NEW GRAPHIC DESIGN RESEARCH AND DEVELOPMENT Laura garside
MODULE FD1064 TERM 2 PROJECT 2 OF 2 NEW GRAPHIC DESIGN PART ONE RESEARCH MODERNISM Modernism describes an array of cultural movements rooted in the changes in Western society in the late nineteenth and early twentieth century. new fresh and original. The term describes the modernist movement in tha arts, its set of cultural tendencies and associated cultural movement. development of modern industrial societies and growth of cities, followed by ww1 were among factor that shaped modernism. Modernism is a term used in the aftermath of the 1st world war and the Russian revolution in a period where the artistic avant-grade dreamed of a new world free from conflict, greed and social inequality.
Movements I have been looking at in particular are after looking at work in these particular movemntes these styles where my favourite. futurism, expressionism, cubism and impressionism. Artists that I have been looking at that work in the modernism style that I have been interested to look at are Walter Dexel, Joesph Muller-Brockmann, Hans Neuberg, Lester Beall and Cassandre
Artists that I have been looking at that work in the modernism style that I have been interested to look at are Walter Dexel, Joesph Muller-Brockmann, Hans Neuberg, Lester Beall and Cassandre Modernism was essentially conceived of as a rebellion against 19th Century academic and historicist traditions and against Victorian nationalism and cultural absolutism, on the grounds that the “traditional” forms of art, architecture, literature, religious faith, social organization and daily life (in a modern industrialized world) were becoming outdated. The movement was initially called “avant-garde”, descriptive of its attempt to overthrow some aspect of tradition or the status quo. The term “modernism” itself is derived from the Latin “modo”, meaning “just now”. Some Modernists saw themselves as part of a revolutionary culture that also included political revolution, while others rejected conventional politics as well as artistic conventions, believing that a revolution of political consciousness had greater importance than a change in actual political structures.
PART ONE RESEARCH MODERNISM MOVEMENTS FUTURISM
FELIX DEL MARLE Joined the movement in 1913, alothough his futurist period was fairly brief, I’ve chosen to look at his futurism work as it stands out in particular to me and really love some of the abstract qualities his pieces contain, the artwork below is one of my favorites I looked at by Del Marle as I love it’s artistic absrtact nature
GIACOMA BALLA His early pre-futurist perios was influenced by the pointilism of Georges Seurat impressionism’s concern with capturing the effects of light. I chose to look at Giacoma Ballas’ work in particular because i’ve found it extreamly interesting to research into. The image above is black and white primavera, spring, 1918 oil on canvas. I found this one interesting due to colour scheme and that the painting is abstract and I also really like the forms in the painting and the dimensions.
ABSTRACT EXPRESSIONISM
JACKSON POLLOCK abstract expressionism primarily referts to an art movement that arouse in NY after world war II in which painters created large, gestural art. Abstract expressionism came from a series of artistic movements that include art both abstract and expressionistic. I have chosen specifically to look at Jackson Pollock is specific as Ive found his abstract expressionism painting’sto be some of my favourite of this particular movement. I choose to research this movement as I really love abstract art work. I really like how all his work looks quite textural due to the paint, and really enjoy the messy artistic theme he seems to follow in his art work.
AUDREY FLACK Ive chosen to look into Audrey Flack due to similar reason as those that I’ve looked at Jackson Pollock, although I slightly favoured Audrey Flacks artwork as it has a really collaged feel to it which I love which really adds to the textural feel and messy artistic feel you get from the paintings. I love that they are bold from the choice of colour scheme and is a peice that really stands out. The above image was my favouite piece that I found which reasearching into the abreatch expressionism movement and Audrey Flack.
