A AN N U UN NS SE E EN N B BA AT T TA AL LI IO ON N PRE FALL 17
A AN N U UN NS SE E EN N B BA AT T TA AL LI IO ON N
SAMURAI AND JA
PAN
DRESSING THE WARRIORS
llection o c ll a f e r this p rments. a d g r in e h d e n b u n nd fabrics d o io n t b a a ir o r t p u s o d in m e r pan, is the tudying traditional a ai warrior, numerous esemble this I decid line up. Alongside a J in s s ose. To r military cla Samurai primarily s e that of a Samur he for my p r ic g u n n p li a u n r s w a a o k e samurai, using on Japanese layers of clothing, li h each having their xtile piece that acts pt. s e n a p a J The ed look wit ether to create a te toric conce talion’. Foc to the idea of the t t is a a h b in d a r n o e o o t e c s h in ‘An Un d to look together to create a shion, that build tog ntemporary approac e t n a w I , Personally e collectively worn earable fa hich suggest a co w r o f e t ia wer ur ways w e, appropr lo n o e c r garments p t o f o e s n ool and tes and such as w lean kimono silhouet ec this are th
LAMELLAR PLATING
LAYERS OF CLOTHING AND ARMOUR
F AF BA RB IR CI C B OB AO RA DR D
TNEMPOLEVED
DEVELOPMENT
PLATED PIECES TO RESEMBLE ARMOUR
MOULAGE AND PLATING
TRADITIONAL ARMOUR THE PLATING IS CORDED TOGETHER TO CREATE A UNIQUE TEXTILE PIECE
TNEMPOLEVED
DEVELOPMENT FABRIC SAMPLES
CORDING INSPIRATION
NTS MI P A HAKA
TNEMPOLEVED
DEVELOPMENT
CORDED SLEEVES FOR EXTRA PROTECTION
MOULAGE INSPIRATION
PU ENIL
LINE UP
LINE UP AND SPECIFICATION DRAWINGS MY FINAL COLLECTION PORTRAYS CLEAN LINES COMBINED WITH ADDED FEATURES SUCH AS THE GATHERING OF FABRIC USING PULL CORDING AND THE TEXTILED PLATING. THERE IS QUITE A STRUCTURAL SILHOUETTE APPARENT WITHIN THE COLLECTION, TAKING INSPIRATION FROM MOULAGE, SAMURAI UNDERGARMENTS AND THE ARMOUR WHICH REPRESENTS THE PLATED TEXTILES. DROPPED SHOULDERS FOLLOW THE IDEA OF TRADITIONAL JAPANESE CLOTHING OF THE KIMONO. OVERALL ‘AN UNSEEN BATTALION’ CAPTURES THE ESSENCE OF A TRADITIONAL JAPANESE WARRIOR.
THE BALTIC
SHOW 3 LOOK COLLECTION