Lars Müller Publishers Autumn Catalog 2013 by Lars Müller Publishers

Lars Müller Publishers Autumn 2013 Architecture Design Photography Art Society The history of Lars Müller Publishers began thirty years ago. Since then, the publishing house has made a name for itself with outstanding titles in the fields of architecture, design, photography, art, and society. Our 2013 autumn program is exemplary of these enduring high standards. With Urban Hopes by Steven Holl, Wang Shu: Amateur Attitude, Kenneth Frampton’s Genealogy of Modern Architecture, and numerous other high-class architecture titles, we invite you to engage critically on many different levels with our built environment. The new publications on graphic design, above all 100 Years of Swiss Graphic Design and also Ken Miki's Apple, along with the second edition of our bestseller Poemotion, now in color, demonstrate how topical and up-to-the-minute analogue media still are when it comes to communicating ideas, creativity, and knowledge. Olafur Eliasson’s Your Moving Landscape and Felice Varini’s From Spaces to Spaces attest to the evocative power images can unfold at the intersection between art and photography. The new addition to our series of visual readers on social issues, entitled Challenging Democracy, poses questions of great current interest on the prerequisites for democratic governance in the 21st century and how such governments are performing today. Lars Müller

www.lars-mueller-publishers.com

New Titles Architecture

Urban Hopes Made in China by Steven Holl Edited by Christoph a. Kumpusch New work by Steven Holl in China A rough script for a new notion of urbanism Embracing that which could dominate us—the city, infrastructure, overpopulation and social chaos—has been part of the process of Steven Holl Architects as the office has taken on work of increasing complexity and scale in China over the past decade.

Available October 2013 24 × 34 cm, 9 ½ × 13 ¼ in, 288 pages 166 illustrations, hardcover ISBN 978-3-03778-376-4, English E UR 58.– G BP 48.– USD /CAD 75.– RELATED TITLES Steven Holl – Scale page 26 Steven Holl – Color Light Time page 26 Five North American Architects page 26

The projects featured in this book play a serious game with scale and the dynamic between micro and macro. There is no in-between, no easy hybridity, but a study of contrasting and nested scales that acknowledge the fact that the city-dweller’s perception across a given day necessarily shifts from micro to macro environments and foci. In content and format the book reﬂects such juxtaposition, featuring large format images and graphic documentation of Steven Holl’s recent works realized in China alongside critiques and analyses offered by a new generation of theorists. CHRISTOPH a. KUMPUSCH is a New York-based architect and the principal of

Foraward slash (/) c.a.k Productions. He is a professor of architecture at Columbia University’s Graduate School of Architecture, Planning and Preservation; and Pratt Institute. STEVE N HOLL , born 1947, is an American architect, perhaps best known for the 1998 Kiasma Contemporary Art Museum in Helsinki, Finland, the 2003 Simmons Hall at MIT in Cambridge, Massachusetts, and the praised 2009 Linked Hybrid mixeduse complex in Beijing, China.

The Light Pavilion by Lebbeus Woods and Christoph a. Kumpusch for the Sliced Porosity Block in Chengdu, China 2007–2012 published by Lars Müller Edited by Christoph a. Kumpusch With photographs by Iwan Baan 24 × 24 cm, 9 ½ × 9 ½ in, 88 pages, 82 images, hardcover 2013, ISBN 978-3-03778-309-2, English EUR 15.– GBP 12.– USD/CAD 15.–

Available now!

The first built project and final creative work of artist and architect Lebbeus Woods (1940 –2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker and educator. A visionary design made intensely real, the pavilion offers a glimpse of the future as well as a catalog of architecture’s past.

Essays by Kenneth Frampton and Aric Chen Following our publication of his sketches, Wang Shu – Imagining the House, this is our second book about the Chinese architect Explains Wang Shu’s approach to thoughtful planning and realization Richly illustrated and with essays by Kenneth Frampton and Aric Chen

Available October 2013 24 × 30 cm, 9 ½ × 11¾ in approx. 280 pages approx. 300 illustrations, hardcover ISBN 978-3-03778-337-5, English E UR 58.– G BP 48.– USD /CAD 75.– RELATED TITLE Wang Shu – Imagining the House page 26

Amateur Attitude examines the recent work of the Chinese architect Wang Shu, Pritzker Prize winner in 2012. Exhibiting a contemporary aesthetic, the architect’s buildings show his intense engagement with their setting and its history, coupled with a reliance on traditional building techniques. He often reuses materials from city districts that have been torn down. This approach is based on a critical attitude toward the kind of overly rationalized architecture being built today in many of the world’s cities, where efficiency seems to be the primary watchword. Wang Shu’s architecture reveals instead a thoughtful attitude toward both design and implementation, as well as the ability to react ﬂexibly to the context of a particular site – something he characterizes as an “Amateur Attitude.” The essays place the architect’s work in its contemporary context, while extensive illustrations provide exclusive insights into his varied creative work. WANG SHU was born in 1963 in the province of Xinjiang, China. He founded his

architecture office Amateur Architecture Studio in 1997. In 2012, he was awarded the Pritzker Prize. KE NNETH FRAMPTON , born 1930, is one of the world’s most renowned architectural theorists, the author of the world best seller Modern Architecture: A Critical History, and a professor at Columbia University, New York. ARIC CHE N , born 1974, is an author, critic, and the curator of design and architecture of the new M+ Museum for Visual Culture in Hong Kong.

New Titles Architecture

Wang Shu Amateur Attitude

New Titles Architecture

House Vision Edited by Kenya Hara Inﬂuential Japanese architects and artists envision the ideal house of the 21st century New concepts for living in the post-industrial society

Available October 2013 17.3 × 24 cm, 6 ¾ × 9 ½ in, 192 pages 200 illustrations, paperback ISBN 978-3-03778-384-9, English E UR 38.– G BP 30.– USD /CAD 50.–

RELATED TITLES Designing Design page 28 White page 28

In front of the backdrop of recent disasters Kenya Hara founded the platform “house vision” in order to contemplate possible new ways of living in the post-industrial age, while at the same time combining sustainable architecture with the latest technology. Containing essays by renowned architects and artists, House Vision continues where the eponymous exhibition left off. Toyo Ito, the winner of this year’s Pritzker Prize, develops a vision of a house for a nostalgic future. Sou Fujimoto invents a “Powerhouse,” which unites all electronic applications in itself; the ﬂower artist Makoto Azuma designs walls with plants, and Hiroshi Sugimoto invokes native materials, using them to design futuristic ways of living. This publication sheds light on this Japanese project from a western standpoint, offering generally applicable ideas for architecture and life in the future. With contributions by Makoto Azuma, Masataka Baba, Joshiaki Fujimori, Sou Fujimoto, Kenya Hara, Kunio Harimoto, Atsumi Hayashi, Hidemitsu Hori, Akira Ichikawa, Jun Inokuma, Toyo Ito, Masaaki Kanai, Norio Kanayama, Kengo Kuma, Muneaki Masuda, Toshiharu Naka, Yuri Naruse, Ban Shigeru, Hirokazu Suemitsu, Hiroshi Sugimoto, Naoya Toida, Sadao Tsuchiya, Riken Yamamoto, Hiroya Yoshizato. KE NYA HARA , born 1958, is a graphic designer, a professor at the Musashino Art University, and a consultant for communication design at Muji.

A Comparative Critical Analysis of Built Form by Kenneth Frampton Reference work for students Comparative analyses accompanied by extensive visual material Genealogy of Modern Architecture is a reference work on modern architecture by Kenneth Frampton, one of today’s leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000, it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inﬂected. Richly illustrated, Genealogy of Modern Architecture is a new standard work in architectural education.

Available September 2013

KE NNETH FRAMPTON , born 1930, is one of the world’s most renowned architectural theorists, the author of the world best seller Modern Architecture: A Critical History, and a professor at Columbia University, New York.

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages approx. 500 illustrations, hardcover ISBN 978-3-03778-369-6, English ISBN 978-3-03778-371-9, German E UR 36.– G BP 30.– USD / CAD 45.–

RELATED TITLE Five North American Architects page 26

English

German

Tugendhat House

Villa Mairea

<> 1

Architect: Ludwig Mies van der Rohe

Brno, Czechoslovakia, 1930 Climate: Continental

Tugendhat House Ludwig Mies van der Rohe

Tugendhat House

Villa Mairea

Architect: Alvar Aalto Noormarku - Finland,1939. Climate: Continental

Villa Mairea Alvar Aalto

Tugendhat House

12 Raerem qui dolendit que quaspedis ex evelia

13 doluptatur, sandem quia sandem quia

14 etum adite porionseque nos sandem quia

Villa Mairea

Tugendhat House, Ground Floor

Upon entering the Tugendhat House one finds oneself in a generous foyer, paved throughout in travertine. 9 This space is furnished with Mies’s MR chairs and lit through full-height walls of opalescent glass. This is the only public space on the upper level, since the remainder of the floor is devoed to private bedrooms. A generous stair descends directly from this representational space nto the living room below, where one encounters a second threshold with a full height, steel-framed glass door separating the stair hall from the freely planned living volume which opens out beyond. Thus unlike the Villa Mairea, the main stair is isolated from the internal space-form of the house. The living space of the Tugendhat House has a more monumental character than that of the Villa Mairea, although different areas of activity are indicated by screen walls which, by virtue of their material character, suggest different social settings, such as the onyx wall flanking the sitting area 10 or the semicircular screen, veneered in rosewood, which encloses the dining alcove. 11 The large floor area, finished in linoleum, opens onto an external terrace, paved in travertine, which leads to a wide stair faced in the same material descending to the garden below. The conservatory, also paved in travertine, has a similar neoclassical character, reinforced by a diminutive ountain pool. 12 Otherwise in contrast to the Villa Mairea, the space is differentiated by furniture rather than by changes in floor finish. The

Villa Mairea House, Ground Floor

retractable plate glass window-wall of the Tugendhat House is capable, when withdrawn into the podium-basement, of transforming the living space into a belvedere. 13 An additional, more intimate connection to the garden is pro vided through the conservatory. Otherwise, as we have already noted, the living volume is articulated through an exceptionally sensuous use of material such as the onyx wall separating the lounge from the study or floor-to-ceiling cutainsof raw silk, running on tracks close to the ceiling. 14 These are not only capable of sub-dividing the volume but also of closing off the large plate-glass window at night. Eight free-standing cruciform columns, clad in chromium steel 24 , also serve to articulate the pace hroughout. Interms of goal-route the principal circulation leads counter-clockwise from the foyer into the living room below. Here it serves the primary goals of the lounge and the dining area together with the secondary focii of the study and the conservatory. Although it is just as freely planned as the Tugendhat House, the organization of the Villa Mairea is more differentiated in terms of flooring material. This is immediately indicated by the wooden portico at the entry 7 Thereafter the free-flowing space of the villa is articulated into five well defined areas. After entering, a tiled foyer provides access to the living and dining spaces through two separate short stairs, leading to the living space on the left 15 and dining on the right. D These preliminary

New Titles Architecture

Genealogy of Modern Architecture

New Titles Architecture

Ethics of the Urban The City and the Spaces of the Political Edited by Mohsen Mostafavi In collaboration with Harvard University Graduate School of Design The publication elaborates whether and how the political appears in urban spaces With contributions by experts in history, sociology, art, political theory, planning, law, and design practice

Available October 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 368 pages approx. 200 illustrations, hardcover ISBN 978-3-03778-381-8, English E UR 50.– G BP 40.– USD /CAD 60.–

Harvard University Graduate School of Design

RELATED TITLES In the Life of Cities page 26 Ecological Urbanism page 26

Is democracy spatial? How are the physical aspects of our cities, houses, streets, and public spaces—the borders, the neighborhoods, the monuments—bearers of our values? In a world of intensifying geo-economic integration, extreme financial and geopolitical volatility, deepening environmental crises, and a dramatic new wave of popular protest against both authoritarian government and capitalist speculation, cities have become leading sites for new claims on state power and new formations of political subjectivity. This volume brings together perspectives from history, sociology, art, political theory, planning, law, and design practice to explore the urban spaces of the political. A selection of contemporary photography from around the world offers a visual reﬂection of this timely investigation. Contributors include: Michael Arad, Diane Davis, Keller Easterling, Gerald Frug, Mohsen Mostafavi, Chantal Mouffe, Erika Naginski, Saskia Sassen, Richard Sennett, Loïc Wacquant, Krzysztof Wodiczko. MOHSE N MOSTAFAVI , an architect and educator, is the Dean of the Harvard University Graduate School of Design and the Alexander and Victoria Wiley Professor of Design.

