dec. 13-14, when Mehta grabs the baton to lead the orchestra’s performance of Brahms’ Symphony No. 1. On Saturday and Sunday, Mehta and the Phil will shift to Brahms’ Symphony No. 2. Pianist Yefim Bronfman will join the orchestra for the shows. The performances begin at 8 p.m. on Thursday-Saturday, with a 2 p.m. matinee on Sunday. At 111 S. Grand Ave. or laphil.com.

Whether he’s going by Snoop Lion, Snoopzilla or DJ Snoopadelic, you’re certain to get a show when Long Beach’s Snoop Dogg rolls into town. For the third year, Snoop and some of his famous collaborators are taking over the Microsoft Theater for the Puff Puff Pass Tour on Saturday, Dec. 15. Expect to hear all of your favorites from Snoop’s almost 30-year career including “Gin & Juice,”“Drop it Like It’s Hot” and “Doggy Dogg World.” Snoop will be joined by fellow West Coast legends DJ Quick, Too $hort, Warren G and more. Comedian Katt Williams will host. As for that Puff Puff Pass moniker? Yes, it’s exactly what you think. At 777 Chick Hearn Court or microsofttheater.com.

Ever wondered which one of your favorite Disney princesses can pull off the best triple salchow? Then you’re in luck! Disney On Ice: Dare to Dream skates into Staples Center this week, bringing with it a coterie of animated characters coming to ice skating life. Watch as five Disney leading ladies — Belle, Anna, Elsa, Moana and Cinderella — save the day, alongside Mickey and some of his blade-wearing pals. Shows are Thursday and Friday, Dec. 13-14, at 7:30 p.m., with three additional performances on Saturday at 11 a.m., 3 and 7 p.m., and Sunday gigs at 3 and 7 p.m. Pro tip: Get in the spirit early by checking out L.A. Live’s ice rink prior to the show. At 1111 S. Figueroa St. or staplescenter.com.

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photo courtesy Disney On Ice: Dare to Dream

3 photo courtesy Stampede Management

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The Los Angeles Master Chorale is dishing out a double serving of holiday cheer this week. First, join Grant Gershon and company at the Walt Disney Concert Hall as the 110-piece choral group belts out holiday classics during the Festival of Carols,, which takes place on Saturday, Dec. 15, at 2 p.m. All of the classics will be performed, including “Deck the Halls,” “White Christmas” and “Silent Night.” On Sunday, the Chorale returns to the venue for its rendition of George Handel’s Messiah, another jubilant staple of the holiday season. Sunday’s show begins at 7 p.m. At 111 S. Grand Ave. or lamasterchorale.org.

Send information and possible Don’t Miss List submissions to calendar@downtownnews.com.

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MONDAY, DEC. 10 Drink Beer, Think Beer The Last Bookstore, 453 S. Spring St., (213) 488-0599 or lastbookstorela.com.

7:30 p.m.: John Holl, author of the book “Drink Beer, Think Beer,” hosts a panel discussion about all things lager and ale. Yes, there will be samples.

TUESDAY, DEC. 11 Dear Los Angeles: The City in Diaries and Letters, 1542 to 2018 Mark Taper Auditorium-Central Library, or lfla.org.

7:30 p.m.: Author David Kipen has compiled journal entries spanning the history of Los Angeles for his new book, and now he and others will read from it.

WEDNESDAY, DEC. 12 Can Individuals Be Happy in an Unhappy Time?

National Center for the Preservation of Democracy, 111 N. Central Ave. or zocalopublicsquare.org.

7:30 p.m.: KCRW’s Madeleine Brand moderates this panel discussion from Zocalo Public Square looking at modern stresses and joys. This might be depressing.

THURSDAY, DEC. 13 Casablanca Live Read Theatre at Ace Hotel, 929 S. Broadway, (213) 235-9614 or acehotel.com/losangeles.

8 p.m.: Director Jason Reitman brings his live read series to Downtown with an all-women cast headlined by Ellen Page.

Enjoy the noir-romance-war classic in a whole new way.

FRIDAY, DEC. 14 Union Station Cocoa Concerts Series Union Station, 800 N. Alameda St. or unionstationla.com.

