LOS ANGELES
DOWNTOWN
NEWS Volume 39, Number 47
INSIDE
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Randy Newman’s Musical 13
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Development Reform, Development Revolution Plan Seeks to Avoid Past Failures With New Leadership, Department Cooperation and Increased Transparency
photo by Gary Leonard
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Why City Hall is thankful.
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PICK THE
PROS Pick football games win prizes.
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Developers for years have decried Los Angeles’ permitting process, where projects can be slowed before, during and after construction. A new plan would reduce confusion and allow developers to track online where their project is in the permitting pipeline. by Jon RegaRdie
the plan, which was delivered on Wednesday, Nov. 17, at the Los Angeles Area Chamber of Commerce, described it as a groundbreaking proposal. “This is the most significant step forward I’ve seen in all the years I’ve been at this,” said Chris Martin, a principal at architecture firm AC Martin, who has been working Downtown since 1968. Gary Toebben, CEO of the Chamber, called it the “most exciting change” he has seen at City Hall
Next steps for Santee Village.
executive editoR
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group of top city leaders last week laid out a plan for development reform that, if successfully implemented, would significantly streamline the permitting process and vastly reduce the time, expense and complications faced by developers in Los Angeles. Those who heard the first public presentation of
Downtown Auto District arrives.
Life After the Ring
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L.A. Opera Music Director James Conlon Dives Back Into Wagner and Verdi by Ryan vaillancouRt staff wRiteR
Judging ‘Judas Iscariot’ on stage.
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in the four and a half years since he arrived in Los Angeles. He said the plan recognizes the role of the development community in moving the economy forward and putting people to work. “There is a team of people at City Hall committed to development reform and reducing the amount of time and money it takes to invest in Los Angeles and create jobs,” he said. see Development, page 8
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hen Los Angeles Opera kicks back into its production cycle this week, it will be with a familiar face in the pit: company Music Director James Conlon. The 60-yearold, fresh off L.A. Opera’s first staging of Richard Wagner’s epic “Ring” cycle, dives right back into Wagner with Lohengrin, which opened Nov. 20 (after Los Angeles Downtown News went to press). He will also conduct Verdi’s romantic masterwork Rigoletto, which debuts Nov. 27. On the eve of the double bill, Conlon, who last week inked a contract extension to stay with L.A. Opera through the 2012/2013 season, discussed Wagner, Verdi and an operatic life.
Los Angeles Downtown News: When L.A. Opera was preparing the Ring cycle, you said that staging it is akin to an opera company becoming an adult. Is the company now an operatic adult? James Conlon: I’ve seen an immense sign of that, in the orchestra to start with. It just so happens we’ve started with another Wagner opera, an opera that many who have been in the orchestra have played, and I think the fruits of the Ring were so evident already in the rehearsal process. One of them I think is how much easier this seems in comparison to what they might have felt a few years ago. Nothing’s easy, but I see enormous growth in terms of the orchestra learning it quickly and bringing the dramatic character of this music see Conlon, page 12
The Voice of Downtown Los Angeles
photo by Gary Leonard
Last week, L.A. Opera Music Director James Conlon renewed his contract. For the next month, he’ll be busy at the podium conducting Lohengrin and Rigoletto.