PORT FOLIO L A R I S S A
L O C K H A R T
“One of the great beauties of architecture is that each time, it is like life starting all over again.”
– Renzo Piano
CO N T E N T S
01 PRE-SCHOOL page 06
05 BUSINESS TOWER page 38
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E.G. HOUSE page 14
RESIDENTIAL COMPLEX page 20
THE FORMER MILL page 28
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UNIVERSITY SQUARE page 44
MODELS AND DRAWINGS page 50
ABOUT ME page 62
WAKEFIELD UNITED KINGDOM
THE MILL
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BRASÍLIA BRAZIL
PRE-SCHOOL E.G. HOUSE RESIDENTIAL COMPLEX COMMERCIAL BUILDING UNIVERSITY SQUARE
PROJECT
LO C AT I O N S
PRESCHOOL BRASÍLIA • BRAZIL
The following project is a local pre-school design, developed to attend the needs of a small community located on the “South Wing“ neighbourhood of Brasília. The administration block has a very simple shape, with some light-shading elements to block the sun in the west facade.
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Althought trying to blend the design of the school within its context, the classroom block breaks these simple lines and has an irregular house-shape form. The inspiration behind this, are the typical drawings made by children when they first start school.
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SOUTH FACADE
NORTH FACADE
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FLOOR PLAN scale 1:350
This whole design was divided into sectors. At first, five blocks were created and each one of them have a specific function, as shown on the diagram below.
staff room classroom toilets admin dining
play area 11
S
R TO C SE
AM R G DIA
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NORTH FACADE
E .G. HOUSE BRASÍLIA • BRAZIL
GROUND FLOOR PLAN
This project is a simple house designed for a young couple. Although quite small by Brasilia’s standards, the house is very versatile.
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FIRST FLOOR PLAN
ROOF FLOOR PLAN scale 1:350
As required by the designers) the office is main entrance of the isolated from the rest client visits.
owners (freelance located next to the house and can be of the home during
The main bedrooms are located on the first floor, but the downstairs lounge is the heart of the house, and the connection point to every room. The large glass sliding doors facing the garden allow light to spill into the room and add a bit of green to the house.
LIVING ROOM
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ROOF SYSTEM STRUCTURE
SECTION A scale 1:200
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RESIDENTIAL
COMPLEX BRASÍLIA • BRAZIL
RESIDENTIAL COMPLEX 22
This project consists of the development of a residential complex in one of the only remaining vacant residential areas in Brasília. As an introduction to urban planning, we worked in pairs to develop a “Super Square” - the name given to residential blocks in the “Pilot Plan” airplane-shape of the city. With the master plan design defined, we individually developed our own residential building projects inside the complex.
MASTER PLAN PROPOSAL
BASEMENT FLOOR PLAN
GROUND FLOOR PLAN
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1ST & 5TH FLOOR PLAN
2ND FLOOR PLAN
EAST FACADE
3RD FLOOR PLAN
4TH FLOOR PLAN
6TH FLOOR PLAN
ROOF FLOOR PLAN scale 1:750
WEST FACADE
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As with any residential building inside the “Pilot Plan� of Brasilia, the building has only six floors and is raised by pilotis to leave the public area on the ground floor free. In an attempt to blend with the modern style of the city, the proposed building has clean lines and rational planning of space.
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One of the main features of the project is the externally exposed steel frame structure, creating a free-space dynamic on the inside.
SECTION A scale 1:200
This is a live project that aims to re-imagine the grade II Hepworth Mill building, as a place to complement the works of The Hepworth Wakefield Gallery and exhibit the “Twix Aire and Calder� collection.
THE FORMER
MILL WAKEFIELD • UK
ORIGINAL SITE
LANDSCAPE DESIGN
FINAL PROPOSAL
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THE MASTER PLAN The form of the landscape design refers to the final shape of The Hepworth Wakefield, which is based on a conglomeration of trapezoidal blocks of different sizes. As the river is an important part of the city’s history, it was decided that it should embrace the house, giving greater emphasis to the building that will host the archive gallery.
GROUND FLOOR PLAN scale 1:250
1ST FLOOR PLAN
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SECTION A
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THE ORIGINAL MILL (photographs taken in 2014) The new floor plan layouts were designed to provide a unique experience to visitors, who will have access to all the important files and historical memorabilia of the Mill and the city in chronological order.
A wood element former used in the mill process was refurbished and used as a light feature in the new proposed design. It also works as memorabilia in the house.
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SECTION B
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STAIRCASE DESIGN Barbara Hepworth’s work was decisive when defining the staircase design. The main shape was inspired by her sculptures’ forms and it almost stands out as a sculpture itself.