6:30 p.m.: It’s the holidays, so of course that means reggae.

The Lions provide the jams, man.

by Jam

EVENTS

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BY SEAN P. THOMAS

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CALENDAR LISTINGS

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DECEMBER 10, 2018

TWITTER: @ DOWNTOWNNEWS

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Bootleg Bar 2220 Beverly Blvd., (213) 389-3856 or bootlegtheater.org.

Dec. 10: Karmic is still around every Monday.

Dec. 11: Laura Jean Anderson makes Americana for the present day.

Dec. 12: Owen Ashworth was formerly behind Casiotone for the Painfully Alone. Now he’s Advance Base. He still does electropop.

Dec. 14: Relive your best ’90s memories — Ross Perot! — as the Foo Flannels headline A Semi-Charmed Christmas.

Dec. 15: Atomic Ape blends avant-garde jazz with surf rock.

The glowing primates are here for it.

The Escondite 410 Boy St., (213) 626-1800 or theescondite.com.

Dec. 14: The Frogtown Serenaders are back in Skidrokyo, and they’ve got The Tens with them.

Exchange LA 618 S. Spring St., (213) 627-8070 or exchangela.com.

Dec. 13: Darell & Brytiago.

Dec. 15: MK, Marc Kinchen, Waze & Odyssey.

Grammy Museum 800 W. Olympic Blvd., (213) 765-6800 or grammymuseum.org.

Dec. 14: Enjoy an evening with country singer Kip Moore.

Ham & Eggs Tavern 433 W. Eighth St. or hamandeggstavern.com.

Dec. 14: Keen, Exploding Pintos.

Microsoft Theater 777 Chick Hearn Ct. or microsofttheater.com.

Dec. 14: Barry Manilow headlines the “A Very Barry Christmas.”

Dec. 15: Unless Mr. Manilow has significantly changed recently, the “Puff Puff Pass Tour 3” featuring Snoop Dogg and friends should be a much different occasion.

Moroccan Lounge 901 E. First St., (213) 395-0610 or themoroccan.com.

Dec. 10: Savoir Adore.

Dec. 11: Tor Miller’s latest album is “Surviving the Suburbs,” which will be interesting when he plays Downtown.

Dec. 13: Do you want more folk rock? Then see Maria Taylor.

Dec. 14: KCRW-favored Conner Youngblood comes to the Arts District.

Dec. 15: This calendar section has noted it before, but it’s worth pointing out that Young Jesus is actually several people who are not Jesus.

Dec. 16: R&B and hip-hop tones from quickly, quickly.

Resident 428 S. Hewitt St. or (323) 316-5311 or residentdtla.com.

Dec. 10: Helaine & the Hurricanes.

Dec. 11: Indie sounds from Valley Maker.

Dec. 12: Remixes and dance music at Samplenhold.

Dec. 13: It’s a live tribute to Drake, because why not?

Dec. 15: That Big 80s Party.

The Novo 800 W. Olympic Blvd., (213) 765-7000 or thenovodtla.com.

Dec. 12: The Angel City Choir does a holiday show.

Dec. 13: Aminé.

Dec. 15: Big Gigantic somehow has a 3D show.

The Redwood 316 W. Second St., (213) 680-2600 or theredwoodbar.com.

Dec. 10: Drainbows, Trends.

Dec. 11: Get your metal on with The Through Line and Gavalak.

Dec. 12: Danger Junkies, Memory Babe, Muskk.

Dec. 13: Bourn Ultra, Asphixia, Vomit Beast, Sadism Us. Remember, all the kids love Vomit Beast.

Dec. 15: Asia Muka, Tenement Rats, Sirens in the Night, Checkers, DJ John Tyree.

Dec. 16: Asjuan, Living Outwar, Sons of Eli, Meridian.

The Regent 448 S. Main St., (323) 284-5727, or theregenttheater.com.

