Lars Müller Publishers Spring Catalog 2013 by Lars Müller Publishers

Lars Müller Publishers Spring 2013 Architecture Design Photography Art Society Our spring program offers selected titles that deal with pertinent topics and issues in architecture, design, photography, art and society. The classics of tomorrow meet up with those of yesteryear. Intriguing encounters between old and new await in the books on Zaha Hadid’s cultural center in Baku, on the London churches by British Baroque architect Nicholas Hawksmoor, and Kenneth Frampton’s Genealogy of Modern Architecture. The retrospective of thirty decisive years of the Swiss design magazine Typografische Monatsblätter and Ruedi Baur’s Please Don’t Brand My Public Space are impressive demonstrations of just how worthwhile it is to get beyond the usual formal categories when thinking about design. It is a special pleasure to present in Le Corbusier: Secret Photographer and The Cosmopolitics of Visual Memory: Albert Kahn and the Archives of the Planet two high-class photography titles that open up to the public heretofore little-known and fascinating chapters in the history of the medium. We are also proud of our extensive backlist of books that are fine examples of substantive relevance, editorial care, and consistently excellent design. These titles attest to the kind of programmatic continuity and ongoing development we stand for as an independent publisher.

Lars Müller

www.lars-mueller-publishers.com

New Title Architecture

Finnish Pavilion Alvar Aalto

Pavillion des Temps Nouveaux Le Corbusier

Kimbell Art Museum Louis Kahn

Nordjyllands Kunstmuseum Elissa and Alvar Aalto and Jean-Jacques Baruël

Willis Faber-Dumas Norman Foster

Centraal Beheer Herman Hertzberger with Lucas and Niemeijer

Kaufmann House Richard Neutra 2

Villa Sarabhai Le Corbusier

A Comparative Critical Analysis of Built Form by Kenneth Frampton Reference work for students Comparative analyses accompanied by extensive visual material Genealogy of Modern Architecture is a reference work on modern architecture by Kenneth Frampton, one of today’s leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000 , it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inﬂected. Richly illustrated, Genealogy of Modern Architecture is a new standard work in architectural education.

Available May 2013

KE NNETH FRAMPTON , born 1930 , is one of the world’s most renowned architectural theorists, the author of the world best seller Modern Architecture: A Critical History, and a professor at Columbia University, New York.

16 .5 × 24 cm, 6 ½ × 9 ½ in, 320 pages approx. 500 illustrations, hardcover

ISBN 978-3-03778-369-6, English ISBN 978-3-03778-371-9, German E UR 36 .– G BP 30 .– USD / CAD 45 .–

RELATED TITLE Five North American Architects page 22

English

German

Tugendhat House

Villa Mairea

<> 1

Architect: Ludwig Mies van der Rohe

Brno, Czechoslovakia, 1930 Climate: Continental

Tugendhat House Ludwig Mies van der Rohe

Tugendhat House

Villa Mairea

Architect: Alvar Aalto Noormarku - Finland,1939. Climate: Continental

Villa Mairea Alvar Aalto

Tugendhat House

12 Raerem qui dolendit que quaspedis ex evelia

13 doluptatur, sandem quia sandem quia

14 etum adite porionseque nos sandem quia

Villa Mairea

Tugendhat House, Ground Floor

Upon entering the Tugendhat House one finds oneself in a generous foyer, paved throughout in travertine. 9 This space is furnished with Mies’s MR chairs and lit through full-height walls of opalescent glass. This is the only public space on the upper level, since the remainder of the floor is devoed to private bedrooms. A generous stair descends directly from this representational space nto the living room below, where one encounters a second threshold with a full height, steel-framed glass door separating the stair hall from the freely planned living volume which opens out beyond. Thus unlike the Villa Mairea, the main stair is isolated from the internal space-form of the house. The living space of the Tugendhat House has a more monumental character than that of the Villa Mairea, although different areas of activity are indicated by screen walls which, by virtue of their material character, suggest different social settings, such as the onyx wall flanking the sitting area 10 or the semicircular screen, veneered in rosewood, which encloses the dining alcove. 11 The large floor area, finished in linoleum, opens onto an external terrace, paved in travertine, which leads to a wide stair faced in the same material descending to the garden below. The conservatory, also paved in travertine, has a similar neoclassical character, reinforced by a diminutive ountain pool. 12 Otherwise in contrast to the Villa Mairea, the space is differentiated by furniture rather than by changes in floor finish. The

Villa Mairea House, Ground Floor

retractable plate glass window-wall of the Tugendhat House is capable, when withdrawn into the podium-basement, of transforming the living space into a belvedere. 13 An additional, more intimate connection to the garden is pro vided through the conservatory. Otherwise, as we have already noted, the living volume is articulated through an exceptionally sensuous use of material such as the onyx wall separating the lounge from the study or floor-to-ceiling cutainsof raw silk, running on tracks close to the ceiling. 14 These are not only capable of sub-dividing the volume but also of closing off the large plate-glass window at night. Eight free-standing cruciform columns, clad in chromium steel 24 , also serve to articulate the pace hroughout. Interms of goal-route the principal circulation leads counter-clockwise from the foyer into the living room below. Here it serves the primary goals of the lounge and the dining area together with the secondary focii of the study and the conservatory. Although it is just as freely planned as the Tugendhat House, the organization of the Villa Mairea is more differentiated in terms of flooring material. This is immediately indicated by the wooden portico at the entry 7 Thereafter the free-flowing space of the villa is articulated into five well defined areas. After entering, a tiled foyer provides access to the living and dining spaces through two separate short stairs, leading to the living space on the left 15 and dining on the right. D These preliminary

New Title Architecture

Genealogy of Modern Architecture

New Title Architecture

Photographs by Hélène Binet and Iwan Baan

Unique documentation of the recently completed cultural center by Zaha Hadid in Baku The photographs by Hélène Binet and Iwan Baan provide a detailed portrait of the building

Available March 2013 approx. 21 × 28 cm, 8 ¼ × 11 in, 116 pages approx. 100 illustrations, hardcover ISBN 978-3-03778-353-5, English EUR 40.– GBP 33.– USD/CAD 55.– RELATED TITLES Car Park and Terminus Strasbourg page 23 Architecture of Zaha Hadid in Photographs by Hélène Binet page 23

Zaha Hadid: Heydar Aliyev Centre is devoted to the new cultural center designed by Zaha Hadid in the Azerbaijani capital of Baku. As one of the most important cultural centers in the country, the building houses a variety of institutions under one roof. With the design, the renowned architect won the architecture competition in 2007 . Inside its surface of fiberglass-reinforced concrete the building contains an auditorium that seats over a thousand, a conference center, a museum, and a library. Its open, inviting, and curvilinear design, which picks up and expands on forms from the surrounding environment, strongly differentiates the building from the city’s monumental architecture of the Soviet era. Photographs by Hélène Binet and Iwan Baan display the building in all of its facets, making it possible for the reader to experience its formal, haptic, and spatial qualities. Essays explain conceptual and technical aspects of this impressive piece of architecture. ZAHA HADID, born in 1950 in Baghdad, is one of the most inﬂuential architects

of our time. Her international breakthrough came with the Vitra Fire Station in Weil am Rhein. Among her most recent buildings are the Riverside Museum in Glasgow, the MAXXI Museum of Art in Rome, and the Guangzhou Opera House. She was the first woman to win the Pritzker Prize (2004 ). Hadid lives and works in London.

New Title Architecture

Zaha Hadid Heydar Aliyev Centre

New Title Architecture

Edited by Mohsen Mostafavi Photographs by Hélène Binet Impressive black-and-white photographs by Hélène Binet document the beauty of Hawksmoor’s churches Portrait of the iconic London churches built by the British Baroque architect

Available April 2013 24 × 30 cm, 9 ½ × 11 ¾ in, 112 pages approx. 50 illustrations, hardcover ISBN 978 -3 -03778 -349 -8 , English E UR 38 .– G BP 30 .– USD /CAD 50 .–

British architect Nicholas Hawksmoor ( approx. 1661 –1736 ) is recognized as one of the major contributors to the traditions of British and European architectural culture. Nevertheless, there is insufficient visual documentation and analysis of his work. Nicholas Hawksmoor: Seven Churches for London reconsiders his architecture in relation to urbanism. The publication focuses on a series of important London churches the architect designed during the early part of the eighteenth century. The key distinguishing features of these churches are their spires, each designed with different qualities and motifs. While Hawksmoor was inspired by the ancient history of architecture, his work was considered radical and contemporary in its day. Photographer Hélène Binet was specially commissioned to document the various aspects of the seven remaining London churches. Her immaculate black and white photographs demonstrate the beauty of Hawksmoor’s architecture with special attention to the variety of scales, sites, interiors, textures, and materials. MOHSE N MOSTAFAVI , an architect and educator, is dean of the Harvard University Graduate School of Design and the Alexander and Victoria Wiley Professor of Design. HÉLÈNE BINET is an internationally acclaimed architecture photographer based

in London.

New Title Architecture

Nicholas Hawksmoor: Seven Churches for London

New Title Architecture

Baku Oil and Urbanism Edited by Eve Blau with Ivan Rupnik With a portfolio of contemporary Baku by photographer Iwan Baan First study on the relationship between oil and urbanism Features maps, archival images and photographs of present-day Baku

Available March 2013 16 .5 × 24 cm, 6 ½ × 9 ½ in, 320 pages approx. 700 illustrations, hardcover ISBN 978 -3 -03778 -306 -1, English E UR 50 .– G BP 45 .– USD / CAD 60 .–

Baku: Oil and Urbanism is the first architectural study of the relationship between oil and urbanism. Its focus is Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union. Since the late 19 th century, oil and urbanism have been intertwined in the spaces of the city. Later, Baku was the site of one of the most spectacular experiments in Soviet urban and infrastructural design —“Neft Dashlari,” the first off-shore drilling facility in the world, a city built on trestles in the Caspian Sea. Today, Baku is undergoing its second major oil boom. The book examines how urban design, planning, and architecture have dealt with the issue of oil in varying political conditions. Working with maps and archival photographs, the book analyzes sites, buildings, urban fabric, and plans to understand the evolution of the city. EVE BLAU is adjunct professor of the history of urban form at the Harvard University Graduate School of Design. Previously director of the architecture degree programs at the GSD and curator of exhibitions and publications at the Canadian Centre for Architecture in Montreal, she has written extensively on modern architecture, urbanism, and the post-socialist city.