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Located in the heart of the commercial area of the city, this business tower has a mixed-use purpose. The building was designed to work as both an office tower, and a shopping center complex.
BUSINESS
TOWER BRASÍLIA • BRAZIL
ROOFTOP
8 - 11TH FLOOR
5 - 7TH FLOOR
4TH FLOOR
3RD FLOOR
2ND FLOOR
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SECTION AA scale 1:500
EAST FACADE
1ST FLOOR
GROUND FLOOR
1ST BASEMENT
2ND BASEMENT
3RD & 4TH BASEMENT scale 1:1500
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WEST FACADE
NORTH FACADE
SOUTH FACADE scale 1:1000
With 13 floors overground and 4 basement floors, this building was split to accommodate different uses. It has seven office floors, with an open floor plan concept; two floors designated as a co-working area, one as a restaurant; three floors work as a shopping center and three basement floors are designated as car parking areas.
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ROOFTOP LOUNGE
OFFICE FLOORS
CO-WORKING SPACE RESTAURANT COMMERCIAL AREA SHOPS AND TOWER RECEPTION PUBLIC SQUARE
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UNIVERSITY
SQUARE BRASILIA • BRAZIL
This project aimed to transform an old car park located inside a private university in Brasília, into a square for the students. As a way of attracting different types of users, the proposed square has a mix of spaces. From left to right, the square presents: a relaxation area under the trees, a coffee shop, an exhibition display area for university works, and a “formal” area with a flag stand, as required by the Director.
SECTION A scale 1:500
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ORIGINAL SITE
PROPOSED DESIGN scale 1:1500
FINAL FLOOR PLAN scale 1:500
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MODELS
A N D D RAW I N G S
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MODEL • CONTEMPORARY ART MUSEUM
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MODEL • HISTORICAL BUILDING, BRAZIL
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Example of a model developed during Theory and History classes at university. We were given the “House of Chambers�, in Mariana, Brazil, to analyse in group study, and a realistic model was required to help explain the complexibility of the project to the class.
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PHOTO OF ORIGINAL BUILDING
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CATWALK MODULE • FLOOR PLAN scale 1:75
STRUCTURE PLAN scale 1:75
SECTION AA scale 1:75
SECTION BB scale 1:75
DET 02 scale 1:10
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DET 01 scale 1:10
SECTION CC scale 1:75
DET 03 scale 1:10
ELEVATION
ELEVATION
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STAIRCASE • FLOOR PLAN scale 1:100
SECTION AA scale 1:100
ELEVATION 01 scale 1:100
ELEVATION 02 scale 1:100
SECTION BB scale 1:100
DET 01 scale 1:20
DET 02 scale 1:20
DET 03 scale 1:20
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MAIN WINDOW • FLOOR PLAN scale 1:100
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ELEVATION 01 scale 1:100
ELEVATION
DET 01 scale 1:20
DET 02 scale 1:20
DET 03 scale 1:20
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DET 04 scale 1:20
DET 05 scale 1:20
SECTION AA scale 1:100
DET 06 scale 1:20
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ABOUT ME L A R I S S A
L O C K H A R T
E
D
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2009 • 2015
2013 • 2014
1992 • 2008
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Architecture and Urban Planning Centro Univ. de Brasília (UniCEUB) Brasília • Brazil Science Without Borders Scholarship BA Architecture and BA Interior Architecture & Design Leeds Beckett University Leeds • United Kingdom Nursery to High School Belo Horizonte & Brasília • Brazil
I N T E R E S T S Travel Books Photography Movies Coffee
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Microsoft Office AutoCAD SketchUp V-ray Adobe Photoshop
WORK EXPERIENCE 2011 • 2013 (Oct • Jan)
Estúdio MRGB • (Brazil) Intenship Architecture & Interior Design
2014 • 2014 (Jun • Aug)
Project Office • (Leeds) Summer Placement Architecture & Graphic Design
2015 • 2015 (Jan • Dec)
Tribunal de Contas da União • (Brazil) Internship Architecture • Interior Design & Landscape Architecture
2015 • 2017 (Sept • Apr)
Be Social (Brazil) Social Media Management Graphic Design
2016 • 2017 (Oct • Jun)
The Bushel Pub • (Bury St Edmunds) Front of House
Adobe Illustrator Adobe InDesign
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Hand Sketching Detailing Model Making Portuguese English French
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London | UK • HA4 6NP +44 07847 353083 lalockhart .m@gmail.com https://issuu.com/lalockhart
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“My architecture is easy to understand and enjoy, I hope it is also hard to forget.”
– Oscar Niemeyer
T H A N K Y O U