Dec. 10: Raise money for wildlife relief at Friends.giving, featuring Nicholas Petricca of Walk the Moon, Keith Jeffrey of

DECEMBER 10, 2018

classic tale is getting a unique staging in Downtown Los Angeles, but the run is about to end. This marks the final week of L.A. Opera’s production of Englebert Humperdinck’s rendition of Hansel and Gretel. Superstar soprano Susan Graham plays the wicked witch who seeks to lure a pair of siblings into her sugary trap. Meanwhile, the opera’s stalwart music director, James Conlon, is in the pit. The show is big on spectacle, complete with special effects and 12-foot-tall woodland creatures. There are two performances this week at the Dorothy Chandler Pavilion, with one on Wednesday, Dec. 12, at 7:30 p.m.

The final performance takes place Saturday at 7:30 p.m.

At 135 N. Grand Ave. or laopera.org.

Atlas Genius, Bad Suns, Grandson, and more.

Dec. 12: Draco Rosa.

Dec. 15: Merzbrow, Prurient, Kelly Moran.

The Smell 247 S. Main St. in the alley between Spring and Main or thesmell.org.

Dec. 11: TV Puppet Pals, Closet Goth, Those Whose Heads Explode. And they win for best band name of the week.

Dec. 13: Birote the Musical, CHUD, Matter Room.

Dec. 14: Manhattan Murder Mystery, Andy the Doorbum, Toys That Kill, Guppy.

Dec. 15: Lucifurnace, Prissy Whip.

Teragram Ballroom 1234 W. Seventh St. or teragramballroom.com.

Dec. 11: Rodrigo Amarante got an Emmy nomination for the theme to “Narcos.” It is a great song, so that makes sense.

Dec. 12: Tengger Cavalry draws from Central Asian music, so naturally the band is playing an acoustic set and a heavy metal set.

Dec. 13: R&B courtesy of Bernhoft & the Fashion Bruises.

Dec. 14: Roosevelt has two shows.

Dec. 15: Psych rocker Ezra Furman.

Dec. 16: Math rock group CHON performs its 2017 album “Homey” with a string quartet.

THEATER

Come From Away Ahmanson Theatre, 135 N. Grand Ave., (213) 628-2772 or centertheatregroup.org.

Dec. 11-14, 8 p.m., Dec. 15, 2 p.m. and 8 p.m., and Dec. 16, 1 p.m. and 6:30 p.m.: In the wake of the Sept. 11, 2001, terrorist attacks, 7,000 travelers found themselves stranded in a small town in Newfoundland, Canada. The true story inspired a Tony-winning musical about trust and friendship. Through Jan. 6.

Hansel and Gretel Dorothy Chandler Pavilion, 135 N. Grand Ave., (213) 972-8001 or laopera.com.

Dec. 12 and 15, 7:30 p.m.: The classic fairy tale gets the operatic treatment. James Conlon conducts this spectacle about a pair of siblings siblings who find candy and a witch’s evil plot to capture them. Through Dec. 15.

FILM

IMAX California Science Center, 700 State Drive, (213) 744-2019 or californiasciencecenter.org.

Who doesn’t love pandas? The adorable bears take center stage in the appropriately titled Pandas 3D. Kristen Bell narrates the film about the efforts to reintroduce captive-born pandas into the wild.

Patrick Stewart narrates Journey to Space 3D, about the effort to send astronauts to Mars. Since we’ll never go to space ourselves, at least we can hear Captain Jean-Luc Picard talk about it.

Dive into the history of Egypt and the impact of the Nile River as Omar Sharif hosts Mysteries of Egypt.

Regal Cinemas LA Live 1000 W. Olympic Blvd., (213) 763-6070 or lalive.com/movies.

Through Dec. 16: Once Upon a Deadpool (7 and 10:20 p.m.); The Possession of Hannah Grace (12:20, 4, 6:30 and 10:30 p.m.); Creed II (12:20, 12:40, 3:30, 4, 7:20 and 10:40 p.m.); Ralph Breaks the Internet (12:10, 12:30, 3:10, 3:20, 6:10 and 10:20 p.m.); Robin Hood (12:50 and 4:20 p.m.); Fantastic Beasts: The Crimes of Grindelwald (6:10, 7:10, 9:30 and 10:40 p.m.); Green Book (1 and 4:10 p.m.); Instant Family (12, 3, 7:20 and 9:10 p.m.); Widows (1:10, 4:20, 6:50 and 10:10 p.m.); Dr. Seuss’s The Grinch (1:30, 4:50, 6:40 and 9:10 p.m.); Bohemian Rhapsody (12:30, 3:40, 6:40 and 10 p.m.).