Oil Baron City (1872–1920)

Extraction: Oil fields + Pipelines: Balakany, BibiEibat

Extraction of oil

“It is here that the crude petroleum, sucked up or allowed to spout from the bowels of the earth in Balakhani, and pumped thence from reservoirs through pipes to the shore of the bay, is distilled into burning oil and other products for the markets of Europe.” 1825

1880

1883

Oil Baron City (1872–1920)

Construction within the Ring Road/ Vorstadt Area during the Oil Baron Period 1890–1912

Construction within the Ring Road/Vorstadt Area during the Oil Baron Period 1890-1912

Leniendae voluptate essequias eum que volore volores simodi ut di omnihil itatem la voleseque pratiis este nullaut qui optatur sus volora ea prorrorit fugia dit qui od quodipisin recatibus rem aut andit estrumque comniminis arum sum aut et acilit, essinve lecearum vendel et, excesti orerfer spidige nectiae exerciis et etur, officia doloriam faccuptam, aspe voloruptur, ad mollique dolor solorem rernationsed maio. Iciet pelenihit es nis resti occus dolum hit fugitinus excepere, nonet ab idem nihicab oressitiam vita eum sitaes ad molupic tem qu

Embassy of the USA 1912

Blue Mosque 1912-13 eng.: Z. Ahmedbekow

Kirkha (Hall of Organ Music) 1895-98 arch.: A. Eyhler

The Landmark Building 1909/1998

Opera and Ballet Theatre 1910-11 eng.: N. Bayev

Song Theatre 1912 arc./eng.: ??

Church of Archangel Michael 1845

Embassy of Turkey 1912

Russian Drama Theatre 1900 arch./eng.: ??

Embassy of Iraq Late 19th century

Taza Pir Mosque

Union of Architects

1905-14 Z. Ahmedbekow

1899 arch.: E.Y. Skibinskiy

Building 1896 arch.: I. V. Edel

Embassy of France 1895 arch.: I. V. Edel Embassy of Germany (B-4) 1900

Taghiyev’s Residence - The National Museum of History 1893-1902 eng. I. Goslavskiy

Imam Hussein Mosque 1899-1909 arch.: A. Eykhler Palace of Happiness 1911-12 eng.: I. Ploshko

Azerbaijan Cinema 1910/1988/1998 arch.: R. Seyfullayev

Ismayilliya 1908-13 eng.: I. Ploshko

The international Bank (old) 1903-05

Building 1898-1902 arch.: I. V. Edel Embassy of Iran 1901

Chained House 1890 Puppet Theatre 1910 eng.: I. Ploshko

Baki Soveti 1900-04 arch.: i. Goslavsky

Isa Bey Hojinski building 1912

Philharmonic Society 1910-12 [Termikelov, accord. to Fattulayev]

Art Museum 1888-95 eng. N.A. fon der Nonne

State Oil Company of Azerbaijan 1891-96 arch.: P. Shtern

Bank of Baku 1907 eng.: I. Ploshko

Church of Archangel Michael

Oil Baron City (1872–1920)

How Culture Leaves its Mark on Cities and Architecture around the World Edited by Wilfried Wang, Akademie der Künste, Berlin Design: Heimann und Schwantes Numerous texts and images examine the revaluation of cities through prestigious cultural projects as well as cultural producers On the occasion of the exhibition Culture:City at Akademie der Künste, Berlin, March 14 –May 26 , 2013 , curated by Matthias Sauerbruch

Available March 2013 21.5 × 27.5 cm, 8 ½ × 10 ¾ in, 224 pages approx. 380 illustrations, hardcover ISBN 978-3-03778-335-1, English ISBN 978-3-03778-336-8, German EUR 40.– GBP 33.– USD/CAD 55.–

Since the late 1990 s cultural icons have been built in numerous cities throughout the world in order to court the attention of potential visitors in a globally competitive market. The book Culture:City analyzes this phenomenon from the point of view of artists, architects, and scientists. Does culture today still function as a guiding principle, or does it merely serve as a catalyst for spectacular buildings? Are the creative and cultural sectors the industries of the future in postindustrial societies? Do these buildings liberate or constrain the cultural activities that gave rise to them in the first place? How does the “Bilbao effect”—the revaluation of a city through prestigious cultural buildings—work? Thirty pioneers, case studies, and negative examples are assembled paradigmatically in this book. Numerous essays and illustrations provide the reader with extensive and profound insight into this phenomenon. WILFRIED WANG, born in Hamburg, is a partner in the office of Hoidn Wang Partner,

English

assistant director of the architecture department at the Akademie der Künste, and the O’Neil Ford Centennial Professor of Architecture, The University of Texas at Austin.

German

MATTHIAS SAUE RBRUCH , curator of the exhibition, is a partner in the office Sauerbruch Hutton, a member of the architecture department at the Akademie der Künste, and a lecturer at various universities.

Metropol Parasol, Seville

Centre Pompidou, Paris

Kunsthaus Graz

New Title Architecture

Culture: City

New Title Design

Please Don’t Brand My Public Space Edited by Ruedi Baur and Sébastien Thiery A project of the research series by Design2 context Design: Ruedi Baur, Maria Roskowska Critical investigation of visual branding strategies of cities, states, and other political spaces

Available March 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages approx. 500 illustrations, paperback ISBN 978-3-03778-348-1, English ISBN 978-3-03778-354-2, French EUR 40.– GBP 33.– USD/CAD 55.–

Please Don’t Brand My Public Space is a critical investigation of the visual strategies employed to identify and brand political spaces. Isn’t it about time to look at their often banal images as part of a crisis of political representation? In the context of a revival of xenophobic propaganda on the one hand and the degradation of places into pure marketing products on the other, it is possible to recognize an increasingly theatrical, unquestioned production of public signs and symbols. Contributions on the theme by political scientists, designers, and sociologists make reference to the three visual essays that are at the heart of the book: “The Noticeable Absence of a Flag of the Earth” by Ruedi Baur, “Depictions of Federalism and Nationalism: Comparing Former Yugoslavia, Switzerland, and Belgium” by Irena Bockaj, and “European Capitals in Competition” by Maria Roskowska. The publication is released in collaboration with Civic City ( HEAD Genève ) and the research program “ Écrire la ville ” ( Ensadlab, Paris ). RUE DI BAUR, born in Paris in 1956 , is a graphic designer. He is the founder and

English

head of intégral ruedi baur et associés, Zürich, Berlin, and Paris, and director of the institute for design research Design2context at the Zürich University of the Arts. Baur is a professor at ENSAD, Paris. He is the cofounder and codirector of the postgraduate program Civic City at HEAD in Geneva, and of the Institute for Critical Research and Sciences in Design, Paris. RELATED TITLES

French

Design in Question page 25, Ruedi Baur Intégral page 27

TM RSI SGM 1960 –90

Edited by École cantonale d’art de Lausanne (ECAL ) and Roland Früh, Louise Paradis and François Rappo Design: Louise Paradis Overview of the history of Swiss graphic design as published in the inﬂuential magazine Typografische Monatsblätter A must-have for every designer and typographer

Available April 2013 20 × 29 cm, 7 ¾ × 11 ½ in, 240 pages approx. 400 illustrations, hardcover ISBN 978-3-03778-334-4, English EUR 50.– GBP 45.– USD/CAD 65.–

The Typograﬁsche Monatsblätter is one of the most important journals to successfully disseminate the phenomenon of “Swiss typography” to an international audience. With more than 70 years in existence, the journal witnessed significant moments in the history of typography and graphic design. 30 Years of Swiss Typographic Discourse in the Typograﬁsche Monatsblätter examines the years 1960 –90 , that correspond to a period of transition in which many factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed the fields of typography and graphic design. The book includes a large number of works from well-known and lesser-known designers such as Emil Ruder, Helmut Schmid, Wolfgang Weingart, Hans-Rudolf Lutz, Jost Hochuli and many others. ROLAND FRÜH, born in 1981 , works as a lecturer of design and art theory at the ECAL . LOUISE PARADIS, born in 1980 , graduated from the Master in Art Direction program

at the ECAL . FRANÇOIS RAPPO, born in 1955 , trained as a graphic designer, specializing in the field of type design. He currently teaches at the ECAL .

From International to Experimental

TM RSI SGM 1960–90

1960

1961

1962

1963

257 Covers 32 Typefaces 54 Designers

30 Years

Yves Zimmermann

Unidentified

Siegfried Odermatt

Emil Ruder

André Gürtler & Bruno Pfäffli

Felix Berman

Maecenas ipsum tortor, gravida ac sagittis, scelerisque dapibus leo. Cras odio lorem, consectetur no ultrices vitae, tempor sed massa. Duis bibendum posuere nulla, id sodales arcu dapibus quis. In hac habitasse platea dictumst. Mauris a mauris tortor. Aliquam tincidunt convallis vel porta. Sed eget est non justo sem.

Cras odio lorem, consectetur no ultrices vitae, tempor sed massa. Maecenas ipsum tortor, gravida ac sagittis, scelerisque dapibus leo. Duis bibendum posuere nulla, id sodales arcu dapibus quis. In hac habitasse platea dictumst. Mauris a mauris tortor.

Robert Büchler

Siegfried Odermatt

Robert Büchler

Unidentified

Emil Ruder

André Gürtler & Bruno Pfäffli

Emil Ruder

André Gürtler & Bruno Pfäffli

Felix Berman

André Gürtler

From International to Experimental

1970–1977 Emerging language and raise of intuition

1960–1964 Pinnacle of “Swiss Typography”

New Title Design

30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter

New Title Design

Die gute Form: An Exhibition 1949 Edited by Claude Lichtenstein and the Museum für Gestaltung, Zürich A complete reproduction of Max Bill’s exhibition—a myth of Swiss design— in book form A guide to classical modernist design beyond short-lived fashion and design trends

Available May 2013 22 × 30 cm, 8 ½ × 11 ¾ in, 160 pages approx. 120 illustrations, hardcover ISBN 978-3-03778-372-6, English ISBN 978-3-03778-339-9, German EUR 33.– GBP 27.– USD/CAD 45.–

The special exhibition Die gute Form, put on by the Swiss Werkbund (SWB ) at the Basel trade fair in 1949 , was an event that caused a furor far beyond Switzerland’s borders. The renowned architect, designer, and graphic artist Max Bill was the mastermind behind the idea and personally selected the exhibits and designed their setting. Eighty exhibition panels showed consumer objects of exemplary design, from a teacup to the jet plane. Bill recognized the emerging, American-style commodity aesthetic that was making inroads into Switzerland and postwar Europe and sought to confront it with a specifically “Swiss” aesthetic shaped by a desire to create long-lasting forms. This publication documents Bill’s initiative by presenting the original exhibition panels and Ernst Scheidegger’s photographs of the installation, places this famous design show in a theoretical and design-historical context, examines its background, and creates a link to the publishing house’s first publication from 1983 . CLAUDE LICHTE NSTE IN , born 1949 , is a curator, lecturer, and author. 1985 –2002 he was a curator at Museum für Gestaltung Zürich. Since 2002 , he has been working