National September 11 Memorial, New York

Krysztof Wodiczko, Institute for the Abolition of the War, 2011 6

Protesters in London

Edited by ETH Studio Basel The publication shows how cities develop their own specificity even under the inﬂuence of globalization Including essays by important architects, for instance Jacques Herzog, Roger Diener, Marcel Meili

Available October 2013 17.5 × 25 cm, 6 ¾ × 9 ¾ in approx. 320 pages approx. 300 illustrations, hardcover ISBN 978-3-03778-374-0, English E UR 50.– G BP 40.– USD /CAD 65.–

What is a city? What determines its specificity? What shapes its quality? The evolution of the contemporary city does not follow a linear movement. It is shaped by transformation processes that are directed toward often distant and conﬂicting goals. Even though cities are inscribed into global processes and networks, they develop their own specific ways of dealing with these conditions. They tend to produce and reproduce their own specificity, their own patterns and character traits. Using the categories of territory, power, and difference — also lending the book its structure — the texts analyze different case studies of cities and urbanized territories, ranging from the Canary Islands to Hong Kong and Nairobi, unfolding the distinctiveness of their physical and social existences. With contributions by Roger Diener, Mathias Gunz, Manuel Herz, Jacques Herzog, Rolf Jenni, Marcel Meili, Shadi Rahbaran, Christian Schmid, and Milica Topalovic.

RELATED TITLES In the Life of Cities page 26 From Camp to City page 26

Shadi Rahbaran, Manuel Herz, Ligia Nobre

Nairobi Migration Shaping the City Edited by ETH Studio Basel The publication analyzes how heterogeneous city structures are shaped by different forms of migration in Nairobi

Available October 2013

Nairobi, in its short history spanning just over one hundred years, has grown to be one of the most varied and international cities of our contemporary world. Migration has been shown as one of the key forces inﬂuencing the city. In the context of Nairobi’s complex colonial and postindependence political trajectory, migration has reinforced ethnic, spatial, and economic differences, leading to the formation of multiple power structures. This process is evident in the city’s radically different urban patterns. The book documents, along specific neighborhoods, how different cultures of urban life constitute the city today.

16.5 × 24 cm, 6 ½ × 9 ½ in, 128 pages approx. 100 illustrations, hardcover ISBN 978-3-03778-375-7, English E UR 24.– G BP 20.– USD /CAD 32.–

RELATED TITLE From Camp to City page 26

New Titles Architecture

The Inevitable Specificity of Cities

New Titles Architecture

Global Prayers Contemporary Manifestations of the Religious in the City metroZones 13 Edited by Jochen Becker, Katrin Klingan, Stephan Lanz, and Kathrin Wildner Design: Image Shift Reviews the mutual inﬂuences of religion and city With conversations, reports, scientific texts, and visual essays by artists

Available October 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 544 pages approx. 90 illustrations, paperback ISBN 978-3-03778-373-3, English E UR 35.– G BP 28.– USD /CAD 46.–

Religious communities inscribe themselves into the cityscape not only socially and politically, but also acoustically and architecturally. Global Prayers examines the mutual inﬂuence of religion and urbanism, looking at how various forms of faith manifest themselves in the cities of the world. Photo essays, interviews, reports, scientific texts, and artistic photo spreads inquire into the making of urban religion and the production of religious urbanity. With contributions by Nezar AlSayyad, Filip de Boeck, Hengameh Golestan, Brian Larkin, Aernout Mik, Werner Schiffauer, AbdouMaliq Simone, Camilo José Vergara, Paola Yacoub. JOCHE N BECKE R works as an author, lecturer, and curator, and is a founding

member of metroZones – Center for Urban Affairs. KATRIN KLINGAN studied comparative literature and Hispanic studies in Vienna

and Madrid. She is head of the department for literature and humanities at Haus der Kulturen der Welt in Berlin. STE PHAN LANZ is an urban researcher at the European University Viadrina Frankfurt-on-Oder, and a founding member of metroZones. KATHRIN WILDNE R is an urban ethnologist and a founding member of metroZones.

Mittelmeerland An Urban Portrait of the Mediterranean A publication on the Mediterranean – one of the most fascinating regions in terms of politics, culture, and economy A broad overview of history, geography, and current transformation processes as well as future challenges in the region With a special focus on the cities of Dubrovnik, Tangier, Beirut, Algiers, Alexandria, Haifa, Istanbul, Marseille, Barcelona, and Tripolis

Available October 2013 19 × 26 cm, 7 ½ × 10 ¼ in, 240 pages approx. 100 illustrations, hardcover ISBN 978-3-03778-385-6, English E UR 50.– G BP 40.– USD /CAD 65.–

The Mediterranean Sea not only separates two geographic continents, but has always been a complex crossroads between divergent social, economic, and political spheres. Mittelmeerland examines this many-sided region, showing how current and future developments and challenges manifest themselves here on both land and water. The book investigates on ten port cities: Alexandria, Algiers, Barcelona, Beirut, Dubrovnik, Haifa, Istanbul, Marseille, Tangier, and Tripolis. An essay provides an overview of the cartographic history of the Mediterranean region, and numerous drawings visualize the spatial transformation processes and territorial relationships between water, land, and ports. ME D INE ALTIOK , born 1974, is a German-Turkish architect who graduated from the AA London in 2000. Since 2011, she is program director of the Mittelmeerland series at the AA London. She is based in Zürich with her own architecture office.

New Titles Architecture

Medine Altiok

New Titles Architecture

Architecture of Life Aga Khan Award for Architecture 2013 Edited by Mohsen Mostafavi A publication about the Aga Khan Award for Architecture, which rewards outstanding architectural projects in societies with a Muslim presence Presentation of this year’s shortlist and the recipients of the award

Available October 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 352 pages approx. 200 illustrations, hardcover ISBN 978-3-03778-378-8, English E UR 38.– G BP 30.– USD /CAD 50.–

The Aga Khan Award for Architecture was established by His Highness the Aga Khan in 1977 to identify and encourage excellence in architecture and other forms of intervention in the built environment of societies with a Muslim presence. The award is given every three years and recognizes all types of building projects that affect today’s built environment. Smaller projects are given equal consideration as large-scale buildings. Richly illustrated and with explanatory texts, the book presents this year’s shortlist and the award recipients. This year’s topic is centered around the relationship between life and architecture. Numerous essays examine how architecture interacts with the life of people who inhabit it. MOHSE N MOSTAFAVI , an architect and educator, is the Dean of the Harvard University Graduate School of Design and the Alexander and Victoria Wiley Professor of Design.

RELATED TITLE Aga Khan Award for Architecture 2010 page 27

Edited by Eve Blau with Ivan Rupnik With a portfolio of contemporary Baku by photographer Iwan Baan First study on the relationship between oil and urbanism Features maps, archival images and photographs of present-day Baku

Available October 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages approx. 700 illustrations, hardcover ISBN 978-3-03778-306-1, English E UR 50.– G BP 40.– USD /CAD 60.–

Baku: Oil and Urbanism is the first architectural study of the relationship between oil and urbanism. Since the late 19th century, oil and urbanism have been intertwined in the spaces of Baku. Today, the city is undergoing its second major oil boom. The book examines how urban design, planning, and architecture have dealt with the issue of oil in varying political conditions. Working with maps and archival photographs, the book analyzes sites, buildings, urban fabric, and plans to understand the evolution of the city. EVE BLAU is adjunct professor of the history of urban form at the Harvard University Graduate School of Design. Oil Baron City (1872–1920)

Construction within the Ring Road/ Vorstadt Area during the Oil Baron Period 1890–1912

Construction within the Ring Road/Vorstadt Area during the Oil Baron Period 1890-1912

Leniendae voluptate essequias eum que volore volores simodi ut di omnihil itatem la voleseque pratiis este nullaut qui optatur sus volora ea prorrorit fugia dit qui od quodipisin recatibus rem aut andit estrumque comniminis arum sum aut et acilit, essinve lecearum vendel et, excesti orerfer spidige nectiae exerciis et etur, officia doloriam faccuptam, aspe voloruptur, ad mollique dolor solorem rernationsed maio. Iciet pelenihit es nis resti occus dolum hit fugitinus excepere, nonet ab idem nihicab oressitiam vita eum sitaes ad molupic tem qu

Embassy of the USA 1912

Blue Mosque 1912-13 eng.: Z. Ahmedbekow

Kirkha (Hall of Organ Music) 1895-98 arch.: A. Eyhler

The Landmark Building 1909/1998

Opera and Ballet Theatre 1910-11 eng.: N. Bayev

Song Theatre 1912 arc./eng.: ??

Church of Archangel Michael 1845

Embassy of Turkey 1912

Russian Drama Theatre 1900 arch./eng.: ??

Church of Archangel Michael

Embassy of Iraq Late 19th century

Taza Pir Mosque

Union of Architects

1905-14 Z. Ahmedbekow

1899 arch.: E.Y. Skibinskiy

Building 1896 arch.: I. V. Edel

Embassy of France 1895 arch.: I. V. Edel Embassy of Germany (B-4) 1900

Taghiyev’s Residence - The National Museum of History 1893-1902 eng. I. Goslavskiy

Imam Hussein Mosque 1899-1909 arch.: A. Eykhler Palace of Happiness 1911-12 eng.: I. Ploshko

Azerbaijan Cinema 1910/1988/1998 arch.: R. Seyfullayev

Ismayilliya 1908-13 eng.: I. Ploshko

The international Bank (old) 1903-05

Building 1898-1902 arch.: I. V. Edel Embassy of Iran 1901

Chained House 1890 Puppet Theatre 1910 eng.: I. Ploshko

Baki Soveti 1900-04 arch.: i. Goslavsky

Isa Bey Hojinski building 1912

Philharmonic Society 1910-12 [Termikelov, accord. to Fattulayev]

Art Museum 1888-95 eng. N.A. fon der Nonne

State Oil Company of Azerbaijan 1891-96 arch.: P. Shtern

Bank of Baku 1907 eng.: I. Ploshko

Zaha Hadid Heydar Aliyev Centre Photographs by Hélène Binet and Iwan Baan Unique documentation of the recently completed cultural center by Zaha Hadid in Baku With photographs by Hélène Binet and Iwan Baan

Available October 2013 21 × 28 cm, 8 ¼ × 11 in, 112 pages approx. 100 illustrations, hardcover ISBN 978-3-03778-353-5, English E UR 40.– G BP 33.– USD /CAD 55.–

Zaha Hadid: Heydar Aliyev Centre is devoted to the new cultural center designed by Zaha Hadid in the Azerbaijani capital of Baku. As one of the most important cultural centers in the country, the building houses a variety of institutions under one roof. The building contains an auditorium that seats over a thousand, a conference center, a museum, and a library. Its open, inviting, and curvilinear design, which picks up and expands on forms from the surrounding environment, strongly differentiates the building from the city’s monumental architecture of the Soviet era. Essays explain conceptual and technical aspects of this impressive piece of architecture. ZAHA HADID, born in 1950 in Baghdad, is one of the most inﬂuential architects

of our time.