Rooftop Cinema Club Level Furnished Living, 888 S. Olive St. or rooftopcinemaclub.com.

Dec. 10: Jude Law and Jack Black are charming romantic leads in the international holiday romance The Holiday.

Dec. 11: When Harry Met Sally is a film about friendship, romance and uncomfortable moments at a deli.

Dec. 12: Tim Burton explores loneliness and Gothic landscaping in Edward Scissorhands.

Dec. 13: A Christmas Story will never go away. Then, Hugh Grant plays an awkward and impulsive Tory Prime Minister in Love Actually, which makes no sense in the New Labour-loving U.K. of the early 21st century.

Dec. 14: Was a remake of Miracle on 34th St. unnecessary? Yes. Is the 1994 one with Richard Attenborough and Mara Wilson still great? Also yes. Then, don’t miss another night of Elf. Dec. 15: Tom Hanks plays nearly everyone in The Polar Express. After that, Home Alone offers impractical but impressive home security tips.

CLASSICAL

Mehta’s Brahms: Symphony No. 1 Walt Disney Concert Hall, 111 S. Grand Ave.,

(323) 850-2000 or laphil.com.

Dec. 13-14, 8 p.m.: Conductor Zubin Mehta leads the Los Angeles Philharmonic for a night of Brahms, including a piano concerto featuring Yefim Bronfman.

Mehta’s Brahms: Symphony No. 2 Walt Disney Concert Hall, 111 S. Grand Ave., (323) 850-2000 or laphil.com.

Dec. 15, 8 p.m. and Dec. 16, 2 p.m.: Mehta and Bronfman are back once again for the renegade master, Johannes Brahms.

Festival of Carols Walt Disney Concert Hall, 111 S. Grand Ave., (323) 850-2000 or lamasterchorale.org.

Dec. 15, 2 p.m.: The Los Angeles Master Chorale dives into the holidays with a collection of more than a dozen holiday favorites.

MUSEUMS

A+D Architecture and Design Museum 900 E. Fourth St., (213) 346-9734 or aplusd.org.

Through Feb. 17: See all sorts of unsound and unappealing dishes in the “Disgusting Food Museum.”

Through Feb. 17: Explore how architecture adapts and is added onto as time changes in “Persistent.”

African American Firefighter Museum 1401 S. Central Ave., (213) 744-1730 or aaffmuseum.org.

Ongoing: An array of firefighting relics dating to 1924, including a 1940 Pirsch ladder truck, an 1890 hose wagon, uniforms from New York, L.A. County and City of L.A. firefighters, badges, helmets, photographs and other artifacts.

Broad Museum 221 S. Grand Ave., (213) 232-6200 or thebroad.org.

Ongoing: In the galleries at the Grand Avenue institution are about 250 works from Eli and Edythe Broad’s 2,000-piece contemporary art collection. It’s big-time blue chip, with work from Rauschenberg, Warhol, Basquiat, Koons, Kruger and every other big name.

Through Feb. 2019: The Broad explores the passage of time with “A Journey That Wasn’t.”

FIDM Museum FIDM, second floor, 919 S. Grand Ave., (213) 624-1200 or fidmmuseum.org.

Ongoing: “Accessories from The Helen Larson Historic Fashion Collection” surveys footwear, fans, gloves, purses and hats.

California African American Museum 600 State Drive, (213) 744-7432 or caamuseum.org.

Through Feb. 17: Mixed media works from the New York-

DECEMBER 10, 2018

based artist in “Robert Pruitt: Devotion.”

Through Jan. 20: “Nina Chanel Abney: Royal Flush” offers a survey of 10 years of the artist’s paintings.

Through Jan. 21: “California Bound: Slavery on the New Frontier, 1848-1865” explores the Golden State’s history in slavery.