PART ONE RESEARCH POST MODERISM modernism + elements of irony and deeper meaning such as political statements Post modern designers rejected modernisms obsession with progress and challenged the fundamental tenets of order and discipline espoused by the bauhaus. As postmodernism favors expressive designs and a rebellion against for strict constraints, An important facet of postmodern design theory is the idea of anti-humanism, which explains that a universal principle cannot possibly be shared by all human beings, and insists that any principles must be determined historically and culturally. After looking at modernism and post modernism I find myself liking postmodernism and work in this style more and enjoy looking at artists who work within postmodernism style, and found I have enjoyed reasearching postmoderism work. Artists I have looked at in particular as I really love their work are terry jones jamie reid david carson jefferey keedy barbara kruger raymond pettibon
PHILOSOPHY OF MODERNISM The term “Post-Modernism” (literally “after Modernism”) originated in architecture to denote a reactionary movement against the perceived blandness and hostility of the Modernist movement, and also against the pretensions of high Modernism, with its pursuit of an ideal perfection, harmony of form and function, and dismissal of frivolous ornamentation. It came to be used in art, music and literature (and, by analogy, in philosophy) for any pluralistic or reactionary style that is often more ornamental than Modernism, and which is not afraid to borrow from previous artistic styles, often in a playful or ironic fashion. It tends to lack a clear central hierarchy or organizing principle, although it often embodies extreme complexity, contradiction, ambiguity, diversity and inter-connectedness or inter-referentiality, and is typically marked by a revival of traditional elements and techniques.
PART ONE RESEARCH POSTMODERNISM MOVEMENTS AVANT GARDE WOLS
Avant Garde comes after the turn of the last centuray, artists and designers from Europe began producing innovative images, objects and art work that still remain remarkable fresh today. Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The notion of the existence of the avant garde is considered by some to be a hallmark of modernism, as distinct from postmodernism. Many artists have aligned themselves with the avant-garde movement and still continue to do so, tracing a history from Dada through the Situationists to postmodern artists such as the Language poets around 1981
DADA HANNAH HOCH
POP ART ANDY WARHOL
The post modern art movement pop art emerged in the mid 1950’s in Britain. Pop art presented a challenge to traditions of fine art by including imagery from popular culture such as advertising, news, etc. In Pop art, material is sometimes visually removed from its known context, isolated, and/or combined with unrelated material. The concept of pop art refers not as much to the art itself as to the attitudes that led to it. I really love Andy Warhol’s pop art and his pop art work is extreamly iconic, known for his campbell soup and Marilyn Monroe art work. Andy Warhol was an artist who was a leading figure in the pop art movement
Movement from the European Avant Garde. Dada was actually created from the negatives reactions to the horrors of World War I, Dada rejected reason and logic, prizing nonsense, irrationality and intuition. I really love the dada movment artwork and still feel it has an extremly fresh modern style. My favourite artist in particular that worked within the dada movement was Hannah Hoch. I especially like her photo montage work and really love the style of it. When looking at Hannah Hoch’s photo montage work I feel like it’s very current and quite timless in the sense that years later it still has a mdern fresh feel.
PART ONE RESEARCH BAUHAUS “Archiects, painters, and sculptors must recognize anew the composite character of a building as an entity… Art is not a ‘profession.’ There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman… Together let us conceive and create the new building of the future, which will embrace architecture and sculpture and painting in one unity and which will rise one day toward heaven from the hands of a million workers like the crystal symbol of a new faith.” - the first proclamaition of Bauhaus. Bauhaus was founded by Walter Gropius in 1919, and was a famous school in Germany. It combined rafts and fine arts and particulary famous for it’s apparoch to design that it publiccized and taught. Bauhaus was the most influencial modernist art school of that centuary. Many famous artists attened Bauhaus school, to name a few such as Wassily Kandinsky Paul Klee and Josef albers. Bauhaus inspired many artists around the world to look at design in a different way as the school looked at mixing art and commercial graphic design.