New Titles Architecture

Baku Oil and Urbanism

New Titles Architecture

Formless Storefront for Art and Architecture Manifesto Series 1 Edited by Garrett Ricciardi and Julian Rose Design: Pentagram The concept of the formless in architecture discussed by experts from various fields

Available September 2013 12.5 × 19.5 cm, 5 × 7 ½ in, 184 pages 107 illustrations, paperback ISBN 978-3-03778-346-7, English E UR 15.– G BP 12.– USD /CAD 20.–

Struggles to escape form as a manifestation of various norms and constraints are as old as architecture itself. But the formless is also increasingly in the air today, explicitly as in discussions of the “formless” quality of the city, and implicitly in talk of atmospheric buildings, randomized structures, and the dematerialization (or increased mediation) of architecture. No doubt part of its appeal lies in the fact that the formless is frequently found at the intersections between architecture and other fields, from art to ecology or engineering. Nevertheless, the formless has not yet been theorized rigorously in architecture. It seems to underpin a wide range of tendencies that have not yet been connected, or even explicitly acknowledged or identified. This book represents a first step toward this articulation. GARRETT RICCIARDI and JULIAN ROSE are the founders of Formlessfinder. STORE FRONT FOR ART AND ARCHITECTURE is a nonprofit organization committed

to the advancement of innovative positions in architecture, art and design.

Double Storefront for Art and Architecture Manifesto Series 2 Edited by Serkan Özkayan Design: Pentagram Current topic: the meaning and potential of copying and replicating Double includes a group of artists, architects, critics, historians and theorists, discussing the effects, desires and implications in the act of doubling and replicating. Society has constantly regulated the act of copying. Almost as an instinctual impulse towards originality, the desire and need for constant innovation has been protected throughout history with public shame, bureaucratic forms or even trials. Investigating the issues of sameness and difference, this compilation of manifestos explores the possibilities embedded in the act of copying, opening a path for learning by copying, and ultimately copying better. Available September 2013 12.5 × 19.5 cm, 5 × 7 ½ in, 176 pages 402 illustrations, paperback ISBN 978-3-03778-345-0, English E UR 15.– G BP 12.– USD /CAD 20.–

SE RKAN ÖZKAYAN , born 1973 in Istanbul, is a contemporary conceptual artist whose

work deals with topics of appropriation and reproduction.

Edited by Gareth Doherty Contains previously unpublished lectures by the famous landscape architect Roberto Burle Marx

Available October 2013 14 × 21 cm, 5 ½ × 8 ¼ in approx. 160 pages, 10 illustrations hardcover ISBN 978-3-03778-379-5, English E UR 24.– G BP 20.– USD /CAD 32.–

Roberto Burle Marx (1909–1994) remains one of the leading landscape architects ever. The significance of his landscape design lies in his use of abstract shapes that rarely employ symmetry, and his use of tropical, mainly Brazilian, ﬂora. His distinctive and widely acclaimed work has been featured and referenced in numerous sources, yet few of Burle Marx’s own words have been published. This book of previously unpublished lectures fills this void. The lectures, delivered on international speaking tours, address topics such as: “The Garden as an Art in Living,” “Gardens and Ecology,” and “The Problem of Garden Lighting.” Their timely publication helps shed light on Burle Marx’s distinctive style and ethos of landscape as a way of life. GARETH DOHE RTY is lecturer in landscape architecture and urban planning and design at the Harvard University Graduate School of Design.

RELATED TITLES Ecological Urbanism page 26 Landform Building page 26

Landscape as an Attitude Conversations with Günther Vogt Edited by the Chair of Günther Vogt, Department of Architecture, ETH Zürich The book gives an insight into the design philosophy of well-known landscape architect Günther Vogt Shows modern approaches to landscape architecture A book for architects, urbanists, and landscape architects

Available October 2013 12 × 19 cm, 4 ¾ × 7 ½ in approx. 100 pages, paperback ISBN 978-3-03778-304-7, English ISBN 978-3-03778-303-0, German E UR 24.– G BP 20.– USD /CAD 32.–

Inspired by the architects’ tradition of passing on experience in conversation form, this paperback book provides insights into the ideas, methods, and memories of one of Europe’s most innovative landscape architects. In concise conversations, Vogt inquires into the meaning of landscape architecture in the context of the worldwide urbanization process, and tries to define this young discipline’s position. Only when landscapes are understood on several levels, as the product of natural, cultural, and social processes, can atmospheric and living urban landscapes appropriate to the specific situation be created. Günther Vogt sees landscape architecture decidedly as part of a city, given its close relationship to topography, architecture, and infrastructure. G ÜNTHE R VOGT is a landscape architect and owner of Vogt Landscape Architects Zürich, with branch offices in Munich, Berlin, and London. Since 2005, he is a professor for landscape architecture at ETH Zürich.

English RELATED TITLE Miniature and Panorama page 26 German

New Titles Architecture

Landscape as a Way of Life Lectures by Roberto Burle Marx

New Titles Architecture

Sean Lally

The Air from Other Planets A Brief History of Architecture to Come Energy as a material of the architecture of the future

Available October 2013 11.7 × 17.2 cm, 4 ½ × 6 ¾ in, 256 pages approx. 100 illustrations, hardcover ISBN 978-3-03778-393-1, English E UR 24.– G BP 20.– USD /CAD 32.–

The Air from Other Planets introduces an architecture built and controlled by amplifying and designing the energy within our electromagnetic, thermodynamic, acoustic, and chemical environment. This approach to design exchanges the walls and shells we have assumed to be the only type of attainable architecture for a range of material energies that develops its own shapes, aesthetics, organizational systems, and social experiences. Energy emerges as more than what fills the interior of buildings or reﬂects off its outer walls. Instead, it becomes its own enterprise for design innovation: it becomes the architecture itself. The Air from Other Planets is a book nostalgic for the future, rooted in the belief that the architect’s greatest attributes lie in the execution of the imagination, through speculations and projections of worlds and environments yet to exist. SEAN LALLY , born 1974, is the founder of WEATHE RS , an office that approaches

design by embracing the potential overlap between the disciplines of architecture, landscape architecture and urban design. He is an assistant professor at the University of Illinois at Chicago.

Poemotion 2 The astonishing visual moiré effects of Poemotion, now in color An extraordinary interactive book-object The interactive book object Poemotion 2 is a color sequel to Takahiro Kurashima’s popular title Poemotion from Lars Müller Publishers. The abstract graphic patterns in this slim volume start to move as soon as the reader overlays them with the special film enclosed: moiré effects create complex shapes, make circles start to spin, and set graphic patterns vibrating. New in Poemotion 2 is the use of color. The observer discovers playfully how optical overlaps between colorful figures and shapes come about, are set in motion, and then disappear again. Available October 2013 17 × 23 cm, 6 ¾ × 9 in, 64 pages 30 illustrations, hardcover with moiré film ISBN 978-3-03778-351-1, English E UR 20.– G BP 15.– USD /CAD 25.–

TAKAHIRO KURASHIMA , born in 1970, studied graphic design at Musashino Art University. Since 1992 he has worked as art director for the Japanese advertising agency Dentsu.

Takahiro Kurashima

Poemotion 1

hardcove edition

“A great toy and gift for all who enjoy visual effects,” Slanted Inspired by Seesaw, an earlier book from Lars Müller Publishers, in a playful and at the same time minimalist way the Japanese designer Takahiro Kurashima established with Poemotion 1 a link to the motif of a “School of Seeing” that has long occupied a special place in the publisher’s program. His bestseller is now available in a competitively priced yet high quality hardcover edition.

RELATED TITLE Poemotion (paperback) page 28

Available October 2013 17 × 23 cm, 6 ¾ × 9 in, 64 pages 30 illustrations, hardcover with moiré film ISBN 978-3-03778-407-5, English E UR 20.– G BP 15.– USD /CAD 25.–

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Takahiro Kurashima

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100 Years of Swiss Graphic Design Edited by Christian Brändle, Karin Gimmi, Barbara Junod, Bettina Richter, and Museum of Design Zürich Design: NORM A chronological and thematic overview of the development of Swiss graphic design A must-have for all who are interested in typography, photo-graphics, poster design, and book design

Available October 2013 20.6 × 30.9 cm, 8 × 12 in, 384 pages approx. 600 illustrations, hardcover ISBN 978-3-03778-399-3, English ISBN 978-3-03778-352-8, German E UR 55.– G BP 45.– USD /CAD 70.–

100 Years of Swiss Graphic Design takes a fresh look at Swiss typography and photo-graphics, posters, corporate image design, book design, journalism and typefaces over the past hundred years. With illuminating essays by prominent experts in the field and captivating illustrations, this book, designed by the Zürich studio NORM , presents the diversity of contemporary visual design while also tracing the fine lines of tradition that connect the work of different periods. The changes in generations and paradigms as manifested in their different visual languages and convictions are organized along a timeline as well as by theme. The various fields of endeavor and media are described, along with how they relate to advertising, art, and politics. Graphic design from Switzerland reﬂects both international trends and local concerns. High conceptual and formal quality, irony and wit are its constant companions. A new, comprehensive reference work on Swiss design. With Essays by the editors and Hans-Rudolf Bosshard, Christoph Bignens, Max Bruinsma, Jürgen Döring, Meret Ernst, Ulrike Felsing, Roland Früh, Ariel Herbez, Richard Hollis, Martin Jaeggi, Andres Janser, Roxane Jubert, Urs Lehni, Claude Lichtenstein, Kerry William Purcell, François Rappo, Jörg Stürzebecher, and Ruedi Widmer.

English

German

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2 Anonym Die Mitin-Etikette/ein Qualitätszeichen von Weltruf/ CH/CH, frühe 1960er Jahre, Broschüre, Doppelseite Buchdruck

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Emotionen für den Tourismus und den Export in die USA

langen auseinandersetzen sollte.Wird die Arbeit des Grafikers im Druck umgesetzt, so da werden die besten Ergebnisse erzielt, wenn der Grafiker auch über technische Kenntnisse verfügt. So kann er den Reproduktionsprozess selbst überwachen und kennt bereits beim Entwurf der Drucksache die Möglichkeiten und Grenzen der Technik. An der Kunstgewerbeschule in Zürich und an der Hochschule für Gestaltung in Ulm. Eine sachliche Herangehensweise Josef Müller-Brockmanns Arbeitsweise stand stark im Dienste des jeweils zu bearbeitenden Themas. Er bevorzugte eine sachliche Herangehensweise, die in erster Linie Gedanken vermitteln sollte und erst in zweiter Linie als künstlerische Form zu betrachten war. Die grafische Form sollte dem Thema untergeordnet werden. Müller-Brockmanns Entwicklung begann bei der Illustration, jedoch ging er bald zur „sachlichen Grafik“ über, die ihm objektiver erschien. Er konstruierte seine Arbeiten hauptsächlich aus geometrischen Formen, deren Proportionen und Abstände in einem strengen mathematischen Verhältnis zueinander standen, sowie aus typografischen Elementen. Als Schriftarten verwendete er ausschließlich Grotesk-Schriften. Durch den Verzicht auf Ornamente und der daraus resultierenden Sachlichkeit sowie besseren Lesbarkeit schienen sie ihm zweckdienlicher. Zur Komposition der Bildelemente verwendete er ein Rastersystem, welches er in seinem Buch „Grid systems in graphic design“ näher beschrieb. Der Beruf des Grafikers ist laut Josef Müller-Brockmann einer der universalsten künstlerischen Berufe. Müller-Brockmann verlangte, dass Grafiker außer gestalterischen Fähigkeiten auch