Ongoing: The multi-functional “Gallery of Discovery” offers visitors the opportunity to connect with the lineage of their own family, engage in artistic workshops, educational tours and other programs of historical discoveries. Hear recordings of former slaves from the Library of Congress archives and discover stories from the past.

California Science Center 700 State Drive, (323) 724-3623 or californiasciencecenter.org.

Ongoing: “Mission 26: The Big Endeavour” presents Los Angeles’ very own Space Shuttle in all of its splendor.

Ongoing: “Science in Toyland” presents physics through favorite kids’ toys. This hands-on exhibit engages museum visitors with Dominos, Sails and Roller Coasters in a fun, but informational primer on friction, momentum and chain reactions.

Ongoing: The Science Center’s permanent exhibits are interactive and focus on human innovations and inventions as well as the life processes of living things. The lobby Science Court stays busy with the High Wire Bicycle, a Motion-Based Simulator, the Ecology Cliff Climb and “Forty Years of Space Photography.” The human body is another big focus: The Life Tunnel aims to show the connections between all life forms, from the single-celled amoeba to the 100-trillion-celled human being. The “Ecosystems” exhibit explores how life on our planet is shaped by geo-

physical and biological processes.

Chinese American Museum 425 N. Los Angeles St., (213) 485-8567 or camla.org.

Permanent: “Origins” presents the story of the Chinese-American community in Los Angeles.

Permanent: Re-creation of the Sun Wing Wo, a Chinese general store and herbal shop, and “Journeys: Stories of Chinese Immigration,” an exhibit exploring Chinese immigration to the United States with an emphasis on community settlement in Los Angeles. Outlined into four distinct time periods, each is defined by an important immigration law and/or event, accompanied by a description and a personal story about a local Chinese American and their experiences in that particular historical period.

El Pueblo de Los Angeles Historical Monument 124 Paseo de la Plaza, (213) 485-8372 or elpueblo.lacity.org.

Ongoing: The whole of El Pueblo is called a “monument,” and of the 27 historic buildings, four function as museums: the Avila Adobe, the city’s oldest house; the Sepulveda House, home to exhibits and the Visitors Center; the Fire House Museum, which houses late 19th-century firefighting equipment; and the Masonic Hall, which boasts Masonic memorabilia.

Check the website for a full slate of fiestas. Open daily, though hours at shops and halls vary.

Grammy Museum L.A. Live, 800 W. Olympic Blvd., (213) 765-6800 or grammymuseum.org.

Through Spring 2019: Cheech and Chong’s “Up in Smoke” is a comedy icon. Pay homage to 40 years of the stoner film with “Cheech & Chong: Still Rollin’ — Cele-

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FOR RENT

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Furnished. Daily from $60, weekly from $250. 1214 W. 8th Street.

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LEGAL NAME CHANGE Superior court of California, County of Los Angeles ORDER TO SHOW CAUSE FOR CHANGE OF NAME No. 18LBCP00056 Petitioner (name of each) Jennifer Louise Lallite Myers, 2120 Sea Ridge

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Drive, Signal Hill, CA 90755 filed a petition with this court for a decree changing names as follows: Present name: JENNIFER LOUISE LALLITE MYERS Proposed name: JENNIFER LOUISE LALLITE THE COURT ORDERS that all persons interested in this matter appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. Any person objecting to the name changes described above must file a written objection that includes the reasons for the objection at least two court days before the matter is scheduled to be heard and must appear at the hearing to show cause why the petition should not be granted. If no written objection is timely filed, the court may grant the petition without a hearing.

Notice of hearing Date: 01/04/2019 Time: 8:30 AM Dept.: S-27

Room: 5400 The address of the court is: Superior Court of California, County of Los Angeles, 275 Magnolia Avenue, Long Beach, CA 90802. Branch Name: Governor George Deukmejian. A copy of this Order to Show Cause shall be published at least once each week for four successive weeks prior to the date set for hearing on the petition in LA DOWNTOWN NEWS, 1264 West 1st Street, Los Angeles, CA 90026 of general circulation, printed in this county.

Prepared by: Sherri R. Carter Executive Office/Clerk.