English

as an independent exhibition curator. RELATED TITLE Die gute Form page 27

German

New Title Design

Max Bill’s View of Things

New Title Photography

Edited by Kjetil A. Jakobsen and Trond E. Bjorli First publication offering a thematic access to Albert Kahn’s “The Archives of the Planet” Essays by media theorists allow an independent view on the archives and the beginnings of color photography

Available April 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 400 pages approx. 250 illustrations, hardcover ISBN 978-3-03778-340-5, English EUR 50.– GBP 45.– USD/CAD 65.–

In 1912 , the French banker and philanthropist Albert Kahn ( 1860 –1940 ) founded “The Archives of the Planet,” an extensive collection of photographs and films that today contains 72 ,000 autochromes and 183 ,000 meters of film. Between 1909 and 1932 , Kahn sent documentarists to sixty countries on four continents to capture on film and in autochromes the everyday life and the art, culture, and religion of different societies. He was convinced that the knowledge of foreign cultures promoted mutual respect among people. The Cosmopolitics of Visual Memory: Albert Kahn and the Archives of the Planet is the first publication offering a thematic access to this fascinating collection of visual records, highligting aspects such as mobility, communications, or ethnographic documentation. Texts by Jay Winter, Paula Amad, Kjetil A. Jakobsen, Trond E. Bjorli, and Gilles Baud-Berthier discuss the role of the then new media in establishing a cosmopolitan and pacifist worldview as well as Henri Bergson’s inﬂuence on Albert Kahn. In addition, Trond Lundemo reﬂects on the medial conditions of analogous imagery, seen from our perspective of the digital age. KJETIL A. JAKOBSE N , born in 1965 in Norway, is a cultural historian and is currently the Henrik Steffens Professor at Humboldt University in Berlin. He co-curated the Albert Kahn exhibition at the Norwegian Museum of Cultural History in Oslo in 2011 . TROND E. BJORLI , ethnographer and historian of photography, is a curator at the

Norwegian Museum of Cultural History in Oslo, where he co-curated the Albert Kahn exhibition in 2011 . He is the author of several books on Scandinavian photography.

New Title Photography

The Cosmopolitics of Visual Memory: Albert Kahn and the Archives of the Planet

New Title Photography

Le Corbusier: Secret Photographer A publication dedicated to Le Corbusier as a photographer Contains previously unpublished photographs by Le Corbusier In Le Corbusier: Secret Photographer Tim Benton reﬂects on the famous architect’s use of photography, starting with the young Charles-Edouard Jeanneret’s attempts to take professional photographs during his travels in central Europe, the Balkans, Turkey, Greece, and Italy. While Le Corbusier always claimed that he saw no virtue in taking photographs, he actually bought three cameras and took several hundred photographs between 1907 and 1917 , many of them of publishable quality. In 1936 he acquired a 16 mm movie camera and took 120 sequences of film and nearly 6 ,000 photographs with it.

Available March 2013 16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages approx. 500 illustrations, hardcover ISBN 978-3-03778-344-3, English EUR 40.– GBP 33.– USD/CAD 55.–

This previously unpublished material is the basis for the publication. It reveals Le Corbusier to be a sensitive and brilliant manipulator of a wide range of photographic styles. Le Corbusier: Secret Photographer provides dramatically new insights into Le Corbusier’s visual imagination, his changing attitudes towards nature and materials in the 1930 s, and his distrust of progress. TIM BE NTON, born in Rome in 1945 , was educated at Cambridge and the Courtauld

Institute of Art, London. He taught for forty years at the Open University England and is currently professor emeritus in the history of art. RELATED TITLES Le Corbusier’s Pavilion for Zurich page 22 Le Corbusier, Architect of Books page 23 Vers une architecture du livre page 23

New Title Photography

Tim Benton

New Title Art

Antonio Foscari

Frescos In the Rooms of Palladio Malcontenta 1557 –1575 After Andrea Palladio – Unbuilt Venice and Tumult and Order, the third volume by Antonio Foscari focuses on the frescos in the Villa Malcontenta in Venice The publication deals with the relationship between the three arts of architecture, painting and sculpture in the Renaissance era

Available March 2013 15 × 24 cm, 6 × 9 ½ in, 248 pages approx. 180 illustrations, hardcover ISBN 978-3-03778-370-2, English EUR 40.– GBP 35.– USD/CAD 50.–

During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas. At the Villa Malcontenta, for example, one of Venice’s best-known fresco painters of the day, Giovanni Battista Zelotti, was commissioned to design the interior. In Frescos, Antonio Foscari analyzes this fresco cycle, one that not only represents an outstanding example of trompe l’oeil based on architectural structures – and which is closely modeled on Palladio’s ideals – but also sheds light on formative events within the family that commissioned Palladio. This publication contains a wealth of historical documents as well as photographs of the frescos by Matthias Schaller. ANTONIO FOSCARI is an architect and has been a professor of architecture at the University of Venice since 1971 . In 1973 , he restored the Villa Malcontenta, built

for his ancestors by Andrea Palladio, and has concentrated his research on buildings by the great Renaissance architect since that date. RELATED TITLES Tumult and Order page 21 Andrea Pallacio – Unbuilt Venice page 21 The Private Palladio page 21

Facsimile Reprint and Commentary Edited by Klemens Gruber and Oliver Botár With a text by Sigfried Giedion Reprint of the legendary special edition of the telehor magazine by László Moholy-Nagy Key texts on modern photography and film-theory Available March 2013 21 × 29 .7 cm, 8 ¼ × 11 ¾ in 138 pages, 56 illustrations

spiral binding (reprint), paperback (commentary) in slipcase ISBN 978 -3 -03778 -253 -8 German/English/French/Czech/ Mandarin/Russian/Hungarian/Spanish E UR 50 .– G BP 45 .– USD / CAD 65 .–

In 1936 the first and only issue of the magazine telehor (Greek for tele-vision) was released in four languages, as a special edition on and by László Moholy-Nagy. The facsimile reprint of the magazine is accompanied by a commentary volume. The reprint makes the magazine accessible again in terms of its artistic and theoretical-historical dimensions. Particular attention has been paid to the production process. Thus the volume appears spiral-bound, an ultramodern technique in the mid-1930 s. The commentary contains an editorial statement that places the magazine, telehor, in the context of the art and media of the 1920 s and 1930 s and unlocks the position of the artistic avant-garde at the intersection of two epochs. It also contains new translations of the original texts: in Mandarin, Russian, Hungarian and Spanish. LÁSZLÓ MOHOLY-NAGY (1895 -1946 ) is one of the central figures of the European

avant-garde. His move from Budapest through Vienna to Berlin, his call to the Bauhaus in Weimar/Dessau by Gropius in 1923 , his ﬂight from the Nazis first to the Netherlands, then to London, and finally to Chicago, where he became director of the “New Bauhaus” and founded the “School of Design”, all these stations set the horizon for his poly-artistic research.

New Title Art

telehor. Internationale Zeitschrift für visuelle Kultur

Backlist Architecture

Torre David Informal Vertical Communities Alfredo Brillembourg and Hubert Klumpner, Urban-Think Tank Chair of Architecture and Urban Design, ETH Zürich (Eds.) Photographs by Iwan Baan 16.5 × 24 cm, 6 ½ × 9 ½ in, 416 pages 406 illustrations, hardcover 2012, ISBN 978-3-03778-298-9, English EUR 45.– GBP 38.– USD/CAD 60.–

Wang Shu Imagining the House 24 × 29.7 cm, 9 ½ × 11 ¾ in, 168 pages, 68 drawings 15 photographs, paperback, Japanese binding 2012, ISBN 978-3-03778-314-6, English EUR 50.– GBP 45.– USD/CAD 65.–

Sou Fujimoto Sketchbook

Eduardo Souto de Moura Sketchbook No. 76

13 × 21 cm, 5 × 8 ¼ in, 240 pages facsimile of the original sketchbook, hardcover 2012, ISBN 978-3-03778-327-6, English/Japanese EUR 40.– GBP 35.– USD/CAD 50.–

14.8 × 21 cm, 5 ¾ × 8 ¼ in, 200 pages facsimile of the original sketchbook, hardcover 2012, ISBN 978-3-03778-312-2 EUR 32.– GBP 26.– USD / CAD 42.–

In the Life of Cities Parallel Narratives of the Urban Mohsen Mostafavi (Ed.) In cooperation with Harvard University Graduate School of Design

Instigations Engaging Architecture, Landscape, and the City GSD 075 Mohsen Mostafavi and Peter Christensen (Eds.), in cooperation with Harvard University Graduate School of Design

Kenzō Tange Architecture for the World Seng Kuan and Yukio Lippit (Eds.) In cooperation with Harvard University Graduate School of Design

16.5 × 24 cm, 6 ½ × 9 ½ in, 376 pages 286 illustrations, hardcover 2012, ISBN 978-3-03778-302-3, English EUR 50.– GBP 45.– USD/CAD 60.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 560 pages 559 illustrations, paperback 2012, ISBN 978-3-03778-307-8, English EUR 50.– GBP 45.– USD/CAD 60.–

25 × 20.7 cm, 9 ¾ × 8 ¼ in, 192 pages 186 illustrations, hardcover 2012, ISBN 978-3-03778-310-8, English EUR 50.– GBP 45.– USD/CAD 60.–

Steven Holl – Scale Lars Müller (Ed.)