Dienste des jeweils zu bearbeitenden Themas. Er bevorzugte eine sachliche Herangehensweise, die in erster Linie Gedanken vermitteln sollte und erst in zweiter Linie als künstlerische Form zu betrachten war. Die grafische Form sollte dem Thema untergeordnet werden. Müller-Brockmanns Entwicklung begann bei der Illustration, jedoch ging er bald zur „sachlichen Grafik“ über, die ihm objektiver erschien. Er konstruierte seine Arbeiten hauptsächlich aus geometrischen Formen, deren Proportionen und Abstände in einem strengen mathematischen Verhältnis zueinander standen, sowie aus typografischen Elementen. Er konstruierte seine Arbeiten hauptsächlich aus geometrischen Formen, deren Proportionen und Abstände in einem strengen mathematischen Verhältnis zueinander standen, sowie aus typografischen Elementen. Als Schriftarten verwendete er ausschließlich Grotesk-Schriften. Durch den Verzicht auf Ornamente und der daraus resultierenden Sachlichkeit sowie besseren Lesbarkeit schienen sie ihm zweckdienlicher. Zur Komposition der Bildelemente verwendete er ein Rastersystem, welches er in seinem Buch „Grid systems in graphic design“ näher beschrieb. Der Beruf des Grafikers ist laut Josef Müller-Brockmann einer der universalsten künstlerischen Berufe. Müller-Brockmann verlangte, dass Grafiker außer gestalterischen Fähigkeiten auch noch technische, wirtschaftliche und kulturelle Kompetenzen haben sollten. Da der Bereich der Werbung alle beruflichen Gebiete umfasst, sollten Grafiker in Müller-Brockmanns Ansicht auch in der Lage sein, die wirtschaftliche und kulturelle Bedeutung eines Problems zu erfassen. Generell war er von der großen Tragweite der gestalterischen Arbeit überzeugt, die sich auch mit sozialen und gesellschaftlichen Be-

1 Karl Gerstner Chemistry knows no frontiers CIBA/Geigy/Hoffmann-La Roche/Sandoz Offset 2 Anonym Die Mitin-Etikette/ein Qualitätszeichen von Weltruf/ Buchdruck 3 Max Schmid Arbeitsbereiche der J. R. Geigy A. G. in CH/CH, 1952, Buch, Doppelseite Buchdruck

noch technische, wirtschaftliche und kulturelle Kompetenzen haben sollten. Da der Bereich der Werbung alle beruflichen Gebiete umfasst, sollten Grafiker in Müller-Brockmanns Ansicht auch in der Lage sein, die wirtschaftliche und kulturelle Bedeutung eines Problems zu erfassen. Generell war er von der großen Tragweite der gestalterischen Arbeit überzeugt, die sich auch mit sozialen und gesellschaftlichen Belangen auseinandersetzen sollte. Wird die Arbeit des Grafikers im Druck umgesetzt, so da werden die besten Ergebnisse erzielt, wenn der Grafiker auch über technische Kenntnisse verfügt. So kann er den Reproduktionsprozess selbst überwachen und kennt bereits beim Entwurf der Drucksache die Möglichkeiten und Grenzen der Technik. An der Kunstgewerbeschule in Zürich und an der Hochschule für Gestaltung in Ulm. Komposition der Bildelemente. Josef Müller-Brockmanns Arbeitsweise stand stark im Dienste des jeweils zu bearbeitenden Themas. Er bevorzugte eine sachliche Herangehensweise, die in erster Linie Gedanken vermitteln sollte und erst in zweiter Linie als künstlerische Form zu betrachten war. Die grafische Form sollte dem Thema untergeordnet werden. Müller-Brockmanns Entwicklung begann bei der Illustration, jedoch ging er bald zur. Dienste des jeweils zu bearbeitenden Themas. Er bevorzugte eine sachliche Herangehensweise, die in erster Linie Gedanken vermitteln sollte und erst in zweiter Linie als künstlerische Form zu betrachten war. Die grafische Form sollte dem Thema untergeordnet werden. Müller-Brockmanns Entwicklung begann bei der Illustration, jedoch ging er bald zur „sachlichen Grafik“ über, die ihm objektiver erschien. Er konstruierte seine Arbeiten hauptsächlich aus geometrischen Formen, deren Proportionen und Ab-

Eine sachliche Herangehensweise Josef Müller-Brockmanns Arbeitsweise stand stark im Dienste des jeweils zu bearbeitenden Themas. Er bevorzugte eine sachliche Herangehensweise, die in erster Linie Gedanken vermitteln sollte und erst in zweiter Linie als künstlerische Form zu betrachten war. Die grafische Form sollte dem Thema untergeordnet werden. Müller-Brockmanns Entwicklung begann bei der Illustration, jedoch ging er bald zur „sachlichen Grafik“ über, die ihm objektiver erschien. Er konstruierte seine Arbeiten hauptsächlich aus geometrischen Formen, deren Proportionen und Abstände in einem strengen mathematischen Verhältnis zueinander standen, sowie aus typografischen Elementen. Als Schriftarten verwendete er ausschließlich Grotesk-Schriften. Durch den Verzicht auf Ornamente und der daraus resultierenden Sachlichkeit sowie besseren Lesbarkeit schienen sie ihm zweckdienlicher. Zur Komposition der Bildelemente verwendete er ein Rastersystem, welches er in seinem Buch „Grid systems in graphic design“ näher beschrieb. Der Beruf des Grafikers ist laut Josef Müller-Brockmann einer der universalsten künstlerischen Berufe. Müller-Brockmann verlangte, dass Grafiker außer gestalterischen Fähigkeiten auch noch technische, wirtschaftliche und kulturelle Kom-

2 Anonym Die Mitin-Etikette/ein Qualitätszeichen von Weltruf/ Buchdruck 3 Max Schmid Arbeitsbereiche der J. R. Geigy A. G. in CH/CH, 1952, Buch, Doppelseite Buchdruck

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1 Karl Gerstner Chemistry knows no frontiers CIBA/Geigy/Hoffmann-La Roche/Sandoz Offset

3 Max Schmid Arbeitsbereiche der J. R. Geigy A. G. in schematischer Darstellung: von der Forschung (a) CH/CH, 1952, Buch, Doppelseite Buchdruck

Kapitel Lorem Ipsum

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Emotionen für den Tourismus und den Export in die USA

10 Dienste des jeweils zu bearbeitenden Themas. Er bevorzugte eine sachliche Herangehensweise, die in erster Linie Gedanken vermitteln sollte und erst in zweiter Linie als künstlerische Form zu betrachten war. Die grafische Form sollte dem Thema untergeordnet werden. Müller-Brockmanns Entwicklung begann bei der Illustration, jedoch ging er bald zur „sachlichen Grafik“ über, die ihm objektiver erschien. Er konstruierte seine Arbeiten hauptsächlich aus geometrischen Formen, deren Proportionen und Abstände in einem strengen mathematischen Verhältnis zueinander standen, sowie aus typografischen Elementen. Er konstruierte seine Arbeiten hauptsächlich aus geometrischen Formen, deren Proportionen und Abstände in einem strengen mathematischen Verhältnis zueinander standen, sowie aus typografischen Elementen. Als Schriftarten verwendete er ausschließlich Grotesk-Schriften. Durch den Verzicht auf Ornamente und der daraus resultierenden Sachlichkeit sowie besseren Lesbarkeit schienen sie ihm zweckdienlicher.

Aufsatz Lorem ipsum dolor amet 1 Karl Gerstner Chemistry knows no frontiers CIBA/Geigy/Hoffmann-La Roche/ Sandoz US/US, ca. 1955, Sammelinserat, Umdruck Offset

2 Anonym Die Mitin-Etikette/ein Qualitätszeichen von Weltruf/ CH/CH, frühe 1960er Jahre, Broschüre, Doppelseite Buchdruck 3 Max Schmid Arbeitsbereiche der J. R. Geigy A. G. in schematischer Darstellung: von der Forschung (a) CH/CH, 1952, Buch, Doppelseite Buchdruck

Josef Müller-Brockmann Edited by Museum of Design Zürich With an essay by Alice Twemlow The publication provides an inside view of the working methods of the outstanding Swiss graphic designer Josef Müller-Brockmann Josef Müller-Brockmann’s graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zürich or the Automobile Club of Switzerland follow strict functional criteria–and yet exhibit a variety of design solutions and exciting, dynamic compositions. Available October 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 96 pages approx. 100 illustrations, paperback ISBN 978-3-03778-392-4 English/German E UR 28.– G BP 24.– USD /CAD 40.–

This book presents selected posters by Müller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today’s point of view.

RELATED TITLES The Magic of Things page 29 In Series page 29 Armin Hofmann page 29

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POSTER COLLECTION 25

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Katrin Trautwein

The Color Black A comprehensive treatise on the color black High-quality screen prints show the color palette of black in all its different shades

Available October 2013 26 × 19 cm, 10 ¼ × 7 ½ in, 256 pages approx. 200 illustrations, hardcover ISBN 978-3-03778-383-2, English ISBN 978-3-03778-382-5, German E UR 50.– G BP 40.– USD /CAD 65.–

Is there such a thing as “pure black”? In this book, Katrin Trautwein shows us how many shades of gray and different pigments can go into creating this special color, to which countless meanings are attached both in Western culture and other parts of the world. By means of high-grade screen prints, the publication makes the wide range of blacks tangible to the reader, belying the notion that black is the mere absence of light. On the contrary, the different black tones are uniquely suited to emphasizing nuances in lightness and darkness. These are the shades that create moods within architecture. A room can be designed without color, but not without light and shadow – without them, it would have no form. The fascinating palette of black tones is accompanied by an essay that illuminates the subject from different perspectives. KATRIN TRAUTWE IN , born in Stuttgart in 1962, founded the company kt.COLOR

in 1998. Since 2000, she has held the exclusive license to produce and distribute Le Corbusier colors.

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Ken Miki

Apple The basics of visual communication, playfully explained using an apple With Apple, Ken Miki playfully presents a complete basic course in visual communication — all based on a simple and familiar object: the apple. First, all five senses are activated in a step-by-step analysis of the apple by touching, looking at, smelling, tasting and listening to the sound of eating it. The apple is then used to illustrate the topics of form, color, size, surface, texture, writing, line, body and text — the fundamental elements a designer works with. Addressing each theme based on this everyday object enables a playful approach that also makes for highly effective learning. A unique textbook that offers inspiration and food for thought for both experienced graphic artists and those less familiar with the world of design.

Available October 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 160 pages approx. 100 illustrations, paperback ISBN 978-3-03778-386-3, English E UR 32.– G BP 27.– USD /CAD 42.–

KE N MIKI , born in 1955, founded his own eponymous design studio in 1982 and teaches at the University of Osaka.

European Organization for Nuclear Research A unique view behind the scenes at the world-famous research center CERN Andri Pol portrays the people who work at this center of excellence With an essay by Peter Stamm

Available October 2013 19 × 26 cm, 7 ½ × 10 ¼ in approx. 200 pages approx. 200 illustrations, paperback ISBN 978-3-03778-275-0, English ISBN 978-3-03778-262-0, German E UR 50.– G BP 40.– USD /CAD 65.–

For most people locations that hold a particular importance for the development of our society and for the advancement of science and technology remain hidden from view. CE RN , the European Organization for Nuclear Research, is best known for its giant particle accelerator. Here researchers take part in a diverse array of fundamental physical research, in the pursuit of knowledge that will perhaps one day revolutionize our understanding of the universe and life on our planet. The Swiss photographer Andri Pol mixed with this multicultural community of researchers and followed their work over an extended period of time. In doing so he created a unique portrait of this fascinating “underworld.” The cutting-edge research is given a human face and the pictures allow us to perceive how in this world of the tiniest particles the biggest connections are searched for. With an essay by Peter Stamm. ANDRI POL , born 1961, is a photographer based in Basel.