PART ONE RESEARCH EMIL RUDER Emil Ruder was a swiss typographer and graphic designer, he published a basic grammar of typography which is called ‘Emil Ruder: Typography’ the book helped spread and propagate the swiss style, and also became a basic text for graphic design and also typography programs. Emil Ruder strongly believed that typographys purpose was to communicate ideas through writing. He also places heavy importance on sans serif typefaces. Ruders’ work is both clear and concise espeicially when looking at his typography. Emil Ruder was part of of the swiss design movement, and like most designers within the movement he favoured asymmetrical compositions, always making the counters of characters and the nagative spae of compositions of high importance. Emil Ruder played a key role in the development of graphic design in the 1940s and 50s. His style has been emulated by many designers, and his use of grids in design has influenced the development of web design on many levels.
What I really like about Emil Ruders’ work is the boldness and its structural typography. Looking at his work it’s really quite monchrome but I think that this is part of the impact and boldness of Emil Ruders’ design work! I was really drawn into looking at the pages of his book, as it has really nice simple clean type that he has formed into a shape which ive really enjoyed looking at. I think that although his design work is quite bare, it adds to them emphasis of his design work. When looking at Emil Ruders design work what Id like to take away and interpret into my own worn is the clean cut typography that is simple yet very bold and eyecatching.
PART ONE RESEARCH DAVID CARSON David carson is known to be one of the best designers in the US, he is very well known for his innotive magazine designs, and use of his experimental typography. He was the art director for the magazine ‘Ray Gun’, in which he produced much of the typographic and layout style for which he is known for. David Carson was possibly one of the most influential graphic designers of the 1990s. In particular for his widely imitated aesthetic defined the known as “grunge typography” era.
What I really like about David Carson is his different approach to his magzine layouts and how he makes the typography the main focus, I really like how he mixes his typography with different sizing, colours and even opacity. Although I really love David Carsons gruge style tytpography and design and find them fresh and modern and really enjoy looking at them, I find I am slightly more drawn to this mazine designs where they are slightly more pulled together and clean and fresh, as I feel these have a really modern edge to them, especially as he uses colour to bring his design together. It appears thats his designs for the magzine Surf are those that are more clean and
have a more modern appeal. His magazine design for Surf are probably some of my favourite designs of his as I love how he has used his typography in the same style he always does even with his grugier designs yet they have a completetly different look and are a lot more pulled together which I feel suits my style of design and what I like. When intupretting David Carson’s style into my own something I would definitly take away is how he layers his typographys, especially when looking at Surf magazine how it is layerd yet very precise looking and put together.
PART ONE RESEARCH NEVILLE BRODY
Neville Brody is an English graphic designer, typographer and art director. He is a well known magazine designer and art director for ‘The Face’ magazine and also ‘Arena’ magazine. Neville Brody also used to design record covers for artists such as Cabaret Voltaire and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. Neville Brody has designed a number of notable typefaces, that are easily identified as Neville Brodys work. He enjoyed the punk movement which can be seen reflected in his work. Iv’e chosen Neville Brody as one of my chosen designers to research as I really like his work, I definatley really love his typography. He generally uses quite a bit of colour in his design work, using different colours within his type which is a quality of his work that I really like. Neville Brodys work is quite bold and is a style that is easily recognised. I was really drawn to looking at his design work for The Face magaizne, the typography is often wuite simple but has a quirky edge to it, I also think that it is left as simple as possible without over cluttering so form of the type becomes more of a focus. Something I
noticed when researching Neville Brodys work is that he is not afraid to experiment with colour and also bright bold colours, when looking at neville brodys work he has often used red type on the mast head, as usually he seems to have used minimal text and a faily simple clean type it draws attention to the for of the type and also adds a point of interest and dimension to the whole design. As I like clean graphic design and quite simple yet effective designs, when looking at Neville Brodys work something id like to interpret into my own would be that I can keep it simple and clean yet add the element of different colours and mixing different colours onto a tyeface which still keeps it look clean but with a fresh modern edge.