Steven Holl – Color Light Time With essays by Jordi Safont-Tria, Sanford Kwinter, and Steven Holl

From Camp to City Refugee Camps of the Western Sahara Manuel Herz (Ed.) In cooperation with ETH Studio Basel

16.8 × 12.6 cm, 6 ½ × 5 in, 480 pages 420 illustrations, hardcover 2012, ISBN 978-3-03778-251-4, English EUR 40.– GBP 38.– USD / CAD 55.–

12.6 × 16.8 cm, 5 × 6½ in, 144 pages 72 illustrations, hardcover 2012, ISBN 978-3-03778-252-1, English EUR 32.– GBP 25.– USD / CAD 40.–

Floating Images Eduardo Souto de Moura’s Wall Atlas André Tavares and Pedro Bandeira (Eds.) 14.8 × 21 cm, 5 ¾ × 8 ¼ in, 160 pages 202 illustrations, hardcover 2012, ISBN 978-3-03778-301-6, English EUR 38.– GBP 32.– USD/CAD 50.–

17.6 × 24 cm, 7 × 9 ½ in, 512 pages 1172 illustrations, hardcover 2012, ISBN 978-3-03778-291-0, English EUR 50.– GBP 45.– USD/CAD 65.–

Antonio Foscari Tumult and Order Malcontenta 1924–1939

10.8 × 20.4 cm, 4 ¼ × 8 in, 108 pages 50 illustrations, hardcover 2012, ISBN 978-3-03778-299-6, English EUR 28.– GBP 25.– USD/CAD 36.–

15 × 24 cm, 6 × 9 ½ in, 248 pages 211 illustrations, hardcover 2012, ISBN 978-3-03778-297-2, English EUR 40.– GBP 35.– USD/CAD 50.–

Backlist Architecture

Guido Beltramini The Private Palladio

Antonio Foscari Andrea Palladio – Unbuilt Venice 15 × 24 cm, 6 × 9 ½ in, 288 pages 230 illustrations, hardcover 2010, ISBN 978-3-03778-222-4, English EUR 40.– GBP 40.– USD / CAD 60.–

IMperfect HealtH

the MediCaLization of arChiteCture

Today we are anxious about ground pollution, food safety, smog, obesity and aging. Because almost everything in our surroundings is perceived as a possible source of disease, the health, defence and fortification of the body is an obsessive pursuit. Design is also affected by such anxieties. Imperfect Health investigates the historical connections between health, design and the environment, bringing to light uncertainties and contradictions in cultures informed by Western medicine, to insist on a challenging hypothesis: that urbanism, landscape design and architecture take care of their “inhabitants,” instead of seeking an ultimate cure.

Edited by Giovanna Borasi Mirko Zardini

English

French

Canadian Centre for arChiteCture Lars MüLLer PubLishers

Imperfect Health The Medicalization of Architecture Co-published by the Canadian Centre for Architecture, Montreal 16.8 × 24 cm, 6 ½ × 9 ½ in, 400 pages 365 illustrations, hardcover 2012, ISBN 978-3-03778-279-8, English 2012, ISBN 978-3-03778-284-2, French EUR 50.– GBP 45.– USD / CAD 70.–

Ecological Urbanism Mohsen Mostafavi with Gareth Doherty, Harvard University Graduate School of Design (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 656 pages 1000 illustrations, hardcover 2010, ISBN 978-3-03778-189-0, English EUR 50.– GBP 40.– USD/CAD 60.–

David Adjaye Authoring: Re-Placing Art and Architecture Marc McQuade (Ed.) In cooperation with Princeton University School of Architecture

Luis M. Mansilla + Emilio Tuñón From Rules to Constraints Giancarlo Valle (Ed.) In cooperation with Princeton University School of Architecture

16.5 × 24 cm, 6 ½ × 9 ½ in, 272 pages 121 illustrations, paperback 2012, ISBN 978-3-03778-282-8, English EUR 32.– GBP 28.– USD / CAD 45.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 248 pages 242 illustrations, paperback 2012, ISBN 978-3-03778-281-1, English EUR 32.– GBP 28.– USD / CAD 45.–

Landform Building Architecture’s New Terrain Stan Allen and Marc McQuade (Eds.) In cooperation with the Princeton University School of Architecture

Iwan Baan Brasilia – Chandigarh Living with Modernity Lars Müller (Ed.) With texts by Cees Nooteboom and Martino Stierli

16.5 × 24 cm, 6 ½ × 9 ½ in, 480 pages 430 illustrations, hardcover 2011, ISBN 978-3-03778-223-1, English EUR 45.– GBP 45.– USD / CAD 65.–

24 × 30 cm, 9 ½ × 11 ¾ in, 240 pages 200 illustrations, paperback 2010, ISBN 978-3-03778-228-6, English EUR 40.– GBP 40.– USD / CAD 60.–

Buckminster Fuller Education Automation Comprehensive Learning for Emergent Humanity Jaime Snyder (Ed.)

Buckminster Fuller Ideas and Integrities A Spontaneous Autobiographical Disclosure Jaime Snyder (Ed.)

Reprint, originals 1962–1979, 12 × 19 cm, 4 ¾ × 7 ½ in 224 pages, 15 illustrations in b/w, paperback 2010, ISBN 978-3-03778-199-9, English EUR 25.– GBP 20.– USD / CAD 30.–

Reprint, original 1963, 12 × 19 cm, 4 ¾ × 7 ½ in 416 pages, 50 illustrations in b/w, paperback 2010, ISBN 978-3-03778-198-2, English EUR 25.– GBP 20.– USD / CAD 30.–

English

French

Buckminster Fuller Operating Manual for Spaceship Earth Jaime Snyder (Ed.) Reprint, original 1969, 12 × 19 cm, 4 ¾ × 7 ½ in 152 pages, paperback 2008, ISBN 978-3-03778-126-5, English 2010, ISBN 978-3-03778-188-3, French EUR 15.– GBP 15.– USD /CAD 20.–

Backlist Architecture

Oswald Mathias Ungers, Rem Koolhaas, Peter Riemann, Hans Kollhoff, Arthur Ovaska

The City in the City – Berlin: A Green Archipelago Florian Hertweck and Sébastien Marot (Eds.) Critical Edition, Original 1977, 21 × 29.7 cm, 8 ¼ × 11¾ in approx. 160 pages, approx. 80 illustrations, paperback ISBN 978-3-03778-326-9, e, ISBN 978-3-03778-325-2, g, ISBN 978-3-03778-329-0, f, 2012 EUR 40.– GBP 35.– USD/CAD 50.–

English

German

French

Catherine Dumont d’Ayot, Tim Benton Le Corbusier’s Pavilion for Zurich Model and Prototype of an Ideal Exhibition Space Institute of Historic Building Research and Conservation, ETH Zürich (Ed.) 16.8 × 24 cm, 6 ½ × 9 ½ in, 224 pages, 203 illustrations, paperback ISBN 978-3-03778-305-4, e, ISBN 978-3-03778-293-4, g ISBN 978-3-03778-328-3, f, 2012 EUR 40.– GBP 35.– USD/CAD 50.–

Works & Projects 2001– 2011

Architects

GiGon

Guyer

English

German

LArs MüLLer PubLishers

And Now the Ensemble!!! Miroslav Sik and the Swiss Arts Council Pro Helvetia (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 72 pages, 3 fold-out pages 3 illustrations, hardcover 2012, ISBN 978-3-03778-311-5, English EUR 22.– GBP 18.– USD/CAD 28.–

Gigon/Guyer Architects Works & Projects 2001– 2011 With essays by Gerhard Mack, Arthur Rüegg, and Philip Ursprung 16.5 × 24 cm, 6 ½ × 9 ½ in, 608 pages 935 illustrations, hardcover 2012, ISBN 978-3-03778-276-7, English 2012, ISBN 978-3-03778-257-6, German EUR 58.– GBP 55.– USD / CAD 85.–

Andreas Fuhrimann, Gabrielle Hächler What Anchors a House in Itself Seven Buildings 18.6 × 24.8 cm, 7 ¼ × 9 ¾ in, 216 pages 167 illustrations, paperback 2010, ISBN 978-3-03778-240-8, English 2010, ISBN 978-3-03778-224-8, German EUR 40.– GBP 35.– USD / CAD 60.–

Five North American Architects An Anthology by Kenneth Frampton

English

Stanley Saitowitz Brigitte Shim + Howard Sutcliffe Rick Joy John + Patricia Patkau Steven Holl

German

Columbia University GSAPP Lars Müller Publishers

Five North American Architects An Anthology by Kenneth Frampton In cooperation with GSAPP, Columbia University 16.5 × 24 cm, 6 ½ × 9 ½ in, 136 pages 136 illustrations, paperback 2012, ISBN 978-3-03778-256-9, English EUR 38.– GBP 32.– USD / CAD 50.–

Alice Foxley Distance & Engagement Walking, Thinking and Making Landscape 24 × 16.5 cm, 9 ½ × 6 ½ in, 456 pages 1000 illustrations, hardcover 2010, ISBN 978-3-03778-196-8, English EUR 50.– GBP 50.– USD / CAD 80.–

Herzog & de Meuron Natural History Philip Ursprung and the Canadian Centre for Architecture (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages 800 illustrations, paperback 2003, ISBN 978-3-03778-049-7, English EUR 45.– GBP 30.– USD / CAD 48.–

Michael Merrill Louis Kahn: Drawing to Find Out The Dominican Motherhouse and the Patient Search for Architecture 30 × 24 cm, 11 ½ × 9 ½ in, 240 pages 233 illustrations, hardcover 2010, ISBN 978-3-03778-221-7, English EUR 59.– GBP 60.– USD/CAD 90.–

Günther Vogt Miniature and Panorama Vogt Landscape Architects, Projects 2000–12 16.5 × 24 cm, 6 ½ × 9 ½ in, 608 pages 1250 illustrations, paperback 2012, ISBN 978-3-03778-233-0, English EUR 58.– GBP 50.– USD / CAD 85.– 2006, ISBN 978-3-03778-068-8, German EUR 50.– GBP 50.– USD / CAD 65.–

Insular Insight Where Art and Architecture Conspire with Nature Naoshima Teshima Inujima Lars Müller and Akiko Miki (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 464 pages 259 illustrations, hardcover 2011, ISBN 978-3-03778-255-2, English EUR 45.– GBP 45.– USD / CAD 70.–

Middle East: Architecture and the City Architectural Papers Monograph Online Version Dap: Digital Architectural Papers regularly updated at www.architecturalpapers.ch

Architectural Papers V ETH Zürich Chair Prof. Dr. Josep Lluís Mateo

AFTER CRISIS AFTER CRISIS Lars Müller Publishers

AFTER CRISIS

The Architectural Papers series covers a wide range of topics related to teaching and architectural culture in general, and is aimed at expanding the narrow boundaries of the discipline. Established in 2005, the series is edited by Chair Prof. Dr. Josep Lluís Mateo at ETH Zürich.

Architectural Papers V Lars Müller Publishers

Architectural Papers V concentrates on the new conditions for architectural practice and the epistemologies that may inform it now that the financial bubble has collapsed and living and working conditions have significantly changed. Essays, studies, and interviews, along with a selection of illustrative projects, tackle the actual issues of growth and shrinking, economy and ideology, craftsmanship and social space in the city, and materiality and sustainability in architecture.