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The Cosmopolitics of Visual Memory: Albert Kahn and the Archives of the Planet Edited by Kjetil A. Jakobsen and Trond E. Bjorli First publication offering a thematic access to Albert Kahn’s “The Archives of the Planet” In 1912, the French banker and philanthropist Albert Kahn ( 1860 –1940 ) founded “The Archives of the Planet,” an extensive collection of photographs and films that today contains 72,000 autochromes and 183,000 meters of film. The Cosmopolitics of Visual Memory is the first publication offering a thematic access to this fascinating collection of visual records, highlighting aspects such as mobility, communications, or ethnographic documentation with texts by Jay Winter, Paula Amad, Kjetil A. Jakobsen, Trond E. Bjorli, Gilles Baud-Berthier, and Trond Lundemo.

Available November 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 400 pages approx. 250 illustrations, hardcover ISBN 978-3-03778-340-5, English E UR 50.– G BP 40.– USD /CAD 65.–

KJETIL A. JAKOBSE N , born in Norway in 1965, is a cultural historian and is currently the Henrik Steffens Professor at Humboldt University in Berlin. TROND E. BJORLI , ethnographer and historian of photography, is a curator at the Norwegian Museum of Cultural History in Oslo.

New Titles Photography

Inside CERN

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Olafur Eliasson

Your Moving Landscape Photos by the artist Olafur Eliasson show us his view of Iceland, a source of inspiration for much of his work An essay by the artist accompanies the images

Available October 2013 34 × 29 cm, 13 ¼ × 11 ½ in approx. 240 pages approx. 240 illustrations, hardcover ISBN 978-3-03778-390-0, English E UR 70.– G BP 58.– USD /CAD 95.–

Over the past two decades, Olafur Eliasson has regularly traveled to Iceland to photograph the island’s landscape and natural phenomena. This ambitious, on-going venture — almost cartographical in its scope — has resulted in approximately eighty photo series to date and a plethora of individual photographs of glaciers, waterfalls, rainbows, sunrises, volcanoes, and geysers. Far from only documenting the world, Eliasson’s vibrant images reﬂect on our relationship to nature and our physical existence within space. An artwork in its own right, this book presents Eliasson’s highly personal selection of full-color images from his immense body of work, granting the reader a rare peek into a significant source of inspiration for much of the artist’s work in other media — the Icelandic landscape. OLAFUR E LIASSON , born 1967, is one of the most renowned contemporary artists.

He is based in Berlin where he has established Studio Olafur Eliasson, a laboratory for spatial research. In his works he explores the relationship between individuals and their surroundings.

New Titles Art

Felice Varini

From Spaces to Spaces A publication on Varini’s spatial installations — an interaction between two-dimensional patterns and changing and evolving forms Contains an essay by Doris von Drathen and a dialogue with the artist Displays Felice Varini’s most recent work

From Spaces to Spaces is the latest publication by the artist Felice Varini, constituting a re-examination of his complete oeuvre based on his most recent works.

Available August 2013 30 × 24 cm, 11 ¾ × 9 ½ in approx. 400 pages approx. 300 illustrations, hardcover ISBN 978-3-03778-405-1, English ISBN 978-3-03778-406-8, French E UR 60.– G BP 50.– USD /CAD 80.–

His fascinating spatial installations make use of urban landscapes, walls, and rooms as “screens” for abstract graphical projections which the artist paints, draws, or fabricates from materials such as adhesive tape. Seen from an ideal vantage point, they appear as unexpected two-dimensional patterns against their three-dimensional background. When the viewer then leaves this vantage point and moves through the space, he sees the work as a perpetual metamorphosis of shifting, evolving forms. Accompanying the numerous illustrations is a text by Doris von Drathen that situates the work in its art-historical context, as well as an interview she conducted with the artist.

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FE LICE VARINI, born in 1952, is a contemporary artist. In his work, painting becomes part of spatial installations set up both indoors and outdoors. He lives and works in Paris. French

New Titles Art

Annelies Štrba

Noonday A sequel to the title Shades of Time, published in 1997 The artist Annelies Štrba captures in her very personal family pictures the melancholy mood of time passing by

Available October 2013 17.3 × 24 cm, 6 ¾ × 9 ½ in, 344 pages approx. 300 illustrations, hardcover ISBN 978-3-03778-388-7, English E UR 50.– G BP 40.– USD /CAD 65.–

The photo book Noonday can be regarded as a sequel to Annelies Štrba’s Shades of Time, published almost twenty years ago by Lars Müller Publishers. The photographs show intimate moments in the life of the artist’s family, everyday situations and seemingly insignificant moments captured on film. They confront the viewer with the human urge to remember and inability to forget as they evoke in his mind’s eye similar images and memories from his own past. While Shades of Time focused on Štrba’s own children, Noonday shows photographs of her grandchildren. The images display the children sleeping, in the forest or other places and thus preserve graceful moments of life. With a subjective and yet documentary gaze, Štrba halts the passing of time, oscillating between closeness and distance, relishing the moment recorded while cognizant of its ineluctable transience. ANNE LIES ŠTRBA , born 1947 in Zug, is on of the most renowned Swiss

photographers. Her work is discussed and shown worldwide.

Harald F. Müller

First Cuts Art nostalgic for the future by Swiss artist Harald F. Müller

Available October 2013 18 × 24 cm, 7 × 9 ½ in, 180 pages 38 b/w illustrations, paperback ISBN 978-3-03778-408-2 English E UR 32.– G BP 27.– USD /CAD 42.– RELATED TITLE Gigon/Guyer Architects page 27

First Cuts shows 15 photographic appropriations that artist Harald F. Müller realized for the first time in Switzerland’s tallest building: the Prime Tower in Zürich, designed by architects Gigon/Guyer. Applied by means of a perforated grid onto soundabsorbing metal panels on the building’s interior walls, the re-photographed motifs depict a series of “firsts” from the worlds of technology, sports, and culture. Evoking nostalgia for human faith in progress, they also point with their references to CE RN and Constructivism to cutting-edge research and timeless modernity. These artworks refuse to fufil merely a passive decorative function, making instead their own architecture-related statement. The book follows the same principle by invoking cosmological references and presenting itself as an independent work rather than merely explaining and illustrating. Essays by Gerd Blum and Johan Frederik Hartle describe the role First Cuts played in the development of Harald F. Müller’s oeuvre, focusing on abstraction and atomism. HARALD F. MÜLLE R, born in 1950, works with reproductions to develop image and

color concepts for specific spaces and architectures. He lives and works at Lake Constance and in Zürich.

Edited by Spyros Papapetros and Julian Rose In collaboration with the Princeton University School of Architecture Re-examines the important essay by Rosalind Krauss and its position in the current fields of arts and architecture

Available October 2013 24 × 16.5 cm, 9 ½ × 6 ½ in, 160 pages approx. 80 illustrations, paperback ISBN 978-3-03778-400-6, English E UR 24.– G BP 20.– USD /CAD 32.–

In her seminal essay “Sculpture in the Expanded Field” first published in 1979, the inﬂuential art historian Rosalind Krauss redrew the limits of artistic practices by diagramming a number of structural oppositions between sculpture, architecture, and landscape art. Retracing the Expanded Field not only revisits the origins of Krauss’ now canonical text but also reexamines its legacy and status against developments in the “expanded practices” of art and architecture over the last thirty years. Numerous illustrations provide the reader with extensive and profound insight into the artwork alluded to by Krauss – for example, Vito Acconci, Carl Andre, Alice Aycock, Constantin Brancusi, Peter Eisenman, Richard Long, Richard Serra, Joel Shapiro, Robert Smithson.

Antonio Foscari

Frescos In the Rooms of Palladio Malcontenta 1557–1575 After Andrea Palladio – Unbuilt Venice and Tumult and Order, the third volume by Antonio Foscari focuses on the frescos in the Villa Malcontenta in Venice During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas. At the Villa Malcontenta, for example, one of Venice’s best-known fresco painters of the day, Giovanni Battista Zelotti, was commissioned to design the interior. In Frescos, Antonio Foscari analyzes this fresco cycle. Available October 2013 ANTONIO FOSCARI is an architect and has been a professor of architecture at

15 × 24 cm, 6 × 9 ½ in, 248 pages approx. 180 illustrations, hardcover ISBN 978-3-03778-370-2, English E UR 40.– G BP 33.– USD /CAD 55.–

the University of Venice since 1971. In 1973, he restored the Villa Malcontenta, built for his ancestors by Andrea Palladio.

RELATED TITLES Tumult and Order page 27 Andrea Pallacio – Unbuilt Venice page 27 The Private Palladio page 27

New Titles Art

Retracing the Expanded Field A Symposium on Art and Architecture

New Title Society

Challenging Democracy Edited by Hanspeter Kriesi, NCCR Democracy, University of Zürich Texts by experts and visual essays generate a broad compendium of democracy in the 21st century The newest volume in the visual reader series published by Lars Müller Publishers

Available September 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 576 pages approx. 500 illustrations, hardcover ISBN 978-3-03778-396-2 English ISBN 978-3-03778-296-5, German E UR 45.– G BP 38.– USD /CAD 60.–

English

“Democracy is the worst form of government — except for all those other forms that have been tried from time to time.” Challenging Democracy tries to get to the bottom of the dilemma expressed in this world-famous quote from Winston Churchill. Designed as a visual reader that makes targeted use of the communicative power of the image, the book constitutes a comprehensive compendium on the history, development, and current debates on democracy. Are democracies more capable than other forms of government? What role is played today by digital media in democracies and democratization processes? Is globalization conducive to democracy? What forms of democracy are there? The visual reader delves into both fundamental and more topical issues and thus provides the key to a comprehensive understanding and an in-depth engagement with democracy from its origins to the present day. With contributions by André Bächtiger, Thomas Bernauer, Daniel Bochsler, Florin Büchel, Francis Cheneval, Frank Esser, Regula Hänggli, Jürg Helbling, Erik Jentges, Hanspeter Kriesi, Daniel Kübler, Andreas Ladner, Sandra Lavenex, Wolfgang Merkel, Frank Schimmelfennig, Marco Steenbergen, Manuel Vogt. HANSPETE R KRIESI is holder of the Stein Rokkan Chair in comparative politics

at the European University Institute in Florence. RELATED TITLES German

For Climate’s Sake!, The Face of Human Rights, Who Owns the Water?, Faith Is page 31

Wilfried Wang, Akademie der Künste, Berlin (Ed.) 21.5 × 27.5 cm, 8 ½ ×10 ¾ in, 232 pages 406 illustrations, paperback 2013, ISBN 978-3-03778-335-1, English 2013, ISBN 978-3-03778-336-8, German EUR 40.– GBP 33.– USD/CAD 55.–

English

Nicholas Hawksmoor: Seven Churches for London Mohsen Mostafavi (Ed.) Photographs by Hélène Binet 24 × 30 cm, 9½ × 11¾ in, 112 pages approx. 50 illustrations, hardcover 2013, ISBN 978-3-03778-349-8, English EUR 38.– GBP 30.– USD/CAD 50.–

German

CiTy The Ci Berlin: iangreen in The The CiTy Ci CiT Ty y archipelago A Manifesto (1977) by Oswald Mathias Ungers Rem Koolhaas Peter Riemann Hans Kollhoff Arthur Ovaska A critical edition by Florian Hertweck and Sébastien Marot In collaboration with UAA Ungers Archiv für Architekturwissenschaft

The City in the City – Berlin: A Green Archipelago

Catherine Dumont d’Ayot, Tim Benton

A Manifesto (1977) by O. M. Ungers, R. Koolhaas, P. Riemann, H. Kollhoff, A. Ovaska A critical edition by Florian Hertweck and Sébastien Marot (Eds.) 21 × 29.7 cm, 8 ¼ × 11 ¾ in, 176 pages 150 illustrations, paperback 2013, ISBN 978-3-03778-326-9, English 2013, ISBN 978-3-03778-325-2, German 2013, ISBN 978-3-03778-329-0, French EUR 40.– GBP 35.– USD / CAD 50.–