PART ONE RESEARCH WIM CROUWEL Wim Crouwel, born 1928 in Groningen. He designed his first poster in 1952. After leaving artschool he became a painter leaning towards Expressionism, but as he designed this first poster he discovered how he could organise visual information in an aesthetical context. As a designer he felt related to the Bauhaus ideas, the swiss-inspired international style. He was fascinated by the rational aspect in Bauhaus typography. Although his ideas were bauhaus-related, unlike many Crouwel was not a dogmatist. He was fascinated by the ideas about serial and mass production, as he stated “we need the machine since we have no time.” But he also believed “the machine cannot replace the precision of the human eye and human feeling.” Crouwel’s work has always consisted of these two essential elements: the emotional aspect and the rational one. Crouwel is a modernist and impressed by a typeface like Helvetica, which was more neutral than any other typeface. “A face shouldn’t have a meaning in itself, the meaning should be in the content of the text.” In his work Crouwel chose sans-serif faces that allowed numerous combinations Wim Crouwel always searched for the
abstract, something that would strike the eye in his work. As a functionalist Crouwel focussed on the readability of his work. But when he had to make a choice between readability and aesthetics, he chose aesthetics. mainly uses type, but in the course of time non-typographic elements like lines and even reproductions would appear in his work. I really like the aesthetics of Win Crouwels work, I really like there simplicty, yet they convey very modern graphic design, mainly due to the style of typography he uses. I really like the composition that he uses in his posters, and the similar grids he seems to follow.
PART ONE RESEARCH ARMIN HOFMANN Armin Hofmann is a swiss graphic designer. Armin Hoffman is well known for his poster designs which emphasized economical use of colour and fonts and is also a typeface designer. He was head of graphic design at Basel School of Design, and involved in developing the graphic syle known as ‘Swiss Style’. Armin Hofmann thought that one of the most efficient forms of communications was the poster and Hofmann spent much of his career designing posters, in particularly for the Basel Stadt Theater. Armin Hofmann is also a very influential teacher. I really like Armins Hofmann’s work and find it very interesting, his poster work is very fascinating, and I find I am particulary drawn to his posters that are very type based. It’s very interesting to see how he uses typographys to form his posters and how they pull the design together. One of the reasons I really like Armin Hofmann as a designer is because his posters and typography work is very clean and and is the style of graphic design I really like and find myself working in the style of. Armin Hofmanns work is fairly simple when looking at the design which gives it a modern clean style.
When looking at Armins Hofmanns work influence I’d take from his work when thinking of my own, is that I’d like to keep it simple and structured and pulled together with it being minimal which will give it a modern fresh style.
PART ONE RESEARCH YAKOV CHERNIKHOV Yakov Chernikhov was a constructivist acrhitect and graphic designer. The latter, a very fine example of colour printing, was perhaps the last avant-garde art book to be published in Russia during the Stalinist era. Its remarkable designs uncannily predict the architecture of the later 20th century. The Odessa period in the life of the future architectural master became an important state in the formation of his creative personality. By virtue of practical construction activity Chernikhov acquired an ability to study and analyze specific attributes of all components of industrial architecture. The actual process of project design exerted an enormous influence on his creativity and gave him extensive material for experimental research work. I really love Yakov Chernikhovs style of arctitectural graphic design and I’ve found a lot of his pieces very inspiring. Although his graphic design is now old i still belive it looks extreamly modern and something youd see a modern graphic designer doing today still. It almost seems quite timeless in the sense that it still hasn’t become obvious which time
period his peices are from. Another reason why I love these designs in particular is because they are quite abstract and some pieces arent obviously an architectural structure which is adding a really interesting element. When thinking of my own work something that I’d take as inspiration from Yakov Chernikhov is the abstact effect his work has, and how it often looks like it has a interesting filter which adds dimension and interest and makes it look different.
RESEARCH INTO EXSISTING MAGAZINE COVERS PAUL RAND An American graphic designer, best known for his corporate logos. He is also widely known for his magazine cover designs for Direction magazine.