Contemporary Architectural Conditions

Lars Müller Publishers ISBN 978-3-03778-230-9

Touch Me! The Mystery of the Surface Gregor Eichinger and Eberhard Tröger, Chair of Architecture and Design, ETH Zürich (Eds.)

Tree Nurseries – Cultivating the Urban Jungle Dominique Ghiggi, the Chair of Günther Vogt Department of Architecture, ETH Zürich (Eds.)

16.5 × 24 cm, 6 ½ × 9 ½ in 184 pages, 21 illustrations hardcover, 2011 ISBN 978-3-03778-229-3, e ISBN 978-3-03778-254-5, g EUR 30.– GBP 28.– USD / CAD 45.–

24 × 33 cm, 9 ½ × 13 in 240 pages, 600 illustrations paperback, 2010 ISBN 978-3-03778-218-7, e ISBN 978-3-03778-217-0, g EUR 35.– GBP 35.– USD / CAD 55.–

The SANAA Studios Learning from Japan: Single Story Urbanism Florian Idenburg and Princeton University School of Architecture (Eds.)

Petra Kempf You Are the City Observation, Organization and Transformation of Urban Settings

21.6 × 28 cm, 8 ½ × 11 in 144 pages, 240 illustrations paperback, 2010 ISBN 978-3-03778-190-6, e EUR 30.– GBP 30.– USD / CAD 45.–

Peter Eisenman Holocaust Memorial Berlin 24 × 30 cm, 9 × 11 ¾ in 120 pages, 65 illustrations hardcover, 2005 ISBN 978-3-03778-056-5 English ISBN 978-3-03778-059-6 German EUR 23.– GBP 23.– USD / CAD 35.–

Alison and Peter Smithson AS IN DS An Eye on the Road Christian Sumi (Ed.) Reprint, original 1983 11.5 × 29 cm, 4 ½ × 11 ½ in 164 pages, 70 illustrations paperback, 2001 ISBN 978-3-907078-42-6 English EUR 15.– GBP 15.– USD / CAD 25.–

21 × 29.7 cm, 8 ¼ × 11 ¾ in 22 transparent slides in folder, brochure, 16 pages ISBN 978-3-03778-159-3 English, 2009 EUR 30.– GBP 30.– USD / CAD 50.–

Sense of the City An Alternate Approach to Urbanism Mirko Zardini, Canadian Centre for Architecture (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in 352 pages, 280 illustrations hardcover, 2005 ISBN 978-3-03778-060-2 English EUR 45.– GBP 40.– USD / CAD 60.–

Guy Nordenson Patterns and Structure Selected Writings 16.5 × 24 cm, 6 ½ × 9 ½ in 464 pages, 218 illustrations paperback, 2010 ISBN 978-3-03778-219-4, e EUR 40.– GBP 40.– USD / CAD 60.–

Gramazio & Kohler Digital Materiality in Architecture 19.5 × 30 cm, 7 ¾ × 11 ¾ in 112 pages, 157 illustrations hardcover, 2008 ISBN 978-3-03778-122-7 English EUR 35.– GBP 35.– USD / CAD 45.–

Aga Khan Award for Architecture 2010 Implicate & Explicate Mohsen Mostafavi (Ed.) 16.5 × 24 cm, 6 ½ × 9 ½ in 352 pages, 191 illustrations hardcover, 2011 ISBN 978-3-03778-242-2 English EUR 35.– GBP 35.– USD / CAD 50.–

Catherine de Smet Vers une Architecture du Livre Le Corbusier: édition et mise en pages 1912 –1965 16.5 × 24 cm, 6 ½ × 9 ½ in 304 pages, 410 illustrations paperback, 2007 ISBN 978-3-03778-067-1 French EUR 15.– GBP 30.– USD / CAD 45.–

Catherine de Smet Le Corbusier Architect of Books

Zaha Hadid Car Park and Terminus Strasbourg

21 × 28 cm, 8 ¼ × 11 in 128 pages, 100 illustrations hardcover, 2005 ISBN 978-3-03778-034-3, e ISBN 978-3-03778-052-7, g ISBN 978-3-03778-033-6, f EUR 35.– f: EUR 18.– GBP 30.– USD / CAD 50.–

31 × 33 cm, 12 ¼ × 13 in 100 pages, 70 illustrations paperback, 2004 ISBN 978-3-03778-028-2 English/German/French EUR 15.– GBP 15.– USD / CAD 35.–

Other Space Odysseys: Greg Lynn, Michael Maltzan, Alessandro Poli Giovanna Borasi, Mirko Zardini and C anadian Centre for A rchitecture (Eds.) 15 × 21 cm, 6 × 8 ¼ in 160 pages, 113 illustrations paperback, 2010 ISBN 978-3-03778-193-7, e ISBN 978-3-03778-194-4, f EUR 25.– GBP 23.– USD / CAD 35.–

Matthias Sauerbruch, Louisa Hutton Sauerbruch Hutton Archive 24 × 30 cm, 9 ½ × 11 ¾ in 344 pages, 650 illustrations hardcover, 2006 ISBN 978-3-03778-083-1 English/German EUR 60.– GBP 55.– USD / CAD 79.–

Theo Hotz Architecture 1949 – 2002 18.5 × 28 cm, 7 ¼ × 11 in 320 pages, 600 illustrations hardcover, 2003 ISBN 978-3-03778-002-2 English/German EUR 30.– GBP 30.– USD / CAD 45.–

Josep Lluís Mateo Architectural Papers V After Crisis Contemporary Architectural Conditions 16.5 × 24 cm, 6 ½ × 9 ½ in 160 pages, 175 illustrations paperback, 2010 ISBN 978-3-03778-230-9 English EUR 25.– GBP 25.– USD / CAD 40.–

Peter Eisenman The Formal Basis of Modern Architecture (1964) 29 × 30.5 cm, 11 ½ × 12 in 384 pages, 300 illustrations hardcover, 2006 ISBN 978-3-03778-071-8 English EUR 50.– GBP 50.– USD / CAD 70.–

As Found The Discovery of the Ordinary British Architecture and Art of the 1950s C. Lichtenstein and T. Schregenberger (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in 320 pages, 300 illustrations hardcover, 2001 ISBN 978-3-907078-43-3, e ISBN 978-3-907078-40-2, g EUR 30.– GBP 30.– USD / CAD 45.–

Architecture of Zaha Hadid In Photographs by Hélène Binet 19 × 31 cm, 7 ½ × 12 ¼ in 176 pages, 90 illustrations hardcover, 2000 ISBN 978-3-907078-12-9 English EUR 20.– GBP 18.– USD / CAD 30.–

Backlist Architecture

Backlist Design

Signs for Peace An Impossible Visual Encyclopedia Ruedi Baur and Vera Baur Kockot, Design2 context (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 600 pages 1762 illustrations, paperback 2012, ISBN 978-3-03778-243-9, English EUR 40.– GBP 35.– USD/CAD 55.– A5/05: Lufthansa and Graphic Design Visual History of an Airline Jens Müller and Karen Weiland, labor visuell at the University of Applied Sciences Düsseldorf, Department of Design (Eds.) 14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages 400 illustrations, paperback 2012, ISBN 978-3-03778-267-5, English/German EUR 28.– GBP 25.– USD / CAD 40.–

English

German

Takahiro Kurashima Poemotion

11.6 × 17.8 cm, 4 ½ × 7 in, 280 pages 310 illustrations, paperback 2012, ISBN 978-3-03778-278-1, English 2012, ISBN 978-3-03778-289-7, German EUR 25.– GBP 22.– USD / CAD 35.–

Michael Maharam Maharam Agenda 19.5 × 26 cm, 7 ¾ × 10 ¼ in, 256 pages 408 illustrations, hardcover with stitched fabric cover 2011, ISBN 978-3-03778-187-6, English EUR 55.– GBP 50.– USD / CAD 65.–

Hannes Wettstein

Seeking Archetypes

17 × 23 cm, 6 ¾ × 9 in, 64 pages 30 illustrations, paperback 2012, ISBN 978-3-03778-277-4, English EUR 28.– GBP 25.– USD / CAD 25.–

FREITAG Out of the Bag Museum of Design Zürich, Renate Menzi (Ed.)

Lars Müller Publishers

Hannes Wettstein Seeking Archetypes Studio Hannes Wettstein (Ed.) With essays by Max Küng and Volker Albus and a text collage by Thomas Haemmerli 23 × 29 cm, 9 × 11 ½ in, 292 pages 662 illustrations, hardcover 2012, ISBN 978-3-03778-265-1, English/German/Italian EUR 58.– GBP 55.– USD / CAD 85.–

Jasper Morrison A World Without Words

Naoto Fukasawa, Jasper Morrison Super Normal Sensations of the Ordinary

1998, Reprint 10.8 × 15.4 cm, 4 ¼ × 6 in, 108 pages 104 illustrations, paperback 2012, ISBN 978-3-03778-207-1, English EUR 18.– GBP 16.– USD / CAD 25.–

14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages 264 illustrations, paperback 2007, ISBN 978-3-03778-106-7, English EUR 25.– GBP 25.– USD /CAD 35.–

English

German

Jasper Morrison Everything but the Walls

Kenya Hara White

Kenya Hara Designing Design

22 × 28 cm, 8 ¾ × 11 in, 256 pages 300 illustrations, paperback 2006, ISBN 978-3-03778-064-0, English EUR 40.– GBP 40.– USD / CAD 59.–

13.5 × 19.5 cm, 5 ¼ × 7 ¾ in, 64 pages 4 illustrations, hardcover 2010, ISBN 978-3-03778-183-8, English 2010, ISBN 978-3-03778-182-1, German EUR 25.– GBP 20.– USD / CAD 30.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages 389 illustrations, hardcover 2007, ISBN 978-3-03778-105-0, English EUR 55.– GBP 50.– USD / CAD 70.–

LARS MÜLLER PUBLISHERS

A Visual Proposal by Ruedi Baur, Vera Baur Kockot and the Institute Design2context ZHdK Zurich for Elisava, Barcelona School of Design and Engineering

DESIGN IN QUESTION

Backlist Design

DESIGN IN QUESTION

English

German

Design in Question Elisava, Design2context (Eds.) 7.4 × 10.5 cm, 3 × 4 in, 384 pages 15 illustrations, hardcover 2012, ISBN 978-3-03778-280-4, English EUR 20.– GBP 18.– USD / CAD 28.–

Helvetica Forever Story of a Typeface Lars Müller and Victor Malsy (Eds.)