Deputy: E. Salcido Superior Court of California, County of Los Angeles 275 Magnolia Avenue Long Beach, CA 90802 Governor George Deukmejian Date: November 16, 2018 Hon. Mark C. Kim Judge of the Superior Court Pub. 11/26, 12/03, 12/10 and 12/17.

Superior court of California, County of Los Angeles ORDER TO SHOW CAUSE FOR CHANGE OF NAME No. 18VECP00055 Petitioner (name of each) Chantal Zivari Castanon, 4652 Fulton Ave., Sherman Oaks, CA 91423 filed a petition with this court for a decree changing names as follows: Present name: CHANTAL ZIVARI CASTANON Proposed name: CHANTAL ZIVARI THE COURT ORDERS that all persons interested in this matter appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. Any person objecting to the name changes described

brating 40 Year of Up In Smoke.”

Through February 2019: Look back at the Man in Black’s iconic prison shows in “Johnny Cash at Folsom & San Quentin (Jim Marshall’s Photographs of Johnny Cash).”

Through March 2019: “Jermaine Dupri & So So Def: 25 Years of Elevating Culture” looks at a quarter century of the record label’s output.

Ongoing: “360 Sound: The Columbia Records Story” provides an in-depth look at all aspects of Columbia Records’ history and offers a virtual history of the music industry from its infancy, tracing the label’s pivotal technological as well as business innovations, including its invention of the LP. Ongoing: White sequined gloves and other wardrobe pieces are the focal point of the exhibit case paying tribute to the life and legacy of Michael Jackson.

Ongoing: “Roland Live” is a permanent installation courtesy of the electronic musical instrument maker, Roland Corporation. The exhibit gives visitors a chance to participate in the music-making process by playing a wide variety of products, from V-Drums and BOSS pedals to VIMA keyboards and the MV-8800 Production Studio.

Ongoing: “Shining Like A National Guitar” references both Paul Simon and the celebrated six-string company known for their metallic resonators.

Hauser & Wirth 901 E. Third St., (213) 943-1620 or hauserwirthlosangeles.com.

Through Jan. 6: Alexander Calder’s monochromatic mobiles and striking metal statues take over multiple parts of the gallery in “Calder: Nonspace.”

Through Jan. 20: “Zoe Leonard: Analogue” looks at a 412-piece, decade-long photography project.

above must file a written objection that includes the reasons for the objection at least two court days before the matter is scheduled to be heard and must appear at the hearing to show cause why the petition should not be granted. If no written objection is timely filed, the court may grant the petition without a hearing.

Notice of hearing Date: 12/31/2018 Time: 8:30 AM Dept.: C Room: 511 The address of the court is: Superior Court of California, County of Los Angeles, Los Angeles Superior Court, Northwest District – East Bldg., 6230 Sylmar Avenue, Van Nuys, CA 91401. A copy of this Order to Show Cause shall be published at least once each week for four successive weeks prior to the date set for hearing on the petition in LA DOWNTOWN NEWS, 1264 West 1st Street, Los Angeles, CA 90026 of general circulation, printed in this county.

Prepared by: Sherri R. Carter Executive Office/Clerk.

Superior Court of California, Los Angeles Northwest District – East Bldg.

6230 Sylmar Avenue Van Nuys, CA 91401 Date: November 14, 2018 Hon. Huey P. Cotton Judge of the Superior Court Pub. 11/26, 12/03, 12/10 and 12/17.

Superior court of California, County of Pomona ORDER TO SHOW CAUSE FOR CHANGE OF NAME No. KS021511 Petitioner (name of each) Francisco Jaime Herrera, 15902-A Haliburton Rd #307, Hacienda Heights, CA 91745, filed a petition with this court for a decree changing names as follows:

Present name: FRANCISCO JAIME HERRERA Proposed name: FRANCISCO CHANG THE COURT ORDERS that all persons interested in this matter appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. Any person objecting to the name changes described above must file a written objection that includes the reasons for the objection at least two court days before the matter is scheduled to be heard and must appear at the hearing to show cause why the petition should not be granted. If no written objection is timely filed, the court may grant the petition without a hearing.