Looking at the editorial designs for direction magazine by paul rand, they all have a similar style. I really love the type used for the mast head as its clean and simple yet still bold, doesnt pull too much attention away from the rest of the design. Most of the designs for the magazine are fairly simple, and never overdone which is something I really love, as some have such simplicity yet are extreamly eye catching, I feel that the simple qualities of his designs are what make them modern although they were designed in the 40’s. After looking at quite a few editorial designs, I noticed that there is often quite a lot of negatice space within his designs, which I particulary really like, as it adds emphasis to the minimal design. what I also noticed which was a recurring factor in many of Rand’s editorial design is the minium use of colour, is quite minimal, if any at all.
Rand has occasionally used photography in his editorial designs, which I reallylove as it adds big points of interest, and it’s also very quirky photography that is included which I really love. Although not all of Rand’s editorial designs don’t include large amounts of negative space, and the composition is fairly filled up the design still has minimalistic qialities about it as its not over loaded which keeps it modern and fresh.
GRID THUMB NAILS I have drawn a few roughs to give me more of an idea and help me come up with how my masthead will look. The boxes represent where the text might go. The lines across the grid represent different segments winthin the composition, which might be different colours. I found using a grid extreamly useful when planning ideas for my masthead, as it’s a lot more easier to see things coming together and how type can be placed strategically withing the composotion instead of randomly placing type and imgery randomly.
MASTHEAD DESIGN IDEAS NEW GRAPHIC DESIGN
NEW GRAPHIC DESIGN
NewGraphicDesign
New Graphic Design
NGD
NEW GRAPHIC DESIGN I have generated several ideas that I could potentially use for my magazine front cover. I have played around with different variations of type, both bold and light. And also how they could be potentially used in a design, and how the layout might look. I have played around with shape and form of the masthead, so it adds more interest to the masthead. I have used a lot of bold type’s as I feel that a mast head would be more appripriate when bold as this is slightly more eye catching, but I really love the light matheads with added shapes as it adds interest and also makes the masthead design as as a whole more bold. These were my favourite types for my
masthead design and will be using these on my design to see which works better with different designs.
PRODUCING A COVER & MASTHEAD As part of my artist research, an artist I like in particular is Yakov Chernikhov which inspired me to look at interpreting architecture into my own work. One of the reasons I really liked Chernikhov architecture work was because it was quite abstract looking. I’ve used my own photography and followed one of the roughs I came up with and created the segments within the composition of the mast head, Ive then used a filter on my architecture image making it all white and placed it over the coloured section of the mast head which I really like the effect of, and gives the architecture an abstacrt apperance.
I have used a white typography over the image ive used and also overlapped onto the white section which I really like the effect of, I like the clash of the negative space and the busy clustered area, It also adds more abstract qualities to the image. I was also influenced by Armin Hofmann when creating the masthead, as after researching his work typography is often a bold main feature that stands out a lot withing his work. A lot of the designers I have researched into seemed to have a similar theme with bold typography that stood out within the design. I found the design to be have a much more postmodern appearance.
multiple options Here are a few thumbnails for multiple soloutions for the colour choice of my potential front cover. Changing the colour impacts the design quite a lot as it gives a different feel in each one. Using the thumbnails also helps me to pin point which colours I really like with the masthead ive used for this design. These were some of my favouite colour choices, athough I find I am slightly more drawn the the cooler shades and feel these tones fit in better with the design.
PRODUCING A MASTHEAD & COVER Another initial idea for creating the cover and the masthead was influenced by two of my artist’s I have researched, I took influence from Yakov Chernikhov which is why I choose to use an image of my own photography work, and used a filter over the image so that the image appeared more flat, and also gave it a slightly abstract affect. I also took inspiration from Armin Hofmann as I researched that Hofmann often used quite abstact structured shapes within his designes, and felt that the architecture image created structured bold shapes.