Lars Müller Helvetica Homage to a Typeface

19 × 26 cm, 7 ½ × 10 ¼ in, 160 pages 150 illustrations, hardcover 2009, ISBN 978-3-03778-121-0, English 2008, ISBN 978-3-03778-120-3, German EUR 30.– GBP 30.– USD /CAD 49.–

12 × 16 cm, 4 ¾ × 6 ¼ in, 256 pages 400 illustrations, paperback 2002, ISBN 978-3-03778-046-6, English EUR 19.– GBP 15.– USD /CAD 25.–

English

German

Massimo Vignelli The Vignelli Canon 14.8 × 21 cm, 5 ¾ × 8 ¼ in, 112 pages 142 illustrations, paperback 2010, ISBN 978-3-03778-225-5, English 2012, ISBN 978-3-03778-268-2, German EUR 28.– GBP 20.– USD/CAD 35.–

Metahaven Uncorporate Identity Metahaven (Daniel van der Velden and Vinca Kruk) with Marina Vishmidt (Eds.) Co-published by Jan van Eyck Academie 17 × 24 cm, 6 ¾ × 9 ½ in, 608 pages 200 illustrations, paperback 2010, ISBN 978-3-03778-169-2, English EUR 45.– GBP 45.– USD/CAD 75.–

Corporate Diversity Swiss Graphic Design and Advertising by Geigy, 1940–1970 Museum of Design Zürich, Andres Janser, Barbara Junod (Eds.) 19.4 × 26.8 cm, 7 ¾ × 10 ½ in, 208 pages 385 illustrations, hardcover 2009, ISBN 978-3-03778-160-9, English 2009, ISBN 978-3-03778-161-6, German EUR 40.– GBP 40.– USD / CAD 65.–

English

German

Jan Conradi Unimark International The Design of Business and the Business of Design Foreword by Massimo Vignelli 19 × 26 cm, 7 ½ × 10 ¼ in, 244 pages 150 illustrations, hardcover 2010, ISBN 978-3-03778-184-5, English EUR 45.– GBP 40.– USD / CAD 65.–

Lars Müller Josef Müller-Brockmann Pioneer of Swiss Graphic Design 19 × 27 cm, 7 ½ × 10 ¾ in, 264 pages 415 illustrations, paperback 1994, ISBN 978-3-906700-89-2, English 1994, ISBN 978-3-907078-59-4, German EUR 40.– GBP 40.– USD / CAD 60.–

Mark Holt, Hamish Muir 8vo On the Outside 12 × 16 cm, 4 ¾ × 6 ¼ in, 536 pages, 395 illustrations hardcover 2005, ISBN 978-3-03778-019-0, English EUR 25.– GBP 23.– USD / CAD 38.–

English

German

Windfall Light The Visual Language of ECM Lars Müller (Ed.)

Nature Design From Inspiration to Innovation Museum of Design Zürich, Angeli Sachs (Eds.)

18.5 × 26 cm, 7 ¼ × 10 ¼ in, 448 pages 1260 illustrations, paperback 2010, ISBN 978-3-03778-157-9, English 2010, ISBN 978-3-03778-197-5, German EUR 55.– g: EUR 25.– GBP 50.– USD / CAD 85.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages 318 illustrations, paperback 2007, ISBN 978-3-03778-098-5, English EUR 30.– GBP 30.– USD /CAD 50.–

Global Design International Perspectives and Individual Concepts Museum of Design Zürich, Angeli Sachs (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages 350 illustrations, paperback 2010, ISBN 978-3-03778-210-1, English 2010, ISBN 978-3-03778-154-8, German EUR 35.– GBP 35.– USD / CAD 60.–

Backlist Design

POSTER COLLECTION 23 In Series Museum of Design Zürich (Ed.) POSTER COLLECTION 24 The Magic of Things Museum of Design Zürich (Ed.) 16.5 × 24 cm, 6½ × 9 ½ in, 96 pages 127 illustrations, paperback 2012, ISBN 978-3-03778-258-3, English/German EUR 28.– GBP 25.– USD/CAD 40.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 203 illustrations paperback, 2011 ISBN 978-3-03778-266-8 English /German EUR 28.– GBP 25.– USD / CAD 40.–

POSTER COLLECTION 22 Letters Only Museum of Design Zürich (Ed.)

POSTER COLLECTION 21 Paradise Switzerland Museum of Design Zürich (Ed.)

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 114 illustrations paperback, 2010 ISBN 978-3-03778-206-4 English/German EUR 25.– GBP 25.– USD / CAD 35.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 112 illustrations paperback, 2010 ISBN 978-3-03778-205-7 English/German EUR 25.– GBP 25.– USD / CAD 35.–

POSTER COLLECTION 20 Help! Appeals to Social Conscience Museum of Design Zürich (Ed.) 16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 120 illustrations paperback, 2009 ISBN 978-3-03778-174-6 English/German EUR 25.– GBP 25.– USD / CAD 35.–

POSTER COLLECTION

POSTER COLLECTION 19 Head to Head Museum of Design Zürich (Ed.)

POSTER COLLECTION 18 Otto Baumberger Museum of Design Zürich (Ed.)

POSTER COLLECTION 17 Photo Graphics Museum of Design Zürich (Ed.)

POSTER COLLECTION 16 Comix! Museum of Design Zürich (Ed.)

POSTER COLLECTION 15 Breaking the Rules Museum of Design Zürich (Ed.)

POSTER COLLECTION 14 Zürich-Milano Museum of Design Zürich (Ed.)

16.5 × 24 cm, 6 ½ × 9 ½ in 192 pages, 120 illustrations paperback, 2009 ISBN 978-3-03778-151-7 English ISBN 978-3-03778-130-2 German EUR 30.– GBP 30.– USD / CAD 40.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 120 illustrations paperback, 2008 ISBN 978-3-03778-129-6 English/German EUR 25.– GBP 25.– USD / CAD 35.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 120 illustrations paperback, 2008 ISBN 978-3-03778-128-9 English/German EUR 25.– GBP 25.– USD / CAD 35.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 100 illustrations paperback, 2008 ISBN 978-3-03778-099-2 English/German EUR 25.– GBP 20.– USD / CAD 30.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 104 illustrations paperback, 2007 ISBN 978-3-03778-094-7 English/German EUR 25.– GBP 20.– USD / CAD 30.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 117 illustrations paperback, 2006 ISBN 978-3-03778-079-4 English/German EUR 23.– GBP 20.– USD / CAD 30.–

POSTER COLLECTION 13 Typo China Museum of Design Zürich (Ed.)

POSTER COLLECTION 12 Catherine Zask Museum of Design Zürich (Ed.)

POSTER COLLECTION 11 Handmade Museum of Design Zürich (Ed.)

POSTER COLLECTION 10 Michael Engelmann Museum of Design Zürich (Ed.)

POSTER COLLECTION 09 Ralph Schraivogel Museum of Design Zürich (Ed.)

POSTER COLLECTION 08 Black and White Museum of Design Zürich (Ed.)

16.5 × 24 cm, 6 ½ × 9 ½ in 64 pages, 78 illustrations paperback, 2006 ISBN 978-3-03778-078-7 English/German EUR 20.– GBP 20.– USD / CAD 25.–

16.5 × 24 cm, 6 ½ × 9 ½ in 64 pages, 54 illustrations paperback, 2005 ISBN 978-3-03778-054-1 English/German/French EUR 20.– GBP 15.– USD / CAD 20.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 140 illustrations paperback, 2005 ISBN 978-3-03778-053-4 English/German EUR 23.– GBP 20.– USD / CAD 30.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 80 illustrations paperback, 2004 ISBN 978-3-03778-039-8 English/German EUR 23.– GBP 20.– USD / CAD 30.–

16.5 × 24 cm, 6 ½ × 9 ½ in 64 pages, 70 illustrations paperback, 2003 ISBN 978-3-03778-016-9 English/German EUR 20.– GBP 15.– USD / CAD 25.–

16.5 × 24 cm, 6 ½ × 9 ½ in 80 pages, 107 illustrations paperback, 2003 ISBN 978-3-03778-014-5 English/German EUR 20.– GBP 15.– USD / CAD 22.–

POSTER COLLECTION 07 Armin Hofmann Museum of Design Zürich (Ed.)

POSTER COLLECTION 06 Visual Strategies Against Aids Museum of Design Zürich (Ed.)

POSTER COLLECTION 05 Typotektur Museum of Design Zürich (Ed.)

POSTER COLLECTION 04 Hors-Sol Museum of Design Zürich (Ed.)

POSTER COLLECTION 02 Donald Brun Museum of Design Zürich (Ed.)

POSTER COLLECTION 01 Revue 1926 Museum of Design Zürich (Ed.)

16.5 × 24 cm, 6 ½ × 9 ½ in 64 pages, 85 illustrations paperback, 2003 ISBN 978-3-907078-89-1 English/German EUR 20.– GBP 15.– USD / CAD 20.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 139 illustrations paperback, 2001 ISBN 978-3-907078-54-9 English/German EUR 23.– GBP 20.– USD / CAD 30.–

16.5 × 24 cm, 6 ½ × 9 ½ in 64 pages, 70 illustrations paperback, 2001 ISBN 978-3-907078-53-2 English/German EUR 20.– GBP 15.– USD / CAD 20.–

16.5 × 24 cm, 6 ½ × 9 ½ in 64 pages, 91 illustrations paperback, 2001 ISBN 978-3-907078-52-5 English/German EUR 22.– GBP 20.– USD / CAD 20.–

16.5 × 24 cm, 6 ½ × 9 ½ in 80 pages, 80 illustrations paperback, 2003 ISBN 978-3-03778-004-6 English/German EUR 20.– GBP 15.– USD / CAD 22.–

16.5 × 24 cm, 6 ½ × 9 ½ in 96 pages, 130 illustrations paperback, 2003 ISBN 978-3-907078-90-7 English/German EUR 23.– GBP 20.– USD / CAD 26.–

20 × 27 cm, 7 ¾ × 10 ¾ in 208 pages, 70 illustrations paperback, 2010 ISBN 978-3-03778-148-7 English EUR 35.– GBP 35.– USD / CAD 55.–

21 × 31.5 cm, 8 ¼ × 12 ½ in 96 pages, 70 illustrations hardcover, 2012 ISBN 978-3-03778-283-5 English/German EUR 38.– GBP 35.– USD / CAD 50.–

Celestino Piatti + dtv The Unity of the Program Jens Müller, labor visuell at the University of Applied Sciences Düsseldorf, Department of Design (Eds.)

Philips – Twen Realism Is the Score Jens Müller, labor visuell at the University of Applied Sciences Düsseldorf, Department of Design (Eds.)

Hans Hillmann The Visual Works Jens Müller, labor visuell at the University of Applied Sciences Düsseldorf, Department of Design (Eds.)