Notice of hearing Date:01/04/2019 Time: 8:30 AM Dept.: EA O Room: 543 The address of the court is: Superior Court of California, County of Pomona, 400 Civic Center Plaza, Pomona, CA 91766. A copy of this Order to Show Cause shall be published at least once each week for four successive weeks prior to the date set for hearing on the petition in LA DOWNTOWN NEWS, 1264 West 1st Street, Los Angeles, CA 90026 of general circulation, printed in this county.

Prepared by: Sherri R. Carter Executive Office/Clerk.

Deputy Clerk: M. Vasquez Superior Court of California, County of Pomona 400 Civic Center Plaza Pomona, CA 91766 Date: OCTOBER 4, 2018 Hon.Peter A. Hernandez Judge of the Superior Court Pub. 12/3, 12/10, 12/17 and 12/31.

Institute of Contemporary Art Los Angeles 1717 E. Seventh St., (310) 284-8100 or theicala.org.

Through Jan. 20: The other part of “Nina Chanel Abney: Royal Flush” is in the Arts District museum.

Through Feb. 3: “B. Wurtz: This Has No Name” collects Wurtz’s portraits of sculptures from 1981 and later.

Italian American Museum of Los Angeles 644 N. Main St., (213) 485-8432 or iamla.org.

Ongoing: A collection of artifacts and interpretation panels document the long and proud history of Italian natives in Los Angeles.

MORE LISTINGS Hundreds of listings of fun and interesting things to do in Downtown Los Angeles can also be found online at ladowntownnews.com/calendar: Rock, Pop & Jazz; Bars & Clubs; Farmers Markets; Events; Film; Sports; Art Spaces; Theater, Dance and Opera; Classical Music; Museums; and Tours.

2YOUR EVENT INFO

EASY WAYS TO SUBMIT

WEB: LADowntownNews.com/calendar EMAIL: Calendar@DowntownNews.com

Email: Send a brief description, street address and public phone number. Submissions must be received 10 days prior to publication date to be considered for print.

HELP WANTED

Advertising Sales L.A. Downtown News, in the heart of Los Angeles, has an immediate opening for an experienced ad sales professional to sell print and digital products for LA Downtown News from our downtown office. You will have the opportunity to also sell into our other media properties, including the Pasadena Weekly, Arroyo Monthly, The Argonaut, Playa Vista Direct, San Diego City Beat as well as their respective digital platforms. Duties include selling to and servicing clients, creating advertising campaigns, pursuing leads and presenting to local businesses and advertising agencies.

We are looking for a proven professional with a minimum of two years of media sales experience, a track record of achievement and a desire to be part of one of the most exciting markets on the West Coast - Downtown Los Angeles!

A college degree is preferred. A valid driver’s license and auto insurance are required.

We offer salary + commission & bonus opportunities, health insurance, 401K participation, and a fun and stimulating work environment. If your skills are a good match please contact us for an interview. Come be a part of our growing team!

Please send an email introducing yourself and why you are a perfect fit for the position along with your resume to Lake@DowntownNews.com

TWITTER: @ DOWNTOWNNEWS

20 DOWNTOWN NEWS

DECEMBER 10, 2018

GILLIAM, 3

TRILOGY

Downtown...It’s Not Just Big Business Anymore!

255 GRAND 255 South Grand Avenue 213-229-9777 www.255GRAND.com Community Amenities: Expansive Outdoor Terrace Heated Pool & Spa Custom-Designed Interiors 24 hr. Manned Lobby Resident Concierge Fitness Center / Yoga Studio Wi-Fi Lounge State-of-the-Art HD Theater Gourmet BBQ Areas / Gas Fire Pits Contemporary Lounge with Gourmet Kitchen

Apartment Amenities: Breathtaking Views Spacious Floorplans Central Air & Heating Balconies / Urban Patios (Most Units) Deep Soaking Tubs Luxury Stainless Appliances & Finishes Sky Level 27th Floor Penthouse Units: Complimentary Wi-Fi & Basic Cable Waterfall Countertops Bosch Appliances Nest 3rd Generation Thermostats Up to 2 Parking Spaces Included On-Site: Dry Cleaners / Dental Office / Restaurants

PROMENADE TOWERS 123 South Figueroa Street 213-617-3777 www.THEPROMENADETOWERS.com

Community Amenities: Expansive Outdoor Patio with BBQ Grills Heated Pool & Spa 24 hr. Manned Lobby Fitness Center Parking Garage

On-Site: Convenience Store / Café / Beauty Salon / Private Fitness Training Apartment Amenities: Floor-to-Ceiling Windows City Skyline Views Solarium and/or Balconies

2014 interview with Los Angeles Downtown News, he said that he was trying to avoid stepping into an area with an already dominant culture.