When creating my mastheast I found using the grid below really helpful when arranging how it would look, as i wanted to keep the type close, using the grid was also really helpful when figuring out the different sizing while still keeping a structured shape. I decided to keep the colours quite minimal after researching more in Armin Hofmanns’ design work, the colours are often fairly neutral. I went for a quite a bold structured typeface as looking at Armin Hofmanns designs is always bold typography.
PRODUCING A MASTHEAD & COVER Another initial idea, which is influenced by two of my artist research. I took influence from the designer Wim Crouwel when looking at the composition, and how he has created these different colour sections of his design work, this creates different layers to the image which Wim Crouwel seems to do in a lot of his design work. So I have tried to interpret this into my own work but with a different style, Ive created different layers in different angles of the composition, I decided to use a neutral colour palette of soft tones as I felt theres a lot going on in the composition and felt this would have been the most subtle way to do so. I also used Yakov Chernikhov again for influence and kept with the architecture theme and using a filter to create an abstract quality. I also changed some of the tones to create points of interest and also so it ties in with the different coloured sections of the design. Yakov Chernikhov
When creating the masthead for the design I went for a clear and bold font, as these are the type of fonts I have seen Wim Crouwel use in his design work, and I feel it helps to give the cover a modern feel to it. I decided to change the sizing and colours of the type after looking at design work from David Carson, this also influenced me to adjust the opacity of the type and layer the type over one another.
wim crouwel
MULTIPLE OPTIONS i’ve experimented with two very different colour schemes for this design, to see how the design and masthead works with completely different colour schemes as the original that I firstly came up with was a very neutral colour palette and also helped me with with deciding what kind of colours I prefer and what i’d go ahead with if i was to use this design for my front cover. Looking at the thumbnails I think that the difference between bright colours really transforms the design, I also feel these bright colours make the design slightly more post modern.
USING THE GRID The thumnail to the left shows how I’ve used the grid system to compose my cover when looking at the design and also the placing of the mast head.
PRODUCING A MASTHEAD AND COVER Initial idea for my cover and mast head. When I was creating the cover I took influence from my artist research specifically at Emil Ruder. I decided to use my own photography of roses, as I really loved the piece of design work which ruder designed which looks a flower, but is quite abstract. I’ve then used a filter over my photography image to take out the detail. Which I feel makes the image more abstract and more of a graphic than photgraphy. I also decided to go for a plain cream background as I noticed that Emil Ruder had a neutral background for a lot of
his design work. When thinking of the masthead for the cover, I wanted to go for a type that was sligtly minimal and and quite thin, and I wanted to keep as much negative space in the image as I could. And looking and Emil Ruders design work he has used a thin typeface which I thought would be nice to use as it keeps in theme the dainty aspects of the image which are quite feminine witht the flower graphic.
new graphic design New graphic design new graphic design
Different variations of a typeface I looked at for using for my masthead I really liked that they all have quite different changes, and felt that this style of type really fit with the design I was going for.
PRODUCING A MASTHEAD AND COVER Another initial idea for my front cover and mast head, continuing to use the theme of architecture inspired from Yakov Chernikhov. Ive used the same image that I’ve used in mulitiple of my ideas for the cover yet slightly changed it to fit in with the design. This design idea is also inspired by Wim Crouwel by taking influence from the backgrounds in Crouwels design work with using a multiple tone background.
When thinking of creating a mast head for my design, I decided to use my own typeface that I created as I was influenced after looking at Wim Crouwel and Armin Hofmann’s design work as they often have a bold, interesting typeface. I also thought since the design had a slightly modernism feel and my typeface is actually quite modernism inspired too i felt they would fit well together in the design.
What I like about this idea is how minimal and simple the design is, it reminds me of modernism design work. I took influence from Wim Crouwel for my design to be very minimalistic and have quite a neautral minimal colour pallete. I really like how the composition comes together with the different tones, and think its fits together nicely.