Ruedi Baur Ruedi Baur Intégral Anticipating, Questioning, Inscribing, Distinguishing, Irritating, Orienting, Translating

14.8 × 21 cm, 5 ¾ × 8 ¼ in 128 pages, 196 illustrations paperback, 2009 ISBN 978-3-03778-178-4 English/German EUR 20.– GBP 20.– USD / CAD 30.–

14.8 × 21 cm, 5 ¾ × 8 ¼ in 96 pages, 103 illustrations paperback, 2009 ISBN 978-3-03778-180-7 English/German EUR 20.– GBP 20.– USD / CAD 30.–

14.8 × 21 cm, 5 ¾ × 8 ¼ in 128 pages, 187 illustrations paperback, 2009 ISBN 978-3-03778-179-1 English/German EUR 20.– GBP 20.– USD / CAD 30.–

16.5 × 24 cm, 6 ½ × 9 ½ in 480 p., 200 illus., hc, 2010 ISBN 978-3-03778-134-0, e ISBN 978-3-03778-202-6, g ISBN 978-3-03778-203-3, f EUR 50.– f: EUR 25.– GBP 50.– USD/CAD 80.–

Gerlinde Schuller Designing Universal Knowledge The World as Flatland – Report 1

Frédéric Dedelley Design Detective Ariana Pradal (Ed.)

Pierre Bernard My Work is not my Work Design for the public domain

17 × 22 cm, 6 ¾ × 8 ¾ in 258 pages, 210 illustrations hardcover, 2008 ISBN 978-3-03778-137-1 English/German/French EUR 30.– GBP 30.– USD / CAD 40.–

16.5 × 24 cm, 6 ½ × 9 ½ in, 320 p. 270 illustrations, paperback ISBN 978-3-03778-087-9 English, 2008 ISBN 978-3-03778-086-2 French, 2007 ISBN 978-3-03778-104-3 Dutch, 2007 EUR 40.– GBP 40.– USD / CAD 50.–

Claude Lichtenstein Playfully Rigid Swiss Architecture, Graphic Design, Product Design, 1950 –2006

Orient-ierung/ation Des-/Dés-/Dis-/orient-ierung/ation

Design2context

ISBN: 978-3-03778-133-3

Institute Design2context Zürich University of the Arts LARS MÜLLER PUBLISHERS

Ulrike Felsing Dynamic Identities in Cultural and Public Contexts

Orientation/ Disorientation 2 Design2context, Ruedi Baur (Eds.)

Orientation/ Disorientation 1 Design2context, Ruedi Baur (Eds.)

16.5 × 24 cm, 6 ½ × 9 ½ in 256 pages, 200 illustrations paperback, 2010 ISBN 978-3-03778-163-0, e ISBN 978-3-03778-162-3, g EUR 35.– GBP 35.– USD/CAD 55.–

16.5 × 24 cm, 6 ½ × 9 ½ in 384 pages, 50 illustrations paperback, 2010 ISBN 978-3-03778-158-6 English/German/French EUR 30.– GBP 30.– USD/CAD 45.–

16.5 × 24 cm, 6 ½ × 9 ½ in 264 pages, 300 illustrations paperback, 2008 ISBN 978-3-03778-133-3 English/German/French EUR 30.– GBP 30.– USD / CAD 45.–

Jack Masey and Conway Lloyd Morgan Cold War Confrontations US Exhibitions and their Role in the Cold War

Karl Gerstner Designing Programmes Harald Geisler and Jonas Pabst (Eds.)

Edo Smitshuijzen Signage Design Manual

Findings on Ice Pars Foundation (Ed.)

Jean-Benoît Lévy Handbook

16 × 26 cm, 6 ¼ × 10 ¼ in 456 pages, 800 illustrations hardcover, 2007 ISBN 978-3-03778-096-1 English EUR 45.– GBP 40.– USD / CAD 60.–

20 × 27 cm, 7 ¾ × 10 ¾ in 190 pages, 126 illustrations paperback, 2007 ISBN 978-3-03778-125-8 English EUR 30.– GBP 30.– USD / CAD 50.–

12 × 16 cm, 4 ¾ × 6 ¼ in 256 pages, 490 illustrations paperback, 2006 ISBN 978-3-03778-077-0 English EUR 15.– GBP 15.– USD / CAD 20.–

Hans Richter New Living Andres Janser and Arthur Rüegg (Eds.)

Pierre Mendell At first sight

Peter Erni Die gute Form Programm des Schweizerischen Werkbundes

16.5 × 24 cm, 6 ½ × 9 ½ in 424 pages, 200 illustrations hardcover, 2008 ISBN 978-3-03778-123-4 English EUR 20.– GBP 20.– USD / CAD 30.–

Pierre Mendell Posters for the Opera 15.5 × 22 cm, 6 × 8 ¾ in 160 pages, 97 illustrations hardcover, 2006 ISBN 978-3-03778-082-4 English/German EUR 25.– GBP 25.– USD / CAD 35.–

Revised reprint, original 1964 19.5 × 25 cm, 7 ¾ × 9 ¾ in 120 pages, 200 illustrations hardcover, 2007 ISBN 978-3-03778-093-0, e ISBN 978-3-03778-092-3, g EUR 30.– GBP 30.– USD / CAD 40.–

Isabel Naegele and Ruedi Baur Scents of the City 14 × 20 cm, 5 ½ × 7 ¾ in 480 pages, 1500 illustrations paperback, 2004 ISBN 978-3-03778-012-1 English/German/French EUR 16.– GBP 15.– USD / CAD 20.–

16.5 × 24 cm, 6 ½ × 9 ½ in 128 pages, 500 illustrations hardcover, 2001 ISBN 978-3-907078-22-8 English EUR 44.– GBP 35.– USD / CAD 28.–

16.5 × 24 cm, 6 ½ × 9 ½ in 304 pages, 650 illustrations hardcover, 2009 ISBN 978-3-03778-149-4 English EUR 35.– GBP 35.– USD / CAD 50.–

24 × 30 cm, 9 ½ × 11 ¾ in 200 pages, 250 illustrations hardcover, 2001 ISBN 978-3-907044-49-0, e ISBN 978-3-907078-64-8, g EUR 30.– GBP 30.– USD / CAD 45.–

16.5 × 24 cm, 6 ½ × 9 ½ in 300 pages, 370 illustrations hardcover, 2007 ISBN 978-3-03778-090-9, e ISBN 978-3-03778-089-3, g EUR 25.– GBP 25.– USD / CAD 38.–

22 × 30 cm, 8 ½ × 12 in 160 pages, 600 illustrations hardcover, 1983 ISBN 978-3-906700-01-4, g EUR 30.– GBP 28.– USD / CAD 45.–

Backlist Design

Findings on Elasticity Pars Foundation (Ed.)

Küchen Werkzeug Kitchen Tools Design by Kuhn Rikon With photographs by Cortis & Sonderegger, Zürich

Backlist Art

Encyclopedia of Flowers Flower Works by Makoto Azuma Photographed by Shunsuke Shiinoki Kyoko Wada (Ed.) 16.5 × 24.8 cm, 6 ½ × 9 ¾ in, 512 pages 203 color illustrations, paperback in transparent slipcase 2012, ISBN 978-3-03778-313-9, English EUR 58.– GBP 50.– USD / CAD 85.– Thomas Flechtner News 35 × 50 cm, 13 ¾ × 19 ¾ in Portfolio with 108 printed-on newspaper pages in box 2012, ISBN 978-3-03778-318-4, English/German EUR 80.– GBP 65.– USD/CAD 120.–

Until a couple of years ago, my idea was that I had no need for a residence. I spent most of my time in my studio or traveling. Katharina Grosse

My apartment was just to sleep in.

Katharina Grosse Now I’m going to plant a kitchen garden around the house.

Wish I had a big studio in the center of the city Lars Müller Publishers

Dan Graham Video – Architecture – Television Writings on Video and Video Works 1970–1978 Benjamin H. D. Buchloh (Ed.) 28 × 21.6 cm, 11 × 8 ½ in 96 pages, 113 illustrations, paperback 2012, ISBN 978-3-03778-300-9, English EUR 40.– GBP 35.– USD/CAD 50.–

Silvia Bächli and Eric Hattan BLINDHÆÐIR East Iceland Editions Attitudes, Geneva (Ed.) 29 × 16.3, 11 ½ × 6 ½ in, 304 pages 147 photographs, hardcover 2010, ISBN 978-3-03778-216-3 English /German /French /Icelandic EUR 40.– GBP 40.– USD / CAD 65.–

Hamish Fulton The Uncarved Block 30 × 24 cm, 11 ¾ × 9 ½ in 160 pages, 120 illustrations hardcover, 2010 ISBN 978-3-03778-227-9, e EUR 50.– GBP 50.– USD / CAD 75.–

Paradoxes of Appearing Essays on Art, Architecture and Philosophy 16.5 × 24 cm, 6 ½ × 9 ½ in 224 pages, 60 illustrations paperback, 2009 ISBN 978-3-03378-192-0, e EUR 30.– GBP 30.– USD / CAD 45.–

Dan Graham’s New Jersey Craig Buckley and Mark Wasiuta (Eds.) In cooperation with GSAPP, Columbia University 19 × 26 cm, 7 ½ × 10 ¼ in, 192 pages 140 illustrations, hardcover 2012, ISBN 978-3-03778-259-0, English EUR 45.– GBP 42.– USD / CAD 65.–

Only one window opens, and it’s violet.

Wish I had a big studio in the center of the city

English

German

Lars Müller Publishers

Katharina Grosse Wish I Had a Big Studio in the Center of the City 17 × 23 cm, 6 ¾ × 9 in, 144 pages, 73 illustrations, hardcover 2009, ISBN 978-3-03778-170-8, English 2009, ISBN 978-3-03778-168-5, German EUR 30.– GBP 30.– USD / CAD 45.–

Silvia Bächli Lidschlag How It Looks

Silvia Bächli das Swiss Federal Office of Culture, Bern (Ed.)