Model and Prototype of an Ideal Exhibition Space Institute of Historic Building Research and Conservation, ETH Zürich (Ed.) 16.8 × 24 cm, 6 ½ × 9 ½ in, 224 pages 203 illustrations, hardcover 2013, ISBN 978-3-03778-305-4, English 2013, ISBN 978-3-03778-293-4, German 2013, ISBN 978-3-03778-328-3, French EUR 40.– GBP 35.– USD/CAD 50.–

Le Corbusier’s Pavilion for Zurich

Lars Müller Publishers

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Englisch German

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French

Max Bill’s View of Things

Die gute Form: An Exhibition 1949 Claude Lichtenstein and Museum of Design Zürich (Eds.) 22 × 30 cm, 8 ½ × 11 ¾ in, 160 pages approx. 120 illustrations, hardcover 2013, ISBN 978-3-03778-372-6, English 2013, ISBN 978-3-03778-339-9, German EUR 33.– GBP 27.– USD/CAD 45.–

English German

Don’t Brand My Public Space! Ruedi Baur and Sébastien Thiery (Eds.) A project of the research series by Design2context 16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages approx. 500 illustrations, paperback 2013, ISBN 978-3-03778-348-1, English 2013, ISBN 978-3-03778-354-2, French EUR 40.– GBP 33.– USD/CAD 55.–

30 Years of Swiss Typographic Discourse in the Typograﬁsche Monatsblätter TM RSI SGM 1960–90 Ecole cantonale d’art de Lausanne (ECAL) and Roland Früh, Louise Paradis and François Rappo (Eds.) 20 × 29 cm, 7 ¾ × 11 ½ in, 240 pages approx. 400 illustrations, hardcover 2013, ISBN 978-3-03778-334-4, English EUR 50.– GBP 45.– USD/CAD 65.–

Tim Benton

LC FOTO: Le Corbusier Photographer 24 × 16.5 cm, 9 ½ × 6 ½ in, 416 pages approx. 500 illustrations, hardcover 2013, ISBN 978-3-03778-344-3, English EUR 40.– GBP 33.– USD/CAD 55.–

English French

Fresh from the Press

Culture: City

Backlist Architecture

Torre David

In the Life of Cities

Informal Vertical Communities

Parallel Narratives of the Urban

Alfredo Brillembourg and Hubert Klumpner, Urban-Think Tank Chair of Architecture and Urban Design, ETH Zürich (Eds.)

Mohsen Mostafavi (Ed.)

Photographs by Iwan Baan

16.5 × 24 cm, 6 ½ × 9 ½ in, 376 pages 286 illustrations, hardcover 2012, ISBN 978-3-03778-302-3, English EUR 50.– GBP 45.– USD/CAD 60.–

In cooperation with Harvard University Graduate School of Design

16.5 × 24 cm, 6 ½ × 9 ½ in, 416 pages 406 illustrations, hardcover 2013, ISBN 978-3-03778-298-9, English EUR 45.– GBP 38.– USD/CAD 60.–

From Camp to City Refugee Camps of the Western Sahara Manuel Herz (Ed.) In cooperation with ETH Studio Basel

Ecological Urbanism Mohsen Mostafavi with Gareth Doherty, Harvard University Graduate School of Design (Eds.)

Landform Building Architecture’s New Terrain Stan Allen and Marc McQuade (Eds.) In cooperation with the Princeton University School of Architecture

17.6 × 24 cm, 7 × 9 ½ in, 512 pages 1172 illustrations, hardcover 2013, ISBN 978-3-03778-291-0, English EUR 50.– GBP 45.– USD/CAD 65.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 656 pages 1000 illustrations, hardcover 2010, ISBN 978-3-03778-189-0, English EUR 50.– GBP 40.– USD/CAD 60.–

Wang Shu Imagining the House

Sou Fujimoto Sketchbook

Eduardo Souto de Moura Sketchbook No. 76

24 × 29.7 cm, 9 ½ × 11 ¾ in, 168 pages 68 drawings, 15 photographs paperback, Japanese binding 2012, ISBN 978-3-03778-314-6, English EUR 50.– GBP 45.– USD/CAD 65.–

13 × 21 cm, 5 × 8 ¼ in, 240 pages facsimile of the original sketchbook hardcover 2012, ISBN 978-3-03778-327-6 English/Japanese EUR 40.– GBP 35.– USD/CAD 50.–

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 200 pages facsimile of the original sketchbook hardcover 2012, ISBN 978-3-03778-312-2 EUR 32.– GBP 26.– USD / CAD 42.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 480 pages 430 illustrations, hardcover 2011, ISBN 978-3-03778-223-1, English EUR 45.– GBP 45.– USD / CAD 65.–

Günther Vogt Miniature and Panorama Vogt Landscape Architects Projects 2000–12 16.5 × 24 cm, 6 ½ × 9 ½ in, 608 pages 1250 illustrations, paperback 2012, ISBN 978-3-03778-233-0, English EUR 58.– GBP 50.– USD / CAD 85.–

Floating Images Eduardo Souto de Moura’s Wall Atlas André Tavares and Pedro Bandeira (Eds.) 14.8 × 21 cm, 5 ¾ × 8 ¼ in, 160 pages 202 illustrations, hardcover 2012, ISBN 978-3-03778-301-6, English EUR 38.– GBP 32.– USD/CAD 50.–

Five North American Architects An Anthology by Kenneth Frampton

Stanley Saitowitz Brigitte Shim + Howard Sutcliffe Rick Joy John + Patricia Patkau Steven Holl Columbia University GSAPP Lars Müller Publishers

Steven Holl – Scale Lars Müller (Ed.) 16.8 × 12.6 cm, 6 ½ × 5 in, 480 pages 420 illustrations, hardcover 2012, ISBN 978-3-03778-251-4, English EUR 40.– GBP 38.– USD / CAD 55.–

Steven Holl – Color Light Time With essays by Jordi Safont-Tria, Sanford Kwinter, and Steven Holl 12.6 × 16.8 cm, 5 × 6½ in, 144 pages 72 illustrations, hardcover 2012, ISBN 978-3-03778-252-1, English EUR 32.– GBP 25.– USD / CAD 40.–

Five North American Architects An Anthology by Kenneth Frampton In cooperation with GSAPP, Columbia University 16.5 × 24 cm, 6 ½ × 9 ½ in, 136 pages 136 illustrations, paperback 2012, ISBN 978-3-03778-256-9, English EUR 38.– GBP 32.– USD / CAD 50.–

Michael Merrill Louis Kahn: Drawing to Find Out The Dominican Motherhouse and the Patient Search for Architecture 30 × 24 cm, 11 ¾ × 9 ½ in, 240 pages 233 illustrations, hardcover 2010, ISBN 978-3-03778-221-7, English EUR 59.– GBP 60.– USD/CAD 90.–

French

English

IMperfect HealtH

French

English

Backlist Architecture

the MediCaLization of arChiteCture

Today we are anxious about ground pollution, food safety, smog, obesity and aging. Because almost everything in our surroundings is perceived as a possible source of disease, the health, defence and fortification of the body is an obsessive pursuit. Design is also affected by such anxieties. Imperfect Health investigates the historical connections between health, design and the environment, bringing to light uncertainties and contradictions in cultures informed by Western medicine, to insist on a challenging hypothesis: that urbanism, landscape design and architecture take care of their “inhabitants,” instead of seeking an ultimate cure.

Edited by Giovanna Borasi Mirko Zardini

Canadian Centre for arChiteCture Lars MüLLer PubLishers

Instigations Engaging Architecture, Landscape, and the City Mohsen Mostafavi, Peter Christensen (Eds.) In cooperation with Harvard University Graduate School of Design 16.5 × 24 cm, 6 ½ × 9 ½ in, 560 pages 559 illustrations, paperback 2012, ISBN 978-3-03778-307-8, English EUR 50.– GBP 45.– USD/CAD 60.–

Kenzō Tange Architecture for the World Seng Kuan and Yukio Lippit (Eds.) In cooperation with Harvard University Graduate School of Design

Imperfect Health The Medicalization of Architecture Co-published by the Canadian Centre for Architecture, Montreal 16.8 × 24 cm, 6 ½ × 9 ½ in, 400 pages 365 illustrations, hardcover 2012, ISBN 978-3-03778-279-8, English 2012, ISBN 978-3-03778-284-2, French EUR 50.– GBP 45.– USD / CAD 70.–

Antonio Foscari Tumult and Order Malcontenta 1924–1939

10.8 × 20.4 cm, 4 ¼ × 8 in, 108 pages 50 illustrations, hardcover 2012, ISBN 978-3-03778-299-6, English EUR 28.– GBP 25.– USD/CAD 36.–

Insular Insight Where Art and Architecture Conspire with Nature Naoshima Teshima Inujima Lars Müller and Akiko Miki (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 464 pages 259 illustrations, hardcover 2011, ISBN 978-3-03778-255-2, English EUR 45.– GBP 45.– USD / CAD 70.–

Antonio Foscari Andrea Palladio – Unbuilt Venice

15 × 24 cm, 6 × 9 ½ in, 248 pages 211 illustrations, hardcover 2012, ISBN 978-3-03778-297-2, English EUR 40.– GBP 35.– USD/CAD 50.–

15 × 24 cm, 6 × 9 ½ in, 288 pages 230 illustrations, hardcover 2010, ISBN 978-3-03778-222-4, English EUR 40.– GBP 40.– USD / CAD 60.–

German

English

German

Works & Projects 2001– 2011

English

Guyer

Architects

Reprint, original 1969, 12 × 19 cm, 4 ¾ × 7 ½ in 152 pages, paperback 2008, ISBN 978-3-03778-126-5, English 2010, ISBN 978-3-03778-188-3, French EUR 15.– GBP 15.– USD /CAD 20.–

Guido Beltramini The Private Palladio

25 × 20.7 cm, 9 ¾ × 8 ¼ in, 192 pages 186 illustrations, hardcover 2012, ISBN 978-3-03778-310-8, English EUR 50.– GBP 45.– USD/CAD 60.–

GiGon

Buckminster Fuller Operating Manual for Spaceship Earth Jaime Snyder (Ed.)

LArs MüLLer PubLishers

18.6 × 24.8 cm, 7 ¼ × 9 ¾ in, 216 pages 167 illustrations, paperback 2010, ISBN 978-3-03778-240-8, English 2010, ISBN 978-3-03778-224-8, German EUR 40.– GBP 35.– USD / CAD 60.–

Iwan Baan Brasilia – Chandigarh Living with Modernity Lars Müller (Ed.) With texts by Cees Nooteboom and Martino Stierli 24 × 30 cm, 9 ½ × 11 ¾ in, 240 pages 200 illustrations, paperback 2010, ISBN 978-3-03778-228-6, English EUR 40.– GBP 40.– USD / CAD 60.–

Aga Khan Award for Architecture 2010 Implicate & Explicate Mohsen Mostafavi (Ed.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 352 pages 191 illustrations, hardcover 2011, ISBN 978-3-03778-242-2, English EUR 35.– GBP 35.– USD / CAD 50.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 608 pages 935 illustrations, hardcover 2012, ISBN 978-3-03778-276-7, English 2012, ISBN 978-3-03778-257-6, German EUR 58.– GBP 55.– USD / CAD 85.–

Andreas Fuhrimann, Gabrielle Hächler What Anchors a House in Itself Seven Buildings

Guy Nordenson Patterns and Structure Selected Writings 16.5 × 24 cm, 6 ½ × 9 ½ in 464 pages, 218 illustrations paperback ISBN 978-3-03778-219-4 English, 2010 EUR 40.– GBP 40.– USD / CAD 60.–

David Adjaye Authoring: Re-Placing Art and Architecture Marc McQuade (Ed.)

Luis M. Mansilla + Emilio Tuñón From Rules to Constraints Giancarlo Valle (Ed.)