FINAL FRONT COVER AND MASTHEAD I decided to go ahead with The cover inspired by Yakov Chernikhov and Armin Hofmann, as this one was my favourite out of all my idea and I was particulary drawn to this one. I think that the design and the masthead represents postmodernism well. From my initial mock up of the design I have made quite a few canges and adjustments, I was aware I had to add for type onto the design which promted me to slightly decrease the font size and slightly increase the coloured segment, which allowed me to fit more information on. I also added a different typeface onto the top of the design which goes across both of the segments of the decided which promped me to interchange the colours so they would fit. I decided to use a smaller less bold typeface as when using the bold one I used for my masthead it was slightly too much, as the design is already fairly busy. I think that I’ve represented the designers that I have researed fairly well as I have took inspirstion from several of my chosen designers. The back ground with the different coloured segements which breaks up the composition was influences by Wim Crouwel as he uses diffeerent colours and layer them up which I really love in his work. The architecture graphic was inspired by Yakov Chernikhov as he
often works with architecture and makes it look quite filtered and abstract and has a very graphical appearance, which I tried to convey across into my own design with using a filter which helped to make it abstract. I kept the style of the masthead the same as I liked how bold it is.
PRODUCING INNER PAGES
These are a few rough thumbnails of the layout for my magazine, and where i might place my text and images on the page.
PRODUCING INNER PAGES I have looked at a few at some magazine layouts to see how different magazine present content in their magagazines. Firstly I’ve looked at Computer Arts, I really liked how they hae displayed their content as it is very visual, but I find it almost too busy and cluttered and like the layouts that are a little more spaced out and minimal. When looking at magazine layouts that a little more spaced out feel a lot more chic. Looking at magazines in general I knew there was criteria I needed to include to make my magazine look professional. Such as including a contents page. Using columns for my text and also simple things to include page numbers.
PRODUCING INNER PAGES
Contens is very minimal with clean type. The image on the facing page is from artist typeface module when creating advert for my cubism typeface
I have then put my manifesto into the magazine and kept the pages really spacious, I wanted to include this as I feel it was a nice touch of post modern design.
Ive theninvolved my artist typeface as its inspired from picasso and is moderist cubism art work, which I felt fit nicely into the magazine.
My last two pages are about the ‘artist of the month’ I thought this would be a nice idea to inclue which I found influenced my work during this module the most.
RESOURCES http://bittleston.com/artists/giacomo_balla/ http://www.life123.com/arts-culture/art-history/expressionism/abstract-expressionism. shtml what is abstract expressisssss http://www.kerseboom.com/del%20marle.html felixx http://www.philosophybasics.com/movements_modernism.html philosphy of modernism http://va312iremakdogan.wordpress.com/tag/david-carson/ http://www.thinkingform.com/2011/06/29/thinking-armin-hofmann-06-29-2011/ hofmann pics armin hofmann info http://www.designishistory.com/1940/armin-hofmann/ http://www.theleaflabel.com/en/blog/view/91/TM http://www.artexpertswebsite.com/pages/artists/delmarle.php http://www.ibiblio.org/wm/paint/auth/pollock/ http://db-artmag.com/en/54/feature/audrey-flack-breaking-the-rules/ http://www.christianhubert.com/writings/postmodernism.html http://www.xradiograph.com/interference/ http://caitlinkroener.wordpress.com/2012/07/16/postmodern-virtual-exhibit-conceptualart/ http://www.mudkiss.com/theartofpunkinterview.htm http://www.fineart-china.com/htmlimg/image-67596.html http://www.byshmoo.com/andy-warhol-top-seller-artist-in-2012/ http://weimarart.blogspot.co.uk/2010/08/hannah-hoch-brushflurlets-and-beer.html http://gogermany.about.com/od/historyandculture/tp/bauhaus_germany.htm http://mtvenar.deviantart.com/art/Bauhaus-Art-style-poster-164693658 http://facesofdesign.com/event/bauhaus-conceptual-model http://www.flickr.com/photos/mikecina/7972010552/