“I wanted to be in a community where people were trying to build new from something old. Downtown really represented that to me,” he said at the time.

Gilliam was born in 1977 and gravitated toward technology and media. He worked for the early search engine Lycos, and from 2003-2006 made documentaries with Robert Greenwald’s Brave New Films.

He was a firm believer in the power of using digital platforms to organize people for social change, a viewpoint which became the basis for NationBuilder. That was displayed in a different way after he was diagnosed with cancer and encountered trouble getting a needed lung transplant; the situation prompted a 2011 speech at the Personal Democracy Forum titled “The Internet Is My Religion.” It elevated his profile and was also the title of his memoir.

Gilliam founded NationBuilder in Downtown in 2009, based on his experiences with fundraising and organizing online. The system essentially created a single platform where users could coordinate mailing lists, donations, political operations and more. It has become an organizing tool across the country, and in Los Angeles has been utilized by many businesses and politicians. An early user was Eric Garcetti, who employed NationBuilder in his 2013 mayoral campaign.

According to its website, NationBuilder now serves more than 9,000 customers in 112 countries.

Gilliam served as CEO for the company’s first eight years before transitioning to executive chairman. His influence has been widely cited.

“Jim’s brilliance, ferocity, devotion, and strength inspired people everywhere, and built this company that is his legacy,” current CEO Lea Endres said in a statement. “We will work every day to honor him.”

Gilliam had battled illness multiple times, and kept recovering and returning to work. This year he was diagnosed with cancer again, and died from complications related to the disease.

Gilliam’s friends and family have turned his website, jimgilliam.com, into a space for people to share memories of him. nicholas@downtownnews.com

OFFICE, 5 MUSEUM TOWER 225 South Olive Street 213-626-1500 www.THEMUSEUMTOWERAPTS.com

Community Amenities: 24 hr. Manned Lobby Resident Concierge Heated Pool & Spa Fitness Center / Yoga Studio Outdoor Patio Gas BBQ Grills Recreation Room State-of-the-Art HD Theater Rooftop Patio with Views

Apartment Amenities: City and Mountain Views Luxury Appliances & Finishes Central Air & Heating Balconies (Most Units) Basic Cable *All Amenities Under Renovation

RESIDENCES STUDIO • ONE BEDROOM • TWO BEDROOMS PENTHOUSE UNITS • CORPORATE HOUSING

ants that we know is out there, but not represented well in Downtown,” Marcussen said. “Are these groups open to highrise buildings? Of course. If you go to New York or San Francisco, they’re all in office buildings. They might prefer those lowrise bow-truss buildings, but there aren’t very many of them.”

Downtown Los Angeles is seeing an influx of technology and media businesses, with companies such as Spotify and Warner Music Group heading to the Central City. Yet those companies frequently wind up in the Historic Core or the Arts District, rather than Bunker Hill or the Financial District.

Marcussen said the Launchpad contest offers benefits to both landlord and winner. A tech company can get free space, allowing it to spend on other parts of the business, while Brookfield has the ability to serve as a kind of incubator and spread its name in the tech field.

Turney said that Launchpad is a test case to try and expand the tenant base in Wells Fargo Center.

“We’ll still continue to go after traditional tenants, such as real estate, law and financial services, but the environment is being transformed in a way where we need to be looking at other tenants,” Turney said.

Turney said Brookfield expects to get about two dozen submission, and the winner will be chosen based on the creativity of the pitch and on how its work would benefit the community.

The new tenant is expected to move into the office space in February. nicholas@downtownnews.com