16.5 × 24 cm, 6 ½ × 9 ½ in 272 pages, 121 illustrations paperback ISBN 978-3-03778-282-8 English, 2012 EUR 32.– GBP 28.– USD / CAD 45.–

16.5 × 24 cm, 6 ½ × 9 ½ in 248 pages, 242 illustrations paperback ISBN 978-3-03778-281-1 English, 2012 EUR 32.– GBP 28.– USD / CAD 45.–

Matthias Sauerbruch, Louisa Hutton Sauerbruch Hutton Archive 24 × 30 cm, 9 ½ × 11 ¾ in 344 pages, 650 illustrations hardcover ISBN 978-3-03778-083-1 English/German, 2006 EUR 60.– GBP 55.– USD / CAD 79.–

Peter Eisenman The Formal Basis of Modern Architecture (1964) 29 × 30.5 cm, 11 ½ × 12 in 384 pages, 300 illustrations hardcover ISBN 978-3-03778-071-8 English, 2006 EUR 50.– GBP 50.– USD / CAD 70.–

Peter Eisenman Holocaust Memorial Berlin 24 × 30 cm, 9 × 11 ¾ in 120 pages, 65 illustrations hardcover ISBN 978-3-03778-056-5 English, 2005 ISBN 978-3-03778-059-6 German, 2005 EUR 23.– GBP 23.– USD / CAD 35.–

Gigon/Guyer Architects Works & Projects 2001– 2011 With essays by Gerhard Mack, Arthur Rüegg, and Philip Ursprung

Signs for Peace

Backlist Design

Takahiro Kurashima

Poemotion

An Impossible Visual Encyclopedia Ruedi Baur and Vera Baur Kockot, Design2context (Eds.)

17 × 23 cm, 6 ¾ × 9 in, 64 pages 30 illustrations, paperback 2012, ISBN 978-3-03778-277-4, English EUR 28.– GBP 25.– USD / CAD 25.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 600 pages 1762 illustrations, paperback 2013, ISBN 978-3-03778-243-9, English EUR 40.– GBP 35.– USD/CAD 55.–

See also page 15:

German

Naoto Fukasawa, Jasper Morrison Super Normal Sensations of the Ordinary

1998, Reprint 10.8 × 15.4 cm, 4 ¼ × 6 in, 108 pages 104 illustrations, paperback 2012, ISBN 978-3-03778-207-1, English EUR 18.– GBP 16.– USD / CAD 25.–

Lars Müller Helvetica Homage to a Typeface

Helvetica Forever Story of a Typeface Lars Müller and Victor Malsy (Eds.)

Lars Müller Josef MüllerPioneer of Swiss Graphic Design

12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages 400 illustrations, paperback 2002, ISBN 978-3-03778-046-6, English EUR 19.– GBP 15.– USD /CAD 25.–

19 × 26 cm, 7 ½ × 10 ¼ in, 160 pages 150 illustrations, hardcover 2009, ISBN 978-3-03778-121-0, English 2008, ISBN 978-3-03778-120-3, German EUR 30.– GBP 30.– USD /CAD 49.–

19 × 27 cm, 7 ½ × 10 ¾ in, 264 pages 415 illustrations, paperback 1994, ISBN 978-3-906700-89-2, English 1994, ISBN 978-3-907078-59-4, German EUR 40.– GBP 40.– USD / CAD 60.–

Mark Holt, Hamish Muir 8vo On the Outside

Jan Conradi Unimark International The Design of Business and the Business of Design Foreword by Massimo Vignelli

Nature Design From Inspiration to Innovation Museum of Design Zürich, Angeli Sachs (Eds.)

14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages 264 illustrations, paperback 2007, ISBN 978-3-03778-106-7, English EUR 25.– GBP 25.– USD /CAD 35.–

English Massimo Vignelli The Vignelli Canon

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 112 pages 142 illustrations, paperback 2010, ISBN 978-3-03778-225-5, English 2012, ISBN 978-3-03778-268-2, German EUR 28.– GBP 20.– USD/CAD 35.–

English 12 × 16 cm, 4 ¾ × 6 ¼ in, 536 pages 395 illustrations, hardcover 2005, ISBN 978-3-03778-019-0, English EUR 25.– GBP 23.– USD / CAD 38.–

19 × 26 cm, 7 ½ × 10 ¼ in, 244 pages 150 illustrations, hardcover 2010, ISBN 978-3-03778-184-5, English EUR 45.– GBP 40.– USD / CAD 65.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages 318 illustrations, paperback 2007, ISBN 978-3-03778-098-5, English EUR 30.– GBP 30.– USD /CAD 50.–

German

13.5 × 19.5 cm, 5 ¼ × 7 ¾ in, 64 pages 4 illustrations, hardcover 2010, ISBN 978-3-03778-183-8, English 2010, ISBN 978-3-03778-182-1, German EUR 25.– GBP 20.– USD / CAD 30.–

German

16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages 389 illustrations, hardcover 2007, ISBN 978-3-03778-105-0, English EUR 55.– GBP 50.– USD / CAD 70.–

English

Jasper Morrison A World Without Words

German

Kenya Hara White

English

Kenya Hara Designing Design

German

English

Poemotion 2 Poemotion 1 (hardcover)

Global Design International Perspectives and Individual Concepts Museum of Design Zürich, Angeli Sachs (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages 350 illustrations, paperback 2010, ISBN 978-3-03778-210-1, English 2010, ISBN 978-3-03778-154-8, German EUR 35.– GBP 35.– USD / CAD 60.–

FREITAG Out of the Bag

Visual History of an Airline

Museum of Design Zürich, Renate Menzi (Eds.)

Jens Müller and Karen Weiland, labor visuell at the University of Applied Sciences Düsseldorf, Department of Design (Eds.)

Backlist Design

A5/05: Lufthansa and Graphic Design

11.6 × 17.8 cm, 4 ½ × 7 in, 280 pages 310 illustrations, paperback 2012, ISBN 978-3-03778-278-1, English 2012, ISBN 978-3-03778-289-7, German EUR 25.– GBP 22.– USD / CAD 35.–

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages 400 illustrations, paperback 2012, ISBN 978-3-03778-267-5 English/German EUR 28.– GBP 25.– USD / CAD 40.–

English

Seeking Archetypes

LARS MÜLLER PUBLISHERS

A Visual Proposal by Ruedi Baur, Vera Baur Kockot and the Institute Design2context ZHdK Zurich for Elisava, Barcelona School of Design and Engineering

Hannes Wettstein Lars Müller Publishers

Metahaven Uncorporate Identity Metahaven (Daniel van der Velden and Vinca Kruk) with Marina Vishmidt (Eds.) Co-published by Jan van Eyck Academie

Peter Erni Die gute Form Programm des Schweizerischen Werkbundes

Corporate Diversity Swiss Graphic Design and Advertising by Geigy, 1940–1970 Museum of Design Zürich, Andres Janser, Barbara Junod (Eds.) 19.4 × 26.8 cm, 7 ¾ × 10 ½ in, 208 pages 385 illustrations, hardcover 2009, ISBN 978-3-03778-160-9, English 2009, ISBN 978-3-03778-161-6, German EUR 40.– GBP 40.– USD / CAD 65.–

English Edo Smitshuijzen Signage Design Manual 16 × 26 cm, 6 ¼ × 10 ¼ in, 456 pages 800 illustrations, hardcover 2007, ISBN 978-3-03778-096-1, English EUR 45.– GBP 40.– USD / CAD 60.–

Ruedi Baur Ruedi Baur Intégral Anticipating, Questioning, Inscribing, Distinguishing, Irritating, Orienting, Translating 16.5 × 24 cm, 6 ½ × 9 ½ in, 480 p., 200 illus., hc 2010, ISBN 978-3-03778-134-0, English 2010, ISBN 978-3-03778-202-6, German 2010, ISBN 978-3-03778-203-3, French EUR 50.– f: EUR 25.– GBP 50.– USD/CAD 80.–

Windfall Light The Visual Language of ECM Lars Müller (Ed.)

POSTER COLLECTION 24 The Magic of Things Museum of Design Zürich (Ed.)

POSTER COLLECTION 23 In Series Museum of Design Zürich (Ed.)

POSTER COLLECTION 07 Armin Hofmann Museum of Design Zürich (Ed.)

18.5 × 26 cm, 7 ¼ × 10 ¼ in, 448 pages 1260 illustrations, paperback 2010, ISBN 978-3-03778-157-9, English 2010, ISBN 978-3-03778-197-5, German EUR 55.– g: EUR 25.– GBP 50.– USD / CAD 85.–

16.5 × 24 cm, 6½ × 9 ½ in, 96 pages 127 illustrations, paperback 2012, ISBN 978-3-03778-258-3 English/German EUR 28.– GBP 25.– USD/CAD 40.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 96 pages 203 illustrations, paperback 2011, ISBN 978-3-03778-266-8 English /German EUR 28.– GBP 25.– USD / CAD 40.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 80 pages 80 illustrations, paperback 2003, ISBN 978-3-03778-004-6 English/German EUR 20.– GBP 15.– USD / CAD 22.–

French

22 × 30 cm, 8 ½ × 12 in, 160 pages 600 illustrations, hardcover 1983, ISBN 978-3-906700-01-4, German EUR 30.– GBP 28.– USD / CAD 45.–

German

17 × 24 cm, 6 ¾ × 9 ½ in, 608 pages 200 illustrations, paperback 2010, ISBN 978-3-03778-169-2, English EUR 45.– GBP 45.– USD/CAD 75.–

Hannes Wettstein Seeking Archetypes Studio Hannes Wettstein (Ed.) With essays by Max Küng and Volker Albus and a text collage by Thomas Haemmerli 23 × 29 cm, 9 × 11 ½ in, 292 pages 662 illustrations, hardcover 2012, ISBN 978-3-03778-265-1 English/German/Italian EUR 58.– GBP 55.– USD / CAD 85.–

German

19.5 × 26 cm, 7 ¾ × 10 ¼ in, 256 pages 408 illustrations, hardcover with stitched fabric cover 2011, ISBN 978-3-03778-187-6, English EUR 55.– GBP 50.– USD / CAD 65.–

English

7.4 × 10.5 cm, 3 × 4 in, 384 pages 15 illustrations, hardcover 2012, ISBN 978-3-03778-280-4, English EUR 20.– GBP 18.– USD / CAD 28.–

Michael Maharam Maharam Agenda

German

Design in Question Elisava, Design2context, Ruedi Baur and Vera Baur Kockot (Eds.)