22 × 28 cm, 8 ¾ × 11 in, 304 pages 211 illustrations, hardcover 2004, ISBN 978-3-03778-013-8, English/German EUR 30.– GBP 30.– USD / CAD 45.–

13 × 19.5 cm, 5 × 7 ¾ in, 136 pages 60 illustrations, paperback 2009, ISBN 978-3-03778-155-5, English/German EUR 23.– GBP 23.– USD / CAD 40.–

Olafur Eliasson Your mobile expectations: BMW H2R project

Christian Moeller A Time and Place Media Architecture

14.7 × 21 cm, 5 ¾ × 8 ¼ in 336 pages, 415 illustrations hardcover, 2008 ISBN 978-3-03778-117-3, e EUR 20.– GBP 20.– USD / CAD 30.–

12.5 × 19 cm, 5 × 7 ½ in 240 pages, 288 illustrations paperback, 2004 ISBN 978-3-907078-91-4, e EUR 20.– GBP 18.– USD / CAD 30.–

Backlist Photography

Klaus Merkel

Trees like Stones English

24 × 30 cm, 9 × 11 ¾ in, 120 pages 94 photographs, hardcover 2012, ISBN 978-3-03778-272-9, English 2012, ISBN 978-3-03778-263-7, German EUR 50.– GBP 45.– USD / CAD 70.–

German

English Klaus Merkel Trilogy of Stone and Time German

24 × 30 cm, 9 × 11 ¾ in, cardboard slipcase 2012, ISBN 978-3-03778-273-6, English 2012, ISBN 978-3-03778-264-4, German EUR 120.– GBP 99.– USD / CAD 160.–

German with English and French translations

German

Lukas Felzmann Swarm With contributions by Peter Pfrunder, Gordon H. Orians, Deborah M. Gordon, and Wallace Stevens 21 × 27 cm, 8 ¼ × 10 ¾ in, 240 pages 115 photographs, hardcover 2011, ISBN 978-3-03778-241-5, English EUR 50.– GBP 45.– USD / CAD 70.–

Swiss Photobooks from 1927 to the Present A Different History of Photography Peter Pfrunder, Fotostiftung Schweiz (Eds.)

Christian Lutz Tropical Gift The Business of Oil and Gas in Nigeria

22 × 28 cm, 8 ¾ × 11 in, 704 / 576 pages 861 illustrations, hardcover 2012, ISBN 978-3-03778-274-3, German with English and French translations 2012, ISBN 978-3-03778-260-6, German EUR 75.– GBP 70.– USD / CAD 120.–

30 × 24 cm, 11 ¾ × 9 ½ in, 96 pages 52 photographs, hardcover 2010, ISBN 978-3-03778-226-2, English EUR 35.– GBP 35.– USD / CAD 50.–

Barbara Heé

C H av i o l a s a landscape, so intimate and aloof

lars Müller Publishers

Christian Lutz Protokoll

Klaus Merkel Album of Stones

30 × 24 cm, 11 ¾ × 9 ½ in 90 pages, 54 photographs hardcover, 2007 ISBN 978-3-03778-110-4 English/French/German/ Spanish EUR 35.– GBP 35.– USD /CAD 45.–

24 × 30 cm, 9 ½ × 11 ¾ in 160 pages, 110 photographs hardcover, 2005 ISBN 978-3-03778-058-9, e ISBN 978-3-03778-062-6, g EUR 25.– GBP 23.– USD / CAD 38.–

Luciano Rigolini What you see Fotostiftung Schweiz (Ed.)

Nadja Athanasiou, Michael Bühler, Peter Lüem The Dolder Grand

12 × 16 cm, 4 ¾ × 6 ¼ in 160 pages ,107 photographs hardcover, 2008 ISBN 978-3-03778-139-5 English/German/French/ Japanese EUR 25.– GBP 25.– USD / CAD 35.–

25 × 27 cm, 9 ¾ × 10 ¾ in 640 pages, 400 photographs hardcover, 2009 ISBN 978-3-03778-166-1 English EUR 60.– GBP 60.– USD / CAD 90.–

Klaus Merkel The Reading of Time in the Text of Nature

Barbara Heé Chaviolas A Landscape, so Intimate and Aloof

Lukas Felzmann Waters in Between With marginalia by Angelus Silesius and John Berger

29 × 19 cm, 11 ½ × 7 ½ in 240 pages, 167 photographs hardcover, 2010 ISBN 978-3-03778-165-4, e ISBN 978-3-03778-171-5, g EUR 25.– GBP 22.– USD / CAD 35.–

19 × 27 cm, 7 ½ × 10 ¾ in 320 pages, 161 photographs hardcover, 2009 ISBN 978-3-03778-138-8 English EUR 25.– GBP 22.– USD / CAD 35.–

Pete Davis In Wildwood

Thomas Flechtner Bloom

Jean-Pascal Imsand Photographer

30 × 24 cm, 11 ¾ × 9 ½ in 96 pages, 72 photographs hardcover, 2008 ISBN 978-3-03778-142-5 English EUR 40.– GBP 40.– USD / CAD 50.–

23 × 30 cm, 9 × 11 ¾ in 128 pages, 82 photographs hardcover, 2007 ISBN 978-3-03778-091-6 English EUR 30.– GBP 30.– USD / CAD 45.–

24 × 30 cm, 9 ½ × 11 ¾ in 192 pages, 138 photographs in b/w, hardcover, 2004 ISBN 978-3-03778-037-4, e ISBN 978-3-03778-040-4, g ISBN 978-3-03778-041-1, f EUR 25.– GBP 25.– USD / CAD 38.–

24 × 30 cm, 9 ½ × 11 ¾ in 96 pages, 84 photographs hardcover, 2000 ISBN 978-3-907044-97-1 English EUR 25.– GBP 25.– USD / CAD 38.–

Lukas Felzmann Landfall Essay by Peter Pfrunder 13 × 18 cm, 5 × 7 in 144 pages, 70 photographs hardcover, 2004 ISBN 978-3-907078-92-1 English/German EUR 28.– GBP 25.– USD / CAD 35.–

Backlist Photography/Society

Andreas Seibert

The Colors of Growth China’s Huai River 26 × 19 cm, 10 ¼ × 7 ½ in, 272 pages 191 illustrations, hardcover 2012, ISBN 978-3-03778-295-8, English EUR 40.– GBP 35.– USD/CAD 50.–

Andreas Seibert From Somewhere to Nowhere China’s Internal Migrants 19 × 26 cm, 7 ½ × 10 ¼ in 320 pages, 228 photographs, hardcover 2008, ISBN 978-3-03778-146-3, English EUR 40.– GBP 40.– USD /CAD 55.–

English

German

For Climate’s Sake! A Visual Reader of Climate Change René Schwarzenbach, Lars Müller, Christian Rentsch and Klaus Lanz (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 576 pages 307 illustrations, hardcover 2012, ISBN 978-3-03778-245-3, English 2011, ISBN 978-3-03778-244-6, German EUR 45.– GBP 40.– USD/CAD 60.–

The Face of Human Rights Walter Kälin, Lars Müller, and Judith Wyttenbach (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 720 pages, 500 illustrations 2004, ISBN 978-3-03778-017-6, English, hardcover EUR 45.– GBP 45.– USD / CAD 60.– 2008, ISBN 978-3-03778-114-2, German, paperback EUR 30.– GBP 30.– USD / CAD 50.–

Who Owns the Water? Lars Müller, Klaus Lanz, Christian Rentsch, and René Schwarzenbach (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in, 536 pages 256 illustrations, hardcover 2006, ISBN 978-3-03778-018-3, English 2006, ISBN 978-3-03778-015-2, German EUR 45.– GBP 45.– USD / CAD 60.–

English

German

Reset – Beyond Fukushima Will the Nuclear Catastrophe Bring Humanity to Its Senses? Adriano A. Biondo and Lars Müller (Eds.) Photographs by Kazuma Obara 23 × 29.7 cm, 9 ×11¾ in, 216 pages 130 illustrations, paperback 2012, ISBN 978-3-03778-292-7, English/Japanese EUR 50.– GBP 42.– USD/CAD 66.–

Faith Is. The Quest for Spirituality and Religion Lukas Niederberger and Lars Müller (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in 396 pages, 159 illustrations hardcover, 2009 ISBN 978-3-03778-144-9, e ISBN 978-3-03778-143-2, g EUR 32.– GBP 25.– USD / CAD 44.–

All We Need Holzer Kobler Architekturen and iart interactive (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in 272 pages, 255 illustrations paperback, 2007 ISBN 978-3-03778-119-7 English/German/Frencf EUR 30.– GBP 23.– USD / CAD 40.–

Christina Kleineidam, Hans Peter Jost Cotton worldwide 19 × 26 cm, 7 ½ × 10 ¼ in, 320 pages 220 illustrations, hardcover 2009, ISBN 978-3-03778-201-9, English 2009, ISBN 978-3-03778-200-2, German EUR 40.– GBP 40.– USD / CAD 60.–

World of Giving Jeffrey Inaba and C-Lab Columbia University GSAPP (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in 256 pages, 120 illustrations, paperback, 2010 ISBN 978-3-03778-181-4, English EUR 30.– GBP 25.– USD / CAD 45.–

Science Suisse An Initiative of SRG SSR idée suisse Christian Eggenberger and Lars Müller (Eds.) 16.5 × 24 cm, 6 ½ × 9 ½ in 472 pages, 250 illustrations hardcover, with DVD (PAL) ISBN 978-3-03778-145-6 English/German/French/ Italian, 2009 EUR 30.– GBP 25.– USD / CAD 45.–

Yann Mingard, Alban Kakulya East of a New Eden European External Borders A Documentary Account 25 × 33 cm, 9 ¾ × 13 in, 320 pages 150 illustrations, hardcover 2010, ISBN 978-3-03778-176-0, English/French EUR 60.– GBP 60.– USD/CAD 99.–

Jules Spinatsch Temporary Discomfort 24 × 30 cm, 9 ½ × 11 ¾ in 186 pages, 115 photographs hardcover, 2005 ISBN 978-3-03778-047-3 English/German EUR 30.– GBP 30.– USD / CAD 45.–

Takahiro Kurashima POEMOTION Bestseller of the year! Great gift! An interactive and extraordinary book filled with dazzling visual effects! “ A great toy and gift for all those who enjoy optical sensations.” Slanted

17 × 23 cm, 6 ¾ × 9 in, 64 pages 30 illustrations, paperback 2012 , ISBN 978 -3 -03778 -277 -4 , English E UR 28 .– G BP 25 .– USD /CAD 25 .–

TAKAHIRO KURASHIMA , born in 1970 . Studied graphic design at Musashino Art University. Since 1992 he has worked as art director for the Japanese advertising agency dentsu.

Lars Müller Publishers GmbH Pfingstweidstrasse 6 CH -8005 Zürich Switzerland Phone +41 (0 )44 274 37 40 Fax +41 (0 )44 274 37 41 sales@lars-muller.ch www.lars-mueller-publishers.com

INTERNATIONAL DISTRIBUTION EUROPE

UNITED KINGDOM AND WORLD

North America

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