English

DESIGN IN QUESTION

German

Backlist Photography

Andreas Seibert

The Colors of Growth China’s Huai River 26 × 19 cm, 10 ¼ × 7 ½ in, 272 pages 191 illustrations, hardcover 2013, ISBN 978-3-03778-295-8, English EUR 40.– GBP 35.– USD/CAD 50.–

Reset – Beyond Fukushima Will the Nuclear Catastrophe Bring Humanity to Its Senses? Adriano A. Biondo and Lars Müller (Eds.) Photographs by Kazuma Obara 23 × 29.7 cm, 9 ×11¾ in, 216 pages 130 illustrations, paperback 2012, ISBN 978-3-03778-292-7 English/Japanese EUR 50.– GBP 42.– USD/CAD 66.–

Andreas Seibert From Somewhere to Nowhere China’s Internal Migrants

Klaus Merkel Album of Stones

24 × 30 cm, 9 × 11 ¾ in, cardboard slipcase 2013, ISBN 978-3-03778-273-6, English EUR 120.– GBP 99.– USD / CAD 160.– 2013, ISBN 978-3-03778-264-4, German EUR 180.–

24 × 30 cm, 9 × 11 ¾ in, 120 pages 94 photographs, hardcover 2013, ISBN 978-3-03778-272-9, English 2013, ISBN 978-3-03778-263-7, German EUR 50.– GBP 45.– USD / CAD 70.–

24 × 30 cm, 9 ½ × 11 ¾ in, 160 pages 110 photographs, hardcover 2005, ISBN 978-3-03778-058-9, English 2005, ISBN 978-3-03778-062-6, German EUR 25.– GBP 23.– USD / CAD 38.–

Lukas Felzmann Swarm With contributions by Peter Pfrunder, Gordon H. Orians, Deborah M. Gordon, and Wallace Stevens

Christian Lutz Tropical Gift The Business of Oil and Gas in Nigeria

24 × 30 cm, 9 ½ × 11 ¾ in, 96 pages 84 photographs, hardcover 2000, ISBN 978-3-907044-97-1, English EUR 25.– GBP 25.– USD / CAD 38.–

21 × 27 cm, 8 ¼ × 10 ¾ in, 240 pages 115 photographs, hardcover 2011, ISBN 978-3-03778-241-5, English EUR 50.– GBP 45.– USD / CAD 70.–

30 × 24 cm, 11 ¾ × 9 ½ in, 96 pages 52 photographs, hardcover 2010, ISBN 978-3-03778-226-2, English EUR 35.– GBP 35.– USD / CAD 50.–

Christian Lutz Protokoll 30 × 24 cm, 11 ¾ × 9 ½ in, 90 pages 54 photographs, hardcover 2007, ISBN 978-3-03778-110-4 English/German/French/Spanish EUR 35.– GBP 35.– USD /CAD 45.–

German

English

Swiss Photobooks from 1927 to the Present A Different History of Photography Peter Pfrunder, Fotostiftung Schweiz (Eds.) 22 × 28 cm, 8 ¾ × 11 in, 704 / 576 pages 861 illustrations, hardcover 2012, ISBN 978-3-03778-274-3, German with English and French translations 2012, ISBN 978-3-03778-260-6, German EUR 75.– GBP 70.– USD / CAD 120.–

Christina Kleineidam, Hans Peter Jost Cotton worldwide 19 × 26 cm, 7 ½ × 10 ¼ in, 320 pages 220 illustrations, hardcover 2009, ISBN 978-3-03778-201-9, English 2009, ISBN 978-3-03778-200-2, German EUR 40.– GBP 40.– USD / CAD 60.–

Klaus Merkel The Reading of Time in the Text of Nature

German

Klaus Merkel Trees like Stones

German with English and French translations

Klaus Merkel Trilogy of Stone and Time

German

English

German

English

German

English

19 × 26 cm, 7 ½ × 10 ¼ in, 320 pages 228 photographs, hardcover 2008, ISBN 978-3-03778-146-3, English EUR 40.– GBP 40.– USD /CAD 55.–

Yann Mingard, Alban Kakulya East of a New Eden European External Borders A Documentary Account 25 × 33 cm, 9 ¾ × 13 in, 320 pages 150 illustrations, hardcover 2010, ISBN 978-3-03778-176-0 English/French EUR 60.– GBP 60.– USD/CAD 99.–

Jules Spinatsch Temporary Discomfort 24 × 30 cm, 9 ½ × 11 ¾ in, 186 pages 115 photographs, hardcover 2005, ISBN 978-3-03778-047-3 English/German EUR 30.– GBP 30.– USD / CAD 45.–

Luciano Rigolini What you see Fotostiftung Schweiz (Ed.) 12 × 16 cm, 4 ¾ × 6 ¼ in, 160 pages 107 photographs, hardcover 2008, ISBN 978-3-03778-139-5 English/German/French/Japanese EUR 25.– GBP 25.– USD / CAD 35.–

telehor. the international review new vision Facsimile Reprint and Commentary

Flower Works by Makoto Azuma Photographed by Shunsuke Shiinoki

Klemens Gruber and Oliver Botár (Eds.) With a text by Sigfried Giedion

Kyoko Wada (Ed.)

mezinárodní časopis pro visuální kulturu internationale zeitschrift für visuelle kultur the international review new vision

16.5 × 24.8 cm, 6 ½ × 9 ¾ in, 512 pages 203 color illustrations, paperback in transparent slipcase 2012, ISBN 978-3-03778-313-9, English EUR 58.– GBP 50.– USD / CAD 85.–

revue internationale pour la culture visuelle revista internacional para la cultura visual международный журнал визуальной культуры 国际视觉艺术期刊 a vizuális kultúra nemzetközi folyóirata

telehor l. moholy-nagy Kommentarband Commentary & Translations

21 × 29.7 cm, 8 ¼ ×11¾ in, 138 pages 69 illustrations, spiral binding (reprint) 21 × 29.7 cm, 8 ¼ ×11¾ in, 80 pages 52 illustrations, paperback (commentary) 2013, ISBN 978-3-03778-253-8 German/English/French/Czech/ Mandarin/Russian/Hungarian/Spanish EUR 50.– GBP 45.– USD/CAD 65.–

Klemens Gruber Oliver A. I. Botar Hrsg. /eds.

Lars Müller Publishers

Dan Graham Video – Architecture – Television Writings on Video and Video Works 1970–1978 Benjamin H. D. Buchloh (Ed.) Reprint, original 1979 28 × 21.6 cm, 11 × 8 ½ in, 96 pages 113 illustrations, paperback 2013, ISBN 978-3-03778-300-9, English EUR 40.– GBP 35.– USD/CAD 50.–

Katharina Grosse

My apartment was just to sleep in.

Katharina Grosse

Thomas Flechtner News

Hamish Fulton The Uncarved Block

In cooperation with GSAPP, Columbia University

35 × 50 cm, 13 ¾ × 19 ¾ in Portfolio with 112 printed-on newspaper pages in box 2013, ISBN 978-3-03778-318-4 English/German EUR 80.– GBP 65.– USD/CAD 120.–

30 × 24 cm, 11 ¾ × 9 ½ in, 160 pages 120 illustrations, hardcover 2010, ISBN 978-3-03778-227-9, Englisch EUR 50.– GBP 50.– USD / CAD 75.–

Silvia Bächli Lidschlag How It Looks

Silvia Bächli das Swiss Federal Office of Culture, Bern (Ed.)

22 × 28 cm, 8 ¾ × 11 in, 304 pages 211 illustrations, hardcover 2004, ISBN 978-3-03778-013-8 English/German EUR 30.– GBP 30.– USD / CAD 45.–

13 × 19.5 cm, 5 × 7 ¾ in, 136 pages 60 illustrations, paperback 2009, ISBN 978-3-03778-155-5 English/German EUR 23.– GBP 23.– USD / CAD 40.–

19 × 26 cm, 7 ½ × 10 ¼ in, 192 pages 140 illustrations, hardcover 2012, ISBN 978-3-03778-259-0, English EUR 45.– GBP 42.– USD / CAD 65.–

German

I spent most of my time in my studio or traveling.

English

Until a couple of years ago, my idea was that I had no need for a residence.

Dan Graham’s New Jersey Craig Buckley and Mark Wasiuta (Eds.)

Now I’m going to plant a kitchen garden around the house.

For Climate’s Sake! A Visual Reader of Climate Change René Schwarzenbach, Lars Müller, Christian Rentsch, and Klaus Lanz (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 576 pages 307 illustrations, hardcover 2012, ISBN 978-3-03778-245-3, English 2011, ISBN 978-3-03778-244-6, German EUR 45.– GBP 40.– USD/CAD 60.–

The Face of Human Rights Walter Kälin, Lars Müller, and Judith Wyttenbach (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 720 pages, 500 illus. 2004, ISBN 978-3-03778-017-6 English, hardcover EUR 45.– GBP 45.– USD / CAD 60.– 2008, ISBN 978-3-03778-114-2 German, paperback EUR 30.– GBP 30.– USD / CAD 50.–

German

English

29 × 16.3, 11 ½ × 6 ½ in, 304 pages 147 photographs, hardcover 2010, ISBN 978-3-03778-216-3 English /German /French /Icelandic EUR 40.– GBP 40.– USD / CAD 65.–

German

17 × 23 cm, 6 ¾ × 9 in, 144 pages 73 illustrations, hardcover 2009, ISBN 978-3-03778-170-8, English 2009, ISBN 978-3-03778-168-5, German EUR 30.– GBP 30.– USD / CAD 45.–

German

Silvia Bächli and Eric Hattan BLINDHÆÐIR East Iceland Editions Attitudes, Geneva (Ed.)

English

Katharina Grosse Wish I Had a Big Studio in the Center of the City

English

Lars Müller Publishers

German

Lars Müller Publishers

Wish I had a big studio in the center of the city

English

Wish I had a big studio in the center of the city

Only one window opens, and it’s violet.

Who Owns the Water? Lars Müller, Klaus Lanz, Christian Rentsch, and René Schwarzenbach (Eds.)

Faith Is. The Quest for Spirituality and Religion Lukas Niederberger and Lars Müller (Eds.)

16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages 256 illustrations, hardcover 2006, ISBN 978-3-03778-018-3, English 2006, ISBN 978-3-03778-015-2, German EUR 45.– GBP 45.– USD / CAD 60.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 396 pages 159 illustrations, hardcover 2009, ISBN 978-3-03778-144-9, English 2009, ISBN 978-3-03778-143-2, German EUR 32.– GBP 25.– USD / CAD 44.–

Backlist Art/Society

Encyclopedia of Flowers

Lars Müller Publishers GmbH Pfingstweidstrasse 6 CH-8005 Zürich Switzerland Phone +41 (0)44 274 37 40 Fax +41 (0)44 274 37 41 sales@lars-muller.ch www.lars-muellerpublishers.com

INTERNATIONAL DISTRIBUTION UNITED KINGDOM AND WORLD (excluding Continental Europe and North America) UK Office Prestel Publishing Limited 14–17 Wells Street London W1T 3PD Phone +44 (0)20 7323 5004 Fax +44 (0)20 7323 0271 sales@prestel-uk.co.uk Andrew Hansen – Managing Director ahansen@prestel-uk.co.uk Oliver Barter – Sales Manager obarter@prestel-uk.co.uk Keira Parish – Sales Executive kparish@prestel-uk.co.uk Distribution Grantham Book Services (G BS) Trent Road, Grantham Lincolnshire NG31 7XQ Phone +44 (0)1476 541080 (UK Customer Services) Phone +44 (0)1476 541082 (Export Customer Services) Fax +44 (0)1476 541061 (UK Customer Services) Fax +44 (0)1476 541068 (Export Customer Services) orders@gbs.tbs-ltd.co.uk (UK Customer Services) export@gbs.tbs-ltd.co.uk (Export Customer Services) www.granthambookservices.co.uk

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Middle East, ISRAEL, North Africa and Eastern Mediterranean Richard Ward Peter Ward Book Exports 1 Adams Mews London SW17 7RD UK Phone +44 (0)20 8672 1171 richard@pwbookex.com

Continental Europe Lars Müller Publishers GmbH Pfingstweidstrasse 6 CH-8005 Zürich Phone +41 (0)44 274 37 40 Fax +41 (0)44 274 37 41 sales@lars-muller.ch www.lars-mueller-publishers.com Distribution Verlegerdienst München GmbH Gutenbergstrasse 1 D-82205 Gilching Phone +49 (0)8105 388 618 Fax +49 (0)8105 388 259 Contact: Sabina Dzigal lars-mueller@verlegerdienst.de FRANCE Interart 1, Rue de l’Est F-75020 Paris Phone +33 (0)1 434 93 660 Fax +33 (0)1 434 9 41 22 commercial@interart.fr

North America Sales and Marketing Office Prestel Publishing 900 Broadway, Suite 603 New York, NY 10003 Phone (212) 995-2720 Fax (212) 995-2733 sales@prestel-usa.com Stephen Hulburt – Vice President shulburt@prestel-usa.com Raya Thoma – Marketing and Special Sales Director rthoma@prestel-usa.com Customer Service, W arehouse, and Fulfillment Prestel Publishing Innovative Logistics 575 Prospect Street Lakewood, NJ 08701 Phone (732) 363-5679 Fax (732) 363-0338 toll-free for orders: (888) 463-6110 toll-free fax for orders: (877) 372-8892

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